Podcasts about Levant

"You're no longer a Jedi. You're not even a man. You're just a machine..."Volume 3 is finally here and it opens with a stellar return to one of our favorite characters—The Ronin. We discuss everything we love about this episode, including the historical inspirations for Aneé-san, our love for Anzellans and Ewoks, and why we're so happy Visions is back. We also talk about our disappointment with the "Filmmaker Focus" featurettes this time around and our hope that we return to the focus feature- Where To Find Us - Web: ⁠GlitterJaw.com⁠⁠Bluesky: @DistantEchoespod.bsky.socialInstagram: ⁠⁠@DistantEchoesSW⁠⁠TikTok: @DistantEchoesPod⁠Email: ⁠DistantEchoesSW@gmail.com⁠- Theme Music -失望した by EVA -⁠ https://joshlis.bandcamp.com⁠⁠Promoted by ⁠⁠@RoyaltyFreePlanet⁠⁠Creative Commons Attribution 3.0 ⁠⁠http://bit.ly/RFP_CClicense⁠- Sources -Filmmaker Focus: "The Duel: Payback"How Onna-Bugeisha, Feudal Japan's Women Samurai, Were Erased From History, Christobel Hastings, Vice Queer Echoes: Koike Chikyoku, Unlikely Warrior Artist, Nyri Bakkalian, Unseen JapanCombat Artist: Finding Koike Chikyoku, Nyri Bakkalian, Gutsy BroadsPlease consider donating to the Palestinian Children's Relief Fund, a non-profit with the mission to provide medical and humanitarian relief collectively and individually to children throughout the Levant, regardless of their nationality or religion: ⁠⁠⁠⁠www.pcrf.net⁠⁠⁠⁠ All audio clips are used under Fair Use and belong to their respective copyright owners.

«Dios nos llama todos los días».

In Resurrecting the Past: France's Forgotten Heritage Mandate (Cornell UP, 2025), Dr. Sarah Griswold shows how the Levant became a crucial front in a post-1918 fight over the French past—a contingent and contradictory but always hard-charging struggle over a forgotten "heritage mandate." Many scholars, clergy, pundits, politicians, and investors perceived the moment Allied forces entered Jerusalem in December 1917 to be a once-in-a-lifetime opportunity to expand French influence, evoking the vision of a new colony in the territory: a French Levant. But what transpired for the French state in the Levant after World War I, and why does that ill-conceived venture still matter today? Resurrecting the Past investigates how heritage politics led to a new form of empire—a French mandate for Syria and Lebanon—and with it a tide of regional and international critique. Against such opposition, the heritage mandate leaned heavily on spectacle and science, generating a sprawling set of sites and objects—Ottoman mansions, crusader castles, Umayyad mosques, Roman arches, buried synagogues, and Sumerian ziggurats. As Dr. Griswold traces how French heritage efforts cycled through multiple ideal pasts in the Levant from 1918 to 1946, she reveals how each one, though grounded in realities, also complicated those constructs and the work of French heritage-makers. Resurrecting the Past offers a parable of how efforts in heritage politics aimed to construct a union of ideologies and objects deemed the best past for France's uncertain future but struggled as much as they succeeded. Eventually those same heritage politics ironically helped officials justify the end of the "French Levant." This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Resurrecting the Past: France's Forgotten Heritage Mandate (Cornell UP, 2025), Dr. Sarah Griswold shows how the Levant became a crucial front in a post-1918 fight over the French past—a contingent and contradictory but always hard-charging struggle over a forgotten "heritage mandate." Many scholars, clergy, pundits, politicians, and investors perceived the moment Allied forces entered Jerusalem in December 1917 to be a once-in-a-lifetime opportunity to expand French influence, evoking the vision of a new colony in the territory: a French Levant. But what transpired for the French state in the Levant after World War I, and why does that ill-conceived venture still matter today? Resurrecting the Past investigates how heritage politics led to a new form of empire—a French mandate for Syria and Lebanon—and with it a tide of regional and international critique. Against such opposition, the heritage mandate leaned heavily on spectacle and science, generating a sprawling set of sites and objects—Ottoman mansions, crusader castles, Umayyad mosques, Roman arches, buried synagogues, and Sumerian ziggurats. As Dr. Griswold traces how French heritage efforts cycled through multiple ideal pasts in the Levant from 1918 to 1946, she reveals how each one, though grounded in realities, also complicated those constructs and the work of French heritage-makers. Resurrecting the Past offers a parable of how efforts in heritage politics aimed to construct a union of ideologies and objects deemed the best past for France's uncertain future but struggled as much as they succeeded. Eventually those same heritage politics ironically helped officials justify the end of the "French Levant." This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

In Resurrecting the Past: France's Forgotten Heritage Mandate (Cornell UP, 2025), Dr. Sarah Griswold shows how the Levant became a crucial front in a post-1918 fight over the French past—a contingent and contradictory but always hard-charging struggle over a forgotten "heritage mandate." Many scholars, clergy, pundits, politicians, and investors perceived the moment Allied forces entered Jerusalem in December 1917 to be a once-in-a-lifetime opportunity to expand French influence, evoking the vision of a new colony in the territory: a French Levant. But what transpired for the French state in the Levant after World War I, and why does that ill-conceived venture still matter today? Resurrecting the Past investigates how heritage politics led to a new form of empire—a French mandate for Syria and Lebanon—and with it a tide of regional and international critique. Against such opposition, the heritage mandate leaned heavily on spectacle and science, generating a sprawling set of sites and objects—Ottoman mansions, crusader castles, Umayyad mosques, Roman arches, buried synagogues, and Sumerian ziggurats. As Dr. Griswold traces how French heritage efforts cycled through multiple ideal pasts in the Levant from 1918 to 1946, she reveals how each one, though grounded in realities, also complicated those constructs and the work of French heritage-makers. Resurrecting the Past offers a parable of how efforts in heritage politics aimed to construct a union of ideologies and objects deemed the best past for France's uncertain future but struggled as much as they succeeded. Eventually those same heritage politics ironically helped officials justify the end of the "French Levant." This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

In Resurrecting the Past: France's Forgotten Heritage Mandate (Cornell UP, 2025), Dr. Sarah Griswold shows how the Levant became a crucial front in a post-1918 fight over the French past—a contingent and contradictory but always hard-charging struggle over a forgotten "heritage mandate." Many scholars, clergy, pundits, politicians, and investors perceived the moment Allied forces entered Jerusalem in December 1917 to be a once-in-a-lifetime opportunity to expand French influence, evoking the vision of a new colony in the territory: a French Levant. But what transpired for the French state in the Levant after World War I, and why does that ill-conceived venture still matter today? Resurrecting the Past investigates how heritage politics led to a new form of empire—a French mandate for Syria and Lebanon—and with it a tide of regional and international critique. Against such opposition, the heritage mandate leaned heavily on spectacle and science, generating a sprawling set of sites and objects—Ottoman mansions, crusader castles, Umayyad mosques, Roman arches, buried synagogues, and Sumerian ziggurats. As Dr. Griswold traces how French heritage efforts cycled through multiple ideal pasts in the Levant from 1918 to 1946, she reveals how each one, though grounded in realities, also complicated those constructs and the work of French heritage-makers. Resurrecting the Past offers a parable of how efforts in heritage politics aimed to construct a union of ideologies and objects deemed the best past for France's uncertain future but struggled as much as they succeeded. Eventually those same heritage politics ironically helped officials justify the end of the "French Levant." This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

It's another crossover episode with our favorite book and video game club podcast on Glitterjaw—Novel Gaming!We're back with our pals Doug and Katie to discuss another stellar (and queer!) Star Wars book—Emma Mieko Candon's Star Wars: Ronin A Visions Novel (2021)! We gush over the Emma's prose and the way Ronin weaves Japanese mythology, haunting ghost stories, and Star Wars lore together in a beautiful and unapologetically queer way. Be sure to check out Novel Gaming on every podcast platform - or YouTube at GitterJaw.com!Our socialsTwitter ⁠@DistantEchoesSW⁠ Instagram ⁠@DistantEchoesSW⁠.Email: DistantEchoesSW@gmail.com.Cass - Twitter: ⁠@Cassiethulu⁠ | Instagram: @CassiethuluTommy - Twitter: ⁠@AwkwardComma⁠ | Instagram: @AwkwardCommaTheme Music失望した by EVA - https://joshlis.bandcamp.comPromoted by @RoyaltyFreePlanet - https://royaltyfreeplanet.comCreative Commons Attribution 3.0 http://bit.ly/RFP_CClicensePlease consider donating to the Palestinian Children's Relief Fund, a non-profit with the mission to provide medical and humanitarian relief collectively and individually to children throughout the Levant, regardless of their nationality or religion: ⁠⁠⁠⁠⁠www.pcrf.net⁠⁠⁠⁠⁠.

In this interview with psychologist and prolific author Dr. Ron Levant, Cathy and Deborah discuss his new book, The Problem with Men. From delinquency to the President of the American Psychological Association, Dr. Levant shares his own experience, including the role abuse and forced male stereotypes played in his life, and how he reached beyond. According to Dr. Levant, when boys receive the message early on that "girls are less than boys," misogyny can take root. Listen in for his thoughts on how we can take the pressure off men to conform and free up space for men and women to engage with each other and be themselves.

La poétique du souvenir avec Yasmine Hamdan (Liban) et Christine Zayed (Palestine). Yasmine Hamdan est notre 1ère invitée pour la sortie de son 3ème album I Remember I Forget Yasmine Hamdan a d'abord surgi sur la scène musicale avec la formation indie électronique pionnière Soapkills, formée avec Zeid Hamdan dans le Beyrouth de la fin des années 90. Le répertoire entêtant et irrévérencieux du duo ainsi que ses visuels auront rayonné créativement à travers le monde arabe et au-delà, culminant avec une anthologie en 2015. Après s'être installée à Paris en 2005, la musicienne collabore avec le producteur Mirwais (ex-Taxi Girl et producteur de Madonna) pour le projet Y.A.S., à l'origine d'un album dansant et raffiné, Arabology, paru chez Universal en 2009. Depuis, elle s'est fait un nom au-delà des frontières en tant qu'autrice-compositrice et productrice solo, entrelaçant avec élégance des univers éloignés comme la poésie, la pop et la tradition panarabe, l'electronica, la soul ou encore la guitar music. Elle a collaboré avec des cinéastes de tous horizons tels que Elia Suleiman, Jim Jarmusch (chantant notamment à l'écran dans le film de 2013 Only Lovers Left Alive), Daniele Arbid ou Ghassan Salhab, et a joué au sein de projets collectifs majeurs comme Africa Express. En solo, Yasmine Hamdan a sorti un premier disque en 2013, Ya Nass, un en 2017, Al Jamilat, et à présent son troisième album I Remember I Forget, co-produit aux côtés de son collaborateur de longue date Marc Collin (Nouvelle Vague). La mémoire est une force sans pareille. I Remember I Forget [Je me souviens que j'oublie] succède à deux disques solo salués à l'international, Ya Nass (2013) et Al Jamila (2017). L'album scelle la réputation de Yasmine Hamdan en tant que conteuse talentueuse, performeuse captivante et défricheuse indépendante. L'artiste polyglotte, née à Beyrouth et installée à Paris, a toujours mêlé dans sa musique l'intime, le poétique et la politique, souvent avec un humour vif, puisant ses influences dans les dialectes et sonorités du monde pan-arabe et d'ailleurs. C'est plus que jamais le cas sur ce nouvel album, un ensemble de chants de beauté et de fureur légitime, forgé dans le tumulte de crises mondiales, notamment l'explosion en 2020 du port de Beyrouth et l'effondrement économique du Liban (désastre financier qui aura protégé l'élite aux dépens du plus grand nombre). Dans un monde moderne de plus en plus fracturé, les prises de parole de Yasmine Hamdan semblent plus vitales que jamais. «Pour cet album, je voulais m'attacher à un lieu spécifique — et il fallait que ce soit le Liban», explique Yasmine Hamdan. «Mon lien avec le Liban et ce qui lui est arrivé a constitué le terreau à partir duquel j'ai commencé à écrire et composer l'album. Cependant, au fur et à mesure du processus créatif, cet endroit est devenu un symbole, une métaphore, une catharsis pour ce qui se passe plus largement dans le monde et à travers l'expérience collective.»  «En dépit de la douleur ressentie devant ce qui est infligé à mon lieu de naissance, s'est installé peu à peu un sentiment de tendresse, de familiarité, ce qui m'a apporté de l'espoir et de l'inspiration. Beyrouth a certainement continué à être généreuse avec moi», raconte-t-elle. Yasmine Hamdan s'est ainsi attelée à l'écriture des chansons, renouant pour l'occasion avec un collaborateur de longue date, Marc Collin (Nouvelle Vague). I Remember I Forget a été produit sous la tutelle de leurs labels respectifs, Hamdanistan et Kwaidan, et paraît chez Crammed Discs / [PIAS].   Titres joués durant l'entretien : I Remember I Forget, Shmaali, Shadia et The Beautiful Losers. ► Album I Remember I Forget (Crammed Discs / [PIAS] 2025). Site Yasmine Hamdan - Bandcamp. YouTube. Actu concert 18 mars, Paris Le Trianon.   Puis la #SessionLive reçoit Christine Zayed pour l'album Kama Kuntu. Née dans une famille mélomane de Palestine, élevée entre Jérusalem et Ramallah, Christine Zayed est une chanteuse, une compositrice et une instrumentiste, virtuose du qanûn. Elle a été initiée dès son plus jeune âge à la musique arabe classique et contemporaine, ainsi qu'à la musique traditionnelle palestinienne. Son répertoire s'appuie principalement sur la musique arabe classique, basée sur le maqam (la science et la pratique de l'improvisation modale arabe), et sur la poésie arabe, en particulier la poésie palestinienne contemporaine. Ses compositions, fortement ancrées dans la tradition, sont résolument contemporaines, recherchant les chemins de la modernité dans le croisement avec d'autres univers musicaux. Elle vit et travaille en France depuis quelques années et collabore à de multiples projets, notamment au sein de l'Ensemble Chakâm ou du groupe Atine. Elle se produit en solo ou en trio avec le flûtiste Sylvain Barou et le percussionniste Habib Meftah interprétant un répertoire que l'on retrouve dans son premier album, Kama Kuntu («Ce que j'étais»). On y croise plusieurs invités, notamment Piers Faccini. Titres interprétés au grand studio : - Avant que je photographie les oiseaux, Live RFI - Animal, Feat. Piers Faccini, extrait de l'album  - Ghalimi Live RFI. Line Up : Christine Zayed (qanûn, chant), Sylvain Barou (flûtes, duduk) et Habib Meftah (percussions) Son : Mathias Taylor, Benoît Letirant. ► Album Kama Kuntu (T-Rec 2024). Site - YouTube. Actu concerts : 11 décembre – Festival NoBorder, Brest // en trio + 12 décembre – Le Chenal, Porspoder // dans le cadre de NoBorder // en trio.

La poétique du souvenir avec Yasmine Hamdan (Liban) et Christine Zayed (Palestine). Yasmine Hamdan est notre 1ère invitée pour la sortie de son 3ème album I Remember I Forget Yasmine Hamdan a d'abord surgi sur la scène musicale avec la formation indie électronique pionnière Soapkills, formée avec Zeid Hamdan dans le Beyrouth de la fin des années 90. Le répertoire entêtant et irrévérencieux du duo ainsi que ses visuels auront rayonné créativement à travers le monde arabe et au-delà, culminant avec une anthologie en 2015. Après s'être installée à Paris en 2005, la musicienne collabore avec le producteur Mirwais (ex-Taxi Girl et producteur de Madonna) pour le projet Y.A.S., à l'origine d'un album dansant et raffiné, Arabology, paru chez Universal en 2009. Depuis, elle s'est fait un nom au-delà des frontières en tant qu'autrice-compositrice et productrice solo, entrelaçant avec élégance des univers éloignés comme la poésie, la pop et la tradition panarabe, l'electronica, la soul ou encore la guitar music. Elle a collaboré avec des cinéastes de tous horizons tels que Elia Suleiman, Jim Jarmusch (chantant notamment à l'écran dans le film de 2013 Only Lovers Left Alive), Daniele Arbid ou Ghassan Salhab, et a joué au sein de projets collectifs majeurs comme Africa Express. En solo, Yasmine Hamdan a sorti un premier disque en 2013, Ya Nass, un en 2017, Al Jamilat, et à présent son troisième album I Remember I Forget, co-produit aux côtés de son collaborateur de longue date Marc Collin (Nouvelle Vague). La mémoire est une force sans pareille. I Remember I Forget [Je me souviens que j'oublie] succède à deux disques solo salués à l'international, Ya Nass (2013) et Al Jamila (2017). L'album scelle la réputation de Yasmine Hamdan en tant que conteuse talentueuse, performeuse captivante et défricheuse indépendante. L'artiste polyglotte, née à Beyrouth et installée à Paris, a toujours mêlé dans sa musique l'intime, le poétique et la politique, souvent avec un humour vif, puisant ses influences dans les dialectes et sonorités du monde pan-arabe et d'ailleurs. C'est plus que jamais le cas sur ce nouvel album, un ensemble de chants de beauté et de fureur légitime, forgé dans le tumulte de crises mondiales, notamment l'explosion en 2020 du port de Beyrouth et l'effondrement économique du Liban (désastre financier qui aura protégé l'élite aux dépens du plus grand nombre). Dans un monde moderne de plus en plus fracturé, les prises de parole de Yasmine Hamdan semblent plus vitales que jamais. «Pour cet album, je voulais m'attacher à un lieu spécifique — et il fallait que ce soit le Liban», explique Yasmine Hamdan. «Mon lien avec le Liban et ce qui lui est arrivé a constitué le terreau à partir duquel j'ai commencé à écrire et composer l'album. Cependant, au fur et à mesure du processus créatif, cet endroit est devenu un symbole, une métaphore, une catharsis pour ce qui se passe plus largement dans le monde et à travers l'expérience collective.»  «En dépit de la douleur ressentie devant ce qui est infligé à mon lieu de naissance, s'est installé peu à peu un sentiment de tendresse, de familiarité, ce qui m'a apporté de l'espoir et de l'inspiration. Beyrouth a certainement continué à être généreuse avec moi», raconte-t-elle. Yasmine Hamdan s'est ainsi attelée à l'écriture des chansons, renouant pour l'occasion avec un collaborateur de longue date, Marc Collin (Nouvelle Vague). I Remember I Forget a été produit sous la tutelle de leurs labels respectifs, Hamdanistan et Kwaidan, et paraît chez Crammed Discs / [PIAS].   Titres joués durant l'entretien : I Remember I Forget, Shmaali, Shadia et The Beautiful Losers. ► Album I Remember I Forget (Crammed Discs / [PIAS] 2025). Site Yasmine Hamdan - Bandcamp. YouTube. Actu concert 18 mars, Paris Le Trianon.   Puis la #SessionLive reçoit Christine Zayed pour l'album Kama Kuntu. Née dans une famille mélomane de Palestine, élevée entre Jérusalem et Ramallah, Christine Zayed est une chanteuse, une compositrice et une instrumentiste, virtuose du qanûn. Elle a été initiée dès son plus jeune âge à la musique arabe classique et contemporaine, ainsi qu'à la musique traditionnelle palestinienne. Son répertoire s'appuie principalement sur la musique arabe classique, basée sur le maqam (la science et la pratique de l'improvisation modale arabe), et sur la poésie arabe, en particulier la poésie palestinienne contemporaine. Ses compositions, fortement ancrées dans la tradition, sont résolument contemporaines, recherchant les chemins de la modernité dans le croisement avec d'autres univers musicaux. Elle vit et travaille en France depuis quelques années et collabore à de multiples projets, notamment au sein de l'Ensemble Chakâm ou du groupe Atine. Elle se produit en solo ou en trio avec le flûtiste Sylvain Barou et le percussionniste Habib Meftah interprétant un répertoire que l'on retrouve dans son premier album, Kama Kuntu («Ce que j'étais»). On y croise plusieurs invités, notamment Piers Faccini. Titres interprétés au grand studio : - Avant que je photographie les oiseaux, Live RFI - Animal, Feat. Piers Faccini, extrait de l'album  - Ghalimi Live RFI. Line Up : Christine Zayed (qanûn, chant), Sylvain Barou (flûtes, duduk) et Habib Meftah (percussions) Son : Mathias Taylor, Benoît Letirant. ► Album Kama Kuntu (T-Rec 2024). Site - YouTube. Actu concerts : 11 décembre – Festival NoBorder, Brest // en trio + 12 décembre – Le Chenal, Porspoder // dans le cadre de NoBorder // en trio.

"It is written. It is your destiny..."Our journey looking back at Star Wars: Visions Season 1 has finally concluded, and we're looking back at our favorite episode of the first season once more - "Akakiri." A pitch-perfect short that serves as a wonderful tribute to Kurasawa's The Hidden Fortress, bringing the season full-circle.Plus, we finally read and discuss the stunning one-shot comic "Visions – Peach Momoko " and give our favorite episodes after revisiting the series for the second time.- Where To Find Us - Web: ⁠GlitterJaw.com⁠⁠Bluesky: @DistantEchoespod.bsky.socialInstagram: ⁠⁠@DistantEchoesSW⁠⁠TikTok: @DistantEchoesPod⁠Email: ⁠DistantEchoesSW@gmail.com⁠- Theme Music -失望した by EVA -⁠ https://joshlis.bandcamp.com⁠⁠Promoted by ⁠⁠@RoyaltyFreePlanet⁠⁠Creative Commons Attribution 3.0 ⁠⁠http://bit.ly/RFP_CClicense⁠- Sources -Filmmaker Focus: "Akakiri""Marvel announces Peach Momoko series of Star Wars covers for Women's History Month" by David Cirone, j-generation.comPlease consider donating to the Palestinian Children's Relief Fund, a non-profit with the mission to provide medical and humanitarian relief collectively and individually to children throughout the Levant, regardless of their nationality or religion: ⁠⁠⁠⁠www.pcrf.net⁠⁠⁠⁠ All audio clips are used under Fair Use and belong to their respective copyright owners.

Bienvenue sur FRAGÎLE, le podcast qui raconte les îles de Porquerolles, Port-Cros et du Levant, à travers le regard et le portrait de celles et ceux qui les habitent, les aiment et les font vivre.Dans ce deuxième épisode consacré au projet européen InterReg Marittimo AMMIRARE, avec mes invités, Éric SERANTONI, chargé de mission gestion et travaux en milieux naturels terrestres, et Nikola ZSOLNAY, chargée de mission sur le projet AMMIRARE au Parc national de Port-Cros, nous poursuivons notre exploration d'un sujet essentiel : l'avenir de nos plages méditerranéennes face au changement climatique.Après avoir posé les bases du projet dans la première partie, place cette fois à la question de l'hyperfréquentation et la gestion du flux des plageurs, aux actions concrètes menées sur le terrain et aux premiers enseignements tirés des expérimentations réalisées dans le Parc national de Port-Cros.

Chaque dimanche, retrouvez le livre coup de coeur de la semaine : roman, thriller, littérature... laissez-vous inspirer pour vos prochaines lectures ! RDV chaque dimanche à 08h50 et 10h20 sur LYON 1ERE. Ecoutez LYON 1ERE sur lyonpremiere.fr, l'application et à Lyon sur 90.2FM et en DAB+.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

"With a little time... we're going to become a proper family..."In spite of our insistence it was a bad episode, we have to admit, we were wrong. (Or, more likely, our tastes and perspectives have changed with time.) "Lop & Ochō" was a fantastic episode to revisit. We found so much more depth and appreciation for the story Geno Studio told this time around. We talked Yuki Igarashi's notion of this episode's "wabi sabi," and the comfort you can still find in it's "imperfect" ending. Plus, the gorgeous animation, costumes, and the overarching theme of Imperial oppression.Stick around for our Beyond the Outer Rim Segment, where Tommy shares his experience exploring the world of improv for the first time!- Where To Find Us - Web: ⁠GlitterJaw.com⁠⁠Bluesky: @DistantEchoespod.bsky.socialInstagram: ⁠⁠@DistantEchoesSW⁠⁠TikTok: @DistantEchoesPod⁠Email: ⁠DistantEchoesSW@gmail.com⁠- Theme Music -失望した by EVA -⁠ https://joshlis.bandcamp.com⁠⁠Promoted by ⁠⁠@RoyaltyFreePlanet⁠⁠Creative Commons Attribution 3.0 ⁠⁠http://bit.ly/RFP_CClicense⁠- Sources -Filmmaker Focus: "The Elder" (Disney+)Please consider donating to the Palestinian Children's Relief Fund, a non-profit with the mission to provide medical and humanitarian relief collectively and individually to children throughout the Levant, regardless of their nationality or religion: ⁠⁠⁠⁠www.pcrf.net⁠⁠⁠⁠ All audio clips are used under Fair Use and belong to their respective copyright owners.

Bienvenue sur FRAGÎLE, le podcast qui raconte les îles de Porquerolles, Port-Cros et du Levant, à travers le regard et le portrait de celles et ceux qui les habitent, les aiment et les font vivre.Aujourd'hui, je vous propose un épisode un peu particulier.Nous ne partons pas à la rencontre d'un habitant, mais à la découverte d'un projet européen d'envergure, à la croisée de la science et de la nature : le projet AMMIRARE — pour Actions et Méthodologies pour l'Amélioration de la Résilience des Plages.Un projet qui questionne notre rapport à la posidonie, aux plages, et à leur avenir face au changement climatique.Dans ce premier épisode, nous posons les bases : comprendre ce qu'est le projet InterReg Marittimo AMMIRARE, ses objectifs, ses acteurs, et la manière dont il s'expérimente ici, au cœur du Parc national de Port-Cros.Pour cela je reçois Éric SERANTONI, chargé de mission gestion et travaux en milieux naturels terrestres, et Nikola ZSOLNAY, chargée de mission sur le projet AMMIRARE au Parc national de Port-Cros. Ils nous expliquent comment ce projet européen conjugue science, nature et coopération internationale pour rendre nos littoraux plus résilients face aux effets du changement climatique.Un chiffre pour comprendre l'urgence : la montée du niveau de la Méditerranée est estimée entre 3 et 4 millimètres par an et s'accélère selon les projections. Ce phénomène provoque érosion, submersion, recul des plages, et s'accompagne d'une augmentation de la fréquence et de l'intensité des tempêtes. Les effets sont déjà visibles à Porquerolles et plus globalement sur le territoire, mais d'autres impacts, plus invisibles, sont à l'oeuvre que nous allons détailler ici.

This is just a teaser for today's episode, which is available for Patreon subscribers only! We can't do the show without your support, so help us keep the lights on over here and access tons of bonus content, including Roqayah's new weekly column “Last Week in Lebanon,” by subscribing on our Patreon for as little as $5 a month. While you're at it, we also love it when you subscribe, rate, and review us on Apple Podcasts.  Kumars is off this week, so Roqayah is joined in Beirut by writer and video journalist Hadi Hoteit, war correspondent for Press TV and producer of “Wartime Cafe with Laith Marouf” along with other programming at Free Palestine TV.  Together, Hadi and Roqayah react to the latest ceasefire agreement in Gaza, reflecting on the regional impact of the genocide, the interconnectedness of the Levant before and despite European colonization, and what Israel's campaign in Lebanon portends for Gaza in the coming months and years.  Hadi and Roqayah also discuss Israel's targeting of construction machinery and efforts to rebuild south Lebanon, the history of Israeli aggression against Lebanon dating back to 1948, how popular support for Hezbollah's refusal to disarm is informed by the longstanding marginalization of the Shia community, and finding hope in the global tradition of indigenous resistance.  You can watch Free Palestine TV on YouTube and follow Hadi Hoteit on Twitter.  

President Recep Tayyip Erdogan is facing growing pressure from Washington to cut Turkey's heavy dependence on Russian oil and gas – and end his long-standing balancing act between Moscow and the West. Erdogan said this week that Turkey would work with the United States on civil nuclear energy, in a new signal to Washington that Ankara is looking west for its energy needs. Turkish companies last month signed a 20-year, multibillion-dollar deal with American firms to buy liquefied natural gas. The agreement came during Erdogan's visit to Washington to meet US President Donald Trump in late September. During that meeting, Trump urged Erdogan to reduce ties with Moscow and end Turkey's reliance on Russian oil and gas. “In a sense, he [Trump] is offering a grand bargain to Erdogan,” said Asli Aydintasbas of the Washington-based Brookings Institution. She summed up the deal: “Stop the hedging, stop the stuff with Russia, stop the geopolitical balancing, and then let's re-establish the partnership, and then we can move along and can really become key partners in the region.” Turkey walks a tightrope as Trump threatens sanctions over Russian trade Economic pressure Trump often praises Erdogan as a “friend”, but the US leader has shown he is willing to use economic pressure. During his first term, he triggered a collapse in the Turkish lira over the jailing of an American pastor. He could again target Ankara with secondary sanctions if Turkey keeps importing Russian energy. Russian fossil fuels still provide nearly half of Turkey's total energy. Zaur Gasimov, a Russian-Turkish expert with the German Academic Exchange Service, said Europe's experience shows how costly a sudden break with Moscow could be. “It was the case with some Western European countries in 2022 that caused an augmentation of the prices,” said Gasimov. “And the Turkish economy is struggling with inflation that would immediately and heavily affect the life of the average citizen. No party power in Turkey would take such a decision.” Ankara has ruled out ending its Russian energy contracts, but oil imports from Russia have fallen to their lowest levels in a year. Some gas deals, signed decades ago, are due for renewal. Analysts say Turkey may use that moment to slowly cut its dependence on Moscow – a move that would deal a serious blow to Russia, which now relies on Turkey as its last major European gas customer. Druzhba pipeline: dependence, diplomacy and the end of Russian leverage in Europe Strategic balancing Energy trade has long been at the heart of Erdogan's personal relationship with Russian President Vladimir Putin. The partnership has survived the war in Ukraine, despite the fact Turkey also supplies arms and support to Kyiv. Turkey's balancing act helps keep regional rivalries under control, said Ozgur Unluhisarcikli, who heads the Marshall Fund office in Ankara. “Turkey and Russia have been fighting proxy wars in the Caucasus, in North Africa, in the Levant,” he said. “Turkey is getting the upper hand in the end. But Turkey could still manage its relationship with Russia.” Unluhisarcikli added that Ankara would want guarantees from the West before distancing itself from Moscow, since "it would have security implications on Turkey". Turkey would have to be "certain" that it would be welcomed back to Europe and have assurances from the United States, he suggested. Erdogan spoke with Putin by phone this week, though such contacts have reportedly become less frequent as their once-close relationship cools. Ankara remains aware of the risks: when Turkey accidentally shot down a Russian bomber near the Syrian border in 2015, Putin responded with sanctions that hit Turkish exports and tourism, and several Turkish soldiers in Syria were later killed in what Moscow called an accident. Turkey eyes Ukraine peacekeeping role but mistrust clouds Western ties Declining leverage With Russia weakened by sanctions and isolation over its war in Ukraine, analysts say its influence on Turkey is diminishing. “It is the window to Europe. It is a way to the outside world," Gasimov says. "The number of flights to Turkey is getting bigger and bigger. “For Russia, Turkey remains a very, very important partnership. So the leverage Moscow once possessed over Ankara is getting less and less.”

"The seeds of misfortune, when in peaceful soil, can be easy to overlook."Standing in stark contrast to the previous episode, "T0-B1," is Masahiko Otsuka and Studio Trigger's "The Elder," a very dark tale--perhaps the darkest of the season--with a message about aging and trying to escape that which comes for us all: time. It's yet another excellent entry in this season, which incredible visuals, sound, acting, and writing.Plus, stick around for our Beyond the Outer Rim where Cass shares their progress on their renaissance faire costume and discusses the dragon puppet they won the last time they attended!- Where To Find Us - Web: ⁠GlitterJaw.com⁠⁠Bluesky: @DistantEchoespod.bsky.socialInstagram: ⁠⁠@DistantEchoesSW⁠⁠TikTok: @DistantEchoesPod⁠Email: ⁠DistantEchoesSW@gmail.com⁠- Theme Music -失望した by EVA -⁠ https://joshlis.bandcamp.com⁠⁠Promoted by ⁠⁠@RoyaltyFreePlanet⁠⁠Creative Commons Attribution 3.0 ⁠⁠http://bit.ly/RFP_CClicense⁠- Sources -Filmmaker Focus: "The Elder" (Disney+)Please consider donating to the Palestinian Children's Relief Fund, a non-profit with the mission to provide medical and humanitarian relief collectively and individually to children throughout the Levant, regardless of their nationality or religion: ⁠⁠⁠⁠www.pcrf.net⁠⁠⁠⁠ All audio clips are used under Fair Use and belong to their respective copyright owners.

In 1 Kings 14 and 2 Chronicles 12, Scripture records how both King Rehoboam and Jeroboam turned away from the Lord—and as a result, God allowed Pharaoh Shishak (Shoshonq I) to invade the Levant. But is there archaeological evidence to support this biblical account?In this episode of Artifact Facts, we explore the Shoshonq Victory Stela, a remarkable artifact unearthed at Tel Megiddo in the early 20th century. Once overlooked and discarded, this fragment bears the name of Pharaoh Shoshonq I and inscriptions solidifying his reign—offering compelling evidence of Egypt's campaign in the region.Discover how archaeology, Scripture, and history come together to tell the story of Egypt's power, Israel's disobedience, and God's sovereignty.-------------------------------------------------------------------------------------DONATE: https://evidence4faith.org/give/ WEBSITE: https://evidence4faith.org/NEWSLETTER: http://eepurl.com/hpazV5BOOKINGS: https://evidence4faith.org/bookings/CONTACT: Evidence 4 Faith, 349 Knights Ave Kewaskum WI 53040 , info@evidence4faith.orgMy goal is that their hearts, having been knit together in love, may be encouraged, and that they may have all the riches that assurance brings in their understanding of the knowledge of the mystery of God, namely, Christ, in whom are hidden all the treasures of wisdom and knowledge. - Colossians 2:2-3CREDITS: Developed & Hosted by Michael Lane. Produced & Edited by Isabel Kolste. Graphics & Publication by Isabel Kolste. Additional Art, Film, & Photography Credits: Stock media “Memories” provided by mv_production / Pond5 | Logo Stinger: Unsplash.com: Leinstravelier, Logan Moreno Gutierrez, Meggyn Pomerieau, Jaredd Craig, NASA, NOASS, USGS, Sam Carter, Junior REIS, Luka Vovk, Calvin Craig, Mario La Pergola, Timothy Eberly, Priscilla Du Preez, Ismael Paramo, Tingey Injury Law Firm, Dan Cristian Pădureț, Jakob Owens | Wikimedia: Darmouth University Public Domain, Kelvinsong CC0 | Stock media “A stately Story (Stiner02)” provided by lynnepublishing / Pond5

Amir Moosavi discusses the profound impact of the Iran-Iraq War – the longest two-state war of the 20th century – on the literature of both nations. Through his book "Dust That Never Settles: Literary Afterlives of the Iran-Iraq War," he explores in this conversation the official state-sanctioned narratives that emerged during and after the war, comparing them with the more nuanced, critical, and often experimental literary responses from writers in Iraq and Iran, including those in the diaspora. The conversation also highlights how these diverse literary works grapple with the war's legacy, from its human and environmental costs to its enduring presence in collective memory. 0:00 The Enduring Legacy of the Iran-Iraq War1:03 Introducing Amir Moosavi's Book3:39 A Historical Primer on the Iran-Iraq War7:16 Shifting Narratives: Qadisiyyat Saddam and Operation Karbala11:49 Bridging Arabic and Persian Literary Worlds15:51 Understanding State Literature and Propaganda20:11 Examples of State Literature and Narrative Shifts29:36 Post-War Writers: Challenging Official Narratives35:26 Warfront Depictions and the Quest for Truth38:31 Artistic Communities and Collective Memory40:41 The Meaning Behind "Dust That Never Settles"43:18 Ecological Damage in War Literature48:22 Misconceptions and Nuances in War Literature50:39 Diaspora Authors and Freedom of Expression Amir Moosavi is an assistant Professor in the Department of English at Rutgers University- Newark. He started teaching at Rutgers-Newark in the fall of 2018, following a year-long EUME postdoc funded by the Volkswagenstiftung and Mellon Foundation in Berlin (2016-17) and a visiting assistant professorship in modern Iranian studies at Brown University (2017-18). His research and teaching interests cover modern Arabic and Persian literatures and the cultural history of the Middle East, with an emphasis on Iran, Iraq, and the Levant. At RU-N, he teaches courses on Arabic and Persian fiction and film, world literature, translation studies, and war culture. He is particularly interested in how cultural production deals with violent pasts, wars, notions of transitional justice, representations of urban space, and the climate crisis. He has written a book manuscript titled "Dust That Never Settles: Literary Afterlives of the Iran-Iraq War."Connect with Amir Moosavi

“Shamstep” band, 47SOUL, take their name from the Arabic name for the Levant region – Bilad al-Sham, with members from Jordan, Washington DC, and Israel - spanning the divides of the Palestinian Diaspora. The music is a mix of dubstep, hip-hop and electro-Arabic dabke with lyrics in both Arabic and English, which are intensely political in their call for celebration and freedom in the struggle for equality. The quartet 47SOUL performs their smart dance music in-studio. (From the Archives, 2019.)Set list: 1. Don't care where you're from 2. Moved Around  3. Intro To Shamstep 

New research on Bronze Age silver hoards in the Levant has us wondering about the origins of money. What is it about those shiny and attractive metals that makes us love them so? And sure, you can bury metal in a hole in the ground, but then you have to remember where you put it. Still, banking from home has never been easier.

Een voormalig staatshoofd dat wegens 'criminele samenzwering' vijf jaar het cachot in moet. Zelfs een hoger beroep zal hij vanuit de cel moeten voeren. Het is in een moderne Europese democratie een unicum en zelfs in Frankrijk - dat gewend is aan schandalen - een historisch moment. Wat is er aan de hand? Waar werd Nicolas Sarkozy voor veroordeeld? Hoe is deze zaak aan het rollen gebracht? Wat zijn de consequenties voor hemzelf, zijn partner Carla Bruni en voor zijn opvolger, president Emmanuel Macron? En is dit allemaal wel zo uitzonderlijk in het licht van de politieke geschiedenis van Frankrijk? Jaap Jansen en PG Kroeger duiken er in. *** Deze aflevering is mede mogelijk gemaakt met donaties van luisteraars die we hiervoor hartelijk danken. Word ook vriend van de show! Heb je belangstelling om in onze podcast te adverteren of ons te sponsoren? Zend ons een mailtje en wij zoeken contact. *** Sarkozy werd aangeklaagd voor vier zaken. De rechter sprak hem vrij voor witwassen en corruptie, wegens gebrek aan bewijs. Maar 'criminele samenzwering' met Moammar Kadhafi’s regime in Libië kon hij toch niet afschuiven op anderen. Daarvoor is immers een chef nodig en daartoe strekte zelfs een telefoongesprek tussen de president en 'Le Guide' in Tripoli als bewijsstuk. De details zijn avontuurlijk en reiken diep in de historie van Frankrijk en de Levant. En opvallend genoeg: ze gaan terug naar Sarkozy's politieke loopbaan voordat hij staatshoofd werd. Dus naar de verwoede strijd om de opvolging in de schemering van de macht van zijn voorganger Jacques Chirac. Dat is een patroon, dat we veel vaker tegenkomen, zo blijkt. Bovenaan de top van de piramide van de Franse staat geraken, vereist ongekende machtswil, energie, brille, geldmiddelen, netwerken en gebrek aan scrupules. Sinds François I en Lodewijk XIV is de macht sterk gecentraliseerd en in veel opzichten absoluut. De revolutie en Napoleon versterkten die tendens veel meer dan dat ze gespreide democratische structuren introduceerden. De president is een gekozen monarch die rond nationale veiligheid en grandeur bijna ongeremd kan heersen. De verleidingen die macht te exploiteren kunnen maar heel weinigen weerstaan. Sarkozy's voorgangers deden dat soms met volle teugen. Als burgemeester van Parijs oefende Chirac al met het vastgoedimperium van de gemeente en de vele nepbanen die hij voor vertrouwelingen rond het stadhuis arrangeerde. Als president was hij de patroon van de boerenstand en botste in de Europese Raad op een eigenwijze ‘jeune ami néerlandais’. Zijn chique hobby als verzamelaar van verfijnde kunst uit Azië leverde hem wereldwijd nuttige relaties op en Parijs een museum van de buitencategorie. François Mitterrand was een visionair en geslepen machtsdier. Onder het mom van antiterrorisme zette hij in de kelder van zijn paleis een eigen beveiligingsteam aan het werk, buiten de regering om. Dit team moest zijn privégeheimen toedekken. Half Parijs werd daartoe afgeluisterd. Jean-Christophe Mitterrand was intussen op zakenreis en diplomatieke missies naar de cliëntenstaten in Afrika. 'Papamadit’ - Vader zei me - was zijn bijnaam. Net als de afluisteraars belandde hij vele jaren later in het gevang. Afrika werd ook de ondergang van Valéry Giscard d'Estaing. Ook hij had daar voor zijn presidentschap op avontuurlijke wijze middelen verzameld voor de campagne. Met dictator Jean-Bédel Bokassa joeg hij niet alleen op groot wild en handig te verzilveren diamanten, maar ook op charmant gezelschap. En later natuurlijk op Lady Di! Een groot contrast bood Georges Pompidou. Deze bijna vergeten staatsman - alleen het Musée Pompidou herinnert nog aan hem - was een toonbeeld van integriteit en toewijding. Charles de Gaulle maakte hem zijn politieke rechterhand en hij was een dynamo van daadkracht en modernisering. Voor Europa was zijn - ook al vergeten - visionaire beleid van grote betekenis. Elk kind kende hem als samensteller van het schoolboek over literatuur en poëzie. Het verdonkeremanen van zijn tragische ziekte was de enige smet op zijn bewind. Charles de Gaulle was een buitengewoon sober militair en zijn vrome Madame Yvonne was dat niet minder. Hij betaalde de stroom voor zijn kleine appartement in het Élysée uit eigen zak. Brandschoon in zichzelf was zijn wereldwijde dekolonisatiepolitiek wel de oorsprong van de Franse monetaire, economische en militaire greep op regimes in Afrika en de Levant. En voor die tijd? Ook toen waren er vele kleurrijke en zakelijk schimmige staatshoofden en hun families en milieu. Meest exuberant was wel president Bonaparte van 1848. Aan het eind van zijn termijn van vier jaar ritselde hij een referendum dat hem uitriep tot keizer Napoleon III. Zijn bewind was corrupt en repressief. Zoals zijn oom wilde hij een wereldheerser zijn. Een fataal avontuur in Mexico kostte hem zijn reputatie, Frankrijk vele doden en gaf Otto von Bismarck de zekerheid dat Pruisen de Fransen kon verpletteren. *** Verder kijken Docu: Sarkozy-Kadhafi: de alliantie die Frankrijk schokte *** Verder luisteren 284 - Quatorze Juillet: komt onder Macron een einde aan De Gaulles Vijfde Republiek? https://art19.com/shows/betrouwbare-bronnen/episodes/5b8ac743-7ba2-44a8-b9b9-55356d361817 492 – Macrons Europese atoombom https://art19.com/shows/betrouwbare-bronnen/episodes/74f5b1d5-4824-482a-a504-704904c8b021 419 - Europa kán sterven - Emmanuel Macrons visie op onze toekomst https://art19.com/shows/betrouwbare-bronnen/episodes/329dfa50-7d58-4642-b29f-febc346d5a3f 204 - 14 juli 2021: Op weg naar de Franse presidentsverkiezingen https://art19.com/shows/betrouwbare-bronnen/episodes/bdd23916-3c94-4700-a37e-c5a63516f64b 124 - 95 jaar Jacques Delors https://art19.com/shows/betrouwbare-bronnen/episodes/76440368-b14d-4e31-8f95-fe5c9ee88830 45 – De liefdesbrieven van François Mitterrand https://art19.com/shows/betrouwbare-bronnen/episodes/db3f639d-61a3-49c9-875a-3fd0f9ce521a 527 - Politici en hun boek. Giscard en Lady Diana. https://omny.fm/shows/betrouwbare-bronnen/527-politici-en-hun-boek 107 - Jean Monnet, de vader van Europa, en De Gaulle https://art19.com/shows/betrouwbare-bronnen/episodes/cdf85c74-37e0-48a5-813f-aeda4b129e64 35 - Charles De Gaulle https://art19.com/shows/betrouwbare-bronnen/episodes/533c3469-6307-4bd8-94fe-5887c342860b 57 - Alexis de Tocqueville en Napoleon III https://art19.com/shows/betrouwbare-bronnen/episodes/9d96c693-c6f4-440f-b04b-da45fb68dcab 190 - Napoleon, 200 jaar na zijn dood: zijn betekenis voor Nederland en Europa https://art19.com/shows/betrouwbare-bronnen/episodes/d6b3e04c-39d3-40c5-be2e-73a17c380ba0 339 – De geopolitiek van de 19e eeuw is terug. De eeuw van Bismarck https://art19.com/shows/betrouwbare-bronnen/episodes/375b5051-04c8-4181-b31e-56436dfda193 103 - Geheim geld in de politiek https://art19.com/shows/betrouwbare-bronnen/episodes/d2ffdadd-25fa-4cc1-89a3-2b15e925c5ee Afl. 73 – Belangenverstrengeling en kleine krabbelaars in de politiek https://art19.com/shows/betrouwbare-bronnen/episodes/808bbd6a-f2f6-4fc6-9f35-66a2df5f0c7e 28 - De relatie Nederland-Frankrijk https://art19.com/shows/betrouwbare-bronnen/episodes/82efc404-4f59-4446-9a04-07c0fd012ed3 *** Tijdlijn 00:00:00 – Deel 1 00:24:12 – Deel 2 00:47:01 – Deel 3 01:35:44 – EindeSee omnystudio.com/listener for privacy information.

"My name is Tobi, and I'm a Jedi!"We're so excited to return to the delightfulT0-B1 from the award winning and incredibly inventive Science Saru. We talk at length about the studio's philosophy, their other works, what makes T0-B1 special, and question why it's so hard for some fans to accept this sophisticated, yet unabashedly kid-friendly tale. In our Outer Rim Tommy talks about one of his favorite bands, Between the Buried and Me, and discusses their newest album The Blue Nowhere. (Spoiler: He digs it. A lot.)- Where To Find Us - Web: ⁠GlitterJaw.com⁠⁠Bluesky: @DistantEchoespod.bsky.socialInstagram: ⁠⁠@DistantEchoesSW⁠⁠TikTok: @DistantEchoesPod⁠Email: ⁠DistantEchoesSW@gmail.com⁠- Theme Music -失望した by EVA -⁠ https://joshlis.bandcamp.com⁠⁠Promoted by ⁠⁠@RoyaltyFreePlanet⁠⁠Creative Commons Attribution 3.0 ⁠⁠http://bit.ly/RFP_CClicense⁠- Sources -Filmmaker Focus: T0-B1 (Disney+)INTERVIEW: Science Saru Co-Founder On Yuasa's Habit of Googling Himself - Kyle Cardine; Jan 24, 2020 Crunchyroll NewsWookieepediaPlease consider donating to the Palestinian Children's Relief Fund, a non-profit with the mission to provide medical and humanitarian relief collectively and individually to children throughout the Levant, regardless of their nationality or religion: ⁠⁠⁠⁠www.pcrf.net⁠⁠⁠⁠ All audio clips are used under Fair Use and belong to their respective copyright owners.

Why did Crusaders travel from Western Europe to Gaza and The Levant in the 11th century? Who was Saladin and how did he conquer the Franks? How did the Mamluks defeat the Mongols in the 1200s and usher in an era of prosperity for Gaza? Anita and William are joined by Jonathan Phillips, Professor of Crusading History at Royal Holloway, to discuss the epic era of the Crusades in Gaza, and the lesser-known but incredibly impactful Mamluk dynasty that followed. Join the Empire Club: Unlock the full Empire experience – with bonus episodes, ad-free listening, early access to miniseries and live show tickets, exclusive book discounts, a members-only newsletter, and access to our private Discord chatroom. Sign up directly at empirepoduk.com  For more Goalhanger Podcasts, head to www.goalhanger.com. Email: empire@goalhanger.com Instagram: @empirepoduk Blue Sky: @empirepoduk X: @empirepoduk Assistant Producer: Becki Hills Producer: Anouska Lewis Executive Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hakim Abul-Majd Majdūd ibn Ādam, better known as Sanai, was an influential poet of Sufism who was attached to the Ghaznavid court in modern day Afghanistan. His major work The Walled Garden of Truth has been an enduring classic. An adaption of his verses were quoted at the end of the 2017 Hollywood film The Shape of Water. Q1. Sanai was born 1080CE. During his life the Abbasid caliphs of Baghdad were clashing with internal enemies from their supposed Seljuk vassal, engaged in a Cold War with Fatimid Cairo, and reckoning with Crusaders in the Levant. And the Almohads would established themselves in North Africa. What more can we say about his socio-political and cultural context? Q2. Sanai was associated with the last Ghaznavid ruler Bahram Shah who reigned from 1117-1152. What do we know about the life of Sanai considering I found three different dates for his death? Q3. Sanai is considered the first poet to use the qasidah (ode), ghazal (lyric), and the masnavi (rhymed couplet) to express the philosophical, mystical and ethical ideas of Sufism. Describe for us his works.  Q4. What translations and secondary resources would you recommend on Sanai? Q5. And finally lets end with a sample and translation Ali Hammoud: https://x.com/AliHammoud7777 https://alihammoud7.substack.com/  We are sponsored by IHRC bookshop. Listeners get a 15% discount on all purchases. Visit IHRC bookshop at shop.ihrc.org and use discount code AHP15 at checkout. Terms and conditions apply. Contact IHRC bookshop for details. 

Resumen informativo con las noticias más destacadas de Colombia del jueves 25 de septiembre de 2025 a las nueve de la noche.

A Japanese animation powerhouse, Production I.G., takes the reigns of the 5th episode of Star Wars: Visions Season 1, bringing us "The Ninth Jedi." We discuss everything we love and some of what we didn't in this episode focused on lightsabers, plot twists, and just the right amount of goofy droids. Plus, we discuss what we expect from the sequel in Season 3 and The Last Jedi: Child of Hope coming in 2026.And please stick around for a special Outer Rim section where Cass discusses their newest hobby: Creating music from plants and we share a section of what they've created. We're biased, but we think it's pretty neat!- Where To Find Us - Web: ⁠GlitterJaw.com⁠⁠Bluesky: @DistantEchoespod.bsky.socialInstagram: ⁠⁠@DistantEchoesSW⁠⁠TikTok: @DistantEchoesPod⁠Email: ⁠DistantEchoesSW@gmail.com⁠- Theme Music -失望した by EVA -⁠ https://joshlis.bandcamp.com⁠⁠Promoted by ⁠⁠@RoyaltyFreePlanet⁠⁠Creative Commons Attribution 3.0 ⁠⁠http://bit.ly/RFP_CClicense⁠- Sources -Filmmaker Focus: The Ninth Jedi (Disney+)Sithty Minutes: Late Night Cancellations (sithtyminutes.libsyn.com/sithty-second-late-night-cancellations)Please consider donating to the Palestinian Children's Relief Fund, a non-profit with the mission to provide medical and humanitarian relief collectively and individually to children throughout the Levant, regardless of their nationality or religion: ⁠⁠⁠⁠www.pcrf.net⁠⁠⁠⁠ All audio clips are used under Fair Use and belong to their respective copyright owners.

Why did the Assyrians spare Philistine port cities like Gaza when they conquered The Levant? How did the Persians overthrow the Babylonians in the region? What did Alexander The Great send back to his tutor after he sieged Gaza City?  William and Anita are joined once again by Josephine Quinn, Professor of Ancient History at the University of Cambridge and author of How The World Made The West, to discuss the five ancient empires that conquered Gaza. Join the Empire Club: Unlock the full Empire experience – with bonus episodes, ad-free listening, early access to miniseries and live show tickets, exclusive book discounts, a members-only newsletter, and access to our private Discord chatroom. Sign up directly at empirepoduk.com  For more Goalhanger Podcasts, head to www.goalhanger.com. Email: empire@goalhanger.com Instagram: @empirepoduk Blue Sky: @empirepoduk X: @empirepoduk Assistant Producer: Becki Hills Producer: Anouska Lewis Executive Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 00:03:10 - Le Dialogue des cuisines - par : Mory Sacko - De l'ayran turc au labneh du Levant, en passant par le rayeb du Maghreb, Mory Sacko nous emmène à la découverte du lait fermenté à travers un voyage qui fait escale sur une recette familiale, pleine de souvenirs sonore, gustatif et visuel.

Jewish Diaspora Report - Episode 171  On this episode of the Jewish Diaspora Report, Host Mike Jordan discusses the fake talking-point often used by online trolls about Jewish DNA proving that they are not from the Levant. Mike looks into his own DNA in order to disprove the haters online and shows how the Jews are from Judea, despite the false claims otherwise.Explore these challenging issues and join the Jewish Diaspora Report for future episodes on issues of Politics, Culture, Current Events and more!   Check us out on Instagram @jdr.podcastSend us a textSupport the show

Tune into the fourth installment of AJC's latest limited podcast series, Architects of Peace. Go behind the scenes of the decades-long diplomacy and quiet negotiations that made the Abraham Accords possible, bringing Israel, the United Arab Emirates, Bahrain, and later Morocco, together in historic peace agreements.  From cockpits to kitchens to concert halls, the Abraham Accords are inspiring unexpected partnerships. In the fourth episode of AJC's limited series, four “partners of peace” share how these historic agreements are reshaping their lives and work. Hear from El Mehdi Boudra of the Mimouna Association on building people-to-people ties; producer Gili Masami on creating a groundbreaking Israeli–Emirati song; pilot Karim Taissir on flying between Casablanca and Tel Aviv while leading Symphionette, a Moroccan orchestra celebrating Andalusian music; and chef Gal Ben Moshe, the first Israeli chef to ever cook in Dubai on his dream of opening a restaurant in the UAE. *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.  Episode lineup: El Mehdi Boudra (4:00) Gili Masami (11:10) Karim Taissir (16:14) Gal Ben Moshe (21:59) Read the transcript: https://www.ajc.org/news/podcast/partners-of-peace-architects-of-peace-episode-4 Resources: AJC.org/ArchitectsofPeace - Tune in weekly for new episodes. The Abraham Accords, Explained AJC.org/CNME - Find more on AJC's Center for a New Middle East Listen – AJC Podcasts: The Forgotten Exodus  People of the Pod Follow Architects of Peace on your favorite podcast app, and learn more at AJC.org/ArchitectsofPeace You can reach us at: podcasts@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript: El Mehdi Boudra: All the stereotypes started like getting out and people want to meet with the other. They wanted to discover the beauty of the diversity of Israel. And this is unique in the region, where you have Arabs Muslims, Arab Christians, Druze, Beta Yisrael, Ashkenazi, Sephardic Jews, Jews from India, from all over the world. This beauty of diversity in Israel is very unique for our region. Manya Brachear Pashman: In September 2020, the world saw what had been years – decades – in the making: landmark peace agreements dubbed the Abraham Accords – normalizing relations between Israel and two Arabian Gulf states, the United Arab Emirates and the Kingdom of Bahrain. Later, in December, they were joined by the Kingdom of Morocco.  Five years later, AJC is pulling back the curtain to meet key individuals who built the trust that led to these breakthroughs and turning the spotlight on some of the results. Introducing: the Architects of Peace. ILTV correspondent: Well, hello, shalom, salaam. For the first time since the historic normalization deal between Israel and the UAE, an Israeli and an Emirati have teamed up to make music. [Ahlan Bik plays] The signs have been everywhere. On stages in Jerusalem and in recording studios in Abu Dhabi. [Camera sounds]. On a catwalk in Tel Aviv during Fashion Week and on the covers of Israeli and Arab magazines. [Kitchen sounds]. In the kitchens of gourmet restaurants where Israeli and Emirati chefs exchanged recipes. Just days after the announcement of the Abraham Accords, Emirati ruler Sheikh Khalifa bin Zayed Al Nahyan formally ended the UAE's nearly 50-year boycott of Israel. Though commerce and cooperation had taken place between the countries under the radar for years, the boycott's official end transformed the fields of water, renewable energy, health, cybersecurity, and tourism.  In 2023, Israel and the UAE signed a Comprehensive Economic Partnership Agreement (CEPA) to advance economic cooperation, and by 2024, commerce between the UAE and Israel grew to $3.2 billion. Trade between Bahrain and Israel surged 740% in one year. As one of the world's most water-stressed countries, Bahrain's Electrical and Water Authority signed an agreement to acquire water desalination technology from Israel's national water company [Mekorot].  Signs of collaboration between Israeli and Arab artists also began to emerge. It was as if a creative energy had been unlocked and a longing to collaborate finally had the freedom to fly. [Airplane take off sounds]. And by the way, people had the freedom to fly too, as commercial airlines sent jets back and forth between Tel Aviv, Casablanca, Abu Dhabi, and Manama.  A gigantic step forward for countries that once did not allow long distance calls to Israel, let alone vacations to the Jewish state. At long last, Israelis, Moroccans, Emiratis, and Bahrainis could finally satisfy their curiosity about one another. This episode features excerpts from four conversations. Not with diplomats or high-level senior officials, but ordinary citizens from the region who have seized opportunities made possible by the Abraham Accords to pursue unprecedented partnerships. For El Medhi Boudra, the Abraham Accords were a dream come true.  As a Muslim college student in 2007 at Al Akhawayn University in Ifrane, Morocco, he founded a group dedicated to preserving and teaching the Jewish heritage of his North African home. El Mehdi knew fostering conversations and friendships would be the only way to counter stereotypes and foster a genuine appreciation for all of Morocco's history, including its once-thriving Jewish community of more than 100,000. Five years later, El Mehdi's efforts flourished into a nonprofit called Mimouna, the name of a Moroccan tradition that falls on the day after Passover, when Jewish and Muslim families gather at each other's homes to enjoy cakes and sweets and celebrate the end of the Passover prohibitions. Together.   El Mehdi Boudra: Our work started in the campus to fill this gap between the old generation who talk with nostalgia about Moroccan Jews, and the young generation who don't know nothing about Moroccan Judaism. Then, in the beginning, we focused only on the preservation and educating and the promotion of Jewish heritage within campuses in Morocco. In 2011, we decided to organize the first conference on the Holocaust in the Arab world. Manya Brachear Pashman: So did the Abraham Accords make any difference in the work you were already doing? I mean, I know Mimouna was already a longtime partner with AJC.  El Mehdi Boudra: With Abraham Accords, we thought bigger. We brought young professionals from Morocco and Israel to work together in certain sectors on challenges that our regions are overcoming. Like environment, climate change, water scarcity and innovation, and bring the best minds that we have in Morocco and in Israel to work together. But we included also other participants from Emirates and Bahrain. This was the first one that we started with.  The second was with AJC. We invited also young professionals from United States and France, which was an opportunity to work globally. Because today, we cannot work alone. We need to borrow power from each other. If we have the same vision and the same values, we need to work together.  In Morocco, we say: one hand don't clap. We need both hands. And this is the strategy that we have been doing with AJC, to bring all the partners to make sure that we can succeed in this mission.  We had another people-to-people initiative. This one is with university students. It's called Youth for MENA. It's with an Israeli organization called Noar. And we try to take advantage of the Abraham Accords to make our work visible, impactful, to make the circle much bigger. Israel is a country that is part of this region. And we can have, Israel can offer good things to our region. It can fight against the challenges that we have in our region. And an Israeli is like an Iraqi. We can work all together and try to build a better future for our region at the end of the day. Manya Brachear Pashman: El Mehdi, when you started this initiative did you encounter pushback from other Moroccans? I mean, I understand the Accords lifted some of the restrictions and opened doors, but did it do anything to change attitudes? Or are there detractors still, to the same degree? El Mehdi Boudra: Before the Abraham Accords, it was more challenging to preserve Moroccan Jewish heritage in Morocco. It was easier. To educate about Holocaust. It was also OK. But to do activities with civil society in Israel, it was very challenging. Because, first of all, there is no embassies or offices between Morocco. Then to travel, there is no direct flights.  There is the stereotypes that people have about you going to Israel. With Abraham Accords, we could do that very freely. Everyone was going to Israel, and more than that, there was becoming like a tendency to go to Israel.  Moroccans, they started wanting to spend their vacation in Tel Aviv. They were asking us as an organization. We told them, we are not a tour guide, but we can help you. They wanted to travel to discover the country.  All the stereotypes started like getting out and people want to meet with other. They wanted to discover the beauty of the diversity of Israel. And this is unique in the region where you have  Arab Muslims, Arab Christians, Druze, Beta Israel, Ashkenazi, Sephardic Jews, Jews from India, from all over the world. This beauty of diversity in Israel is very unique for our region.  And it's not granted in this modern time, as you can see in the region. You can see what happened in Iraq, what's happening in Syria, for minorities. Then you know, this gave us hope, and we need this hope in these dark times. Manya Brachear Pashman: Hm, what do you mean? How does Israel's diversity provide hope for the rest of the Middle East North Africa (MENA) region?  El Mehdi Boudra: Since the MENA region lost its diversity, we lost a lot. It's not the Christians or the Yazidis or the Jews who left the MENA region who are in bad shape. It's the people of the MENA region who are in bad shape because those people, they immigrated to U.S., to Sweden, they have better lives. But who lost is those countries.  Then us as the majority Muslims in the region, we should reach out to those minorities. We should work closely today with all countries, including Israel, to build a better future for our region. There is no choice. And we should do it very soon, because nothing is granted in life.  And we should take this opportunity of the Abraham Accords as a real opportunity for everyone. It's not an opportunity for Israel or the people who want to have relation with Israel. It's an opportunity for everyone, from Yemen to Morocco. Manya Brachear Pashman: Morocco has had diplomatic relations with Israel in the past, right? Did you worry or do you still worry that the Abraham Accords will fall apart as a result of the Israel Hamas War? El Mehdi Boudra: Yes, yes, to tell you the truth, yes. After the 7th of October and things were going worse and worse. We said, the war will finish and it didn't finish. And I thought that probably with the tensions, the protest, will cut again the relations. But Morocco didn't cut those relations. Morocco strengthened those relations with Israel, and also spoke about the Palestinians' cause in the same time.  Which I'm really proud of my government's decisions to not cut those relations, and we hope to strengthen those relations, because now they are not going in a fast dynamic. We want to go back to the first time when things were going very fastly. When United States signed with the Emirates and Bahrain in September 2020, I was hoping that Morocco will be the first, because Morocco had strong relations with Israel. We had direct relations in the 90s and we cut those relations after the Second Intifada in 2000.  We lost those 21 years. But it's not [too] late now. We are working. The 7th of October happened. Morocco is still having relations with Israel. We are still having the Moroccan government and the Israeli government having strong relations together.  Of course, initiatives to people-to-people are less active because of the war. But you know, the war will finish very soon, we hope, and the hostages will go back to their homes, Inshallah, and we will get back to our lives. And this is the time for us as civil society to do stronger work and to make sure that we didn't lose those two years. [Ahlan Bik plays] Manya Brachear Pashman: Just weeks after the White House signing ceremony on September 15, 2020, Israeli music producer Gili Masami posted a music video on YouTube. The video featured a duet between a former winner of Israel's version of The Voice, Elkana Marziano, and Emirati singer Walid Aljasim.  The song's title? Ahlan Bik, an Arabic greeting translated as “Hello, Friend.” In under three weeks, the video had garnered more than 1.1 million views. Gili Masami: When I saw Bibi Netanyahu and Trump sign this contract, the Abraham Accords, I said, ‘Wow!' Because always my dream was to fly to Dubai. And when I saw this, I said, ‘Oh, this is the time to make some project that I already know how to do.' So I thought to make the first historic collaboration between an Israeli singer and an Emirati singer.  We find this production company, and they say, OK. We did this historic collaboration. And the first thing it was that I invite the Emirati people to Israel. They came here. I take them to visit Jerusalem, Tel Aviv, and then I get a call to meet in Gitix Technology Week in the World Trade Center in Dubai. Manya Brachear Pashman: Gitix. That's the Gulf Information Technology Exhibition, one of the world's largest annual tech summits, which met in Dubai that year and invited an Israeli delegation for the first time. Gili Masami: They tell me. ‘Listen, your song, it was big in 200 countries, cover worldwide. We want you to make this show.' I said, OK. We came to Dubai, and then we understand that the production company is the family of Mohammed bin Zayed al Nayhan, the president of UAE. And now we understand why they agree.  The brother of Muhammad bin Zayed Al Nahyan, Sheik Issa Ben Zahid Al Nahyan, he had this production company. This singer, it's his singer. And we say, ‘Wow, we get to this so high level, with the government of Dubai.' And then all the doors opened in Dubai.  And then it was the Corona. 200 countries around the world cover this story but we can't do shows because this Corona issue, but we still did it first. Manya Brachear Pashman: The song Ahlan Bik translates to “Hello, Friend.” It was written by Israeli songwriter Doron Medalie. Can you tell our listeners what it's about? Gili Masami: The song Ahlan Bik, it's this song speak about Ibrihim. Because if we go to the Bible, they are cousins. They are cousins. And you know, because of that, we call this Abraham Accords, because of Avraham. And they are sons of Ishmael. Yishmael. And we are sons of Jacob.  So because of that, we are from back in the days. And this is the real cousins. Saudi Arabia, UAE, Morocco. They are the real ones. And this song speak about this connection. Manya Brachear Pashman: After Morocco joined the Abraham Accords, you also put together a collaboration between Elkana and Moroccan singer Sanaa Mohamed. But your connection to UAE continued. You actually moved to Dubai for a year and opened a production company there. I know you're back in Israel now, but have you kept in touch with people there?   Gili Masami: I have a lot of friends in UAE. A lot of friends. I have a production company in UAE too. But every time we have these problems with this war, so we can do nothing. I was taking a lot of groups to Dubai, making tours, parties, shows, and all this stuff, because this war. So we're still friends.  Manya Brachear Pashman: Given this war, do you ever go back and listen to the song Ahlan Bik for inspiration, for hope?  Gili Masami: I don't look about the thinking that way. These things. I know what I did, and this is enough for me. I did history. This is enough for me. I did [a] good thing. This is enough for me. I did the first collaboration, and this is enough for me. Manya Brachear Pashman: Moroccan pilot and music aficionado Karim Taissir also knows the power of music. In 2016, he reached out to Tom Cohen, the founder and conductor of the Jerusalem Orchestra East & West and invited him to Morocco to conduct Symphonyat, an orchestra of 40 musicians from around the world playing Jewish and Arab music from Morocco's past that often has been neglected.  Karim Taissir: In 2015 I contacted Tom via Facebook because of a story happening in Vietnam. I was in a bar. And this bar, the owner, tried to connect with people. And the concept was a YouTube session connected on the speaker of the bar, and they asked people to put some music on from their countries. So when he asked me, I put something played by Tom [Cohen], it was Moroccan music played by the orchestra of Tom. And people said, ‘Wow.'  And I felt the impact of the music, in terms of even, like the ambassador role. So that gave me the idea. Back in Morocco, I contacted him. I told him, ‘Listen, you are doing great music, especially when it comes to Moroccan music, but I want to do it in Morocco. So are you ready to collaborate? And you should tell me, what do you need to create an orchestra that do this, this excellency of music?'  And I don't know why he replied to my message, because, usually he got lots of message from people all over the world, but it was like that. So from that time, I start to look of musician, of all conditions, asked by Tom, and in 2016 in April, we did one week of rehearsals. This was a residence of musician in Casablanca by Royal Foundation Hiba. And this is how it starts. And from that time, we tried every year to organize concerts. Sometimes we succeed, and sometimes not. Manya Brachear Pashman: I asked this of El Mehdi too, since you were already doing this kind of bridge building Karim, did the Abraham Accords change anything for you? Karim Taissir: In ‘22 we did the great collaboration. It was a fusion between the two orchestras, under the conductor Tom Cohen in Timna desert [National Park], with the presence of many famous people, politician, and was around like more than 4,000 people, and the President Herzog himself was was there, and we had a little chat for that.  And even the program, it was about peace, since there was Moroccan music, Israeli music, Egyptian music, Greek music, Turkish music. And this was very nice, 18 musicians on the stage. Manya Brachear Pashman: Oh, wow. 18 musicians. You know, the number 18, of course, is very significant, meaningful for the Jewish tradition.  So, this was a combination of Israeli musicians, Moroccan musicians, playing music from across the region. Turkey, Greece, Egypt, Israel. What did that mean for you? In other words, what was the symbolism of that collaboration and of that choice of music? Karim Taissir: Listen, to be honest, it wasn't a surprise for me, the success of collaboration, since there was excellent artists from Israel and from Morocco. But more than that, the fact that Moroccan Muslims and other people with Israeli musicians, they work together every concert, rehearsals.  They became friends, and maybe it was the first time for some musicians, especially in Morocco. I'm not talking only about peace, happiness, between people. It's very easy in our case, because it's people to people. Manya Brachear Pashman: How have those friendships held up under the strain of the Israel-Hamas War? Karim Taissir: Since 7th October, me, for example, I'm still in touch with all musicians from Israel, not only musicians, all my friends from Israel to support. To support them, to ask if they are OK. And they appreciate, I guess, because I guess some of them feel even before they have friends from all over the world. But suddenly it's not the case for us, it's more than friendships, and if I don't care about them, which means it's not true friendships. And especially Tom. Tom is more than more than a brother. And we are looking forward very soon to perform in Israel, in Morocco, very soon. Manya Brachear Pashman: So I should clarify for listeners that Symphonyat is not your full-time job. Professionally you are a pilot for Royal Air Maroc. And a week after that concert in Timna National Park in March 2022, Royal Air Maroc launched direct flights between Casablanca and Tel Aviv. Those flights have been suspended during the war, but did you get to fly that route? Karim Taissir: They call me the Israeli guy since I like very much to be there. Because I was kind of ambassador since I was there before, I'm trying always to explain people, when you will be there, you will discover other things. Before 7th of October, I did many, many, many flights as captain, and now we're waiting, not only me, all my colleagues.  Because really, really–me, I've been in Israel since 2016–but all my colleagues, the first time, it was during those flights. And all of them had a really nice time. Not only by the beauty of the Tel Aviv city, but also they discover Israeli people. So we had really, really, very nice memories from that period, and hoping that very soon we will launch flight. Manya Brachear Pashman: Chef Gal Ben Moshe, the first Israeli chef to earn a Michelin Star for his restaurant in Berlin, remembers the day he got the call to speak at Gulfood 2021, a world food festival in Abu Dhabi. That call led to another call, then another, and then another.  Before he knew it, Chef Gal's three-day trip to the United Arab Emirates had blossomed into a 10-day series: of master classes, panel discussions, catered dinners, and an opportunity to open a restaurant in Dubai. Gal Ben Moshe: Like I said, it wasn't just one dinner, it wasn't just a visit. It's basically from February ‘21 to October ‘23 I think I've been more than six, eight times, in the Emirates. Like almost regularly cooking dinners, doing events, doing conferences. And I cooked in the Dubai Expo when it was there. I did the opening event of the Dubai Expo. And a lot of the things that I did there, again, I love the place. I love the people. I got connected to a lot of people that I really, truly miss. Manya Brachear Pashman: When we first connected, you told me that the Abraham Accords was one of your favorite topics. Why? Gal Ben Moshe: I always felt kind of like, connected to it, because I was the first Israeli chef to ever cook in Dubai. And one of the most influential times of my life, basically going there and being there throughout basically everything from the Abraham Accords up to October 7. To a degree that I was supposed to open a restaurant there on the first of November 2023 which, as you probably know, did not happen in the end.  And I love this place. And I love the idea of the Abraham Accords, and I've had a lot of beautiful moments there, and I've met a lot of amazing people there. And, in a way, talking about it is kind of me missing my friends less. Manya Brachear Pashman: So you were originally invited to speak at Gulfood. What topics did you cover and what was the reception like? Gal Ben Moshe: The journalist that interviewed me, he was a great guy, asked me, ‘OK, so, like, where do you want to cook next?' And I said, ‘If you would ask me six months ago, I would say that I would love to cook in Dubai, but it's not possible.' So having this happened, like, anything can happen, right? Like, if you would tell me in June 2020 that I would be cooking in Dubai in February 2021, I'm not sure I was going to believe you. It was very secretive, very fast, very surprising. And I said, ‘Yeah, you know, I would love to cook in Damascus and Beirut, because it's two places that are basically very influential in the culture of what is the Pan-Arabic kitchen of the Levant. So a lot of the food influence, major culinary influence, comes from basically Aleppo, Damascus and Beirut. Basically, this area is the strongest influence on food. A lot of Jordanians are probably going to be insulted by me saying this, but this is very this is like culinary Mecca, in my opinion.'  And I said it, and somebody from the audience shouted: ‘I'm from Beirut! You can stay at my place!' And I was like, it's just amazing. And the funny thing is, and I always talk about it is, you know, I talk about my vegetable suppliers in Berlin and everything in the Syrian chefs and Palestinian chefs and Lebanese chefs that I met in the Emirates that became friends of mine. And I really have this thing as like, I'm gonna say it is that we have so much in common. It's crazy how much we have in common.  You know, we have this war for the past two years with basically everyone around us. But I think that when we take this thing out of context, out of the politics, out of the region, out of this border dispute or religious dispute, or whatever it is, and we meet each other in different country. We have so much in common, and sometimes, I dare say, more than we have in common with ourselves as an Israeli society. And it's crazy how easy it is for me to strike a conversation and get friendly with the Lebanese or with a Palestinian or with the Syrian if I meet them in Berlin or in Dubai or in New York or in London. Manya Brachear Pashman: I should clarify, you run restaurants in Tel Aviv, but the restaurant that earned a Michelin star in 2020 and held on to it for four years, was Prism in Berlin. Tel Aviv was going to be added to the Michelin Guide in December 2023, but that was put on hold after the start of the Israel-Hamas War. Did your time in the Emirates inspire recipes that perhaps landed on your menu at Prism? Gal Ben Moshe: I was approached by a local journalist that wrote cookbooks and he did a special edition cookbook for 50 years for the Emirates. And he wanted me to contribute a recipe. And I did a dish that ended up being a Prism signature dish for a while, of Camel tartar with caviar, quail yolk, grilled onion, and it was served in this buckwheat tortelet. And at the time, it's a concept dish. So basically, the story is this whole story of Dubai. So you have the camel and the caviar, so between the desert and the sea. And then you have the camel, which basically is the nomadic background of Dubai, with the Bedouin culture and everything, and the caviar, which is this luxurious, futuristic–what Dubai is today. And it was really a dish about the Emirates. And I was invited to cook it afterwards in a state dinner, like with very high-end hotel with very high-end guests.  And basically the chef of the hotel, who's a great guy, is like, sending, writing me an email, like, I'm not going to serve camel. I'm not going to serve camel in this meal. And I was like, but it's the whole story. It's the whole thing. He's like, but what's wrong with Wagyu beef? It's like, we're in Dubai. Wagyu beef is very Dubai. And I was like, not in the way that the camel is in that story. Listen, for a chef working there, it's a playground, it's heaven. People there are super curious about food. They're open-minded. And there's great food there. There's a great food scene there, great chefs working there. I think some of the best restaurants in the world are right now there, and it was amazing. Manya Brachear Pashman: There have been other Israeli chefs who opened their restaurants in Dubai before October 7. I know Chef Eyal Shani opened with North Miznon in a Hilton hotel in Dubai. You recently closed Prism, which really was a mom and pop place in Berlin, and you've now opened a hotel restaurant in Prague. Would you still consider opening a kitchen in Dubai? Gal Ben Moshe: I have not given up on the Emirates in any way. Like I've said, I love it there. I love the people there. I love the atmosphere there. I love the idea of being there. I would say that there is complexities, and I understand much better now, in hindsight of these two years. Of why, basically, October 7 meant that much. I live in Berlin for 13 years, and I work with my vegetable suppliers for the past, I would say nine or eight years. They're Palestinians and Syrians and Lebanese and everything.  And even though October 7 happened and everything that's happened afterwards, we're still very close, and I would still define our relationship as very friendly and very positive. The one thing is that, I don't know, but I think it's because we know each other from before. And I don't know if they would have taken the business of an Israeli chef after October 7. So having known me and that I'm not a symbol for them, but I am an individual.  For them it is easier because we're friends, like we worked together, let's say for five years before October 7. It's not going to change our relationship just because October 7 happened. But I think what I do understand is that sometimes our place in the world is different when it comes to becoming symbols. And there are people who don't know me and don't know who I am or what my opinions are, how I view the world, and then I become just a symbol of being an Israeli chef. And then it's you are this, and nothing you can say at that moment changes it.  So I don't think that me opening a restaurant in Dubai before October 7 was a problem. I do understand that an Israeli chef opening a restaurant in Dubai after October 7 was not necessarily a good thing. I can understand how it's perceived as, in the symbolism kind of way, not a good thing. So I think basically, when this war is over, I think that the friendship is there. I think the connection is there. I think the mutual respect and admiration is there. And I think that there is no reason that it can't grow even further. Manya Brachear Pashman: In our next episode, expected to air after the High Holidays, we discuss how the Abraham Accords have held during one of Israel's most challenging times and posit which Arab countries might be next to join the historic pact.  Atara Lakritz is our producer. T.K. Broderick is our sound engineer. Special thanks to Jason Isaacson, Sean Savage, and the entire AJC team for making this series possible.  You can subscribe to Architects of Peace on Apple Podcasts, Spotify, or wherever you listen to podcasts, and you can learn more at AJC.org/ArchitectsofPeace. The views and opinions of our guests don't necessarily reflect the positions of AJC. You can reach us at podcasts@ajc.org. If you've enjoyed this episode, please be sure to spread the word, and hop onto Apple Podcasts or Spotify to rate us and write a review to help more listeners find us. Music Credits: Middle East : ID: 279780040; Composer: Eric Sutherland אלקנה מרציאנו & Waleed Aljasim - אהלן ביכ | Elkana Marziano AHALAN bik أهلاً بيك Moroccan Suite: Item ID: 125557642; Composer: umberto sangiovanni Medley Ana Glibi Biddi Kwitou / Ma Nebra - Symphonyat with Sanaa Marahati - Casablanca - 2022 Middle East: Item ID: 297982529; Composer: Aditya Mystical Middle East: ID: 212471911; Composer: Vicher  

A mysterious masked figure, a picturesque Japanese-inspired mountain village, and a bride and groom in turmoil. What could make this beautiful story even more poignant? Matthew Wood voiced Battle Droids, of course!That's right, we're still revisiting Star Wars: Visions and we're so very happy to be talking The Village Bride once again, as it's easily one of our favorites of the entire first season. Plus, in our Beyond the Outer Rim segment, we touch (very briefly!) on our experiences with Hollow Knight and Hollow Knight: Silksong!- Where To Find Us -Web: ⁠GlitterJaw.com⁠⁠Bluesky: @DistantEchoespod.bsky.socialInstagram: ⁠⁠@DistantEchoesSW⁠⁠TikTok: @DistantEchoesPod⁠Email: ⁠DistantEchoesSW@gmail.com⁠- Theme Music -失望した by EVA -⁠ https://joshlis.bandcamp.com⁠⁠Promoted by ⁠⁠@RoyaltyFreePlanet⁠⁠Creative Commons Attribution 3.0 ⁠⁠http://bit.ly/RFP_CClicense⁠- Sources -Filmmaker Focus: The Village Bride (Disney+)Jean-Baptiste Greuze, The Village Bride (smarthistory.org/jean-baptiste-greuze-the-village-bride/) Please consider donating to the Palestinian Children's Relief Fund, a non-profit with the mission to provide medical and humanitarian relief collectively and individually to children throughout the Levant, regardless of their nationality or religion: ⁠⁠⁠⁠www.pcrf.net⁠⁠⁠⁠ All audio clips are used under Fair Use and belong to their respective copyright owners.

Israel and its U.S. backers are advancing a clear project: Greater Israel. That means weakening every state in the Levant, fueling sectarianism, and pressuring Lebanon to disarm — leaving the south of the country defenseless.But disarming resistance in the middle of Israel's expansion isn't peace. It's surrender. So how should the Levant respond?Rania Khalek speaks with Antoun Issa, co-founder of DeepCut News, about the rise of “Greater Israel,” why disarmament would be catastrophic for Lebanon, the targeting of journalists, Syria's instability, his resignation from The Guardian, and what a real sovereign vision for the region could look like.

About the Lecture: Dr. Saeed speaks about the Halabja Massacre that occurred on March 16, 1988—a chemical weapons attack under the direction of Ali Hassan al-Majid (“Chemical Ali”), a cousin of Saddam Hussein. The attack claimed between 7,000 and 10,000 civilian lives. Dr. Saeed will discuss the lasting impact on Kurdish and Iraqi history, its role in the discussion of genocide, and his own experience as a survivor of the attack. About the Speaker: Yerevan Saeed is the Barzani Scholar in Residence and the Director of the Global Kurdish Initiative for Peace at American University's School of International Service and a non-resident fellow at the Arab Gulf States Institute in Washington He is a TEDx speaker and former lecturer at the University of Kurdistan Hewler. Saeed previously was a visiting scholar and research associate at AGSIW. Saeed is a political analyst who researches and writes on security, political, and energy issues in the Middle East, focusing on Iraq, Turkey, Iran, the Gulf, and the Levant. He has served as White House correspondent for the Kurdish Rudaw TV, and his work has been published in the Washington Institute's Fikra Forum, the Diplomatic Courier, The New York Times, the London-based Majalla magazine, Rudaw, Global Politician, and several Kurdish newspapers. In addition, he has been interviewed by Voice of America, NPR, CNN, Voice of Russia, and Kurdish television programs and newspapers. From 2009-13, Saeed worked with Stratfor; additionally, he worked for several media outlets, including The New York Times, NPR, The Wall Street Journal, The Boston Globe, BBC, and The Guardian, as a journalist and translator in Iraq from 2003-07. Saeed holds a bachelor's degree in government from the University of Texas at Austin and a master's degree from Tufts University's Fletcher School of Law and Diplomacy, with a focus on Middle East studies and international negotiation and conflict resolution. He received his PhD from the Carter School for Peace and Conflict Resolution at George Mason University. He speaks Kurdish and Arabic and has a command of Farsi.

The Autumnal Equinox stirs something complicated in me every year. On one hand, there is excitement: the promise of cooler nights, apples ripening, and the feeling that balance is possible, if only for a brief moment. On the other hand, there's concern our world feels anything but balanced. Storms, violence, and uncertainty keep pressing in. So when the sun pauses at equal day and night, I find myself both hopeful and wary, pulled in two directions at once.This year, into that tension, a new image has appeared: the Solar Horse. In dreams and meditation, it shows up carrying the disk of the sun, holding it steady. Sometimes it stands alongside Brigid's other animals. Sometimes it walks through my Interior Grove conversations, my great-grandfather chuckling and calling it the “Divine Pony Express.” The image makes me laugh, but it also makes me listen. The Solar Horse feels like a messenger, a courier between realms, reminding me that balance is not stillness, it is motion carried with care.For my partner Brian, the connection clicked with the Tibetan wind horse, a bearer of messages and prayers. That image rings true: what is more wish-fulfilling than being heard, whether by God, by ancestors, or by each other? The Equinox becomes a threshold not only of balance but of conversation, between abundance and loss, between past and future, between the living and the dead.We could chase history here, and there are certainly fragments to find. Sun gods of the Levant sometimes rode between the land of the living and the land of the dead. Horses and disks appear on artifacts. But the truth is, our practices are young. Paganism in its current forms is half a century old at best. Reconstruction is valuable, but the living practice matters most. History offers us metaphors and reminders, but meaning comes when we take symbols into our lives and see if they breathe.That is what we are doing this year: experimenting. Apples and oats become not only harvest food but offerings to the Solar Horse. A candle flame becomes not just a seasonal decoration but a sign of the sun carried into darkness. Maybe incense rises with our prayers as if handed to the messenger's reins. All of this feels fitting, and all of it may change. That's the heart of a living faith.The important thing is honesty. Too often religion drifts into rote repetition: we do it because we've always done it, even if it no longer speaks to us. I don't want a dead ritual. I want something that moves, that speaks, that evolves. A living tradition breathes; it makes room for mistakes, for laughter, for experiments that don't quite work. It teaches through the trying.So this Equinox, I will feed the Solar Horse. Maybe with slices of apple left aside, maybe with oats stirred into a cobbler, maybe simply with joy shared at the table. I'll light a candle and watch the balance of flame and darkness. I'll write in my journal, noting whether this practice settles into my bones or not. And I invite you to do the same.Don't be afraid to try. Let the Equinox be a time of curiosity. Offer something small and see if it carries a message back to you. Pay attention to your dreams. Laugh when the Divine Pony Express trots through. The world is heavy, but tradition is born not from archaeology alone, it's born when people risk an experiment in hope.Balance is not stillness; it is riding the horse as it carries the sun across the line between light and darkness. This year, I choose to ride.Thanks for reading! This post is public so feel free to share it.Thank you for Tips / Donations: * https://ko-fi.com/cedorsett * https://patreon.com/cedorsett * https://cash.app/$CreationsPaths* Substack: https://www.creationspaths.com/New to The Seraphic Grove learn more For Educational Resource: https://wisdomscry.com Social Connections: * BlueSky https://bsky.app/profile/creationspaths.com * Threads https://www.threads.net/@creationspaths * Instagram https://www.instagram.com/creationspaths/#Christopagan #AutumnalEquinox #SolarHorse #CreationSpirituality #Druidry #Mabon #EquinoxRitual #AncestralPractice #Mysticism #WheelOfTheYearChapters:00:00 Introduction and Recap02:01 Discussion of Solar Horse Connection08:56 Spirituality vs Creative Practice11:23 Traditional Apple Practices and Horse Connections15:03 Developing Modern Pagan Traditions18:08 Evolution of Religious Traditions Get full access to Creation's Paths at www.creationspaths.com/subscribe

What do our genes really reveal about who we are? In this episode, Dr. Pierre Zalloua, geneticist and author of Ancestors, takes us deep into the DNA of the Levant. We explore how personal experience, history, and science intersect to shape identity. From Phoenician expansion to the Crusades, from consumer genetic testing to cultural memory, Dr. Zalloua shows how ancestry is far more complex and more unifying than we might think. We discuss surprising genetic signatures in the Levant, the dangers of oversimplifying identity, and the balance between biology and lived experience. Whether you're curious about your own heritage or the shared human story, this episode offers a profound look at how genetics can illuminate and complicate our understanding of ourselves. #Genetics #Identity #Lebanon #Heritage #Levant #HumanStory #Podcast

"Este devocional es una iniciativa de la Iglesia Adventista del Séptimo Día en Keene, Texas, diseñado para fortalecer tu espíritu y renovar tu fe cada día. A través de reflexiones sencillas pero profundas, encontrarás ánimo para enfrentar los retos diarios con confianza y esperanza. Cada mensaje te invita a recordar las promesas de Dios y a disfrutar de momentos íntimos y transformadores “A solas con Jesús”. Directora: Nancy Rodríguez Referencia: ""A solas con Jesús"" (1998) | Pr. Alejandro Bullón Lector: Elsa Cañizares Redes Sociales: @AdventistaDeKeene Website: https://www.keenehsda.org Créditos de la Música: ""Emotional"" | Autor: AlexBird ¡Dios le bendiga!

Cette semaine dans tech 45' on accueille Jonathan Cherki, CEO et fondateur de Contentsquare. Parti d'un projet étudiant à l'ESSEC, il a construit l'une des plus belles licornes françaises, spécialisée dans l'analyse de l'expérience et du comportement des utilisateurs. Levant plus d'1 milliard de dollars, il va séduire 1300 marques et 1,3M de sites web, sa présence est mondiale de Paris à Tokyo en passant par NYC où il s'est installé très tôt. Le mantra de "Jon" ? « Quand on veut, on peut ». Ce top entrepreneur est resté aux commandes et a su géré l'hyper-croissance, les rachats stratégiques et une série F record (2022). Il s'installe dans le fauteuil de tech 45' pour parler vision, UX, IA, French Tech et ambition long terme. Sans blabla ni montage, les success stories comme on les aime

We've got a bad feeling about this one. Just kidding! ...or are we?That's right, we're tackling one of Studio Trigger's two contributions to Star Wars: Visions Season 1, the reference-fest that is "The Twins." A beautifully animated episode that's only hampered by it's need to constantly remind the viewer that it's referencing Star Wars. Hear what we think about the animation, if our thoughts have changed since we first watched it, and where this ranks among other Season 1 episodes.Listen, or listen not. There is no try.(Get it?! Get it?! That's from Star Wars!) - Where To Find Us -Web: ⁠GlitterJaw.com⁠⁠Bluesky: @DistantEchoespod.bsky.socialInstagram: ⁠⁠@DistantEchoesSW⁠⁠TikTok: @DistantEchoesPod⁠Email: ⁠DistantEchoesSW@gmail.com⁠- Theme Music -失望した by EVA -⁠ https://joshlis.bandcamp.com⁠⁠Promoted by ⁠⁠@RoyaltyFreePlanet⁠⁠Creative Commons Attribution 3.0 ⁠⁠http://bit.ly/RFP_CClicense⁠Please consider donating to the Palestinian Children's Relief Fund, a non-profit with the mission to provide medical and humanitarian relief collectively and individually to children throughout the Levant, regardless of their nationality or religion: ⁠⁠⁠⁠www.pcrf.net⁠⁠⁠⁠ All audio clips are used under Fair Use and belong to their respective copyright owners.

Muchos más recursos para tu vida de fe (Santo Rosario, Oración, etc.) en nuestra web https://sercreyente.com________________Miércoles, 3 de septiembre de 2025 (22ª Semana del Tiempo Ordinario)Evangelio del día y reflexión... ¡Deja que la Palabra del Señor transforme tu vida! Texto íntegro del Evangelio y de la Reflexión en https://sercreyente.com/suegra-simon-pedro-levantandose-se-puso-a-servirles/[Lucas 4, 38-44] En aquel tiempo, al salir Jesús de la sinagoga, entró en la casa de Simón. La suegra de Simón estaba con fiebre muy alta y le rogaron por ella. Él, inclinándose sobre ella, increpó a la fiebre, y se le pasó; ella, levantándose enseguida, se puso a servirles. Al ponerse el sol, todos cuantos tenían enfermos con diversas dolencias se los llevaban, y él, imponiendo las manos sobre cada uno, los iba curando. De muchos de ellos salían también demonios, que gritaban y decían: «Tú eres el Hijo de Dios». Los increpaba y no les dejaba hablar, porque sabían que él era el Mesías. Al hacerse de día, salió y se fue a un lugar desierto. La gente lo andaba buscando y, llegando donde estaba, intentaban retenerlo para que no se separara de ellos. Pero él les dijo: «Es necesario que proclame el reino de Dios también a las otras ciudades, pues para esto he sido enviado». Y predicaba en las sinagogas de Judea.________________Descárgate la app de SerCreyente en https://sercreyente.com/app/¿Conoces nuestra Oración Online? Más información en: https://sercreyente.com/oracion¿Quieres recibir cada día el Evangelio en tu whatsapp? Alta en: www.sercreyente.com/whatsappTambién puedes hacer tu donativo en https://sercreyente.com/ayudanos/Contacto: info@sercreyente.com

Listen to the first episode of AJC's new limited podcast series, Architects of Peace. Go behind the scenes of the decades-long diplomacy and quiet negotiations that made the Abraham Accords possible, bringing Israel, the United Arab Emirates, Bahrain, and later Morocco, together in historic peace agreements.   Jason Isaacson, AJC Chief of Policy and Political Affairs, explains the complex Middle East landscape before the Accords and how behind-the-scenes efforts helped foster the dialogue that continues to shape the region today. Resources: Episode Transcript AJC.org/ArchitectsofPeace - Tune in weekly for new episodes. The Abraham Accords, Explained AJC.org/CNME - Find more on AJC's Center for a New Middle East Listen – AJC Podcasts: The Forgotten Exodus People of the Pod Follow Architects of Peace on your favorite podcast app, and learn more at AJC.org/ArchitectsofPeace You can reach us at: podcasts@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript: Jason Isaacson: It has become clear to me in my travels in the region over the decades that more and more people across the Arab world understood the game, and they knew that this false narrative – that Jews are not legitimately there, and that somehow we have to focus all of our energy in the Arab world on combating this evil interloper – it's nonsense. And it's becoming increasingly clear that, in fact, Israel can be a partner. Manya Brachear Pashman: In September 2020, the world saw what had been years – decades – in the making: landmark peace agreements dubbed the Abraham Accords -- normalizing relations between Israel and two Arabian Gulf states, the United Arab Emirates and the Kingdom of Bahrain.  Later in December, they were joined by the Kingdom of Morocco. Five years later, AJC is pulling back the curtain to meet key individuals who built the trust that led to these breakthroughs. Introducing: the Architects of Peace. Manya Brachear Pashman: On the eve of the signing of the Abraham Accords, AJC Chief Policy and Political Affairs Officer Jason Isaacson found himself traveling to the end of a tree filled winding road in McLean, Virginia, to sip tea on the back terrace with Bahraini Ambassador Shaikh Abdulla bin Rashid Al Khalifa and Bahrain's Minister of Foreign Affairs Dr. Abdullatif bin Rashid Al Zayani. Jason Isaacson: Sitting in the backyard of the Bahraini ambassador's house with Dr. Al Zayani, the Foreign Minister of Bahrain and with Shaikh Abdulla, the ambassador, and hearing what was about to happen the next day on the South Lawn of the White House was a thrilling moment. And really, in many ways, just a validation of the work that AJC has been doing for many years–before I came to the organization, and the time that I've spent with AJC since the early 90s.  This possibility of Israel's true integration in the region, Israel's cooperation and peace with its neighbors, with all of its neighbors – this was clearly the threshold that we were standing on. Manya Brachear Pashman: If you're wondering how Jason ended up sipping tea in such esteemed company the night before his hosts made history, wonder no more. Here's the story. Yitzchak Shamir: The people of Israel look to this palace with great anticipation and expectation. We pray that this meeting will mark the beginning of a new chapter in the history of the Middle East; that it will signal the end of hostility, violence, terror, and war; that it will bring dialogue, accommodation, co-existence, and above all, peace. Manya Brachear Pashman: That was Israel's Prime Minister Yitzhak Shamir speaking in October 1991 at the historic Madrid Peace Conference -- the first time Israel and Arab delegations engaged in direct talks toward peace. It had taken 43 years to reach this point – 43 years since the historic United Nations Resolution that created separate Jewish and Arab states – a resolution Jewish leaders accepted, but Arab states scorned. Not even 24 hours after Israel declared its independence on May 14, 1948, the armies of Egypt, Iraq, Jordan, Lebanon, and Syria attacked the new Jewish state, which fought back mightily and expanded its territory. The result? A deep-seated distrust among Israel, its neighboring nations, and some of the Arab residents living within Israel's newly formed borders. Though many Palestinian Arabs stayed, comprising over 20 percent of Israel's population today, hundreds of thousands of others left or were displaced. Meanwhile, in reaction to the rebirth of the Jewish state, and over the following two decades, Jewish communities long established in Arab states faced hardship and attacks, forcing Jews by the hundreds of thousands to flee. Israel's War of Independence set off a series of wars with neighboring nations, terrorist attacks, and massacres. Peace in the region saw more than a few false starts, with one rare exception.  In 1979, after the historic visit to Israel by Egyptian President Anwar Sadat, he and Israeli Prime Minister Menachem Begin joined President Jimmy Carter for negotiations at Camp David and signed a peace treaty that for the next 15 years, remained the only formal agreement between Israel and an Arab state. In fact, it was denounced uniformly across the Arab world.  But 1991 introduced dramatic geopolitical shifts. The collapse of the Soviet Union, which had severed relations with Israel during the Six-Day War of 1967, diminished its ability to back Syria, Iraq, and Libya. In the USSR's final months, it re-established diplomatic relations with Israel but left behind a regional power vacuum that extremists started to fill. Meanwhile, most Arab states, including Syria, joined the successful U.S.-led coalition against Saddam Hussein that liberated Kuwait, solidifying American supremacy in the region and around the world. The Palestine Liberation Organization, which claimed to represent the world's Palestinians, supported Iraq and Libya.  Seizing an opportunity, the U.S. and the enfeebled but still relevant Soviet Union invited to Madrid a joint Jordanian-Palestinian delegation, along with delegations from Lebanon, Jordan, Syria, Egypt, and Israel. Just four months before that Madrid meeting, Jason Isaacson had left his job on Capitol Hill to work for the American Jewish Committee. At that time, AJC published a magazine titled Commentary, enabling Jason to travel to the historic summit with media credentials and hang out with the press pool. Jason Isaacson: It was very clear in just normal conversations with these young Arab journalists who I was spending some time with, that there was the possibility of an openness that I had not realized existed. There was a possibility of kind of a sense of common concerns about the region, that was kind of refreshing and was sort of running counter to the narratives that have dominated conversations in that part of the world for so long.  And it gave me the sense that by expanding the circle of relationships that I was just starting with in Madrid, we might be able to make some progress. We might be able to find some partners with whom AJC could develop a real relationship. Manya Brachear Pashman: AJC had already begun to build ties in the region in the 1950s, visiting Arab countries like Morocco and Tunisia, which had sizable Jewish populations. The rise in Arab nationalism in Tunisia and rebirth of Israel eventually led to an exodus that depleted the Jewish community there. Emigration depleted Morocco's Jewish community as well.  Jason Isaacson: To say that somehow this is not the native land of the Jewish people is just flying in the face of the reality. And yet, that was the propaganda line that was pushed out across the region. Of course, Madrid opened a lot of people's eyes. But that wasn't enough. More had to be done. There were very serious efforts made by the U.S. government, Israeli diplomats, Israeli businesspeople, and my organization, which played a very active role in trying to introduce people to the reality that they would benefit from this relationship with Israel.  So it was pushing back against decades of propaganda and lies. And that was one of the roles that we assigned to ourselves and have continued to play. Manya Brachear Pashman: No real negotiations took place at the Madrid Conference, rather it opened conversations that unfolded in Moscow, in Washington, and behind closed doors in secret locations around the world. Progress quickened under Israeli Prime Minister Yitzhak Rabin. In addition to a peace treaty between Israel and Jordan, reached in 1994, secret talks in Norway between Israel and PLO resulted in the Oslo Accords, a series of agreements signed in 1993 and 1995 that ended the First Intifada after six years of violence, and laid out a five-year timeline for achieving a two-state solution. Extremists tried to derail the process. A Jewish extremist assassinated Rabin in 1995. And a new terror group  launched a series of suicide attacks against Israeli civilians. Formed during the First Intifada, these terrorists became stars of the Second. They called themselves Hamas. AP News Report: [sirens] [in Hebrew] Don't linger, don't linger. Manya Brachear Pashman: On March 27, 2002, Hamas sent a suicide bomber into an Israeli hotel where 250 guests had just been seated for a Passover Seder. He killed 30 people and injured 140 more. The day after the deadliest suicide attack in Israel's history, the Arab League, a coalition of 22 Arab nations in the Middle East and Africa, unveiled what it called the Arab Peace Initiative – a road map offering wide scale normalization of relations with Israel, but with an ultimatum: No expansion of Arab-Israeli relations until the establishment of a Palestinian state within the pre-1967 armistice lines and a so-called right of return for Palestinians who left and their descendants.   As the Second Intifada continued to take civilian lives, the Israeli army soon launched Operation Defensive Shield to secure the West Bank and parts of Gaza. It was a period of high tension, conflict, and distrust. But behind the scenes, Jason and AJC were forging ahead, building bridges, and encountering an openness in Arab capitals that belied the ultimatum.  Jason Isaacson: It has become clear to me in my travels in the region over the decades that more and more people across the Arab world understood the game, and they knew that that this false narrative that Jews are not legitimately there, and that somehow we have to focus all of our energy in the Arab world on combating this evil interloper – it's nonsense. And it's becoming increasingly clear that, in fact, Israel can be a partner of Arab countries. Manya Brachear Pashman: Jason led delegations of Jewish leaders to Arab capitals, oversaw visits by Arab leaders to Israel, and cultivated relationships of strategic and political consequence with governments and civil society leaders across North Africa, the Levant, and the Arabian Peninsula. In 2009, King Mohammed VI of Morocco bestowed on him the honor of Chevalier of the Order of the Throne of the Kingdom of Morocco. Jason's priority was nurturing one key element missing from Arab-Israeli relations. An element that for decades had been absent in most Middle East peace negotiations: trust.   Jason Isaacson: Nothing is more important than developing trust. Trust and goodwill are, if not synonymous, are so closely linked. Yes, a lot of these discussions that AJC's been engaged in over many years have been all about, not only developing a set of contacts we can turn to when there's a crisis or when we need answers to questions or when we need to pass a message along to a government. But also, develop a sense that we all want the same thing and we trust each other. That if someone is prepared to take certain risks to advance the prospect of peace, which will involve risk, which will involve vulnerability. That a neighbor who might have demonstrated in not-so-distant past animosity and hostility toward Israel can be trusted to take a different course. Manya Brachear Pashman: A number of Israeli diplomats and businesspeople also worked toward that goal. While certain diplomatic channels in the intelligence and security spheres stayed open out of necessity – other diplomats and businesspeople with dual citizenship traveled across the region, quietly breaking down barriers, starting conversations, and building trust.  Jason Isaacson: I would run into people in Arab capitals from time to time, who were fulfilling that function, and traveling with different passports that they had legitimately, because they were from those countries. It was just a handful of people in governments that would necessarily know that they were there. So yes, if that sounds like cloak and dagger, it's kind of a cloak and dagger operation, a way for people to maintain a relationship and build a relationship until the society is ready to accept the reality that it will be in their country's best interest to have that relationship. Manya Brachear Pashman: Privately, behind the scenes, signs emerged that some Arab leaders understood the role that Jews have played in the region's history for millennia and the possibilities that would exist if Muslims and Jews could restore some of the faith and friendship of bygone years.  Jason Isaacson: I remember sitting with King Mohammed the VI of Morocco just weeks after his ascension to the throne, so going back more than a quarter century, and hearing him talk with me and AJC colleagues about the 600,000 subjects that he had in Israel. Of course, these were Jews, Israelis of Moroccan descent, who are in the hundreds of thousands. But the sense that these countries really have a common history. Manya Brachear Pashman: Common history, yes. Common goals, too. And not for nothing, a common enemy. The same extremist forces that have been bent on Israel's destruction have not only disrupted Israeli-Arab peace, they've prevented the Palestinian people from thriving in a state of their own and now threaten the security and stability of the entire region. Jason Isaacson:  We are hopeful that in partnership with those in the Arab world who feel the same way about the need to push back against extremism, including the extremism promoted, promulgated, funded, armed by the Islamic Republic of Iran, that we can have enough of a network of supportive players in the Arab world, in the West. Working with Israel and working with Palestinian partners who are interested in the same future. A real future, a politically free future, where we can actually make some progress. And that's an ongoing effort. This is a point that we made consistently over many years: if you want to help the Palestinian people–and we want to help the Palestinian people–but if you, fill in the blank Arab government official, your country wants to help the Palestinian people, you're not helping them by pretending that Israel doesn't exist.  You're not helping them by isolating Israel, by making Israel a pariah in the minds of your people. You will actually have leverage with Israel, and you'll help the Palestinians when they're sitting at a negotiating table across from the Israelis. If you engage Israel, if you have access to the Israeli officials and they have a stake in your being on their side on certain things and working together on certain common issues. Manya Brachear Pashman: Jason says more and more Arab leaders are realizing, with some frustration, that isolating Israel is a losing proposition for all the parties involved. It has not helped the Palestinian people. It has not kept extremism at bay. And it has not helped their own countries and their own citizens prosper. In fact, the limitations that isolating Israel imposes have caused many countries to lag behind the tiny Jewish state. Jason Isaacson: I think there was just this sense of how far back we have fallen, how much ground we have to make up. We need to break out of the old mindset and try something different. But that before the Abraham Accords, they were saying it in the years leading up to the Abraham Accords, with increasing frustration for the failure of Palestinian leadership to seize opportunities that had been held out to them. But frankly, also contributing, I think, to this was this insistence on isolating themselves from a naturally synergistic relationship with a neighboring state right next door that could contribute to the welfare of their societies. It just didn't make a whole lot of sense, and it denied them the ability to move forward. Manya Brachear Pashman: Jason remembers the first time he heard an Arab official utter the words out loud – expressing a willingness, daresay desire, to partner with Israel. Jason Isaacson: It took a long time, but I could see in 2016, 17, 18, 19, this growing awareness, and finally hearing it actually spoken out loud in one particular conference that I remember going to in 2018 in Bahrain, by a senior official from an Arab country. It took a long time for that lesson to penetrate, but it's absolutely the case. Manya Brachear Pashman: In 2019, Bahrain hosted an economic summit where the Trump administration presented its "Peace to Prosperity" plan, a $50 billion investment proposal to create jobs and improve the lives of Palestinians while also promoting regional peace and security. Palestinians rejected the plan outright and refused to attend. Bahrain invited Israeli media to cover the summit. That September, on the sidelines of the UN General Assembly, AJC presented its inaugural Architect of Peace Award to the Kingdom of Bahrain's chief diplomat for nearly 20 years. Shaikh Khalid bin Ahmed Al Khalifa, Bahrain's Minister of Foreign Affairs at the time, told Jason that it was important to learn the lessons of the late Egyptian President Anwar Sadat and late Jordanian King Hussein, both of whom signed peace treaties with Israel. He also explained the reason why Bahrain invited Israeli media.  Shaikh Khalid bin Ahmed Al Khalifa: President Anwar Sadat did it, he broke a huge barrier. He was a man of war, he was the leader of a country that went to war or two with Israel. But then he knew that at the right moment he would want to go straight to Israeli and talk to them. We fulfilled also something that we've always wanted to do, we've discussed it many times: talking to the Israeli public through the Israeli media.  Why not talk to the people? They wake up every day, they have their breakfast watching their own TV channels, they read their own papers, they read their own media, they form their own opinion.    Absolutely nobody should shy away from talking to the media. We are trying to get our point across. In order to convince. How will you do it? There is no language of silence. You'll have to talk and you'll have to remove all those barriers and with that, trust can be built. Manya Brachear Pashman: Jason had spent decades building that trust and the year to come yielded clear results. In May and June 2020, UAE Ambassador to the UN Lana Nusseibeh and UAE Minister of State Dr. Anwar Gargash both participated in AJC webinars to openly discuss cooperation with Israel – a topic once considered taboo.  So when the Abraham Accords were signed a few months later, for Jason and AJC colleagues who had been on this long journey for peace, it was a natural progression. Though no less dramatic.  Sitting with Minister Al Khalifa's successor, Dr. Al Zayani, and the Bahraini ambassador on the evening before the White House ceremony, it was time to drink a toast to a new chapter of history in the region. Jason Isaacson: I don't think that that would have been possible had there not been decades of contacts that had been made by many people. Roving Israeli diplomats and Israeli business people, usually operating, in fact, maybe always operating with passports from other countries, traveling across the region. And frankly, our work and the work of a limited number of other people who were in non-governmental positions. Some journalists, authors, scholars, business people, and we certainly did a great deal of this over decades, would speak with leaders in these countries and influential people who are not government officials. And opening up their minds to the possibility of the advantages that would accrue to their societies by engaging Israel and by better understanding the Jewish people and who we are, what we care about, who we are not.  Because there was, of course, a great deal of decades, I should say, centuries and millennia, of misapprehensions and lies about the Jewish people. So clearing away that baggage was a very important part of the work that we did, and I believe that others did as well. We weren't surprised. We were pleased. We applauded the Trump administration, the President and his team, for making this enormous progress on advancing regional security and peace, prosperity. We are now hoping that we can build on those achievements of 2020 going forward and expanding fully the integration of Israel into its neighborhood. Manya Brachear Pashman: Next episode, we hear how the first Trump administration developed its Middle East policy and take listeners behind the scenes of the high stakes negotiations that yielded the Abraham Accords.  Atara Lakritz is our producer. T.K. Broderick is our sound engineer. Special thanks to Jason Isaacson, Jon Schweitzer, Sean Savage, and the entire AJC team for making this series possible.  You can subscribe to Architects of Peace on Apple Podcasts, Spotify, or wherever you listen to podcasts, and you can learn more at AJC.org/ArchitectsofPeace.  The views and opinions of our guests don't necessarily reflect the positions of AJC.  You can reach us at podcasts@ajc.org. If you've enjoyed this episode, please be sure to spread the word, and hop onto Apple Podcasts or Spotify to rate us and write a review to help more listeners find us. ___ Music Credits: Middle East : ID: 279780040; Composer: Eric Sutherland Middle East Violin: ID: 277189507; Composer: Andy Warner Frontiers: ID: 183925100; Publisher: Pond5 Publishing Beta (BMI); Composer: Pete Checkley (BMI) Middle East Tension: ID: 45925627 Arabic Ambient: ID: 186923328; Publisher: Victor Romanov; Composer: Victor Romanov Arabian Strings: ID: 72249988; Publisher: EITAN EPSTEIN; Composer: EITAN EPSTEIN Inspired Middle East: ID: 241884108; Composer: iCENTURY Middle East Dramatic Intense: ID: 23619101; Publisher: GRS Records; Composer: Satria Petir Mystical Middle East: ID: 212471911; Composer: Vicher    

In today's episode, Claire is joined by Baylor faculty member and GPD Deirdre Fulton. She is a zooarchaeologist that specializes in animal bones in the Southern Levant. Her excavations in Ashkelon, Tel Shimron and as part of the Jezreel Valley Regional Project help inform questions related to diet, sacrifice, and economy. Learn more about this branch of study and how “man's best friend” shows up in ancient Near Eastern archaeology.Deirdre Fulton joined the Department of Religion at BaylorUniversity in the fall semester 2013. Her area of research focuses on the Persian Period, specifically the books of Chronicles, Ezra, and Nehemiah. Fulton is also interested in zooarchaeological related research, connecting text and artifact. She is involved in several ongoing excavations in Israel, including the Leon Levy Ashkelon Excavations, Tel Shimron Excavations, and also the Jezreel Valley Regional Project. Her interest in archaeology helps inform questions related to diet, sacrifice, and economy.Deirdre is a member of the Steering committees on Literature and History of the Persian period for the Society of Biblical Literature and the Feasting and Foodways for the American Schools of Oriental Research. She is also a member of the Catholic Biblical Association and American Institute ofArchaeology. 

It's Alexander vs. Darius in a showdown for the ages. First, the Battle of Issus turns the Persian king into a fugitive and Alexander into master of the Levant.Elsewhere, we're discussing terrible marketing strategies including the infamous ‘ten cent brawl'. Got another to share with us? hello@ohwhatatime.comIf you fancy a bunch of OWAT content you've never heard before (and the entirety of the mini-series right now!), why not treat yourself and become an Oh What A Time: FULL TIMER?Up for grabs is:- two bonus episodes every month!- ad-free listening- episodes a week ahead of everyone else- And much moreSubscriptions are available via AnotherSlice and Wondery +. For all the links head to: ohwhatatime.comYou can also follow us on: X (formerly Twitter) at @ohwhatatimepodAnd Instagram at @ohwhatatimepodAaannnd if you like it, why not drop us a review in your podcast app of choice?Thank you to Dan Evans for the artwork (idrawforfood.co.uk).Chris, Elis and Tom xSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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It's Emmajority Report Thursday On today's show: Israel's finance minister, Bezalel Smotrich holds a press conference in the occupied West Bank to announce their E1 settlement project that in his own words will bury the idea of a Palestinian state. After receiving obvious backlash for his comments on Gaza, Pete Buttigieg puts minimal effort into walking back his words through an interview with Politico's Adam Wren. Researcher from the Program on Inequality, Omar Ocampo joins us to discuss Zohran Mamdani's plan to create a city run grocery store in each borough and the myth of millionaires fleeing cities when American Prospect writer and co-publisher of our own AM Quickie, Whitney Curry Wimbish joins us to discuss private prison industry raking in cash over Trump's immigration terror campaign. Brandon Sutton and Matt Binder join for the Fun Half: A Newsmax host uses white supremacy and anti-wokeness as a way to ogle at young girls. A Minnesota teenager is forced to show her breasts to a Buffalo Wild Wings server to "prove she is a woman" Tucker Carlson interviews a Nun who lives in Palestine about the amicable relationship between Muslims and Christians in the Levant. Stephen Crowder defends Israeli settlers over the Palestinian Christians for whom he proclaims to share the same faith. All that and more plus calls and IMs The Congress switchboard number is (202) 224-3121. You can use this number to connect with either the U.S. Senate or the House of Representatives. Become a member at JoinTheMajorityReport.com: https://fans.fm/majority/join Follow us on TikTok here: https://www.tiktok.com/@majorityreportfm Check us out on Twitch here: https://www.twitch.tv/themajorityreport Find our Rumble stream here: https://rumble.com/user/majorityreport Check out our alt YouTube channel here: https://www.youtube.com/majorityreportlive Gift a Majority Report subscription here: https://fans.fm/majority/gift Subscribe to the ESVN YouTube channel here: https://www.youtube.com/esvnshow Subscribe to the AMQuickie newsletter here: https://am-quickie.ghost.io/ Join the Majority Report Discord! https://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Get the free Majority Report App!: https://majority.fm/app Go to https://JustCoffee.coop and use coupon code majority to get 10% off your purchase Check out today's sponsors EXPRESS VPN: Get up to 4 extra months free. Expressvpn.com/Majority SUNSET LAKE: Head on over to Sunset LakeCBD.com and remember to use code BIRTHDAY for 25% off sitewide. This sale ends at midnight on August 17th. Follow the Majority Report crew on Twitter: @SamSeder @EmmaVigeland @MattLech Check out Matt's show, Left Reckoning, on YouTube, and subscribe on Patreon! https://www.patreon.com/leftreckoning Check out Matt Binder's YouTube channel: https://www.youtube.com/mattbinder Subscribe to Brandon's show The Discourse on Patreon! https://www.patreon.com/ExpandTheDiscourse Check out Ava Raiza's music here! https://avaraiza.bandcamp.com/ The Majority Report with Sam Seder – https://majorityreportradio.com

To conclude my series on the Israel-Palestine conflict, I look at Jewish presence in the Levant going all the way back to the Iron Age, the events leading to the founding of the modern State of Israel, its unique economic and military relationship with the US, and its long asymmetrical conflict with Palestinians. Please consider donating to help bring an end to the humanitarian crisis in Gaza. It can be confusing and complex to navigate the many charities that claim to offer direct aid in Gaza. Some recommend giving directly to family fundraisers, but investigative reports suggest some GoFundMe donations never reach the citizens they're intended to help. As for charity organizations, some smaller ones have proven to be fronts, and even some major organizations accept donations for Gaza despite not providing direct aid on the ground there. There are even calls by other charities for the Israel and US backed Gaza Humanitarian Foundation to be shut down because of the numerous massacres occurring at its distribution sites. Among the more trustworthy charities actually working on bringing aid to Palestinians are UNICEF, Oxfam International, Doctors Without Borders, Save the Children, and Palestinian Children's Relief Fund. Get 3 months of premium wireless service for $15 bucks a month at ⁠⁠⁠⁠⁠⁠⁠MintMobile.com/Blindness⁠⁠⁠⁠⁠⁠⁠ Check out ⁠⁠⁠⁠⁠⁠⁠the show merch⁠⁠⁠⁠⁠⁠⁠, perfect for gifts!  ⁠⁠⁠⁠⁠⁠⁠Pledge support on Patreon to get an ad-free feed with exclusive episodes!⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Check out my novel, Manuscript Found!⁠⁠⁠⁠⁠⁠⁠ Find a transcript of this episode with source citations and related imagery at ⁠⁠⁠⁠⁠⁠⁠www.historicalblindness.com⁠⁠⁠⁠⁠⁠⁠. Direct all advertising inquiries to ⁠⁠⁠⁠⁠⁠⁠advertising@airwavemedia.com⁠⁠⁠⁠⁠⁠⁠. Visit ⁠⁠⁠⁠⁠⁠⁠www.airwavemedia.com⁠⁠⁠⁠⁠⁠⁠ to find other high-quality podcasts! Some music on this episode was licensed under a Blue Dot Sessions blanket license at the time of this episode's publication. Tracks include "Cobweb Transit," "Black Ballots," "Cicle Deserrat," "Olivia Wraith," "Vellum and Steel," "Minister Creek," "Invernen," and "Cicle DR Valga." Additional music, including "Remedy for Melancholy," is by Kai Engel, licensed under Creative Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices

Explore the enduring allure of giants in human history and mythology. From Greek Titans and Norse Jotunn to biblical Nephilim, we uncover their ties to real-world locations like Samos, the Levant, and the Deccan Plateau, where fossils and megalithic structures may have inspired these tales. Delve into the science of human gigantism, examining cases like Robert Wadlow, and investigate how misidentified dinosaur and megafauna fossils shaped ancient stories. We also debunk infamous hoaxes like the Cardiff Giant, revealing the psychology behind these fabrications. Blending mythology, biology, paleontology, and archaeology, this episode reveals why giants continue to captivate us.