Podcast appearances and mentions of Roland Orzabal

Tears for Fears is a duo formed in 1981 in Bath, England by Roland Orzabal and Curt Smith. They've sold over 30 million albums, starting with their first, The Hurting, which went to number one in the UK. But it was their second album, Songs from the Big Chair, that made them international stars. It came out in 1985, and had huge singles like “Shout” and "Head Over Heels.” But their biggest hit is “Everybody Wants to Rule the World.” It won Best Single at the BRIT Awards in 1986, and it's been streamed over 2 billion times. So I talked to the two of them about how they, along with their producer Chris Hughes and keyboard player Ian Stanley, made a song that would help define the sound of the 80s.For more, visit songexploder.net/tears-for-fears.

50 ans déjà, et pas une ride pour l'album "Wish You Were Here" de PINK FLOYD ! Sorti en septembre 1975, cet opus est le préféré de bien des fans (il était d'ailleurs aussi celui de son regretté claviériste Richard Wright). Faut dire qu'on est là dans la période dorée 1973-1979 des anglais entre "Dark Side Of The Moon" et "The Wall"...Pour célébrer dignement ce chef d'oeuvre, je vous propose une diffusion dans l'ordre de tous ses titres entre la fin de cette saison et le début de la prochaine (si je reviens bien sûr...

40 years ago this week, a band from Bath, England let out a musical shout that had fans around the world falling head over heels for them. And soon, Tears for Fears were ruling the world’s record charts. Randy Renaud revisits the story behind the creation of Songs From the Big Chair for its 40th anniversary, on the Chronicles of Rock.

Embarquons pour une passionnante exploration de l'histoire d'un des plus grands succès des années 80 ! Dans cet épisode, nous plongeons dans les coulisses de la création d'« Everybody Wants to Rule the World », le tube emblématique de Tears for Fears.Retour sur la genèse de ce morceau légendaire, qui devait à l'origine s'intituler « Everybody Wants to Go to War ». Les deux membres du groupe, Roland Orzabal et Curt Smith, nous racontent comment ils ont finalement opté pour un titre plus optimiste et universel. Découvrez comment une simple phrase piquée à un autre groupe, les Clash, a inspiré l'un des refrains les plus irrésistibles de l'histoire du rock.L'épisode nous révèle également une amusante anecdote sur la rencontre fortuite entre Roland Orzabal et Joe Strummer, le chanteur des Clash. On vous laisse découvrir comment cette confrontation amicale s'est terminée, dans une scène digne d'un vaudeville musical !Au-delà des secrets de fabrication du morceau, vous découvrirez aussi comment un simple détail a permis de transformer une bonne chanson en véritable hymne. La magie de la création artistique n'aura plus aucun secret pour vous !Alors que l'album « Songs from the Big Chair » fête ses 40 ans, replongez dans les coulisses d'un chef-d'œuvre de la pop des années 80. Un épisode passionnant à écouter sans plus attendre pour tous les amateurs de musique et d'histoire du rock !

Am 25. Februar 1985 haben Tears for Fears ihr zweites Album "Songs From The Big Chair" veröffentlicht, auf dem mit "Shout" oder "Everybody Wants To Rule The World" große Hits sind. Schon mit ihrem Debütalbum "The Hurting" haben Tears for Fears Anfang der 80er-Jahre die Charts erobert und es in ihrer britischen Heimat bis auf Platz 1 geschafft. Mit "Songs From The Big Chair" haben es Roland Orzabal und Curt Smith dann auch bei uns in Deutschland an die Spitze der Charts geschafft. Mit "Shout", "Everybody Wants To Rule The World" und "Head Over Heels" sind auch einige ihrer größten Hits auf dem Album "Songs From The Big Chair". Mit solchen Songs und über neun Millionen verkauften Einheiten, höchsten Chartplatzierungen, da ist unser persönliches Meilenstein-Siegel keine Überraschung. Natürlich sind reine Verkaufszahlen für uns kein Grund, über ein Album zu sprechen, aber diese sagenhafte Platte hat unglaublich viel zu bieten, allem voran natürlich zeigt sie, wie Tears for Fears sich auch musikalisch weiterentwickelt haben nach ihrem Debüt "The Hurting". Für SWR1 Moderator und Redakteur Dave Jörg ist die glasklar, warum die Platte ein absoluter Meilenstein ist: "Es ist eines der einflussreichsten Pop- und Synth-Pop-Alben der 80er und hat ein grandioses Songwriting, tolle Musiker, eine Hammerproduktion, einen brachialen Sound – der auch heute immer noch frisch, knackig und fett klingt." __________ Über diese Songs vom Album "Songs From The Big Chair" wird im Podcast gesprochen (11:15) – "Shout"(27:26) – "Everybody Wants To Rule The World"(34:59) – "Mothers Talk"(46:23) – "I Believe"(51:03) – "Head Over Heels"__________ Alle Shownotes und weiterführenden Links zur Folge: https://1.ard.de/tears-for-fears-songs-from-the-big-chair-podcast __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Roland Orzabal and Curt Smith of Tears for Fears join Behind the Setlist to talk about their new live album, Songs For A Nervous Planet; concert film, Tears for Fears Live (A Tipping Point Film); and how they continue to strive to write and record great music (such as the four new tracks on the live album). Links: Tears for Fears home page Tears for Fears tour dates Jay Gilbert @ Label Logic Glenn Peoples @ Billboard Learn more about your ad choices. Visit megaphone.fm/adchoices

Join @thebuzzknight for this episode with Roland Orzabal and Curt Smith of Tears for Fears. We take a deep dive into their rich music history and discuss their latest work, including "Tears For Fears Live-A Tipping Point Film" and their new album "Songs for a Nervous Planet" If you have questions or comments, write buzz@buzzknightmedia.com Follow on Instagram@takinawalkpodcast. If you like the podcast share with your friends and leave a review here. ReviewSupport the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

ears for Fears es una banda británica de pop rock y new wave fundada en 1981 por Roland Orzabal y Curt Smith. Aunque comenzaron en la escena new wave, su sonido evolucionó para incorporar influencias de rock y pop, convirtiéndolos en una de las bandas más icónicas de los años 80. Son conocidos por sus letras introspectivas y temáticas profundas, que abordan desde la salud mental hasta la crítica social. Principales álbumes y éxitos The Hurting (1983): Este fue su álbum debut y se destaca por explorar temas de trauma y salud mental, influenciado por la terapia primal de Arthur Janov. Incluye éxitos como "Mad World" y "Pale Shelter". Songs from the Big Chair (1985): Este álbum consolidó a Tears for Fears en el mercado internacional, siendo uno de los más exitosos de su carrera. Incluye clásicos como "Everybody Wants to Rule the World," "Shout," y "Head Over Heels." Este trabajo les dio reconocimiento mundial y refleja su evolución hacia un sonido más amplio y accesible. The Seeds of Love (1989): Con un enfoque más experimental y sofisticado, este álbum incorpora elementos de jazz, soul y música psicodélica. "Sowing the Seeds of Love" y "Woman in Chains" son algunos de los temas destacados de esta etapa. Everybody Loves a Happy Ending (2004): Después de varios años de separación y proyectos en solitario, Orzabal y Smith volvieron a colaborar. Este álbum mantiene el estilo característico de la banda y muestra un enfoque optimista en sus letras. The Tipping Point (2022): Después de casi dos décadas sin un álbum de estudio, la banda lanzó *The Tipping Point*, que aborda temas como la pérdida, el cambio y la redención. La madurez de las letras y el sonido demuestra su evolución y vigencia. Tears for Fears se caracteriza por letras introspectivas y una mezcla de géneros que va desde el synth-pop y el new wave de los primeros trabajos hasta el pop rock más complejo de sus álbumes posteriores. Las letras de sus canciones suelen abordar cuestiones personales, sociales y psicológicas, reflejando un interés profundo en el bienestar mental y la introspección. La influencia de Tears for Fears sigue siendo evidente en el panorama musical actual. Su música ha sido versionada y referenciada por numerosos artistas, y canciones como "Mad World" y "Everybody Wants to Rule the World" han sido reinterpretadas en múltiples géneros. El grupo ha sido pionero en temas profundos y en explorar el lado humano de las emociones, lo cual los ha convertido en un referente para generaciones.

A number of bands seem to turn a corner with their third album, and Master of Puppets is no exception.  Metallica's third album would achieve both critical and commercial success, crossing out of the new thrash metal sub-genre of hard rock to achieve multi-platinum recognition.  Lead singer and rhythm guitarist James Hetfield collaborated with drummer Lars Ulrich as the principal songwriters, creating riffs that were assembled and reassembled over time until they formed a song.  The band would then be called in to create a tile and topic for the song, at which point Hetfield would create the lyrics.Master of Puppets peaked at number 29 on the Billboard 200 albums chart.  Although glam metal was on the rise, the band avoided the over-produced, synth-laden sound popular in the era, and stuck to their signature thrash metal sound with political lyrics.  The resulting album would consolidate the thrash metal scene, and bring the sound into a more mainstream audience.Unfortunately, the album would also be the last one for which bassist Cliff Burton would be featured.  Burton died in September 1986 while the band was on tour in Sweden, and their bus was involved in an accident.Metallica would become a huge group from the late 80's onward, and this album shows the strength of the group in those years when they were just coming into the consciousness of the commercial world.Lynch brings us this highly influential thrash metal album.  Fans of the Show Julie Doran and son Zack join us in Wayne's absence for today's podcast. Welcome Home (Sanitarium)The song that concludes side 1 of the album was inspired by Ken Kesey's novel "One Flew Over the Cuckoo's Nest."  The lyrics portray the thoughts of a mental patient incorrectly institutionalized in an asylum.  The track starts slow and picks up steam as it goes.  BatteryThis title could be a reflection of the charge of assault and battery, or it could be inspired by the military hardware of an artillery battery.  There is also a connection to the original San Francisco thrash scene, centered on the Old Waldorf club on Battery Street.  Control of violent urges is a connection that runs through the piece regardless of the original inspiration.Master of PuppetsCocaine addiction is the master of puppets referenced in this title track.  Hetfield had friends experiencing drug addiction, and wrote this track from the perspective of the drug itself, taking over the lives of people.  This will be a familiar song to fans of "Stranger Things." ENTERTAINMENT TRACK:Loved By the Sun by Jon Anderson and Tangerine Dream (from the motion picture “Legend”)This fantasy film starring Tom Cruise and Mia Sara was in the theaters at this time. STAFF PICKS:Your Wildest Dreams by the Moody BluesRob starts off the staff picks with a song that singer and guitarist Justin Heyward wrote while thinking back on his first love.  It hit number 9 on the Billboard Hot 100, making this song the biggest commercial success for the Moody Blues since "Knights in White Satin."Mothers Talk by Tears for FearsBruce's staff pick was inspired by a mom telling her kids that when they make faces, they will freeze that way.  It is also inspired by an anti-nuclear cartoon called "When the Wind Blows" by Raymond Briggs.  The song was written by Roland Orzabal and Ian Stanley, and first performed in 1983.  It went to number 27 on the Billboard Hot 100. Kiss by Prince & the RevolutionJulie features a chart topping hit and lead single from Prince's eighth studio album, "Parade."  The song is more acoustic and stripped down than prior Prince hits, and Warner Bros. didn't want to release it as a single.  However, Prince insisted on both its inclusion on the album and its release as a single.Addicted to Love by Robert PalmerLynch closes out the staff picks with a song that may be more famous for its video featuring models pretending to play the instruments.  Palmer originally wanted to sing this song as a duet with Chaka Kahn, but was prevented from doing so by legal issues.   INSTRUMENTAL TRACK:Songbird by Kenny G.You just can't go wrong with a sax as we close out today's podcast.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Plongez dans l'univers musical de Tears for Fears, le légendaire groupe anglais qui fête cette année ses 40 ans de carrière ! Originaires du sud-ouest de l'Angleterre, Roland Orzabal et Curt Smith ont traversé les décennies avec leur signature sonore unique, mélange de pop mélancolique et de synthé-rock. Découvrez comment leur passion commune pour les Beatles les a rapprochés et les a conduits à former ce duo devenu culte.De leur premier album phare "The Hurting" jusqu'à leur dernier opus live "Songs for a Nervous Planet", revivez les étapes clés de cette carrière marquée par des succès mondiaux comme "Shout" ou "Everybody Wants to Rule the World". Apprenez comment leur quête de la perfection les a menés à repousser les limites de la production, faisant de "The Seeds of Love" un véritable tour de force.Laissez-vous emporter par les confidences d'Ombline Roche sur l'évolution artistique de ce duo d'amis d'enfance, passionnés de musique et de thérapie. Une plongée passionnante dans l'histoire de l'un des groupes les plus influents de la pop britannique !

National Tooth Fairy day.  Entertainment from 2000.  Year 565 1st sightning of Loch Ness monster, First airraid in history, Cruise control invented.  Todays birthdays - John Lee Hooker, Valerie Harper, Ron Donte, Cindy Williams, Holly Dunn, Collin Raye, Roland Orzabal, Tori Amos, Ty Burrell, Layne Staley, Kristin Wiig.Intro - Pour some sugar on me - Def Leppard    https://defleppard.com/Tooth Fairy Song - Patty ShuklaIncomplete - SisquoWhat about now - LonestarBirthdays - 50 Cent   https://www.50cent.com/ Boogie Chillin - John Lee HookerSugar sugar - The ArchiesLavern & Shirley TV themeYou really had me going - Holly DunnMy kind of girl - Collin RayeEverbody wants to rule the world - Tears For FearsA sort of fairy tale - Tori AmosNo Excuses - Alice in ChainsExit - Its not love - Dokken    https://www.dokken.net/ 

In this flashback special - John Interviews actor and voice-over artist Alan Tudyk. Next he has an intimate discussion with actor, playwright, screenwriter, singer, songwriter, producer, and director John Cameron Mitchell. And last but not least John welcomes Roland Orzabal and Curt Smith of the legendary 80s band Tears For Fears.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

El jueves disfrutamos del dúo británico Tears for Fears. Fundado por Curt Smith y Roland Orzabal en 1981. Siempre ha sido uno de los grupos más destacados de la oleada de bandas que surgieron a finales de la década de los años 70 y principios de los 80 así como Duran Duran, Depeche Mode o Spandau Ballet entre otros.

Step into the captivating world behind Tears For Fears' 1989 hit 'Woman In Chains.' In 1985, the duo found inspiration in a jazz trio's enchanting performance, leading to a powerful anthem rooted in feminist ideals. Discover how Roland Orzabal's literary exploration fueled the creation of a song urging women to reclaim their pivotal role in shaping a better future. The story unfolds with a chance encounter and a collaboration with jazz vocalist Oletta Adams. Join us as we unravel the narrative threads behind this iconic track, a modern fairy tale with a timeless message. Tune in for a journey through the making of 'Woman In Chains' on 'The Backstage Pass'.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Twitter: @podgaverockInsta: @podgaverock1The Weeknd 2019  “Blinding Lights”  from "After Hours" released on XO/Republic. Written by Able Tesfaye, Ahmad Balshi, Jason Queeneville, Max Martin, Oscar Holter. Produiced by Max Martin, Oscar Holter, and The Weeknd.Cover:Performed by Josh Bond and Neal Marsh2Tears for Fears 1984 “Shout” from the album "Songs From the Big Chair" released on Phonogram/Mercury. Written by Roland Orzabal and Ian Stanley and produced by Chris Hughes.Cover:Performed by Scot Lang, Neal Marsh, and Josh Bond3Billy Idol “White Wedding” from the 1982 album "Billy Idol" released on Chrysalis. Written by Billy Idol  and produced by Keith Forsey.Cover:Performed by Josh Bond and Neal Marsh4Sharon Van Etten "Seventeen" 2019 from "Remind Me Tomorrow" released on Jagjaguwar written by Sharon Van Etten/Kate David and produced by John CongletonCover:Performed by Josh Bond and Neal Marsh5Neil Diamond's 1967 “Girl, You'll Be a Woman Soon” from the album "Just for You" released on Bang. Written by Neil Diamond and produced by Jeff Barry and Ellie Greenwich.Cover:Performed by Josh Bond and Neal Marsh

A (relatively) in-depth analysis of the 1989 album 'The Seeds of Love' by Tears for Fears in (just over) ten minutes. In this episode I am in discussion with Dr. Andrew Webber.The Seeds of Love is the third Tears for Fears album. Although the production was reminiscent of Smile-era Beach Boys with lengthy studio time and abandoned recording sessions costing over £1 million, the album was an international success, entering the UK Albums Chart at number one. Following her work with Tears for Fears, Oleta Adams was offered a recording contract with Fontana Records. Roland Orzabal co-produced her album, Circle of One.The Seeds of Love was remastered and reissued in 1999 with four bonus tracks and was re-reissued in 2020 in five different formats including a 5-disc super deluxe edition boxed set featuring bonus material including, B-sides, demos and outtakes.In 2022, Tears for Fears released their seventh album, The Tipping Point.This is Episode 14 of Season 3 - a huge thank you to the overwhelming numbers of listeners over the past two years as the Low Noise podcast continues to evolve in its own inimitable way. I truly appreciate all your interest and support.I hope you enjoy this episode.Mathew WoodallThe introduction features an excerpt from 'Ma' from the album 'Asimov' by Inafer Era. (thank you to Auden and Meah)

Twitter: @podgaverockInsta: @podgaverockTears for Fears 1984 “Shout” from the album "Songs From the Big Chair" released on Phonogram/Mercury. Written by Roland Orzabal and Ian Stanley and produced by Chris Hughes.Personel:Roland Orzabal – guitar, keyboards, vocals, bass synth and LinnDrum programmingCurt Smith - bass guitar, vocalsIan Stanley - keyboardsSandy McLelland – backing vocalsChris Hughes - drumsCover:Performed by Scot Lang, Neal Marsh, and Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:The Rolling Stones “Paint It Black”The Beatles “Come Together”The Doors “Break On Through”Sam Cooke “Bring It On Home”Led Zeppelin “Bring It On Home”Britt DanielSpoonCheap Trick “Surrender”The Ventures “Walk, Don't Run”Harry Nilsson “Jump Into the Fire”Robin WilliamsThe Black Keys “Tighten Up”Archie Bell and the Direlles “Tighten Up”The Black Keys “Brothers”Chuck Berry “Run, Run Rudolph”New GirlArcade Fire  “Put Your Money On Me”Mystical “Shake Your Ass”Elmore James “Shake Your Moneymaker”Fleetwood MacPeter GreenDef Leppard “Pour Some Sugar On Me”The Rolling Stones “Gimme Shelter”Bob Dylan “Shelter From the Storm”Lynyrd Skynyrd “Gimme Three Steps” Tears for Fears “Everybody Wants to Rule the World”Michael ScottMy Morning Jacket “Gideon”Arcade FireTears for Fears “Head Over Heels”Tears for Fears “Mad World”Ben GibbardDepeche Mode MTVKarate KidBananarama“Cruel Summer”Peter Cetera “I'll Be the Hero”SienfeldSoft CellDua LipaWoody GuthrieThe Lost BoysAdam and the AntsHoney, I Shrunk the KidsGreen DayStevie Winwood “Back in the High Life Again”Duran Duran “Ordinary World”Men At WorkThe 1975WhamPink Floyd “Dark Side of the Moon”Phil CollinsQueen The Talking HeadsSoundgardenDavid BowieJoy DivisionMr. Mister “Broken Wings”The WeekndMike TysonInsane Clown PosseDisturbedZade Wolf and DebusyChurchesScandroidBlaze Ya Dead Homey Max HeadroomRay J

Interview by Peter Jonathan Robertson in Gloucestershire in 1995 Hosted on Acast. See acast.com/privacy for more information.

I'm joined by Gregg Adams as we look at Roland Orzabal's 2001 solo album Tomcats Screaming Outside. Haven't heard of the album or Roland Orzabal? Tomcats was nearly the 6th Tears for Fears album. Learn who Roland is and why you've never heard of Tomcats Screaming Outside.Primer Playlist on Spotify and Apple MusicListen to Tomcats Screaming Outside tracks here or on YoutubeSourcesRoland Orzabal website from 2001September 2000 interview by Katherine Kelly"Low Life" EPK video and interviewInterview with Roland & Curt from 2004Comment on a short video interview with Roland in 2001Interviews with Roland archived on fan site from 2002Tomcats Screaming Outside info from TFF fan site from 2002Italian interview with Roland from March 2001Billboard review of Tomcats from October 2001Niklas Forsberg review of Tomcats from April 2001Follow the podcast on Instagram!

Friend of the podcast Marlana May Carlson joins the podcast for a SPIRITED look at the multi-platinum Brit New Wave band Tears for Fears. We talk the band's outstanding first LP "The Hurting", their smash follow-up "Songs From The Big Chair", "Seeds of Love", and every album that followed. We also do a 45-minute playlist, discuss the band's influence on artists like Drake and Kanye West, and compare them to their musical contemporaries (to Marlana's decision-making dismay). Tune in for some great musical flashbacks!

I'm joined by Gregg Adams as we look at Roland Orzabal's 2001 solo album Tomcats Screaming Outside. Haven't heard of the album or Roland Orzabal? Tomcats was nearly the 6th Tears for Fears album. Learn who Roland is and why you've never heard of Tomcats Screaming Outside.Primer Playlist on Spotify and Apple MusicListen to Tomcats Screaming Outside tracks here or on YoutubeSourcesRoland Orzabal website from 2001September 2000 interview by Katherine Kelly"Low Life" EPK video and interviewInterview with Roland & Curt from 2004Comment on a short video interview with Roland in 2001Interviews with Roland archived on fan site from 2002Tomcats Screaming Outside info from TFF fan site from 2002Italian interview with Roland from March 2001Billboard review of Tomcats from October 2001Niklas Forsberg review of Tomcats from April 2001Follow the podcast on Instagram!

I'm joined by Gregg Adams as we look at Roland Orzabal's 2001 solo album Tomcats Screaming Outside. Haven't heard of the album or Roland Orzabal? Tomcats was nearly the 6th Tears for Fears album. Learn who Roland is and why you've never heard of Tomcats Screaming Outside.Primer Playlist on Spotify and Apple MusicListen to Tomcats Screaming Outside tracks here or on YoutubeSourcesRoland Orzabal website from 2001September 2000 interview by Katherine Kelly"Low Life" EPK video and interviewInterview with Roland & Curt from 2004Comment on a short video interview with Roland in 2001Interviews with Roland archived on fan site from 2002Tomcats Screaming Outside info from TFF fan site from 2002Italian interview with Roland from March 2001Billboard review of Tomcats from October 2001Niklas Forsberg review of Tomcats from April 2001Follow the podcast on Instagram!

Welcome to another episode of Funky Pearls Radio, where the soul of music lives and legends are celebrated. Today, we're delving into the story of an artist whose voice is a testament to the power of pure emotion and whose journey reminds us that talent knows no bounds. This is the story of Oleta Adams, a singer, songwriter, and pianist whose music transcends genres and touches the heart.Born on May 4, 1953, in Seattle, Washington, and raised in Yakima, Oleta Adams was introduced to music at a young age. With a gospel singer as a father, music was a constant presence in her life, shaping her future and her dreams. Oleta's journey wasn't straightforward; it was a path marked by perseverance, resilience, and an unwavering belief in her own talents.Oleta's career began in the early '70s, playing in hotel bars and clubs, honing her craft, and captivating those who heard her. Her voice, imbued with the depth of gospel and the versatility of jazz and soul, made her a standout artist, yet mainstream success was elusive. It wasn't until the late '80s that her life and career would take a pivotal turn, thanks to an encounter with the British band Tears for Fears.While performing in a Kansas City hotel bar, Oleta's voice caught the attention of Roland Orzabal and Curt Smith, the core members of Tears for Fears. They were so moved by her performance that they invited her to collaborate on their next album, "The Seeds of Love," marking the beginning of her international acclaim. Her rendition of "Woman in Chains" showcased her incredible vocal range and emotional depth, earning her widespread recognition.But it was her solo album, "Circle of One," released in 1990, that truly cemented her place in the music world. The album, produced with the help of Tears for Fears, featured the hit single "Get Here," a ballad that became an anthem of the Gulf War, resonating with families and loved ones separated by the conflict. Oleta Adams' rendition of this song spoke of longing and love with such sincerity and passion that it touched the souls of listeners worldwide.Oleta's music is a celebration of human emotions, from love and longing to strength and resilience. Her albums, including "Evolution," "Moving On," and "Come Walk with Me," further showcase her versatility as an artist and her ability to connect with her audience on a deeply personal level.Despite the challenges and obstacles she faced, Oleta Adams has remained true to her artistry, her faith, and her unique voice. Her journey teaches us that with talent, determination, and heart, it's possible to overcome the odds and make an indelible mark on the world.Here at Funky Pearls Radio, we honor Oleta Adams not just for her soul-stirring music but for her journey—a reminder that true talent will always find its way. As we continue to celebrate her contributions to music, let's be inspired by her story, her perseverance, and the beautiful legacy she continues to build.Thank you for tuning into Funky Pearls Radio. As we keep the music playing, remember that it's the stories behind the songs that make them resonate even more. Stay with us for more tales of musical legends who have shaped the soundtrack of our lives.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Welcome to the 2000s! Tag along this week as we discuss Roland Orzabal's 2001 solo album!

WELCOME TO THE WIZARDING WORLD OF TEARS FOR FEARSWe end Season 4 of Indexed by talking about one of the best 80's bands out there, Tears for Fears. Sort of a bucket list band to see, and kinda surprised it took us four seasons to cover them.Thanks for subscribing and tuning in all season. We'll be taking our summer break and be back around Halloween for Season 5!Instagram: @indexed_podFacebook: IndexedShow Email: indexedpodcast@gmail.comIntro / Outro Music by VHX (https://soundcloud.com/djvhx)

Episode 145 – Tears For Fears Part 1, The Tipping Point The group goes to the edge of prog-not prog for their first episode on Tears for Fears. A sublime album that was 18 years in the making. The group marvels in all aspects of this recording, amazed that such a gem exists. The Tipping Point find Roland Orzabal and Curt Smith in a fertile collaborative zone creating meaningful and catchy songs while wrapping them in almost perfect production. The Palaver finds so many things to gush about in this episode. We hope you enjoy it as well. Twitter: @progpala Facebook: www.facebook.com/ProgPala YouTube: www.youtube.com/channel/UCw_Xxit3D8wbv-AcJ_7Z__w/featured Theme music provided by: Dave DeWhitt

This week we continue the discussion that we started at the end of our last show; with our admiration of the almighty power of the guitar and the guitar hero! This time around we are going to play guitarists, or guitar passages or leads in songs that caught our ears at some point in our lives that made us truly stop and listen. It's not always about the training, finesse, dexterity, or speed a player has or even the style of music or song that is being played. If you are into guitar and the sound of strings being plucked and bent then you know… It's just something you feel deep down that gets to your heart and soul!What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This week we discuss all three. Get out your old Guitar World and Guitar Player mags and flip the pages as we discuss some of the most amazing fingers to ever touch a fretboard! Be sure to also check out the Jason Becker documentary “Jason Becker: Not Dead Yet” that we mention.Songs this week include:Anvil Chorus – “Blue Flames” from The Killing Sun (2009)Kirk Hammett – “The Jinn” from Portals - EP (2022)Bruce Kulick – “Ain't Gonna Die” from BK3 (2010)Buckethead – “Welcome To Bucketheadland” from Giant Robot (1994)Tears For Fears – “Broken” from Songs From The Big Chair (1985)Psycho Motel – “Welcome To The World” from Welcome To The World (1997)Cacophony – “Go Off!” from Go Off! (1988) Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/inobscuria/og-shopCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Tim's Listening Party returns with one of the biggest bands to come out of the 1980s, with one of the biggest and lasting albums of that decade. Tears For Fears' debut album, the Hurting, celebrates its 40th anniversary this year, having reached number 1 in the UK charts and spawning 3 top 5 hit singles.Curt Smith & Roland Orzabal join Tim to discuss Mad World covers, contrasting the influences of Duran Duran & Joy Division on 80s music, as well as comparing their vocal styles.The Hurting was released on 7th March 1983 on Mercury & Phonogram.

Steven Wilson, Roland Orzabal, Lucy Rose and Andy Partridge talk about the effect of fan expectations on the creative process, whether the world needs any more new music, and if “retro mania” is stopping rock music from evolving. Born in London and raised in Hemel Hempstead in the UK, Steven Wilson developed an interest in music as a child and was heavily influenced by Pink Floyd. His dad built him a multi-track tape machine when he was 12, which allowed him to start experimenting with sound. He formed two bands in 1986, No Man and Porcupine Tree, both of which came to define much of his career. His music covers everything from rock, to ambient, to electro pop, and he's worked with Elton John, Guns N' Roses, XTC, Pendulum, Yes, Marillion, and Black Sabbath. He's just released his seventh solo album, The Harmony Codex. Roland Orzabal is a British musician, singer, songwriter, record producer, and author. He is best known for co-founding of one of the most influential bands from the 80s, Tears for Fears. British singer-songwriter Lucy Rose started out performing with indie act Bombay Bicycle Club before becoming a successful solo artist in her own right. More recently she's worked with Paul Weller, and she's just finished her new album. Andy Partridge is a British guitarist, singer, songwriter, and record producer who, as a founding member of cult rock band XTC, many call the godfather of Britpop.

En nuestro último episodio de Mini Biografías nos adentramos en el apasionante recorrido de Tears for Fears, desde sus humildes comienzos en los años 80 hasta su impacto perdurable en la actualidad. Descubre cómo Curt Smith y Roland Orzabal canalizaron su pasión musical desde una edad temprana, dando forma a una de las bandas más icónicas de nuestra era. Sumérgete en los momentos clave que marcaron el inicio de Tears for Fears, explorando su ascenso meteórico en la escena musical. Desde sus primeros acordes hasta su evolución artística, George Paz desentraña la historia detrás de este dúo creativo y su búsqueda constante de innovación sonora. En este episodio, George Paz explora cinco canciones emblemáticas que encapsulan la esencia musical de Tears for Fears. Cada canción es un testimonio de su evolución artística y su capacidad para conectar con las emociones de sus oyentes. No te pierdas esta oportunidad de explorar el legado musical de Tears for Fears junto a George Paz y descubrir cómo su influencia sigue resonando en la actualidad. Sintoniza este episodio de Mini Biografías para un viaje emocionante a través de décadas de creatividad musical y evolución artística. --- Send in a voice message: https://podcasters.spotify.com/pod/show/vinylradio/message

National tooth fairy day. Entertainment from 1988.Teddy Roosevelt rode in a car, 1st US steamboat, 1st loch ness monster sighting reported 565. Todays birthdays - John Lee Hooker, Valerie Harper, Ron Donte, Cindy Williams, Holly Dunn, Collin Raye, Roland Orzabal, Tori Amos, Ty Burrell, Layne Staley, Kristen Wiig. Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Tooth Fairy song for kidsRoll with it - Steve WinwoodBluest eyes in Texas - Restless HeartBirthdays - In da club - 50 Cent http://50cent.com/Boogie Chillin - John Lee HookerSuagar Sugar - The Archie'sLavern & Shirley TV theme songYou really had me going - Holly DunnMy kind of girl - Collin RayeEverybody wants to rule the world - Tears for FearsA sort of fairytale - Tori AmosNo Excuses - Alice in ChainsExit - It's not love- Dokken http://dokken.net/https://coolcasts.cooolmedia.com/show/history-factoids-about-today/

Kirk kicks off Strong Songs Season 5 with Tears For Fears' 1985 hit "Everybody Wants to Rule The World." From classic synths and drum machines to surprisingly avante-garde guitar solos, this song's got a lot more going on than you might remember.Written by: Roland Orzabal, Ian Stanley, and Chris HughesProduced by: Chris HughesAlbum: Songs from the Big Chair (1985)Listen/Buy via SongwhipALSO DISCUSSED:"Shout" and "Head Over Heels," both from Songs From the Big Chair, 1985"No One Knows" by Queens of the Stone Age from Songs For The Deaf, 2002"I Will Always Love You" by Dolly Parton performed by Whitney Houston on The Bodyguard soundtrack, 1992"You're The Voice" by John Farnham from Whispering Jack, 1986"Running Up That Hill (A Deal With God)" by Kate Bush from Hounds of Love, 1985"Kiss" by Prince from Parade, 1986"Burning Down the House" by Talking Heads from Stop Making Sense, 1983"So What" by Miles Davis from Kind of Blue, 1959"Cold Sweat" by James Brown, 1967Dan Carr's excellent synth breakdowns at Reverb Machine----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube Music--------------------JULY 2023 WHOLE-NOTE PATRONSCatherine WarnerDamon WhiteKaya WoodallDan AustinJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryAshley HoagChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerJeanneret Manning Family FourDave SharpeSami SamhuriAccessViolationRyan TorvikElliot Jay O'NeillAndre BremerMark SchechterDave FloreyJULY 2023 HALF-NOTE PATRONSCallum WebbLynda MacNeilDick MorganZach WamplerBen SteinSusan GreenSean MurphyJake YumatillaAlan BroughRandal VegterGo Birds!Jeff SpeckSamuel MillettWhit SidenerChance McClainRobert Granatdave malloyTim RosenwongNick Gallowayjohn halpinPeter HardingDavidMeghan O'LearyJohn BaumanDax and Dane HuddlestonMartín SalíasTim HowesStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterGiantPredatoryMolluskLuigi BocciaRob AlbrightE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanRenee DowningKenIsWearingAHatJordan BlockAaron WadeTravis PollardJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonJulian RoleffDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayJason ReitmanAilie FraserVonNATALIE MISTILISJosh SingerPhino DeLeonAmy Lynn ThornsenAdam WKelli BrockingtonStephen RawlingsVictoria YuBrad Clarkmino caposselaSteve PaquinDavid JoskeEmma SklarBernard KhooRobert HeuerMatthew GoldenDavid NoahGeraldine ButlerRichard CambierMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanOlivia BishopJohn GisselquistLinda DuffyLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneDavid FriedmanSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffLorenz SchwarzWenJack SjogrenGeoff GoldenRobyn FraserPascal RuegerRandy SouzaJCClare HolbertonDiane TurnerTom ColemanMark PerryDhu WikMelEric HelmJake RobertsJonathan DanielsMichael FlahertyJarrod SchindlerCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerJules BaileyAndrew FairL.B. MorseBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelMuellerNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

Aerosmith is a band in two acts.  They were a highly successful group in the 70's, but arguments and drugs left the band a shade of its former self by 1980.  A second chance was presented when the crossover collaboration between Aerosmith and Run-D.M.C. on "Walk this Way" became a number 4 US hit in 1986.  The bad went into drug rehab at the insistence of manager Tim Collins, and had a major hit with their ninth studio album "Permanent Vacation."Aerosmith demonstrated that their second act was not just a fluke with their tenth studio album, Pump, which was even more successful than Permanent Vacation.  This was a significant comeback, re-establishing the band as one of rock's premier acts.  The album was polished and energetic, combining a gritty hard rock sound with pop sensibilities.  The album was not only a commercial success, peaking at number 5 on the US charts and being certified 7x platinum by 1995, but was also a critical success, landing Aerosmith their first Grammy for "Janie's Got a Gun."  Pump was the fourth best-selling album of the year 1990.The band lineup for this album had Steven Tyler on vocals, keyboards, and harmonica, Joe Perry on guitar and backing vocals, Brad Whitford on guitar, Tom Hamiilton on bass, and Joey Kramer on drums.  Guitarist Brad Whitford explained the album title on a 1989 MTV special by saying "now that we're off drugs, we're all pumped up."  John Lynch brings us this stellar rock and pop sensation this week. Water Song/Janie's Got a GunA 10-second instrumental called "Water Song" precedes the song written by Steven Tyler and Tom Hamilton.  The second single from the album went to number 4 on the Billboard Hot 100.  It describes the revenge of a young woman for the childhood abuse she experienced.  Aerosmith won the 1990 Grammy Award for Best Rock Performance by a Duo or Group with Vocal for this song.Dulcimer Stomp/The Other SideAnother song with a brief instrumental lead-in, this was the fourth single released from the album.  It was written by Jim Vallance and Steven Tyler, with Holland-Dozier-Holland receiving songwriting credit after threatening to file suit over similarities between this and their song "Standing in the Shadows of Love."  The lyrics are about a turbulent relationship, with the singer wanting to get past the emotional roller-coaster. Monkey on My BackIt is difficult to find a deep cut on this album, but this is one that was not released as a single.  Tyler and Perry wrote this track about the band's struggles with addiction.  It was the first song that Tyler and Perry wrote for the album, and it was composed in November 1988 prior to the end of their Permanent Vacation tour.Going Down/Love In an ElevatorA double entendre-laden skit leads in this double entendre-laden song.  Tyler and Perry wrote this piece, and it was inspired by an actual experience Steven Tyler had where he was making out with a woman in an elevator and the doors opened.  It was nominated for a Grammy in 1990 for Best Hard Rock Performance, but Aerosmith lost out to Living Colour on that one. ENTERTAINMENT TRACK:Theme from the television music performance and dance program “American Bandstand” Dick Clark's music show which premiered in March 1952 had its final show on October 7, 1989. STAFF PICKS:Sowing the Seeds of Love by Tears for FearsBruce brings us a Beatles-esque song from the third Tears for Fears album, "Seeds of Love."  It was written by Roland Orzabal and Curt Smith, and hit number 2 on the Billboard Hot 100, their fourth and final entry into the top 10.  Orzabal considers it to be the most overtly political song Tears for Fears had written at the time.  Big Talk by WarrantRob's staff pick is a rocking tune from glam metal band Warrant's first album, "Dirty Rotten Filthy Stinking Rich."  This third single from the album made it to number 30 on the Modern Rock Tracks chart, though it only made it to number 93 on the Billboard Hot 100.  The album went to number 10 on the Billboard 200 chart.Pictures of Matchstick Men by Camper Van Beethoven Wayne brings us a cover of the first hit single by Status Quo, released in 1968.  This rendition combines elements of pop, ska, punk, folks, alternative, and country.  the "Matchstick men" reference is to the paintings of L.S. Lowry, and English painter who depicted Salford, Manchester, and other industrial scenes in his works.It's Not Enough by StarshipLynch's staff pick is the second single released off Starship's third album, the first album after Grace Slick left the band.  It went to number 12 on the Billboard charts, the final top 40 hit for the band.  This is the sound that most typified the produced sound of the late 80's.   INSTRUMENTAL TRACK:Flying In a Blue Dream by the Joe SatrianiThe title track to Satriani's third studio album closes out this week's podcast.

In 2001, writer/director Richard Kelly's genre-busting rookie feature DONNIE DARKO crashed and burned at the box office. But it almost immediately rose from the ashes to become one of the first cult hits of the 21st century...and it took the music of '80s band Tears for Fears along for the ride.Host Rico Gagliano tells this twisty tale with the help of Kelly, star Jena Malone (THE HUNGER GAMES), and the film's composer Michael Andrews—whose stripped-down cover of Tears's "Mad World" became maybe the most unlikely smash hit in UK history. To celebrate our new season of the podcast, we're partnering with the American Cinematheque to present a double feature of DONNIE DARKO and THE EVIL DEAD on Sunday April 9th at Santa Monica's Aero Theatre. Rico Gagliano and Richard Kelly will attend for an in-person discussion. For more details, check out the American Cinematheque's website here.The third season of the MUBI Podcast, titled “Needle on the Record,” dives into the unifying power of movie music and tells the stories behind some of cinema's most renowned “needle drops”—moments where filmmakers deployed pre-existing music instead of an original score. Each episode explores an iconic marriage of song and image that's become part of pop culture. It's a six-part mixtape for film lovers.To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.And with MUBI GO, members in select countries can get a hand-picked cinema ticket every single week, to see the best new films in real cinemas. To learn more, visit mubi.com/go

This week we travel back in time to the radical 80s when the 2nd British Invasion hit the States in the form of New Wave! However, we are exploring the true background of all these big pop hit makers; when they were PUNK! Whether you like this style of music or not, this is a fun exploration of the seedy underground beginning of some of the biggest 80s pop stars. This episode features songs with short track lengths and lots of, “No way! I can't believe that's ____”! It's PUNK ROCK people! It's fun and filthy and is where Kevin started down his path of music fanaticism. These songs are all firmly in the category of “Forgotten”. We hope we introduce to some tunes you may not have heard from these big New Wave hit makers.Songs this week include:Neon – “Information Of Death” from Obsessions EP (1982)The Cure – “I Dig You” from I'm A Cult Hero (1979)Beastie Boys – “Ode To…” from Polly Wog Stew EP (1982)Joy Division – “Warsaw” from Substance 1977-1980 (1978)The Go-Go's - “Party Pose” from Return To The Valley Of The Go-Go's (1979)Generation X – “Ready Steady Go” from Generation X (1978)Bananarama – “No Feelings (Sex Pistols)” from Party Party – The Original Motion Picture Soundtrack (1983)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

John Interviews actor and voice-over artist Alan Tudyk. Next he has an intimate discussion with actor, playwright, screenwriter, singer, songwriter, producer and director John Cameron Mitchell. And last but not least John welcomes Roland Orzabal and Curt Smith of the legendary 80s band Tears For Fears. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Curt Smith is one-half of the band Tears for Fears, along with childhood friend and bandmate Roland Orzabal. Smith and Orzabal met as teenagers in Bath, England and formed a band that would go on to release hit after hit, from “Mad World” to “Shout,” ultimately selling over 30 million albums worldwide. From their debut album in 1983, “The Hurting,” Tears for Fears created a synth-heavy and lyrically complex sound that still resonates with audiences four decades later. Following the release of their latest album, “The Tipping Point,” Alec speaks to Curt Smith about forming a creative partnership bourne out of differing voices, how they found the sound for “Everybody Wants to Rule the World,” and what led to his departure from the group in the 1990s - and their eventual reunion that happened via fax. See omnystudio.com/listener for privacy information.

ArTEEtude Shop https://www.arteetude.com/shop/Apple Podcast https://podcasts.apple.com/us/podcast/arteetude-west-cork-s-first-art-fashion-design-podcast/id1527081647Spotify Podcast https://open.spotify.com/show/3eBv4E5qgW8Vot0oojAr1tEpisode 146 In this Arteetude podcast, Detlef Schlich performs his campfire version of MAD WORLD. Originally by Tears for Fears. It is a mash-up of Schlich's "People are running in circles" inspired by Tears for Fears "Mad World", which Schlich performed and considered as a psychedelic version with a reference to Surrealism as a healing tool to overcome anxiety in uncertain times like today.This song, published in 1982 by Tears for Fears is about a depressed young person who feels out of place in this world. He sees life as empty and looks for ways to escape the pain. The line, "The dreams in which I'm dying are the best I've ever had" suggests thoughts of suicide, but according to Roland Orzabal, who wrote the lyrics, it relates to the psychologist Arthur Janov's idea that our most dramatic dreams release the most tension. So, the guy in the song isn't necessarily looking to die - he wakes up from morbid, lucid dreams feeling better.LyricsMash up Mad World/People are running in circlesby Detlef SchlichPeople are running in circles and dying and running and dyingPeople are running in circles and running and dying and runningAll around me are familiar facesWorn-out places, worn-out facesBright and early for their daily racesGoing nowhere, going nowhereTheir tears are filling up their glassesNo expression, no expressionHide my head I want to drown my sorrowNo tomorrow, no tomorrowAnd I find it kind of funnyI find it kind of sadThe dreams in which I'm dying are the best I've ever hadI find it hard to tell you 'cause I find it hard to takeWhen people run in circles it's a very, veryMad worldMad worldMad worldMad worldChildren waiting for the day they feel goodHappy birthday, happy birthdayMade to feel the way that every child shouldSit and listen, sit and listenWent to school and I was very nervousNo one knew me, no one knew meHello teacher tell me what's my lessonLook right through me, look right through meAnd I find it kind of funnyI find it kind of sadThe dreams in which I'm dying are the best I've ever hadI find it hard to tell you 'cause I find it hard to takeWhen people run in circles it's a very, veryMad worldMad worldMad worldMad worldPeople are running in circles and dying and running and dyingPeople are running in circles and running and dying and runningPeople are running in circles and dying and running and dyingPeople are running in circles and running and dying and runningAnd I find it kind of funnyI find it kind of sadThe dreams in which I'm dying are the best I've ever hadI find it hard to tell you 'cause I find it hard to takeWhen people run in circles it's a very, veryMad worldHalargian WorldMad worldArTEEtude is West Cork´s podcast for Art, [digital] Culture and true stories, created and produced by Detlef Schlich. Schlich operates with his podcast cross-sectorally. For him, a visual artist has to think transversely instead of just enjoying the luxury of being the antagonist. To drive the narrative and be a protagonist, he will dive and discover with us into the unknown and exciting deep ocean of the creative mind. Detlef Schlich is Podcaster, Visual Artist, Film Maker, Ritual Designer and Media Archaeologist, living and loving in West Cork and best known for his Essay about the Cause and Effect of Shamanism, Art and Digital Culture and the video installation Transodin´s Tragedy. He mainly works in performance, photography, painting, sound, installations, and film. To research our human condition and create artwork from this reflection, he often uses the digital shaman's methodology as alter ego. His media archaeology is a conceptual and practical exercise in carving out the aesthetic, cultural, and political singularities of media in culture.WEBSITE LINKSDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/donations

Get more at www.patreon.com/podsematary! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1564105932811825152 CW: Suicide, Sexual Harassment It's Splintered Reality Week on Pod Sematary! Chris & Kelsey awaken their inner mall goths and get freaky with time and space. The Classic Film: Donnie Darko (2001) "After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a man in a large rabbit suit who manipulates him to commit a series of crimes” (IMDb.com). Donnie Darko is one of Kelsey's all-time faves from her youth, but does it hold up? And should you watch the Theatrical or Director's Cut? The Modern Film: Coherence (2013) "Strange things begin to happen when a group of friends gather for a dinner party on an evening when a comet is passing overhead” (IMDb.com). Filmed in the director's house on a micro-budget of $50,000, Coherence shows you can still do big things if you have the right big idea. Audio Sources: "Birthday" written by Lennon–McCartney and performed by The Beatles "Bitch" (Key and Peele S01E01) produced by Monkeypaw Productions, et al. "Coherence" produced by Bellanova Films & Ugly Duckling Films "Donnie Darko" produced by Flower Films, et al. "Head over Heels" written by Roland Orzabal & Curt Smith and performed by Tears for Fears "The Killing Moon" written by Will Sergeant, et al., and performed by Echo and the Bunnymen "Love Will Tear Us Apart" written by Ian Curtis, et al., and performed by Joy Division "Notorious" written by Simon Le Bon, et al., and performed by Duran Duran "Serious Night Live - SNL" via Saturday Night Live @ https://www.youtube.com/watch?v=2ED1I3yIoz0 "When the Lights Go Out" written by Eliot Kennedy, et al., and performed by Five "Wonderboy" written by Jack Black & Kyle Gass and performed by Tenacious D "Zack Snyder's Justice League" produced by Warner Bros., et al.

Tears for Fears comes from Bath, England, and were formed by Roland Orzabal and Curt Smith.  Their first album, "The Hurting" was released in 1983 and was successful with songs like "Mad World" and "Pale Shelter."  However, their second album entitled Songs from the Big Chair, a title taken from the motion picture "Sybil" would be the one to propel them to super-stardom.  It peaked at number 2 in the UK and number 1 in the US.  In addition to Orzabal and Smith, Ian Stanley is on keyboards, and Manny Elias is on drums and drum arrangement.Orzabal and Smith were inspired by electronic and synth-pop bands like Depeche Mode, Soft Cell, and Orchestral Manoeuvers in the Dark.  They started off as a duo initially called History of Headaches.  The name Tears for Fears comes from primal therapy, a psychological treatment developed by Arthur Janov.Shortly after their follow-up third album ”The Seeds of Love,” Orzabal and Smith had a big falling out, breaking up the band in 1991.  They would get back together in 2000, and are still touring and releasing albums today. Everybody Wants to Rule the WorldThis is the signature song from the album.  Bassist Curt Smith takes the lead vocals, and the lyrics are about the desire for power and about corruption.  It was a last minute addition to the album and was recorded in two weeks as the final track to be laid down.  ShoutThe lead-off track and second single to the album features Orzabal on lead vocals.  While many think this is about primal scream theory, Orzabal has said it is actually more about political protest.BrokenThis is a short piece with lyrics that have an angst-ridden declaration that we are all broken.  It is also commonly played in concert just in front of the next piece which also reprises Broken at the end.  Head Over HeelsThis is your classic “boy obsesses over girl” song.  It was released as the fourth single from the album, but it had been bouncing around for about 2 years along with Broken.  Orzabal takes vocal lead on this one. ENTERTAINMENT TRACK:Neutron Dance by The Pointer Sisters (from the motion picture "Beverly Hills Cop”)Eddie Murphy's Beverly Hills Cop propelled both his career and this song originally appearing on a 1983 album to the top. STAFF PICKS:If I Had A Rocket Launcher by Bruce CockburnWayne launches the staff picks with a protest song from Canada's own Bruce Cockburn.  The song lyrics tell the story from the perspective of the villagers experiencing warfare but being powerless to do anything about it.Valotte by Julian LennonRob brings us the title track from Julian Lennon's debut studio album.  The resemblance between Julian and his father are obvious.  Many think the river referenced is the Tennessee River near Muscle Shoals where portions of the album were recorded.I Can't Hold Back by SurvivorBrian demonstrates that Survivor wasn't a one-hit wonder after all.  It starts with a nice acoustic guitar and builds quickly.  This single reached number 13 on the Billboard Hot 100.  This is the first album with Jimi Jamison on lead vocals.Sunset Grill by Don HenleyBruce finishes off the staff picks with the ex Eagles' single that hit number 22 on the Billboard Hot 100.  The Sunset Grill is a hamburger restaurant on Sunset Boulevard in Los Angeles.  The Austrian restaurant owner didn't know that his frequent visitor was Don Henley until after the song came out, making their hole-in-the-wall burger joint famous. INSTRUMENTAL TRACK:Listen by the Tears for FearsWe do a little double-dipping with this (almost) instrumental from "Songs From the Big Chair." 

Curt Smith joins Behind the Setlist to talk about Tears for Fears' new album, The Tipping Point, his excitement to play the new songs live, how to choose songs for concerts, his opinion on encores and much more. Smith and bandmate Roland Orzabal first hit the charts in the U.K. in 1982 with "Mad World." For a time, the band performed the song to sound like the darker Gary Jules and Michael Andrews version that was featured on the soundtrack to the film Donnie Darko in 2001. They have also performed the song acoustically and with a full choir. "To me, it's the strength of a song that allows it to be done in many different ways. If the song doesn't fall flat, then obviously the song itself is the strength, it's not necessarily the recording," says Smith. To his point, "Mad World" has been covered by Adam Lambert, Kelly Clarkson, Pentatonix, Susan Boyle, Brandi Carlile and most recently Demi Lovato. These days, "Mad World" is one of a handful of tracks from the group's 1983 debut, The Hurting, that's certain to played on the band's current U.S. tour and the U.K. tour that begins in July. "Change," "Pale Shelter" and "Suffer the Children" are setlist standards. So are "Break It Down Again" from 1993's Elemental and two songs from 1989's The Seeds of Love: "Woman in Chains" and "Sowing the Seeds of Love." Fans will also hear the band's hits from the group's 1985 smash album, Songs From The Big Chair: "Shout," "Head Over Heals/Broken" and "Everybody Wants To Rule The World." In years past, Tears for Fears usually covered Radiohead's "Creep" in their sets. That may not make the final cut as the band makes room for new songs. As for new material, Smith is excited to find out how they transfer to the stage. "The fun part of the first week to two weeks of touring is, you may not have got it right," he says. "And you may want to change things for the first bunch of shows. So until you get in front of an audience, you don't know 100% what's going to work." Links: Billboard's podcast page Glenn Peoples @theglennpeoples Jay Gilbert (Label Logic) Tears for Fears' website Tears for Fears at Setlist.fm Learn more about your ad choices. Visit megaphone.fm/adchoices

The day Roland Orzabal laid eyes on a handsome Indian looking fellow in Bath England, (he wasn't Indian), Curt Smith and Roland became a musical force that eventually became Tears for Fears. They came to rule the world in the 80's, split up in the 90's, and reformed in the 00's. They just released a new record that's right on par with the rest of their catalog. For this week's episode of This Band Could Be Your Food, I travel to Asheville NC to talk with the number one Tears for Fears fan in my orbit, Ross Britton. We will discuss the musical history of the band beginning with their mod group, Graduate, who the coolest member of Tears for Fears is, (hint- it's not Curt or Roland), the meticulous process that the band undergoes when making new records, and prepare one of the most involved dishes in TBCBYF history. This show is once again sponsored by Izzy's Coffee in Asheville NC. Cook on and rock out!   Rate the show with this link!   @tearsforfearsmusic #rolandorzabal #curtsmith #ianstewart @memesfromthebigchair #tearsforfears #songsfromthebigchair #foodandmusic #80smusic #newromantics #synthpop #beefwellington #bath #graduate #nakedeyes #mannyelias #thehurting #garyjules #izzyscoffee @izzyscoffee 

Tears For Fears, the duo who sound-tracked the 1980s with songs such as Shout, Mad World and Everybody Wants to Rule the World, have just released a new album, their first for 17 years. Curt Smith and Roland Orzabal tell Samira Ahmed about The Tipping Point and how they reached it. Kate Mavor, CEO of English Heritage discusses the challenges facing English Heritage in 2022. Unboxed, the festival billed as a celebration of UK creativity, has kicked off in in Paisley, Scotland with About Us, an event charting one hundred and thirty years of history, from the “Big Bang” to the present. Samira is joined by arts journalist Jan Patience to review what was once dubbed the Festival of Brexit. And on St. David's Day, the poet, playwright, and writer, Menna Elfyn shares her choice of poem for the feast day of the patron saint of Wales. Presenter: Samira Ahmed Producer: Jodie Keane Photo: Curt Smith and Roland Orzabal of Tears for Fears Photo credit: Frank Ockenfels

Happy Monday! Graham is back and so is a new addition of the Graham Norton Radio Show with Waitrose! Here's what to come in this week's podcast:We're Head Over Heels with Roland Orzabal and Curt Smith also known as Tears for Fears are back with a brand new album, The Tipping Point.Chef Marcus Wareing fills us in about his new BBC Two series ‘Tales from a Kitchen Garden'And Johannes Radebe swaps Strictly Come Dancing to the stage as he's talking about his new nationwide tour, ‘Freedom'. Graham and Maria solve a couple of Graham's Guides! Show Chef Martha cooks up something sweet and savoury perfect for Pancake Day!Make sure to subscribe to the podcast to hear all of the highlights each week! And why not give us a follow on our socials, @VirginRadioUK on Facebook, Twitter and Instagram! See acast.com/privacy for privacy and opt-out information.

"That gave me the idea that men, God even, is impotent, is unreliable." 80s pop icons Roland Orzabal and Curt Smith of Tears for Fears talk through what they learned growing up, their musical career span and their latest album, The Tipping Point.

From the earliest beginnings of 1983's The Hurting to the band's huge 1985 LP Songs From The Big Chair, Tears For Fears songs captured sadness, ambition, pain - confessional levels of emotional honesty. All this conveyed with the magic touch of songwriters who were also not afraid to get weird. But as the 80s music scene spun out of control so did Tears For Fears, famously making one of the longest, most tortuous and expensive albums in history in The Seeds Of Love. The aim was flawlessness but the result was a flawed masterpiece, an album that literally exhausted the band (at least as a duo) until a reformation 15 years later. When they came back in 2004 with Everyone Loves a Happy Ending. Roland Orzabal describes that record as “Seeds Of Love's little brother…it was lighter but the songs lacked the emotional honesty”. But now Tears For Fears are back. In this streaming age of always-on music, when most artists are terrified to take a month off, let alone a year, let alone 18 years, Tears For Fears return with brand new album The Tipping Point. It comes at a time when their music is back in vogue (a gentle groundswell has seen more than 140 versions of Everybody Wants To Rule The World dropped onto streaming services in the past decade or so, urging the song towards one billion streams).The duo has always navigated an intriguing relationship, often distanced from each other. Yet the two troubled souls that grew up together have come to accept each other as brothers, musically speaking. In the band's early years, it was Curt who sang the hits and appeared to be the frontman and pop star of the band, with Roland the “backroom boy” (his words). Yet Roland stepped forth to dominate on The Seeds Of Love, his “musical Tourette's” allowed to run amok. But a recent revelation is how Roland has learned to listen to Curt again. "When I saw were he was coming from the process of making the record became a joy. I felt the wind was blowing in our favour". It is Curt's self-critical leanings that stepped-in on The Tipping Point, firstly to throw out most of a batch of songs written in a ‘songwriting camp' (a fascinating and tragicomic scenario in a way given the songs written as a duo). Second, to step forward once again as co-lead singer and a co-writer in Tears For Fears as a duo, not a committee of songwriters. The band is even enjoying their time in the music industry's fickle spotlight together once again - from Zoom calls to accepting the Ivor's lifetime award. “Curt and I have both got something to say and they are very different things”. And here's the rub. Tears For Fears are back into the culture at a time when many of their 80s peers, from Duran Duran to Gary Numan to Aha, are in fine form, making great records and sounding fabulous live too. After the two years we've spent at home, the contagion we now need is to see legends playing truly great pop songs with smiles on their faces. Forget 2004, the happy ending is happening right now and long may it last. Support the show (https://www.songsommelier.com)

Roland Orzabal became one of the biggest selling pop stars of the eighties with Tears For Fears. In songs like Pale Shelter, Mad World and Shout he wrapped deeply sensitive, introspective lyrics in the sound of lush synth pop. He and his band mate Curt Smith were talking about mental health long before it was fashionable. Now they are back with the stunning Tipping Point - an album that, among other things, reflects on the death of Roland's wife in 2017 and his subsequent struggles with booze and drugs. He joined me to discuss this and so much more in what was a powerfully honest chat. See acast.com/privacy for privacy and opt-out information.

Congratulations to TFF for making a great new record in 2021. But this exciting hit (#5 UK, #2 USA) was my first meeting with Tears For Fears. Roland Orzabal and Curt Smith had already had hits like “Shout” and “Everybody Wants To Rule The World”. But this was something different! Daisy Chute chats with me about how we sowed many seeds of love in the studio and why it's impossible to park if you have a gig at the London Oriental Mandarin Hotel! Let's drop some acid and listen to how we made this record with a little help from Guy Barker and Kate St. John. As Curt said, “We wanted to do something more colourful, something that sounded big and warm. You cannot get that from machines. You only get that with real musicians and real players." Please Like, Share, and Subscribe to our YouTube channel:

Finally, you can hear the long held secrets of how we met each other and started the podcast, followed by a quick recap of the five records we talked about before we decided to start recording our chats: Depeche Mode-Black Celebration, The Cure-Head On The Door, INXS-Kick, Tears For Fears-Songs From The Big Chair and the Pretty In Pink soundtrack. Our abridged life stories are fascinating but when we tackle the best and worst songs of five 1980s classics in an hour, sparks FLY. Please tell us how YOU would rank tonight's tunes on Instagram, Facebook and Twitter @wewillrankyoupod ! FILE UNDER/SPOILERS: Depeche Mode, Robert Smith, Never Tear Us Apart, Roland Orzabal, But Not Tonight, Pretty In Pink, Dave Gahan, Push, the one guy who stands behind a keyboard but doesn't play it, INXS, Songs From The Big Chair, New Dress, John Hughes, Black Celebration, In Between Days, Michael Hutchence, Left Of Center, Tears For Fears, Please Please Please Let Me Get What I Want, Martin Gore, Head On The Door, New Sensation, Curt Smith, the Smiths, Here Is The House, Kick, Mothers Talk, Need You Tonight, Echo and the Bunnymen, Alan Wilder, Bring on the Dancing Horses, the Cure, Everybody Wants To Rule The World. US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.com http://www.facebook.com/WeWillRankYouPod http://www.instagram.com/WeWillRankYouPod http://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com (Sam's music page) http://www.YerDoinGreat.com (Adam's music page) https://open.spotify.com/playlist/4OFTIda46Di4HkS0CDvM7L (Dan's top 100 songs of 2020) THEM: https://www.TheCure.com https://www.DepecheMode.com https://www.TearsForFears.com https://www.INXS.com https://en.wikipedia.org/wiki/Pretty_in_Pink END CREDITS SONG: Try A Little Tenderness by Otis Redding

Scot and Jeff discuss Tears For Fears with Sean Hackbarth. Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) with guest Sean Hackbarth. Sean is a long time blogger — so long they were called, “weblogs,” — and currently is a writer and editor at the U.S. Chamber of Commerce. Find him online @seanhackbarth on Twitter. Sean's Music Pick: Tears For Fears There are some (many?) out there who might only think of Tears For Fears as a one- album wonder. Songs from the Big Chair was rightfully a smash, with three massive hits. But the boys at Political Beats are here to tell you why it's well worth while to dig into the rest of their discography. Roland Orzabal and Curt Smith made great music both before and after the massive chart success. And, in fact, why one album from the 1990s and one from the 2000s deserve space in the conversation about the band's best work. You could say there will be a lot of hurting, as we've been laid so low and broken down again in our attempts to fully appreciate Tears For Fears's work. Come along, shout the lyrics if you know them, and leave yourself open to the possibility that you'll fall head over heels for some previously unheard music.