Country in the western Pacific
POPULARITY
Turning 30 can feel like standing at a crossroads, caught between who you were and who you want to become. In this episode of Sistas Let's Talk, three Papua New Guinean women reflect on life in their 30s, sharing candid stories career ambitions, family responsibilities, self-discovery and the realities of adulthood. From learning to let go of the need for external validation to embracing failure as an opportunity for growth, their experiences highlight the confidence and clarity that often comes with age. Host Natasha Meten speaks to Dolores Kamang, 39, an agricultural worker; Estelle Walters, 34, an entrepreneur; and Maureen “Moe” Orea, 32, a radio executive, about the lessons they've learned and the perspectives they've gained along the way. Listen on ABC Radio Australia.
In this episode of the Building Better Humans Project, Glenn explores one of our deepest human needs: the need to belong.Drawing inspiration from the Māori concept of Whānau, the Papua New Guinean philosophy of Wantok, the Samoan concept of Aiga, and the African principle of Ubuntu, this episode challenges the modern idea that success is achieved alone. Through a powerful story from Māori leader Riki Niania and reflections on leadership, community, and culture, Glenn shares why the strongest teams, families, and organisations don't just work together—they truly belong together. If you've ever wondered what it takes to build genuine connection in your family, workplace, or community, this episode will leave you thinking differently about the people around you and the culture you're creating. The Building Better Humans Project is brought to you by ADVENTURE PROFESSIONALS. Visit www.adventureprofessionals.com.auADVENTURE WITH GLENN ONLINE MINDSET PROGRAMS 1-ON-1 MENTORINGSee omnystudio.com/listener for privacy information.
Most people think Kokoda is just a trek through the jungles of Papua New Guinea. They’re wrong. After more than 100 crossings of the Kokoda Track, Glenn Azar has come to believe there are actually three different Kokodas that every trekker experiences. The first is the history. The incredible story of the 1942 campaign and the courage of the young Australians and Papua New Guineans who fought and served there. The second is the physical challenge. The relentless climbs, steep descents, humidity and exhaustion that test every person who steps onto the Track. But it’s the third Kokoda that surprises almost everyone. The personal journey. The conversations you have with yourself when the distractions of everyday life disappear. The perspective you gain. The confidence you build. The person you become. Whether you’re planning your first trek or simply fascinated by Kokoda’s enduring legacy, this episode explores why the Track changes people in ways they never expect. In This Episode Why there isn’t just one Kokoda Understanding the historical significance of the Kokoda Campaign Why physical preparation is important—but only part of the journey The unexpected personal transformation that happens on the Track How challenge, purpose and simplicity combine to create lasting change Why no two people ever experience Kokoda in the same way Key Takeaway You may come to Kokoda for the history.You’ll prepare for the physical challenge.But you’ll remember the personal journey. Quote from the Episode “Everyone walks the same Track. But everyone walks a different Kokoda.” Thinking About Walking Kokoda? If Kokoda has been on your bucket list, we’d love to help you experience it the right way. For more than 20 years, Adventure Professionals has been leading Australians across the Kokoda Track with experienced Australian leaders, an exceptional Papua New Guinean team, and a commitment to honouring both the history and the people who call the Track home. Find out more about upcoming treks at www.adventureprofessionals.com.au. Connect with Glenn Follow Glenn Azar for more stories, leadership lessons and adventure inspiration: Building Better Humans Project The Kokoda Track Podcast Adventure Professionals Glenn Azar on social media If you enjoyed this episode, please subscribe, leave a review, and share it with someone who has Kokoda on their bucket list. It helps us continue sharing the stories, history and life lessons from one of the world’s most remarkable journeys.See omnystudio.com/listener for privacy information.
Episode 15 – 75 years of help, hope and healing in PNG MAF PNG is celebrating 75 years! The ‘Aerial Health Patrols' are part of that incredible work, and have been transforming thousands of lives in Western Province since 2019. Joseph Tua – MAF's first ever Papua New Guinean floatplane pilot - and partner Dr Alex Maha from the Sustainable Development Programme talk about their amazing partnership.
Welcome to St Paul's! This week we are joyful in celebrating Pentecost and God's gift of the Holy Spirit! We also welcome Papua New Guinean interns from Warrambui, who will bless our service with song and stories. Please plan to enjoy lunch with us after worship- bring a dish from your own cultural background to share. The Holy Spirit is God's gift to keep us in closer community with God and with each other. Let's spend this week reaching out to our neighbours with the Holy Spirit's grace and love!Message presented by Pr. Allan Taruste Support the show
The Chiefs have got their guy, what about the bears?In more ways than one, down the barrel Bellyache staresthe NRL reckon. the games are not too fast and injuries are down.. The more Annersley digs, the more he just look likes a clownIt's a time of great expansion and industry. From the wharves of Wollongong to the gold mines of the Papua New Guinean highlands, wealth flows between the hands of the governing noble class.On the Isle of Aus, a pair of sullen heroes brood in typically robust fashion about the man intrigues of the sport known in ancient Latin as 'rugba lego.' They investigate the nuances of contracting and the likelihood of rebellions surviving the forthcoming harsh winter. As silver crosses oceans and boroughs back home cry foul, the kingdom of NRL forges on with its bold charter. The power radiating from the forge of Moore Parkia doth spell short sightedness, and a brewing storm of great strength from the east. Jurisdiction remains centralised to the capitol, and its shrewd and severe sovereign V'landyssss.For it is sovereign V'landyssss casting greedy eyes on swift battlefield victories, without thinking of the toll on the standing army's of his kingdoms 17 ancient houses. The iron fist remains firmly on the throat of what once was a game, and our heroes are the only ones who can possibly stop it.They just need to find their courage.And some new sponsors.
In this episode of Connect with Confidence, I'm joined by Tim Walmsley - recently named 2025 Defence Executive of the Year.What unfolds is a conversation about impact, perspective and how both can shift when you step away from the familiar and into something that asks everything of you.Tim shares the work he's doing to connect Australia's defence industry through new digital portals - alongside the “heart work” that runs in parallel: supporting This Story Australia to capture veterans' stories before they're lost and helping deliver practical support to vulnerable veterans through the Vulnerable Veterans Solar Program.And then we head to Papua New Guinea.Tim takes us onto the Kokoda Track, a trek he assumed would be straightforward (100km over eight days) until day two arrived with heat, humidity, steep jungle mountains, and a very quick reality check. What changes everything is the moment he stops pushing and starts watching; learning from the local porters who take tiny, steady steps that allow them to move for hours without exhaustion.Along the way, we explore:what hardship reveals about people and how groups help one another through itthe deep spiritual responsibility many Papua New Guinean porters feel for the track and its historyTim's powerful remembrance on Brigade Hill, honouring his grandfather and the “unfinished” story he carriedan unexpected moment of clarity - a reset that shifts his priorities at home, at work, and within himselfThis episode is a reminder that sometimes the biggest perspective shifts don't come from grand gestures.They come from tiny steps, taken steadily, in the company of others, through places that hold history, sacrifice, and meaning.Loved this episode? Support us to create more podcasts by buying our producer a coffee - https://bmc.link/kerriephippsFind Tim here -Website: https://www.benchon.com/LinkedIn: https://www.linkedin.com/in/tim-walmsley/Find Kerrie here -Website - https://kerriephipps.com/LinkedIn - https://www.linkedin.com/in/kerriephipps/Facebook public page - https://www.facebook.com/KerriePhipps1Instagram - https://www.instagram.com/kerriephippsTwitter / X - https://twitter.com/KerriePhipps
Experimental songforms, percussion, breakbeats, prepared piano, sound-art… LISTEN AGAIN to the art of sound… stream on demand at fbi.radio or podcast here. Not Drowning, Waving – Amaravot [Not Drowning, Waving Bandcamp] We’re starting with an Australian band who were really decades ahead of the ball with ambient pop, melding field recordings and live tapes with creative studio techniques, acoustic instrumentation, effects and electronics. Because of David Bridie‘s soft voice and slice-of-life lyrics, I feel Not Drowning, Waving were seen as less revolutionary than they really were – and yet when David released solo albums that emphasised songwriting over sonic creativity, the music media predictably celebrated his “maturity” and suchlike nonsense. I love David’s solo work, and the often-twee but always lovely work of the post-NDW acoustic ensemble My Friend The Chocolate Cake, but Not Drowning, Waving nevertheless hold a special significance. For many, their career higlight was the groundbreaking album Tabaran, much of which was recorded with musicians in Rabaul, Papua New Guinea including the remarkable vocalist Telek (now Sir George Telek MBE!). Their travels to PNG triggered the band’s strong sense of social justice, and they became tireless promoters of West Papuan independence. The song “Blackwater“, about the brutal suppression of independence for West Papua, is haunting and still as relevant today. Fast forward to now, and David Bridie & George Telek have been friends for more than half their lives. A concert performing Tabaran was put together early last year, celebrating 50 years of Papua New Guinean independence, and the band (including Telek) enjoyed being together so much that they created a whole album’s worth of new material. My dirty secret is that, despite the stunning highlights like “Blackwater”, I always preferred the albums before (Cold and the Crackle and Claim) and after it (Circus) in their catalogue because I wasn’t so into the Papuan stringband music. However, whether I’ve mellowed over the years (lol, lmao) or whatever it is, this new album feels wonderful from start to finish, and Telek is an integral member. What an achivement! I have no idea how it sounds to those who didn’t, to some extent, experience the band while they previously existed, but I hope they have an enduring legacy. On Diamond – It’s Me Calling [Eastmint Records/Bandcamp] Naarm/Melbourne’s On Diamond are the perfect example of indie pop done experimental. Frontwoman Lisa Salvo writes beautiful, touching songs that have slippery chord changes and deeply unusual arrangements created together by the band. Previous members, often involved in the more experimental end of Naarm’s music scene include the brilliant drummer/composer Maria Moles, drummer Joe Talia (who recorded & mixed the album), and guitarist/vocalist Hannah Cameron (who contributes backing vocals along with Aarti Jadu and others). Along with Salvo’s vocals, Jules Pascoe on bass, Myka Wallace on drums and Scott McConnachie on synths and those frequently demented guitar solos, the band itself now features the glittering harp of Genevieve Fry and the percussion of Australian legend Duré Dara, born in Malaysia to an Indian background, a celebrated restaurateur with Order of Austrlaia Medal as well as jazz musician and improvisor. That’s a loaded band, put in service of Salvo’s aforementioned songs, which take strange, sidelong looks at matters of grief, longing and the passing of time. In a better world we’d be hearing these songs on rotation all day, but you – yes you – have the power to fix that, in the palm of your hand. gushes – Game One [PTP/Switch Hit Records/Bandcamp] gushes – CUT [PTP/Switch Hit Records/Bandcamp] Trust PTP (aka Protect The Peace, fka Purple Tape Pedigree) to release one of the most bizarre & brilliant albums of the year (in conjunction with artist collective Switch Hit Records). Jennae Santos’ gushes presents an unrestrained amalgam of prog metal, psych rock, jazz & classical and electronic experimentation. But there’s more than just this: the album begins with voices talking in Tagalog, and influences from Indigenous Filipinx psychology and combat swirl around with land-sea ecologies, plant medicine and queer politics of decolonization… Delicious Collision is a fully-through-composed experimental rock opera, appropriately given Santos’ background (on top of everything else) in theatre, site-specific performance & dance. Agriculture – The Reply [The Flenser/Bandcamp] With The Flenser you know you’re going to expect dark, probably metal-adjacent music, and you know it’ll probably diverge from typical genre norms. Ecstatic black metal band Agriculture do indeed employ black metal’s tremolo guitars and blast beats to reach for altered states, but then the thunder gives way to a different kind of ecstasy at times – gorgeous harmonies and clean guitar? The last track on the album somehow combines it all together – blissful chugging blackgaze, and a fragile interlude of just voice and guitar. Channeling Zen Buddhism and social collapse alongside queer history & survival, The Spiritual Sound is easily among the albums of the year. sunn O))) – Raise the Chalice [Sub Pop/Bandcamp] So yeah, the southern lords of drone metal, sunn O))), have signed to Sub Pop, the little label that could. That’s the Sub Pop that was the centre of the Seattle sound, from Mudhoney & early Soundgarden to Nirvana – in fact Nevermind‘s profits, after their contract was bought out by Geffen, were what brought them back from early ’90s financial difficulties, and their (excellent) debut Bleach, which remained a Sub Pop release, was enough to keep the label chugging along for ages. The label pretty quickly expanded out of Seattle/grunge into all sorts of other areas, as diverse as Fleet Foxes, The Postal Service, and the greatest, Clipping. Still, the stentorian, rumbling noise of sunn O))) is an interesting step sideways, hopefully a great move for both parties. Their first EP for Sub Pop follows a 7″ (yes, two tracks under 6 minutes each!) back in 2023 for the Sub Pop Singles Club, but one side of this 12″ is the 14-minute “Eternity’s Pillars”, while the flip has 2 tracks each around 8 minutes – still pretty contained. The band for these tracks is the back-to-basics core duo of Greg “The Lord” Anderson and Stephen O’Malley, and the crushingly slow unison guitar/bass is by and large the totality of the sound, but I do love the disconcerting high-pitched flicker that rises through the last part of “Raise the Chalice”. Susannah Stark – Minor Gestures [Night School Records/Bandcamp/STROOM.tv/Bandcamp] When Utility Fog started back in 2003, folktronica was a genre of which I was very fond – but it was already pretty hazy as to what it was. Slightly glitchy hip-hop sampling acoustic instruments like Four Tet was what I thought, I guess, although when Tunng came on the scene literally later that year, it held a lot of similarity without quite being the same. And meanwhile The Books were doing studio-mediated music with acoustic instruments that somehow was something else entirely, despite arguably fitting the mould. So I love that in the years since, there have been untold different approaches to “folk” + “electronics”. On her new album Minor Gestures, Scottish musician Susannah Stark takes her Gaelic (Gàidhlig) folk music in experimental directions, which might involve drone passages on harmonium or modular synth, interpolated field recordings, or sample-based programming. The production touches only serve to heighten the sense of an arcane, otherworldly setting, as if being performed just out of sight or transmitted from a past-future. It’s quite a remarkable album. Haykal, Julmud, Acamol | هيكل، جلمود، أكامول – A'saab أعصاب [Bilna’es/Bandcamp] Cross-media artistic duo Basel Abbas and Ruanne Abou-Ramme formed the record label & publishing platform Bilna’es along with producer Muqata’a as a space for artistic expression & criticism in Palestine & beyond. Along with the amazing productions of Muqata’a, a highlight was the 2022 solo album from Julmud, Tuqoos | طُقُوس. Now Julmud teams up with label founder Abbas, the latter under the name Acamol (Arabic for Panadol/paracetamol), along with Palestinian rapper Haykal on a new album Kam Min Janneh | كم من جنّة (How Many Heavens). The beats, produced by Julmud & Acamol separately & together, present a glitched version hip-hop drawn from the music & percussion of the MENA region, while Julmud & Haykal swap verses evoking the life of dispossession under occupation, colonization & genocide. It bears mentioning that while the killing continues in Gaza despite the so-called ceasefire, settlers continue to violently disrupt the lives of Palestinians in the West Bank with impunity – destroying property, beating and killing people and blocking access to their own land. In that context, this is a powerful work of resistance and solidarity (and some injections of humour). As I’m writing this late, you can read Emad Al Hatu’s excellent article on fbi.radio, as this was made album of the week at the beginning of November. Mohammad Reza Mortazavi – Zendegi [Latency/Bandcamp] Mohammad Reza Mortazavi – Silent [Latency/Bandcamp] French label Latency have no interest in following any kind of expectations – they’ll flip from chamber jazz to minimal techno to post-classical to percussive bass. In 2019 they released the album Ritme Jaavdanegi by Berlin-based, Iran-born percussionist Mohammad Reza Mortazavi, and now Mortazavi is back on Latency with his new album Nexus. The previous album showcased Mortazavi’s incredibly detailed and complex rhythms on traditional Persian instruments – the tombak and daf. On Nexus, Mortazavi’s playing is just as accomplished, but he extends the percussion with electronic effects and his own voice. The music is full of an otherworldly sensation, of suspension in time and place. There’s an incredible 25-minute remix by Ricardo Villalobos of the track “Swamp” from this album, coming out on December 5th – don’t miss it! IKI – Regenerate [IKI Bandcamp] IKI – Dance [IKI Bandcamp] It’s a sure bet that anything involving Danish singer Randi Pontoppidan is going to be something unique, challenging and beautiful. While she hasn’t been a member of Scandinavian vocal ensemble IKI since the beginning, she’s a perfect fit for IKI’s improvisational, electronically-mediated style. Pontoppidan joined Danish, Norwegian & Finnish singers Anna Mose, Guro Tveitnes, Johanna Sulkunen and Kamilla Kovacs four or five years ago, and BODY is their most intimate album. It can sound extremely electronic at times, but even at their most sharply edited & granulated, every sound comes from the voices of the five women. The recorded works reflect the group’s interest in how life extends past the body, and explores how the women become one organism when performing together. george-i & Older Brother – To Be A Man [GRACE/Bandcamp] Portugal-based MC Darius Rodrigues aka Older Brother has been working with London producer George Harris aka george-i for ages. Now the duo have finally come out with the Warm Skin EP on Berlin-based DJ Katiusha‘s label GRACE. And these four tracks of trip-hop-inflected bass music do walk with grace, holding Older Brother’s lyrics about the state of the world, and – on this closing track – seeking a new, post-patriarchy definition of maleness. Sun People – Herbie’s Delay [All Things Records] Austrian producer Sun People has released some creative and hard-hitting jungle & drum’n’bass that hybridizes with footwork and techno. His All Things Records provides an avenue for music of all kinds, so his new LP Look Within isn’t tied to any tempo – faster or slower than 160bpm, with a few beautifully-produced beatless tracks too. But as with “Herbie’s Delay”, there’s still some creative, syncopated jungle/d’n’b to be found too. Hyperfocus – Sentinel [Machinist Music/Bandcamp] For his fifth release (in two years!) on Canadian drum’n’bass master John Rolodex‘s Machinist Music label, Hyperfocus brings beats precision-tooled in the Machinist Music labs with evocative atmospheres and restless basslines. This is where the jungle revival bleeds back into the d’n’b mainstream, and I’m here for it. San – In Plain Sight [Rua Sound/Bandcamp] Appearing for a third time on Dublin jungle/bass label Rua Sound is Bristol’s San, a slightly mysterious individual who is apparently a techno producer working under a separate alias. This is dark stuff for haunting rave dancefloors and lying on your back with headphones on. Constantly changing cut-up breakbeats, deadly deep subs and spooky atmos, taking the cyberpunk ethos of mid-’90s drum’n’bass and applying it to contemporary jungle. POL100 – TRIBE [early reflex/Bandcamp] Turin’s early reflex label brings as usual cutting-edge experimental bass & club music as part of their Eyes series of two-track EPs. Here’s Italian producer POL100 mutating jungle and techno into strange new shapes – it’s half drumfunk and half electro maybe? Well worth your time. Hello Psychaleppo – Al Wa6an | الوطن [Fake Lines/Bandcamp] Joy Moughanni – I Can’t Seem to Find it At Home | مش عم لاقيه بالبيت [Fake Lines/Bandcamp] The first release from non-profit label Fake Lines has launched itself with a mega compilation – 36 tracks over 3 vinyl LPs – called Fake Lines: Sono Levant. It’s packed to the brim with excellent music, gregarious with genre – it may lean towards electronic music but there’s folk, hip-hop and rock of a sort. There’s an emphasis on Levant artists, but the tracklist also reaches further afield to other MENA countries and more. Montreal-based Syrian DJ Hello Psychaleppo contributes some stuttering samples and bass heft, while Lebanese producer Joy Moughanni combines jagged almost-rhythms and sound design to impressive effect. Lone – Ascension.png [Greco-Roman/Bandcamp] I’ve had an on-and-off relationship with Lone‘s music, but new single “Ascension.png” combines chromed cyberpunk and fuzzy vaporwave with jungle and rave bliss, and that makes a winner. Kelly Moran – Chrysalis [Warp/Bandcamp] A year and a half after releasing her last album, Moves in the Field, Kelly Moran returns to her more familiar territory of chiming prepared piano and electronics, with an album that’s complementary to last year’s. For Moves in the Field, Moran took her piano compositions and programmed them into a Disklavier, a physical piano that can be played via digital programming. So Moran was able to perform alongside her digital copy, with dazzling patterns climbing up and down the keyboard. On Don’t Trust Mirrors, the sound is more uncanny – synths and prepared piano melting into each other – but the performances are more clearly human. And those familiar with the previous album will hear echoes of those pieces throughout. Quartz Sand – Chemical Sedimentary (excerpt 2) [Flaming Pines/Bandcamp] I was lucky to get to see Kate Carr & Cath Roberts playing together at a gallery in Hoxton, London back in May. Carr is an Australian sound-artist who runs the impeccable Flaming Pines label and is one of our finest proponents of field recording, as well as music made from non-musical objects; Roberts is an improviser and composer who has been working with the Lyra-8 synthesizer, an “organismic” synthesizer, whose 8 voices interact in non-linear ways along with some effects. The duo’s name, “Quartz Sand”, suggests minerals and inorganic matter (quartz is silicon dioxide, perhaps the most basic inorganic molecule), and the idea of the album’s title, Stratigraphy, is to imply a vertical structure – rather than a typical horizontal time-based structure – as primary. But don’t be fooled: these two near-half-hour pieces aren’t static at all. It’s just that the action happens often between the crinkly, whistly high frequencies and the gurgling, grinding bottom end. It’s like listening to a cross-section of the earth’s crust – in a good way. Lea Bertucci – Two Way Mirror [Cibachrome Editions] It should be well-known and universally acknowledged now that Lea Bertucci is one of the best sound-artist/composers of the last decade and a half. Whether site-specific works exploring & exploiting – for instance – the resonance of a hollow bridge in Köln (2020’s Acoustic Shadows), myriad works live-processing her own saxophone and other instruments, or her work with reel-to-reel tape machines, she’s a master of her craft. Recent times have seen a number of incredible collaborations from Bertucci: in 2022, she operated tapes & electronics around Robbie Lee‘s baroque & medieval instruments on Winds Bells Falls, while on Murmurations, her tapes were as prominent, but she also brought various wind instruments and her voice to the table, next to Ben Vida‘s synths & voice; and on her tectonic collaboration in 2023 with Brisbane’s own Lawrence English, cello, viola and lap steel guitar emerge as well. Earlier this year Lawrence’s ROOM40 released an astounding work of Bertucci together with another masterful sound-artist, Olivia Block. So needless to say her new album The Oracle is a tour de force, engaging her many instruments, field recordings and, importantly, her own voice, all filtered through tape manipulation and digital processing. Only on the last track are percussionists from the Wesleyan University Taiko Ensemble enlisted for a booming – yet obscured – finale. Of course, it’s not just technially interesting or impressive (although it is those things) – it’s also music that will draw you in and move you, despite the vocals being twisted into non-textual shapes. It’ll easily be high on my albums of the year list for 2025. Alexandra Spence – Magenta (with Delphine Dora) [Students of Decay/Bandcamp] Back to Sydney to finish, Alexandra Spence is another brilliant sound-artist who works with field recordings and found objects to tell a story about place and memory. Her last two albums (from 2022) arose from a fascination with oceans and waterways; the scope is wider here, from mountains to backyards, but the ecological and geological also interact here with the personal. As well as recordings of places and non-musical objects, Spence (a clarinettist) here uses sounds from Serge Modular synths and a custom-built lyre, and on tonight’s track, Spence also brings in the voice and instrumentation of French composer & musician Delphine Dora. Listen again — ~222MB
It feels odd to say we have reached a lull in off-season because well...it is the off-season but with the announcement of the PNG Chiefs and the Prime Minister's XIII games behind us we do have something of a down week in an otherwise frenetic off-season. The Tip Sheet still rattles on without any brakes to cover the latest from Parramatta and the wider NRL. How did the representative Eels fare on the weekend? With junior and senior talent in action across both Australian and Papua New Guinean squads. Was Mitchell Moses able to navigate a shock late call up (down?) onto the PM XIII bench? Jonah Pezet is the hottest name on the player market right now after activating a clause that makes him a free agent. Where exactly do Parramatta fit into the frame with the Melbourne playmaker? The action does ramp up on the weekend thankfully with the first round of the Pacific Championships. How does each side shape up? Meanwhile there have been some player and coaching transactions across the NRL as teams look to rebuild, reshape or reload ahead of the 2026 season.
Join us for the thrilling CoffeeU Season 3 finale, recorded live at Baba Java Coffee's Meadowbrook Cafe in Birmingham, Alabama! Hosts Nathan and Brad, along with a lively audience of CoffeeU listeners and Baba Java fans, dive into the heart of Baba Java's global impact. Hear from Randy Webb, US Marketing Director, about his transformative trip to the Ramirez Estate in the Dominican Republic, where sustainable coffee farming is powering communities with solar energy, schools, and even a fire department featuring a Birmingham-donated fire truck. Brad, Nicholas, and Lee share their adventures in Colombia, judging a coffee competition at the Elverhill Estate and meeting farmers like Jorge, whose family is breaking into specialty coffee for the first time. Josh and Rachel Parvin round out the episode with stories from Dubai, where they sell ethically sourced green coffee to specialty roasters, impacting lives from Papua New Guinea to the Middle East. Taste the stories behind the Dominican, Colombian, and Papua New Guinean coffees served at the event, and learn how every cup you drink at Baba Java supports farmers and communities worldwide. Have ideas for Season 4? Email Matt at matt@babajavacoffee.com to share what you'd like to see next!---------------------------------------------------------------------Visit our blog: https://babajavacoffee.com/blog/Find your new favorite coffee with our quiz: https://babajavacoffee.com/coffee-quiz/
Papua New Guinea is celebrating the 50th anniversary of its independence from Australia. The occasion is being marked with festivities in the capital Port Moresby as well as Papua New Guinean communities in Australia. The ongoing relationship remains crucial to both counties - even more so with the signing of an landmark defence agreement in Port Moresby.
Professor Roly Sussex is joined by ABC Radio Australia presenter Michael Chow, who speaks two and a half Papua New Guinean languages.
rWotD Episode 2913: Jimmy Maladina Welcome to Random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Friday, 25 April 2025, is Jimmy Maladina.Jimmy Maladina is a Papua New Guinean politician from Pangu Pati who serves as Minister for Petroleum.He was first elected to the Papua New Guinean Parliament in the 2022 general election in Esa'ala Open constituency. He unseated incumbent MP Davis Steven.Maladina graduated from University of Papua New Guinea and the University of Sydney.In July 2024, he was charged with assault following an alleged "domestic dispute" in Australia. On 7 July, Prime Minister James Marape said that Maladina had offered to resign from his position and was replaced on 10 July by Energy Minister Thomas Opa. The charges against him were dropped by prosecutors on 20 March 2025.This recording reflects the Wikipedia text as of 00:39 UTC on Friday, 25 April 2025.For the full current version of the article, see Jimmy Maladina on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm long-form Patrick.
In this episode of Yarning Up, we sit down with the multi-talented Jalen Sutcliffe, a proud Darumbal, Kalkadoon, and Papua New Guinean performer from Townsville, North Queensland. Jalen takes us on a journey through his inspiring career as a musician, comedian, actor, and storyteller. From his roots in high school performances to starring on television shows like Bay of Fires and theatre productions like Straight from the Strait, Jalen reflects on the power of art to break down barriers, honour First Nations heritage, and create meaningful change. We delve into the stories behind his standout performances, including his role in Straight from the Strait, which honours the resilience and legacy of Torres Strait Islander railway workers. Jalen also shares the joy of embracing authenticity, the importance of debunking shame in First Nations communities, and the role of storytelling in preserving culture. To connect with Jalen further and stay up to date with his upcoming projects follow him on Instagram here: https://www.instagram.com/jalen_sutcliffe/ Follow Caroline on Instagram:@blak_wattle_coaching and learn more about working with Caroline here. We would like to acknowledge the Wurundjeri/Woiwurrung people of the Kulin Nation where this podcast was taped, and pay our respects to Aboriginal and Torres Strait Islander Elders, past, present, and emerging across Australia. This podcast is brought to you by On Track Studio.www.ontrackstudio.com.au@on.track.studio For advertising opportunities, please email: hello@ontrackstudio.com.au See omnystudio.com/listener for privacy information.
Acknowledgement of Country// Headlines// Belgium's Colonial Crimes with Geneviève Kaninda, Part 1Content warning: This interview covers distressing topics including forcible child removal, racism and sexual violence. If you to need to speak with someone for support you can call 1800RESPECT on 1800 737 732, Lifeline on 13 11 14, and the Suicide Callback Service on 1300 659 467. Aboriginal and Torres Strait Islander listeners can also call 13 YARN on 13 92 76 and Yarning Safe'n'Strong on 1800 959 563.We hear part 1 of a two-part interview with Geneviève Kaninda, Brussels-based Policy and Advocacy Officer at the African Futures Lab, on the Brussels Court of Appeal's landmark decision earlier this month to recognise the Belgian State's responsibility in abducting and racially segregating biracial Métis children under its colonial rule of what is now the Democratic Republic of the Congo. The DRC was subjected to brutal colonisation by Belgium from 1908 until it gained independence in 1960, and the struggle for justice and reparations by Mètis children of Congolese mothers and Belgian fathers has been waged across several decades both in Belgium and in the Great Lakes countries of the DRC, Burundi and Rwanda. African Futures Lab is an independent research and advocacy institute that aims to raise global awareness of racial injustice across Africa and Europe and to empower civil society actors and public and private entities to demand justice and achieve reform.// Femicide in Australia with Sherele MoodyContent warning: This interview covers distressing topics including sexual and gender based violence, violence against First Nations women and children, and racism. If you to need to speak with someone for support you can call 1800RESPECT on 1800 737 732, Lifeline on 13 11 14, and the Suicide Callback Service on 1300 659 467 (all 24-hour hotlines). LGBTQIA+ listeners can also call QLife on 1800 184 527 between 3PM and midnight, and people under the age of 25 can call Kids Helpline on 1800 55 1800. Aboriginal and Torres Strait Islander listeners can also call 13 YARN on 13 92 76 and Yarning Safe'n'Strong on 1800 959 563 (both 24 hours).Sherele Moody joined us to discuss her work mapping femicides in so called-Australia, unpack mainstream media coverage of gender based violence and analyse the silencing of impacts of gendered violence on First Nations women and children. Sherele has over 20 years of experience reporting across a range of areas for some of Australia's major media companies. Sherele is also the founder and operator of The RED HEART Campaign and has been documenting the killing of women and children since 2015. Please consider supporting The RED HEART Campaign by making a donation here. A vigil organised by theThe Australian Femicide Watch to remember, mourn and celebrate Victorian women lost to violence in 2024 will be held on Saturday, December 14 from 4-6PM at the Darling Gardens rotunda, Clifton Hill.// ‘The Left's Problem with Palestine' with Abdaljawad Omar, Part 2We listened to part two of a talk given by Palestinian scholar and theorist Abdaljawad Omar during the early October 2024 teach-in 'The Left's Problem with Palestine', co-convened by CUNY for Palestine and Grad Center for Palestine. In this talk, Omar presents a critical analysis of the Western left's reflexive condemnation of Palestinian resistance both in relation to October 7th 2023 and more broadly, and the implications of this disavowal for the possibility of the West's genuine engagement with anticolonial struggle. You can watch the full talk and an extended discussion between Omar and Jodi Dean here.// Elijah Kose's Hands with Grace Dlabik and Dan ElborneNaarm-based artists Grace Dlabik and Dan Elborne join us to talk about the upcoming debut exhibition of works by Grace's son Elijah Kose, a collection of sculpture works produced in collaboration with Dan and titled Hands. Grace is an Austrian/Hungarian and Papua New Guinean woman from Lavaipia clan of Lese Oalai, and Motuan clan Botai of Hanuabada, and she is the founder and creative director of BE. Collective and BE. ONE. a grass-roots international collective that forges artistic opportunity and pathways for underrepresented creatives. Dan is a visual artist whose primary working material is clay, which he utilizes for long-form installation-based projects and sculptural series building work on intersecting foundations for memory, time, labour and materiality. Hands opens on Elijah's birthday, Sunday 15 December, 12-3PM at Art Haus Gallery on Wurundjeri Country, 20 Old Warrandyte Road, Donvale.//
The Revival Fellowship is a Pentecostal Australian sect that believes in Bible Numerics, a thoroughly debunked theory about numerical patterns found within the Bible. It also teaches British Israelism, generally considered to be unscientific and ahistorical and by some as a justification for racism. The Fellowship would say its teachings are in line with 'complementarianism', though women have no place in the hierarchy or leadership of the organisation. Over the years since it formed from a schism with Revival Centres International in the 1990s, the offshoot (as well as the RCI itself) has faced numerous accusations from former members that it operates as a cult.Full research sources listed here. You can support us on Patreon. Sarah Steel's debut book Do As I Say is available on audiobook now.Links:Heart of Fire: The Story of Australian Pentecostalism — by Barry Chant, House of Tabor, 1984The British-Israel Myth - Christian Identity and the Lost Tribes of Israel — by Nick Greer, 2004Revival Stories & Document Archive — “a historical document archive and collection of stories of members and former members of the Revival Centres groups of churches”, accessed October 2024An Open Letter from Paul Longfield (son of Lloyd Longfield) — 27 November 1988 letter and undated letterForum for ex-members of Revival Churches — accessed September/October 2024Revival On the Air Today — Revival Fellowships podcast featuring interviews with John & Janet Kuhlmann in 2019Leaving a Revival Church Is Hard, but It's Worth It — by Mark Darbyshire, Medium, 20 July 2022The link between gender inequality and violence against women — Our Watch, accessed October 2024Letter to the Adelaide Revival Fellowship — by Jean and Frank O'Flaherty, 20 January 1998Ivan Panin and Friends — Australian National University webpage that includes links to Panin's Panic, the program created by Brendan McKay in 1997Papua New Guinean revivalist churches push dangerous campaign for 'faith-healing' of AIDS — by Liam Cochrane, ABC News, 22 July 2014 Subscribe and support the production of this independent podcast, and you can access early + ad-free episodes at https://plus.acast.com/s/lets-talk-about-sects. Hosted on Acast. See acast.com/privacy for more information.
SBS's Pablo Vinales talks to Australia's Prime Minister Anthony Albanese and PNG's Prime Minister James Marape while the two men follow the challenging 16 kilometre Kokoda track to the Isurava Memorial site, for the Anzac Day dawn service. The Kokoda Track is a symbol of the courage, sacrifice, and resilience of both Australian and Papua New Guinean soldiers who defended against the Japanese advance. Stretching through rugged mountain terrain and dense jungle in Papua New Guinea, the trail was a crucial lifeline during the Pacific campaign. Its challenging terrain, coupled with sometimes harsh weather conditions, tests the endurance of all who traverse it.
The Prime Minister Anthony Albanese and his Papua New Guinean counterpart James Marape have set off together on a two-day hike of the historic Kokoda Track.
A Papua New Guinean filmmaker who grew up in New Zealand says the US helped her to find her voice and own her identity as bi-racial woman.
After boarding a ship to initiate an anti-mining protest last year; Greenpeace could be removed from the UN deep-sea mining body; A Papua New Guinean filmmaker who grew up in New Zealand says the US helped her to find her voice and own her identity as bi-racial woman; Cook Islands doctor appointed chair of NZ Pacific health senate; Siva Afi world champion shares dance journey
THREE words to describe this episode's conversation with Freek: Eclectic – Myth-busting - Storytelling Everyone likes to think of themselves as a highly evolved person – and a great leader to. But strip away the jargon, polish and pretence...and aren't we're all just a bunch of naked apes? Only now they're in charge of the most powerful organisations and technologies in the history of the planet – and it turns out they are as naked as we are. This episode digs into the truth of organisational culture – and draws its lessons from some surprising places. What do a tribe of Papua New Guinean cannibals have to teach us about the perils of Total Quality Management? Which other sacred cows of might actually be ‘idea viruses?' And is your firm secretly infected? Freek Vermeulen is Director of Strategy, and Professor of Strategy and Entrepreneurship, at London Business School. His erudite, bubble-bursting books include Breaking Bad Habits, and Business Exposed: the Naked Truth about What Really Goes On in the World of Business. HIGHLIGHTS OF THIS FASCINATING EPISODE INCLUDE: GIVING YOUR PRODUCT AWAY IS GOOD FOR YOUR PAYING CUSTOMERS TOO. Aravind Eye Care began no-charge cataract treatment for India's poorest – and outcomes soared for their richer customers too. Could this surprising message help get subsidised green tech to the global South? SOME MANAGEMENT THEORIES CAN BECOME VIRUSES. Survival of the fittest doesn't always apply in business, especially when good ideas are championed out of context – like Total Quality Management. Bad ideas can spread faster than they kill. LESSONS FROM THE BABY-MAKERS: DO HARD THINGS ON PURPOSE. Freek's study of IVF shows that incentivising ‘selection at the gate' hurts long-term competitiveness. ESG metrics and divestment could stop firms taking on hard-to-decarbonise problems. PUBLIC MARKETS PUNISH JARGON. Freek's analysis of 1,300+ deals shows that CEO ‘management speak' – even well-intentioned – turns investors off. Leaders who use ESG jargon risk eroding trust in their own useful climate action. "… because we imitate this high performing firm, including the practices that may have contributed nothing to them being high performers…harmful management practices, just like cultural practices, including eating deceased relatives and like viruses can spread and survive…" "…and suddenly the world of business isn't as simple as that either …therefore not being judgmental or angry at people, but helping to understand the context and changing the context for people in organisations so that they don't make these wrong choices anymore. That's actually what's important." REFERENCES: https://www.london.edu/faculty-and-research/faculty-profiles/v/vermeulen-f https://uk.linkedin.com/in/freek-vermeulen-a68617 https://www.goodreads.com/author/list/4558503.Freek_Vermeulen Conversations on Climate is a podcast produced by United Renewables and this episode is in association with London Business School It brings together the best minds from academia and business, to offer their experience and expertise in the face of climate change –from game theorists to corporate diplomats, and oil industry veterans to micro-algae entrepreneurs. For more top-quality interviews with our incredible guests, subscribe to our YouTube channel or follow us on Twitter. We'd love to have you join us! Don't forget to share with your colleagues, friends, and family. We would love to hear your opinions and feedback, so please leave your comments on our platforms. We talk about how the scope of the challenge before us is beyond that of any one individual or any one solution. We listen to thinkers, researchers, policymakers, and business leaders. They discuss a diversity of ideas and solutions to global climate and environmental issues and why they matter. Season 3 is presented by Chris Caldwell and produced by UNITED RENEWABLES. Tune into both the video and audio versions of this podcast NOW: https://www.unitedrenewables.co.uk/podcast Please visit our YouTube channel, where all of our Conversations are available for you to enjoy. SUBSCRIBE TO THE CHANNEL HERE: https://bit.ly/3GZpd7R and ring the notification bell Join us on Twitter: https://bit.ly/3MnhuSf Join us on Facebook: https://bit.ly/3Q5UKcj Join us on LinkedIn: https://bit.ly/3tFEnK3 #leadership #organisationalbehaviour #climate #renewableenergy #conversationsonclimate #londonbusinessschool
Wendy Mocke is an award winning Papua New Guinean interdisciplinary storyteller and a NIDA Acting graduate, working across live performance and film as an actor, writer and visual artist.Samoan-Maltese-Australian producer Jessica Magro founded Purple Carrot Entertainment, an independent production company committed to telling the untold stories of misrepresented Australia.Bad Ancestors is a satire and black comedy that centres on two best friends: Nora and Charli, millennials who haven't figured out life and “adulting”. Bad Ancestors will be out on ABC's YouTube channel worldwide this February.0:00 Interview - Jess and Wendy00:16 Introduction to the Guests00:54 The Excitement of the Interview01:26 Discussing Pacific Islanders Identity02:49 The Importance of Representation08:11 The Challenges of Being the Only Pasifika Project11:40 The Creative Process Behind Bad Ancestors16:06 The Power of Collaboration and Community20:17 The Impact of Bad Ancestors28:29 The Power of Delusion and Collective Success29:03 The Role of Ancestors and Community in Personal Success29:21 The Importance of a Good Cast and Crew31:48 The Challenges and Rewards of Being a Producer37:13 The Struggle for Recognition and Validation in the Industry42:12 The Importance of Community Support Over Industry Accolades44:08 The Power of Representation and Shared Experiences47:35 The Importance of Cross-Cultural Relationships51:27 Final Thoughts and RecommendationsSupport the showWebsite | Rotten Tomatoes | Apple | Youtube | Patreon | Twitter | Instagram
Today we speak with Prof Mola, Dr Welch and Dr Visiliu about their amazing work tackling TB in pregnancy in Papua New Guinea. They talk about the epidemiological, geographical and social challenges of providing maternal TB care in PNG along with some insights into treatment and control.REFERENCES:Hamada, Yohhei, et al. "The safety of isoniazid tuberculosis preventive treatment in pregnant and postpartum women: systematic review and meta-analysis." European Respiratory Journal 55.3 (2020).Gupta, Amita, et al. "Timing of maternal isoniazid preventive therapy on tuberculosis infection among infants exposed to HIV in low-income and middle-income settings: a secondary analysis of the TB APPRISE trial." The Lancet Child & Adolescent Health 7.10 (2023): 708-717Lotia Farrukh, Ismat, et al. "Pregnancy and Birth Outcomes in Patients With Multidrug-Resistant Tuberculosis Treated With Regimens That Include New and Repurposed Drugs." Clinical Infectious Diseases (2023): ciad445.Arvidsson, Åsa, et al. "The cascade of care for pregnant women with latent tuberculosis infection in a high-income country." Infectious Diseases 55.9 (2023): 635-645.Gupta, Amita, et al. "Isoniazid preventive therapy in HIV-infected pregnant and postpartum women." New England Journal of Medicine 381.14 (2019): 1333-1346.Alene, Kefyalew Addis, Akilew Awoke Adane, and Alemken Jegnie. "Impact of multidrug-resistant tuberculosis and its medications on adverse maternal and perinatal outcomes: protocol for a systematic review and meta-analysis." BMJ open 9.12 (2019): e034821.
The Family of four Papua New Guinean fishermen lost at see are holding out hope for their safe return; Pacific Islands Forum special leaders meeting gets underway in Fiji; and UN member states urged to finalise a high seas treaty to protect global marine biodiversity.
Hello, is this Pizza Hut? Excellent. My name is Ben Shapiro. Conservative thought leader. Prominent white YouTuber. The Muggsy Bogues of the intellectual dark Web. And—look, it's just a fact—I would like to order some pizza pie. If you are triggered by that request, I do not care. I truly do not. Now let's discuss conditions. First, thank you for agreeing to debate me. Typically, in fora such as this, I am met with ad-hominem mudslinging, anything from “You racist creep” or “Is that your real voice?” to raucous schoolyard laughter and threats of the dreaded “toilet swirly.” However, your willingness to engage with me over the phone on the subject of pizza shows an intellectual fortitude and openness to dangerous ideas which reflects highly on your character. Huzzah, good sir. Huzzah. Second, any pizza I order will be male. None of this “Our pizza identifies as trans-fluid-pan-poly”—no. Pizza is a boy. With a penis. It's that simple. It's been true for all of human history, from Plato to Socrates to Mr. Mistoffelees, and any attempt to rewrite the pillars of Western thought will be met with a hearty “Fuh!” by yours truly. And, trust me, that is not a fate you wish to meet. Now. With regard to my topping preference. I have eaten from your pizzeria in times past, and it must be said: your pepperoni is embarrassingly spicy. Frankly, it boggles the mind. I mean, what kind of drugs are you inhaling over there? Pot?! One bite of that stuff and I had to take a shower. So tread lightly when it comes to spice, my good man. You do not want to see me at my most epic. Like the great white hero of Zack Snyder's classic film “300,” I will kick you. Onions, peppers—no, thank you. If I wanted veggies, I'd go to a salad bar. I'm not some sort of vegan, Cory Booker weirdo. And your efforts to Michelle Obama-ize the great American pizza pie are, frankly, hilarious. Though not as funny as the impressively named P'Zone—when I finally figured out that genuinely creative pun, I laughed until I cried and peed. A true Spartan admits defeat, and I must admit that, in this instance, your Hut humor slayed me, Dennis Miller style. And, with that, you have earned my order. Congratulations. Ahem. Without further ado, I would like your smallest child pizza, no sauce, extra cheese. Hello? Aha. A hang-up. Another triggered lib, bested by logic. Damn it. I'm fucking starving. I think that it's ok to be sexually aroused by Pokemon. More so, I think it should be encouraged in the games and anime, and GameFreak should lean into it. Firstly, some Pokemon are shown to be much smarter then humans. Kadabra has been said to have an IQ over 5000, which is gigantically more than the definition of an animal, which have an IQ between 0 (Worms and Fish) and 65 (Apes and Octopus). Thus, they are smarter then needed to be able to give consent. Secondly, the argument could be made they are not as empathetic as humans, and thus can't give consent. This is proven not to be true numerous times in the anime, by watching Meowth. In Season 2, Episode 16 of the Pokemon show, it is established that he is no smarter or different then regular Pokemon, he simply learnt to walk by watching a dance rehearsal and later learnt English through a picture book. Throughout the following seasons, it's shown how he schemes, laughs, cries and even at points, deceives people into thinking he is a human (in order to steal Ash's Pikachu of course). And the last piece of damning evidence - a folk tale in the Canalave Library (Pokémon Diamond and Pearl) literally STATES that humans used to marry Pokémon. This was removed in the English translation. Gamefreak, if you wanted us to fuck Pokémon, just say it. Conclusively, Pokemon aren't animals. They are intelligent, with empathy and kindness, and should be treated as equals. Denying them the right to have sex with humans removes their freedom, which is racist, and frankly, unamerican. An Afghan, an Albanian, an Algerian, an American, an Andorran, an Angolan, an Antiguans, an Argentine, an Armenian, an Australian, an Austrian, an Azerbaijani, a Bahamian, a Bahraini, a Bangladeshi, a Barbadian, a Barbudans, a Batswanan, a Belarusian, a Belgian, a Belizean, a Beninese, a Bhutanese, a Bolivian, a Bosnian, a Brazilian, a Brit, a Bruneian, a Bulgarian, a Burkinabe, a Burmese, a Burundian, a Cambodian, a Cameroonian, a Canadian, a Cape Verdean, a Central African, a Chadian, a Chilean, a Chinese, a Colombian, a Comoran, a Congolese, a Costa Rican, a Croatian, a Cuban, a Cypriot, a Czech, a Dane, a Djibouti, a Dominican, a Dutchman, an East Timorese, an Ecuadorean, an Egyptian, an Emirian, an Equatorial Guinean, an Eritrean, an Estonian, an Ethiopian, a Fijian, a Filipino, a Finn, a Frenchman, a Gabonese, a Gambian, a Georgian, a German, a Ghanaian, a Greek, a Grenadian, a Guatemalan, a Guinea-Bissauan, a Guinean, a Guyanese, a Haitian, a Herzegovinian, a Honduran, a Hungarian, an I-Kiribati, an Icelander, an Indian, an Indonesian, an Iranian, an Iraqi, an Irishman, an Israeli, an Italian, an Ivorian, a Jamaican, a Japanese, a Jordanian, a Kazakhstani, a Kenyan, a Kittian and Nevisian, a Kuwaiti, a Kyrgyz, a Laotian, a Latvian, a Lebanese, a Liberian, a Libyan, a Liechtensteiner, a Lithuanian, a Luxembourger, a Macedonian, a Malagasy, a Malawian, a Malaysian, a Maldivan, a Malian, a Maltese, a Marshallese, a Mauritanian, a Mauritian, a Mexican, a Micronesian, a Moldovan, a Monacan, a Mongolian, a Moroccan, a Mosotho, a Motswana, a Mozambican, a Namibian, a Nauruan, a Nepalese, a New Zealander, a Nicaraguan, a Nigerian, a Nigerien, a North Korean, a Northern Irishman, a Norwegian, an Omani, a Pakistani, a Palauan, a Palestinian, a Panamanian, a Papua New Guinean, a Paraguayan, a Peruvian, a Pole, a Portuguese, a Qatari, a Romanian, a Russian, a Rwandan, a Saint Lucian, a Salvadoran, a Samoan, a San Marinese, a Sao Tomean, a Saudi, a Scottish, a Senegalese, a Serbian, a Seychellois, a Sierra Leonean, a Singaporean, a Slovakian, a Slovenian, a Solomon Islander, a Somali, a South African, a South Korean, a Spaniard, a Sri Lankan, a Sudanese, a Surinamer, a Swazi, a Swede, a Swiss, a Syrian, a Tajik, a Tanzanian, a Togolese, a Tongan, a Trinidadian or Tobagonian, a Tunisian, a Turk, a Tuvaluan, a Ugandan, a Ukrainian, a Uruguayan, a Uzbekistani, a Venezuelan, a Vietnamese, a Welshman, a Yemenite, a Zambian and a Zimbabwean all go to a bar.. The doorman stops them and says "Sorry, I can't let you in without a Thai." also i'm gay
Papua New Guinea legend George Telek releases new single 'Noken Paitim Meri' (no violence against your woman), which is a powerful ballad sending the message to other Papua New Guinean men. - パプアニューギニアのレジェンド。新曲「Noken Paitim Meri」は力強いバラードで、女性への暴力は許されないとの、反ドメスティックバイオレンスのメッセージを届けます。
Amid reports of widespread violence Commonwealth observers echo Papua New Guinean election complaints.
Amid reports of widespread violence Commonwealth observers echo Papua New Guinean election complaints; Australian and New Zealand business owners are being urged to look at the Pacific as more than just a holiday destination; We hear more about the Tokelaun family refusing the Covid-19 jab on Nukunonu atoll.
The dream to play in the AFL is edging closer for Hewago Oea - better known as Ace. The young Papua New Guinean has been turning heads playing for Gold Coast Suns at second tier level this season, after first grabbing the headlines for his country when they won the International Cup four years ago.
An Australian-born Papua New Guinean politician is under scrutiny after he made derogatory comments about women at a recent rally in Port Moresby.
This is a special Women in Politics series for the Australia-PNG Network, in which the Lowy Institute's Jessica Collins sits down with prominent women from Papua New Guinea (PNG) to discuss the deep-seated challenge of women's political representation in PNG. In this fifth and final episode of the series, Jessica speaks with Dame Carol Kidu, about the discrimination and disadvantage experienced by indigenous Papua New Guinean women as they seek to get elected. Carol is one of seven women who served in PNG's National Parliament. She also managed to get re-elected twice, despite half of all politicians losing their seat at every election. Carol's tenure as a politician is remarkable, but she said her husband's legacy and her European background helped secure ongoing community support. She often heard from her community, “We don't mind you being here, but we don't want our own women here [in parliament].” Carol talks us through the issues that are increasingly disadvantaging women during campaigns, such as bloc voting and tribal intimidation, campaign or cell houses, violence, and financial barriers. But she offers a silver lining: “PNG is a nation based on relationships, and if you can nurture relationships, that will get you into politics.” Join Jessica and Carol as they talk through why women getting elected is critical to PNG's development, and as she shares her views on what women need to do to get over the line at the upcoming election. Jessica Collins is a Research Fellow in the Pacific Islands Program and Aus-PNG Network at the Lowy Institute. Prior to joining the Institute, Jessica completed a PhD in Anthropology at the Queensland University of Technology. Jessica also holds a Master of Global Development from Griffith University. Her Honours research project, completed at the Queensland University of Technology, explored diasporic life for Samoans living in Brisbane, and her undergraduate studies at the University of Sydney focused on the anthropology of the Pacific. Dame Carol Kidu served in Papua New Guinea's National Parliament for three terms (1997-2012). Between 2002 and 2012, Dame Carol was the only female in Parliament. She served as Minister for Community Development, and as Opposition Leader for her last five months in office. Dame Carol is now supporting other women to get elected to its all-men parliament.
@lwengemboart www.lwengembo.com I want you to imagine this. You're in your early 20s, you've grown up in a big close family. You're a budding artist and have been accepted to speak at a symposium in Paris. You've never flown overseas before and your mum's not that keen on you going, but she knows its important to you, so she lets you go. Your trip has a layover and in that layover, you find out your visa paperwork hasn't been approved and you actually can't fly on to Paris. This is exactly the situation Papua New Guinean artist Lesley Wengembo found himself. Stranded in Sydney, not really knowing anyone other than a few facebook friends. Unsure of what to do next. Lesley ended up staying in Sydney, studying at the National Art School and becoming one of the rising stars of the hyper-realist movement. In today's episode of Interview With An Artist, we talk about: his childhood in Papua New Guinea what those few days were like when Lesley realised he was stranded in Sydney how he initially taught himself with youtube and then attended art school and how he intends to refill his cup and reconnect with his family and homeland. Lesley is an absolute delight and joy to speak with and I am sure you will enjoy this conversation as much as I did. Interview With An Artist is hosted and produced by Willy Russo. Along with Championing the arts through this podcast and her radio work at 2ser107.3FM, Willy is also an artist mentor. She works with artists ranging from their first year of practice through to award wining 20 plus year career artists, helping them to figure out the right next step for their artistic practice. If you're looking for some advice navigating your artistic practice, book a session today via her website, wilaminarusso.com
In this special Women in Politics series for the Australia-PNG Network, the Lowy Institute's Jessica Collins sits down with prominent women from Papua New Guinea to discuss the deep-seated challenge of women's political representation in Papua New Guinea in the lead-up to its national election. In this second episode of the series, Jessica speaks with Vagi Hemetsberger, co-founder of the Seven Sisters Foundation, which aims to provide long-term support to women seeking office in Papua New Guinea. They discuss what help Papua New Guinean women need to get elected, and how issues such as money politics and security put them at a significant disadvantage. Vagi argues that partnering is vital if women are to improve their political representation in Papua New Guinea. “We want our men and women to … be a part of the solution”, but, she adds, women's civil groups and policymakers also need to work strategically and collaboratively, “because we're stronger together”. Join Jessica and Vagi as they take you through these issues and present ideas on how to change the nature of women's political representation in Papua New Guinea. Vagi Hemetsberger is co-founder of the Seven Sisters Foundation, a not-for-profit organisation supporting female leaders in Papua New Guinea. The Seven Sisters Foundation aims to improve equality for women through resource support, upskilling and advocacy. Jessica Collins is a Research Fellow in the Pacific Islands Program at the Lowy Institute. Her research interests cover foreign aid and development policy in Pacific Island nations (particularly for Pacific women), Pacific migration, remittance policy, and Myanmar's humanitarian and refugee challenges. Prior to joining the Institute, Jessica completed a PhD in Anthropology at the Queensland University of Technology. Jessica also holds a Master of Global Development from Griffith University. Her Honours research project, completed at the Queensland University of Technology, explored diasporic life for Samoans living in Brisbane, and her undergraduate studies at the University of Sydney focused on the anthropology of the Pacific. Find our more about this episode: https://www.lowyinstitute.org/publications/aus-png-network-women-politics-png-vagi-hemetsberger
In this special Women in Politics series for the Australia-PNG Network, the Lowy Institute's Jessica Collins and women from Papua New Guinea discuss the deep-seated challenge of women's political representation in Papua New Guinea in the lead-up to its national election. In this first episode, Jessica speaks with Theresa Meki – an expert in Papua New Guinean women's political representation – about the experience for women trying to enter politics in the country, where no women are currently serving in the national parliament. They discuss the realities and challenges of campaigning, including how vote-buying and clientelism, traditional obligations, reciprocity, patriarchalism and legacy candidates contribute to the uneven playing field for female candidates. Theresa tells Jessica there have been years wasted in between elections to work on the problem. “We only talk about women when it's election time … And I think that's the issue. There was a whole five years that more things could have been done.” Join Jessica and Theresa as they take you through these issues and present ideas on how to change the nature of women's political representation in Papua New Guinea. Theresa Meki is a PhD Candidate with the Department of Pacific Affairs, Coral Bell School of Asia Pacific Affairs at the Australian National University. Her research focuses on women's presence and vote share in Papua New Guinea's election history. Prior to commencing her candidature, Theresa worked as a field producer and research assistant for the DFAT funded Pawa Meri film project, a partnership between the Victoria University, Melbourne and the University of Goroka in Papua New Guinea. Jessica Collins is a Research Fellow in the Pacific Islands Program at the Lowy Institute. Her research interests cover foreign aid and development policy in Pacific Island nations (particularly for Pacific women), Pacific migration, remittance policy, and Myanmar's humanitarian and refugee challenges. Prior to joining the Institute, Jessica completed a PhD in Anthropology at the Queensland University of Technology. Jessica also holds a Master of Global Development from Griffith University. Her Honours research project, completed at the Queensland University of Technology, explored diasporic life for Samoans living in Brisbane, and her undergraduate studies at the University of Sydney focused on the anthropology of the Pacific.
When Orchids' captain Elsie Albert becomes the second Papua New Guinean woman to feature in a NRLW grand final, she'll have the support of one special person.
A Papua New Guinean law student is on a personal mission to help defend Ukraine from Russian invasion, with hopes to join the country's military forces.
A group of Papua New Guinean men who identify as Indigenous Australians are fighting for their right to live and work in Australia and an international team are planning to create a crypto paradise in Vanuatu.
Settle in for deep and meaningful chats with two of our favourite Stop Everything! guests of 2021: screenwriter and director Steven Canals and singer, songwriter and artist Ngaiire. Steven reflects on the end of Pose, the award-winning series hailed as ground breaking for trans representation. Steven shares what it was like to be in the room when series lead Billy Porter shared his HIV status with the cast and crew of Pose, and his view of the current TV landscape. Ngaiire discusses the release of her long-awaited album ‘3' which puts her Papua New Guinean roots front and centre in a conversation covering music, motherhood, home and breaking free of industry expectations.
Settle in for deep and meaningful chats with two of our favourite Stop Everything! guests of 2021: screenwriter and director Steven Canals and singer, songwriter and artist Ngaiire.Steven reflects on the end of Pose, the award-winning series hailed as ground breaking for trans representation. Steven shares what it was like to be in the room when series lead Billy Porter shared his HIV status with the cast and crew of Pose, and his view of the current TV landscape.Ngaiire discusses the release of her long-awaited album ‘3' which puts her Papua New Guinean roots front and centre in a conversation covering music, motherhood, home and breaking free of industry expectations.
Settle in for deep and meaningful chats with two of our favourite Stop Everything! guests of 2021: screenwriter and director Steven Canals and singer, songwriter and artist Ngaiire. Steven reflects on the end of Pose, the award-winning series hailed as ground breaking for trans representation. Steven shares what it was like to be in the room when series lead Billy Porter shared his HIV status with the cast and crew of Pose, and his view of the current TV landscape. Ngaiire discusses the release of her long-awaited album ‘3' which puts her Papua New Guinean roots front and centre in a conversation covering music, motherhood, home and breaking free of industry expectations.
It's Ausmusic Month and to celebrate Stop Everything! brings you interviews with some of the best musical talents our country has to offer.Firstly: BARKAA. Earlier this year, the Malyangapa and Barkindji rapper took the stage at the Sydney Opera House with her daughter to perform a moving rendition of ‘I know I can.' She chats with Ben about her debut record - Blak Matriarchy - which is a testament to powerful Blak women, past, present and future. Then we revisit two of our favourite interviews from the Stop Everything! archives. Singer songwriter Ngaiire goes deep on her third album (3), exploring her Papua New Guinean roots and the challenges she's faced in the music industry.Twenty years on from their critically acclaimed debut album, Since I Left You, The Avalanches's Tony di Blasi talks about the duo's approach to sampling music, creative process during the pandemic and latest album.Show notes:BARKAA's website: https://www.barkaa.com.au/BARKAA performs at the Sydney Opera House with her daughter: https://stream.sydneyoperahouse.com/videos/barkaa-live-at-barrabuwari-a-sunset-gathering-of-musicNgaiire's website: https://www.ngaiire.com/The Avalanches website: https://www.theavalanches.com/
It's Ausmusic Month and to celebrate Stop Everything! brings you interviews with some of the best musical talents our country has to offer. Firstly: BARKAA. Earlier this year, the Malyangapa and Barkindji rapper took the stage at the Sydney Opera House with her daughter to perform a moving rendition of ‘I know I can.' She chats with Ben about her debut record - Blak Matriarchy - which is a testament to powerful Blak women, past, present and future. Then we revisit two of our favourite interviews from the Stop Everything! archives. Singer songwriter Ngaiire goes deep on her third album (3), exploring her Papua New Guinean roots and the challenges she's faced in the music industry. Twenty years on from their critically acclaimed debut album, Since I Left You, The Avalanches's Tony di Blasi talks about the duo's approach to sampling music, creative process during the pandemic and latest album. Show notes: BARKAA's website: https://www.barkaa.com.au/ BARKAA performs at the Sydney Opera House with her daughter: https://stream.sydneyoperahouse.com/videos/barkaa-live-at-barrabuwari-a-sunset-gathering-of-music Ngaiire's website: https://www.ngaiire.com/ The Avalanches website: https://www.theavalanches.com/
When an eruption began in 1994 in Papua New Guinea, the last thing singer-songwriter Ngaiire expected was a second volcano to begin spewing ash. Tuning in to the mystery and majesty of PNG has become a lifelong project (CW: Some listeners may find parts of this conversation upsetting. Please use discretion when listening)Throughout her childhood, singing was something Ngaiire did at church, somewhat begrudgingly, because her dad told her to.The singer-songwriter grew up between Palmerston North in New Zealand and her father's home in Rabaul, a volcanic hot spot on the island of New Britain in Papua New Guinea.As a child, she and her family survived a double volcanic eruption in 1994, and the chain of events that followed pulled Ngaiire to Wenamo, her mother's ancestral home in the Highlands.Amongst the mountains, Ngaiire leaned into quiet spirituality and connected with her ancestors, both living and deceased.Music is a delight and a necessity for Ngaiire, but in the past she tried to separate her Papua New Guinean heritage from her music career in Australia.That changed in 2017 when she made a pilgrimage to her mother's mountain.Further informationSome listeners may find parts of this conversation upsetting. Please use discretion when listening.The following songs have been edited for the podcast:ShiverHim To binge even more great episodes of the ‘Conversations podcast' with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, singers, psychologists, musicians, and celebrities.
Xavier Coates is a professional rugby league player. He is also a great friend whom I’ve had the pleasure getting to know over the past year. At just the young age of 20 years he has already played at one of (if not) the highest possible arena of rugby league - State of Origin. He is a proud Papua New Guinean and Australian who attributes much of his achievements to his parents and the people he has grown up around. Being challenged by his siblings in the backyard at a young age gave him the competitive drive he has today. We talk about how he felt when making his debut for The Kumuls, Broncos, Qld Maroons, online bullying - how he deals with it, importance of recovery and much more. Instagram: @xaviercoates About David Mead David Mead has played professional rugby league for 13 years. Spending time with other athletes, coaches and football staff has given him great insight into how the sport is played at a high level. He wants to use insights and stories from these people as well as from his experience to inspire and to empower the youth. He believes in "leaving the place better than you found it." This podcast will help him and others do just that. Connect with David and follow him on: Facebook: https://www.facebook.com/david.mead.94 Instagram: https://www.instagram.com/davidmead411/ Twitter: https://twitter.com/davidmead411 LinkedIn: https://www.linkedin.com/in/david-mead-7604b986/ Website: www.davidmead.com.au Producer: Jason Strozkiy (@strozkiymedia) www.strozkiymedia.com See omnystudio.com/listener for privacy information.
With the release of her long-awaited album ‘3' singer-songwriter Ngaiire is putting her Papua New Guinean roots proudly and defiantly at the front and centre of her music. Ngaiire returns to Stop Everything in a conversation with BW covering music, motherhood, home and breaking free of industry expectations.BW + BL discuss The Chair, the Netflix show starring Sandra Oh as Dr Ji-Yoon Kim, the first woman of colour to chair the English department at prestigious (and fictional) Pembroke University, and the minor feelings the series engenders.Also: The Croods enter the pandemic discourse; Kyle MacLachlan's Aussie accent; will The Wiggles really go broke for going woke?Show notes:Ngaiire: http://www.ngaiire.com/Sandra Oh on The Chair: https://www.newyorker.com/magazine/2021/08/30/sandra-ohs-masterly-performance-of-empathy-in-the-chairKyle McLachlan in hotel quarantine: https://twitter.com/Kyle_MacLachlan/status/1429920647564742667?s=19The Wiggles Fruit Salad TV trailer: www.youtube.com/watch?v=wII8eRBFiiw
With the release of her long-awaited album ‘3' singer-songwriter Ngaiire is putting her Papua New Guinean roots proudly and defiantly at the front and centre of her music. Ngaiire returns to Stop Everything in a conversation with BW covering music, motherhood, home and breaking free of industry expectations. BW + BL discuss The Chair, the Netflix show starring Sandra Oh as Dr Ji-Yoon Kim, the first woman of colour to chair the English department at prestigious (and fictional) Pembroke University, and the minor feelings the series engenders. Also: The Croods enter the pandemic discourse; Kyle MacLachlan's Aussie accent; will The Wiggles really go broke for going woke? Show notes: Ngaiire: http://www.ngaiire.com/ Sandra Oh on The Chair: https://www.newyorker.com/magazine/2021/08/30/sandra-ohs-masterly-performance-of-empathy-in-the-chair Kyle McLachlan in hotel quarantine: https://twitter.com/Kyle_MacLachlan/status/1429920647564742667?s=19 The Wiggles Fruit Salad TV trailer: www.youtube.com/watch?v=wII8eRBFiiw
Elsie Albert represents The Orchids, Papua New Guinea's national women’s team in rugby league and she has just signed with St George Dragons as the first homegrown Papua New Guinean. She was brought up in a Christian family and believes this helped her progress through school and in her rugby league career thus far. We talk about her story, the challenges women face playing rugby league in PNG, training in the hallway of her dormitory, how she didn't tell her parents she was playing for The Orchids until her father saw on on the front page of the paper much more. Please enjoy. Instagram: @elsiealbert96 About David Mead David Mead has played professional rugby league for 13 years. Spending time with other athletes, coaches and football staff has given him great insight into how the sport is played at a high level. He wants to use insights and stories from these people as well as from his experience to inspire and to empower the youth. He believes in "leaving the place better than you found it." This podcast will help him and others do just that. Connect with David and follow him on: Facebook: https://www.facebook.com/david.mead.94 Instagram: https://www.instagram.com/davidmead411/ Twitter: https://twitter.com/davidmead411 LinkedIn: https://www.linkedin.com/in/david-mead-7604b986/ Website: www.davidmead.com.au Producer: Jason Strozkiy (@strozkiymedia) www.strozkiymedia.com See omnystudio.com/listener for privacy information.
A little-known Papua New Guinean inspiration for the legendary red-head Pippi Longstocking character has been celebrated at Brisbane's Swedish school. - Una poco nota fonte d'ispirazione della leggendaria Pippi Calzelunghe è stata festeggiata in una scuola svedese di Brisbane.
Aziz reports that Papua New Guinean immigration officials have been entering the detention centre to destroy tanks and wells. Meanwhile, the men remaining in the camp have tried to avoid provocation and confrontation. Daily protests have moved to a cooler time of day to account for their lack of water and shade. Aziz says things are quiet in the camp, and spirits are generally positive. Michael arrives on Manus Island. 'Food and water, electricity … this is not our main concern. Our main concern is we just want to get out of this island, and to a safe country.' Abdul Aziz Muhamat A water tank damaged by immigration officials leaks water onto the ground. The centre has now been without a mains water supply for two weeks — Photo: Manus Alert In this update Abdul Aziz Muhamat Michael Green Our theme music was composed by Raya Slavin. Additional audio sourced from video footage recorded inside the centre. More information The Messenger is a co-production of Behind the Wire and the Wheeler Centre. It's produced by Michael Green, André Dao, Hannah Reich and Bec Fary, with Jon Tjhia and Sophie Black at the Wheeler Centre. This short update was edited and mixed by Jon Tjhia. Thank you Dana Affleck, Angelica Neville and Sienna Merope. Also to Behind the Wire's many participants and volunteers. Behind the Wire is supported by the Bertha Foundation.See omnystudio.com/listener for privacy information.
Hundreds of men remain in the decommissioned detention centre – refusing to be relocated to camps which many (including the UN's refugee agency) have said are unfinished or unsafe. Papua New Guinean immigration officers have removed fences, shade and clotheslines from the camp. Rubbish bins storing rain and well water have been tipped out, and makeshift wells destroyed. In this update, comprised of Aziz's weary and infrequent messages, he describes the increasingly strained situation. 'They were trying to push people – and swearing, abusing.' Abdul Aziz Muhamat The men sit in protest beside the denuded fence posts of the (now former) Manus Island Regional Processing Centre — Photo: Manus Alert In this update Abdul Aziz Muhamat Michael Green Our theme music was composed by Raya Slavin. Further reading 'Horrific footage from within Manus Island Detention Centre shows squalid conditions', by Jennifer Sexton, Daily Telegraph, accessed 10 November 2017 'Smuggled footage shows horrific conditions in Manus detention centre – video', Guardian Australia, accessed 10 November 2017 'Photos cast doubt on new Manus housing', Australian, by Rory Callinan, Australian, accessed 8 November 2017 More information The Messenger is a co-production of Behind the Wire and the Wheeler Centre. It's produced by Michael Green, André Dao, Hannah Reich and Bec Fary, with Jon Tjhia and Sophie Black at the Wheeler Centre. This short update was edited and mixed by Jon Tjhia. Thank you Dana Affleck, Angelica Neville and Sienna Merope. Also to Behind the Wire's many participants and volunteers. Behind the Wire is supported by the Bertha Foundation.See omnystudio.com/listener for privacy information.