Podcasts about rotterdam international film festival

JACK FELDSTEIN – he/him (Book & Co-Lyrics / Radio Play Adaptation)Jack is an award-winning writer and neon animation filmmaker. His almost thirty neon animation films, including The Ecstasy of Gary Green and A Wondrous Film about Emma Brooks have screened worldwide from Lincoln Center and NYC's Angelika Cinema to Rotterdam International Film Festival and Sydney International Film Festival. As a writer, his playscripts including A House Like Any Other, The Confessions of Peter McDowell and The Process have won prizes in Australia, Britain and the USA. His playscript of Three Months with Pook was a finalist in the BBC International Play Competition and winner of the TRU VOICES COMPETITION in New York. His plays have been staged with many productions in Australia, New York and the USA.  Originally from Australia, he lives in NYC and developed many of his plays at Workshop Theater in Midtown where he was an artist member.PAUL DOUST - he/him (Music & Co-Lyrics / Additional Orchestrations / Arrangements)Paul is an award-winning composer for stage and screen and the composer of the world's first Theremin-based musical: Falling in Love with Mr. Dellamort. Paulʼs TV credits include Pawn Stars, Catfish and Chrisley Knows Best. He also wrote original music for Google Waymo, LPGA and Morgan Stanley, among other recent advertising campaigns. Paul is also a renowned choral composer and arranger. He released his debut album Reinventions in 2019.InFalling in Love with Mr. Dellamort, the new audio musical, three lost souls receive an unexpected invitation to spend New Year's Eve at Maison Dellamort: a remote South Carolina guest house with a peculiar yet magnetic host. With its original take on classic themes of unrequited love, mortality and deception, and featuring a stunning cast of Broadway's most beloved stars, this distinctive audio experience will transport listeners into a world laced with the iconic theremin, Foley-style effects, and an original pop score.

Sign up for the Bernard Stiegler Memorial Lecture, delivered online on 5th August by Daniel Ross: https://philosophyandtechnology.network/bernard-stiegler-memorial-lecture-2023/    Daniel Ross obtained his doctorate from Monash University in 2002. He is the author of Violent Democracy (Cambridge University Press, 2004) and Psychopolitical Anaphylaxis: Steps Towards a Metacosmics (Open Humanities Press, 2021 -free to download). He is also the co-director with David Barison of the feature documentary The Ister (rent or buy on Vimeo), which premiered at the Rotterdam International Film Festival in 2004, and which won awards in Montreal and Marseille. Through that film, he met the French philosopher Bernard Stiegler, and has subsequently published eleven volumes of translation of Stiegler's work, most recently The Age of Disruption: Technology and Madness in Computational Capitalism (Polity Press, 2019) and Nanjing Lectures 2016–2019 (Open Humanities Press, 2020 - free to download), along with the collective volume by Stiegler and the Internation Collective entitled Bifurcate: ‘There Is No Alternative' (Open Humanities Press, 2022 - free to download).   In this episode, our focus is on the fourth volume in Stieglers's Technics and Time series. Here's Dan's summary (approx. 10,000 words) of the unpublished manuscript of Bernard Stiegler, Technics and Time, 4: Faculties and Functions of Noesis in the Post-Truth Age (approx. 100,000 words), which was written in 2017: https://www.academia.edu/84134776/A_Summary_of_Bernard_Stiegler_Technics_and_Time_4    This is an independent educational podcast and I appreciate any support you can give me me on Patreon (https://www.patreon.com/lifefromplatoscave) or in other ways.   I hope you enjoy the episode! Mario http://lifefromplatoscave.com/    I'd love to hear your questions or comments: Leave me a voicemail: https://www.speakpipe.com/LifeFromPlatosCave   Twitter: https://twitter.com/lifeplatoscave  Insta: https://www.instagram.com/lifefromplatoscave/  Facebook: https://www.facebook.com/lifefromplatoscave  Illustration © by Julien Penning, Light One Art: https://www.instagram.com/light_one_art/

Jay Cheel's career in non-fiction filmmaking has focused mostly on character-based portraits of quirky, passionate obsessives, realized in a highly cinematic style. His debut feature Beauty Day premiered at the Museum of Modern Art in New York as part of their Canadian Front Programming Series. The film was also an official selection at the Hot Docs International Film Festival and was nominated for a Genie Award in 2012. His second feature How to Build a Time Machine premiered at Hot Docs and went on to screen at AFI Docs, the Rotterdam International Film Festival, and DOC NYC. His latest is Cursed Films, a five-part documentary series produced for AMC Networks and Shudder. The show focuses on the legends surrounding some of Hollywood's most troubled horror film productions and has gone on to become the highest-rated documentary series on the platform.   Topics Discussed In This Episode: Jay's short film Twisted Him being exposed to horror films at a young age Recognizing the importance of a director in a film production at a young age What piqued Jay's original interest in entering film as a career His podcast Film Junk, which holds a Guinness World Records for the longest-running film podcast His short film Beauty Day Creating deep interpersonal connections with crew members on a film set The need for control as it relates to artistic pursuits How Jay's perspective of curses has changed while working on the Cursed Films project How the film, The Exorcist, negatively impacted the cultural lexicon by reinforcing the existence of the devil Predatory capitalism Personal tragedies that happened for Jay while filming Cursed Films The importance of providing context in a documentary project The Manson murders The murders and tragedies that have occurred in Benedict Canyon in LA Ethical decisions they had to make regarding what scenes to show in Cannibal Holocaust Naive actors getting involved in Cannibal Holocaust, and Carl Gabriel Yorke signing on without reading the script People / Artists Mentioned: John Carpenter (Filmmaker) Lidia Yuknavitch (Writer) Gary Oldman (Actor) Robert Deniro (Actor) Tim Burton (Director) Bill Pullman (Actor) Steve Rash (Director) Judy Garland (Actor) Lorna Luft (Actor) Roman Polanski (Director) Dianne Lake (Writer / Former Manson Family Member) Julian Wasser (Photographer) Ruggero Deodato (Director) Andrei Tarkovsky (Director) Cursed Films Episodes Mentioned: Twilight Zone: The Movie The Exorcist The Wizard of Oz (S2 E1) Rosemary's Baby (S2 E2) Stalker (S2 E3) The Serpent and the Rainbow (S2 E4) Cannibal Holocaust (S2 E5) TV Shows + Films Mentioned: The Day After (1983) The Thing (1982) Big Trouble in Little China (1986) They Live (1988) Prince of Darkness (1987) Be Kind Rewind (2008) American Movie (1999) Ed Wood (1994) Salò, or the 120 Days of Sodom (1977) Weekend (1967) Andrei Rublev (1966) artistdecoded.com jaycheel.com instagram.com/jaywesleycheel twitter.com/JayCheel

The returning soul in Plato's allegory of the Cave is not heard by the prisoners, who are too occupied with the shadows on the wall. In the most literal sense, Plato was probably speaking about how the people do not appreciate the philosophy of, for instance, his teacher Socrates, at the time when this philosopher is most needed. This is an independent educational podcast and I appreciate any support you can give me me on Patreon (https://www.patreon.com/lifefromplatoscave) or in other ways. Which philosophers are not heard enough in our time? Today, we discuss the French philosopher Bernard Stiegler. Stiegler is known most for his magnus opus Technics and Time, but many of his works have not yet been translated into English, and the ones that have are not read enough. Daniel Ross, our guide through Stiegler's philosophy, is trying to change that. Daniel Ross obtained his doctorate from Monash University in 2002. He is the author of Violent Democracy (Cambridge University Press, 2004) and Psychopolitical Anaphylaxis: Steps Towards a Metacosmics (Open Humanities Press, 2021 -free to download). He is also the co-director with David Barison of the feature documentary The Ister (rent or buy on Vimeo), which premiered at the Rotterdam International Film Festival in 2004, and which won awards in Montreal and Marseille. Through that film, he met the French philosopher Bernard Stiegler, and has subsequently published eleven volumes of translation of Stiegler's work, most recently The Age of Disruption: Technology and Madness in Computational Capitalism (Polity Press, 2019) and Nanjing Lectures 2016–2019 (Open Humanities Press, 2020 - free to download), along with the collective volume by Stiegler and the Internation Collective entitled Bifurcate: ‘There Is No Alternative' (Open Humanities Press, 2022 - free to download). I hope you enjoy the episode! Mario http://lifefromplatoscave.com/      I'd love to hear your questions or comments: Twitter: https://twitter.com/lifeplatoscave  Insta: https://www.instagram.com/lifefromplatoscave/  Facebook: https://www.facebook.com/lifefromplatoscave  Illustration © by Julien Penning, Light One Art: https://www.instagram.com/light_one_art/

A talk with Nestor Siré, Steffen Köhn and Sam Hopkins, followed by a video essay by Nestor Siré and Steffen Köhn about the (lack of) internet in Cuba and the offline sharing alternative to it: El Paquete Semanal, a country-wide offline data sharing network. With online access heavily restricted, Cuba has one of the lowest inter#net penetration rates in the world. Yet, Cuban citizens have found a way to distribute all kinds of media content in the form of El Paquete Semanal, a one terabyte collection of data that is compiled by a network of people with various forms of privileged internet access and then circulated nationwide on USB sticks and external hard drives via an elaborate network of deliverymen. In this presentation we want to describe how El Paquete has come to constitute a nested media ecosystem that facili#tates the publication of independent local media content such as video games or pdf magazines, hosts several digital marketplaces, and offers an otherwise non-existing space for advertisement. NESTOR SIRÉ (b. 1988) lives and works between Havana and Camagüey, Cuba. Siré's artistic practice intervenes directly in specific contexts in order to analyze social and cultural phenomena. His artistic methodology consists in expanding social structures so as to find more effective ways through which art can intervene in the complex relationships between official and informal networks. His works have been shown in the Museo Nacional de Bellas Artes (Havana), Queens Museum (New York), Rhizome (New York), New Museum (New York), Hong-Gah Museum (Taipei), Museo de Arte Contemporáneo (Mexico City), and Museo de Arte Contemporáneo, Santa Fe (Argentina), among other places. STEFFEN KÖHN (b. 1980) lives and works in Berlin. He is a filmmaker, anthropologist and video artist who uses ethnography to understand contemporary sociotechnical landscapes. For his video and installation works he engages in local collaborations with artists, software developers and science fiction writers to explore viable alternatives to current distributions of technological access and arrangements of power. His works have been shown at the Academy of the Arts Berlin, Kunsthaus Graz, Vienna Art Week, Hong Gah Museum Taipei, Lulea Biennial and the ethnographic museums of Copenhagen and Dresden. His films have been screened at the Berlinale, Rotterdam International Film Festival and the Word Film Festival Montreal, among others.

Kevin B. Lee's Website Kevin B. Lee is a filmmaker, media artist, and critic. He has produced over 360 video essays exploring film and media. His award-winning Transformers: The Premake introduced the “desktop documentary” format, was named one of the best documentaries of 2014 by Sight & Sound and screened in many festivals including Berlin Critics Week, Rotterdam International Film Festival and Viennale International Film Festival. Through Bottled Songs, his collaborative project with Chloé Galibert-Laîné, he was awarded the 2018 Sundance Institute Art of Nonfiction Grant, the 2018 European Media Artist Platform Residency, and the 2019 Eurimages Lab Project Award at Karlovy Vary International Film Festival. He was 2017 Artist in Residence of the Harun Farocki Institut in Berlin. In 2019 he produced “Learning Farocki”, a series of video essays on Harun Farocki, commissioned by the Goethe Institut. In 2020 he is co-curating the Black Lives Matter Video Essay Playlist with Will DiGravio and Cydnii Wilde Harris. He was Founding Editor and Chief Video Essayist at Fandor from 2011-2016, supervising producer at
 Roger Ebert Presents At the Movies, and has written for The New York Times, Sight & Sound, Slate and Indiewire. He is Professor of Crossmedia Publishing at Merz Akademie, Stuttgart.

Wednesday Reading Series: Youmna Chlala & Jennifer Firestone— January 29th, 2020 Hosted by Kyle Dacuyan. Youmna Chlala is an artist and a writer born in Beirut based in New York. She is the author of the poetry collection, The Paper Camera (Litmus Press, 2019). She is the recipient of a 2018 O. Henry Award, a Joseph Henry Jackson Award and the Founding Editor of Eleven Eleven {1111} Journal of Literature and Art. Her writing appears in BOMB, Guernica, Prairie Schooner, Bespoke, Aster(ix), CURA and MIT Journal for Middle Eastern Studies. She has exhibited at the Hayward Gallery, The Drawing Center, Art In General, Rotterdam International Film Festival, Dubai Art Projects, Hessel Museum of Art, and MAK Center for Art and Architecture. She participated in the 33rd Bienal de Sao Paulo, 2017 LIAF Biennial in Norway and the 11th Performa Biennial. She is co-editing a new series for Coffee House Press entitled Spatial Species (2021). She is a Professor in Humanities and Media Studies and Writing at the Pratt Institute. Jennifer Firestone is the author of five books of poetry and four chapbooks including Story (Ugly Duckling Presse), Ten, (BlazeVOX [books]), Gates & Fields (Belladonna Collaborative), Swimming Pool (DoubleCross Press), Flashes (Shearsman Books), Holiday (Shearsman Books), Waves (Portable Press at Yo-Yo Labs), from Flashes and snapshot (Sona Books) and Fanimaly (Dusie Kollektiv). She co-edited (with Dana Teen Lomax) Letters To Poets: Conversations about Poetics, Politics and Community (Saturnalia Books) and is collaborating with Marcella Durand on a book entitled Other Influences about feminist avant-garde poetics. Firestone has work anthologized in Kindergarde: Avant-Garde Poems, Plays, Songs, & Stories for Children and Building is a Process / Light is an Element: essays and excursions for Myung Mi Kim. She won the 2014 Marsh Hawk Press' Robert Creeley Memorial Prize. Firestone is an Associate Professor of Literary Studies at the New School's Eugene Lang College and is also the Director of their Academic Fellows pedagogy program.

STACEY MALTIN Stacey wrote, produced, and starred in her first feature film “Landing Up” through her production company Bold Compass Films. It premiered at Dances With Films in Los Angeles and she picked up a Best Actress as well as Best Feature nomination. Her short film "Stronger Together" was recently acquired by Shoreline Entertainment after having it's world premiere at NewFest and her short film "Head" is streaming on REVRY. Her work has further screened at Cinequest Film Festival, Rotterdam International Film Festival, Flicker's Rhode Island, ITVfest, and more. The script she penned, “The Other Side” was selected by the screenwriting website THE BLACK LIST as a Top 10 Finalist in the Hasty Pudding Fellowship for a screenwriter focusing on satire and social commentary. That script was further selected to be a part of the Black List Table Reads series and was produced as a podcast starring Darren Criss, Eddie Kaye Thomas, and Jerry Adler. She is currently creating a new provocative series called LINKED (Cinequest 19') and is in the midst of filming "Triple Threat" her first feature as a director. She is also in development on the feature film version of HEAD (Outfest Screenwriting Lab finalist). She is the co-founder of production company Besties Make Movies with close collaborator Magarita Zhitnikova and WIWU Productions with her husband and partner Dani Tenenbaum. https://www.staceylmaltin.com/ MARGARITA ZHITNIKOVA I was born in Stalingrad, Russia and I'm fluent in my native language. My family came over to the states as Jewish refugees when I was six. We moved to Brighton Beach, Brooklyn, of course, & I've been stomping the streets of NYC ever since. I love to take on roles that break societal norms, help expose new points of view, & make difficult subjects approachable. I started the company Besties Make Movies with my bestie. We've got a pilot along with several short films coming out of post production, two of which I wrote & star in. I'm currently in an ongoing class at The Studio Act under the instruction of Brad Calcaterra - who also plays a role in my film 2 WEEKS! I love the usual bad ass things like archery, walking a lot because I hate the subway, giving my dogs strange haircuts and pretending that I'm Buffy the Vampire Slayer. Currently, I'm filming the lead role of Maggie in the feature film TRIPLE THREAT, judging films for the Revolution Me Film Festival, & doing the festival circuit with my film JONES. http://marzyhart.com/ Have a story? Email coronachronicles.ny@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/coronachronicles/support

In tennis, measurement – specifically, judging whether a ball is in or out – is particularly crucial. The new ESPN Films 30 for 30 Short, SUBJECT TO REVIEW takes a close look at not just the technology that’s been developed to determine the right calls with better accuracy, but the meaning and significance of that pursuit. The film, directed by Theo Anthony (“RAT FILM”) will air Sunday, Dec. 22, at 3 p.m. ET on ESPN. Tracing the history of photographic review back more than a hundred years, and chronicling controversial moments before and after the age of review in tennis, SUBJECT TO REVIEW explores the mechanisms of the cameras and computerized simulations that now serve as the final word on close calls – but also the limits of the veracity of those calls. Ultimately, it’s a story about technology in sports – but also a study of what we want from our machines, and our minds, well beyond any court of play. “’Subject to Review’ is about how some images are made and why they’re made that way,” said director Anthony. “It’s a film about the inescapable rift between the world and how we image that world. I hope that audiences can take this small exercise in critical curiosity beyond the world of tennis, giving audiences a little space to look differently at the world.” Theo Anthony joins us to talk about the complex relationship between flawed human judgement and the “certainty” of technology. “Subject to Review” has screened at New York Film Festival, Hamptons Film Festival, Vancouver Film Festival and Mar Del Plata Film Festival. About the Filmmaker – Theo Anthony is a writer, photographer, and filmmaker whose films have received premieres at the Toronto International Film Festival, Locarno International Film Festival, Rotterdam International Film Festival, and SXSW. His first feature, “RAT FILM,” was released by Cinema Guild in 2017 to critical acclaim. “Subject to Review” is produced by Sebastian Pardo and Riel Roch-Decter of MEMORY, an independent artist-driven studio specializing in producing and curating innovative, thought-provoking works that push the formal boundaries of their medium. Together, the duo has produced and distributed multiple award-winning fiction and non-fiction films. SUBJECT TO REVIEW will air on ESPN beginning Sunday, December 22, at 3 p.m. (Eastern) Social Media theoanthony.net twitter.com/ProxyTheo instagram.com/theodorejacobanthony https://vimeo.com/theoanthony

Winner of the Grand Prix at the 2019 Cannes Film Festival, ATLANTICS marks the feature narrative debut of director Mati Diop. Along the Atlantic coast of Africa, a soon-to-be-inaugurated futuristic tower looms over a suburb of Dakar. Ada, 17, is in love with Souleimane, a young construction worker. But she has been promised to another man. One night, Souleimane and his co-workers disappear at sea. Soon after, they come back to haunt their old neighbourhood by taking possession of the girlfriends they left behind. Some of the workers have come claiming revenge and threaten to burn the tower down if the developer does not pay their wages. But Souleiman has come back for Ada, so they can be together one last time. Director and writer Mati Diop joins us for a conversation on her compelling new film, finding love, and the mythology of a ghost story. About the filmmaker: Trained in Le Fresnoy (National Studio of Contemporary Arts – a leading and very selective French artistic institution), Mati Diop directed four shorts and a medium-length film which received the “Martin E. Segal – Emerging Artist Award” of the Lincoln Center (USA) in 2016. A THOUSAND SUNS (2013), BIG IN VIETNAM (2011), SNOW CANON (2010) and ATLANTIQUES (2009) were selected and awarded in a wide number of international festivals such as the Venice International Film Festival, the Toronto International Film Festival, the Rotterdam International Film Festival, the Viennale, The Indie Lisboa International Film Festival, and the FID Marseille. They were also programmed in the MoMA and in the Moving Image Museum (USA). As an actress, Mati Diop played in HERMIA Y HELENA by director Matias Piñeiro (2015), FORT BUCHANAN by Benjamin Crotty (2014), SIMON KILLER by Antonio Campos (2012) and 35 SHOTS OF RHUM by Claire Denis (2008). For news, screenings and updates go to: mk2films.com/en/film/atlantics Social Media” facebook.com/mk2films/photos/atlantics-by-mati-diop twitter.com/hashtag/atlantics twitter.com/#MatiDiop Grand Prix Winner, Cannes Film Festival 2019 Official Selection, Toronto International Film Festival 2019 Official Selection, New York Film Festival 2019 Mati Diop, Mary Pickford Award Winner, Toronto International Film Festival 2019

SONIC ACTS FESTIVAL 2019 – HEREAFTER Sasha Litvintseva, Beny Wagner – Universal Syntax 22 February – De Brakke Grond, Amsterdam, The Netherlands with an introduction by Victoria Douka-Doukopoulou. This talk will introduce a long-term collaborative project, Universal Syntax, by Sasha Litvintseva and Beny Wagner which seeks to untangle the human tendency to read the natural world as a text. The long and remarkably consistent history of the use of text as a metaphor for the interpretation of the natural world, present from ancient Babylonian observational practices, to Galileo’s reading of the solar system all the way to the human genome project, is ultimately the history of the human inability to experience the world unmediated. This is as much a history of media and technology as it is of science, culture and philosophy. As an entry point into the project, Litvintseva and Wagner will unpack some predominant theories of narrative structure and the metaphors they are based on, as a way to elaborate on alternative narrative models capable of responding to the complexities of contemporary perceptual realities. Sasha Litvintseva is an artist, filmmaker and researcher. Her work has been exhibited worldwide, including at Berlinale, Rotterdam International Film Festival, Videobrasil and Wroclaw Media Art Biennale, as well as solo presentations at Institute of Contemporary Art, London, Berlinische Galerie, Museum of Contemporary Art, Chicago and Courtisane Film Festival, Ghent, among many others. She is a lecturer in Film Studies at Queen Mary University of London and is currently completing a PhD at Goldsmiths, University of London. Her academic writing has appeared in special issues of Environmental Humanities and Transformations journals, and numerous book volumes. Beny Wagner is an artist, filmmaker and writer. His research themes include the cyclical regeneration of media technologies, history of science, thresholds of human and nonhuman life, affective feedback, agricultural production and politics of waste. He has presented his work internationally, including at International Film Festival Rotterdam, Berlin Atonal, Media Art Biennale WRO, Movimenta Biennale, Haus der Kulturen der Welt, Eye Film Museum, Impakt Festival and Venice Biennale, among many others. His work has been featured in Artforum, Spike Art Magazine, Frieze, Kaleidoscope, Flash Art and Die Zeit. Wagner graduated from Bard College in 2008. He was a researcher at Jan van Eyck Academy and is currently a senior lecturer at the Gerrit Rietveld Academy in Amsterdam. He is working with Sasha Litvintseva on a long-term collaborative project Universal Syntax.

Bobo Léon est allé voir pour Cinémaradio le film le premier épisode de La Flor. Voici la critique du film La Flor. La flor est un film argentin réalisé par Mariano Llinás. Les épisodes de la Flor durent au total 814 minutes. Il s'agit du plus long film de l'histoire du cinéma argentin. Le film a été présenté au Festival de Locarno, au Festival de Biarritz Amérique Latine, au New York Film Festival, au London Film Festival, au Toronto International Film Festival, au Rotterdam International Film Festival, ainsi qu'au Festival des 3 Continents Nantes. Six épisodes, six genres, et un seul point commun : leurs quatre comédiennes qui font avancer le récit : Le premier épisode est une série B. Le second est un mélodrame musical avec une pointe de mystère. Le troisième est un film d’espionnage. Le quatrième est une mise en abîme du cinéma. Le cinquième revisite un vieux film français. Le sixième parle de femmes captives au 19e siècle. Bobo Léon : "Comment critiquer un film dont je n'ais vu qu'un dixième? La Flor c'est un mélange entre Tintin, Largo Winch et le cinéma de série B des années 90 magnifié par 4 magnifiques actrices. On à l'impression de lire un tintin un dimanche après midi. C'est la réponse des pays du sud au cinéma américain dominant des années 90. J'espère pouvoir voir la suite." Critique du film à écouter en podcast sur les plateformes de podcasts du monde entier, sur https://www.cinemaradio.net/ , et sur la plateforme made in France Eeko qui met en avant les meilleurs podcasts du monde entier ! Pour écouter gratuitement les musiques de films et de séries rendez vous sur Cinémaradio. Vous pourrez par exemple écouter la soundtrack du film Flor.

Bobo Léon est allé voir pour Cinémaradio le film le premier épisode de La Flor. Voici la critique du film La Flor. La flor est un film argentin réalisé par Mariano Llinás.  Les épisodes de la Flor durent au total 814 minutes. Il s'agit du plus long film de l'histoire du cinéma argentin. Le film a été présenté au Festival de Locarno, au Festival de Biarritz Amérique Latine, au New York Film Festival, au London Film Festival, au Toronto International Film Festival, au Rotterdam International Film Festival, ainsi qu'au Festival des 3 Continents Nantes.  Six épisodes, six genres, et un seul point commun : leurs quatre comédiennes qui font avancer le récit : Le premier épisode est une série B.  Le second est un mélodrame musical avec une pointe de mystère.  Le troisième est un film d’espionnage.  Le quatrième est une mise en abîme du cinéma.  Le cinquième revisite un vieux film français.  Le sixième parle de femmes captives au 19e siècle.  Bobo Léon dans le podcast cinéma de Cinémaradio :  "Comment critiquer un film dont je n'ais vu qu'un dixième? La Flor c'est un mélange entre Tintin, Largo Winch et le cinéma de série B des années 90 magnifié par 4 magnifiques actrices. On à l'impression de lire un tintin un dimanche après midi. C'est la réponse des pays du sud au cinéma américain dominant des années 90. J'espère pouvoir voir la suite." Critique du film à écouter en podcast sur les plateformes de podcasts du monde entier, sur https://www.cinemaradio.net/ , et sur la plateforme made in France Eeko qui met en avant les meilleurs podcasts du monde entier !   Pour écouter gratuitement les musiques de films et de séries rendez vous sur Cinémaradio. Vous pourrez par exemple écouter la soundtrack du film Flor.

Mark is joined by two magnificent guests that have created a very eccentric and unique Off-Broadway production that has the theater world talking.  The famous cult film CARNIVAL OF SOULS (1962) has been neon animated by Jack Feldstein – an award-winning writer and neon animation filmmaker. Annemarie Hagenaars plays a contemporary woman of the #metoo era, taking over the role of the 1960’s woman in the film and giving the female protagonist today’s pro-active stance.    Annemarie is a Dutch actress and performer with degrees in Physics and Astronomy.  She has worked in a variety of theatre productions, film, TV, commercials and industrials. Recent film credits: The Artist’s Wife, Honeypot and Karma. Recent Off-Broadway theatre: Romulus The Great and CasablancaBox. www.annemariehagenaars.com   Jack, has almost thirty neon animation films that have screened worldwide from Lincoln Center and NY's Angelika Cinema to Rotterdam International Film Festival and Sydney International Film Festival.  As a writer, his playscripts including A House Like Any Other and Three Months with Pook have won prizes in Australia, Britain and the USA.  His plays have been staged with many productions in Australia, New York and all over the USA.  www.jackfeldstein.com   Have Mark speak at your company, organization, conference and retreat to increase morale, productivity, confidence and more.  Mark also has riveting talks for kids k-12 and college on overcoming adversity, anti-bullying/anti-teasing, mental health, drugs/alcohol, celebrating differences, self-entitlement, senior send-off and more.  All of Mark’s talks are from his vast life experience.  Reviews, videos, booking info and more at: www.markfarrellmotivation.com Email: mark@markfarrellmotivation.com   “Mark invigorated our conference! His genuine enthusiasm and professionalism, combined with an amazing topic, made for a marvelous presentation”   Catharine Leahy - Speakers Chair Princeton University   “Mark’s willingness to use his disability to uplift others is both generous and remarkable.  His message resonates with all of us who have worked hard to overcome life’s adversities.  If you’re looking for a podium speaker, look elsewhere.  Mark stays on the move and keeps the audience engaged.  Thank you, Mark”   Johnny Callebs KAPP Executive Director

Oscar Hudson is a London-based director whose work spans music videos, documentaries, short films and commercials. In the last year alone he’s received over 15 notable awards – earning the title of UKVMAS’s Best Director, Creative Circle’s Silver award and Rotterdam International Film Festival’s audience award, to name a few. With a distinct style and approach that often champions unusual and trippy techniques, he fills us in on his process and an unlikely route into filmmaking. ... This episode of Creative Lives was brought to you by Lecture in Progress. It was presented by Indi Davies and the editor was Ivor Manly. Lecture in Progress is made possible with the support of a number of brand patrons – they include ustwo, GF Smith and The Paul Smith Foundation.

RADIO DREAMS, winner of the 45th Rotterdam International Film Festival’s Tiger Award, is the newest feature film from Iranian-British director Babak Jalali (FRONTIER BLUES). RADIO DREAMS creates the bizarre yet very real world of PARS-FM - a Farsi-language radio station broadcasting from the heart of San Francisco. The story unfolds over a single day as the station’s program manager, Hamid - a brilliant, misunderstood Iranian writer (played by the “Iranian Bob Dylan” Mohsen Namjoo) - prepares for a triumphant broadcast - a live performance pairing Metallica and Kabul Dreams, Afghanistan’s first rock band. Meanwhile, Hamid must juggle a dysfunctional mix of on-air talent, station managers, and performers while fending off the owner’s plans to wrest control of the station. RADIO DREAMS brings to life the sometimes bizarre experience of immigrants pursuing dreams in the U.S.A. with the perfect mixture of honesty, art, and socio-political topicality served up in an ingenious, offbeat transmission. For news and updates go to: radiodreamsthemovie.com facebook.com/radiodreamsmovie

RADIO DREAMS, winner of the 45th Rotterdam International Film Festival’s Tiger Award, is the newest feature film from Iranian-British director Babak Jalali (FRONTIER BLUES). RADIO DREAMS creates the bizarre yet very real world of PARS-FM - a Farsi-language radio station broadcasting from the heart of San Francisco. The story unfolds over a single day as the station’s program manager, Hamid - a brilliant, misunderstood Iranian writer (played by the “Iranian Bob Dylan” Mohsen Namjoo) - prepares for a triumphant broadcast - a live performance pairing Metallica and Kabul Dreams, Afghanistan’s first rock band. Meanwhile, Hamid must juggle a dysfunctional mix of on-air talent, station managers, and performers while fending off the owner’s plans to wrest control of the station. RADIO DREAMS brings to life the sometimes bizarre experience of immigrants pursuing dreams in the U.S.A. with the perfect mixture of honesty, art, and socio-political topicality served up in an ingenious, offbeat transmission. For news and updates go to: radiodreamsthemovie.com facebook.com/radiodreamsmovie

Ingrid Jungermann (http://imdb.to/2ej0wX7) is a writer, director and actor. Along with several short films, Ingrid co-created the web series THE SLOPE (https://theslopeshow.com/), and created the WGA-Nominated web series F TO 7TH (www.fto7th.com/), featuring Amy Sedaris, Michael Showalter, Gaby Hoffmann, Olympia Dukakis and Janeane Garofalo. Her work has screened at various film festivals around the world, including the Tribeca Film Festival, Rotterdam International Film Festival, Los Angeles Film Festival, Outfest and Frameline. Ingrid was one of Filmmaker Magazine’s 25 Faces of Independent Film, Out Magazine's 100 People of the Year and Go Magazine's 100 Women We Love. Ingrid's debut feature film, WOMEN WHO KILL, http://www.wwkmovie.com/, (Tribeca All-Access Program, IFP Emerging Narratives Lab), premiered at the 2016 Tribeca Film Festival in US Competition, where she won the Best Screenplay award. She is currently in development at Showtime for F TO 7TH and is working on her next feature film. WOMEN WHO KILL is screening at Seattle TWIST Film Festival on October 21st 7PM. Find more information here, http://bit.ly/2es4mN2 . In This TAMP Episode Ingrid talks with Smarthouse Creative's Rachel Green about her belief in her responsibility as a filmmaker and her desire to offer her audience a new perspective. Ingrid describes how she connects with her audience - including which emotions and genre she chooses, and explains her inspiration and outlook as a filmmaker and the way that her vision of herself, and where she sees herself in the industry has shifted over time. In explaining her absolute response as to whether or not she takes her audience into account when making work, Ingrid replies, “I think the more personal you get and the more specific you are about your own experience, oddly enough, that translates into something more universal because I think we all struggle with the same things, deep down all of our issues are sort of similar, so I think the more you can dig into your own imperfections, your own insecurities, your own loneliness your own struggles - that opens up the audience to be able to share that with you...being honest about those things so that people feel included." You can check out Ingrid’s WOMEN WHO KILL Facebook page here, http://bit.ly/2dZuKyv and follow her on Twitter at, @ingrid_etc. TAMP music by Dude York.