American film director
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3 episodes with Eliza Hittman
3 episodes with Eliza Hittman
2 episodes with Eliza Hittman
2 episodes with Eliza Hittman
2 episodes with Eliza Hittman
2 episodes with Eliza Hittman
2 episodes with Eliza Hittman
5 episodes with Eliza Hittman
3 episodes with Eliza Hittman
Today on What's My Frame I'm joined by Casting Director, Susan Shopmaker. For over two decades, Susan has been a recognized name in the world of independent film for her work as a casting director on numerous award-winning films. From large ensembles to small-scale intimate dramas. Susan's ability to perfectly match an actor and role has been showcased in Martha Marcy May Marlene, Beach Rats, The Holdovers, Life Itself & The Iron Claw. In 2018 Susan won the Artios Award for Eliza Hittman's Beach Rats and previously won an Artios for Sean Durkin's acclaimed Sundance drama Martha Marcy May Marlene. Susan Shopmaker CastingFollow Susan on IGSusan's additional credits include: Paul Schrader's First Reformed, The Card Counter and worked on his latest, The Master Gardener. Susan also cast John Cameron Mitchell's cult classic Hedwig and the Angry Inch, John Slattery's God's Pocket & Maggie Moore(s), Michel Franco's Chronic (Cannes 2015 Award Winner & 2017 Spirit Award Nominee), Franco's Sundown (2021), and The Nest for Sean Durkin.What's My Frame, hosted by Laura Linda BradleyJoin the WMF creative community now!Instagram: @whatsmyframeIMDbWhat's My Frame? official siteWhat's My Frame? merch
In celebration of this holiday, I re-released one of my favorite episodes of last year: my conversation with Jake Fallon & Nick Craven. Their film, CRYING ON COMMAND, is hitting the festival circuit over the next few months. I had a blast re-listening to this episode. Enjoy.In this episode, we talk about...how the duo got involved in filmmaking;whether you can start out just making films or if you can start high-minded;the reasons behind the success of their Seed & Spark campaign(s) for CRYING ON COMMAND;the watershed (see what I did there) short v. feature debate;Brett Kavanaugh (you have to listen);the run time of Martin Scorsese' latest film (again...makes sense after you hear);the importance of improv in indie film;and the depths of their new film, which packs a lot into nine minutes.As you can see (or hear) from their indie film highlights, these two are ingrained into the independent film community and spend a good part of the episode supporting other peoples' projects. These are the kind of people I want to find for the show.Jake's Indie Film Highlight: Cameron Gallagher, director; Armon Mahdavi, director, MOSS BEACH; Liza Renzulli ; Alexander Spenser Gould; Greg Case; Lee SchatzmanNick's Indie Film Highlight: Dillon Schohr; Taylor Silk; Ricardo Burgos; Christian Petzold's AFIRE; Annie Baker; Eliza Hittman; Trey Edward Shults, dir. WAVES (2019)Links:CRYING ON COMMAND Seed and Spark CRYING ON COMMAND InstagramNick Craven's InstagramJake Fallon's InstagramSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content
This week, on LaunchLeft, Rain is joined by Sharon Van Etten. In this episode Sharon talks with Rain about how she got into music and what inspires her to write. We hear about Van Etten’s latest single Every Time the Sun Comes Up, and her happiness with finding a band that excites and moves her musically. Sharon then introduces Maxim Ludwig to the conversation and we learn about his new music, how they met, and some of their great stories, insights, and revelations about art, touring, and friendship. The episode closes with Maxim’s song Baby, I Wanna Be Your Lover Tonight. ----------------- LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft TWITTER https://twitter.com/LaunchLeft INSTAGRAM https://www.instagram.com/launchleft/ FACEBOOK https://www.facebook.com/LaunchLeft --------------------- IN THIS EPISODE: [1:17] Where does Sharon draw inspiration creatively? [5:32] Sharon discusses her newly released single Every Time the Sun Comes Up. [7:56] Did Sharon ever envision being a musician? [14:18] Does Sharon prefer playing in the studio or live? [18:12] When was the first time Sharon really felt connected to music? [24:40] Maxim joins the show and Sharon share’s how they met. [37:03] How do music and visual art tie in together for Maxim? [40:39] What are everyone's thoughts on backing tracks? [48:40] How long has Sharon been following Maxim? [51:04] How did Maxim pick out the guitar for Sharon? [56:44] Why is live music so amazing? [1:00:20] Maxim introduces his song Baby, I Wanna Be Your Lover Tonight. KEY TAKEAWAYS: Take your time with your music, the pieces will fall into place when it's meant to be. Sharon is just now feeling like she has her band together after years and years of being a musician. Find like minded people and mentors to help you get started. Maxim started by helping Sharon, but learned so much and has been able to make his own music. There is nothing quite like the energy connection between audience and performer. RESOURCE LINKS: LaunchLeft Podcast Smart Link Links for Sharon Van Etten: Sharon Van Etten's Website Sharon Van Etten's X Sharon Van Etten's Instagram Sharon Van Etten's Facebook Sharon Van Etten's YouTube Sharon Van Etten's TikTok Links for Maxim Ludwig: Maxim Ludwig's Instagram Maxim Ludwig's YouTube BIOGRAPHIES: Sharon Van Etten is an artist and recognized as one of the most influential and iconic songwriters of our time. She released her sixth full-length album, We’ve Been Going About This All Wrong, this past May. Leading into its release, Pitchfork profiled Van Etten stating, “Sharon Van Etten Is an Institution Now,” while Rolling Stone called her “one of the most fearless, soul-shredding songwriters on the planet.” Van Etten made her return to The Late Show with Stephen Colbert in support of the new album and took the “soul-strengthening” (New Yorker) Wild Hearts Tour with Angel Olsen and Julien Baker all over the country. In support of Van Etten’s 2019 release, Remind Me Tomorrow, she was profiled in The New York Times’ Arts & Leisure section and the album was featured prominently in best of 2019 lists by NPR Music, Billboard, Fresh Air, Rolling Stone, Pitchfork, ESQUIRE, The New Yorker and more. Van Etten has collaborated with artists ranging from Courtney Barnett and Joshua Homme to Norah Jones and Angel Olsen, and been covered by artists including Fiona Apple, Lucinda Williams, Big Red Machine and Idles. She has performed on The Late Show with Stephen Colbert, Jimmy Kimmel Live!, The Ellen DeGeneres Show, Austin City Limits TV and The Tonight Show Starring Jimmy Fallon. Van Etten was a guest star in the Netflix series The OA and guest starred in Eliza Hittman’s “Never, Rarely, Sometimes, Always.” She performed in David Lynch’s revival of Twin Peaks. Off-screen, she wrote her first score for Katherine Dieckmann’s movie Strange Weather and the closing title song for Tig Notaro’s show, Tig. Most recently, she appeared in “How It Ends,” which also featured two songs by Van Etten.
Ellen E Jones and Mark Kermode explore whether films and TV can change the world.First up, Ellen talks to the award-winning independent filmmaker Eliza Hittman, whose critically acclaimed 2020 drama, Never Rarely Sometimes Always, charts the odyssey of 17 year-old Autumn, played by newcomer Sidney Flanigan from her home town in rural Pennsylvania, to her nearest accessible abortion clinic in New York City. Ellen also meets Caren Spruch, National Director for Arts and Entertainment Engagement at US-based organisation Planned Parenthood. They discuss her activism towards shaping TV and film storylines around abortion. Mark ponders how two film makers have addressed homelessness in their work - rising star Lorna Tucker who's deeply personal documentary Someone's Daughter, Someone's Son has recently brought homelessness back into the spotlight, and film legend Ken Loach who shares how his 1966 BBC TV play Cathy Come Home came to be and alerted the public and politicians alike to the country's growing housing crisis. Producer: Mae-Li Evans A Prospect Street production for BBC Radio 4
With celebrated out filmmaker John Schlesinger at the helm, 1969's Midnight Cowboy has entered the queer canon, flaws and all. We pair it up with 2017's Beach Rats from director Eliza Hittman.
Never Rarely Sometimes Always (2020) centers on the struggles faced by 17-year-old Autumn Callahan (Sidney Flanigan) to obtain an abortion after learning that she's pregnant. Autumn travels from her small town in central Pennsylvania to New York City, where she seeks to obtain the abortion, accompanied by her cousin Skylar (Talia Ryder). Autumn and Skylar must overcome a series of obstacles and persevere in what is ultimately a traumatizing experience. Written and directed by Eliza Hittman, the film was released in the twilight of the Roe/Casey era, the nearly 50-year period when abortion was recognized as a constitutional right in the United States before the Supreme Court eliminated the right in 2022 in Dobbs v. Jackson Women's Health Organization. The film not only offers a window into this critical period but also highlights the real-world obstacles many women continue to face in obtaining abortions even in states where it remains legal. Our guest to talk about the film and the current state of reproductive freedom in America is Alexa Kolbi-Molinas, Deputy Director of the Reproductive Freedom Project of the American Civil Liberties Union.Timestamps:0:00 Introduction3:35 Abortion at the time of the film's release in 20206:53 Even before Dobbs, abortion was out of reach for many women8:20 The challenges for minors and women in abusive relationships10:03 A pitch perfect depiction of a crisis pregnancy center14:00 Medication abortions17:03 Parental consent requirements, Casey, and the undue burden test25:47 The obstacles Autumn faces in the film33:56 Navigating the unwelcome advances of the male teen Jasper37:07 The real-life experiences women go through to get abortions40:11 “Never Rarely Sometimes Always”44:56 The care people in abortion clinics provide for their patients50:02 The increased demand for abortion in states where it is legal53:48 Abortion after Dobbs57:21 Abortion wins at the ballot Further reading:Cohen, David S., Donley, Greer & Rebouché, Rachel, “The New Abortion Battleground,” 123 Columbia L. Rev. (2022)Fry, Naomi, "Never Rarely Sometimes Always: A Human Tale of Reproductive Rights” The New Yorker (Apr. 13, 2020)Human Rights Watch, “Human Rights Crisis: Abortion in the United States after Dobbs” (Apr. 18, 2023)Wayne, Miriam, “Burying Abortion in Stigma: The Fundamental Right No One Wants to Discuss; Abortion Portrayal on Film and Television," 16 Va. Sports & Entertainment L.J. 216 (2017)Wilkinson, Alissa, “Why Hollywood keeps getting abortion wrong,” Vox (Aug. 9, 2022)Ziegler, Mary & Siegel, Reva, “How the end of Roe turned into a threat to American democracy,” L.A. Times (June 23, 2023)Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/faculty/full-time/jonathan-hafetz.cfmYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilm
Brady, Josh and Alison cruise with Beach Rats - the 2017 closeted drama by Eliza Hittman starring Harris Dickinson.Plus!Extreme Prejudice, Smokey and the Bandits, Succession s04e03, Tokyo Drifter, Prince of Darkness and dreams of Sedona!Send submissions to our Child Throwing and Man on Fire lists!Leave us a voicemail! We'll play it on the show. Check out the Solid Six Store!Letterboxd: Alison, Josh, BradyEmail us - podcast@solidsix.netFollow us on Instagram, Facebook, and TwitterLeave a review on Apple Podcasts and Spotify!
Welcome back to Film Spill: A Movie Night Podcast! This episode, Chelsea and V talk about Eliza Hittman's Drama film, Beach Rats (2017). Follow us on Instagram, TikTok, and Pinterest @filmspillpod for updates and exclusive content! Tell a friend about the show and leave us a review on Apple Podcasts to help more people find us! Beach Rats is available on HBO MAX. Timestamps: All About V: 0:39 Slumber Party Game: 08:53 Discussion of The Beach Rats: 28:10 Outro: 01:17: 54 Follow V on Social Media: IG: @trvproductions Check out Film Spill's Patreon!
2:05Alice Michaud-LapointeJ'avais envie de revenir sur Vers la tendresse et Nous pour comprendre le parcours d'Alice Diop, la formidable cinéaste de Saint Omer [...]24:18Alexandre Fontaine RousseauL'oeuvre d'Aleksandr Ptushko compte sans contredit parmi les découvertes cinéphiles qui m'ont le plus ébranlé dans la dernière année. C'est une figure marquante de l'histoire du cinéma populaire soviétique qui demeure somme toute assez peu connue ici.Elijah BaronAlors que je suis d'origine russe, je me suis rendu compte que c'est un grand cinéaste dont l'héritage n'a pas été transmis aux gens de ma génération.
This is the first episode of our new podcast season on the 2023 Sundance Film Festival. Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Sundance 2023 runs from January 19-28, and we'll be covering this year's festival in a new podcast season about the films this year and how the programming fits into the festival's history. This is Seventh Row's second podcast season (the first was on Women at Cannes in 2022). In this episode, we discuss the films we're looking forward to at the 2023 Sundance Film Festivals based on directors we love, actors we love, and films we're hearing buzz about. We talk about the festival's importance in the film year, why we're pleased the festival has continued to offer a virtual option when other festivals are all returning to in-person only, and more. Because the festival loves to program films by slot and quota, we are also introducing our annual Sundance Bingo Card, which you can download here. Play along during the festival (or look at past festival editions and the films you've caught which screened there). You can find last year's bingo card here. Click here to read the episode show notes. 00:00 Introduction 05:31 The accessibility of a virtual Sundance 11:13 The films we're looking forward to at the festival Become a Member All of our episodes that are over 6 months old are available to members only. We also regularly record members only episodes. To get full access to the podcast, including episodes from past Sundance Film Festivals and past Sundance films, become a member. How to follow our Sundance 2023 coverage Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Follow Seventh Row on Twitter and Instagram @SeventhRow; Alex Heeney @bwestcineaste Twitter and Instagram; and Orla Smith @orlamango on Twitter and @orla_p_smith on Instagram. Show Notes Links to articles/books related to the 2023 selections Watch Lockdown Film School with Lily Gladstone. Gladstone has a new film, Fancy Dance, at Sundance 2023, and we're excited to see it. Read an excerpt from our interview with Lily Gladstone from the ebook Roads to nowhere: Kelly Reichardt's broken American Dreams. Gladstone talks about learning different languages, which is particularly relevant to Fancy Dance in which she speaks Cherokee. Read Orla Smith's analysis of Thomasin McKenzie's performance in Leave No Trace, which appears in our ebook Leave No Trace: A Special Issue. Leave No Trace premiered at Sundance, and McKenzie returns to Sundance this year as the lead of William Oldroyd's Eileen. Read an excerpt of Alex Heeney's interview with Matthieu Rytz on Anote's Ark, which premiered at Sundance in 2018. The full interview appears in the ebook The 2019 Canadian Cinema Yearbook, which is available to purchase here. Rytz returns to Sundance this year with the documentary Deep Rising, which we're looking forward to. Read Alex Heeney's interview with Sebastian Silva on Magic Magic from 2015. He returns to Sundance 2023 with the film Rotting in the Sun. Get our ebook God's Own Country: A Special Issue, about Francis Lee's film which premiered at Sundance in 2017 and marked the debut of a major filmmaker. Read our interview with Eliza Hittman on Beach Rats, which starred Harris Dickinson in his breakout role. In 2021, we named Dickinson as one of the fifty screen stars of tomorrow. Dickinson appears in Scrapper at Sundance 2023. Discover past Sundance coverage related to this year's selections Read our past reviews of Sundance films starring Ben Whishaw: Lilting and Surge. Whishaw returns to Sundance this year with two films: Passages and Bad Behaviour. Read Orla Smith's review of Fresh from Sundance 2022, which was one of the better Midnight films we've seen at Sundance. On the episode, Orla talks about not being impressed with the Midnight films that tend to screen at Sundance. Discover all of our past podcast episodes on films that screened at Sundance. Download the Sundance 2023 Bingo Card here. Related episodes to the Sundance 2023 preview All of our podcasts that are more than six months old are only available to members. We also regularly release members only bonus episodes. Many of the episodes listed here are now only available to members (Members Only). To listen to all of these related episodes, become a member. Ep. 116: Virtual film festivals: Taking stock of their past, present, and future (Members Only): Sundance is one of the only festivals in 2023 to continue to offer a virtual component. On this episode from 2021, we talked about the advent of virtual film festivals, why we like them, why they may struggle, and what we'd like to see in the future. Ep. 94: HBO's Looking (Members Only): Raúl Castillo first impressed us in Andrew Haigh's TV series Looking. He's finally starting to get more traction as a film actor, almost a decade later, and he stars in Cassandro at Sundance 2023. In this episode, we talk about why Looking was one of the best shows of the 21st century, and why Castillo is such a great actor. Sundance Film Festival episodes Ep. 123: Sundance 2022: Creative nonfiction (Free): At the end of Sundance 2022, we reflect on the creative nonfiction films at the festival. Bonus Episode 23: Sundance 2022: Fiction Films (Members Only): At the end of Sundance 2022, we reflect on the highs, lows, discoveries, and disappointments among the fiction films at the festival, from Sharp Stick to Living. Ep. 78: Sundance 2021 part 1 (Members only): At the end of Sundance 2021, we reflect on the highs and lows of the festival with guests Andrew Kendall and Lena Wilson. Ep. 79: Sundance 2021 part 2 (Members Only): At the end of Sundance 2021, we continue our discussion of the best and worst of the festival. Ben Whishaw episodes Bonus Episode 25: This is Going to Hurt and physician mental health (Members Only): We discuss how Ben Whishaw gave the performance of 2022 as the lead in the miniseries This is Going to Hurt, the best TV series of 2022. Whishaw returns to Sundance 2023 with two films. Ep. 69: Paddington and Paddington 2: We swoon over Ben Whishaw's performance in the Paddington films and in Lilting, which premiered at Sundance almost a decade ago. Ben Whishaw returns to Sundance 2023 with two films.
In this eye-opening documentary, BRAINWASHED: SEX-CAMERA-POWER, celebrated independent filmmaker Nina Menkes explores the sexual politics of cinematic shot design. Using clips from hundreds of movies we all know and love – from METROPOLIS to VERTIGO to PHANTOM THREAD – Menkes convincingly makes the argument that shot design is gendered. BRAINWASHED: SEX-CAMERA-POWER illuminates the patriarchal narrative codes that hide within supposedly “classic” set-ups and camera angles, and demonstrates how women are frequently displayed as objects for the use, support, and pleasure of male subjects. Building on the essential work of Laura Mulvey and other feminist writers, Menkes shows how these not-so-subtle embedded messages affect and intersect with the twin epidemics of sexual abuse and assault, as well as employment discrimination against women, especially in the film industry. The film features interviews with an all-star cast of women and non-binary industry professionals including Julie Dash, Penelope Spheeris, Charlyne Yi, Joey Soloway, Catherine Hardwicke, Eliza Hittman, and Rosanna Arquette. Director Nina Menkes joins us for a conversation on how and why she crafted BRAINWASHED to be seen as a call-to-action that can fundamentally change the way you see, and watch, movies. For more go to: kinomarquee.com/Brainwashed
This week, Film Comment editors Clinton Krute and Devika Girish talk to a cinematographer who's worked with everyone from Agnès Varda to Wim Wenders to Eliza Hittman to Alice Rohrwacher. Over the last three decades, Hélène Louvart has acquired a reputation for her gorgeous lensing of women's stories and her ability to capture movement with rare immediacy and grace. Hélène's talents are on striking display in Murina, a new coming-of-age film directed by Antoneta Alamat Kusijanovic. Murina tells the story of a Croatian teen (played by newcomer Gracija Filipović) navigating a treacherous passage to adulthood in an intensely patriarchal milieu. With intimate close-ups, breathtaking underwater sequences, and beautiful shots of the island where the film is set, Hélène's images give arresting form to the protagonist's awakening to her own desires. The cinematographer called in from her home in Paris to talk about how she crafted the film's visual language, the care required to capture women as both subjects and objects of the gaze, and the technical challenges and pleasures of shooting underwater.
Clare (W-Rated podcast) and Em (Verbal Diorama podcast) and return to Flixwatcher remotely to review Em's choice Never Rarely Sometimes Always. Never Rarely Sometimes Always is a 2020 American drama written and directed by Eliza Hittman. It stars Sidney Flanigan (in her debut) as 17-year-own Autumn who takes a trip from her hometown of Pennsylvania with her cousin Skylar (Talia Ryder) to a New York City Planned Parenthood to carry out a legal abortion. One of the best films of 2020, it feels even more important now as the Wade vs Roe reversal threatens to remove the legal rights for women to access safe abortions across America. Never Rarely Sometimes Always is an intimate and powerful female led film about resilience, friendship and choice, without blame and judgment for the central characters choices. Never Rarely Sometimes Always scores high on recommendability but as it is a film that is a difficult watch the lower repeat viewing scores gives an overall rating of 4.11 [supsystic-tables id=266] Episode #255 Crew Links Thanks to Episode #255 Crew of Em (@EmWillDoIt) and Clare (@clareellenhope) from VerbalDiorama and wratedpod Find their Websites online at https://twitter.com/EmWillDoIt and at https://linktr.ee/verbaldiorama and at https://www.verbaldiorama.com/ and at https://twitter.com/filmstoriespod Please make sure you give them some love Please make sure you give them some love More about Never Rarely Sometimes Always For more info on Never Rarely Sometimes Always, you can visit Never Rarely Sometimes Always IMDb page here or Never Rarely Sometimes Always Rotten Tomatoes page here. Final Plug! Subscribe, Share and Review us on iTunes If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below. Learn more about your ad choices. Visit megaphone.fm/adchoices
In which the Mister joins me in reviewing NEVER RARELY SOMETIMES ALWAYS (2020), from writer/director Eliza Hittman, which is currently streaming on Freevee (old IMDB TV). The film follows the story of a pair of young girls from rural Pennsylvania who travel to New York City after one of them, Autumn (Sidney Flanigan), discovers she is pregnant. Unable to get the procedure she wants without her parents being alerted, Autumn and her cousin, Skylar (Talia Ryder) soon pool their resources and make their way to NYC. The story shows how Autumn deals with this issue mostly on her own, highlights some of the process and shows how unwavering Skylar is in her support of her cousin. The film has a run time of 1 h 41 m and is rated PG-13. Please note there are SPOILERS in this review. Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library. --- Support this podcast: https://anchor.fm/jokagoge/support
When Graham and Sarah decided to do an episode on Never Rarely Sometimes Always, it was not a topical film. Its storyline, about a young girl crossing state lines in order to get an abortion, now puts it at the forefront of a major American news story, but there's much more to Eliza Hittman's film than being merely newsworthy. It's a haunting, measured, beautifully acted and shot film that never lets its unmistakable anger overwhelm its humanity, complete with a small but meaningful appearance from the acclaimed singer-songwriter Sharon van Etten. Van Etten's appearance is one of two things that qualifies NRSA (as all the cool kids are calling it) for this podcast - the other is the soundtrack by Julia Holter, whose career is also discussed. Other topics of conversation include this film's superiority over a certain other, more garlanded, stab at feminist cinema from 2020, the unexpected way Hittman found her lead actress, the career of the film's cinematographer Hélène Louvart, the minor scandal involving this film's lock-out at the Academy Awards and - for some reason - confusing Werner Herzog with Wim Wenders. It might be a more serious Pop Screen than usual, but it is still Pop Screen. If you have any money left over following the fundraiser Graham mentions on this show, why not donate to our Patreon, where you get a bonus episode of this show every month, along with lots of other goodies? This month's sees Graham and Aidan subject themselves to Sia's notorious 2021 film Music, and we'd hate that suffering to go to waste. Follow us on Twitter, Instagram and Facebook for more news. #popscreen #moviereviews #neverrarelysometimesalways #elizahittman #sidneyflanagan #abortion #sharonvanetten #juliaholter #cinematography #oscars
We finish Women's History Month and this season of FFR with Eliza Hittman's critically-acclaimed, profoundly affecting 2020 film, Never Rarely Sometimes Always. Joining us for this emotionally intense discussion is returning special guest, writer and podcaster, Kat Spada.CW: This episode includes discussion of suicide, abuse, sexual assault and other sensitive topics. If you need help please reach out to organization like RAINN.org or call the National Sexual Assault Hotline available 24 hours at 1-800-656-4673Time Stamps:43:07 - What's your Freq Out?Ebony on the documentary Attica (2021) directed by Traci A. Curry and Stanley NelsonKat on the film Plan B (2021) directed by Natalie MoralesSubmit your own FREQ out at feministfrequency.com/FREQOUTLinks Mentioned:FFR 184: Reproductive Rights in the Media - https://feministfrequency.com/video/reproductive-rights-in-media-with-special-guests-rachel-lee-goldenberg-and-lizz-winstead-ffr-184/FREQ Show on fake clinics – https://www.youtube.com/watch?v=4ca6VTJYiW8Follow Kat:katexmachina.comtwitter.com/kat_ex_machinaFollow Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsSubscribe to our Star Trek PodcastTwitterInstagramtwitch.tv/femfreq (every Thursday at 6:30pm PT)
Do you ever wish you were back in high school? We don't either. If you are currently in high school, about to start, or have pushed it out of your memory entirely, we all can agree that it can be a terrible time. In our FIRST episode of the Fox Den Film Club we each discuss a film that we wish we could've seen while in high school. We hope that these films can also help you find a similar semblance of solace. Jake selected Never Rarely Sometimes Always (2020, dir. Eliza Hittman).Mitch selected Being John Malkovich (1999, dir. Spike Jonze).As always, it is not necessary to have seen either of these films prior to listening – but watching along with us could make it more fun! We try our best to avoid spoilers. Enjoy and welcome to the Fox Den Film Club!Support this show http://supporter.acast.com/fox-den-film-club. Hosted on Acast. See acast.com/privacy for more information.
Ever the risk-taker, Brit picks some potentially polarizing films this week with Never Rarely Sometimes Always (Dir. Eliza Hittman) and Lucky Grandma (Dir. Sasie Sealy).
Nisan Dağ'la çıktığımız keşif yolculuğunda Ayvalık'tan Brooklyn sahillerine, Karaçınar'dan Coney Island'a uzandık, Tim Burton'ın İğnedenlik Kraliçesi'ni ve Eliza Hittman'ın ergenlik gezegenini ziyaret ettik. Hazırlayan ve sunan: Emre Eminoğlu Keşif Sineması çarşambaları saat 10:00'da e-posta kutunda
Deep Cut is visited by the Queen of Sensual Cinema herself, writer/director/actress Isabel Sandoval (Lingua Franca, Señorita, Apparition) to discuss her favorite Eliza Hittman feature, It Felt Like Love (2013). Isabel describes her personal connections to Hittman's sensitive presentation of adolescence and presents her big theory about debut features. Wilson extols Hittman's confident direction and Ben asks Isabel about the challenges that come with directing one's own performance as a director/actor, while Eli and Isabel detour to praise Jane Fonda's performance in Klute (1971). And Isabel teases her next feature, Tropical Gothic... Feel the love on our Discord server. Follow Isabel on Twitter and Instagram!
Never, Rarely, Sometimes, Always, es el tercer largometraje de la directora estadounidense Eliza Hittman. Herminio y Miroslava comentan sobre el aborto, el abuso y la empatía entre mujeres.
Never, Rarely, Sometimes, Always (2020) directed by Eliza Hittman is a film about Autumn, a teenager who discovers she is pregnant and sets out to New York with her cousin Skylar to get an abortion. It's subtle and quiet yet says so much. This film was chosen by Lowri, we're so excited to share it with you as this film deserves more attention! Never, Rarely, Sometimes, Always (2020) is available on Amazon Prime. Next episode's film (the last one of Season 1!): Paris, Texas (1984) available on Amazon Prime. See acast.com/privacy for privacy and opt-out information.
En el episodio de hoy analizamos una de nuestras películas favoritas de la temporada de premios 2021, además Mariana Ruíz nos cuenta acerca de la trayectoria de la directora estadounidense Eliza Hittman y les recomendamos varias películas sobre la adolescencia y el proceso de crecer.
Award-winning actor, producer and all-around great person Karine Vanasse — star of Emporte-Moi, Polytechnique, Cardinal and the brand-new animated adventure Felix and the Treasure of Morgaa — discusses the intimate power of Eliza Hittman’s 2020 drama Never Rarely Sometimes Always, and the sad reality that stories like this still need to be told at all. Your … Continue reading Karine Vanasse on Never Rarely Sometimes Always →
Theme: Johnny Angel by Shelley FabaresStories and films discussed: The Feels of Lovehttps://www.guernicamag.com/the-feels-of-love/It Felt Like Lovehttps://www.imdb.com/title/tt2328922/Forever's Gonna Start Tonight https://vimeo.com/115435198
Programa nº 220 de El podcast de Cinoscar & Rarities. Repasamos las películas olvidadas de los Óscar 2020 con la colaboración de Ivo Delgado quien nos reseña "NUNCA, CASI NUNCA, A VECES, SIEMPRE", ganadora de la encuesta LA MEJOR PELÍCULA NO NOMINADA AL ÓSCAR 2020. ¡Gracias por darle al play! Guía del programa: 0' Presentación - 1' Análisis de los Óscar 2020 - 9' Los olvidos de los Óscar 2020 - 19' Reseña de "NUNCA, CASI NUNCA, A VECES, SIEMPRE" - 26' Despedida y canción: Rain Song (Minari) Redes sociales: @CinoscaRarities Blog: https://cachecine.blogspot.com.es/ Correo: cinoscararities@gmail.com Escúchanos en Spotify, Ivoox y Apple Podcast ¡Buscamos colaboradores! ¡Contacta con nosotros!
O filme “Nunca, Raramente, Às Vezes, Sempre” é impactante, forte e importante para os dias de hoje. Dirigido por Eliza Hittman, o longa causou debates pelos festivais e conquistou a crítica. No Brasil, “Nunca, Raramente, Às Vezes, Sempre” foi lançado com exclusividade no Telecine, onde você também encontra mais de 2 mil filmes para todos os gostos. O Telecine se destaca por ter listas de filmes e sugestões baseadas em curadoria humana, o que enriquece ainda mais o acesso de quem é cinéfilo a produções diferentes. Para saber mais sobre este filme e muitos outros, conheça o app Telecine! Ao clicar no nosso link disponível nesta página do Cinem(ação), novos assinantes terão nada menos que 30 DIAS GRÁTIS! São 30 DIAS SEM PAGAR NADA para conhecer tudo de bom que tem por lá! Ah, e se você já tiver acesso aos canais Telecine na sua TV por assinatura, basta acessar o serviço de streaming com o seu login da operadora. Participação: Daniel Cury, Rafael Arinelli, Nayara Reynaud Clique no link abaixo e tenha acesso a mais de 2 MIL filmes: https://teleci.ne/cinemacao Ouça nosso Podcast também no: iTunes: http://bit.ly/itunes-cinemacao Deezer: http://bit.ly/deezer-cinemacao Spotify: http://bit.ly/spotify-cinemacao Google Podcast: http://bit.ly/cinemacao-google Agradecimentos aos patrões e padrinhos: • Aaron Holsberg • Anna Caroline Foltran • Charles Calisto Souza • Diego Lima • Fernando Abreu Gontijo • Fernando Silva • Flavia Sanches • Gabriela Angerami • Gabriela Pastori • Guilherme Arinelli • Gustavo Gomes • Gustavo Reinecken • Katia Barga • Leila Pereira Minetto • Luiz Villela • Thierre Zulzke Penteado • William H. Saito Fale Conosco: • Email: contato@cinemacao.com • Facebook: aqui • Twitter: aqui • Instagram: aqui Contribua com o Cinem(ação) Com um valor a partir de R$1,00, você pode contribuir com o Cinem(ação)! Nós acreditamos que, para manter a produção de conteúdo de qualidade independente na internet, é preciso contar com a colaboração dos fãs e seguidores assíduos! Quanto mais dinheiro conseguirmos arrecadar, maior será nossa dedicação para melhorar os podcasts, tanto em quantidade quanto em qualidade! Venha fazer parte desse clube também! • Apoia.se do Cinem(ação) • Patreon do Cinem(ação) • Padrim do Cinem(ação) • PicPay do Cinem(ação) Edição: Domenica Mendes Apoia.se: https://apoia.se/cinemacao
O episódio de hoje é sobre o filme Nunca, Raramente, Às Vezes, Sempre (Never, Rarely, Sometimes, Always, 2020), escrito e dirigido por Eliza Hittman, vencedor do Urso de Prata no Festival de Berlim. Ele trata da adolescente Autumn, de 17 anos, interpretada por Sidney Flanigan, que desconfia estar grávida e, quando confirma, parte em busca de uma forma de realizar um aborto legal. O programa é apresentada por Isabel Wittmann e Carissa Vieira, do Canal Carissa Vieira e do Biscoiteras. Mais informações: https://feitoporelas.com.br/feito-por-elas-141-nunca-raramente-as-vezes-sempre Feedback: contato@feitoporelas.com.br Pesquisa, pauta e roteiro: Isabel Wittmann e Carissa Vieira Produção: Isabel Wittmann Edição: Domenica Mendes Arte da capa: Amanda Menezes http://www.behance.net/tupiguarana Vinheta: Felipe Ayres Locução da vinheta: Deborah Garcia (deh.gbf@gmail.com) Música de encerramento: Bad Ideas - Silent Film Dark de Kevin MacLeod está licenciada sob uma licença Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Origem: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100489 Artista: http://incompetech.com/ Agradecimento: Carolina Ronconi, Leticia Santinon e Lorena Luz Assine nosso Padrim http://www.padrim.com.br/feitoporelas Assine nosso Patreon http://www.patreon.com/feitoporelas Assine nosso Catarse https://www.catarse.me/feitoporelas
Vai dizer que o título, por si só, já não desperta a curiosidade? E se dissermos que a cena que dá nome ao longa é uma das mais interessantes já feitas nos últimos tempos? Motivos não faltam para dar play nesse filme duro e ao mesmo tempo tão sensível, que aborda vários assuntos delicados. Trabalho incrível de direção da Eliza Hittman, em conjunto com a atuação impecável da estreante Sidney Flanigan, premiado nos Festivais de Berlim e Sundance. O filme está disponível no Telecineplay e para aluguel nas plataformas de vídeo por demanda. Imperdível para bons castionadores! Vem com a gente!
Vimos en Netflix esta película dirigida por Eliza Hittman , sobre un chico de Brooklyn que comienza a descubrir su sexualidad entre drogas y amigos tóxicos. Opinen que les pareció en nuestras redes: Instagram: @axelfritzler_ @pikotaboada Telegram: SODOMARAMA --- Send in a voice message: https://anchor.fm/sodomarama/message
Flight Attendant president Sarah Nelson on how the PRO Act would have made a difference in this week's union election at Amazon…Historian Robin DG Kelly on the long history of union suppression in Alabama…Stage Directors and Choreographers Society Executive Director Laura Penn reports on how the stage industry has been devastated by the pandemic, but is getting back on their feet…Doctor Saud Anwar, a pulmonologist at Manchester Memorial Hospital who also serves as a state senator in Connecticut's General Assembly, talks about the effects of the pandemic on healthcare workers…And we hear from building trades leaders in Oregon about the state's Prevailing Wage Rate law…Ronnie Hobbs is the Transportation Division legislative director for the Sheet Metal And Rail Transportation – or SMART – union; today he explains how the SMART Army is making a difference in the community…Patrick Town and Ross Wolf discuss financial stability in the COVID era…And we wrap up this week's show with a visit with Eliza Hittman, the writer and director of the acclaimed 2020 film NEVER RARELY SOMETIMES ALWAYS.. We've got reports from Heartland Labor Forum, Black Work Talk, Belabored, America's Workforce Radio, AFT in Action, The Voice of Oregon Workers, Talking SMART, Working to Live in Southwest Washington and On Writing. Bonus: Labor History in 2:00 on Explosion at Eddystone. Highlights from labor radio and podcast shows around the country, part of the national Labor Radio Podcast Network of shows focusing on working people's issues and concerns. Also, check out our livestream show, available on Facebook and YouTube, where you'll also find profiles of members of the Network. #LaborRadioPod @AFLCIO @Heartland_Labor @BlackWorkTalk @DissentMag @AWFUnionPodcast @AFTCT @smartunionworks @SWWACLC @WGAEast @ILLaborHistory Edited by Patrick Dixon and Chris Bangert-Drowns; produced by Chris Garlock; social media guru: Harold Phillips
Den amerikanske filmskaperen Eliza Hittman gjester oss på Filmfrelst i denne podkastepisoden, der vi snakker med henne om Never Rarely Sometimes Always, hennes tredje spillefilm, som hadde premiere på filmfestivalen i Berlin i 2020, og som Montages kåret til en av de tyve beste filmene fra 2020. I anledning at Never Rarely Sometimes Always nå er tilgjengelig som digital leie- og kjøpefilm (hos iTunes/Google Play/YouTube) har vi omsider gleden av å dele denne samtalen med Eliza Hittman. Regissøren stilte til et intervju med Montages over Zoom i forbindelse med filmfestivalen i Tromsø i januar, men da TIFF måtte avlyse fysiske kinovisninger, falt også Never Rarely Sometimes Always ut av festivalprogrammet. Dermed ble intervjuet med Hittman satt litt på vent – inntil nå, da filmen endelig er lansert på hjemmevideomarkedet i Norge. Never Rarely Sometimes Always tar oss med til et sted i Pennsylvania, der vi møter tenåringsjentene Autumn (Sidney Flanigan) og Skylar (Talia Ryder), bestevenninner som også er kusiner og kollegaer. Etter å ha avsluttet arbeidsdagen på det lokale handlesenteret, pakker de en koffert for å dra til New York for å finne en klinikk der Autumn kan ta abort uten at foreldrene blir involvert. De to veksler ikke mange ord, men vi forstår de er hverandres nærmeste tillitsperson, og med dette som premiss utspiller Never Rarely Sometimes Always seg som en velbalansert og troverdig film om å bestemme over egen kropp, om å være en ung kvinne i dagens Amerika, og om verdien av lojale vennskap. Brooklyn-baserte Eliza Hittman, som tidligere har signert It Felt Like Love (2013, hennes debut, som kan ses digitalt på MUBI) og Beach Rats (2017, også tilgjengelig digitalt via ulike tjenester), åpner i samtalen nedenfor opp om bl.a. sitt arbeid med aborttematikken i Never Rarely Sometimes Always, sin castingprosess og inspirasjonen hentet fra Robert Bressons presise visuelle filmspråk. Montages-redaktør Karsten Meinich leder samtalen med Hittman, og selv om podkastepisoden ikke inneholder spoilere, anbefaler vi at lytterne ser Never Rarely Sometimes Always for maksimalt utbytte av innholdet. God lytting!
The WGAE Women’s Salon presents a series of four live recordings of OnWriting in honor of Women's History Month. In each episode, we’re speaking with women screenwriters whose latest projects center on women’s stories. To wrap up the series, Geri speaks with Eliza Hittman, the writer and director of the acclaimed 2020 film NEVER RARELY SOMETIMES ALWAYS. Eliza Hittman is an award-winning writer and director from Brooklyn, NY. She is the writer and director of the 2013 drama IT FELT LIKE LOVE and the 2017 drama BEACH RATS, the latter of which earned her the 2017 Director Award at Sundance Film Festival. She is also the recipient of the Emerging Artist Award from Lincoln Center and is a 2018 Guggenheim Fellow. Her latest project is the drama film NEVER RARELY SOMETIMES ALWAYS. The film follows Autumn, a 17-year-old who, after learning that she’s pregnant but unable to get an abortion without her parents’ consent in her native Pennsylvania, embarks on a trip to New York City with her cousin Skylar in order to get an abortion there. The film premiered at the 2020 Sundance Film Festival, where it won a Special Jury Award for Neo-Realism. It also won the Silver Bear Grand Jury Prize at the 70th Berlin International Film Festival. It is currently available to stream on HBO Max. -- Read shownotes, transcripts, and other member interviews: www.onwriting.org/ -- Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast
Q&A with Never Rarely Sometimes Always writer & director Eliza Hittman, and actors Sidney Flanigan and Talia Ryder. Moderated by Mara Webster, In Creative Company.
Welcome Back! Merry Christmas! Happy New Year's! Happy Groundhog Day! Happy Valentine's Day. Wow...It's been a minute... In this episode, Molly covers her Top 10 Films from 2020 including best debut film, best documentary, best animation, best comedy, and best horror film. 2020 was a monumental and record number year for female directors, special shout out to Chloe Zhao, Eliza Hittman, and Miranda July for directing some of our favorites. Alissa reviews her take on the top 10 monumental world achievements of the hellish year, including but not limited to: Bong Joon Ho making history, Ebola news, BLM & the impact of the movement, Scotland doing its part in reducing period poverty, and a celebratory drop in GHG emissions. Molly closes with her Top 10 Albums from 2020! Here's to another year of She Said, She Said! Cheers!
In this episode, filmmakers Eliza Hittman, Director of Never Rarely, Sometimes Always, Kris Rey, Director of I Used To Go Here and Amy Seimetz, Director of She Dies Tomorrow, discuss how they navigated the disrupted 2020 festival-circuit to ensure their stories were brought to life – earning them multiple awards and rave reviews along the way.This conversation is hosted by VIFF’s Associate Director of Programming, Curtis Woloschuk and was recorded at the Festival’s 2020 Totally Indie Day – a gathering space for emerging filmmakers and independent creators to share stories, gain insights, and learn more about the art and business of cinema. We've expanded our Totally Indie programming into year-round with a series of Indie Spirit talks to celebrate bold independent filmmaking. Detailing how influential directors guide their ambitious projects from the page to the screen, these sessions offer the next generation of storytellers insights into how to employ both vision and resourcefulness.Register for the online Indie Spirits talks with documentarians Lance Oppenheim (Some Kind of Heaven) and Elizabeth Lo (Stray) on March 30, 6pm PST and with director Emma Seligman (Shiva Baby) on April 12 goviff.org/year-round-talks––––––––––––––––––––––––––––––––––––––––––––––––––This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.We've taken our VIFF Talks online with a series of virtual events lined up over the coming weeks. Keep an eye out for upcoming events at goviff.orgVIFF is also running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home. View what's streaming.You can show your love of cinema by making a tax-deductible gift to VIFF. goviff.org/donate
Welcome Back! Merry Christmas! Happy New Year's! Happy Groundhog Day! Happy Valentine's Day. Wow...It's been a minute... In this episode, Molly covers her Top 10 Films from 2020 including best debut film, best documentary, best animation, best comedy, and best horror film. 2020 was a monumental and record number year for female directors, special shout out to Chloe Zhao, Eliza Hittman, and Miranda July for directing some of our favorites. Alissa reviews her take on the top 10 monumental world achievements of the hellish year, including but not limited to: Bong Joon Ho making history, Ebola news, BLM & the impact of the movement, Scotland doing its part in reducing period poverty, and a celebratory drop in GHG emissions. Molly closes with her Top 10 Albums from 2020! Here's to another year of She Said, She Said! Cheers!
Welcome to FUSION VOICES: the brand new official podcast by FUSION FILM FESTIVAL, New York University Tisch School of the Arts' premiere student-run festival that celebrates women and non-binary creators in film, TV, and new media. Our first season premieres MARCH 8, 2021, international women's day! We have some exciting episodes coming up featuring conversations with documentary filmmakers, podcasters, student comedians, and more. Until then, please enjoy the full audio from Fusion Film Festival's conversation with our 2020 Woman of the Year, ELIZA HITTMAN. This Zoom webinar took place on January 22, 2021, where Eliza was presented with the 2020 Woman of the Year Award by Tisch Dean Allyson Green. She then took questions from Time Magazine film critic Stephanie Zacharek and from the live webinar audience. Eliza Hittman is an award-winning filmmaker, born and based in Brooklyn, NY. Her latest film, the critically acclaimed Never Rarely Sometimes Always, was released by Focus Features this spring following its international premiere in competition in the Berlin Film Festival where it won the Silver Bear Grand Jury Award. The film had its US premiere in competition at Sundance where it won a special jury prize. Hittman recently won Best Screenplay from both the New York Film Critics Circle and the National Society of Film Critics, among the many end-of-year accolades the film has received. Beach Rats, her previous film, premiered in the US Dramatic Competition at the 2017 Sundance Film Festival, where she won the Directing Award. It premiered internationally at Locarno in the Golden Leopard Competition and was the Centerpiece Film at New Directors / New Films. Beach Rats was released domestically by NEON Rated, and was a New York Times Critics' Pick. It was the winner of the Artios Award for Outstanding Achievement in Casting, Outstanding Screenwriting in a U.S. Feature at Outfest, and the London Critics’ Circle Film Award for Young British/Irish Performer of the Year. In 2018, it was nominated for Best Cinematography and Best Male Lead at the Independent Spirit awards and a Breakthrough Actor Award for the Gothams Awards. Her micro-budget feature film It Felt Like Love premiered at Sundance in 2013 in NEXT and was a New York Times Critic's Pick. She earned an MFA from California Institute of the Arts and is currently an Assistant Professor of Film/Video at Pratt Institute. She is the recipient of the Emerging Artist Award from Lincoln Center, and a 2018 Guggenheim Fellow. NEVER RARELY SOMETIMES ALWAYS SYNOPSIS: Written and directed by Eliza Hittman, Never Rarely Sometimes Always is an intimate portrayal of two teenage girls in rural Pennsylvania. Faced with an unintended pregnancy and a lack of local support, Autumn (Sidney Flanigan) and her cousin Skylar (Talia Ryder) embark across state lines to New York City on a fraught journey of friendship, bravery and compassion. NYU community can stream Never Rarely Sometimes Always at no charge here: https://stream.nyu.edu/media/1_un1c7jb0 Also available on HBO Max, Hulu, Amazon Prime. Event produced with the support of the NYU Production Lab. Thank you to Fusion Film Festival's faculty advisor, Susan Sandler, and the Fusion Voices team: Schuyler Barefoot, Maya Gavant, Carly Kline, Nina Leitenberg, Aspen Nelson, Roni Polsgrove, and Sam Whitley.
Director Eliza Hittman discusses her new film, Never Rarely Sometimes Always, with fellow director Greta Gerwig in a spoiler-filled virtual Q&A. The film tells the story of Autumn and Skylar, cousins and inseparable best friends who are navigating adolescence in rural Pennsylvania. When Autumn finds herself pregnant and hemmed in by conservative legislation, the duo board a bus bound for New York to find the help she needs.
Eliza Hittman was at the Berlin Film Festival last February with her art-house abortion drama “Never Rarely Sometimes Always.” She thought about staying for the awards ceremony, but instead flew back to New York. As soon as she landed, she got an email asking her to come back. Hittman had won the Silver Bear in Berlin, and now her film is in awards contention stateside. Kim Masters spoke to “Never Rarely Sometimes Always” director Eliza Hittman last year.
Welcome Back! Merry Christmas! Happy New Year's! Happy Groundhog Day! Happy Valentine's Day. Wow...It's been a minute... In this episode, Molly covers her Top 10 Films from 2020 including best debut film, best documentary, best animation, best comedy, and best horror film. 2020 was a monumental and record number year for female directors, special shout out to Chloe Zhao, Eliza Hittman, and Miranda July for directing some of our favorites. Alissa reviews her take on the top 10 monumental world achievements of the hellish year, including but not limited to: Bong Joon Ho making history, Ebola news, BLM & the impact of the movement, Scotland doing its part in reducing period poverty, and a celebratory drop in GHG emissions. Molly closes with her Top 10 Albums from 2020! Here's to another year of She Said, She Said! Cheers!
Welcome Back! Merry Christmas! Happy New Year's! Happy Groundhog Day! Happy Valentine's Day. Wow...It's been a minute... In this episode, Molly covers her Top 10 Films from 2020 including best debut film, best documentary, best animation, best comedy, and best horror film. 2020 was a monumental and record number year for female directors, special shout out to Chloe Zhao, Eliza Hittman, and Miranda July for directing some of our favorites. Alissa reviews her take on the top 10 monumental world achievements of the hellish year, including but not limited to: Bong Joon Ho making history, Ebola news, BLM & the impact of the movement, Scotland doing its part in reducing period poverty, and a celebratory drop in GHG emissions. Molly closes with her Top 10 Albums from 2020! Here's to another year of She Said, She Said! Cheers!
Welcome to a new podcast from the British Independent Film Awards. The show is called This Is My Cinema and it's all about celebrating the very best talent in the British film scene and the cinema experiences that made them who they are today. Our hosts Michael Leader and Rhianna Dhillon will be talking to rising stars and legendary names from in front of and behind the camera, exploring their origins in filmmaking, their inspirations, their memories of the cinemas they grew up visiting and of course whether they take their popcorn salty, sweet - or wouldn't dream of taking food to a film at all. In this first episode, we're joined by Harris Dickinson, who's nominated for Best Supporting Actor at the BIFAs for his role in County Lines. Harris has been seen in Eliza Hittman's Beach Rats, Xavier Dolan's Matthias & Maxime and will soon appear in Kingsman prequel The King's Man.On the 18th of February, the British Independent Film Awards will be broadcasting live on Facebook and YouTube, hosted by Tom Felton, with lots of special guest appearances too. In celebration of the awards, we'll be releasing one podcast episode every day that week, so subscribe now to This Is My Cinema wherever you listen to your podcasts… you'll want a front row seatThis is my cinema is a Little Dot Studios production for BIFAThe show is hosted by Rhianna Dhilllon and Michael LeaderIt's produced by Jake Cunningham, Annie Hughes and Harold McShielAnd we're edited by Content is Queen See acast.com/privacy for privacy and opt-out information.
En esta cinta, ganadora del Oso de Plata en el festival de Berlín, la directora Eliza Hittman sigue los pasos de Autumn (un admirable debut actoral de Sidney Flanigan), quien enfrenta obstáculos visibles y no tan visibles cuando decide no permanecer pasiva ante sus circunstancias y viaja para interrumpir su embarazo. See acast.com/privacy for privacy and opt-out information.
Garrett Bradley's documentary “Time” and Eliza Hittman's drama “Never Rarely Sometimes Always” both debuted in 2020 to huge critical acclaim during a time of great upheaval in the film world. The two innovative directors connect in a conversation led by Rajendra Roy, the Chief Film Curator at the Museum of Modern Art in New York City. They talk about their drive to tell political stories in innovative ways, how everyday women navigate systems stacked against them, and much more.
In an end-of-the-year special, co-hosts Rohan Naahar and Akhil Arora talk about their favourite films in 2020, counting down from 10 to 1. The movies come from directors such as Céline Sciamma, Geetu Mohandas, Greta Gerwig, Max Barbakow, Eliza Hittman, and Aaron Sorkin. Stick around to hear us lament about the domination of American pop culture, and why we'll never discuss La La Land on The Long Take. — Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work. The Long Take is available on Spotify, Apple Podcasts, Google Podcasts, Overcast, JioSaavn, and wherever you get your podcasts. Follow The Long Take on Facebook, Twitter, Instagram, and YouTube. Write to us at thelongtakepod@gmail.com. --- Support this podcast: https://anchor.fm/the-long-take/support
An insightful discussion with rising Actor and Producer Lester Greene. Check out his resume:https://www.google.com/search?q=Lester+Greene&oq=Lester+Greene&aqs=chrome..69i57j46j0l6.5153j0j7&sourceid=chrome&ie=UTF-8https://www.imdb.com/name/nm4098919/https://www.instagram.com/lestergreene/Lester Greene was born in Germany and raised in Texas. He graduated with a B.A. in English/Journalism. Lester drove a city bus for 12 years in NYC, and he now lives in Atlanta, Georgia.He is an actor/producer/author/rapper, and he has worked with the likes of 50 Cent, Eliza Hittman, Rza, and Alec Baldwin. He has landed several speaking roles on television shows like Power, Wu-Tang: An American Saga, 50 Central, Gotham, and The Luckiest Guys on the Lower East Side.Independently, Greene has starred in and produced six films, two of which aired on CBS/ABC. His last four short films have received worldwide distribution through AngerMan Distribution, under his newly launched production company, Lubey Jube Productions.For more information: lestergreene.com--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app--- Send in a voice message: https://anchor.fm/produceyourownlife/message Support the Show.
Nostalgic for recent life, Letterboxd editor Gemma Gracewood, our West Coast editor Dominic Corry and New York-based freelance film critic Susannah Gruder celebrate movies set in big cities while we stay home to save lives. We discuss how directors like Michael Mann, Susan Seidelman and Richard Linklater move through cityscapes, and we see New York through newcomers' eyes in Eliza Hittman's stunning new film. P.S. Join our L.A. Showdown: nominate your favorite films set in the City of Angels. Links City films for empty streets: Crossing Delancey Vanilla Sky, The Quiet Earth and Merata: How Mum Decolonised the Screen Desperately Seeking Susan Heat, Collateral Before Sunset Never Rarely Sometimes Always The Omega Man, Woodstock Light Sleeper, Three Days of the Condor Miracle Mile Bright Wall/Dark Room's list of obscure recommendations Babylon incl. the engagement-party scene Art House Online Quarantine recommendations: Frederico Fellini's Nights of Cabiria and Bob Fosse's Sweet Charity (Susannah) Robert Zemeckis's Who Framed Roger Rabbit and Alfred Hitchcock's To Catch a Thief (Dominic) Charlie Chaplin's City Lights (Gemma) Filmmakers on the Internet: Ritesh Batra's scriptwriting chats (Gemma) ScriptNotes podcast with John August and Craig Mazin, including this live episode (Dominic) Love from BAM Netflix parties, Lou Doillon's Instagram feed (Susannah) Edited by Morgan Avery. Podcast artwork by Ann Davenport. Leave a voice message telling us your favorite erotic thrillers for the next episode.
Episode 45 begins with a discussion on one of the most critically acclaimed releases of the first half of 2020, Eliza Hittman's NEVER RARELY SOMETIMES ALWAYS. The packed PICK SIX this time around features our choices of the BEST COEN BROTHERS FILMS. Always fun to talk this kind of shop. As we dig further into the depths of the Criterion Channel, our current THROWBACK CHALLENGE gave both of us our intro's into the work of Susan Seidelman with 1985's DESPERATELY SEEKING SUSAN. We hope you're all passing a daily sanity check. Cheers! --- Support this podcast: https://anchor.fm/the-film-harmonic/support
The Curvy Critic aka Carla Renata chatted with award-winning director Eliza HIttman about her controversial new film Never Rarely Sometimes Always, How COVID-19 shut down Hollywood and The Hunt finally preys into theatres. About the Show: Presented by Black Hollywood Live and hosted by Carla Renata, The Curvy Critic is BHL's #1 inside source for film releases, festivals, insider scoops, and news! @TheCurvyCritic
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