2019 studio album by Sharon Van Etten
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This week, on LaunchLeft, Rain is joined by Sharon Van Etten. In this episode Sharon talks with Rain about how she got into music and what inspires her to write. We hear about Van Etten’s latest single Every Time the Sun Comes Up, and her happiness with finding a band that excites and moves her musically. Sharon then introduces Maxim Ludwig to the conversation and we learn about his new music, how they met, and some of their great stories, insights, and revelations about art, touring, and friendship. The episode closes with Maxim’s song Baby, I Wanna Be Your Lover Tonight. ----------------- LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft TWITTER https://twitter.com/LaunchLeft INSTAGRAM https://www.instagram.com/launchleft/ FACEBOOK https://www.facebook.com/LaunchLeft --------------------- IN THIS EPISODE: [1:17] Where does Sharon draw inspiration creatively? [5:32] Sharon discusses her newly released single Every Time the Sun Comes Up. [7:56] Did Sharon ever envision being a musician? [14:18] Does Sharon prefer playing in the studio or live? [18:12] When was the first time Sharon really felt connected to music? [24:40] Maxim joins the show and Sharon share’s how they met. [37:03] How do music and visual art tie in together for Maxim? [40:39] What are everyone's thoughts on backing tracks? [48:40] How long has Sharon been following Maxim? [51:04] How did Maxim pick out the guitar for Sharon? [56:44] Why is live music so amazing? [1:00:20] Maxim introduces his song Baby, I Wanna Be Your Lover Tonight. KEY TAKEAWAYS: Take your time with your music, the pieces will fall into place when it's meant to be. Sharon is just now feeling like she has her band together after years and years of being a musician. Find like minded people and mentors to help you get started. Maxim started by helping Sharon, but learned so much and has been able to make his own music. There is nothing quite like the energy connection between audience and performer. RESOURCE LINKS: LaunchLeft Podcast Smart Link Links for Sharon Van Etten: Sharon Van Etten's Website Sharon Van Etten's X Sharon Van Etten's Instagram Sharon Van Etten's Facebook Sharon Van Etten's YouTube Sharon Van Etten's TikTok Links for Maxim Ludwig: Maxim Ludwig's Instagram Maxim Ludwig's YouTube BIOGRAPHIES: Sharon Van Etten is an artist and recognized as one of the most influential and iconic songwriters of our time. She released her sixth full-length album, We’ve Been Going About This All Wrong, this past May. Leading into its release, Pitchfork profiled Van Etten stating, “Sharon Van Etten Is an Institution Now,” while Rolling Stone called her “one of the most fearless, soul-shredding songwriters on the planet.” Van Etten made her return to The Late Show with Stephen Colbert in support of the new album and took the “soul-strengthening” (New Yorker) Wild Hearts Tour with Angel Olsen and Julien Baker all over the country. In support of Van Etten’s 2019 release, Remind Me Tomorrow, she was profiled in The New York Times’ Arts & Leisure section and the album was featured prominently in best of 2019 lists by NPR Music, Billboard, Fresh Air, Rolling Stone, Pitchfork, ESQUIRE, The New Yorker and more. Van Etten has collaborated with artists ranging from Courtney Barnett and Joshua Homme to Norah Jones and Angel Olsen, and been covered by artists including Fiona Apple, Lucinda Williams, Big Red Machine and Idles. She has performed on The Late Show with Stephen Colbert, Jimmy Kimmel Live!, The Ellen DeGeneres Show, Austin City Limits TV and The Tonight Show Starring Jimmy Fallon. Van Etten was a guest star in the Netflix series The OA and guest starred in Eliza Hittman’s “Never, Rarely, Sometimes, Always.” She performed in David Lynch’s revival of Twin Peaks. Off-screen, she wrote her first score for Katherine Dieckmann’s movie Strange Weather and the closing title song for Tig Notaro’s show, Tig. Most recently, she appeared in “How It Ends,” which also featured two songs by Van Etten.
Twitter: @podgaverockInsta: @podgaverock1The Weeknd 2019 “Blinding Lights” from "After Hours" released on XO/Republic. Written by Able Tesfaye, Ahmad Balshi, Jason Queeneville, Max Martin, Oscar Holter. Produiced by Max Martin, Oscar Holter, and The Weeknd.Cover:Performed by Josh Bond and Neal Marsh2Tears for Fears 1984 “Shout” from the album "Songs From the Big Chair" released on Phonogram/Mercury. Written by Roland Orzabal and Ian Stanley and produced by Chris Hughes.Cover:Performed by Scot Lang, Neal Marsh, and Josh Bond3Billy Idol “White Wedding” from the 1982 album "Billy Idol" released on Chrysalis. Written by Billy Idol and produced by Keith Forsey.Cover:Performed by Josh Bond and Neal Marsh4Sharon Van Etten "Seventeen" 2019 from "Remind Me Tomorrow" released on Jagjaguwar written by Sharon Van Etten/Kate David and produced by John CongletonCover:Performed by Josh Bond and Neal Marsh5Neil Diamond's 1967 “Girl, You'll Be a Woman Soon” from the album "Just for You" released on Bang. Written by Neil Diamond and produced by Jeff Barry and Ellie Greenwich.Cover:Performed by Josh Bond and Neal Marsh
Hello and welcome to the Talkhouse Podcast, I'm Josh Modell. On this week's episode we've got the return of one of our favorite repeat guests in conversation with an equally fantastic songwriter making her first Talkhouse Podcast appearance. Sharon Van Etten is a singer and songwriter who's been making records for the past decade plus, growing and changing and taking chances in exactly the way you hope truly talented people will. Her amazing early records were quietly intense, very confessional affairs, but she burst from the seams with subsequent releases. In 2019, she released Remind Me Tomorrow, which brought in bigger sounds and colors and an entirely different kind of confidence to her songwriting and performance. In 2022, Van Etten released another incredible album called We've Been Going About This All Wrong, which puts into intense songs some of the feelings we've all been feeling through the last few years. As you'll hear in this chat, Van Etten has already written a ton of songs for her next album, and now she's trying to figure out how to get there. Check out "Mistakes" from We've Been Going About This All Wrong. The other half of today's chat is Canadian singer-songwriter Charlotte Cornfield. Yes, that's her real last name—you can actually read the story on Talkhouse.com from 2021 where she explained its origins to Amy Millan of the band Stars. Cornfield starting releasing music back in 2008, and her fifth album, Could Have Done Anything, was released in May of 2023. This conversation was originally meant to be recorded back then, but Cornfield had a baby around that same time, which as some of you surely know, changes your schedule pretty intensely. But motherhood is a big part of this conversation: Van Etten has a six-year-old, and the two openly talk about the joys and challenges of raising a child. Check out “Gentle Like the Drugs,” from Could Have Done Anything. In addition to getting deep about parenting, Van Etten and Cornfield talk about Van Etten's creative in-between space, about the plusses and minuses of New York vs Los Angeles vs Toronto, and about how Southerners eat trash—but in a good way. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Sharon Van Etten and Charlotte Cornfield for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!
On this week's Talkhouse Podcast we've paired up a couple of old friends and onetime tourmates, Sharon Van Etten and Jonathan Meiburg. This pairing was especially fun for me, since I had the pleasure of putting these two together in a different context many years ago, when I was editor of The A.V. Club: Sharon and Jonathan performed an amazing version of the Tom Petty/Stevie Nicks duet “Stop Draggin' My Heart Around” for the site's A.V. Undercover series. Seeing their faces together brought back that fun memory, and it was great seeing them reconnect. Van Etten is a singer and songwriter who's been making records for the past decade plus, growing and changing and taking chances in exactly the way you hope truly talented people will. Her amazing early records were quietly intense, very confessional affairs, but she burst from the seams with subsequent releases. In 2019, she released Remind Me Tomorrow, which brought in bigger sounds and colors and an entirely different kind of confidence to her songwriting and performance. She gives partial credit in this chat to producer John Congleton, who was recommended to Van Etten by none other than Jonathan Meiburg. Earlier this year, Van Etten released another incredible album called We've Been Going About This All Wrong, which puts into intense songs some of the feelings we've all been feeling the past couple of years. You know what I'm talking about. Check out “Mistakes” from that new album, and check out Van Etten on the Wild Hearts tour over the next few months, with Angel Olsen and Julien Baker. Today's other guest, Jonathan Meiburg, is best known in the music world as the driving force behind the band Shearwater, which he started way back in the late ‘90s as an offshoot of his previous band, Okkervil River. But under this name, Meiburg has created a vast and varied catalog that combines his writerly mind with sometimes-moody, sometimes-joyous music. Shearwater just released their first album in six years: It's called The Great Awakening, and it's what a lazy podcast host might refer to as a return to form—or at least more austere earlier vibes. Don't let that six-year gap fool you, though: Meiburg has been plenty busy. He's got another band called Loma with the members of Cross Record, and they've got a third album on the way. Oh, and Meiburg wrote and released an incredible book called A Most Remarkable Creature: The Hidden Life and Epic Journey of the World's Smartest Birds of Prey, which rolls up history, science, and travel into one really beautifully written piece. (Around Talkhouse HQ, we like to brag that Meiburg has written a bunch of pieces for us over the years.) As you'll hear in this conversation, he's already started working on another book. Check out “Empty Orchestra” from The Great Awakening. As you'll hear, Van Etten and Meiburg are old friends who toured together long ago, but hadn't seen each other in person until very recently, when Van Etten's tour took her to Hamburg, where Meiburg is currently living. They talk about writing songs—and specifically about how gibberish can become lyrics, which I always find interesting. Meiburg remarks on Van Etten's transformation as a stage performer over the years, and they even chat about Sharon's son—specifically his relationship to the movie Cool Runnings. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Sharon Van Etten and Jonathan Meiburg for chatting. If you liked what you heard, please do follow Talkhouse on your favorite podcasting platform. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time.
Jack and Sean go back and chat to an old friend this week, Luke Watterson. Luke tells the lads about getting out of lockdown, back gigging, what he has been listening to since they last spoke and his new single, ‘Remind Me Tomorrow'. The lads also talk about a dog called Noodle, men in Rome throwing bracelets at Sean, Jack and raw spuds and the third largest baby in the UK. Tune in, chill out and tell a friend!
This week, Wes and Todd talk with Artist, Sammy Lee. Sammy talks about how identity plays into her work, motherhood, growing up in South Korea, immigrating to the United States at 16, studying architecture and what it brings to her art, her current exhibition “Remind Me Tomorrow”, feng shui, hanji, her street art cart, meal casts, bookbinding and artist books, and artist residencies.Join us for a thoughtful conversation with the phenomenal Sammy Lee.Sammy's solo exhibition, “Remind Me Tomorrow”, is on display through July 17th, 2021, at the Emmanuel Art Gallery on the Auraria Campus, University of Colorado Denver, 1205 10th Street Plaza, Denver, CO 80204Closing Reception for “Remind Me Tomorrow” is July 17th, 2021, 10am-2pm.Check out Sammy's work at her website www.studiosmlk.comFollow Sammy Lee on social media:Instagram – www.instagram.com/sammy_seungmin_lee/@sammy_seungmin_leeUpcoming Exhibits:ArmorJuly 30 - October 15, 2021Center for Visual Art, Denver, COIAMP (Immigrant Artist Mentorship Program) Group ExhibitionBRDG Project – Gallery1553 Platte Street, Unit 100, Denver, CO 80202August 6 - 28, 2021InVISIBLE | hyperVISIBLESeptember 10 - October 10, 2021RedLine Contemporary Art Center, Denver, COWord PlaySeptember 17 - November 14, 2021Arvada Center for the Arts and Humanities, Arvada, COID, Please (rescheduled from 2020)October 15 - December 3, 2021Korean Cultural Center, Washington, D.C.
Sharon van Etten and Jamie Stewart met a few years ago, when producer John Congleton recommended the Xiu Xiu frontman as a contributor to the singer-songwriter's 2019 album, Remind Me Tomorrow. Though their music isn't super similar sounding, each traffics in a kind of emotional honesty that's difficult to pull off but incredibly rewarding. Van Etten contributed vocals to the song "Sad Mezcalita" on Xiu Xiu's new all-duets album, OH NO, and the two chat about that collaboration here, along with the creative process, being open in their songwriting, and much more. This episode was produced by Melissa Kaplan. The Talkhouse theme is composed and performed by the Range.
En Música de Contrabando, revista diaria de música en Onda Regional de Murcia, estrenamos nuevo formato con la incorporación de Terminal Pop, y aumentamos la duración a dos horas (orm.es; 00'00h) para que puedas disfrutar de toda la actualidad musical de la jornada. Las Noches del Malecón regresa a Murcia en 2021 con la que será su tercera edición. Comenzará a finales de mayo y se prolongará durante los meses de junio y julio, convirtiéndose en el ciclo de conciertos más extensos celebrados en la Región de Murcia (Love of Lesbian, M Clan) . El responsable de prensa, Sergio Merka, nos pone al tanto. Vibra Mahou, la plataforma de música de Mahou Cinco Estrellas, abre las puertas de la primera sala de conciertos virtual. LA LA LOVE YOU ganan el Premio Odeón a Artista Revelación . Repasamos la lista de los galardonados. La Casa Azul regresa con un nuevo sencillo, “Entra en mi vida”. Su futuro disco llegará el año que viene, aunque se espera que haya más avances durante los próximos meses. La trayectoria musical del empresario Alan McGee, el escocés que descubrió –entre mucha otras bandas– a Oasis, llega a las pantallas con “Creation Stories”. El biopic, dirigido por Nick Moran (“Telstar: The Joe Meek Story”), estará protagonizado por Ewen Bremner (“Trainspotting”) y llegará a finales de mes a la plataforma británica Sky Cinema. El Madrileño (C.Tangana) número 1 de discos, pero también de singles en España. El nuevo disco de Shinova 'La buena suerte' alcanza el puesto #1 de ventas de discos de vinilo en España y el puesto #2 de ventas de álbumes, en su primera semana de lanzamiento. Lucy Dacus rememora el pasado a lo Raymond Carver en "thumbs", triste nuevo tema arropado con sintetizador y mellotron. Red Ribbon anuncia Planet x, su disco de debut, con "renegade", evocador primer adelanto de indie folk. Definitivamente, "Mirrorball" es el dueto más positivo y romántico de The Catenary Wires. Con delicados –y no tan delicados– homenajes musicales a los 80, arranca escéptico, pero acaba enamorándose de la música de una década que era pura, nada sutil, insípida y sintética. ¡La música disco ochentera resulta ser celestial ["heavenly"]!. Lady Mabelle le pone banda sonora al #Proyecto16familias con #Dieci6.. Choir Boy tiñen el "all my rowdy friends (have settled down) de Hank Williams de melancolía synth pop. La sueca Becky and the Birds se acerca al tono imposible en "with you", nuevo tema de melancólico r&b. Antes de que llegue la continuación del recomendable Remind Me Tomorrow, Sharon Van Etten celebra el décimo aniversario de su segundo trabajo Epic, con una edición especial en la que se hace acompañar de ilustres invitados. Saint Raymond estrena "soft landing", palpitante medio tiempo de We forgot we were dreaming, su nuevo disco. The Mars Volta ha anunciado la publicación de una tremenda box-set que recopila toda su discografía y alguna que otra cosa más. La box-set lleva el nombre de La Realidad De Los Sueños y está compuesta por 18 vinilos. Field Music recientemente compartió su nueva canción cósmica, en más de un sentido, Orion From the Street y ahora tiene un video cortesía del miembro de la banda en directo Kev Dosdale. El Brossa Quartet de Corda Quartet Brossa, en su versión abierta de Colectivo Brossa, emprende un nuevo proyecto entusiasta y ecléctico que combina el conocimiento del música clásica con un alto sentido lúdico y juguetón. El proyecto "Folkestral" pretende orquestar de manera folk las melodías que los grandes compositores del siglo XIX y XX tomaron a la música tradicional.Sidecars presenta su disco “Ruido de fondo” en esta nueva gira, que se aplazó. Hablamos con Juancho Conejo, cantante de la banda madrileña, sobre este grupo que mantiene la chispa de la juventud pero con una experiencia que le da cada vez más peso.
Sharon Van Etten "Seventeen" 2019 from "Remind Me Tomorrow" released on Jagjaguwar written by Sharon Van Etten/Kate David and produced by John CongletonPersonel:Sharon Van Etten – vocals, pianoHeather Woods Broderick – back-up vocalsZachary Dawes – bass, synthesizerMcKenzie Smith – drumsLuke Reynolds – guitar, synthesizerJohn Congleton – synthesizer, drone, drum programming, percussionBrian Reitzell – organ, percussion, droneCover:Neal Marsh guitarsJosh Bond vocals/rhythm guitarIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Writer Josh Bond. Produced by Frank CharltonOther Artists Mentioned:Cobra KaiThe Karate KidPoint BreakConan the BarbarianCommandoArnold ShwarzeneggarBruce Springstien “Glory Days”Arcade FireStevie Nicks “Edge of Seventeen”Pat BenatarJoan JettChrissie Hynde and the PretendersStranger ThingsHalt and Catch FireKings of LeonThe BeatlesWarrant “Seventeen”Arcade Fire “Rebellion Lies”Smashing Pumpkins “1979”Sharon Van Etten “Everytime the Sun Comes Up”Melissa EtheridgeLucinda WilliamsFlorence and the MachineNick Cave “Skeleton Tree”Phosphorescent “Song for Zula”Sharon Van Etten “You Shadow”Sharon Van Etten “End of the World”Brenda Lee “End of the World”Patsy Cline
You know that pesky little pop up in the corner of your computer always asking if you want to install updates right in the middle of what you’re doing? How many times have you hit “Remind Me Tomorrow”? Well, sadly you know what happens? The computer crashes and we’re left kicking ourselves for not doing the work in the first place! Tune in to hear how we are starting with our futures in mind and taking the steps necessary to change ourselves and the world!EPISODE SHOW NOTES: https://EVERYKIND.com/remind-me-tomorrowYOU FIT HERE INSTAGRAM: https://www.instagram.com/youfithereEVERYKIND: https://EVERYKIND.com
Sharon Van Etten - "Beaten Down," a 2020 single on Jagjaguwar. Sharon Van Etten is on a roll. Following last year’s masterful studio album Remind Me Tomorrow, the singer-songwriter and actress returned in February with the smoldering single “Beaten Down.” The minimal song is dark and spacious, evoking the dubby trip-hop of the ‘90s. Produced by John Congleton, the song focuses on “love, patience, and empathy,” Van Etten said in a statement. “It’s about making life-changing choices and remaining strong enough to see them through.” Read the full post on KEXP.org Support the show.
Join Jesse as he spreads awareness of good music by playing songs from his ever expanding library. Support the artists featured on this show! Email: thehipsterbigfoot@gmail.com Instagram: @thehipsterbigfoot Intro music: Japanese Breakfast: "Planetary Ambience" Track listing: 7:32 - Dropkick Murphys: "Shipping Up To Boston" from the 2005 album The Warrior's Code 10:06 - Waxahatchee: "Peace and Quiet" from the 2013 album Cerulean Salt 12:44 - Lo Moon: "Loveless" from the 2018 self titled album 19:47 - Flogging Molly: "Requiem For a Dying Song" from the 2008 album Float 25:13 - Hop Along: "The Fox In Motion" from the 2018 album Bark Your Head Off, Dog 29:13 - Grizzly Bear: "Morning Sound" from the 2017 album Painted Ruins 33:36 - Flatfoot 56: "Black Thorn" from the 2010 album Black Thorn 36:58 - The Decemberists: "Rox In the Box" from the 2011 album The King Is Dead 41:52 - Flo & Joan: "Lady In the Woods" from the 2018 album The Kindness of Stanglers 47:26 - Sharon Van Etton: "Beaten Down" from the 2019 album Remind Me Tomorrow 52:11 - M83: "Go!" from the 2016 album Junk 56:06 - Real Estate: "Talking Backwards" from the 2014 album, Atlas 1:01:09 - The Dubliners: "Rocky Road To Dublin" from the 1964 self titled album 1:03:37 - The Coathangers: "Tonya Harding" from the 2007 self titled album 1:06:13 - Meg Myers: "Desire" from the 2014 EP Make a Shadow 1:10:57 - Better Oblivion Community Center: "Sleepwalkin'" from the 2019 self titled album
[E158] Listomania continues with a countdown of our top 10 favorite albums of 2019. WBAM! E-mail us: weboughtamic@gmail.com Follow WBAM: Instagram, Facebook, and Twitter. (@weboughtamic) Subscribe on iTunes and leave us a review. Twitter: @caldernest // @HuntMobley // @DrewDietzen letterboxd: letterboxd.com/caldernest/ // letterboxd.com/hearshot/ // letterboxd.com/drewd/ The Lists (Don’t read if you want to keep the surprise!) Hunter’s List Vampire Weekend – Father of the Bride tyler the creator – IGOR lana del rey – norman fucking rockwell!! Pup – morbid stuff Sharon Van Etten – Remind Me Tomorrow Brittany Howard – Jaime brockhampton – ginger James Blake – assume form Billie Eilish – when we all fall asleep where do we go Weyes Blood – titanic rising Drew’s List Vampire Weekend – Father of the Bride tyler the creator – IGOR Brittany Howard – Jaime Alex g – house of sugar brockhampton – ginger James Blake – assume form Sharon Van Etten – Remind Me Tomorrow purple mountains – purple mountains debaby – baby on baby Pup – morbid stuff Ernest’s List tyler the creator – IGOR Vampire Weekend – Father of the Bride brittany howard – Jaime billie eilish – when we all fall asleep where do we go James Blake – assume form Pup – morbid stuff danny brown – uknowhatimsayin? Sharon Van Etten – Remind Me Tomorrow local natives – violet street Clairo – immunity
Sharon Van Etten's first studio album in 5 years is a major leap forward for her sound, as synths and drones add an undercurrent of dread to her warm and emotional vocals. We discuss "Remind Me Tomorrow" in-depth in episode #119 of “For the Record.”
Sharon Van Etten's first studio album in 5 years is a major leap forward for her sound, as synths and drones add an undercurrent of dread to her warm and emotional vocals. We discuss "Remind Me Tomorrow" in-depth in episode #119 of “For the Record.”
In episode 5 we get into the deep story that is Sharon Van Etten's "Remind Me Tomorrow."
True to type we return to moody, melancholic indie this week. Only this time it’s a little more diverse, as Sharon Van Etten’s fifth album ‘Remind Me Tomorrow’ augment her usual folk-ish indie rock sound with everything from trip-hop to 80s synth pop. This album was released in 2019, which makes it the newest record to be nominated for our discography. Whilst it is a pretty good record, some of our attention turns towards wondering if we can call an album unsung when it is an artist’s latest release. Particularly when that release has been the recipient of its fair share of critical acclaim. Elsewhere, we due the usual due diligence on her back catalogue, and also discuss some of the female artists that sprung up around the same time as Sharon Van Etten. Is ‘Remind Me Tomorrow’ worthy of a place in our discography? Vote below, and if you’re unfamiliar with her work Chris has chucked together a few choice cuts from her back catalogue alongside a raft of influences and influencees.
Ego James Podcast Ep. 13 [Remind Me Tomorrow] Well, Well, guess whos back ya main man in full effect talking about the most recent updates in the entertain biz mostly . Apple if you are hearing this pull your head out. The COD lovers will get there fix once again with remasters baited by nostalgia typical of us millenials.. And again here we are getting haggled by articles on what the millenials did wrong . Must be some socerry I haven't been made aware of unlike character and actor reveals I got the 411 !! Right HERE Contact links and info Don’t forget to Email your stories and suggestions - Egojamespodast@gmail.com Twitter: @Nortownego instagram: @the_egojames
Edgy folk-rocker Sharon Van Etten is busier than ever after quitting the music industry four years ago. Now she’s back and experimenting with new sounds, like the vintage synthesizer that lives in her New York City rehearsal space. Sharon joins hosts Jim DeRogatis and Greg Kot for an interview and performance of music from her latest release, Remind Me Tomorrow. They also review the new record from Chicago singer and poet Jamila Woods.
Sharon Van Etten discusses meeting David Lynch, trying stand up comedy, bad babysitters, being stalked by Michael Cera and, eventually, her new album, Remind Me Tomorrow. See acast.com/privacy for privacy and opt-out information.
Sharon Van Etten is a singer and songwriter who’s put out five albums. She's also an actress—she’s in The OA and Twin Peaks. Her most recent album, Remind Me Tomorrow, came out in January 2019. In this episode, Sharon breaks down a single from that album called “Seventeen.” She shares the original demo she made with the song’s co-writer Kate Davis, and we’ll hear from producer John Congleton, who helped craft Sharon’s new, more electronic sound. songexploder.net/sharon-van-etten
Quatre ans après l’excellent (et fort triste) Are We There, Sharon Van Etten revient avec Remind Me Tomorrow, un album très différent de ce qu’elle avait l’habitude de proposer.. Et c’est assez logique puisque beaucoup de choses ont chamboulé sa … Lire la suite
We've gone remote once again! This time we met up with Alex and Christina Rosso-Schneider, proprietors of the newly opened book store A Novel Idea in South Philadelphia. We talked local author Andrew Katz's debut novel, vampires, one cast mates brief obsession with Anne Rice, and the responsibility of the author when dealing with a traumatic subject. Later we dig into Sharon van Etten's fantastic new record "Remind Me Tomorrow," and finally we crack open some sweet, sweet nitro cans of Wake Up Dead, a Russian Imperial Stout from Left Hand Brewing.
Episode #1 Notes We hope you enjoy our review of Sharon Van Etten's new album, Remind Me Tomorrow. Remind Me Tomorrow by Sharon Van Etten David's playlist Joe's playlist
DC’s Mike James and Mollie Ames discuss: How come the Grammys swing and misses on so many genre defining albums all the time? And if Mrs. Smith has "the dryness" maybe she should have one of her creampies? (Part 1 of the Podcast only content) Are you so starved for football you're already engaging in NFL Draft talk? Well, CBS, Bill Polian and the MGM Grand are hoping to feed that hanger with something that almost looks good enough to be bad preseason football called the AAF. How live sports coverage is frequently ruined by baseless community standards applied to a so-called national standard. Fuck that. Seinfeld references are ruining all TV show references, meanwhile, whatever happened to sitcoms with theme songs centered around cool bass lines? (Part 2 of the Podcast only content, begins at the 1:07:00 mark) Let Me Tell You A Story: Lachlan MacKinnon’s “The Speech Impediment” (begins at the 1:24:00 mark) Filtering out what was the best about the 2019 Grammys from the worst, Part 1. You have to be careful giving people gifts if they didn't get you anything, and Valentine candy is the worst of the holiday candies. (Part 3 of the Podcast only content, begins at the 1:58:00 mark) The 2019 Grammys, Part 2. One of the coolest things to see in Cleveland that doesn't happen anywhere else is coming back this spring, and we can't wait! (Part 4 of the Podcast only content, begins at the 2:40:00 mark) The 2019 Grammys, Part 3. Speaking of music, one of the best live bands on the planet right now is from Columbus, Ohio, they frequently play in Cleveland, and they play a style of rock this city is very well known for celebrating, and yet, hardly anyone has heard of them and it's largely because they aren't a cover band. Getting "funstrated" over fans reacting to MLB's potential rule changes. All this and so much more on this episode of the Defend Cleveland Podcast. Enjoy~ Check out Lachlan MacKinnon’s best selling book, ‘Let Me Tell You A Story: Small Stories Of A Large Family’! Thank you to KidForce Pinball for sponsoring the podcast, 91.1-FM WRUW Cleveland for being home to the show, engineer extraordinaire Mollie Ames, and to the city that inspires us, Cleveland, Ohio. Your recommended listening for the week is Sharon Van Etten's latest full length "Remind Me Tomorrow" available via Jagjaguwar, which is sure to be on the 2019 year end list for best music. The intro and outro to Lachlan’s segment is the song “My Summer In Traction” by the band Ohio Civil War , and it’s used with permission.
Venga, que hay que ponerse a currar. El Ruido de la Calle, nuestro podcast hipersónico, recala hoy en el puerto del Remind Me Tomorrow de Sharon Van Etten. 00:03:20 Han vuelto Vampire Weekend. ¿Adivináis quién está en el bando de los putos tibios? 00:11:46 El falangismo sin Vox mediante de Fuerza Nueva (Los Planetas + Niño de Elche) 00:23:27 Panda Bear hace su propia versión del trap en Buoys. 00:30:36 Únete a los vuelos espaciales con el nuevo EP de Norwell y conoce al pajarito de Ferraia 00:35:47 Análisis y reseña larga del nuevo disco de Sharon Van Etten.
Welcome to Episode 12! Conrad Life Report is a podcast about life, including digital media, music, books, food, drink, New York City, and more. Episode 12 topics: Intro theme: none. waking up at 4am, trip to Cincinnati, Technics stereo system project, The Power Of Habit by Charles Duhigg, 'On Food' by Mark Greif, Why Hasn't Everything Already Disappeared by Deerhunter, The Kinks, The Unseen In Between by Steve Gunn, Remind Me Tomorrow by Sharon Van Etten, William Tyler, Public Enemy, Threes Brewing, accidental coat switch at Grateful Dead Night, outro music: none.
After a delicious coffee taste test, Adam and John are over caffeinated and hyped to talk about Sharon Van Etten’s ‘Remind Me Tomorrow’ and Maggie Rogers 'Heard It In A Past Life.’ Join your hosts, Adam and John every week as they discuss the latest music while drinking copious amounts of coffee. Episodes are available on G4DPodcast.com, iTunes, Stitcher, and Google Music. Don’t forget to drop us a like and subscribe!
A lot has changed in Sharon Van Etten's life since she put out her last album, Are We There, in 2014. Over the past five years she's gotten into acting, she went back to school to get a degree in Mental Health Counseling, she's worked on some film scores and, the biggest change: She's a mom, now. But through it all she eventually found herself coming back to her first love: music. Sharon Van Etten has a new album out called Remind Me Tomorrow and it's unlike anything she's ever done before. Largely seen as an acoustic singer-songwriter up to now, her new album is full of pulsing synths, big beats and lots of strange, dark textures made with the help of producer John Congleton. The result is a stunning achievement for Van Etten. Remind Me Tomorrow is her most ambitious and adventurous album to date. For this edition of All Songs Considered, Sharon Van Etten and host Robin Hilton listened to her whole new album together, front to back. She reflects on motherhood, shares stories about the new songs and explains why she decided to blow up nearly everything fans have long loved about her music.
Liv Siddall and Will Hodgkinson join Robert Bound to discuss ‘Remind Me Tomorrow’, the fifth album by American singer Sharon Van Etten.
“Remind Me Tomorrow” reflects all her new artistic outlets by evolving her sound to be more ambitious, atmospheric and grander.
“Remind Me Tomorrow” reflects all her new artistic outlets by evolving her sound to be more ambitious, atmospheric and grander.
Sharon van Etten ist bekannt für ihre intimen Songs über Herzschmerz. Nach dem letzten Album hat sie unter anderem eine Familie gegründet und ein Studium angefangen. So ganz vom Musik machen lassen konnte sie aber nicht. Ihr fünftes Album „Remind Me Tomorrow“ ist überraschend positiv. >> Artikel zum Nachlesen: https://detektor.fm/musik/album-der-woche-sharon-van-etten-remind-me-tomorrow
Album of the Week is a weekly series on Consequence of Sound that features an in-depth discussion on the week's most topical release between host Dedrick Hendrix and various staff writers. The latest episode covers Sharon Van Etten's long-anticipated fifth studio album, Remind Me Tomorrow, as reviewed by Editor-in-Chief Michael Roffman. For information regarding your data privacy, visit acast.com/privacy Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Sharon Van Etten - Seventeen - from the 2019 album Remind Me Tomorrow on Jagjaguwar.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.
Album of the Week is a weekly series on Consequence of Sound that features an in-depth discussion on the week's most topical release between host Dedrick Hendrix and various staff writers. The latest episode covers Sharon Van Etten's long-anticipated fifth studio album, Remind Me Tomorrow, as reviewed by Editor-in-Chief Michael Roffman. For information regarding your data privacy, visit acast.com/privacy
Au programme cette semaine : "Sémaphore" de Requin Chagrin, "Young HeatThrob" de Kodie Shane, "The Unseen in Between" de Steve Gunn, "Remind Me Tomorrow" de Sharon Van Etten et "7 Directions" de Nkisi ! See acast.com/privacy for privacy and opt-out information.
Proving herself a master multitasker, singer-songwriter Sharon Van Etten made a brilliant new album in the midst of going back to college, starting a new side career in acting, and welcoming the birth of her first child. Hear her conversation with Jenny about her new album, Remind Me Tomorrow, and the creative journey that led her there. Plus, an excerpt from Jenny's 2004 interview with Gwen Stefani about her debut solo album.
Sharon Van Etten talks to Kyle Meredith ahead of her highly anticipated new album, Remind Me Tomorrow. Together, they also spend time talking about Van Etten's last few years out of the spotlight, which included becoming a mother, going to graduate school, and appearing in Twin Peaks and Netflix's The OA. She even shares a story about moving in with Michael Cera and how that affected her new album. For information regarding your data privacy, visit acast.com/privacy