Podcast appearances and mentions of Paul Kersey

There's a Shadow in the City on Episode 143 of The Bulletproof Podcast!  Join your host, Chris the Brain, along with co-hosts, the "Toyman" Chris DePetrillo and Ryan Campbell, as they discuss the Cannon classic... Death Wish II! Charles Bronson's return to the role of architect turned vigilante Paul Kersey, bridges the gap of the 1974 original and sets up the future over the top sequels! Michael Winner's perversions, the unforgettable lines and delivery of Charles Bronson, the Jimmy Page soundtrack, the multiple versions of the movie are among the topics of discussion, Plus, numerous attempts to connect the film to Kojak are made! Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a Text Message.Follow us as we go back and see our old friend Paul Kersey who is now living in L.A. during the 80s. We don't remember a whole lot of this movie but we're guessing there are a bunch of punks who don't know who they're messing with and get what's coming to them. So we're just wondering if this is a sequel that tried something new or pretty much followed the same formula as the first film. Join us as we go back to 1982 and watch Charles Bronson clean up the streets of New York, we mean L.A, again, or for the first time, because it's L.A. or, well... we don't know. We just hope it's good. Do You Remember Liking This Movie?

This episode Nez and Brian team up with Paul Kersey to help clean up the streets of New York in the 1985 action/thriller DEATH WISH 3.   When architect-turned-vigilante Paul Kersey (Charles Bronson) returns to New York City, he discovers that one of his friends has been murdered by gang members. After the cops bring Paul in for questioning, he receives a tempting offer from the police chief (Ed Lauter) : Paul can have free rein to eliminate the gangsters, as long as the police get the credit. Paul agrees and goes to war against Manny Fraker (Gavan O'Herlihy) and his vicious gang of thugs.   Hit up E Society on Facebook. https://www.facebook.com/ESocietyPodcast/ Check out our ESP Spotify For Podcasters feed: https://podcasters.spotify.com/pod/show/esoc E Society YouTube: https://www.youtube.com/channel/UCliC6x_a7p3kTV_0LC4S10A E Society and Mac-Nez t-shirts Tee Public: http://tee.pub/lic/9ko9r4p5uvE X: @esocietypod @macnezpod @TheoZissou Instagram: @esocietypod @thezissou @macnezpod Nez and Taylor Blu-ray IG pages: @bluraynez @blurayterror TikTok: @esocietypod   Intro/Outro Music by Mixla Beats Productions https://www.mixlaproduction.com   The Horror Returns Website: https://thehorrorreturns.com THR YouTube Channel: https://youtube.com/@thehorrorreturnspodcast3277 THR Patreon: https://www.patreon.com/thehorrorreturns THR Facebook: https://www.facebook.com/thehorrorreturns/ Join THR Facebook Group: https://www.facebook.com/groups/1056143707851246 THR X: https://twitter.com/horror_returns?s=21&t=XKcrrOBZ7mzjwJY0ZJWrGA THR Instagram: https://instagram.com/thehorrorreturns?igshid=YmMyMTA2M2Y= THR TeePublic: https://www.teepublic.com/user/the-horror-returns    

It's about time! The fifth installment of the Death Wish franchise sees our hero on his logical next step after cleaning up the streets, some other streets, the nursing home streets... now it's time for him to clean up... the catwalk? Why not? Featuring amazing performances from Michael Parks (Kill Bill, Red State), Saul Rubinek (Warehouse 13, Unforgiven), and Robert Joy (Land of the Dead, Amityville 3-D).DISCLAIMER: Language and Spoilers!DEATH WISH V: THE FACE OF DEATHdir. Allan A. Goldsteinstarring: Charles Bronson; Michael Parks; Lesley-Anne Down 

63 MinutesNSFW Paul Kersey is an author who has written numerous books and currently writes at Unz dot org. Oete invited Paul on to talk about his book, Black Mecca Down, which details what led to Atlanta's downfall. They also discuss how cities have become uninhabitable for good people.Black Mecca DownPaul at UNZdotOrgPaul on XVIP Summit 3-Truth To Freedom - Autonomy w/ Richard GroveSupport Pete on His WebsitePete's PatreonPete's SubstackPete's SubscribestarPete's GUMROADPete's VenmoPete's Buy Me a CoffeePete on FacebookPete on TwitterBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-pete-quinones-show--6071361/support.

Welcome back to Bad Dads Film Review, where today we're taking aim at a controversial classic that arguably defined an entire genre: Death Wish (1974). Directed by Michael Winner and starring Charles Bronson as the archetypal vigilante, Paul Kersey, this film sparked debate upon its release and continues to be a topic of conversation for cinephiles and critics alike.Death Wish plunges viewers into the grim reality of a New York City plagued by crime and fear. Charles Bronson's Paul Kersey is an architect, a conscientious objector turned avenging angel after a brutal attack leaves his wife dead and his daughter catatonic. The film explores Kersey's transformation from a peace-loving citizen into a gun-toting vigilante, taking the law into his own hands to exact revenge on the city's muggers and criminals.The narrative thrust of Death Wish follows Kersey as he prowls the streets at night, baiting criminals so he can dispatch his own brand of justice. It's a brutal, morally ambiguous journey that forces viewers to question the lines between right and wrong, justice and vengeance.Death Wish was ground-breaking for its stark portrayal of vigilante justice, a theme that has been replicated, examined, and critiqued in countless films since. Bronson's stoic performance as Kersey became iconic, embodying the frustrations and fears of a city (and a nation) feeling powerless against rising crime rates. The film's gritty realism, combined with its controversial subject matter, makes it a compelling yet uncomfortable watch.Despite its controversies, or perhaps because of them, Death Wish is a seminal film in the action genre. It's a product of its time yet remains relevant in its exploration of crime, fear, and the lengths to which individuals will go to feel safe. It offers no easy answers but instead serves as a gritty, thought-provoking piece of cinema that continues to resonate with audiences today.So, whether you view Death Wish as a thrilling action film or a problematic portrayal of justice, there's no denying its impact on cinema and culture. Join us on Bad Dads Film Review as we delve into the dark streets of New York City with Paul Kersey, exploring the legacy and controversies of this iconic film.

Happy 5-year sequel lovers! We wouldn't be able to review the great "Death Wish V" without our listeners, guest reviewers, and Hollywood guests who take the time to share their stories with us. So have a cannoli on us, but make sure Paul Kersey isn't lurking around. This installment is a bad, but fun action sequel. So we invited our bad sequel expert Nick and our action sequel expert Andrew to join us. This one had us talking about the mystery of Freddy Flakes, the presence of crooked cops, the clever newspaper headlines, Bronson's two houses, his secret identity, recaps and flashbacks, the brutality of the mafia, victim blaming, Bronson's age, the chain mail business, the fashion show, and the ineffectiveness of the police. Enjoy and here is to another 5 years! Watch the unedited review at sequelsonly.com/deathwish5 Follow us on all social media @sequelsonly and our website is sequelsonly.com The next sequel up is the rare Easter sequel with Critters 2. We talked with the star of the film Liane Curtis. Liane talked about growing up in the biz, Sixteen Candles, Robert Downey Jr, our mutual belief in ghosts, 21 Jump Street, Critters 2, and more. Fun chat! Review, rate, and share us with your friends, enemies, neighbors, exes, and even that annoying supermarket clerk!

This week, our supporter and resident magician Leigh has really pulled a rabbit out of the hat this week! It's our first time with the Death Wish franchise, in what proved to be it's final installment. "Death Wish V: The Face of Death" (1994) stars Charles Bronson as the infamous vigilante Paul Kersey. Directed by Allan A. Goldstein, the production of this installment faced the challenge of concluding the long-running series on a satisfactory note. Charles Bronson, in his late 70s during filming, brought his enduring presence and gritty charisma to the role once again. The production aimed to maintain the familiar formula of the series, blending action with a revenge-driven narrative, while introducing a new set of villains for Kersey to confront. Despite the film being the last in the "Death Wish" series, it had a more modest budget compared to its predecessors. The production team had to balance the need for satisfying action sequences with the limitations of resources, resulting in a film that, while maintaining the essence of the series, had a more contained scope. "Death Wish V" retains the gritty, urban vigilante theme of the franchise while introducing fresh elements to keep the narrative engaging for fans of the series. Charles Bronson's enduring portrayal of Paul Kersey, coupled with the film's action-packed sequences, contributes to its status as a conclusion to the long-running vigilante saga. If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Plot Summary: Paul Kersey is living a new life under the alias Paul Stewart and is in a relationship with Olivia Regent, played by Lesley-Anne Down. However, when Olivia becomes the target of her ex-husband's criminal activities, Kersey is forced back into his role as a vigilant avenger. As he sets out to protect Olivia and her daughter from the ruthless mobsters, Kersey employs his lethal skills and resourcefulness, seeking justice through a series of meticulously planned and executed confrontations. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/thevhsstrikesback/support

Bonus Patreon Episode 19: Death Wish Movies Meep and Ara discuss the Death Wish Movie series (1974-2018). Take the law into your own hands and listen to us. If you’re related to, or friendly with Paul Kersey, you just might not make it out alive! Also on Amazon Music, Apple Podcasts, Google, Spotify or on […]

He's worked with Billy Bob Thorton, Michael Dudikoff, Bill Paxton and Director Fred Olen Ray, he's a star of TV and Film. His most recent roles being on Empire and Chicago PD,but you know him as Randy,the Red Iroc drivin' and loudmouth Boyfriend of Paul Kersey's step daughter in DEATH WISH 4: THE CRACKDOWN!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/twicb/message

"What if there was a real Paul Kersey riding the New York subways right now? What if a Paul Kersey was cruising the South Side of Chicago or Buckhead outside Atlanta or Baltimore's Inner Harbor?"Death Wish TrailerJohn Lott's More Guns Less CrimeBe sure to check out Brian's other sites: Brian's WebsiteNFSCD Facebook pageBrian's Book 50 Stories: 50 Years in Radio50 Stories: 50 Years in Radio Facebook page

     This week part fives. Four films from five franchises than there are Ninja Turtles!     The Father of Zombies take on found footage. A group of college kids and their fuckwitted professor get swept up in the zombie apocalypse and one decides to never stop filming. Even when it's beyond the point of absolute necessity for the survival of his companions. They stumble onto several ridiculously helpful, and one not so helpful, groups of obvious sequel set up. The penultimate entry in a true master's genre defining series. George A. Romero's Diary of the Dead.     A power mad former F-1 driver, a washed out mechanic, a reporter, a Nazi engineer, and the world's sweetest sapient WV Beetle all cross paths on a race through a lonely stretch. Will the engineer make an evil Bug? Will the mechanic and the reporter ever realize the depth of their feelings? Why does only one person doubt the emotional intelligence of vehicles? Some of that might be answered in The Love Bug.     Do not allow Paul Kersey into your life. It will get you killed. For the final time, everyone's favorite squinting mass murderer is back and this time... it's personal! Okay, it's always personal. This time there's a precocious kid and high fashion!  Death Wish V: The Face of Death!A corrupt detective finds the Lament Configuration at the scene of a shockingly vicious occult themed murder. Soon he is pulled into a deadly game of cat and mouse. Will he be able to resist temptation and see his path out of the darkness or will he be consumed by his own inner demons? Hellraiser: Inferno.     All that and Kevin escaped, Craig tries to sneak out, Tyler is counting the days, and Dave corrupts all. Join us, won't you?Episode 276- Plead the Fifth

Brian Gagnon has been a full time musician for most of his life. Having played in the popular bar band, Dillinger before forming the classic Canadian band, the Hunt. He put the Hunt together with former members of Dillinger & former Max Webster drummer Paul Kersey. The Hunt would achieve moderate international success, but that wasn't all Brain Gagnon would have to contribute to the world of music. Today, as a top shelf multi-instrumentalist & ace studio session guy, he helps fledgling singer/songwriters record their own material in the best possible atmosphere, with him often becoming the entire back up band in studio. In this episode, we discuss all things guitar...& then some... https://www.7valley.ca/

https://linktr.ee/_red_river_podcast We wanted to cover the awesome adventures of Paul Kersey throughout his 5 movies. Who better to help us , than The Cannon Film Guide man himself, Austin Trunick. We kick it off with some talk about his latest book which you can buy here https://www.amazon.com/Cannon-Film-Guide-1985-1987-hardback/dp/1629338893

Este episodio es tan duro que sale de invitado en Telecinco y se llama Telecuatro porque su mera presencia le quita un punto de salud. Este episodio es tan duro que si le da por decir que Trump ganó las elecciones, automáticamente se hace verdad (tranquilos, no lo va a hacer). Este episodio es tan duro que, si se va a una pizzeria y la pide con piña, el mundo entero lo pide igual para siempre para no llevarle la contraria. En el episodio de hoy... 0:00:00 - INTRO: Los vecinos de Óscar, Michael Keaton, ese pobre gafe y caramelos nostálgicos. 0:12:35 - INTRO TESTOSTERONA: Presentadores de radio España vs. UK, cosas de gimnasio y miramos este cine en un contexto sociopolítico además de comentar su evolución. 0:57:55 - INVASION USA: Héroes fachas, un récord sorprendente y productoras con mucho morro. 1:30:10 - DEATH WISH 3 (EL JUSTICIERO DE LA NOCHE): Las novias gafes de Paul Kersey, un director repugnante y unas traducciones de título que ya les vale. 1:53:45 - HEARTBREAK RIDGE (EL SARGENTO DE HIERRO): Cuando tienes enchufe en tu videoclub, una secuela hipotética y los políticos de acción. 2:51:15 - ACTION JACKSON (ACCIÓN JACKSON): El predecesor de los directores de John Wick, un no-político de acción y la piratería en televisión por cable. 3:35:50 - LIONHEART/AWOL (LIONHEART: EL LUCHADOR): La primera gran discrepancia entre Óscar y Toni, una defensa de Van Damme como actor y cómo esta película debió ser otra película posterior de JCVD. 3:47:00 - I COME IN PEACE/DARK ANGEL (ANGEL DE LA MUERTE): Óscar siente castigo por los Castigadores, una gran omisión de la lista, estrellas de acción que merecen más y... ¡vuelve "procedural"! 4:10:30 - OUT FOR JUSTICE (BUSCANDO JUSTICIA): Dos palabras: GINOU FELINOU. 4:27:25 - STONE COLD (FRIO COMO EL ACERO): Moteros y futbolistas de acción y nos cagamos en los Razzie. Y con eso... un final más abrupto que el de Invasión USA. Que disfrutéis y...¡feliz verano! ---

Mark Radulich and Robert Winfree review the remake of the 1974 film of the same name, Death Wish, on Damn You Hollywood. Death Wish is a 2018 American vigilante action film directed by Eli Roth and written by Joe Carnahan. It is the sixth installment of the Death Wish series and a remake of the 1974 film of the same name starring Charles Bronson, based on Brian Garfield's 1972 novel. The film stars Bruce Willis as Paul Kersey, a Chicago doctor who sets out to get revenge on the men who attacked his family. Vincent D'Onofrio, Elisabeth Shue, Dean Norris, and Kimberly Elise also star. Mark Radulich and his wacky podcast on all the things: snapchat: markkind76 FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich

Mark Radulich and Sean Comer put yet another film On Trial! This time it's the original Death Wish (1974) film. Death Wish is a 1974 American vigilante action film, loosely based on the 1972 novel of the same title by Brian Garfield. The film was directed by Michael Winner and stars Charles Bronson as Paul Kersey, an architect who becomes a vigilante after his wife is murdered and his daughter sexually assaulted during a home invasion. It was the first of the Death Wish film franchise. At the time of release, the film was attacked by many film critics due to its support of vigilantism and advocating unlimited punishment of criminals. The novel denounced vigilantism, whereas the film embraced the notion. The film was a commercial success and resonated with the public in the United States, which was facing increasing crime rates during the 1970s. Mark Radulich and his wacky podcast on all the things: snapchat: markkind76 FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich

Comedians Mike Recine and Rufat Agayev join Zac Amico for a screening of “Death With II.” Starring an old Charles Bronson and directed by Michael Winner, the movie follows architect Paul Kersey, who once again becomes a vigilante when he tries to find the five street punks who murdered his daughter and housekeeper– this time on the dark streets of Los Angeles.Air Date: 03/18/22Support our sponsors!Visit https://www.rockauto.com/ for all your auto-part needs, and let them know you heard about them on Zac Amico's Midnight Spookshow!Fans over the age of 21, go to https://yodelta.com/ and use promo code GAS for 25% off your order!Visit https://zippixtoothpicks.com/ and use promo code SPOOK10 for 10% off your order. The newest 15 episodes are always free, but if you want access to all the archives, watch live, chat live, access to the forums, and get the show five days before it comes out everywhere else - you can subscribe NOW athttp://www.GaSDigitalNetwork.comand use the code ZAC for a 7-Day FREE Trial and save 15% on your subscription to the entire network.Check outhttps://www.PodcastMerch.com/ZAC to get EXCLUSIVE Zac Amico merchandise!FOLLOW THE SHOW!Zac Amico:https://www.instagram.com/zacisnotfunny/https://www.twitter.com/zacisnotfunny/Mike Recine:https://www.instagram.com/mikerecinecomedyhttps://www.twitter.com/mikerecineRufat Agayev:https://www.instagram.com/rufatcamp https://www.twitter.com/Rufatcamp See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Una rubrica in cui esprimo la mia personalissima opinione su film che, pur non essendo necessariamente capolavori o film iconici, hanno lasciato qualcosa al pubblico. Addentriamoci nella metropoli newyorkese degli anni '70 ed esploriamone il lato più violento e disperato. E ciò che farà il buon vecchio Paul Kersey in "Il giustiziere della notte" alle prese con una vendetta che non otterrà mai e una guerra personale che lo trasformerà in un mostruoso vigilante.

This week we are returning to familiar territory; Michael Winner and Charles Bronson's Paul Kersey Cinematic Universe (It's a thing if we want it to be!) and Death Wish II.Who was originally tapped to write the soundtrack? Are those the Kids from Nuke 'em High? How did Bronson hook Jill Ireland? HOW?!The boys are joined by Artist and Writer Paul Payne who is the genius behind the 'Horror and Action Video Store' group on Facebook (https://www.facebook.com/groups/126651552357031/?ref=share). Paul also has has a limited edition Comic RAMBO VERSUS THE BLAIR WITCH out this week which is limited to just 50 copies and features the Bonus Story: A DEATH WISH FOR JASON. If you are fast, you can buy through Paul's Etsy store here https://www.facebook.com/groups/126651552357031/?ref=share---Death Wish II is a 1982 American vigilante action film directed and co-edited by Michael Winner. It is the first of four sequels to the 1974 film Death Wish. It is the second installment in the Death Wish film series. In the story, architect Paul Kersey (Charles Bronson) moves to Los Angeles with his daughter (Robin Sherwood). After his daughter is murdered at the hands of several gang members, Kersey once again chooses to become a vigilante. Unlike the original, in which he hunts down every criminal he encounters, Kersey only pursues his family's attackers. The sequel makes a complete breakaway from the Brian Garfield novels Death Wish and Death Sentence, redefining the Paul Kersey character. It was succeeded by Death Wish 3.The sequel was produced by Cannon Films, which had purchased the rights to the Death Wish concept from Dino De Laurentiis. Cannon executive Menahem Golan planned to direct the film, but Winner returned on Bronson's insistence. The soundtrack was composed by guitarist Jimmy Page. Death Wish II was released in the United States in February 1982 by Filmways Pictures, but like the original, Columbia Pictures handled the international release and Paramount Pictures, via Trifecta Entertainment and Media, handles the television rights. It earned $16.1 million during its domestic theatrical run. Death Wish II was released in the United States on February 19, 1982 and released in the United Kingdom on February 11, 1982Support the show (https://www.buymeacoffee.com/100things)

*tw – rape scene and its use in movies*What a glorious day!! TV And A Movie welcomes our first guest and it's rapper/podcaster/movie creator Ryan Martel!! And he's brought the eerily prescient 1974 classic Death Wish with him so expect to hear ALL about the “curse” that is ‘70's pacing!! Troy was *literally* 5 when this movie came out so cue “he's old” comments now!! Boy howdy, our finger guns are FULLY loaded!!Death Wish follows the story of Paul Kersey (played by Charles Bronson and his incredibly rough face), a “bleeding heart liberal” who quickly learns that the hospital/law enforcement system does NOT work in his favor. So he takes matters into his own hands! The filthy city of New York & Times Square has never looked filthier!! Listen as we marvel at a world before social media (and a surprisingly firm stance AGAINST electroshock therapy)!!We address crevice sand, Jeff Goldblum's awkward face, ‘70's blood, and the pussy-ass bitch of a son-in-law (come on, dude…even we gun control supporters are laughing at you!)! Sweathog talk!! (Hi there…) Hat pins!! And seriously…FUCK the police!! How many muggings can occur in one movie? Can the nude body be admired in a violent setting? Is art art if no one hears it? (And does life imitate art or art imitate life or life imitate art imitate life [whoa]?) All we know is that we're tired of the devil getting a bad rap and we DON'T want an invite to your racist as fuck party!Fix yourself some liver and spaghetti and consider this episode an audition for TR And A Movie! (sorry, V).Follow us on Facebook, Twitter, IG and TikTok!!Find out about the Martel's Movie Madness podcast on Patreon, FB, Twitter and IG!!Find out about Ryan himself on Twitter and IG!!And don't forget the movies Bad Girls AND Martel's Movie Madness: The Movie!! (Sign up to Troma NOW!! and watch it again and again with your 30 day free trial!!)This week's Music Spotlight is Martel Tha God (duh)!!Sponsored by Camp Creep Podcast!! Anthology horror has never sounded sexier!!Rate, subscribe and review us on Apple Podcasts, Spotify and Stitcher!! Share with all your friends!! You really don't want us to load up a sock with quarters!!Email us your Arizona gun club invites to TandV@tvandamovie.comEditing by Andrew Dudich!!Logo by HRH Bunny on Twitter and IG!!Jingles/Anthems by Dot Homler!! (Virginia does NOT compare to her and seriously needs to stop trying!!)Theme Song is “TV Head” by The Fantastic Plastics – Check them out at www.thefantasticplastics.com

Martin takes the big chair this week and the guys run through Mack Bolan, Frank Castle, Bruce Wayne, Paul Kersey and other iconic media vigilantes. Of course we have to figure out how bloodthirsty maniacs out for revenge became cultural icons. 

Brian Gagnon has been a full time musician for most of his life. Having played in the popular bar band, Dillinger before forming the classic Canadian band, the Hunt. He put the Hunt together with former members of Dillinger & former Max Webster drummer Paul Kersey. They were signed almost immediately to a record deal & enjoyed significant radio success in North America & Europe. Eventually with a young family at home, Brian grew tired of playing six nights a week & so he became a full time session player.When the pandemic hit, Brian's studio work completely dried up.In this episode, we reviewed his career in bands & discussed how Covid-19 has impacted his fortunes. We also talked about how it feels to be getting closer to the end of this global pandemic.

This week we are discussing "Death Wish 4: The Crackdown", which is the 4th install of the epic saga of Paul Kersey, played by the legendary Charles Bronson, gunning down bad guys. We can't do a Bronson flick without bringing back our movie sequel action expert, Andrew Powers. We discussed the amazing one-liners, the insane plot, the many M. Night Shyamalan twists, Danny Trejo's FLAWLESS dummy, and lots more. Andrew calls this the "Thinking Man's Death Wish." This a video review that you can watch at sequelsonly.com/deathwish4 The next sequel we are reviewing is “Friday the 13th IV: The Final Chapter" and I had interviewed legendary casting director Fern Champion. Fern grew up in New York City and started as a fashion designer before she transitioned over to movies and lucky for us movie lovers she did. She cast for the first 5 Police Academy movies, Friday the 13th Parts 4-6, Breakin and Breakin 2, and so many more. Fern has a great story about giving Cameron Diaz her big break in landing the mask and lots more. This interview will be out on 8/9 and it's a great chat. Follow us on all social media @sequelsonly and our website is sequelsonly.com

A legendarily good bad movie as Charles Bronson reprises his role as Paul Kersey.  This movie is crazy in every sense of the word...we've got mail order rocket launchers, booby traps galore, a horrific director, Deanna Troi, and Bill S Preston Esq.  Drinks and this movie are an amazing idea...seriously watch it.

Colin watches as a movie loses its grip on reality and become an over the top Cannon Films extravaganza, Death Wish 3 (1985) in which architect-turned-vigilante Paul Kersey returns to New York and incites war between a gang of punks and the geriatric residents of a seedy tenement building. Listen as we throw bazookas, pipe guns, booby traps, explosions, girlfriend murder, reverse mohawks and more on this week's exciting episode! See acast.com/privacy for privacy and opt-out information.

The follow up to the 1974 classic starring Charles Bronson as Paul Kersey. A vigilante putting his life back on track by getting rid of those who try to stop him.Stunt coordinator is Ernie Orsatti and the music is by Jimmy PageLove them or loathe them the Death Wish movies have established themselves in the vaults alongside the other long lists of movies that involve getting justice. Charles Bronson just does it better than the rest.If you've enjoyed this episode then why not follow us on Twitter, Instagram and Facebook using the following linkhttps://linktr.ee/behindthestunts

This week, we give our ultimate fantasy crossovers in the world of pop culture! What if Paul Kersey teamed with John McClane? Daft Punk as droids in the Star Wars universe? Duke Nukem fights The Predator instead of Arnold Schwarzenegger? All of this and more...Check out BFYTW: http://bfytwpodcast.comVisit https://www.supermediabrospodcast.com​​​​ for all past, present, and future episodes!Leave us a rating/review on https://www.Podchaser.com/SuperMediaBrosSubscribe to us on YouTube: https://www.youtube.com/c/supermediabrospodcastSuper Media Bros Merch: https://www.storefrontier.com/store/super-media-bros-podcastSuper Media Bros on Social Mediahttps://www.Facebook.com/supermediabroshttps://www.Twitter.com/SuperMediaBros_https://www.Instagram.com/SuperMediaBrosPodcastFounding member of OddPods Mediahttps://www.facebook.com/oddpodsmedianetworkhttps://www.twitter.com/OddPodsmediahttps://www.instagram.com/oddpodsmedia

Death Wish Month/The Cologne Wars continue on Cult Cinema Showdown with Death Wish 2 vs Death Wish 3! Bigger guns, new cologne, and the return of Paul Kersey (twice). If you want explosions, you've got it! Check out 500 Section Lounge Listen to past/present/future episodes at our website! Leave us a rating/review on Podchaser! Subscribe to our YouTube channel! Support us monetarily on Ko-Fi.com!   Super Media Bros Merch! Facebook: Super Media Bros Twitter: @SuperMediaBros_ Instagram: @SuperMediaBrosPodcast Founding member of OddPods Media

jQuery(document).ready(function(){ cab.clickify(); }); Original Podcast with clickable words https://tinyurl.com/y3e57ox3 Death Wish 2 is a 1982 American vigilante action film directed and co-edited by Michael Winner. Death Wish 2 est un film d'action américain de 1982 réalisé et co-édité par Michael Winner. It is the first of four sequels to the 1974 film Death Wish. C'est la première des quatre suites du film de 1974 Death Wish. Paul Kersey has managed to recover from his shattered life and moved on, and is now dating Los Angeles radio reporter Geri Nichols. Paul Kersey a réussi à se remettre de sa vie brisée et est passé à autre chose, et sort maintenant avec le journaliste de la radio de Los Angeles, Geri Nichols. They go to pick up Pauls daughter, Carol, from the mental hospital. Ils vont chercher la fille de Paul, Carol, à l'hôpital psychiatrique. They spend the afternoon at a fairground, where Pauls wallet is stolen by a gang, consisting of Nirvana, Punkcut, Stomper, Cutter, and Jiver. Ils passent l'après-midi dans une foire, où le portefeuille de Paul est volé par un gang composé de Nirvana, Punkcut, Stomper, Cutter et Jiver. The gang splits up when Paul chases them; he goes to pursue Jiver, whom he corners in an alley but lets the hood go after Jiver tells Paul that he does not have the wallet. Le gang se sépare quand Paul les poursuit; il va à la poursuite de Jiver, qu'il coince dans une ruelle mais laisse le capuchon partir après que Jiver a dit à Paul qu'il n'avait pas le portefeuille. The gang finds Pauls home address in his wallet and later breaks into his house. Le gang trouve l'adresse du domicile de Paul dans son portefeuille et s'introduit plus tard chez lui. They gag and restrain Rosario, Pauls housekeeper. Ils bâillonnent et retiennent Rosario, la femme de ménage de Paul. Then, they begin taking turns raping her. Ensuite, ils commencent à la violer à tour de rôle. When Paul arrives home with his daughter, he is beaten unconscious. Lorsque Paul arrive à la maison avec sa fille, il est battu sans connaissance. Rosario tries to call the police, but Nirvana kills her with his crowbar. Rosario essaie d'appeler la police, mais Nirvana la tue avec son pied de biche. They kidnap Carol and take her to their hideout, where one of the gang members rapes her. Ils kidnappent Carol et l'emmènent dans leur cachette, où l'un des membres du gang la viole. Carol attempts to flee by running through a plate-glass window and falls onto an iron fence and is impaled. Carol tente de fuir en courant à travers une vitre en verre et tombe sur une clôture en fer et est empalée. When the police arrive, Lieutenant Mankewicz asks for help identifying the muggers, but Paul refuses. Lorsque la police arrive, le lieutenant Mankewicz demande de l'aide pour identifier les agresseurs, mais Paul refuse. After Carols funeral, he takes his Beretta Model 84 handgun to a low-rent inner-city hotel as a base of operations. Après les funérailles de Carol, il emmène son arme de poing Beretta modèle 84 dans un hôtel à bas prix du centre-ville comme base d'opérations. The next evening, he observes and follows Stomper into an abandoned building as a drug deal is about to be made. Le lendemain soir, il observe et suit Stomper dans un bâtiment abandonné alors qu'un trafic de drogue est sur le point d'être conclu. Paul shoots twice one of the dealers and orders the others out before he shoots Stomper twice. Paul tire deux fois sur l'un des croupiers et ordonne aux autres de sortir avant de tirer deux fois sur Stomper. The following night, he hears screams from a couple being assaulted by four muggers, which includes Jiver, in a parking garage. La nuit suivante, il entend les cris d'un couple agressé par quatre agresseurs, dont Jiver, dans un parking. Paul kills two rapists and wounds Jiver. Paul tue deux violeurs et blesse Jiver. Then Paul follows Jivers blood trail into an abandoned warehouse and kills him.

jQuery(document).ready(function(){ cab.clickify(); }); Original Podcast with clickable words https://tinyurl.com/yx93yn7d Death Wish 2 is a 1982 American vigilante action film directed and co-edited by Michael Winner. sǐ wáng yuàn wàng 2（Death Wish 2） shì 1982 nián yóu mài kè ěr · wēn nà （Michael Winner） dǎo yǎn hé gòng tóng biān jí de měi guó jǐng tì dòng zuò piān。 死亡愿望2（Death Wish 2）是1982年由迈克尔·温纳（Michael Winner）导演和共同编辑的美国警惕动作片。 It is the first of four sequels to the 1974 film Death Wish. zhè shì 1974 nián diàn yǐng 《 sǐ wáng yuàn wàng 》 de sì bù xù jí zhōng de dì yī bù。 这是1974年电影《死亡愿望》的四部续集中的第一部。 Paul Kersey has managed to recover from his shattered life and moved on, and is now dating Los Angeles radio reporter Geri Nichols. bǎo luó · kè xī （Paul Kersey） shè fǎ cóng pò suì de shēng huó zhōng huī fù guò lái ， jì xù qián jìn ， xiàn zài zhèng zài yǔ luò shān jī guǎng bō diàn tái jì zhě jié lǐ · ní kē ěr sī （Geri Nichols） yuē huì 。 保罗·克西（Paul Kersey）设法从破碎的生活中恢复过来，继续前进，现在正在与洛杉矶广播电台记者杰里·尼科尔斯（Geri Nichols）约会。 They go to pick up Pauls daughter, Carol, from the mental hospital. tā men qù jīng shén bìng yī yuàn jiē le gāo shǒu de nǚ ér kǎ luó ěr。 他们去精神病医院接了保罗的女儿卡罗尔。 They spend the afternoon at a fairground, where Pauls wallet is stolen by a gang, consisting of Nirvana, Punkcut, Stomper, Cutter, and Jiver. tā men zài jí shì shàng dù guò le yí gè xià wǔ ， nà lǐ de bèi qián bāo bèi yì huǒ rén tōu zǒu le ， zhè xiē rén bāo kuò niè ， yuè duì ， péng kè tè kù ， sī tuō mǔ pò ， kù tè hé jí fú 。 他们在集市上度过了一个下午，那里的保罗的钱包被一伙人偷走了，这些人包括涅，乐队，朋克库特，斯托姆珀，库特和吉弗。 The gang splits up when Paul chases them; he goes to pursue Jiver, whom he corners in an alley but lets the hood go after Jiver tells Paul that he does not have the wallet. dāng bǎo luó zhuī gǎn tā men shí ， bāng pài fēn liè le 。 tā qù zhuī bǔ Jiver， tā zài yì tiáo xiǎo xiàng lǐ wān yāo ， dàn shì zài Jiver gào sù Paul tā méi yǒu qián bāo zhī hòu ， jiù fàng kāi le dōu mào 。 当保罗追赶他们时，帮派分裂了。他去追捕Jiver，他在一条小巷里弯腰，但是在Jiver告诉Paul他没有钱包之后，就放开了兜帽。 The gang finds Pauls home address in his wallet and later breaks into his house. gāi tuán huǒ zài qián bāo zhōng zhǎo dào Paul de jiā tíng zhù zhǐ ， suí hòu dǎ kāi tā de fáng zi。 该团伙在钱包中找到Paul的家庭住址，随后闯入他的房子。 They gag and restrain Rosario, Pauls housekeeper. tā men dǔ zhù zuǐ bìng shù fù le zuò de guǎn jiā luó ào。 他们堵住嘴并束缚了保罗的管家罗萨里奥。 Then, they begin taking turns raping her. rán hòu ， tā men kāi shǐ lún liú qiáng jiān tā。 然后，他们开始轮流强奸她。 When Paul arrives home with his daughter, he is beaten unconscious. bèi dāng lǐ wù hé nǚ ér yì qǐ huí jiā shí ， tā bèi dǎ hūn le 。 保罗和女儿一起回家时，他被打昏了。 Rosario tries to call the police, but Nirvana kills her with his crowbar. luó sà lǐ ào （Rosario） shì tú bào jǐng ， dàn niè rv yuè duì （Nirvana） yòng qiào gùn jiāng qí bèi wài wéi。 罗萨里奥（Rosario）试图报警，但涅rv乐队（Nirvana）用撬棍将其杀死。 They kidnap Carol and take her to their hideout, where one of the gang members rapes her. tā men bǎng jià Carol， jiāng tā dài dào cáng shēn zhī chù ， qí zhōng yì míng bāng pài qiáng jiān chéng yuán le tā。 他们绑架了Carol，将她带到藏身之处，其中一名帮派成员强奸了她。 Carol attempts to flee by running through a plate-glass window and falls onto an iron fence and is impaled. kǎ luó ěr shì tú táo guò yí shàn bō li chuāng táo pǎo ， diē luò dào tiě zhà lan shàng ， zāo dào cì chuān 。 卡罗尔试图逃过一扇玻璃窗逃跑，跌落到铁栅栏上，遭到刺穿。 When the police arrive, Lieutenant Mankewicz asks for help identifying the muggers, but Paul refuses. jǐng chá dào dá shí ， màn kè dàn tā men zhōng qǐng qiú bāng zhù shí bié shí bié zhě ， dàn qiǎng jié le 。 警察到达时，曼克维奇中尉请求帮助识别抢劫者，但保罗拒绝了。 After Carols funeral, he takes his Beretta Model 84 handgun to a low-rent inner-city hotel as a base of operations. kǎ luó ěr jǔ xíng zàng lǐ hòu ， tā jiāng zì jǐ de Beretta 84 xíng shǒu qiāng dài dào yì jiān lián zū de shì zhōng xīn jiǔ diàn ， zuò wéi xíng dòng jī de 。 卡罗尔举行葬礼后，他将自己的Beretta 84型手枪带到一间廉租的市中心酒店，作为行动基地。 The next evening, he observes and follows Stomper into an abandoned building as a drug deal is ab...

jQuery(document).ready(function(){ cab.clickify(); }); Original Podcast with clickable words https://tinyurl.com/y4g3llj4 Death Wish 2 is a 1982 American vigilante action film directed and co-edited by Michael Winner. Scannán gníomhaíochta vigilante Meiriceánach 1982 é Death Wish 2 arna stiúradh agus arna chomh-eagarthóireacht ag Michael Winner. It is the first of four sequels to the 1974 film Death Wish. Is é an chéad cheann de cheithre shraith don scannán Death Wish i 1974. Paul Kersey has managed to recover from his shattered life and moved on, and is now dating Los Angeles radio reporter Geri Nichols. D'éirigh le Paul Kersey téarnamh óna shaol briste agus bhog sé ar aghaidh, agus tá sé anois ag dul do thuairisceoir raidió Los Angeles, Geri Nichols. They go to pick up Pauls daughter, Carol, from the mental hospital. Téann siad chun iníon Paul, Carol, a thógáil ón ospidéal meabhrach. They spend the afternoon at a fairground, where Pauls wallet is stolen by a gang, consisting of Nirvana, Punkcut, Stomper, Cutter, and Jiver. Caitheann siad an tráthnóna ag faiche, áit a ghoid sparán Paul sparán, ar a bhfuil Nirvana, Punkcut, Stomper, Cutter, agus Jiver. The gang splits up when Paul chases them; he goes to pursue Jiver, whom he corners in an alley but lets the hood go after Jiver tells Paul that he does not have the wallet. Scoilteann an drong nuair a chasann Pól orthu; téann sé ar thóir Jiver, a choirníonn sé i gcúl ach a ligeann don chochall imeacht tar éis do Jiver a rá le Paul nach bhfuil an sparán aige. The gang finds Pauls home address in his wallet and later breaks into his house. Faigheann an drong seoladh baile Phóil ina sparán agus briseann sé isteach ina theach ina dhiaidh sin. They gag and restrain Rosario, Pauls housekeeper. Déanann siad greim agus srian ar Rosario, coimeádaí tí Phóil. Then, they begin taking turns raping her. Ansin, tosaíonn siad ag glacadh sealanna ag éigniú uirthi. When Paul arrives home with his daughter, he is beaten unconscious. Nuair a thagann Pól abhaile lena iníon, buailtear é gan aithne. Rosario tries to call the police, but Nirvana kills her with his crowbar. Déanann Rosario iarracht glaoch ar na póilíní, ach maraíonn Nirvana í lena slua. They kidnap Carol and take her to their hideout, where one of the gang members rapes her. Fuadaíonn siad Carol agus téann siad chuig a seithí, áit a n-éigníonn duine de bhaill an bhuíon í. Carol attempts to flee by running through a plate-glass window and falls onto an iron fence and is impaled. Déanann Carol iarracht teitheadh trí rith trí fhuinneog gloinephláta agus titeann sí ar fhál iarainn agus tá cosc air. When the police arrive, Lieutenant Mankewicz asks for help identifying the muggers, but Paul refuses. Nuair a thagann na póilíní, iarrann an Leifteanant Mankewicz cabhair chun na muggers a aithint, ach diúltaíonn Paul. After Carols funeral, he takes his Beretta Model 84 handgun to a low-rent inner-city hotel as a base of operations. Tar éis sochraid Carol, tógann sé a ghunna láimhe Beretta Model 84 chuig óstán i lár na cathrach ar chíos íseal mar bhonn oibríochtaí. The next evening, he observes and follows Stomper into an abandoned building as a drug deal is about to be made. An tráthnóna dar gcionn, breathnaíonn sé agus leanann sé Stomper isteach i bhfoirgneamh tréigthe agus beart drugaí ar tí a dhéanamh. Paul shoots twice one of the dealers and orders the others out before he shoots Stomper twice. Scaoil Paul ceann de na déileálaithe faoi dhó agus ordaíonn sé na cinn eile sula scaoilfidh sé Stomper faoi dhó. The following night, he hears screams from a couple being assaulted by four muggers, which includes Jiver, in a parking garage. An oíche dar gcionn, éisteann sé le screadaíl ó lánúin a ndearna ceathrar mugairí ionsaí orthu, lena n-áirítear Jiver, i ngaráiste páirceála. Paul kills two rapists and wounds Jiver. Maraíonn Paul dhá rapists agus créachtaíonn sé Jiver.

jQuery(document).ready(function(){ cab.clickify(); }); Original Podcast with clickable words https://tinyurl.com/y6otsh97 Death Wish 2 is a 1982 American vigilante action film directed and co-edited by Michael Winner. Death Wish 2 es una película de acción de justicieros estadounidense de 1982 dirigida y coeditada por Michael Winner. It is the first of four sequels to the 1974 film Death Wish. Es la primera de cuatro secuelas de la película Death Wish de 1974. Paul Kersey has managed to recover from his shattered life and moved on, and is now dating Los Angeles radio reporter Geri Nichols. Paul Kersey ha logrado recuperarse de su vida destrozada y siguió adelante, y ahora está saliendo con el reportero de radio de Los Ángeles, Geri Nichols. They go to pick up Pauls daughter, Carol, from the mental hospital. Van a buscar a la hija de Paul, Carol, del hospital psiquiátrico. They spend the afternoon at a fairground, where Pauls wallet is stolen by a gang, consisting of Nirvana, Punkcut, Stomper, Cutter, and Jiver. Pasan la tarde en un recinto ferial, donde la billetera de Paul es robada por una pandilla, compuesta por Nirvana, Punkcut, Stomper, Cutter y Jiver. The gang splits up when Paul chases them; he goes to pursue Jiver, whom he corners in an alley but lets the hood go after Jiver tells Paul that he does not have the wallet. La pandilla se divide cuando Paul los persigue; va a perseguir a Jiver, a quien arrincona en un callejón pero suelta el capó después de que Jiver le dice a Paul que no tiene la billetera. The gang finds Pauls home address in his wallet and later breaks into his house. La pandilla encuentra la dirección de la casa de Paul en su billetera y luego irrumpe en su casa. They gag and restrain Rosario, Pauls housekeeper. Amordazan y sujetan a Rosario, el ama de llaves de Paul. Then, they begin taking turns raping her. Luego, comienzan a turnarse para violarla. When Paul arrives home with his daughter, he is beaten unconscious. Cuando Paul llega a casa con su hija, lo golpean hasta dejarlo inconsciente. Rosario tries to call the police, but Nirvana kills her with his crowbar. Rosario intenta llamar a la policía, pero Nirvana la mata con su palanca. They kidnap Carol and take her to their hideout, where one of the gang members rapes her. Secuestran a Carol y la llevan a su escondite, donde uno de los pandilleros la viola. Carol attempts to flee by running through a plate-glass window and falls onto an iron fence and is impaled. Carol intenta huir corriendo a través de una ventana de vidrio, cae sobre una valla de hierro y es empalada. When the police arrive, Lieutenant Mankewicz asks for help identifying the muggers, but Paul refuses. Cuando llega la policía, el teniente Mankewicz pide ayuda para identificar a los atracadores, pero Paul se niega. After Carols funeral, he takes his Beretta Model 84 handgun to a low-rent inner-city hotel as a base of operations. Después del funeral de Carol, lleva su pistola Beretta Modelo 84 a un hotel de renta baja en el centro de la ciudad como base de operaciones. The next evening, he observes and follows Stomper into an abandoned building as a drug deal is about to be made. A la noche siguiente, observa y sigue a Stomper a un edificio abandonado cuando está a punto de hacerse un negocio de drogas. Paul shoots twice one of the dealers and orders the others out before he shoots Stomper twice. Paul dispara dos veces a uno de los distribuidores y ordena a los demás que se vayan antes de dispararle a Stomper dos veces. The following night, he hears screams from a couple being assaulted by four muggers, which includes Jiver, in a parking garage. La noche siguiente, escucha los gritos de una pareja que es asaltada por cuatro asaltantes, entre los que se incluye a Jiver, en un estacionamiento. Paul kills two rapists and wounds Jiver. Paul mata a dos violadores y hiere a Jiver. Then Paul follows Jivers blood trail into an abandoned warehouse...

jQuery(document).ready(function(){ cab.clickify(); }); Original Podcast with clickable words https://tinyurl.com/y3a9u2ao Death Wish 2 is a 1982 American vigilante action film directed and co-edited by Michael Winner. Death Wish 2 ist ein amerikanischer Vigilante-Actionfilm von 1982, der von Michael Winner inszeniert und mitherausgegeben wurde. It is the first of four sequels to the 1974 film Death Wish. Es ist die erste von vier Fortsetzungen des Films Death Wish von 1974. Paul Kersey has managed to recover from his shattered life and moved on, and is now dating Los Angeles radio reporter Geri Nichols. Paul Kersey hat es geschafft, sich von seinem zerschmetterten Leben zu erholen und ist weitergezogen. Er ist jetzt mit Geri Nichols, einem Radioreporter aus Los Angeles, zusammen. They go to pick up Pauls daughter, Carol, from the mental hospital. Sie holen Pauls Tochter Carol aus der Nervenheilanstalt ab. They spend the afternoon at a fairground, where Pauls wallet is stolen by a gang, consisting of Nirvana, Punkcut, Stomper, Cutter, and Jiver. Sie verbringen den Nachmittag auf einem Messegelände, wo Pauls Brieftasche von einer Bande gestohlen wird, die aus Nirvana, Punkcut, Stomper, Cutter und Jiver besteht. The gang splits up when Paul chases them; he goes to pursue Jiver, whom he corners in an alley but lets the hood go after Jiver tells Paul that he does not have the wallet. Die Bande trennt sich, als Paul sie jagt; Er geht Jiver nach, den er in einer Gasse in die Enge treibt, lässt aber die Motorhaube los, nachdem Jiver Paul gesagt hat, dass er die Brieftasche nicht hat. The gang finds Pauls home address in his wallet and later breaks into his house. Die Bande findet Pauls Privatadresse in seiner Brieftasche und bricht später in sein Haus ein. They gag and restrain Rosario, Pauls housekeeper. Sie würgen und halten Rosario, Pauls Haushälterin, zurück. Then, they begin taking turns raping her. Dann beginnen sie abwechselnd, sie zu vergewaltigen. When Paul arrives home with his daughter, he is beaten unconscious. Als Paul mit seiner Tochter nach Hause kommt, wird er bewusstlos geschlagen. Rosario tries to call the police, but Nirvana kills her with his crowbar. Rosario versucht die Polizei zu rufen, aber Nirvana tötet sie mit seiner Brechstange. They kidnap Carol and take her to their hideout, where one of the gang members rapes her. Sie entführen Carol und bringen sie zu ihrem Versteck, wo eines der Gangmitglieder sie vergewaltigt. Carol attempts to flee by running through a plate-glass window and falls onto an iron fence and is impaled. Carol versucht zu fliehen, indem sie durch ein Glasfenster rennt, fällt auf einen eisernen Zaun und wird aufgespießt. When the police arrive, Lieutenant Mankewicz asks for help identifying the muggers, but Paul refuses. Als die Polizei eintrifft, bittet Leutnant Mankewicz um Hilfe bei der Identifizierung der Muggers, doch Paul lehnt ab. After Carols funeral, he takes his Beretta Model 84 handgun to a low-rent inner-city hotel as a base of operations. Nach Carols Beerdigung bringt er seine Beretta Model 84-Pistole als Operationsbasis in ein preisgünstiges Hotel in der Innenstadt. The next evening, he observes and follows Stomper into an abandoned building as a drug deal is about to be made. Am nächsten Abend beobachtet er und folgt Stomper in ein verlassenes Gebäude, während ein Drogendeal abgeschlossen werden soll. Paul shoots twice one of the dealers and orders the others out before he shoots Stomper twice. Paul schießt zweimal auf einen der Händler und bestellt die anderen aus, bevor er zweimal auf Stomper schießt. The following night, he hears screams from a couple being assaulted by four muggers, which includes Jiver, in a parking garage. In der folgenden Nacht hört er Schreie von einem Paar, das von vier Muggern, darunter Jiver, in einem Parkhaus angegriffen wird. Paul kills two rapists and wounds Jiver.

Hablar de “Charles Bronson” es hablar de cine de videoclub, de cine de acción, de sagas interminables, de impartir justicia, y Remaker en este episodio hacemos todo eso. Damos un salto hacia atrás en el tiempo junto a nuestro invitado, Agustín Lara (@ged_joe en twitter) hasta el año 1974, fecha de estreno de la primera entrega, la original, a una película que daría nombre a una saga entera que se extendería hasta mediados de los 90 “Death Wish”. El debate está servido desde el comienzo del episodio, ¿Paul Kersey es un vengador o un justiciero? ¿Qué opinas? Analizar esta película resulta indispensable para comprender como los 80 transformó películas en productos explotation de sí mismos y como algunos personajes nacen como personas dramáticamente atormentadas y surcan el celuloide hasta transformarse en auténticos personajes de acción. Del resto de la saga os hablaremos en un próximo episodio como premio a todos los fans de Remake a los 80, pero en este episodio damos un salto hasta el reciente remake o mejor dicho reinterpretación de la historia original del 2018 protagonizada por Bruce Willis. Ha sido la primera vez después de más de 200 episodios que realizamos la grabación de un episodio en directo por Facebook, YouTube y Periscope, donde también podéis rescatarlo, y agradecemos a todos aquellos que habéis estado en la emisión en directo. Recordad que ya podéis uniros a nuestro grupo de “Telegram” //t.me/remake80 y no olvidéis suscribiros en nuestra web remakealos80.com para estar siempre informados. El equipo que ha participado en este episodio ha estado formado por Javi García, Carlos Aceituno, Oscar Cabrera y en la dirección Juan Pablo Videoclubsero  ------------------------------------------------------------------------------------ Escúchanos también en www.remakealos80.com y no olvides suscribirte al boletín informativo en el enlace https://eepurl.com/dFCkir Spotify: https://spoti.fi/2Wf1xqN Itunes: https://apple.co/39QFevv Spreaker: https://bit.ly/39URTOb

Hablar de “Charles Bronson” es hablar de cine de videoclub, de cine de acción, de sagas interminables, de impartir justicia, y Remaker en este episodio hacemos todo eso. Damos un salto hacia atrás en el tiempo junto a nuestro invitado, Agustín Lara (@ged_joe en twitter) hasta el año 1974, fecha de estreno de la primera entrega, la original, a una película que daría nombre a una saga entera que se extendería hasta mediados de los 90 “Death Wish”. El debate está servido desde el comienzo del episodio, ¿Paul Kersey es un vengador o un justiciero? ¿Qué opinas? Analizar esta película resulta indispensable para comprender como los 80 transformó películas en productos explotation de sí mismos y como algunos personajes nacen como personas dramáticamente atormentadas y surcan el celuloide hasta transformarse en auténticos personajes de acción. Del resto de la saga os hablaremos en un próximo episodio como premio a todos los fans de Remake a los 80, pero en este episodio damos un salto hasta el reciente remake o mejor dicho reinterpretación de la historia original del 2018 protagonizada por Bruce Willis. Ha sido la primera vez después de más de 200 episodios que realizamos la grabación de un episodio en directo por Facebook, YouTube y Periscope, donde también podéis rescatarlo, y agradecemos a todos aquellos que habéis estado en la emisión en directo. Recordad que ya podéis uniros a nuestro grupo de “Telegram” //t.me/remake80 y no olvidéis suscribiros en nuestra web remakealos80.com para estar siempre informados. El equipo que ha participado en este episodio ha estado formado por Javi García, Carlos Aceituno, Oscar Cabrera y en la dirección Juan Pablo Videoclubsero  ------------------------------------------------------------------------------------ Escúchanos también en www.remakealos80.com y no olvides suscribirte al boletín informativo en el enlace https://eepurl.com/dFCkir Spotify: https://spoti.fi/2Wf1xqN Itunes: https://apple.co/39QFevv Spreaker: https://bit.ly/39URTOb

This episode was recorded during curfew and so the guys took the opportunity to use the zoom account of the Another Hole in the Head film festival to watch this weeks threequel. From 1985, Charles Bronson reprises his role as Paul Kersey who is returning to New York after being banned from the city in the sequel film. Music Provided by Ghost Werks. Dampener, Brooklyn, D&D, and NFRage2 by Hook and Loop Bandit inc. S3E11.

Is there any aging action star that can possibly top Clint Eastwood's role of "Harry Callahan"? Charles Bronson playing Paul Kersey in Death Wish 3 of course. The kill count in this movie blows away the 1st two films added together and multiplied by 2. So for a body count like that, we had to have a guest help sort em' and Andrew Powers did just that and more. Andrew showed up in costume dressed as Mr. Paul Kersey himself from the film. We discussed the corrupt cops, the holding cell battle royal, Paul dating a girl 30 years younger than him, the not warriors gang, and so much more. Write us a review where ever you listened! Follow us on all social media @sequelsonly and our website is sequelsonly.com Next movie we are reviewing is "Weekend at Bernies 2" and Doug interviewed co-star Troy Byer. Troy is an accomplished actress, writer, director, and author. Great behind the scenes Bernie stories.

Desejo de Matar rendeu cinco filmes com Charles Bronson no papel do vigilante solitário. O primeiro da série foi lançado em 1974, quando Nova York era uma das cidades mais perigosas dos Estados Unidos, e o último em 1994, quando Charles Bronson já tinha 73 anos de idade e a cidade caminhando para ser tornar mais segura do que nunca. Arquiteto no original, aqui Bruce Willis toma o lugar de Bronson no papel do médico Paul Kersey, que tem a mulher e a filha baleadas em um assalto. Diante da incompetência da polícia em achar os culpados, ele busca fazer justiça com as próprias mãos. Os críticos foram implacáveis com o filme, que ganhou aprovação de 17% no Rotten Tomatoes. Entre o público, a taxa de aprovação foi de 72%. Será que Bruce Willis pode se sentir vingado? Descubra neste Quarentena Cult. --------------------------------------------------------------------------- Tenha acesso a conteúdos exclusivos! Assine: bit.ly/2t5mxEe Escolha seu app favorito e receba uma seleção com as principais notícias do dia ou da semana no seu celular: leia.gp/2MTnyrS Acompanhe a editoria Ideias nas redes sociais: Facebook: www.facebook.com/ideiasgazetadopovo/ Twitter: twitter.com/ideias_gp

In the very first Burt Reynolds and Charles Bronson Podcast I look at the movie Death Wish 2. BRONSON IS BACK!! Death Wish was a classic...8 years later Charles Bronson is back as Paul Kersey the vigilante architect. How does this movie hold up to the original and it subsequent sequels?? Have a listen and check it out. www.scottyblanco.com www.patreon.com/scottwhite www.instagram.com/scottwhite1968 www.twitter.com/scottwhite91 www.youtube.com/scottwhitecomedian --- Send in a voice message: https://anchor.fm/scott-white5/message Support this podcast: https://anchor.fm/scott-white5/support

Scott White returns with a second movie from the Death Wish franchise. This time, Paul Kersey is dating a fashion designer who becomes the target of her mafia ex-husband. Then, well . . . it’s Death Wish so just guess … Continue reading →

In light of a recent piece by Der Spiegel, one of the largest news magazine publications, on the legacy of controversial Barrett Brown and the early 21st century "hacktivism" of Anonymous, Barrett Brown returns to Parallax Views for a jam-packed two-hour conversation addressing Barrett's criticisms of the article. Specifically, Barrett takes issue with Alexandra Rojkov, the author behind the piece, using a tweet by Claire Lehmann, founder of the equally controversial Quillette magazine (which has promoted writings related to "race realism" as well as, at one time, the work of Andy Ngo), accusing Brown of "harassing women in tech". Within said tweet Lehmann offered, as evidence, a retweet ofBrown asking for "anyone with information about [Peter] Thiel associate Riva-Melissa Tez" to "please email me". In this conversation, argues that a call to potential sources interested in offering him information on Riva-Melissa Tez stretches the credulity of the term harassment and would require a concrete definition of harassment to be laid out. Additionally, he says, Lehmann's tweet inadvertently gave Brown the information he sought from sources who saw it. From there we begin to delve into the larger failures of the press through a multitude of examples, from the Dallas press's employing a white supremacist radio host who went by the psuedonym Spectre to the recent report by Jared Holt, Angry White Men, Right Wing Watch on Michael J. Thompson, a figure within the conservative movement who moonlighted as the alt right personality "Paul Kersey". Why are these figures allowed to exist within the institutions for so long while Barrett Brown and a whistleblower like Val Broeksmit are smeared for pasts involving drug use? This leads us into a discussion Peter Thiel and his software company Palantir. Brown explains what he sees as the relationship between Thiel and the press. In addition, he argues that there are connections between Thiel and magazines like Quillette as well the infamous hacker Andrew Aurnheimer aka "weev". Moreover, Brown says the the story of Thiel's rise, the advent of the alt right, surveillance, and other issues are interrelated and not yet fully known to the public. In addition, Brown discusses the nature of Thiel's agenda and whether it is, as the mainstream media presents it, libertarian in its nature or rather, as investigative journalists like Corey Pein have alluded to, is connected to "The Dark Enlightenment" of neoreactionary philosopher Nick Land. Moreover, Brown says that Palantir is at the center of much more than normally recognized and that Thiel and his agenda is the most dangerous in the world. At this point Brown delves more deeply into the ideology of this "Dark Enlightenment", the premises it is based on, why it is capable of making an argument in a persuasive fashion, and why it must be opposed. Particularly, he notes that "The Dark Enlightenment" persuades by pointing out, often correctly, the failures of institutions within Democracy currently. Brown, however, says that we must find an alternative to counteract this ideology, which he says will manage to become a strong attractor for those with inherited wealth and spreading out from that point. We wrap up the show with Brown announcing the hiatus of the Pursuance Project and a possible Hollywood collaboration with Alex Winter in the future. Then, for what may be the first time, the life, legacy, and mysterious death of journalist Michael Hastings as well as his relationship to Hastings. Hastings was a journalist who gained much recognition for his work on the Iraq war. After the death of his fiancée, Andrea Pahramovich he wrote a book about her passing and his relationship with her in I Lost My Love in Baghdad: A Modern Love Story. Hastings wrote for both the Rolling Stone and Buzzfeed. During the Obama years Hasting becase very critical of what he saw as a state-sponsored war on journalists. He won the George Polk award for his Rolling Stone profile of Gen. Stanley McChrystal entitled "The Runaway General" Unfortunately, Hastings passed away under controversial circumstances (many alleged conspiracy/foul play) on June 18, 2013. In this portion of the conversation Brown outlines his relationship with the late journalist, their shared concerns, and Hastings' treatment by the media.All that and more on this edition of Parallax Views. SUPPORT PARALLAX VIEWSON PATREON! FORBONUS CONTENTANDARCHIVED EPISODES!

A classic, back-to-basics, oldskool episode in which Daniel tells Jack all about a very nasty (and racist trivia-obsessed) specimen, Michael J. Thompson, who chooses to (sometimes) go by the online alias 'Paul Kersey', which is the name of Charles Bronson's character in Death Wish... y'know, the movie in which a middle-class architect becomes a serial killer, and murders loads of poor petty-criminals, and he's the hero. Content Warnings within Content Warnings for this one. Links/Notes: "Hiding in Plain Sight, the White Nationalist Who Toiled Inside a Right Wing Media Powerhouse." https://angrywhitemen.org/2020/02/03/hiding-in-plain-sight-the-white-nationalist-who-toiled-inside-a-right-wing-media-powerhouse/ "Hiding in Plain Sight, the White Nationalist Who Toiled Inside a Right Wing Media Powerhouse." (Right Wing Watch) https://www.rightwingwatch.org/post/hiding-in-plain-sight-the-white-nationalist-who-toiled-inside-a-right-wing-media-powerhouse/ Jason Wilson, The Guardian, "Paul Kersey/Michael J. Thompson White Nationalist Report." https://www.theguardian.com/world/2020/feb/03/paul-kersey-michael-j-thompson-white-nationalist-report "A new report has revealed that a prominent white nationalist author, activist and podcaster known as “Paul Kersey” has in fact worked for more than a decade at mainstream conservative institutions and media outlets under his real name. According to an investigation by the not-for-profit media outlet Right Wing Watch (RWW), the man who has worked under the Kersey pseudonym is in fact Michael J Thompson. The Guardian has uncovered additional material that supports reporting by RWW, and further indicates Thompson’s role in moulding rightwing activists from a position near the heart of America’s most influential conservative institutions. The RWW investigation, published on Monday, reveals the work of “Paul Kersey”, whom it calls a “barely underground member of the white nationalist movement” and a fixture on the roster of racist media outlets and campaign groups. But it also shows that Thompson worked under his own name at institutions like the Leadership Institute, its media arm Campus Reform, and WND, formerly World Net Daily, a once-popular conspiracy-minded conservative outlet, as late as November 2018. It also shows how his WND position allowed him to move in professional circles that included white nationalists, writers from Breitbart and the Daily Caller and prominent Donald Trump supporters including Steve Bannon and Jack Posobiec." Campus Reform Homepage: https://www.campusreform.org/ Current "Stuff Black People Don't Like" at Unz Review. https://www.unz.com/sbpdl/ Stuff Black People Don't Like, January 18, 2010 from the Internet Archive: https://web.archive.org/web/20100118112313/http://stuffblackpeopledontlike.blogspot.com/ "From a biological standpoint, Haitians who practice voodoo and the art of zombiism, have an ally in Wade Davis as he has done extensive research in Haitian voodoo and penned numerous volumes on the subject. In Passage of Darkness: the Ethnobiology of the Haitian Zombie and Serpent and the Rainbow, Davis discusses the uses of certain chemical compounds to create hallucinogens and neurotoxins capable of inducing the effects of death only to allow the “zombie” to awake later. The botanical secrets and the chemical compound formulas that create zombies are known only by the Haitian Voodoo priests, but the mysterious origins behind zombies haven’t dissuaded others from inventing their own. George Romero of “The Night of the Living Dead” fame is credited with inventing the modern-zombie in the United States, but he owes much to the 1930s film “White Zombie”, which was appropriately set in Haiti. We have discussed the historical nature of zombies, as the idea originated in Haiti and there, witch-doctors practiced (and still do) a form of Black magic that “can” reanimate corpses. In the United States however, zombies take on a much different connotation, for we view them as the true undead brought back to life, consuming as much live human flesh in the process, thereby spreading the zombie virus further. Zombies - in America - are a plague that must be eradicated." Romero, who has made a fine living directing zombie films, cast a Black person as the main protagonist in his first zombie film “Night of the Living Dead” and has since positively shown Black people in that films many sequels, most notably in the late 1970s “Dawn of the Dead.” It is obvious to all Black people, that Romero knows the true history of zombies, and thus, must do everything in his power to remove the mystical Black magic origins of voodoo/zombies from his films and showcase Black people operating in a highly functional manner. There is an unwritten rule in Hollywood that Romero deemed necessary when discussing zombies, for no mentioning of Haiti and Black people’s predilection and fascination with the undead can occur in film or video gam" Stuff Black People Don't Like, May 1, 2009 from the Internet Archive: https://web.archive.org/web/20110628224216/http://stuffblackpeopledontlike.blogspot.com/2009_05_01_archive.html #170: Losing Gold Teeth: "Black people are fascinated by gold, more so than the Spanish Conquistadors of old. Black people love gold so much, that they have it fashioned to put onto their teeth, known throughout the Black community as "grillz". A subculture has grown around this fascinating practice and has become a lucrative business for entrepreneur's hoping to affix their wares on the Black persons bicuspids. One practitioner of the art of "grillzing" writes, "Gold teeth are a product that has been increasingly growing over the past eight years, especially since the attention given to them from celebrities such as Nelly and Flavor Flav. Since that time, they've taken on several different names, such as gold fronts, gold caps, gold slugs, grills and grillz." The problem for "grillz" advocates remains maintaining the integrity of said gold piece in their mouths, while using the restroom. Recently at a Major League Baseball (MLB) game between the Atlanta Braves and the New York Mets, a woman lost one of her "grillz" in the latrine. While relieving herself, somehow her "grillz" become dislodged and ended up resting in the bowels of the commode." Google Search Results for "Michael Thompson" at www.campusreform.org. https://www.google.com/search?q=site%3Awww.campusreform.org+michael%20thompson Michael Thompson, "Jokes Now Considered "Bias-Motivated Incidents" at Northern Colorado" https://web.archive.org/web/20150117082235/https://www.campusreform.org/?ID=1796 "The University of Northern Colorado (UNCO) has decided it’s time to prohibit "Bias Motivated Incidents." When you hear about a “bias motivated incident,” maybe you’re thinking about a cross burning, or something of that nature. But at UNCO the “bias motivated incident” could simply be an "inappropriate joke" that is motivated by some form of bias. The UNCO policy also says that “Any discriminatory act is a violation of the Housing & Residence Life Student Code of Conduct.” Well, what do they mean by “any discriminatory act”? According to the UNCO handbook this includes, but is not limited to, “racism, ageism, sexism, and/or homophobia.” And (get ready for this!) included in the definition is “intentionally, recklessly or negligently causing physical, emotional, or mental harm to any person." Paul Kersey, "Nobody Kill Anybody" Fails: During First Ceasefire Weekend in 70% Black Baltimore, 15 Shot, Four Dead. https://www.unz.com/sbpdl/nobody-kill-anybody-fails-during-first-ceasefire-weekend-in-70-black-baltimore-15-shot-four-dead/ "A surplus of blackness and a paucity of whiteness. Or, more appropriately, a city dominated by the black hegemony. Welcome to Baltimore in 2020, a 70 percent black city completely dominated by black elected/appointed officials in all aspects of the bureaucracy. Confederate memorials are all removed, streets and buildings once named in honor of dead white males have been erased, racially re-named to honor the new demographic dominating Baltimore life. If you’ve read The City that Bleeds: Race, History, and the Death of Baltimore (and if you haven’t, get it here now!), you know the truth about Baltimore our elite have spent more than half a century trying to explain away as the fault of pernicious white people and their insidious redlining, systemic racism, and racial criminal justice system." The Political Cesspool, "Paul Kersey, Author of "Stuff Black People Don't Like" Will Join Us Live This Satur March 5." https://www.thepoliticalcesspool.org/jamesedwards/paul-kersey-author-of-stuff-black-people-dont-like-will-join-us-live-this-saturday-march-5/ Michael Thompson Author Page at WND, https://www.wnd.com/author/mthompson/ WND Staff, "Black-on-black murders epidemic in this city" https://www.wnd.com/2013/08/milwaukees-racism-most-murders-black-on-black/ @MJTWND at the Internet Archive, July 14, 2016. https://web.archive.org/web/20160714043056/https://twitter.com/MJTWND Angry White Men, "Daily Shoah" Hosts: Nazi Scientists and White People Should be Recognized For Space Exploration Work. https://angrywhitemen.org/2017/02/28/daily-shoah-co-hosts-nazi-scientists-and-white-people-should-be-recognized-for-space-exploration-work/ "Hidden Figures" at Wikipedia: https://en.wikipedia.org/wiki/Hidden_Figures Eric Niiler, History.com, "Why Civil Rights Activists Protested the Moon Landing." https://www.history.com/news/apollo-11-moon-landing-launch-protests Katherine Johnson, The Human Computer Project. https://www.thehumancomputerproject.com/women/katherine-johnson "Along with engineer Ted Skopinski she coauthored the 1960 report Determination of Azimuth Angle at Burnout for Placing a Satellite Over a Selected Earth Position, the equations describing the trajectories for placing the manned Mercury capsule into low-Earth orbit and returning it safely to the planet's surface, making her the Flight Research Division's first credited female author." Skopinski and Johnson, "Determination of Azimuth Angle at Burnout for Placing a Satellite Over a Selected Earth Position" https://ntrs.nasa.gov/archive/nasa/casi.ntrs.nasa.gov/19980227091.pdf  

Pour cette 11e émission, nous allons faire régner l'ordre et la justice en arpentant les rues malfamées d'un sous-genre prisé du cinéma des années 1970 et 1980, le Vigilante movie. Le genre fut représenté populairement par Charles Bronson en Paul Kersey dans Un Justicier dans la Ville de Michael Winner sorti en 1974 ou plus proche de nous, Kevin Bacon sous la direction de James Wan dans Death Sentence en 2007. Close-Call est un podcast produit par Close-Up Magazine, présenté par Mathieu Le berre, accompagné par Aymeric Dugénie, Sébastien Dard et Alexandre Coudray.

Architect / vigilante Paul Kersey arrives back in New York City and is forcibly recruited by a crooked police chief to fight street crime caused by a large gang terrorizing the neighborhood, led by a man with a reverse mohawk New episodes every Wednesday!

Fire the Cannons! Cannon Films that is! Shaun and Brose team-up to look at the big gun talent Golan and Globus lured to Cannon during their command of the Cannon empire in our newest line of Chatflix Minis. Starting with Charles Bronson, who is back as architect turned vigilante Paul Kersey, dishing out vengeance to all those troublesome gangs wishing for death so badly IN Death Wish 3 (so Death Wish-y this one doesn’t even need a subtitle).

If you got a death wish, you got a date with Charles Bronson - or is it Paul Kersey. He's out to wipe clean the streets of 1970's New York of crime, with crime. All because of a Jeff Goldblum. Has Death Wish rightfully acquired its fame as one of the ultimate vigilante films? This is a listener recommendation from Łukasz (Poland). / Death Wish (1974). Directed by Michael Winner. Starring Charles Bronson, Vincent Gardenia, Steven Keats, Hope Lange.

Hosts Mat Bradley-Tschirgi and William Thrasher discuss Death Wish 5: The Face of Death. Paul Kersey (Charles Bronson) goes after Irish mobster Tommy O'Shea (Michael Parks). Oddly centered around the fashion industry, Death Wish 5 has Paul Kersey kill mobsters in ways that don't require a gun. At times feeling like a more violent version of Home Alone, Death Wish 5 never nails a tone. Michael Parks really goes for it as Tommy O'Shea making for one of the more memorable bad guys in the series. There are worse Death Wish movies out there, and the quirkiness on display is somewhat refreshing. Mat feels Wreck-It Ralph Breaks The Internet is a letdown. Thrasher thinks Jesse James Meets Frankenstein's Daughter is the perfect bad B-movie.  Follow the show on Twitter @Sequelcast2 Like our Sequelcast 2 Facebook Page Sequelcast 2 is delighted to be a member of The Batman Podcast Network. Hear more great podcasts here! Watch Thrasher's tabletop RPG YouTube show d-infinity Live!. Listen to Marc with a C's music podcast Discography. Buy One Starry Night, a Cthulhu Live scenario Thrasher contributed to, from DriveThruRPG!  Buy Mat's new book The Films of Uwe Boll Vol. 1: The Video Game Movies!  Watch Alex Miller's YouTube series The Trailer Project!

In 1974, Charles Bronson took on the role of Paul Kersey, an innocent man who is set over the edge into a sea of violence when his wife and daughter are attacked. the film sparked a five-film long series. Now in 2018, director Eli Roth attempts to put his gorry stamp on his own version of the series. This time starring the aging action icon Bruce Willis who plays Kersey, this time re-imagined as a doctor. Kersey, after losing his wife to a home invasion, teaches himself how to shoot, and takes to the streets of Chicago to enact vigilante justice. Kersey delivers brutal justice to bad guys and the ones who wronged his family.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5939723/advertisement

“Death Wish” teaches us when wronged to the point of breaking and seeking revenge, start with a sock full of quarters first, then go to firearms. Charles Bronson goes from a wooden work-a-holic architect whose smile looks painted on for the first fifteen minutes of the movie to gun toting vigilante when his wife is beaten to death and daughter is brutally raped. Oh ya, that's Jeff Goldblum's butt doing that. Yoiks.Native Texan Josh Guerra, licensed architect, sits down with Roberta, Vince, and Jeff to decipher the complex back story of Paul Kersey and his use of an apparent Vulcan-like demeanor used in all stressful situations. We're talking client meetings, his wife's funeral, and beating a man with a sock full of quarters.starchitect: Josh Guerra