Podcasts about literary studies

Jane Austen has had devoted American admirers since her works were first published. In fact, several Americans played a crucial role in preserving and promoting her legacy. Joining us to explore Austen's reputation and reception in America is Professor Juliette Wells, a leading expert on the subject, who will also share the story of avid Austen collector Alberta H. Burke and preview some of the Austen treasures set to be displayed at the Morgan Library's upcoming exhibit A Lively Mind: Jane Austen at 250, for which she is guest co-curator.Juliette Wells, Professor of Literary Studies at Goucher College, is the author of Reading Austen in America (2017), Everybody's Jane: Austen in the Popular Imagination (2011), and most recently, A New Jane Austen: How Americans Brought Us the World's Greatest Novelist (2023). She has edited the 200th-anniversary editions of Persuasion and Emma for Penguin Classics, with a new edition of Mansfield Park slated for release later this year. A former JASNA Traveling Lecturer, Dr. Wells is a regular speaker at the society's Annual General Meetings. She is also the guest co-curator for the upcoming exhibition A Lively Mind: Jane Austen at 250 at the Morgan Library and Museum, which will run from June 6 to September 14, 2025, in celebration of Austen's milestone birthday.For a transcript and show notes, visit https://jasna.org/austen/podcast/ep23/.*********Visit our website: www.jasna.orgFollow us on Instagram and FacebookSubscribe to the podcast on our YouTube channelEmail: podcast@jasna.org

Episode SummaryThis podcast episode performs a sound-media meditation on a live event based on a collection of printed scholarly articles. In May 2023 a triple-issue of English Studies in Canada (ESC) was published on the topic of “New Sonic Approaches in Literary Studies.” Edited by Jason Camlot and Katherine McLeod. The issue, designed to explore how sound, literature, and critical methodologies intersect, included thirteen scholarly articles, and an interdisciplinary forum on the place of listening as a methodology in a wide range of scholarly and artistic fields.As the editors considered what kind of “launch” would be best suited to this issue, they felt it should build on the printed scholarship, but also take it further – respond to it,  sound it, and perform it. They asked, “What would this journal issue sound like as a chorus or collage of voices?” They proceeded to organize an event to enact the idea of sounding and performing a scholarly collection as a kind of poetic reading of criticism. Each contributor was invited to select an excerpt to perform, and the performances unfolded in sequence within the 4th Space research showcase venue at Concordia University, and through the virtual participation of some contributors on Zoom. The performance event was also the object of an experiment in the multi-track recording of a spoken word event, with microphones of different kinds situated throughout 4th Space, and even outside the venue itself.The eight tracks of audio resulting from that recording session serve as the raw material, the bed tracks, for a podcast that playfully explores the affordances of sound design for the presentation of scholarly research about literary audio. Some of the simple yet profound possibilities of working in sound to think and argue about sound that are explored here are those of amplitude (playing with the relative loudness of sounds), temporality (the movement and mixing of historically-situated times), speed (the movement of sounds in time), space (the relationship of sounds to the places they happened), noise (the sounds we are supposed not to want to hear), intelligibility (the intention of sounding for meaning), positionality (from where and to whom one is sounding), timbre (the textural quality of sounds and what they do), among many others. The goal of this production has not been to deliver the content of the journal as one might grasp it from the print journal (read the special issue for that!), but to emphasize the possibilities and features of sound, sometimes apposite and sometimes in opposition to the intention and circumstances of the intended message. Archival voices and sounds haunt, taunt and disrupt the planned “Sounding New Sonic Approaches” event. Parallel temporal situations compete with each other. Time is sped and stretched. Speech and vocal timbre are mimicked and mutated by an occasional soundtrack scored for monotonic analogue synths. One mode of meaning is lost, while the potential for new kinds of meaning and feeling-making in sonic scholarly production are amplified for the listener's consideration and pleasure.In-person and online performers: Jason Camlot, Katherine McLeod, Annie Murray, Michael O'Discoll, Mathieu Aubin, Julia Polyck-O'Neill, Jason Wiens, Klara du Plessis, Kandice Sharren, Kelly Baron, Nina Sun Eidsheim, Juliette Bellocq, Kim Fox, Reem Elmaghraby, Daniel Martin, Kristen Smith, Kristin Moriah, Mara Mills, Andy Slater, and Ellen Waterman.Live Recording Event produced by Jason Camlot, Katherine McLeod, James Healey, and Douglas Moffat.Podcast and Sound Design by Jason Camlot.

Jean Mills, Associate Professor and chairperson in the English Dept. at John Jay College, and Ria Banerjee, Professor of English and Honors Program Coordinator at Guttman Community College and the Graduate Center, discuss Dr. Banerjee's book Drafty Houses in Forster, Eliot, and Woolf: Spatiality and Cultural Politics and related topics. Visit IndoorVoicesPodcast.com for more.

Recorded February 13th, 2025. Pay Attention!: Literary Studies, Neurohumanities and the ‘Distraction Economy' Trinity Long Room Hub Visiting Research Fellow Prof Ronan McDonald (University of Melbourne, Australia) in conversation with Prof Christopher Morash (School of English, TCD) and Prof Shane O'Mara (TCIN, TCD). ‘Attention studies' is burgeoning in academic and popular fora, not least because there is a common perception that we live in an era of digital distraction. Drawing on insights from neuroscience, this project considers the relationship between reading and attention in literary studies. It considers how reading orientates our mind, between various affective states that compel or distract: between willed concentration, raptured enchantment or receptive, wide-minded noticing. Opening up a cross-disciplinary conversation between literary studies, psychology and neuroscience,  it seeks to provide new purpose and direction for literary studies. ​​​​​​​ About Ronan McDonald: Ronan McDonald holds the Gerry Higgins Chair in Irish Studies at the University of Melbourne. He is widely published in Irish literary studies, with a particular interest in Irish modernism and Irish-Australian literature. He also has a research interest in the history of criticism and the value of the humanities. His books include Tragedy and Irish Literature (2002), The Cambridge Introduction to Samuel Beckett (2007) and The Death of the Critic (2008). Recent edited collections include The Values of Literary Studies: Critical Institutions, Scholarly Agendas (Cambridge University Press, 2015) and Flann O'Brien and Modernism (2014). He is series editor of Cambridge Themes in Irish Literature and Culture. Current projects include an ARC Discovery Project with Prof Katherine Bode and Maggie Nolan, ‘Close Relations: Irishness in Australian Literature'. and a ARC Discovery Project, with Professor Simon During, on 'English: The History of a Discipline, 1920-70'. He is currently working on a book on ‘attention' in literary studies. Learn more at www.tcd.ie/trinitylongroomhub

How does our excavation of ancestral history shape our understanding of ourselves and how can writing guide us through this process? On this episode, Derek Chan discusses the role of family stories in his poetry and life, the magic of bewilderment in art, and the dissonance between our external language and our internal being. Plus, as a first-generation and international student, he offers advice for others moving to the United States to pursue higher education.Derek Chan is a writer and educator from Melbourne, Australia. He holds a First-Class Honours in Literary Studies from Monash University, where he received the Arthur Brown Thesis Prize. His writing has appeared in journals and anthologies such asBest of Australian Poems,Australian Poetry Anthology,Cordite Poetry Review,Meanjin,The Margins,Juked, and elsewhere. He has been a finalist for awards by Frontier Poetry and Palette Poetry. He is currently an MFA candidate at Cornell University, where he is an Editorial Associate for EPOCH and a university fellow. Find him at his websitederekchanarts.com and on Instagram@derek_chan_.MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers atMFAwriters.com.BE PART OF THE SHOWDonate to the show at Buy Me a Coffee.Leave a rating and review onApple Podcasts.Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience.Apply to be a guest on the show by filling outour application.STAY CONNECTEDTwitter:@MFAwriterspodInstagram:@MFAwriterspodcastFacebook:MFA WritersEmail:mfawriterspodcast@gmail.com

Who were the communist women who designed and implemented the socialist project of women's emancipation not only in Poland, but around the world? How did they conceptualize emancipation? How to write about them today, when any association with communism arouses resistance, and communists are either erased from history or stereotypically captured as traitors to the nation? We talk with Agnieszka Mrozik about her book "Female architects of the Polish People's Republic: Communist women, literature, and women's emancipation in postwar Poland" (2022).   Agnieszka Mrozik is an associate professor of literary studies at the Institute of Literary Research of the Polish Academy of Sciences. She is affiliated with two research units: The Center for Cultural and Literary Studies of Communism, and the Women's Archive. She was a fellow of the Imre Kertész Kolleg in Jena (2017), the Institute for Advanced Study CEU (2018/19), and the DAAD program at the University of Hamburg (2019). In the summer semester of 2023/24, she was a guest professor at the European University Viadrina in Frankfurt (Oder). She is the author of Architektki PRL-u: Komunistki, literatura i emancypacja kobiet w powojennej Polsce [Female architects of the Polish People's Republic: Communist women, literature, and women's emancipation in postwar Poland] (Wydawnictwo IBL PAN, 2022) and Akuszerki transformacji: Kobiety, literatura i władza w Polsce po 1989 roku [Midwives of the transformation: Women, literature, and power in post-1989 Poland] (Wydawnictwo IBL PAN, 2012). She has co-authored and co-edited several collective volumes, including Reassessing Communism: Concepts, Culture, and Society in Poland, 1944–1989 (CEU Press, 2021), Gender, Generations, and Communism in Central and Eastern Europe and Beyond (Routledge, 2020), and Historical Memory of Central and East European Communism (Routledge, 2018).

Romance Fandom in 21st-Century Pakistan: Reading the Regency (Bloomsbury, 2024) offers the first major study of English-speaking romance fandom in South Asia, providing a new reader-centric model that engages with romance readers as genre experts. Here, she investigates the popular Anglophone romance reading community in Pakistan and develops a model for analysing genre romance novels through the lens of the readers' perspective and preferences. Using focus-group interviews and close textual analysis, her book explores where and how readers access books of their choice, and explains why the detailed descriptions of dresses, food and spaces in historical romance novels of the Regency era exemplify good taste for this distinctive readership. Sitting at the intersection of literary studies, genre studies, and fan studies, this book considers the reception of Anglophone romance fiction by reading communities of colour. About the author: Javaria Farooqui is Assistant Professor of English and Literary Studies at COMSATS University Islamabad, Lahore Campus, Pakistan. Dr. Farooqui's research interests fall across multiple disciplines and topic areas in the humanities and social sciences, including fan studies, book history, women's writing and histories, digital humanities, language acquisition, popular romance studies, and reader response studies. She has published research that explores the reception and materiality of texts, the ramifications of colonization and its aftermath on a nation's literary culture, gender-based violence, and the problematic reception of Anglophone movies in Pakistan. Priyam Sinha recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Romance Fandom in 21st-Century Pakistan: Reading the Regency (Bloomsbury, 2024) offers the first major study of English-speaking romance fandom in South Asia, providing a new reader-centric model that engages with romance readers as genre experts. Here, she investigates the popular Anglophone romance reading community in Pakistan and develops a model for analysing genre romance novels through the lens of the readers' perspective and preferences. Using focus-group interviews and close textual analysis, her book explores where and how readers access books of their choice, and explains why the detailed descriptions of dresses, food and spaces in historical romance novels of the Regency era exemplify good taste for this distinctive readership. Sitting at the intersection of literary studies, genre studies, and fan studies, this book considers the reception of Anglophone romance fiction by reading communities of colour. About the author: Javaria Farooqui is Assistant Professor of English and Literary Studies at COMSATS University Islamabad, Lahore Campus, Pakistan. Dr. Farooqui's research interests fall across multiple disciplines and topic areas in the humanities and social sciences, including fan studies, book history, women's writing and histories, digital humanities, language acquisition, popular romance studies, and reader response studies. She has published research that explores the reception and materiality of texts, the ramifications of colonization and its aftermath on a nation's literary culture, gender-based violence, and the problematic reception of Anglophone movies in Pakistan. Priyam Sinha recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Romance Fandom in 21st-Century Pakistan: Reading the Regency (Bloomsbury, 2024) offers the first major study of English-speaking romance fandom in South Asia, providing a new reader-centric model that engages with romance readers as genre experts. Here, she investigates the popular Anglophone romance reading community in Pakistan and develops a model for analysing genre romance novels through the lens of the readers' perspective and preferences. Using focus-group interviews and close textual analysis, her book explores where and how readers access books of their choice, and explains why the detailed descriptions of dresses, food and spaces in historical romance novels of the Regency era exemplify good taste for this distinctive readership. Sitting at the intersection of literary studies, genre studies, and fan studies, this book considers the reception of Anglophone romance fiction by reading communities of colour. About the author: Javaria Farooqui is Assistant Professor of English and Literary Studies at COMSATS University Islamabad, Lahore Campus, Pakistan. Dr. Farooqui's research interests fall across multiple disciplines and topic areas in the humanities and social sciences, including fan studies, book history, women's writing and histories, digital humanities, language acquisition, popular romance studies, and reader response studies. She has published research that explores the reception and materiality of texts, the ramifications of colonization and its aftermath on a nation's literary culture, gender-based violence, and the problematic reception of Anglophone movies in Pakistan. Priyam Sinha recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Romance Fandom in 21st-Century Pakistan: Reading the Regency (Bloomsbury, 2024) offers the first major study of English-speaking romance fandom in South Asia, providing a new reader-centric model that engages with romance readers as genre experts. Here, she investigates the popular Anglophone romance reading community in Pakistan and develops a model for analysing genre romance novels through the lens of the readers' perspective and preferences. Using focus-group interviews and close textual analysis, her book explores where and how readers access books of their choice, and explains why the detailed descriptions of dresses, food and spaces in historical romance novels of the Regency era exemplify good taste for this distinctive readership. Sitting at the intersection of literary studies, genre studies, and fan studies, this book considers the reception of Anglophone romance fiction by reading communities of colour. About the author: Javaria Farooqui is Assistant Professor of English and Literary Studies at COMSATS University Islamabad, Lahore Campus, Pakistan. Dr. Farooqui's research interests fall across multiple disciplines and topic areas in the humanities and social sciences, including fan studies, book history, women's writing and histories, digital humanities, language acquisition, popular romance studies, and reader response studies. She has published research that explores the reception and materiality of texts, the ramifications of colonization and its aftermath on a nation's literary culture, gender-based violence, and the problematic reception of Anglophone movies in Pakistan. Priyam Sinha recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Romance Fandom in 21st-Century Pakistan: Reading the Regency (Bloomsbury, 2024) offers the first major study of English-speaking romance fandom in South Asia, providing a new reader-centric model that engages with romance readers as genre experts. Here, she investigates the popular Anglophone romance reading community in Pakistan and develops a model for analysing genre romance novels through the lens of the readers' perspective and preferences. Using focus-group interviews and close textual analysis, her book explores where and how readers access books of their choice, and explains why the detailed descriptions of dresses, food and spaces in historical romance novels of the Regency era exemplify good taste for this distinctive readership. Sitting at the intersection of literary studies, genre studies, and fan studies, this book considers the reception of Anglophone romance fiction by reading communities of colour. About the author: Javaria Farooqui is Assistant Professor of English and Literary Studies at COMSATS University Islamabad, Lahore Campus, Pakistan. Dr. Farooqui's research interests fall across multiple disciplines and topic areas in the humanities and social sciences, including fan studies, book history, women's writing and histories, digital humanities, language acquisition, popular romance studies, and reader response studies. She has published research that explores the reception and materiality of texts, the ramifications of colonization and its aftermath on a nation's literary culture, gender-based violence, and the problematic reception of Anglophone movies in Pakistan. Priyam Sinha recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Romance Fandom in 21st-Century Pakistan: Reading the Regency (Bloomsbury, 2024) offers the first major study of English-speaking romance fandom in South Asia, providing a new reader-centric model that engages with romance readers as genre experts. Here, she investigates the popular Anglophone romance reading community in Pakistan and develops a model for analysing genre romance novels through the lens of the readers' perspective and preferences. Using focus-group interviews and close textual analysis, her book explores where and how readers access books of their choice, and explains why the detailed descriptions of dresses, food and spaces in historical romance novels of the Regency era exemplify good taste for this distinctive readership. Sitting at the intersection of literary studies, genre studies, and fan studies, this book considers the reception of Anglophone romance fiction by reading communities of colour. About the author: Javaria Farooqui is Assistant Professor of English and Literary Studies at COMSATS University Islamabad, Lahore Campus, Pakistan. Dr. Farooqui's research interests fall across multiple disciplines and topic areas in the humanities and social sciences, including fan studies, book history, women's writing and histories, digital humanities, language acquisition, popular romance studies, and reader response studies. She has published research that explores the reception and materiality of texts, the ramifications of colonization and its aftermath on a nation's literary culture, gender-based violence, and the problematic reception of Anglophone movies in Pakistan. Priyam Sinha recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

They say urban legends aren't real and are only cautionary tales to keep unruly children at bay, but there are elements underlying these stories that are far more terrifying than any monster or ghoul. The biggest horror? We, as Black people, have learned to fear ourselves. In 2022, Jay sat down with Dr. Kinitra Brooks to guide this conversation. Beyond being a horror scholar, she is a horror fan. She's authored two books: Searching for Sycorax: Black Women's Hauntings of Contemporary Horror and Sycorax's Daughters, and is working on her next work about Conjure Women. She is also the Audrey and John Leslie Endowed Chair in Literary Studies in the Department of English at Michigan State University. __________________________ Black History Year (BHY) is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school and explore pathways to liberation with people leading the way. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. Hosting BHY is Jay (2020-2023) and Darren Wallace (2024). Our producers are Cydney Smith and Len Webb. BHY's executive producers are Julian Walker and Lilly Workneh. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Amalia Andrade es una autora e ilustradora colombiana, nacida en Cali, Valle del Cauca. Desde pequeña, siempre estuvo atraída por los libros y la escritura. Aún recuerda el momento en su infancia cuando se dio cuenta de que podía convertir esa pasión en una profesión, y desde entonces no ha mirado atrás. Amalia estudió Literatura en la Pontificia Universidad Javeriana de Bogotá y comenzó su carrera colaborando con varios medios colombianos e internacionales, como Vive.in, Fucsia, SoHo, Shock y Girls Like Us.En 2015, publicó su libro debut, Uno siempre cambia al amor de su vida (por otro amor o por otra vida), que se convirtió en un éxito instantáneo en Colombia e internacionalmente. El libro alcanzó tres ediciones y fue traducido al inglés. Desde entonces, ha lanzado tres obras adicionales: Cosas que piensas cuando te muerdes las uñas (2017), Tarot magicomístico de estrellas pop (2018) y su más reciente, No sé cómo mostrar dónde me duele (2023).En este episodio, Amalia comparte la inspiración detrás de sus libros profundamente personales y conmovedores. Habla sobre cómo ha superado el síndrome del impostor y el perfeccionismo a través de su arte, sus experiencias como mujer abiertamente queer y mucho más.Este episodio es presentado por Cartier, que celebra 100 años de la icónica colección Trinity, un símbolo perdurable de amor, amistad y fidelidad. En esta serie, exploramos las historias de tres creativos extraordinarios cuyas obras y vidas encarnan estos valores.Para más historias de creativos latinoamericanos, visita www.latinness.com y @latinness__.-------AMALIA ANDRADE: "It all started with a very broken heart"Amalia Andrade is a Colombian author and illustrator, born in Cali, Valle del Cauca. Drawn to books and writing from a young age, she can still recall the moment when, as a child, she realized she could turn this passion into a profession, and since then, hasn't looked back. Amalia studied Literary Studies at the Pontificia Universidad Javeriana in Bogota and began her career contributing to various Colombian and international media outlets, including Vive.in, Fucsia, SoHo, Shock, and Girls Like Us.In 2015, she published her debut book, You Always Change the Love of Your Life (for Another Love or Another Life), which became an instant bestseller in Colombia and internationally. The book saw three editions and was translated into English. Since then, she has released three additional works: Things You Think About When You Bite Your Nails, Tarot magicomístico de estrellas (The Magic Mystic Tarot of (Pop) Stars), and her most recent No sé cómo mostrar dónde me duele (I Don't Know How to Show You Where It Hurts).In this episode, Amalia shares the inspiration behind her deeply personal and relatable books. She discusses overcoming imposter syndrome and perfectionism through her art, her experiences as an openly queer woman, and much more.This episode is brought to you by Cartier, celebrating 100 years of the iconic Trinity collection—an enduring symbol of love, friendship and fidelity. In this series, we delve into the stories of three extraordinary creatives whose work and lives embrace these values.For more stories with Latin American creatives, visit www.latinness.com and follow @latinness__.

To begin with, Ginger and I want to thank Elsa Schieder, PhD for her interview with us. In it, she brilliantly told the story of attorney Reiner Fuellmich's ongoing martyrdom by the German government. I am deeply indebted to her for inspiring me to write this introduction in defense of this great man and to honor him.1   On October 13, 2023, international attorney Dr. Reiner Fuellmich was apprehended at the German consulate in Tijuana, Mexico, where he was seized by Mexican officials, flown to Germany against his will, and then arrested. He has been in jail since then. Reiner was on his way to hoped-for freedom in the United States, where he is a licensed lawyer and where he owns a home. Reiner's passport had been either lost or misplaced, causing him to arrange for a new passport at the German consulate, which then kidnapped him.   Since then, as described by Elsa Schieder, Reiner has been treated with the brutality associated with Communist dictatorships and, ironically, with the Nazi regimes that originated in Germany. He was denied a trial for many months, and now, more than one year later, he is still in a bizarrely manipulated trial. He has been denied the most ordinary rights once accepted in the West, which are now being eroded everywhere. He comes to court in shackles, and he is not permitted to speak.   It is hard to get information because these neo-Nazi globalist Germans have cut him off from the world, but according to Elsa Schieder, it appears that an entirely illegal solitary confinement continues. It has been going on for months, and when that did not break him, a madman was put in a nearby cell who shrieks and screams through much of the night.    What are Reiner Fuellmich's alleged crimes for which he is being so brutally treated? Mass murder? Assassination attempts? Insurrection? Resurrecting the Nazi Party?   He is on trial for “breach of trust” in financial transactions involving an associate who looks to me like a government plant assigned to disrupt his work on the Corona Committee. The Corona Committee is an independent group that, under Reiner, was carrying on a lengthy investigation of COVID-19 on the model of the Nuremberg Trial investigations of Nazi war criminals. Reiner had told me personally that the courts in Europe were so intractably controlled from above that he had lost hope and was anticipating greater success in the United States.   Here is a succinct description of what's so frightening to the authorities about Reiner Fuellmich:   Dr Reiner Fuellmich is an international trial lawyer who has successfully sued large fraudulent corporations like Volkswagen and Deutsche Bank. In 1993, he has been an attorney in Germany and was also admitted to the Bar in California in 1994.   In July 2020, he co-founded the Berlin Corona Investigative Committee, which investigated the legitimacy and global response to the COVID-19 pandemic. They have collected undeniable evidence that the COVID-19 pandemic is, in fact, a planned criminal operation. According to Dr. Fuellmich, a second Nuremberg trial may be needed to prosecute all who are complicit in this unprecedented crime against humanity.2   Reiner and I have a similar background in regard to our professional activities and histories of taking on powerful cooperations, myself in the role of a medical expert. I have written about, consulted, and testified as a medical expert in legal actions involving Eli Lilly, Johnson and Johnson, Janssen, Pfizer, Novartis, Hoffmann-La Roche and many others, often resulting in counter-attacks against me.   Reiner conducted one of the most interesting interviews in which I have been involved, with participation by Professor Dr. Sucharit Bhakdi, Professor Dr. Karina Reiss, Dr. Naomi Wolf and myself. On the cutting edge, we talked about permanent brain injury from the COVID jabs causing personality changes in the population, making people less engaged with each other and with life—and more docile. Reiner was not afraid to deal with controversial issues that threatened all of humanity.   Confronting One of Reiner Fuellmich's Worst Betrayers   On 7.28.21, I was interviewed by Reiner and simultaneously by one of his most devious current accusers, attorney Viviane Fischer, who became a mastermind behind the accusations made against him.3 It was long-distance video testimony at Reiner's request for his Corona Committee.4 He had previously interviewed me about our book, COVID-19 and the Global Predators: We Are the Prey, and we shared an amazingly similar vision of the disaster befalling the world. Reiner asked me to present my criticism of Mattias Desmet's concept of mass formation and Robert Malone's closely related derivative concept of mass psychosis.   I was met with open hostility by Fischer who kept interrupting me, so that Reiner had to confront her, insisting that I be allowed to talk. She was deeply committed to Desmet and seemed to know him personally. I ventured to invite her to bring Desmet onto one of the committee hearings, along with me, to debate our differing viewpoints.  It would be an unusually fair platform with Reiner supporting me and herself supporting Desmet. Of course, she never arranged it.   My Critique of Desmet, Shared by Reiner   My critique, about which I've written in considerable detail,5 focuses on how these concepts blame the victims of abuse by declaring the “masses” or the people themselves cause their own distress and bring totalitarianism down upon themselves by becoming spontaneously “psychotic” and vulnerable to totalitarians. Desmet writes that the “elite” are not to be blamed. Indeed, in his own critique of my criticism of him, he seemed to issue me a warning. The theory, which ridicules conspiracies, was even applied by Desmet and Malone, in separate writings, to Nazi Germany, where it most obviously does not apply.   German citizens suffered from mass formations or mass psychoses that made them rally around themselves to create, induce, or enable Hitler. Hitler grossly conspired with his political gangs and with elites in government and industry, with antisemites and predators of all kinds, to take over political control of Germany. He rearmed the nation with international funding from banks and industries. Then he controlled “the masses” with a combination of enormously powerful propaganda spouted through new radios widely distributed in homes, socialist projects, promises of economic recovery, inflaming German humiliations from the First World War, bolstering racial Aryan pride, and blaming everything bad on the Jews. Then, he overwhelmed the “masses” in his own nation and throughout Europe with the most organized, violent, and horrific attacks ever made by a dictator on his own population and all of Europe.   No, Desmet and Malone are not Hitler apologists, but their views enable powerful villains of every ilk to go unblamed while the people are led to blame themselves instead.   Ironically, it is the Germans themselves, now tools of globalism, who are among the leaders of totalitarianism on a global scale, including offering great support to the WHO and the UN in their support of “global governance.” In that process, they are putting on their puppet horror show of a trial against Reiner Fuellmich to make sure no others dare confront them as he has been doing so successfully, with incomparable courage, enormous intelligence, and great effectiveness.   Is America As Bad as Germany in Legal Attacks on  Dissenters?   The attacks on Reiner are not unprecedented in America. In the United States, untold numbers of innocent people were arrested during the so-called insurrection of January 6, 2021, in Washington, DC. Many of the January Sixers are still falsely imprisoned, their rights trampled upon, and at least until recently, the government was still searching archived videos to falsely charge even more of them. Then there are the political arrests and jailings of Donald Trump's supporters, including General Flynn, Roger Stone, Steve Bannon, and Peter Navaro. And equally egregious — the worst in American history — have been the unrelenting lawfare, impeachments, and government-enabled assassination attempts against Donald Trump. All of this is driven by the global elite we call the global predators who have infiltrated our governments in a long-term strategy to bring us all under the control of what the United Nations now openly proclaims as “the global governance.”   We also should not ignore the many lesser-known victims of government abuse, including Ed Wackerman, who Elsa Schieder describes in her interview with us as a gentle, retired senior, falsely charged with setting the giant Oak Fire, who has been brutalized by the police and largely abandoned.      What's So Dangerous about Reiner Fuellmich?   Why is there much strategic planning and hatred organized against Reiner Fuellmich? Why would the German neo-Nazis, these predatory globalists, do such extremist strategic planning on an international level to kidnap him in Mexico before he could cross the border into the United States, where he is a licensed attorney and owns his own home?   Why? Like many of us, Reiner Fuellmich has been fighting against global predators who are seeking to devour the world. More than most of us, he has been enormously successful in globalist Europe in shining a blinding light on these evil perpetrators and that has brought the wrath of the devil upon him. Now may God rescue this brave man!   1 Elsa Schieder has a Ph.D. in combined Psychology, Sociology, and Literary Studies. Her work can be found at truthsummit.substack.com, https://truthsummit.info, https://elsathoughtcreativitypassionlife.com and https://fullflourishing.com    2 Dr Reiner Fuellmich | Totality of Evidence   3 Judicial Scandal in Germany: The Fuellmich Case – Truth Comes to Light   4 Dr. Peter Breggin Interviewed by International Lawyer Reiner Fuellmich – Brighteon.com   5 Critiques of Desmet and Malone by Dr. Breggin and others can be found at: Breggin.com | Critiques of Malone, Desmet and Their Colleagues and for my detailed analysis of Desmet's theory see Breggin.com | Article Detail       Learn more about Dr. Peter Breggin's work: https://breggin.com/   See more from Dr. Breggin's long history of being a reformer in psychiatry: https://breggin.com/Psychiatry-as-an-Instrument-of-Social-and-Political-Control   Psychiatric Drug Withdrawal, the how-to manual @ https://breggin.com/a-guide-for-prescribers-therapists-patients-and-their-families/   Get a copy of Dr. Breggin's latest book: WHO ARE THE “THEY” - THESE GLOBAL PREDATORS? WHAT ARE THEIR MOTIVES AND THEIR PLANS FOR US? HOW CAN WE DEFEND AGAINST THEM? Covid-19 and the Global Predators: We are the Prey Get a copy: https://www.wearetheprey.com/   “No other book so comprehensively covers the details of COVID-19 criminal conduct as well as its origins in a network of global predators seeking wealth and power at the expense of human freedom and prosperity, under cover of false public health policies.”   ~ Robert F Kennedy, Jr Author of #1 bestseller The Real Anthony Fauci and Founder, Chairman and Chief Legal Counsel for Children's Health Defense.

Episode 186: Old Marvels, New Approaches: The Revitalization of Balāgha in Moroccan Literary Studies The science of balāgha is an Arabic scholarly discipline dealing with poetics and rhetoric, one that dates back to at least the 10th century C.E. Scholars of balāgha have long studied how poets convey intellectual and emotional content to listeners by using tools such as vivid imagery, sound play, and stylistic variation. Meanwhile, the relationship between Arabic balāgha and the Greek rhetorical tradition beginning with Aristotle has always been complicated, with some thinkers seeing the Greek emphasis on persuasive oratory as a welcome addition to Arabic-Islamic ideas about the power of language and speech, and others attempting to defend the Arabic language sciences against external influence. In the 19th and 20th centuries, balāgha was often viewed by progressive writers and thinkers as anachronistic. Its study thus tended to be confined to traditional Islamic institutions and seen as relevant only to particular “premodern” Arabic-Islamic texts. But recent decades have seen a renewed dedication to the continued vitality and value of a type of balāgha study called “The New Balāgha” that draws on Greek, Arabic, and hybrid conceptual tools. For those involved in this movement, balāgha comes to name a set of ideas about how people connect through language: how they become open to new ideas, empathetic to the struggles of those around them, and sensitive to the powers of linguistic beauty and subtlety. This scholarly movement has come to be particularly associated with Morocco, and especially with Abdelmalek Essaadi University in Tetouan, where its best-known practitioner and advocate, Dr. Mohamed Mechbal, teaches. Betty Rosen is a final-year PhD candidate in the Department of Middle Eastern Languages and Cultures and the Designated Emphasis Program in Critical Theory at the University of California, Berkeley. Originally from Cleveland, OH, she earned her A.B. in Comparative Literature Magna Cum Laude from Harvard College in 2012, as well as completing an MA in Arabic Literature at SOAS (University of London) in 2013. She was also a CASA Fellow at the American University of Cairo during the 2017-18 academic year. Betty specializes in Arabic and Hebrew poetics and theories of language, both medieval and modern. Her dissertation, entitled Language Marvels: Al-Badī‘ In and Beyond Arabic-Islamic Poetics, focuses primarily on the conceptions of al-badī‘—the “marvelous creativity of language”—developed in writings by Muslim and Jewish Arabophone writers in Egypt during the Mamluk Period (13th-15th centuries). The dissertation also asks how certain 19th-century thinkers mobilized Mamluk-era ideas about language, poetics, and creativity to envision alternative forms of Arab “modernity.” Betty's research interests also extend into the 20th and 21st centuries, particularly the ways in which contemporary Arab scholars mobilize and reimagine older ideas about the Arabic linguistic and poetic tradition. In her free time, she plays viola, writes creatively, and works on an ongoing Arabic-to-English fiction translation project. This episode was recorded on June 22, 2023 at the Tangier American Legation Institute for Moroccan Studies (TALIM).  Recorded and edited by: Abdelbaar Mounadi Idrissi, Outreach Director, TALIM

ShortCuts as a series on The SpokenWeb Podcast feed is coming to an end.For the past five seasons, ShortCuts producer Katherine McLeod has been bringing you deep dives into the archives. Through this process, ShortCuts has asked the question of what it means to listen closely and carefully to short ‘cuts' of audio. ShortCuts has become a sonic space to practice of feminist listening, and that listening has informed continued audio-based research, performances (including performances based on ShortCuts audio) and publications (such as “Archival Listening” and “The Kitchen Table is Always Where We Are: Podcasting as Feminist Self-Reflexive Practice”).For this final ShortCuts, we listen to Brandon LaBelle in a conversation recorded on-site at Errant Bodies Press in Berlin. Listen to hear a reading from LaBelle's “Poetics of Listening” (as published in ESC “New Sonic Approaches in Literary Studies”), to hear about Errant Bodies Press and what it sounds like to be there, and to hear the open door as a way of listening. That open door listening will continue even after ShortCuts ends.Stay tuned for what is next!*SHOW NOTESMore about Errant Bodies Press and The Listening Biennal. LaBelle, Brandon. "Poetics of Listening." ESC: English Studies in Canada, vol. 46 no. 2, 2020, p. 273-277. Project MUSE, https://doi.org/10.1353/esc.2020.a903562.McLeod, Katherine. "Archival Listening." ESC: English Studies in Canada, vol. 46 no. 2, 2020, p. 325-331. Project MUSE, https://doi.org/10.1353/esc.2020.a903565.Copeland, Stacey, Hannah McGregor and Katherine McLeod. “The Kitchen Table is Always Where We Are: Podcasting as Feminist Self-Reflexive Practice.” Podcast Studies: Theory into Practice, eds. Dario Linares and Lori Beckstead, Wilfrid Laurier UP, forthcoming in December 2024. *APPLAUSEA round of applause for all who have been part of the production-side of ShortCuts, from 2019 to the present: Stacey Copeland, Hannah McGregor, Manami Izawa, Judith Burr, Kate Moffatt, Miranda Eastwood, Ella Jando-Saul, Kelly Cubban, Zoe Mix, Yara Ajeeb, James Healey, Maia Harris, and of course ShortCuts producer Katherine McLeod. 

Considerations of Toni Morrison and scholarly discourse.Written by Howard Rambsy IIRead by Kassandra Timm

What two scholars of African American literature indicate about the range of a scholarly fieldWritten by Howard Rambsy IIRead by Kassandra Timm

SUMMARY In this month's episode of The SpokenWeb Podcast, ShortCuts is taking over the airwaves. ShortCuts is the monthly minisode that takes you on a deep dive into archival sound through a short ‘cut' of audio. In this fifth season, ShortCuts producer Katherine McLeod has been presenting a series of live conversations recorded at the 2023 SpokenWeb Symposium – and in this full episode, we're rolling out the last of those recordings. You'll hear from Moynan King, Erica Isomura and Rémy Bocquillon. You'll also hear the voices of our then-supervising producer Kate Moffatt and our then-sound designer Miranda Eastwood, who was there behind-the-scenes recording the audio and who joins in the conversations too.  Listening is at the heart of each conversation, and each conversation ends with the question: What are you listening to now? That ends up being quite an eclectic playlist and do check the Show Notes below for links. If you like what you hear, check out the rest of Season Five of ShortCuts for conversations with Jennifer Waits, Brian Fauteaux, and XiaoXuan Huang. And, of course, this month's episode with the longest ShortCuts yet: “ShortCuts Live! Talking about Listening with Moynan King, Erica Isomura, and Rémy Bocquillon.”*SHOW NOTES TRACE at Theatre Passe MurailleSteve Roach, Quiet Music 1False Knees, Montreal-based graphic artist drawing birds talkingÉliane RadigueKishi Bashi, “Manchester.” (Did you catch that this song is about writing a novel and Erica had just talked about novels? Not to mention the bird references. There are many more Kishi Bashi songs to listen to, but linking this since we played a clip from this one in the episode for these serendipitous reasons!) *BIOS Moynan King Moynan King is a performer, director, curator, writer, and scholar. She was the recipient of a 2020 Canadian Screen Award for her writing on CBC's Baroness von Sketch Show on which she also made regular appearances as an actor. She is the author of six plays, and the creator of many performances including TRACE with Tristan Whiston. Moynan was the co-founder and director of the Hysteria Festival, the co-director of the Rhubarb! Festival (for four years), and has been the curator of multiple cabaret events including Cheap Queers. As an Assistant Artistic Director and Associate Artist at Buddies in Bad Times Theatre for a total nine years, they developed such works as The Beauty Salon and Bathory among many others. Moynan holds a PhD in Theatre and Performance Studies from York University. Her critical writing on theatre and performance is widely published and they are the editor of Queer Performance: Women and Trans Artists (CTR 149), Queer/Play: An Anthology of Queer Women's Performance and Plays, and co-editor of Sound & Performance (CTR 184) with Megan Johnson. As of September 2022, Moynan will be post-doctoral fellow at the University of Western Ontario working with Dr. Spy Dénommé-Welch on a sound-based research project entitled Queer Resonance.Erica IsomuraBorn and raised on the west coast, Erica H Isomura is a poet, essayist, and multi-disciplinary artist, exploring graphic forms and mixed-media art. Her work speaks to a complex relationship with land, politics, and yonsei 四世 Japanese and diasporic Cantonese identity. Erica's writing has appeared in Canadian literary and independent magazines, including ArtsEverywhere.ca, ROOM Magazine, Briarpatch, The Tyee, XtraMagazine.com, The Fiddlehead, Vallum, and carte blanche, among others. In 2023, Erica was artist-in-residence at The Blue Cabin Floating Artist Residency in Steveston Village, BC. Erica is a recipient of ROOM magazine's Emerging Writer Award and won first prize in Briarpatch's Writing In The Margins contest for creative non-fiction. Erica currently resides in Tkarón:to/Toronto, ON. https://ericahiroko.ca/Rémy BocquillonRémy Bocquillon is a Postdoctoral researcher and Lecturer in Sociology at the Catholic University of Eichstätt-Ingolstadt, Germany. His research interests revolve around epistemic practices bridging the gap between arts, science, and philosophy, which he explores through his own creative work as a sound artist and musician. His latest projects include the publication of his book “Sound Formations. Towards a sociological thinking-with sounds” and the sound installation “Activating Space | Prehending the City”.https://remybocquillon.eu/*Kate Moffatt (interviewer) is a PhD student in the Department of English at Simon Fraser University. Her research interests include British Romanticism, women's authorship, walking and pedestrianism, and print culture. She is the former supervising producer of The SpokenWeb Podcast, and she is the current co-host of The WPHP Monthly Mercury podcast.Miranda Eastwood (sound recording) is a game writer and interdisciplinary artist based in Montréal. Miranda holds a master's degree in English Literature and Creative Writing at Concordia University, where they passionately pursued works of many forms, including the development of a radio drama, several ongoing comics, and the release of a full-length audiobook, and made audio as the sound designer for The SpokenWeb Podcast. https://mirandaeastwood.com/Katherine McLeod (producer) is an Assistant Professor, Limited Term Appointment, in the Department of English at Concordia University. She is the principal investigator for her SSHRC-funded IDG project “Literary Radio: Developing New Methods of Audio Research.” She has co-edited with Jason Camlot a recent special issue of English Studies in Canada, “New Sonic Approaches in Literary Studies.” She co-hosts The SpokenWeb Podcast and produces ShortCuts as a series for the podcast feed.

A short take on the advancement of a literary field during the late 1980s onward.Script by Howard Rambsy IIRead by Kassandra Timm

Charting the rise of African American literary resources.Written by Howard Rambsy II Read by Kassandra Timm

Is Trump really like Hitler? Last month, we did a show with the Hitler scholar, Peter Range, who argued that the Adolf Hitler of 1924 had much in common with the Donald Trump of 2024. And now we are back on the Trump-Hitler comparison train with Henk de Berg, author of the new Trump and Hitler: A Comparative Study in Lying. What ties Trump and Hitler together, de Berg argues, is their ability to fabricate reality (ie: lie). Both men, de Berg explains, are masterful performers on a political stage. Both, he insists, are supremely skilled in operating in a society in extreme flux. Henk de Berg is Professor of German at the University of Sheffield, UK. His previous books include Freud's Theory and Its Use in Literary Studies, which received a Choice Outstanding Academic Title Award.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

A brief take on the Modern Language Association's “Report on English Majors' Career Preparation and Outcomes.” Script by Howard Rambsy IIRead by Kassandra Timm

In this episode of High Theory, Jonathan Kramnick talks about Close Reading. Contrary to the name, it is less a form of slow or focused reading than an immersive practice of writing. The classic methodology of New Criticism has become, in Kramnick's estimation, the shared foundation of literary studies in the university. Our conversation was inspired by Jonathan's new book, Criticism and Truth: On Method in Literary Studies (Chicago, 2023). In the book he aims to “present a view of literary criticism as it is practiced across the academy in order to defend its standing as a contribution to knowledge” (vii). His defense of this foundational critical method joins a slate of recent metacritical books on the discipline of literary study, and the state of the humanities today. Jonathan Kramnick is the Maynard Mack Professor of English at Yale University. His research and teaching are in eighteenth-century literature and philosophy, foundations of literary theory and criticism, and interdisciplinary approaches to the arts. His prior publications include Paper Minds: Literature and the Ecology of Consciousness (Chicago, 2018), Actions and Objects from Hobbes to Richardson (Stanford, 2010), and Making the English Canon: Print Capitalism and the Cultural Past, 1700-1770 (Cambridge, 1999). His current book project on Alexander Pope, William Cowper, and the poetics of designed environments is titled Earthworks: Two Before Romanticism. He is also director of the Lewis Walpole Library and the editor (with Steven Pincus) of the Lewis Walpole Series in Eighteenth-Century Culture and History for Yale University Press. The image accompanying this episode was drawn by Saronik Bosu in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Glynne Walley, East Asian Languages and Literatures and 2023–24 OHC Ernest G. Moll Research Fellow in Literary Studies. The 19th-century adventure novel Eight Dogs by Kyokutei Bakin is one of the most influential books in Japanese history and a key example of the spread of literary ideas and techniques across the the Sinosphere. It's also one of the longest novels in world history. My project involves a complete annotated translation in multiple volumes, each with an introduction examining a different aspect of the work; the next introduction will look at the publishers who undertook this massive project.

In this episode of High Theory, Matt Seybold tells us about Criticism, the glue that holds the bricks of culture together. Cultural critics are a necessary component of the intellectual ecosystem, who have the power to analyze both the material conditions and the myths that make up our world. Matt is the host of the American Vandal Podcast at the Center for Mark Twain Studies at Elmira College. In his recent podcast series, Criticism, LTD, Matt investigated the state of criticism in the academy and the public sphere. There is a nifty substack newsletter with the transcripts from Criticism, LTD, if you're keen. Kim and Saronik were among the many podcasters, public intellectuals, and critics that Matt interviewed for the series, and we're excited to have him back on High Theory to tell us about his investigations. In the episode he offers a recuperative reading of Mark Twain's acerbic take on critics in his late notebooks: “The critic's symbol should be the tumble-bug; he deposits his egg in somebody else's dung, otherwise he could not hatch it.” (see p. 392 of this Harper & Brothers, 1935 edition of Twain's Collected Works, on archive.org). He references Jacques Derrida's book, Limited Inc (Northwestern UP, 1988), which contains the *famous* essay “Signature, Event, Context” and a critical debate about Apartheid. And he also discusses Jed Esty's Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022) and our episode with Jed on the Rhetoric of Decline. You can also take a listen back to Matt's earlier episode with us on Economics. Matt Seybold is Associate Professor of American Literature & Mark Twain Studies at Elmira College, as well as Resident Scholar at the Center For Mark Twain Studies. He is the executive producer and host of the American Vandal Podcast, and founding editor of MarkTwainStudies.org. He is co-editor (with Michelle Chihara) of of the Routledge Companion to Literature & Economics (2018)and (with Gordon Hutner) a 2019 special issue of American Literary History on “Economics & Literary Studies in The New Gilded Age.” Recent articles can be found in the Mark Twain Annual, American Studies, Reception, and Los Angeles Review of Books. He tweets (or exes?) @MEASeybold. The image for this episode was made by Saronik Bosu in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of High Theory, Matt Seybold tells us about Criticism, the glue that holds the bricks of culture together. Cultural critics are a necessary component of the intellectual ecosystem, who have the power to analyze both the material conditions and the myths that make up our world. Matt is the host of the American Vandal Podcast at the Center for Mark Twain Studies at Elmira College. In his recent podcast series, Criticism, LTD, Matt investigated the state of criticism in the academy and the public sphere. There is a nifty substack newsletter with the transcripts from Criticism, LTD, if you're keen. Kim and Saronik were among the many podcasters, public intellectuals, and critics that Matt interviewed for the series, and we're excited to have him back on High Theory to tell us about his investigations. In the episode he offers a recuperative reading of Mark Twain's acerbic take on critics in his late notebooks: “The critic's symbol should be the tumble-bug; he deposits his egg in somebody else's dung, otherwise he could not hatch it.” (see p. 392 of this Harper & Brothers, 1935 edition of Twain's Collected Works, on archive.org). He references Jacques Derrida's book, Limited Inc (Northwestern UP, 1988), which contains the *famous* essay “Signature, Event, Context” and a critical debate about Apartheid. And he also discusses Jed Esty's Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022) and our episode with Jed on the Rhetoric of Decline. You can also take a listen back to Matt's earlier episode with us on Economics. Matt Seybold is Associate Professor of American Literature & Mark Twain Studies at Elmira College, as well as Resident Scholar at the Center For Mark Twain Studies. He is the executive producer and host of the American Vandal Podcast, and founding editor of MarkTwainStudies.org. He is co-editor (with Michelle Chihara) of of the Routledge Companion to Literature & Economics (2018)and (with Gordon Hutner) a 2019 special issue of American Literary History on “Economics & Literary Studies in The New Gilded Age.” Recent articles can be found in the Mark Twain Annual, American Studies, Reception, and Los Angeles Review of Books. He tweets (or exes?) @MEASeybold. The image for this episode was made by Saronik Bosu in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Matt Seybold tells us about Criticism, the glue that holds the bricks of culture together. Cultural critics are a necessary component of the intellectual ecosystem, who have the power to analyze both the material conditions and the myths that make up our world. Matt is the host of the American Vandal Podcast at the Center for Mark Twain Studies at Elmira College. In his recent podcast series, Criticism, LTD, Matt investigated the state of criticism in the academy and the public sphere. There is a nifty substack newsletter with the transcripts from Criticism, LTD, if you're keen. Kim and Saronik were among the many podcasters, public intellectuals, and critics that Matt interviewed for the series, and we're excited to have him back on High Theory to tell us about his investigations. In the episode he offers a recuperative reading of Mark Twain's acerbic take on critics in his late notebooks: “The critic's symbol should be the tumble-bug; he deposits his egg in somebody else's dung, otherwise he could not hatch it.” (see p. 392 of this Harper & Brothers, 1935 edition of Twain's Collected Works, on archive.org). He references Jacques Derrida's book, Limited Inc (Northwestern UP, 1988), which contains the *famous* essay “Signature, Event, Context” and a critical debate about Apartheid. And he also discusses Jed Esty's Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022) and our episode with Jed on the Rhetoric of Decline. You can also take a listen back to Matt's earlier episode with us on Economics. Matt Seybold is Associate Professor of American Literature & Mark Twain Studies at Elmira College, as well as Resident Scholar at the Center For Mark Twain Studies. He is the executive producer and host of the American Vandal Podcast, and founding editor of MarkTwainStudies.org. He is co-editor (with Michelle Chihara) of of the Routledge Companion to Literature & Economics (2018)and (with Gordon Hutner) a 2019 special issue of American Literary History on “Economics & Literary Studies in The New Gilded Age.” Recent articles can be found in the Mark Twain Annual, American Studies, Reception, and Los Angeles Review of Books. He tweets (or exes?) @MEASeybold. The image for this episode was made by Saronik Bosu in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of High Theory, Matt Seybold tells us about Criticism, the glue that holds the bricks of culture together. Cultural critics are a necessary component of the intellectual ecosystem, who have the power to analyze both the material conditions and the myths that make up our world. Matt is the host of the American Vandal Podcast at the Center for Mark Twain Studies at Elmira College. In his recent podcast series, Criticism, LTD, Matt investigated the state of criticism in the academy and the public sphere. There is a nifty substack newsletter with the transcripts from Criticism, LTD, if you're keen. Kim and Saronik were among the many podcasters, public intellectuals, and critics that Matt interviewed for the series, and we're excited to have him back on High Theory to tell us about his investigations. In the episode he offers a recuperative reading of Mark Twain's acerbic take on critics in his late notebooks: “The critic's symbol should be the tumble-bug; he deposits his egg in somebody else's dung, otherwise he could not hatch it.” (see p. 392 of this Harper & Brothers, 1935 edition of Twain's Collected Works, on archive.org). He references Jacques Derrida's book, Limited Inc (Northwestern UP, 1988), which contains the *famous* essay “Signature, Event, Context” and a critical debate about Apartheid. And he also discusses Jed Esty's Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022) and our episode with Jed on the Rhetoric of Decline. You can also take a listen back to Matt's earlier episode with us on Economics. Matt Seybold is Associate Professor of American Literature & Mark Twain Studies at Elmira College, as well as Resident Scholar at the Center For Mark Twain Studies. He is the executive producer and host of the American Vandal Podcast, and founding editor of MarkTwainStudies.org. He is co-editor (with Michelle Chihara) of of the Routledge Companion to Literature & Economics (2018)and (with Gordon Hutner) a 2019 special issue of American Literary History on “Economics & Literary Studies in The New Gilded Age.” Recent articles can be found in the Mark Twain Annual, American Studies, Reception, and Los Angeles Review of Books. He tweets (or exes?) @MEASeybold. The image for this episode was made by Saronik Bosu in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode of High Theory, Matt Seybold tells us about Criticism, the glue that holds the bricks of culture together. Cultural critics are a necessary component of the intellectual ecosystem, who have the power to analyze both the material conditions and the myths that make up our world. Matt is the host of the American Vandal Podcast at the Center for Mark Twain Studies at Elmira College. In his recent podcast series, Criticism, LTD, Matt investigated the state of criticism in the academy and the public sphere. There is a nifty substack newsletter with the transcripts from Criticism, LTD, if you're keen. Kim and Saronik were among the many podcasters, public intellectuals, and critics that Matt interviewed for the series, and we're excited to have him back on High Theory to tell us about his investigations. In the episode he offers a recuperative reading of Mark Twain's acerbic take on critics in his late notebooks: “The critic's symbol should be the tumble-bug; he deposits his egg in somebody else's dung, otherwise he could not hatch it.” (see p. 392 of this Harper & Brothers, 1935 edition of Twain's Collected Works, on archive.org). He references Jacques Derrida's book, Limited Inc (Northwestern UP, 1988), which contains the *famous* essay “Signature, Event, Context” and a critical debate about Apartheid. And he also discusses Jed Esty's Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022) and our episode with Jed on the Rhetoric of Decline. You can also take a listen back to Matt's earlier episode with us on Economics. Matt Seybold is Associate Professor of American Literature & Mark Twain Studies at Elmira College, as well as Resident Scholar at the Center For Mark Twain Studies. He is the executive producer and host of the American Vandal Podcast, and founding editor of MarkTwainStudies.org. He is co-editor (with Michelle Chihara) of of the Routledge Companion to Literature & Economics (2018)and (with Gordon Hutner) a 2019 special issue of American Literary History on “Economics & Literary Studies in The New Gilded Age.” Recent articles can be found in the Mark Twain Annual, American Studies, Reception, and Los Angeles Review of Books. He tweets (or exes?) @MEASeybold. The image for this episode was made by Saronik Bosu in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

For anyone who's been tuned into Conceptually Speaking for a while, you know I love finding new approaches, perspectives, and frames to tackle complex issues. Despite the fact that's a staple on the show, my guest for this episode, Dr. Sheena Mason, takes things to the next level. Dr. Mason is an author, professor, and creator of the theory of racelenss. A theory that, in her words, is a creative and forward-thinking approach that helps people stop the underlying causes and effects of racism—the existence of race itself. Unlike naturalists, who see race as biological, or constructionists, who regard race as a social construction, Dr. Mason invites readers to become race skeptics—in other words—to understand that what traits we attribute to race, can be more accurately described by terms like ethnicity, culture, social class, and economic class. For, as she argues in her upcoming book, The Raceless Antiracist, fighting racism by reifying the idea of race is like trying to stop a flood by dousing it with water. In short, Dr. Mason envisions a future that transcends race in ways that allow us to celebrate our shared humanity AND value our many differences. Building on sociologists like Karen and Barba Fields, authors like Toni Morrison and James Baldwin, as well as a bevy of literary scholars and critics, Dr. Mason's work is paradigm-shifting work. So! Hold onto your brains, listen with an open mind, and brace yourself for a very different look at antiracism work. Note: The introduction contains some direct verbiage from the "Racelessness: The Final Frontier" graphic essay.https://www.theoryofracelessness.org/https://twitter.com/SheenaMasonPhDThe core rules of the theory of racelessness or raceless antiracism are as follows: Our belief in “race” and practice of racialization are not meaningless, because racism and valuable aspects of humanity hide behind what we call “race.” “Race” does not exist in nature for humans or as a social construction. Although we are all racialized by ourselves and others, we are raceless. Race/ism (i.e., racism) is a system of economic and social oppression that requires the belief in “race” and the practice of racialization to subsequently reinforce various power imbalances. Racialization is the process of applying an inescapable social hierarchy—race/ism—along with its attendant power imbalances. Racism does not exist everywhere in the same way and can be overcome.Support the show

Our guest this week is Georgia Day (Of Sand and Bone, Rhapsody Press, November 2022). Hear how a recurring nightmare, complete with a haunting, portentous image, led Georgia to the story that would eventually morph into her speculative fiction novel. Set in a unique world of undulating sand and daily life-and-death struggles, her two female protagonists set out on a journey and Georgia went on her own journey as well, creating a world where everything from the environment to the origin stories and myths to the animals that share the space had to come  from her own imagination.  into a lyrical yet unsettling dystopia. Her reading from this lyrical yet unsettling dystopia half-way through the interview will enchant you as will her future goal of growing Rhapsody Press as a joint co-op venture with her father, a fellow writer. Georgia Day holds a B.A. in Literary Studies from the University of Texas at Dallas and has dreamed of being a writer her entire life. She is an avid reader, movie buff, and travel enthusiast. Her first novel, Of Sand and Bone, was named a 2023 National Indie Excellence Awards Finalist in the category of Literary Fiction. She lives in the United States. To learn more about Georgia, click here.

George MacLeod's book Mediating Violence from Africa: Francophone Literature, Film, and Testimony After the Cold War (U Nebraska Press, 2023) explores how African and non-African Francophone authors, filmmakers, editors, and scholars have packaged, interpreted, and filmed the violent histories of post–Cold War Francophone Africa. This violence, much of which unfolded in front of Western television cameras, included the use of child soldiers facilitated by the Soviet Union's castoff Kalashnikov rifles, the rise of Islamist terrorism in West Africa, and the horrific genocide against the Tutsi in Rwanda. Through close readings of fictionalized child-soldier narratives, cinematic representations of Islamist militants, genocide survivor testimony, and Western scholarship, George S. MacLeod analyzes the ways Francophone African authors and filmmakers, as well as their editors and scholarly critics, negotiate the aesthetic, political, cultural, and ethical implications of making these traumatic stories visible. MacLeod argues for the need to periodize these productions within a “post–Cold War” framework to emphasize how shifts in post-1989 political discourse are echoed, contested, or subverted by contemporary Francophone authors, filmmakers, and Western scholars. The questions raised in Mediating Violence from Africa are of vital importance today. How the world engages with and responds to stories of recent violence and loss from Africa has profound implications for the affected communities and individuals. More broadly, in an era in which stories and images of violence, from terror attacks to school shootings to police brutality, are disseminated almost instantly and with minimal context, these theoretical questions have implications for debates surrounding the ethics of representing trauma, the politicization of memory, and Africa's place in a global (as opposed to a postcolonial or Euro-African) economic and political landscape. Annie deSaussure holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

George MacLeod's book Mediating Violence from Africa: Francophone Literature, Film, and Testimony After the Cold War (U Nebraska Press, 2023) explores how African and non-African Francophone authors, filmmakers, editors, and scholars have packaged, interpreted, and filmed the violent histories of post–Cold War Francophone Africa. This violence, much of which unfolded in front of Western television cameras, included the use of child soldiers facilitated by the Soviet Union's castoff Kalashnikov rifles, the rise of Islamist terrorism in West Africa, and the horrific genocide against the Tutsi in Rwanda. Through close readings of fictionalized child-soldier narratives, cinematic representations of Islamist militants, genocide survivor testimony, and Western scholarship, George S. MacLeod analyzes the ways Francophone African authors and filmmakers, as well as their editors and scholarly critics, negotiate the aesthetic, political, cultural, and ethical implications of making these traumatic stories visible. MacLeod argues for the need to periodize these productions within a “post–Cold War” framework to emphasize how shifts in post-1989 political discourse are echoed, contested, or subverted by contemporary Francophone authors, filmmakers, and Western scholars. The questions raised in Mediating Violence from Africa are of vital importance today. How the world engages with and responds to stories of recent violence and loss from Africa has profound implications for the affected communities and individuals. More broadly, in an era in which stories and images of violence, from terror attacks to school shootings to police brutality, are disseminated almost instantly and with minimal context, these theoretical questions have implications for debates surrounding the ethics of representing trauma, the politicization of memory, and Africa's place in a global (as opposed to a postcolonial or Euro-African) economic and political landscape. Annie deSaussure holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

George MacLeod's book Mediating Violence from Africa: Francophone Literature, Film, and Testimony After the Cold War (U Nebraska Press, 2023) explores how African and non-African Francophone authors, filmmakers, editors, and scholars have packaged, interpreted, and filmed the violent histories of post–Cold War Francophone Africa. This violence, much of which unfolded in front of Western television cameras, included the use of child soldiers facilitated by the Soviet Union's castoff Kalashnikov rifles, the rise of Islamist terrorism in West Africa, and the horrific genocide against the Tutsi in Rwanda. Through close readings of fictionalized child-soldier narratives, cinematic representations of Islamist militants, genocide survivor testimony, and Western scholarship, George S. MacLeod analyzes the ways Francophone African authors and filmmakers, as well as their editors and scholarly critics, negotiate the aesthetic, political, cultural, and ethical implications of making these traumatic stories visible. MacLeod argues for the need to periodize these productions within a “post–Cold War” framework to emphasize how shifts in post-1989 political discourse are echoed, contested, or subverted by contemporary Francophone authors, filmmakers, and Western scholars. The questions raised in Mediating Violence from Africa are of vital importance today. How the world engages with and responds to stories of recent violence and loss from Africa has profound implications for the affected communities and individuals. More broadly, in an era in which stories and images of violence, from terror attacks to school shootings to police brutality, are disseminated almost instantly and with minimal context, these theoretical questions have implications for debates surrounding the ethics of representing trauma, the politicization of memory, and Africa's place in a global (as opposed to a postcolonial or Euro-African) economic and political landscape. Annie deSaussure holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

George MacLeod's book Mediating Violence from Africa: Francophone Literature, Film, and Testimony After the Cold War (U Nebraska Press, 2023) explores how African and non-African Francophone authors, filmmakers, editors, and scholars have packaged, interpreted, and filmed the violent histories of post–Cold War Francophone Africa. This violence, much of which unfolded in front of Western television cameras, included the use of child soldiers facilitated by the Soviet Union's castoff Kalashnikov rifles, the rise of Islamist terrorism in West Africa, and the horrific genocide against the Tutsi in Rwanda. Through close readings of fictionalized child-soldier narratives, cinematic representations of Islamist militants, genocide survivor testimony, and Western scholarship, George S. MacLeod analyzes the ways Francophone African authors and filmmakers, as well as their editors and scholarly critics, negotiate the aesthetic, political, cultural, and ethical implications of making these traumatic stories visible. MacLeod argues for the need to periodize these productions within a “post–Cold War” framework to emphasize how shifts in post-1989 political discourse are echoed, contested, or subverted by contemporary Francophone authors, filmmakers, and Western scholars. The questions raised in Mediating Violence from Africa are of vital importance today. How the world engages with and responds to stories of recent violence and loss from Africa has profound implications for the affected communities and individuals. More broadly, in an era in which stories and images of violence, from terror attacks to school shootings to police brutality, are disseminated almost instantly and with minimal context, these theoretical questions have implications for debates surrounding the ethics of representing trauma, the politicization of memory, and Africa's place in a global (as opposed to a postcolonial or Euro-African) economic and political landscape. Annie deSaussure holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

George MacLeod's book Mediating Violence from Africa: Francophone Literature, Film, and Testimony After the Cold War (U Nebraska Press, 2023) explores how African and non-African Francophone authors, filmmakers, editors, and scholars have packaged, interpreted, and filmed the violent histories of post–Cold War Francophone Africa. This violence, much of which unfolded in front of Western television cameras, included the use of child soldiers facilitated by the Soviet Union's castoff Kalashnikov rifles, the rise of Islamist terrorism in West Africa, and the horrific genocide against the Tutsi in Rwanda. Through close readings of fictionalized child-soldier narratives, cinematic representations of Islamist militants, genocide survivor testimony, and Western scholarship, George S. MacLeod analyzes the ways Francophone African authors and filmmakers, as well as their editors and scholarly critics, negotiate the aesthetic, political, cultural, and ethical implications of making these traumatic stories visible. MacLeod argues for the need to periodize these productions within a “post–Cold War” framework to emphasize how shifts in post-1989 political discourse are echoed, contested, or subverted by contemporary Francophone authors, filmmakers, and Western scholars. The questions raised in Mediating Violence from Africa are of vital importance today. How the world engages with and responds to stories of recent violence and loss from Africa has profound implications for the affected communities and individuals. More broadly, in an era in which stories and images of violence, from terror attacks to school shootings to police brutality, are disseminated almost instantly and with minimal context, these theoretical questions have implications for debates surrounding the ethics of representing trauma, the politicization of memory, and Africa's place in a global (as opposed to a postcolonial or Euro-African) economic and political landscape. Annie deSaussure holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Today's guest is Jonathan Kramnick, the author of a new book, Criticism and Truth: On Method in Literary Studies (University of Chicago Press, 2023). Criticism and Truth offers a formal analysis of the particular practices and habits of academic literary criticism, within the context of the transformations brought on by the Great Recession of 2008 and the Covid-19 pandemic. In this book, Jonathan describes close reading as a “creative, immersive, and transformative writing practice that fosters a unique kind of engagement with the world.” The case for literary study is made not through an appeal to contemporary relevance or intellectual abstraction—but in the material specificity of how literary criticism is done. Though it may share its objects of study with linguistics or history, as a scholarly discipline, literary criticism gains insight from an intimacy with and even mimicry of its object of study. Jonathan Kramnick is Professor of English at Yale University. Previously, he has published the monographs Paper Minds: Literature and the Ecology of Consciousness (Chicago, 2018), Actions and Objects from Hobbes to Richardson (Stanford, 2010), and Making the English Canon: Print Capitalism and the Cultural Past, 1700-1770 (Cambridge, 1999). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today's guest is Jonathan Kramnick, the author of a new book, Criticism and Truth: On Method in Literary Studies (University of Chicago Press, 2023). Criticism and Truth offers a formal analysis of the particular practices and habits of academic literary criticism, within the context of the transformations brought on by the Great Recession of 2008 and the Covid-19 pandemic. In this book, Jonathan describes close reading as a “creative, immersive, and transformative writing practice that fosters a unique kind of engagement with the world.” The case for literary study is made not through an appeal to contemporary relevance or intellectual abstraction—but in the material specificity of how literary criticism is done. Though it may share its objects of study with linguistics or history, as a scholarly discipline, literary criticism gains insight from an intimacy with and even mimicry of its object of study. Jonathan Kramnick is Professor of English at Yale University. Previously, he has published the monographs Paper Minds: Literature and the Ecology of Consciousness (Chicago, 2018), Actions and Objects from Hobbes to Richardson (Stanford, 2010), and Making the English Canon: Print Capitalism and the Cultural Past, 1700-1770 (Cambridge, 1999). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

To read is human. Even as literacy rates or the quality of that literacy make us nervous for the future, the act of reading looks like it's somewhere near the essence of what it means to be human. Because reading doesn't end, or even start, with books. Reading is this search for meaning. A turning and tuning of our senses outward. Looking for symbols, looking for signs of life. It's the longing for a message in a bottle, in hopes of discovering, making, and living in a shared meaning together. Jessica Hooten Wilson (Pepperdine University) and Matthew J Smith (Hildegard College) join Evan Rosa to discuss the joys and perils of reading, how to make young readers, how to teach and cultivate mature readers in the university context, and the significance of reading as a Christian spiritual practice.Help the Yale Center for Faith & Culture meet a $10,000 matching challenge for podcast production; visit faith.yale.edu/give to donate today.About Jessica Hooten WilsonJessica Hooten Wilson is the Fletcher Jones Endowed Chair of Great Books at Pepperdine University and formerly Louise Cowan Scholar in Residence at the University of Dallas. She is the author of several books, most recently Reading for the Love of God. Her book Giving the Devil his Due: Flannery O'Connor and The Brothers Karamazov received a 2018 Christianity Today book of the year in arts and culture award  and The Scandal of Holiness received a 2022 Award of Merit. In 2019 she received the Hiett Prize for Humanities from the Dallas Institute of Humanities and Culture. Other awards include a Fulbright Fellowship to Prague, an NEH to study Dante in Florence, a Biola University sabbatical fellowship funded by the John Templeton Foundation, and the 2017 Emerging Public Intellectual Award. She is a Senior Fellow at The Trinity Forum.About Matthew J. SmithMatthew J. Smith is Founder and President of Hildgard College in Southern California. He holds a Ph.D. in Literature from the University of Southern California, an M.A. from the University of Connecticut, and a B.A. from Biola University. He taught for ten years at Azusa Pacific University before founding Hildegard College. His scholarship is on medieval and renaissance literature and especially the works of Shakespeare, Milton, Herbert, Donne, and late medieval drama. Dr. Smith is the author and editor of four books: Performance and Religion in Early Modern England: Stage, Cathedral, Wagon, Street (Notre Dame), Face to Face in Shakespearean Drama: Ethics, Performance, Philosophy (Edinburgh), Literature and Religious Experience: Beyond Belief and Unbelief (Bloomsbury), and a recently finished manuscript: Shakespearean Recognitions: Philosophies of the Post-Tragic. He is also an editor of the journal Christianity & Literature and has guest-edited three special issues: The Sacramental Text Reconsidered, Sincerity, a Literary History, and The Future of Christianity and Literature in Literary Studies.Dr. Smith founded Hildegard College in 2022 with the conviction that higher education needs a reset. Where typical universities are growing ever larger into multi-versities, abandoning the traditional liberal arts and giving students a predominantly anonymous learning experience, Dr. Smith argues that the future of quality education, especially Christian education, is focused, tight-knit, rigorous, and recommitted to the classics of the liberal arts tradition. His vision for Hildegard College is to create an environment where young people can explore the riches of the classical tradition while also exploring and gaining experience in different areas of work—part monastery and part startup incubator. Mentorship, deep learning, and personal formation are the bedrock of a classical education.Matt Smith lives in Fullerton, CA with his wife and three children. He serves on the boards of Veritas Classical Academy and of the Classic Learning Test. When he isn't teaching, he cooks, plays soccer, trains in jiu jitsu, mountain bikes, plays with his dog, and writes.Show NotesHelp the Yale Center for Faith & Culture meet a $10,000 matching challenge for podcast production; visit faith.yale.edu/give to donate today.Production NotesThis podcast featured Jessica Hooten Wilson and Matthew J SmithEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Macie BridgeA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give

Imagine having an indie bookstore all to yourself for an entire night. Join me in this episode as I chat with fellow book lover and  Bookstagrammer, Dr. Stefanie Caeners, a Literary Studies lecturer who had just that experience. We talk about indie bookshops,  books we love, Edinburgh, and reading. Stefanie's journey is a fascinating one. From discovering her love for Southern California at the tender age of 16, choosing an office job over college, to her apprenticeship in the media business, and finally, her transition into studying literature, it's a story worth hearing. Stefanie's passion for British literature will captivate you, as will her insights on the topic of her PhD thesis and the freedom she found in studying something she adored.Dr. Sefanie CaenersStefanie on InstagramThe Wishing Game, Meg ShafferBooks by Stephen KingA Quiet Life, Ethan JoellaYellowface, Rebecca F. KuangFarrell Covington and the Limits of Style, Paul RudnickJames FahyThe Displacements, Bruce HolsingerThe House in the Cerulean Sea, TJ KluneDays at the Morisaki Bookshop, Satoshi YagisawaJames Fahy The Bookshop PodcastPaul Rudnick the Bookshop PodcastTJ Klune The Bookshop Podcast Support the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links

Today's guest is Maaheen Ahmed, who has edited a new collection of essays, The Cambridge Companion to Comics (Cambridge University Press, 2023). This book offers both a broad diachronic perspective, reaching back to the earliest print artifacts that could be called “comic books,” and a deep synchronic view, touching on mainstream and alternative comics work, from almost every continent. Contributions include Jaqueline Berndt on the aesthetics of “manga eyes,” Daniel Stein on “racialines” in comics, Kim Munson on the vexed relationship of museums and comics, and Shiamin Kwa on life-writing in comics. Maaheen Ahmed is Professor in the Department of Literary Studies at Ghent University. Maaheen is the author of Openness of Comics: Generating Meaning within Flexible Structures (University Press of Mississippi, 2016) and the co-editor of Comics Memory, with Benoît Crucifix (Palgrave, 2018). Maaheen is one of the primary investigators of “Children in Comics: An Intercultural History from 1865 to Today (COMICS),” a collaborative project which brings together childhood studies and comics studies. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today's guest is Maaheen Ahmed, who has edited a new collection of essays, The Cambridge Companion to Comics (Cambridge University Press, 2023). This book offers both a broad diachronic perspective, reaching back to the earliest print artifacts that could be called “comic books,” and a deep synchronic view, touching on mainstream and alternative comics work, from almost every continent. Contributions include Jaqueline Berndt on the aesthetics of “manga eyes,” Daniel Stein on “racialines” in comics, Kim Munson on the vexed relationship of museums and comics, and Shiamin Kwa on life-writing in comics. Maaheen Ahmed is Professor in the Department of Literary Studies at Ghent University. Maaheen is the author of Openness of Comics: Generating Meaning within Flexible Structures (University Press of Mississippi, 2016) and the co-editor of Comics Memory, with Benoît Crucifix (Palgrave, 2018). Maaheen is one of the primary investigators of “Children in Comics: An Intercultural History from 1865 to Today (COMICS),” a collaborative project which brings together childhood studies and comics studies. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today's guest is Maaheen Ahmed, who has edited a new collection of essays, The Cambridge Companion to Comics (Cambridge University Press, 2023). This book offers both a broad diachronic perspective, reaching back to the earliest print artifacts that could be called “comic books,” and a deep synchronic view, touching on mainstream and alternative comics work, from almost every continent. Contributions include Jaqueline Berndt on the aesthetics of “manga eyes,” Daniel Stein on “racialines” in comics, Kim Munson on the vexed relationship of museums and comics, and Shiamin Kwa on life-writing in comics. Maaheen Ahmed is Professor in the Department of Literary Studies at Ghent University. Maaheen is the author of Openness of Comics: Generating Meaning within Flexible Structures (University Press of Mississippi, 2016) and the co-editor of Comics Memory, with Benoît Crucifix (Palgrave, 2018). Maaheen is one of the primary investigators of “Children in Comics: An Intercultural History from 1865 to Today (COMICS),” a collaborative project which brings together childhood studies and comics studies. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Halloween is upon us — and it's the season for horror movies. Host Brittany Luse is a HUGE horror girlie, but loving horror also means critiquing it. Today, we're breaking down two major figures in horror: the final girl and the horny hag. First, Brittany chats with Dr. Kinitra Brooks, Audrey and John Leslie Endowed Chair of Literary Studies at Michigan State University, about what it means when the final girl is a Black woman. And later, Brittany is joined by horror author and film critic Gretchen Felker-Martin to discuss what's behind the horny hags in movies like X and Barbarian — and what that trope tells us about how we feel about older women in our society.

Are you hoping to sell your books to libraries? If so, trade reviews are a vital component to enticing libraries to buy your books, and librarians especially value Booklistreviews—the official trade publication of the American Library Association. So IBPA invited Booklist Editor and Publisher George Kendall as a guest on “Inside Independent Publishing (with IBPA)” to discuss how publishers can land a Booklist review; how they can best leverage their review; and much more.PARTICIPANTSGeorge Kendall began as Booklist's Editor & Publisher in 2019 and is now continuing in that role as well as serving as Interim Director of Publishing & Media at the American Library Association (ALA). When not overseeing Booklist business and editorial matters and managing ALA publishing, George might be reading the latest dark but enthralling apocalyptic or dystopian nail-biter, or, on a brighter side, he might be found hanging out with his young daughter, or enjoying his local library, perusing books, toys, and Playaways, or attending story time or “messy art” and “little learners” programs.  George received his MA in Literary Studies from the University of Cape Town in South Africa and studied with J.M. Coetzee, who later when on to win the Nobel Prize in Literature (2003). George began his publishing career in scientific, technical, and medical publishing before moving on to his current role. Prior to publishing, George was a professional classical musician. He will sometimes, though very rarely, dust off his French horn and play a few notes.Independent Book Publishers Association is the largest trade association for independent publishers in the United States. As the IBPA Director of Membership & Member Services, Christopher Locke helps guide the 4,000+ members as they travel along their publishing journeys. As one of his major projects, he oversees the IBPA NetGalley program, which generates buzz and garners reviews for indie publishers' titles. He's also passionate about indie publishing, because he's an author publisher himself, having published two novels so far in his YA trilogy, The Enlightenment Adventures.LINKSTo learn more about the many benefits of becoming a member of Independent Book Publishers Association, visit here https://www.ibpa-online.org/page/membershipLearn how you can submit a book to be reviewed by “Booklist” here: https://www.booklistonline.com/get-reviewedFollow IBPA on:Facebook – https://www.facebook.com/IBPAonlineTwitter – https://twitter.com/ibpaInstagram - https://www.instagram.com/ibpalovesindies/

Today's guest is Toril Moi, whose book Revolution of the Ordinary: Literary Studies After Wittgenstein, Austin and Cavell (University of Chicago Press, 2017) returns to three twentieth-century figures in ordinary language philosophy to renew how we think about style and argumentation. Revolution of the Ordinary brings together a diverse archive of primary sources, from the Argentine writer Julio Cortazar to the 1970s TV show All in the Family. I am excited to welcome Toril to the podcast today. Toril is James B. Duke Professor of Literature and Romance Studies and Professor of English, Philosophy, and Theatre Studies at Duke University. Toril's previous books include Sexual/Textual Politics: Feminist Literary Theory and Simone de Beauvoir: The Making of an Intellectual Woman. She has served as Research Professor at Norway's National Library for the last five years. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As our Get Lit book club takes the summer off, we are excited to launch our 2023 summer series, Summer School, in which we invite you to join us in dusting off the book shelf, checking out at the Library, and revisiting a classic novel for some fun summer reading. This summer, we are reading two New York-centric books, starting with James Baldwin's 1962 novel, Another Country. The book is set in the heat of summer in 1950s Manhattan, particularly in Harlem and the West Village, and explores ideas of race, class, and art. Rich Blint, professor of Literary Studies and Director of the Program in Race and Ethnicity at The New School, and a Baldwin biographer, joins us for our first installment of Summer School.

Tristan Tzara, one of the most important figures in the twentieth century's most famous avant-garde movements, was born Samuel Rosenstock (or Samueli Rosenștok) in a provincial Romanian town, on April 16 (or 17, or 14, or 28) in 1896. Tzara became Tzara twenty years later at the Cabaret Voltaire in Zurich, when he and others (including Marcel Janco, Hugo Ball, Richard Huelsenbeck, and Hans Arp) invented Dada with a series of chaotic performances including multilingual (and nonlingual) shouting, music, drumming, and calisthenics. Within a few years, Dada (largely driven by Tzara) became an international artistic movement, a rallying point for young artists in Paris, New York, Barcelona, Berlin, and Buenos Aires. With TaTa Dada, Marius Hentea offers the first English-language biography of this influential artist. As the leader of Dada, Tzara created "the moment art changed forever." But, Hentea shows, Tzara and Dada were not coterminous. Tzara went on to publish more than fifty books; he wrote one of the great poems of surrealism; he became a recognized expert on primitive art; he was an active antifascist, a communist, and (after the Soviet repression of the Hungarian Revolution) a former communist. Hentea offers a detailed exploration of Tzara's early life in Romania, neglected by other scholars; a scrupulous assessment of the Dada years; and an original examination of Tzara's life and works after Dada. The one thing that remained constant through all of Tzara's artistic and political metamorphoses, Hentea tells us, was a desire to unlock the secrets and mysteries of language. Marius Hentea, a Romanian-born literary scholar, teaches in the Department of Literary Studies at Ghent University. He is the author of Henry Green at the Limits of Modernism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history