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Peter Hammill, adored by Bowie, Mark E Smith and many others, co-founded Van Der Graaf Generator when he was 19. And he's made 47 albums since, powered by “hubris, enthusiasm and sheer bloody-mindness” and celebrated in a new 18-CD box set. He talks to us here from Somerset about … … supporting Hendrix at the Albert Hall and being ‘the Shirley Bassey of the Underground' … meeting David Bowie - who asked for Hammill's new music to be sent to him all his life … Van Der Graaf Generator being bottled off by medical students in the days when you rang from a phone-box to see what gigs you were playing … the Bee Gees, Eric Clapton, Champion Jack Dupree and Jimmy James & the Vagabonds at the Locarno in Derby … Tony Stratton-Smith and the Six Bob Tour – 30p! – with Lindisfarne and Genesis … Nut Rocker, Theme Of Exodus and other teenage keyboard staples … the value of “Boswellian superfans” who know more about you than you do … breaking the £100 barrier for a live performance … writing blues songs, aged 16, with “a gnat's experience of life” … the unsettling lyric to Rodgers & Hammerstein's ‘You've Got to Be Carefully Taught' … and his new young audience via the internet and “that right of passage, your parents' records” Order The Charisma & Virgin Recordings 1971 - 1986' here: https://peterhammill.lnk.to/CVRecordingsPRAnd Peter's memoir 'Kingmaker' is published in November. Pre-order here: https://burningshed.com/store/kingmakerFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Peter Hammill, adored by Bowie, Mark E Smith and many others, co-founded Van Der Graaf Generator when he was 19. And he's made 47 albums since, powered by “hubris, enthusiasm and sheer bloody-mindness” and celebrated in a new 18-CD box set. He talks to us here from Somerset about … … supporting Hendrix at the Albert Hall and being ‘the Shirley Bassey of the Underground' … meeting David Bowie - who asked for Hammill's new music to be sent to him all his life … Van Der Graaf Generator being bottled off by medical students in the days when you rang from a phone-box to see what gigs you were playing … the Bee Gees, Eric Clapton, Champion Jack Dupree and Jimmy James & the Vagabonds at the Locarno in Derby … Tony Stratton-Smith and the Six Bob Tour – 30p! – with Lindisfarne and Genesis … Nut Rocker, Theme Of Exodus and other teenage keyboard staples … the value of “Boswellian superfans” who know more about you than you do … breaking the £100 barrier for a live performance … writing blues songs, aged 16, with “a gnat's experience of life” … the unsettling lyric to Rodgers & Hammerstein's ‘You've Got to Be Carefully Taught' … and his new young audience via the internet and “that right of passage, your parents' records” Order The Charisma & Virgin Recordings 1971 - 1986' here: https://peterhammill.lnk.to/CVRecordingsPRAnd Peter's memoir 'Kingmaker' is published in November. Pre-order here: https://burningshed.com/store/kingmakerFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Brilliant in acting. Brilliant in producing. Brilliant in executive producing. Brilliant in...directing? Let's hope so. Given her extraordinarily body of work, most recently in front of the camera in Gil Henry's PAS VRAIMENT ORDINAIRE (2025), we can only hope my guest, Floriane Andersen, will be in the director's chair soon. She certainly has made the opportunity for herself; the production company she co-founded, Artak Pictures, has six projects in the works, two of which she is slated to direct. She is not only forging ahead, but creating a path for others to follow.In this episode, Floriane and I discuss:Her origin story and what the words “French actress” means to her;Why her production company takes on underrepresented voices;Whether she casts based on social media followings and trends;Working with first time female filmmakers versus people who may already know how the system works;Whether she sees other production companies in the championing female voices space as competition;As an actor, producer, and executive producer, how does she approach festivals like Edinburgh and Locarno;How actors can best take advantage of attending film festivals;Her advice for filmmakers just starting out and specifically for French filmmakers;What's next for her — SIX features! — and she's attached as a director for two of them.Floriane's Indie Film Highlight: TWO NEIGHBORS (2025) dir. by Ondine ViñaoMemorable Quotes: “I'm a storyteller, first and foremost.”“Females voices are underrepresented in the film industry so we will focus on that as long as there is still disparity. But hopefully this is not even going to be a subject soon and we can focus on other underrepresented voices.” “Sometimes festivals are not very actor friendly.”“I don't see it as work, even if it is a lot of work.”Links:Follow Floriane On InstagramFollow Artak Pictures On InstagramSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content
Après Grave et Titane qui lui avait valu la Palme dʹOr à Cannes en 2021, la réalisatrice française Julia Ducournau revient avec Alpha, un drame qui nous entraine dans les années 80, auprès dʹune adolescente qui vit avec sa mère et avec le frère de celle-ci, toxicomane atteint dʹune maladie quʹon nʹappelle pas encore Sida. Dans les rôles principaux, Tahar Rahim et Golshifteh Farahni. Lʹactrice iranienne était au festival de Locarno où elle a reçu un Léopard dʹhonneur. Et où Rafael Wolf lʹa rencontré.
The Locarno Film Festival takes place every August in the Swiss town of Locarno, at the base of the Alps, with a robust mix of new discoveries, repertory selections, and premieres of films by major auteurs. Film Comment was on the ground this year, combing through the lineup for highlights, and this episode—featuring critics and programmers Inney Prakash and Cici Peng in conversation with FC Editor Devika Girish—covers some of the notable titles: Radu Jude's Dracula (3:09), Alexandre Koberidze's Dry Leaf (16:10), Kamal Aljafari's With Hasan in Gaza (23:45), Sophy Romvari's Blue Heron (30:38), and more
È una follia farsi 12 ore di auto in 24 ore per vedere un film? Probabilmente sì. Eppure per vedere Mektoub, My Love: Canto Due di Abdellatif Kechice siamo andati fino al Festival di Locarno. Ne è valsa la pena? Assolutamente sì.In questa nuova puntata di Blow Out proviamo a spiegarvi il perché!
Genfer Schülerinnen und Schüler sollen wieder mehr Diktate schreiben – das fordert die zuständige Staatsrätin Anne Hiltpold. Das Ziel: Die Kinder sollen die Rechtschreibung wieder besser beherrschen. Die weiteren Themen: · Ein Tessiner Priester wird wegen Missbrauchs vor dem Geschworenengericht zu 18 Monaten bedingter Freiheitsstrafe verurteilt. Das als milde empfundene Urteil löst Diskussionen aus. · Findet das Filmfestival Locarno bald früher statt? Die Verantwortlichen hoffen, dass sie so mehr hochkarätige Filme und Stars nach Locarno locken können. Diese Woche mit Eva Hirschi, freie Journalistin in Lausanne, und mit Gerhard Lob, freier Journalist in Locarno.
Journal de brèves Médecine légale avec Philippe Boxho 3/5: à quoi ressemblent les premières observations dʹun médecin légiste, lorsquʹil se rend sur les lieux dʹune mort suspecte? Les vaccins anti-cancer à ARN messager Pourquoi l'observatoire de Locarno compte et dessine manuellement les taches solaires?
Der Schweizer Filmkritiker Geri Krebs im Gespräch mit Rüdiger Suchsland über den Stellenwert des Filmfestivals von Locarno, und über ein paar Highlights des diesjährigen Wettbewerbs um den Goldenen Leoparden: "Dracula" von Radu Jude und "Mektoub, My Love: Canto Due" von Abdellatif Kechiche, sowie Filme auf der Piazza Grande und über das übrige Programm
At this year's Locarno Film Festival, Film Comment Editor Devika Girish moderated a conversation between the filmmakers Miguel Gomes and Alexandre Koberidze. The talk took place as part of the Future of Reality conference at the festival, organized by Locarno Factory and Università della Svizzera italiana, and the subject of the conversation was “the reality of the film set.” What is the daily experience behind making transcendent cinema? What are the tactical and interpersonal challenges of orchestrating resources and labor, all in pursuit of a singular artistic vision? Devika explored these questions with the two directors, who reflected on the making of their most recent films—last year's Grand Tour for Gomes, and Dry Leaf, which premiered at this year's festival, for Koberidze. Please note that the audio quality isn't up to our usual standards due to technical problems during the recording.
Buenos días, soy Yoani Sánchez y en el "cafecito informativo" de este lunes 18 de agosto de 2025 toco estos temas: - Sube el tono de los reclamos de los médicos cubanos en Angola - Silencio oficial en Cuba ante los comicios en Bolivia - México rompe récord: manda petróleo a Cuba por 850 millones de dólares - 80 años de “Rebelión en la granja” Gracias por compartir este "cafecito informativo" y te espero para el programa de mañana. Puedes conocer más detalles de estas noticias en el diario https://www.14ymedio.com Los enlaces de hoy, para abrirlos desde la Isla se debe usar un proxy o un VPN para evadir la censura: Los médicos cubanos en Angola demandarán a la corporación Antex por el robo de sus dólares https://www.14ymedio.com/cuba/medicos-cubanos-angola-demandaran-corporacion_1_1117032.html México rompe todos los récords: manda petróleo a Cuba por 850 millones de dólares en un solo mes https://www.14ymedio.com/cuba/mexico-rompe-records-manda-petroleo_1_1117025.html Una riña entre dos hermanos deja un muerto y dos heridos en el Complejo Somos Jóvenes de Villa Clara https://www.14ymedio.com/cuba/rina-hermanos-deja-muerto-heridos_1_1117055.html El boxeador cubano Billy Rodríguez está detenido en Alligator Alcatraz y teme su deportación https://www.14ymedio.com/deportes/boxeador-cubano-billy-rodriguez-detenido_1_1117051.html Sugieren al Gobierno cubano adoptar una tasa flotante de 400 pesos por dólar https://www.14ymedio.com/economia/sugieren-gobierno-cubano-adoptar-tasa_1_1117006.html "Seguiré luchando por los presos políticos cubanos", dice Aymara Nieto desde Santo Domingo https://www.14ymedio.com/internacional/seguire-luchando-presos-politicos-cubanos_1_1117023.html La cubana Aria Sánchez se alza con un premio en Locarno por su cortometraje 'Primera Enseñanza' https://www.14ymedio.com/cultura/cubana-aria-sanchez-alza-premio_1_1117066.html El demócrata cristiano Rodrigo Paz Pereira dio la sorpresa en las elecciones bolivianas, pero habrá segunda vuelta https://www.14ymedio.com/internacional/democrata-cristiano-rodrigo-paz-pereira_1_1117057.html
Repasamos las películas estrenadas en el festival de Locarno número 78 en la gran nación de Suiza. Además, hacía mucho que no nos poníamos al día con nuestros visionados de cine, así que vamos a hablar de todo esto (y tenemos opiniones muy polémicas):
Ep. 340: Ehsan Khoshbakht on Great Expectations, the British retrospective of Locarno 2025 Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I'm reporting from the Locarno film festival, where the annual retrospective has once again been quite popular. So I couldn't pass up the opportunity to speak with the retrospective's programmer, Ehsan Khoshbakht, who also co-directs Il Cinema Ritrovato in Bologna and also curated Locarno's 2024 tribute to Columbia Pictures. Khoshbakht explains the basis of the series, providing fascinating insights into what fueled British postwar cinema, crosscurrents with other cinemas, and the thought processes behind film programming. Among the titles discussed (adding new ones to those already discussed on the podcast): Locarno's 1952 Golden Leopard winner Hunted (directed by Charles Crichton), It Always Rains on Sunday (Robert Hamer), The Woman in Question (Anthony Asquith), as well as a look at the director Jack Lee (Turn the Key Softly). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
Wellinski, Patrick www.deutschlandfunkkultur.de, Fazit
Baschiera, Julia www.deutschlandfunkkultur.de, Vollbild
Wellinski, Patrick www.deutschlandfunkkultur.de, Vollbild
Khoshbakht, Ehsan www.deutschlandfunkkultur.de, Vollbild
Ep. 339: Jordan Cronk on Locarno 2025: Dry Leaf, Mare's Nest, Le Lac, Sorella di Clausura, Two Seasons Two Strangers Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I'm reporting from the Locarno film festival, where the second week has not disappointed. I sat down again to chat with Jordan Cronk, critic and founder of Acropolis Cinema in Los Angeles. Films discussed include: Dry Leaf (Alexandre Koberidze), the follow-up from the director of When Do We See When We Look at the Sky?; Mare's Nest (Ben Rivers); Le Lac (Fabrice Aragno, aka longtime DP/collaborator with Jean-Luc Godard); Sorella di Clausura (Ivana Mladenović); and Two Seasons, Two Strangers (Sho Miyake). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
Wellinski, Patrick www.deutschlandfunk.de, Kultur heute
Ep. 338: Jessica Kiang on Locarno 2025: The Best of the Postwar British Retrospective + Becoming Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I'm reporting from the Locarno film festival, which every year has an outstanding retrospective that's a parallel essential to the premieres of new films. To discuss this year's retro, a deftly curated tribute to British postwar cinema called Great Expectations, I'm joined by a regular guest, critic and programmer Jessica Kiang, who is filing reviews for Variety but also, like me, inhaling swathes of this retrospective. Titles discussed include Obsession (1949, Edward Dmytryk), The Yellow Balloon (1953, J. Lee Thompson), It Always Rains on Sundays (1947, Robert Hamer), Turn the Key Softly (1953, Jack Lee), To Be a Woman (1951, Jill Craigie), The Elephant Never Forgets (1953, John Krish), Train of Events (1949, Sidney Cole, Charles Crichton, Basil Dearden), Passport to Pimlico (1949, Henry Cornelius), The Happiest Days of Your Life (1950, Frank Launder), Time Without Pity (1957, Joseph Losey), and Never Let Go (1960, John Guillermin). Plus, just because: a bonus, brand-new film from Kazakhstan, Becoming (Zhannat Alshanova). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
Im Vorfeld gab's Streit um das Gerüst hinter der Leinwand auf der Piazza Grande – aber während des Festivals ist vor allem das im Fokus, was drauf projiziert wird: Film. Zum 78. Mal findet das «kleinste der grossen Filmfestivals» am Lago Maggiore statt. Wo ist der Platz des Kinos, wenn die Flut der Bilder nicht abreisst? Eine Frage, die der künstlerische Leiter Giona A. Nazzaro dem diesjährigen Festival voranstellte. Welche Antwort geben die Filme im internationalen Wettbewerb? Viel mehr Publikum und Aufmerksamkeit als der Wettbewerb zieht in Locarno allerdings das Programm auf der Piazza Grande an. Ein Spagat, den das Festival Locarno seit jeher macht. Funktioniert das immer noch – und welche Filme gaben zu reden? Darüber diskutiert Brigitte Häring mit den Filmjournalisten Selim Petersen (SRF) und mit Patrick Wellinski (Deutschlandfunk).
Emma Thompson, Willem Dafoe und Jackie Chan: An der 78. Ausgabe des Internationalen Filmfestivals in Locarno tummeln sich mehr Stars als gewöhnlich. Moderatorin Nina Mavis Brunner berichtet direkt von der weltberühmten Piazza Grande zwischen Filmpremieren und Preisverleihungen. Emma Thompson – Die Alleskönnerin Schauspielerin, Autorin, Produzentin – Emma Thompson kann alles. In Locarno TI zeigt sie ihren neuen Film «The Dead of Winter» und erhält den «Leopard Club Award». Jackie Chan – Der Superstar Der Karate-Kid-Superstar wird mit dem «Career Achievement Award» für sein Lebenswerk geehrt. Willem Dafoe – Der Exzentriker Ein markantes Gesicht und ein Händchen für sehr spezielle Rollen – das sind die Markenzeichen von Willem Dafoe. Mit seinem neuen Film «The Birthday Party» im Gepäck spricht er in Locarno TI über seine Arbeit.
Rüdiger Suchsland spricht mit den in Wien lebenden Regisseuren Elsa Kremser und Levin Peter ("Space Dogs"; "Dreaming Dogs") über ihren ersten Spielfilm "White Snail" im Wettbewerb von Locarno, über das Verhältnis von toten und lebenden Körpern, von Schönheit und Versehrtheit, über Hexen und Magie im Kino und Dreharbeiten in Belarus
Ep. 337: Keva York on Locarno 2025: Dracula, Legend of the Happy Worker, plus The Seasons Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I'm reporting from the Locarno film festival, which annually rolls out an adventuresome sale of films. For my latest episode I'm joined by Keva York, a critic and an editor of the festival's Pardo publication. Titles discussed include the highly anticipated Dracula (directed by Radu Jude), Legend of the Happy Worker (Duwayne Dunham), and The Seasons (Maureen Fazendeiro). Ambient sound is courtesy of our recording location, the lounge of the GranRex cinema, one of the festival's venues. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
Framing ist zurück am Lago Maggiore und Till Kadritzke, Hannah Pilarzcyk und Nadine Lange haben einen schattigen Platz gefunden, um das diesjährige Festival von Locarno zu besprechen. Ausführlich reden wir über Sehnsucht in Sangerhausen, den neuen Film von Julian Radlmeier, der im Internationalen Wettbewerb läuft. Nadine schildert dann ihre Eindrücke von Radu Judes fast dreistündigem Dracula-Film, bevor Hannah und Till ausführlich die diesjährige Retrospektive zum britischen Nachkriegskino würdigen. Zum Schluss geht es nochmal um aktuelles Kino: Wir sprechen über Jacqueline Zünds eigenwilligen Klimakatastrophenfilm Don't Let the Sun und tauschen unsere Geheimtipps aus, darunter Ben Rivers' Mare's Nest, Sophy Romvaris Blue Heron und Eric K. Bouliannes Follies.Abonniert unseren Podcast in euren Podcatchern und lasst uns gern eine Bewertung da. Unterstützen könnt ihr uns bei Steady Auch über Feedback und Vorschläge freuen wir uns: podcast@critic.deUnd so geht es durch die Folge:(00:00:00) Begrüßung und erste Eindrücke(00:02:10) Sehnsucht in Sangerhausen(00:10:22) Dracula(00:13:10) Retrospektive "Great Expectations"(00:18:54) Don't Let the Sun(00:23:53) Letzte Empfehlungen: Mare's Nest, Blue Heron, FolliesFollow UsFolgt Till Kadritzke auf Facebook, X und BlueskyLest Hannah Pilarczyk beim SpiegelFolgt Nadine Lange bei Instagram und auf Bluesky
Ep. 336: Jordan Cronk on Locarno 2025: With Hasan in Gaza, Mektoub My Love, Blue Heron, Balearic, Phantoms of July Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I report from the Locarno film festival, which annually rolls out an adventuresome sale of films. For my first episode I'm joined by Jordan Cronk, critic and programmer, who has already seen an impressive share of titles in the early days. Titles discussed include With Hasan in Gaza (Kamal Aljafari), Blue Heron (Sophy Romvari), Mektoub, My Love: Canto Due (Abdellatif Kechiche), Balearic (Ion de Sosa), and Phantoms of July (Julian Radlmaier). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
Con il nostro Boris Sollazzo parliamo di “Monsieur Blake” diretto da Gilles Legardinier, con John Malkovich, Fanny Ardant e Émilie Dequenne e di “Weapons” horror diretto da Zach Cregger, con Josh Brolin, Julia Garner e June Raphael.Secondo appuntamento con il nostro Speciale Cinè - I film che vedremo nell’ autunno-Inverno 2025. Chiara Pizzimenti ha intervistato per noi Andrea Rosselli di Warner Bros, Davide Romani di Disney e Gaimpaolo Letta di Medusa."Quel pazzo venerdì, sempre più pazzo” è un film diretto da Nisha Ganatra, con Jamie Lee Curtis, Lindsay Lohan. Lo ha visto e ce lo racconta Chiara Pizzimenti.Si svolge fino al 16 agosto il Festival del cinema di Locarno. Vediamo con il direttore artistico Giona Nazzaro i titoli e i temi più interessanti.
Thompson, Emma; Dunham, Duwayne www.deutschlandfunkkultur.de, Vollbild
Nazzaro, Giona www.deutschlandfunkkultur.de, Vollbild
Esta semana desde El Cine en la SER repasamos la historia de Karate Kid a propósito del estreno de su nueva película 'Karate Kid: Legends' y viajamos de Madrid a Londres para charlar con Jaime Lee Curtis y Lindsay Lohan sobre la secuela de la comedia dosmilera 'Freaky Friday' que tanto gustó al público adolescente. Nos visita Eduardo Casanova para hablar sobre su nueva serie vampírica, protagonizada por Ana Polvorosa, María León, Lucía Díez y Leticia Dolera, que se presenta en el Festival de Locarno. También llega a los cines la comedia familiar 'Los Futbolísimos 2: El misterio del tesoro pirata' y conversamos por Alfonso S. Suárez acerca de la ficción sonora 'Mi nombre es John Ford'
Daniela Persico Ateliers de réalisation et dʹécriture, grammaire de lʹimage, utilisation de lʹintelligence artificielle, le programma Locarno Kids se destine aux 6-18 ans. Sa directrice en explique les enjeux à Pierre Philippe Cadert.
Après avoir abandonné ses études de médecine, Amin poursuit son rêve de devenir réalisateur. De retour à Sète pour les vacances dʹété, il va rencontrer un producteur américain qui lui propose de produire son premier film. Invité surprise du festival, le dernier volet de la trilogie "Mektoub my love" nʹétait pas censé être montré. Les scandales entourant le deuxième volet et lʹAVC de son réalisateur semblaient avoir stoppé net sa carrière. Cette projection est donc lʹévénement de cette fin de semaine. Rafael Wolf et Pierre Philippe Cadert évoquent ensemble ce film. Du 6 au 15 août 2025 – tous les jours en direct de Locarno avec Pierre Philippe Cadert et Rafael Wolf.
Hondl, Kathrin www.deutschlandfunk.de, Kultur heute
(03:34) Die Leoparden sind los in Locarno: Auftakt zur 78. Ausgabe des Filmfestivals. Weitere Themen: (00:53) Kurznachricht: Zum Tod von Eddie Palmieri. (02:09) Kurznachricht: Benno Muheim übernimmt Geschäftsführung des Festivals Alpentöne. (08:01) Bye-bye Patriarchat: Die österreichische Schriftstellerin Gertraud Klemm sagt mit dem Buch «Abschied vom Phallozän» der Männerherrschaft den Kampf an. (12:28) Helle Wohnungen, praktische Raumaufteilung, funktionale Möbel: Wohnbau in den 1930er-Jahren. Aber Deutschschweiz und Welschschweiz orientierten sich unterschiedlich. Das zeigt eine Ausstellung in Genf. (16:40) Sommerserie: Farben! Alles so schön bunt hier – mit der rätselhaften Farbe Olo.
Mit der Weltpremiere des armenisch-französischen Films "Le pays d'Arto" ist am Mittwoch Abend in Locarno das schönste Freiluftkino der Welt eröffnet worden. Bis 16. August laufen dort über 200 Filme, auch das deutsche Kino ist stark vertreten. Kathrin Hondl über die Eröffnung und das Festval-Programm / Eindrücke von der Tanzwerkstatt Europa: Zehn Tage lang trifft sich die internationale, zeitgenösssische Tanzszene in München. Susanne Brandl hat sich die Eröffnungsproduktionen angesehen / Vor zweieinhalb Jahren brach die Netflix-Serie "Wednesday" über die Addams-Family mit über 340 Millionen Streaming-Stunden sämtliche Rekorde. Jetzt ist mit den ersten vier Folgen von Staffel 2 die Fortsetzung erschienen. Ist die auch so erfolgsversprechend? Eine Serienkritik von Ferdinand Meyen
Golshifteh Farahani, reçoit un Excellence Award. La comédienne évoque ses rôles et son parcours au micro de Rafael Wolf.
Wellinski, Patrick www.deutschlandfunkkultur.de, Fazit
Wellinski, Patrick www.deutschlandfunkkultur.de, Studio 9
Oddajo začenjamo v Novem mestu, kjer danes odpirajo razstavo Bojana Radoviča Projekt Hirošima. Na današnji dan pred 80 leti so namreč Združene države Amerike odvrgle atomsko bombo na japonsko mesto Hirošima. Odpravili se bomo tudi v švicarski Locarno, kjer se danes začenja filmski festival, na katerem bo svetovno premiero doživel film Fantasy režiserke Kukle.
Announcement after announcement after announcement is upon us. There were like 3 or 4 major festival announcements between when we recorded this episode and when it's coming out so we will get to those NEXT TIME. Please enjoy our brief look at LOCARNO, and a deeper look at VENICE and TIFF and some assorted speculation about other stuff happening this fall. Some EDDINGTON talk up top between J. Catherine and Andy that is not particularly spoilery. We're back! Our twitter is @CannesIKickIt Our bluesky is @CannesIKickIt Our instagram is @CIKIPod Our letterboxd is CIKIPod Enjoying the show? Feel free to send a few bucks our way on Ko-fi. Thanks to Tree Related for our theme song Our hosts are @andytgerm @imlaughalone @jcathtraverse
Alla luce di quanto sta succedendo a Locarno, dove pare che dal 2027 non si potranno più tenere eventi come il "Moon & Stars" a causa di un ricorso da parte di un singolo esercente, all'interno di NON E' LA SIESTA si è parlato di quanto possono infastidire gli eventi che caratterizzano le nostre estati. Ascolta il podcast.
Com Maureen Fazendeiro, Christian Clavier
(00:45) Das Locarno Film Festival plant eine Erneuerung der 50jährigen Grossleinwand auf der Piazza Grande. Eine Online-Petition fordert den Erhalt des Wahrzeichens am Tessiner Filmfestival. Weitere Themen: (05:10) KI-Musik stellt Branche vor neue Fragen: Wie reagiert die SUISA? (09:18) Globale Fragen aus europäischer Perspektive: Flämische Autorin Gaea Schoeters legt nach mit neuem Roman «Das Geschenk». (13:34) Reaktionen auf «Causa Stephen Colbert»: Wer macht in den USA noch mutigen Journalismus? (17:25) «Der Wolf von Fosano»: Im Rahmen unserer Sommerserie erzählen wir eine Sage aus dem Tessin.
Gay homosexuals Nick and Joseph review Magnolia - a 1999 American drama film written, directed and co-produced by Paul Thomas Anderson. It stars Jeremy Blackman, Tom Cruise, Melinda Dillon, Philip Baker Hall, Philip Seymour Hoffman, Ricky Jay, William H. Macy, Alfred Molina, Julianne Moore, John C. Reilly, Jason Robards, and Melora Walters.Additional topics include:Locarno and Venice Film FestivalsCatfishingBlack filmmakers who are not Tyler Perry: Gordon Parks, Gordon Parks Jr, Bill Gunn, Wanuri Kahiu, and Justin Douglas PowellThe deaths of Mark Snow and Jewel Thais-WilliamsJoin us on Patreon: https://www.patreon.com/FishJellyFilmReviewsWant to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this Episode, Emily chats with "The Button Man", Harlem artist Beau McCall, an artist renowned for his unique use of buttons in wearable and visual art. McCall's work is featured in prominent collections such as New York's Museum of Arts and Design and London's Victoria and Albert Museum. McCall recounts his upbringing in Philadelphia, his move to Harlem, and his early inspirations. He explains how his fascination with buttons began with his mother's collection and grew through various craft classes. McCall shares memories of his artistic evolution, his experiences with the Harlem community, and the personal significance of his work, including tributes to friends lost to AIDS. The episode concludes with McCall's advice to aspiring artists and a nod to his ongoing support from his mother.About Artist Beau McCall :Drawing inspiration from the vast button collection of his mother and family, Beau McCall creates wearable and visual art by applying clothing buttons onto mostly upcycled fabrics, materials, and objects. With deliberate focus the buttons are arranged to stimulate one's curiosity and imagination, while simultaneously drawing attention to the unique history of buttons. Thereby McCall's work generates a discussion surrounding many topics such as pop culture and social justice.McCall began his professional career in Harlem in the 1980s after arriving from his native, Philadelphia with nothing more than a few hundred dollars, a duffel bag, and buttons. Circa 1988 he made his critically acclaimed wearable art debut at The Harlem Institute of Fashion (HIF) show for HARLEM WEEK. McCall went on to become an established force within HIF's Black Fashion Museum collective presenting at their shows consecutively through circa 1995, as well being featured in their museum exhibitions and prestigious events. During this time, McCall's visually captivating work was featured in the fashion bible Women's Wear Daily, on the PBS version of George C. Wolfe's The Colored Museum (1991), and in the award-winning film Quartier Mozart (1992), directed by Jean-Pierre Bekolo. The film won prizes at film festivals in Cannes, Locarno, and Montreal and was nominated, in 1993, for a British Film Institute award.McCall eventually applied his mastery of the button to visual art. Since then, he's been proclaimed by American Craft magazine as “The Button Man.” His visual and wearable art has been included in exhibitions at The Museum at FIT, Nordstrom, the African American Museum in Philadelphia, Houston Museum of African American Culture, Charles H. Wright Museum of African American History, Stax Museum of American Soul Music, the Langston Hughes House in partnership with the inaugural Columbia University Wallach Art Gallery Uptown triennial and StoryCorps, and Rush Arts Gallery. McCall's work is held in the permanent collection of public institutions and by private individuals including the Museum of Arts and Design (New York), Philadelphia Museum of Art (Philadelphia), Victoria and Albert Museum (London), The Museum at FIT (New York), Schomburg Center for Research in Black Culture (New York), Amistad Research Center (New Orleans), The Museum of Modern Art Library (New York), Leslie-Lohman Museum of Art (New York), Stonewall National Museum & Archives (Fort Lauderdale), and The San Francisco Museum of Modern Art Library (San Francisco), Cyndi Lauper's True Colors Residence, Debbie Harry of Blondie, Jeffrey Gibson, and Cristina Grajales. McCall has also been commissioned by the Museum of Arts and Design, Columbia University, and the Schomburg Center for Research in Black Culture. And his wearable art can be found in gift shops including the Newark Museum of Art. McCall has been featured in the NY Times, Associated Press, NPR, L.A. Times, and more. In addition, he has served as a teaching artist at the Newark Museum of Art, the New York Public Library, and the Harlem Arts Alliance. McCall has also created a wearable art line called, Triple T-shirts. For these pieces, he upcycles three T-shirts by combining them into one flowing garment that can be worn in six different ways. Each style—from poncho to hoodie to shawl and beyond—brings dynamic versatility to traditional T-shirts. The shirts are curated to form a narrative about various socially-conscious and lighthearted themes.In 2021, McCall released his debut artists' book titled, REWIND: MEMORIES ON REPEAT, commissioned and published by SHINE Portrait Studio@ Express Newark, Rutgers University-Newark. The book honors the legacy of ten of McCall's deceased friends through collages composed of archival photos and images from his button artwork. The collages capture the late 1970s to the mid-1980s, from Philadelphia to New York, during the LGBTQ+ rights movement, the height of disco music and the AIDS crisis.In 2024, McCall debuted his first-ever retrospective and exhibition catalog titled, Beau McCall: Buttons On! at Fuller Craft Museum. The exhibition is currently on a nationwide tour.Through his work, McCall remains committed to channeling and contributing to the universal cultural legacy one button at a time.Visit Beau's Website: BeauMcCall.ComFollow Beau on Instagram: @Beau_McCallFor more on Beau's exhibit "Buttons On!" CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Die russische Armee hat den Osten der Ukraine und vor allem Charkiv, die zweitgrösste Stadt der Ukraine, massiv aus der Luft angegriffen. Die ukrainische Armee spricht von insgesamt 215 Drohnen und Raketen. Nach Behördenangaben gab es mehrere Tote. (00:00) Intro und Schlagzeilen (01:17) Schwere russische Luftangriffe auf Charkiw (06:32) Nachrichtenübersicht (12:16) Die humanitäre Nothilfe ist selber in Not (17:07) Ist Indien wirklich die viertgrösste Wirtschaftsmacht? (22:56) Locarno streitet über Bahnhofplatz und Busverkehr