Podcasts about eugene lang college

There's so much to say about the Latin American Boom in literature, but how can we possibly discuss it at this point in time without mentioning Mario Vargas Llosa and his recent passing. And so, as a Colombia-focused podcast, we take a look at this era and these personalities in the literary world, such as Colombia's inimitable Gabriel Garcia Marquez but through the prism of Mario Vargas Llosa. With very special guest Juan E. De Castro, professor of literary studies at Eugene Lang College of Liberal Arts at The New School. Author of Writing Revolution in Latin America: From Martí to García Márquez to Bolaño and Bread and Beauty: The Cultural Politics of José Carlos Mariátegui, among other works, we discuss a variety of topics relating to but not restricted to: 1. The Latin American Boom. 2. Mario Vargas Llosa and Gabriel Garcia Marquez and "that punch." 3. The importance of the Latin American Boom. 4. The end of this literary milestone. 5. One Hundred Years of Solitude - the Netflix version.  And so much more, including the Colombia Briefing with Emily Hart. 

Miller Oberman and Dion O'Reilly read and discuss Omotara James's "My mother's nerves are shot."  and then do a deep dive into Oberman's newest collection, Impossible Things⁠. Miller Oberman is the author of Impossible Things, forthcoming from Duke University Press, 2024 and The Unstill Ones, Princeton Series of Contemporary Poets, 2017. He has received a number of awards for his poetry, including a Ruth Lilly Fellowship, the 92Y Discovery Prize, a NYSCA/NYFA Artist Fellowship, and Poetry magazine's John Frederick Nims Memorial Prize for Translation. Poems from Impossible Things have appeared in The New Yorker, Poetry, The Hopkins Review, Poem-a-Day, and Foglifter. Poems from The Unstill Ones appeared in Poetry, London Review of Books, The Nation, Boston Review, Tin House, and Harvard Review. Miller is an editor at Broadsided Press, which publishes visual-literary collaborations and teaches at and serves on the board of Brooklyn Poets. He teaches writing at Eugene Lang College at The New School in New York. Miller is a trans Jewish anti-Zionist committed to the liberation of all. He lives with his family in Queens, New York.

Leora Fridman Leora Fridman is a writer whose work is concerned with issues of identity, care, dis/ability, and embodiment. She is author of Static Palace, a collection of essays about chronic illness, art and politics, Bound Up: On Kink, Power & Belonging,just out this month, and other books of prose, poetry and translation. She is currently faculty at the Eugene Lang College of Liberal Arts at The New School and Director of the New Jewish Culture Fellowship.       A provocative look at historical trauma as bound, incarnated, and processed through intimate and sexual expression. In an autotheoretical journey through bondage, domination, and intimacy, Leora Fridman uncovers how Jewish historical trauma can be challenged and explored in embodied relations. Drawing on her experiences as an American Jew in Germany, Fridman delves into BDSM practices and experimental communities from Oakland to Berlin. This work weaves personal encounters with critical analysis founded in feminist theory, queer literature, Holocaust history, and memory studies.  Bound Up begins with kink and leads us through a sensual and intelligent approach to intergenerational trauma and lived politics. What kind of healing can take place in the relational and physical realm? How can intimacy contradict and complement the process of political reparations? Fridman layers a nuanced understanding of shame, responsibility, and power with explorations of cinema, contemporary art, and popular culture to shed light on topics from personal and political relationships to victimhood and blame. Both timely and timeless, this work is an address to history and the contemporary moment, relevant to Jews, diasporic scholars, and all exploring ethical relationships with history and with other humans.

This week on Finding Your Bliss, Celebrity Interviewer and Bliss Coach Judy Librach is joined by Ethan Nichtern, the author of Confidence: Holding Your Seat through Life's Eight Worldly Winds, and several other titles, including the widely acclaimed “The Road Home.” A renowned contemporary Buddhist teacher and the host of “The Road Home” Podcast, Ethan teaches meditation and Buddhist psychology classes and retreats online via Dharma Moon and all around the US. Ethan Nichtern is a Buddhist teacher, and is author of the acclaimed book The Road Home: A Contemporary Exploration of the Buddhist Path (Farrar Straus and Giroux, North Point Press), which was selected as one of Library Journal's Best Books of 2015, and one of Tech Insider's “9 Books That Define 2015.” His newest book, Confidence: Holding Your Seat Through Life's Eight Worldly Winds, was just released on June 4th, 2024 (New World Library) His “The Road Home” podcast launched in 2018 and is available on iTunes and Stitcher. He is also the author of “The Dharma of The Princess Bride: What The Coolest Fairy Tale of Our Time Can Teach Us About Buddhism and Relationships,” released by FSG – North Point in 2017. His earlier books are One City: A Declaration of Interdependence (Wisdom Pubs, 2007), and the Novella/poetry collection, “Your Emoticons Won't Save You” (Nieto Books, 2012). He founded the Interdependence Project, a nonprofit organization dedicated to secular Buddhist practice and transformational activism and arts, and served as Executive Director from 2007-2011. For the past 20+ years, Ethan has taught meditation and Buddhist psychology classes and workshops all around New York City and North America and Europe, along with working with students privately. He has primarily studied in the Shambhala and other Tibetan traditions, but he has also studied Theravadan and Soto Zen Buddhism. As well, he is an avid yoga practitioner. He served as Shastri, or Senior Teacher-In-Residence, for the Shambhala Meditation Center of New York, from 2010-2018. He was formerly on the part-time faculty at Eugene Lang College at New School University and has lectured at Brown, Wesleyan, Yale, NYU, FIT, Antioch and other universities, and as well as at many other meditation/yoga centers and conferences all around the country and the world. Ethan has been featured on CNN, NPR, ABC/Yahoo News, The New York Times, Vogue.com, Business Insider, Nautilus, and Vice, to discuss Buddhism and meditation in the 21st Century. His articles have been featured in The Huffington Post, Beliefnet, Shambhala Sun, Tricycle Magazine, BuddhaDharma Magazine, Reality Sandwich, as well as other online publications. He is based in Brooklyn, where he lives with his daughter. Also on the program, we have talented singer/songwriter Adelina Peretti. Adelina Peretti is a passionate performer and voice teacher holding a Bachelor's degree in Classical Voice from Wheaton College, and a Master's degree in Voice with a concentration in Musical Theater from New York University. As a performer, Adelina Peretti has graced some of New York City's most elite venues, including Radio City Music Hall, 54 Below, The Green Room 42, The Midnight Theater, and Yankee Stadium. In addition to her performance work, Adelina maintains a vibrant private voice studio, teaching students from all across the US. She has gained recognition as a social media voice teacher, with engaging videos that have reached hundreds of thousands of viewers. Adelina Peretti also serves as the theater director at a private high school in New Jersey, guiding young talent and helping students discover their unique voices. Be sure to check out Adelina's cover of "If I Ain't Got You" and more of her beautiful singing on her website! https://www.adelinaperetti.com/ For more on Finding Your Bliss, you can follow us @theblissminute on Instagram, TikTok and Facebook. Or you can visit our online magazine at findingyourbliss.com and take one step closer to findi ...

This time, John discusses the latest news in his monologue: the death of jazz legend David Sanborn; the UN updating the civilian death toll in Gaza, and the excellent testimony of Michael Cohen in Trump's 2016 election interference trial in New York. He then interviews Federico Finchelstein who is a world-renowned expert on fascism, populism, and dictatorship and is a Professor of History at the New School for Social Research and Eugene Lang College in New York City. They talk about his new book "The Wannabe Fascists". And finally he Jokes with comedians Rhonda Hansome and Jimmy Tingle about current news and Jimmy's new show "Humor and Hope for Humanity" which is running at the Soho Playhouse in New York City Through June 2nd.Tickets and more information available at Jimmy Tingle dot com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sam discusses the events of this past week including Trump's trials (including what's getting prosecuted and what's being postponed indefinitely), the escalating genocide in Gaza as the Israeli military started to invade Rafah and the ongoing bravery of students across the country who continue to demand an end to this genocide. Then, we share an interview with acclaimed historian and returning guest Dr. Federico Finchelstein to discuss his latest book The Wannabe Fascists: A Guide to Understanding the Greatest Threat to Democracy. Dr. Finchelstein serves as Professor of History at the New School for Social Research and Eugene Lang College in New York City. He is also the author of From Fascism to Populism in History (published 2017/2019)  A Brief History of Fascist Lies, (published in 2020) and Fascist Mythologies The History and Politics of Unreason in Borges, Freud, and Schmitt (published in 2022). Follow him on Twitter at @FinchelsteinF. Find out more about Refuse Fascism and get involved at RefuseFascism.org. We're still on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@RefuseFascism⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and other social platforms including Threads, Mastodon and Bluesky. Plus, Sam is on TikTok, check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@samgoldmanrf⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. You can also send  your comments to samanthagoldman@refusefascism.org or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SamBGoldman⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Record ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠a voice message for the show here. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Connect with the movement at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RefuseFascism.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support: · ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠paypal.me/refusefascism⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ · ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠donate.refusefascism.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ · ⁠⁠⁠http://patreon.com/RefuseFascism⁠⁠⁠ · Venmo: Refuse-Fascism · Cashapp: $RefuseFascism Music for this episode: Penny the Snitch by Ikebe Shakedown⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Mentioned in this Episode: U of C student interviewed by FOX 32 from the frontlines about what the student movement is fighting for. Related Episodes: Fascist Lies with Federico Finchelstein Federico Finchelstein: "White Replacement Theory" & Fascism  --- Send in a voice message: https://podcasters.spotify.com/pod/show/refuse-fascism/message

Are the people we love still with us when they die? Tune in for an inspiring discussion with Elisa Donovan on her new #book Wake Me When You Leave: Love and Encouragement via Dreams from the Other Side.#MomentsWithMarianne with host Marianne Pestana airs every Friday at 10AM PST/ 1PM EST in the Southern California area on ABC News Radio KMET1490AM & 98.1 FM! Elisa Donovan, known as an actress for her roles in Clueless, Beverly Hills 90210, and Sabrina The Teenage Witch, graduated from Eugene Lang College at The New School University in NYC, where she studied dramatic literature, acting, and writing. She has been a Celebrity Mom Blogger for people.com and is the narrator of the bestsellers Lean In and Option B. The film version of Wake Me When You Leave is in development and will be her directorial debut. https://www.elisa-donovan.comFor more show information visit: www.MariannePestana.com#bookclub #readinglist #books #bookish #author #authorinterview #lifeskills #KMET1490AM #radioshow #loveneverdies #otherside #heaven #books #booklover #mustread #reading #bookstagram #grief #griefandloss #loss #grieving #dying

Today we air the next episode of Flux. This episode was created by Bhavani Kunjulakshmi, a recent graduate of the UCL Institute of Education and staff writer at Feminism in India. Bhavani's episode explores the meaning of colonization and decolonization in international development and education. We might think we know what colonization is. The history. The actors involved. The exploitation. But what does it feel like? And then what would it mean to decolonize? And what would that feel like? Bhavani explores these questions. freshedpodcast.com/flux-kunjulakshmi -- This episode was created, written, produced and edited by Bhavani Kunjulakshmi. Johannah Fahey was the executive producer. Brett Lashua and Will Brehm were the producers. Fred Brehm read the quote by Noah Chomsky and Fran Vavrus read the quote by Martha Nussbaum. Music was composed by M.C Couper The bell hooks' clip was a part of ‘A Public Dialogue between bell hooks & Laverne Cox hosted by Eugene Lang College of Liberal Arts' (Creative commons) The clip of Amartya Sen was a part of ‘Equality and growth – an interview with Amartya Sen' (Creative commons) Quote by Noam Chomsky about Kerala was from Pedagogy of the Oppressed: Noam Chomsky, Howard Gardner, and Bruno della Chiesa Askwith Forum (Creative commons) Quotes by Martha Nussbaum was from “Creating Capabilities: The Human Development Approach” (Creative commons) Music: The Spirituals Project – Sankofa – Oh Freedom (Creative commons) -- Learn more about Flux: freshedpodcast.com/flux/about/ Twitter: @FreshEdpodcast Facebook: FreshEd Email: info@freshedpodcast.com Support FreshEd: www.freshedpodcast.com/donate

Twentieth-century fascism was a political ideology encompassing totalitarianism, state terrorism, imperialism, racism, and, in Germany's case, the most radical genocide of the last century: the Holocaust. Historians of the Holocaust tend to reject the notion of fascism as a causal explanation for its origins. Conversely, scholars of fascism present the Shoah as a particular event that is not central to fascist historiography. In this lecture Federico Finchelstein examines the challenge the Holocaust presents to the transnational history of ideology and politics. A leading contemporary authority on global fascism, Finchelstein is Professor of History at the New School for Social Research and Eugene Lang College and Director of the Janey Program in Latin American Studies at NSSR. Series: "Library Channel" [Humanities] [Show ID: 38422]

Twentieth-century fascism was a political ideology encompassing totalitarianism, state terrorism, imperialism, racism, and, in Germany's case, the most radical genocide of the last century: the Holocaust. Historians of the Holocaust tend to reject the notion of fascism as a causal explanation for its origins. Conversely, scholars of fascism present the Shoah as a particular event that is not central to fascist historiography. In this lecture Federico Finchelstein examines the challenge the Holocaust presents to the transnational history of ideology and politics. A leading contemporary authority on global fascism, Finchelstein is Professor of History at the New School for Social Research and Eugene Lang College and Director of the Janey Program in Latin American Studies at NSSR. Series: "Library Channel" [Humanities] [Show ID: 38422]

Twentieth-century fascism was a political ideology encompassing totalitarianism, state terrorism, imperialism, racism, and, in Germany's case, the most radical genocide of the last century: the Holocaust. Historians of the Holocaust tend to reject the notion of fascism as a causal explanation for its origins. Conversely, scholars of fascism present the Shoah as a particular event that is not central to fascist historiography. In this lecture Federico Finchelstein examines the challenge the Holocaust presents to the transnational history of ideology and politics. A leading contemporary authority on global fascism, Finchelstein is Professor of History at the New School for Social Research and Eugene Lang College and Director of the Janey Program in Latin American Studies at NSSR. Series: "Library Channel" [Humanities] [Show ID: 38422]

Twentieth-century fascism was a political ideology encompassing totalitarianism, state terrorism, imperialism, racism, and, in Germany's case, the most radical genocide of the last century: the Holocaust. Historians of the Holocaust tend to reject the notion of fascism as a causal explanation for its origins. Conversely, scholars of fascism present the Shoah as a particular event that is not central to fascist historiography. In this lecture Federico Finchelstein examines the challenge the Holocaust presents to the transnational history of ideology and politics. A leading contemporary authority on global fascism, Finchelstein is Professor of History at the New School for Social Research and Eugene Lang College and Director of the Janey Program in Latin American Studies at NSSR. Series: "Library Channel" [Humanities] [Show ID: 38422]

Twentieth-century fascism was a political ideology encompassing totalitarianism, state terrorism, imperialism, racism, and, in Germany's case, the most radical genocide of the last century: the Holocaust. Historians of the Holocaust tend to reject the notion of fascism as a causal explanation for its origins. Conversely, scholars of fascism present the Shoah as a particular event that is not central to fascist historiography. In this lecture Federico Finchelstein examines the challenge the Holocaust presents to the transnational history of ideology and politics. A leading contemporary authority on global fascism, Finchelstein is Professor of History at the New School for Social Research and Eugene Lang College and Director of the Janey Program in Latin American Studies at NSSR. Series: "Library Channel" [Humanities] [Show ID: 38422]

Today, states' ability to borrow private capital depends on stringent evaluations of their creditworthiness. While many presume that this has long been the case, Quentin Bruneau argues that it is a surprisingly recent phenomenon--the outcome of a pivotal shift in the social composition of financial markets. Investigating the financiers involved in lending capital to sovereigns over the past two centuries, Bruneau identifies profound changes in their identities, goals, and forms of knowledge.  In States and the Masters of Capital (Columbia University Press, 2022), he shows how an old world made up of merchant banking families pursuing both profit and status gradually gave way to a new one dominated by large companies, such as joint stock banks and credit rating agencies, exclusively pursuing profit. Lacking the web of personal ties to sovereigns across the world that their established rivals possessed, these financial institutions began relying on a different form of knowledge created to describe and compare states through quantifiable data: statistics. Over the course of this epochal shift, which only came to an end a few decades ago, financial markets thus reconceptualized states. Instead of a set of individuals to be known in person, they became numbers on a page. Raising new questions about the history of sovereign lending, this book illuminates the nature of the relationship between states and financial markets today--and suggests that it may be on the cusp of another major transformation. Quentin Bruneau is an Assistant Professor in the Department of Politics at the New School for Social Research and Eugene Lang College. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today, states' ability to borrow private capital depends on stringent evaluations of their creditworthiness. While many presume that this has long been the case, Quentin Bruneau argues that it is a surprisingly recent phenomenon--the outcome of a pivotal shift in the social composition of financial markets. Investigating the financiers involved in lending capital to sovereigns over the past two centuries, Bruneau identifies profound changes in their identities, goals, and forms of knowledge.  In States and the Masters of Capital (Columbia University Press, 2022), he shows how an old world made up of merchant banking families pursuing both profit and status gradually gave way to a new one dominated by large companies, such as joint stock banks and credit rating agencies, exclusively pursuing profit. Lacking the web of personal ties to sovereigns across the world that their established rivals possessed, these financial institutions began relying on a different form of knowledge created to describe and compare states through quantifiable data: statistics. Over the course of this epochal shift, which only came to an end a few decades ago, financial markets thus reconceptualized states. Instead of a set of individuals to be known in person, they became numbers on a page. Raising new questions about the history of sovereign lending, this book illuminates the nature of the relationship between states and financial markets today--and suggests that it may be on the cusp of another major transformation. Quentin Bruneau is an Assistant Professor in the Department of Politics at the New School for Social Research and Eugene Lang College. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today, states' ability to borrow private capital depends on stringent evaluations of their creditworthiness. While many presume that this has long been the case, Quentin Bruneau argues that it is a surprisingly recent phenomenon--the outcome of a pivotal shift in the social composition of financial markets. Investigating the financiers involved in lending capital to sovereigns over the past two centuries, Bruneau identifies profound changes in their identities, goals, and forms of knowledge.  In States and the Masters of Capital (Columbia University Press, 2022), he shows how an old world made up of merchant banking families pursuing both profit and status gradually gave way to a new one dominated by large companies, such as joint stock banks and credit rating agencies, exclusively pursuing profit. Lacking the web of personal ties to sovereigns across the world that their established rivals possessed, these financial institutions began relying on a different form of knowledge created to describe and compare states through quantifiable data: statistics. Over the course of this epochal shift, which only came to an end a few decades ago, financial markets thus reconceptualized states. Instead of a set of individuals to be known in person, they became numbers on a page. Raising new questions about the history of sovereign lending, this book illuminates the nature of the relationship between states and financial markets today--and suggests that it may be on the cusp of another major transformation. Quentin Bruneau is an Assistant Professor in the Department of Politics at the New School for Social Research and Eugene Lang College. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Today, states' ability to borrow private capital depends on stringent evaluations of their creditworthiness. While many presume that this has long been the case, Quentin Bruneau argues that it is a surprisingly recent phenomenon--the outcome of a pivotal shift in the social composition of financial markets. Investigating the financiers involved in lending capital to sovereigns over the past two centuries, Bruneau identifies profound changes in their identities, goals, and forms of knowledge.  In States and the Masters of Capital (Columbia University Press, 2022), he shows how an old world made up of merchant banking families pursuing both profit and status gradually gave way to a new one dominated by large companies, such as joint stock banks and credit rating agencies, exclusively pursuing profit. Lacking the web of personal ties to sovereigns across the world that their established rivals possessed, these financial institutions began relying on a different form of knowledge created to describe and compare states through quantifiable data: statistics. Over the course of this epochal shift, which only came to an end a few decades ago, financial markets thus reconceptualized states. Instead of a set of individuals to be known in person, they became numbers on a page. Raising new questions about the history of sovereign lending, this book illuminates the nature of the relationship between states and financial markets today--and suggests that it may be on the cusp of another major transformation. Quentin Bruneau is an Assistant Professor in the Department of Politics at the New School for Social Research and Eugene Lang College. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today, states' ability to borrow private capital depends on stringent evaluations of their creditworthiness. While many presume that this has long been the case, Quentin Bruneau argues that it is a surprisingly recent phenomenon--the outcome of a pivotal shift in the social composition of financial markets. Investigating the financiers involved in lending capital to sovereigns over the past two centuries, Bruneau identifies profound changes in their identities, goals, and forms of knowledge.  In States and the Masters of Capital (Columbia University Press, 2022), he shows how an old world made up of merchant banking families pursuing both profit and status gradually gave way to a new one dominated by large companies, such as joint stock banks and credit rating agencies, exclusively pursuing profit. Lacking the web of personal ties to sovereigns across the world that their established rivals possessed, these financial institutions began relying on a different form of knowledge created to describe and compare states through quantifiable data: statistics. Over the course of this epochal shift, which only came to an end a few decades ago, financial markets thus reconceptualized states. Instead of a set of individuals to be known in person, they became numbers on a page. Raising new questions about the history of sovereign lending, this book illuminates the nature of the relationship between states and financial markets today--and suggests that it may be on the cusp of another major transformation. Quentin Bruneau is an Assistant Professor in the Department of Politics at the New School for Social Research and Eugene Lang College. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

Today, states' ability to borrow private capital depends on stringent evaluations of their creditworthiness. While many presume that this has long been the case, Quentin Bruneau argues that it is a surprisingly recent phenomenon--the outcome of a pivotal shift in the social composition of financial markets. Investigating the financiers involved in lending capital to sovereigns over the past two centuries, Bruneau identifies profound changes in their identities, goals, and forms of knowledge.  In States and the Masters of Capital (Columbia University Press, 2022), he shows how an old world made up of merchant banking families pursuing both profit and status gradually gave way to a new one dominated by large companies, such as joint stock banks and credit rating agencies, exclusively pursuing profit. Lacking the web of personal ties to sovereigns across the world that their established rivals possessed, these financial institutions began relying on a different form of knowledge created to describe and compare states through quantifiable data: statistics. Over the course of this epochal shift, which only came to an end a few decades ago, financial markets thus reconceptualized states. Instead of a set of individuals to be known in person, they became numbers on a page. Raising new questions about the history of sovereign lending, this book illuminates the nature of the relationship between states and financial markets today--and suggests that it may be on the cusp of another major transformation. Quentin Bruneau is an Assistant Professor in the Department of Politics at the New School for Social Research and Eugene Lang College. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).

Today, states' ability to borrow private capital depends on stringent evaluations of their creditworthiness. While many presume that this has long been the case, Quentin Bruneau argues that it is a surprisingly recent phenomenon--the outcome of a pivotal shift in the social composition of financial markets. Investigating the financiers involved in lending capital to sovereigns over the past two centuries, Bruneau identifies profound changes in their identities, goals, and forms of knowledge.  In States and the Masters of Capital (Columbia University Press, 2022), he shows how an old world made up of merchant banking families pursuing both profit and status gradually gave way to a new one dominated by large companies, such as joint stock banks and credit rating agencies, exclusively pursuing profit. Lacking the web of personal ties to sovereigns across the world that their established rivals possessed, these financial institutions began relying on a different form of knowledge created to describe and compare states through quantifiable data: statistics. Over the course of this epochal shift, which only came to an end a few decades ago, financial markets thus reconceptualized states. Instead of a set of individuals to be known in person, they became numbers on a page. Raising new questions about the history of sovereign lending, this book illuminates the nature of the relationship between states and financial markets today--and suggests that it may be on the cusp of another major transformation. Quentin Bruneau is an Assistant Professor in the Department of Politics at the New School for Social Research and Eugene Lang College. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, states' ability to borrow private capital depends on stringent evaluations of their creditworthiness. While many presume that this has long been the case, Quentin Bruneau argues that it is a surprisingly recent phenomenon--the outcome of a pivotal shift in the social composition of financial markets. Investigating the financiers involved in lending capital to sovereigns over the past two centuries, Bruneau identifies profound changes in their identities, goals, and forms of knowledge.  In States and the Masters of Capital (Columbia University Press, 2022), he shows how an old world made up of merchant banking families pursuing both profit and status gradually gave way to a new one dominated by large companies, such as joint stock banks and credit rating agencies, exclusively pursuing profit. Lacking the web of personal ties to sovereigns across the world that their established rivals possessed, these financial institutions began relying on a different form of knowledge created to describe and compare states through quantifiable data: statistics. Over the course of this epochal shift, which only came to an end a few decades ago, financial markets thus reconceptualized states. Instead of a set of individuals to be known in person, they became numbers on a page. Raising new questions about the history of sovereign lending, this book illuminates the nature of the relationship between states and financial markets today--and suggests that it may be on the cusp of another major transformation. Quentin Bruneau is an Assistant Professor in the Department of Politics at the New School for Social Research and Eugene Lang College. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/finance

Welcome to "Ask the Tech Coach," a podcast for Instructional Coaches and Technology Integration Specialists. In this episode of “Ask the Tech Coach,” Jeff sits down with Melissa Jackson, Susan Shapiro, and Jon Miller to discuss the importance of safety and school safety training to ensure that our teachers, students, and community are well informed in case of an emergency. If you would like to be a part of future podcasts and share your thoughts, please contact the podcast.  We would love to have you join the show. Weekly Topic Are our schools prepared for unknown crisis? “Always being prepared for the last emergency” Helping school leaders get into a new mindset for the next crisis How to prepare people for the unexpected Getting the education out to the faculty. It's more than having the information on paper in a binder on the shelf How do we take the plans that we do have in writing and make them accessible for the teacher How can we empower our teachers to make the right decisions during a time of crisis Training adults to take care of young children during an emergency How to begin to create an emergency preparedness plan for a building, school district, and community. How can we educate our community on our district safety plans and emergency procedures How to help our community trust in those who are assigned to serve and protect our staff and students How can Instructional Coaches support Law Enforcement, School Resource Officers, Administration, Staff, & students before, during, or after a time of crisis? Join the TeacherCast Instructional Coaches Network! Are you a Tech Coach or looking to become one this year? Are you searching for support in your position? The TeacherCast Tech Coaches Network, is a dynamic Professional Learning Network designed specifically for Tech Coaches and designed to provide weekly support for all Instructional Coaches. 3 Distinct Professional Learning Networks designed to help you grow for network other Coaches and Digital Learning Leaders Free Downloadable Templates and Coaching Resources that can be used in your district ... tomorrow! Direct access to Jeff Bradbury and all off his "offline" content that he creates during the school year. Exclusive TeacherCast and "Ask the Tech Coach" podcast episodes directly relating to the questions that YOU ASK in our PLN groups. Weekly email check-ins to stay connected and discuss your Instructional Coaching program! Monthly invitations to TeacherCast Instructional Coaching Meetings and Webinars ... and more! [convertkit form=3439843] About our Guests Susan Shapiro Susan H. Shapiro is an Associate Professor of Early Childhood and Special Education at Touro Graduate School of Education is also Co-Director of the New DEEL (Democratic Ethical Educational Leadership) Community Network. She earned her Bachelor's degree in child psychology from the New School, Eugene Lang College; a Master's degree from Bank Street College of Education; and her Doctorate from the Steinhardt School at New York University in Educational Leadership. She has led early childhood programs and inclusion programs for the past 25 years. She has also been an advocate for early childhood education policy and has authored articles on crisis, ethical leadership and compassion. She is the author of a new book Interpreting COVID-19 Through Turbulence Theory Perspectives and Cases from Early...

Today we air the next episode of Flux. This episode was created by Bhavani Kunjulakshmi, a recent graduate of the UCL Institute of Education and staff writer at Feminism in India. Bhavani's episode explores the meaning of colonization and decolonization in international development and education. We might think we know what colonization is. The history. The actors involved. The exploitation. But what does it feel like? And then what would it mean to decolonize? And what would that feel like? Bhavani explores these questions. freshedpodcast.com/flux-kunjulakshmi -- This episode was created, written, produced and edited by Bhavani Kunjulakshmi. Johannah Fahey was the executive producer. Brett Lashua and Will Brehm were the producers. Fred Brehm read the quote by Noah Chomsky and Fran Vavrus read the quote by Martha Nussbaum. Music was composed by M.C Couper The bell hooks' clip was a part of ‘A Public Dialogue between bell hooks & Laverne Cox hosted by Eugene Lang College of Liberal Arts' (Creative commons) The clip of Amartya Sen was a part of ‘Equality and growth – an interview with Amartya Sen' (Creative commons) Quote by Noam Chomsky about Kerala was from Pedagogy of the Oppressed: Noam Chomsky, Howard Gardner, and Bruno della Chiesa Askwith Forum (Creative commons) Quotes by Martha Nussbaum was from “Creating Capabilities: The Human Development Approach” (Creative commons) Music: The Spirituals Project – Sankofa – Oh Freedom (Creative commons) -- Learn more about Flux: freshedpodcast.com/flux/about/ Twitter: @FreshEdpodcast Facebook: FreshEd Email: info@freshedpodcast.com Support FreshEd: www.freshedpodcast.com/donate

In this episode, Katee and Jackye check in with T. Tara Turk-Haynes, the VP of DEI and Talent Management at Leaf Group where she oversees Leaf Group's diversity, equity, and inclusion as well as hiring efforts. They discuss engagement surveys and other people processes- give it a listen. T. Tara Turk- Haynes joined Leaf Group in 2016 as Director, People, where she led the company's employee engagement, talent acquisition and learning and development programs. T. Tara has worked in Editorial at Variety Magazine, serving as a Project Lead for the Rizzoli book, "Variety: An Illustrated History of the World from The Most Important Magazine in Hollywood" by Tim Gray. She has also worked at Metacloud (a Cisco company), Ticketmaster, NBC Universal, Sundance Channel, and Penguin Putnam. She is a first generation graduate from Eugene Lang College at The New School where she studied Social, Cultural and Urban Studies and Sarah Lawrence College where she studied theatre. Her work has appeared in Tamara Winfrey Harris's “Dear Black Girl” - a letter to young Black girls from Black Women along with Tarana Burke and others. She has also been featured in Lars Schmidt's “Redefining HR” book as well his podcast. She has been featured on several podcasts, panels, and workshops on equitable workplaces and hiring. She is also a playwright and most recently completed a Geffen Writer's room fellowship. If you like what you hear, we would like to encourage you to subscribe to our channel! We would also appreciate it if you would rate this channel by going here: RateThisPodcast.com/inclusiveaf We create this podcast as a labor of love. But if you would like to support this channel you can buy us a cup of coffee here: https://www.buymeacoffee.com/InclusiveAF

In this episode, Katee and Jackye check in with T. Tara Turk-Haynes, the VP of DEI and Talent Management at Leaf Group where she oversees Leaf Group's diversity, equity, and inclusion as well as hiring efforts. They discuss engagement surveys and other people processes- give it a listen. T. Tara Turk- Haynes joined Leaf Group in 2016 as Director, People, where she led the company's employee engagement, talent acquisition and learning and development programs. T. Tara has worked in Editorial at Variety Magazine, serving as a Project Lead for the Rizzoli book, "Variety: An Illustrated History of the World from The Most Important Magazine in Hollywood" by Tim Gray. She has also worked at Metacloud (a Cisco company), Ticketmaster, NBC Universal, Sundance Channel, and Penguin Putnam. She is a first generation graduate from Eugene Lang College at The New School where she studied Social, Cultural and Urban Studies and Sarah Lawrence College where she studied theatre. Her work has appeared in Tamara Winfrey Harris's “Dear Black Girl” - a letter to young Black girls from Black Women along with Tarana Burke and others. She has also been featured in Lars Schmidt's “Redefining HR” book as well his podcast. She has been featured on several podcasts, panels, and workshops on equitable workplaces and hiring. She is also a playwright and most recently completed a Geffen Writer's room fellowship. If you like what you hear, we would like to encourage you to subscribe to our channel! We would also appreciate it if you would rate this channel by going here: RateThisPodcast.com/inclusiveaf We create this podcast as a labor of love. But if you would like to support this channel you can buy us a cup of coffee here: https://www.buymeacoffee.com/InclusiveAF

In this episode, Katee and Jackye check in with T. Tara Turk-Haynes, the VP of DEI and Talent Management at Leaf Group where she oversees Leaf Group's diversity, equity, and inclusion as well as hiring efforts. They discuss engagement surveys and other people processes- give it a listen. T. Tara Turk- Haynes joined Leaf Group in 2016 as Director, People, where she led the company's employee engagement, talent acquisition and learning and development programs. T. Tara has worked in Editorial at Variety Magazine, serving as a Project Lead for the Rizzoli book, "Variety: An Illustrated History of the World from The Most Important Magazine in Hollywood" by Tim Gray. She has also worked at Metacloud (a Cisco company), Ticketmaster, NBC Universal, Sundance Channel, and Penguin Putnam. She is a first generation graduate from Eugene Lang College at The New School where she studied Social, Cultural and Urban Studies and Sarah Lawrence College where she studied theatre. Her work has appeared in Tamara Winfrey Harris's “Dear Black Girl” - a letter to young Black girls from Black Women along with Tarana Burke and others. She has also been featured in Lars Schmidt's “Redefining HR” book as well his podcast. She has been featured on several podcasts, panels, and workshops on equitable workplaces and hiring. She is also a playwright and most recently completed a Geffen Writer's room fellowship. If you like what you hear, we would like to encourage you to subscribe to our channel! We would also appreciate it if you would rate this channel by going here: RateThisPodcast.com/inclusiveaf We create this podcast as a labor of love. But if you would like to support this channel you can buy us a cup of coffee here: https://www.buymeacoffee.com/InclusiveAF

July 12th 2022 Thaddeus Russell is the Founder of Unregistered Academy; host of the Unregistered podcast; and author of A Renegade History of the United States. He taught history and cultural studies at Occidental College and has taught at Columbia University, Barnard College, Eugene Lang College, and the New School for Social Research. Born and raised in Berkeley, California, Russell graduated from Antioch College and received a Ph.D. in history from Columbia University.Russell has also appeared on the History Channel and The Daily Show with Jon Stewart. --- Send in a voice message: https://anchor.fm/podcast-c709ee4/message

In this week's episode, Melissa and Desiree interview special guest Duncan Tonatiuh, an award-winning author-illustrator. Duncan is both Mexican and American. He grew up in San Miguel de Allende, Mexico and graduated from Parsons School of Design and Eugene Lang College in New York City. His artwork is inspired by Pre-Columbian art, particularly that of the Mixtec codices. His aim is to create images and stories that honor the past, but that are relevant to people, especially children, nowadays.

One of the powerful results of elevating Latin voices in the U.S. is discovering the artists and storytellers who are crossing traditional boundaries and making new kinds of art for the next generation to learn from.Duncan Tonatiuh is an award-winning author-illustrator. He is both Mexican and American. He grew up in San Miguel de Allende, Mexico and graduated from Parsons School of Design and Eugene Lang College in New York City. His artwork is inspired by Pre-Columbian art, particularly that of the Mixtec codices. His aim is to create images and stories that honor the past, but that are relevant to people, especially children, nowadays. You will want to hear this episode if you are interested in...What lead Duncan to writing and illustrating books like Pancho Rabbit and the Coyote (2:27)How the unique experiences of crossing the border help to teach empathy (8:41)Why his books help to maintain passion in children (16:28)How his book Separate is Never Equal has helped counter the message of segregation in the Latino community (25:10)Why the book banning movement has affected the reach of his book (29:25)How the structure of the Mexican family impacted migration (35:31)Why migrants participating in American culture helps them to survive (43:27)Connect with DuncanTheir websiteOn TwitterConnect With Peter O. Estévezwww.peteroestevezshow.com Follow on Facebook https://www.facebook.com/PeterOEstevezShow/Follow Peter O. Estevéz Show on Instagram https://www.instagram.com/peteroestevezshow/Follow Peter on Instagram https://www.instagram.com/peteroestevez/

Eric Hollerbach started doing stand-up open mics at 16 in NYC. After a dozen shows, and before his senior year of Highschool, Eric started training with the Upright Citizens Brigade improv theater. A week before he graduated from Eugene Lang College, he was performing on the UCB MainStage. In 2009, Eric moved to Los Angeles, where he continued to perform Improv and stand-up comedy while working on reality shows. He worked on Shark Tank, Amazing Race, Hulu's If I Can Dream, and many more. In Los Angeles, Eric produced a few of his own projects including the pilot Damien Shadows PI: Psychic Investigator and the webseries Here Comes Godot. He's also produced, and hosted the feature-length short-horror-film anthology Theater of the Deranged II. (Out on DVD, Blu Ray, & VOD with Troma.) From 2014-2017 Eric lived in New Orleans and attained his MFA in Screenwriting from the University of New Orleans. There he did stand-up 4-7 nights a week, and graduated with a 4.0 GPA. ​ In 2020, Eric dropped three stand-up specials on Youtube. Conspiracies and Dick Jokes, Fart Porn in Beer Halls, & It's a Medical Device.Coto follow Eric-https://www.erichollerbach.com/to support the podcast- https://linktr.ee/Dannylizethis

A&T Talks — Practical advice and insight for your creative journey.:: BREAKDOWNIn this A&T Talks episode, New York-based artists Tattfoo Tan and Kariny Padilla join us to discuss the purpose, process and impact of artistic mentorship. Tattfoo, a seasoned artist and graphic designer, shares on his role and responsibilities as a mentor, while Kariny, a recent FIT graduate, offers an insight into the many ways mentorship can be transformative. Tattfoo Tan is an artist who collaborates with the public on issues relating to ecology, sustainability and healthy living. His work is project-based, ephemeral and educational in nature. He has exhibited at venues including the Queens Museum of Art, Eugene Lang College at the New School for Liberal Arts, Parsons the New School for Design, the Fashion Institute of Technology, among others. Kariny Padilla is a painter and a recent graduate from the Fashion Institute of Technology with a Fine Arts Degree. Her paintings are a figurative documentation of her personal life and experiences. Discover Tattfoo Tan : tattfoo.comDiscover Kariny Padilla: @karinypadillaHave a question you'd like to be discussed? Want to share your insights with new and emerging creatives? Send all inquiries to info@artisansandtradestudio.com.  :: SUPPORT USIf you're getting value from these conversations, please support the podcast with a donation at artisansandtrade.com/donate. (It helps us cover the costs of producing resourceful content for you.):: SO, WHAT DID YOU THINK?Be honest. Rate the podcast HERE.Remember to share an episode with a fellow creative friend. It's the best way to say "I was thinking about you!" :: FOLLOW US@artisansandtradestudio

Bianca Pyl e Luís Brasilino recebem a advogada Mayra Cotta e a consultora de moda Thais Farage. Elas são autoras do livro “Mulher, roupa, trabalho: como se veste a desigualdade de gênero” (https://bit.ly/3o5XQRN), lançado pela editora Paralela em outubro. Na obra, elas investigam a relação das mulheres com a roupa de trabalho e como a opressão de gênero – e raça – se expressa cotidianamente no modo de se vestir. Conversamos sobre a formação do sistema capitalista, patriarcal e racista e sua relação com a roupa de trabalho nos dias de hoje, as diferenças entre o vestuário dos homens e das mulheres, o privilégio da neutralidade das roupas masculinas, indústria da moda, assédio sexual no trabalho, formas de subverter a ordem e utilizar a roupa para transitar melhor no mundo do trabalho, home office e pandemia, uniformes e muito mais!Advogada formada pela Universidade de Brasília (UnB), consultora em compliance de gênero, doutoranda em política na New School for Social Research, em Nova York, e mestre em direito criminal pela Universidade Estadual do Rio de Janeiro (Uerj), Mayra é professora nos departamentos de Politics e Global Studies na Eugene Lang College of Liberal Arts e já trabalhou como assessora jurídica da Comissão de Direitos Humanos no Congresso Nacional e como assessora especial na Secretaria-Executiva da Casa Civil da Presidência da República.Thais é consultora de moda e trabalha especialmente com mulheres. Formada em Cinema pela UFF e especialista em estética e gestão de moda pela USP, criou a empresa F*inc e, durante anos, ministrou um workshop para discutir o binômio mulheres × roupa de trabalho.Trilha: IZA, “Quem sabe sou eu” (Gabriel Moura, Leandro Fab, Pretinho da Serrinha e Rogê); Lucy Schwartz, “I want the sky”.

Colin is a literal Gemini Twin Astrologer from Long Island, New York and a two-time graduate of the New School with his Bachelor's in Literature from Eugene Lang College and Master's in Fashion Studies from Parsons School of Design. A passionate student of astrology, A Course in Miracles, and other systems of personal-growth, Colin founded QueerCosmos to meaningfully contextualize queer identities across the zodiac and universal spiritual themes. Additionally, Colin leads private natal chart readings and horoscope columns with international publications.    In This Episode:  Colin's origins story, how he got into astrology, and how he created a career around Queer Cosmos.  How New York City was the main character in both of our stories.  We talk about Taylor Swift's RED album re-release, Monica Lewinksy, and the common themes that link the two.  The Lunar Eclipse on November 19, 2021 as a preview for the next 18 months of the Taurus/Scorpio axis.  We talk a lot about Capricorn, the archetype, and Venus in Capricorn. The lessons of the Gemini/Sagittarius axis and the culmination of this cycle on December 4, 2021.  Our beliefs about how to use the eclipse time. Is it a time to manifest? FULL SHOW NOTES YouTube Channel Laura Chung Instagram Awaken and Align Instagram Moon Circles via Patreon - Choose from 3 tiers Connect with Awaken and Align: If you enjoyed the podcast and you feel called, please share it and tag me! Subscribe, rate, and review the show wherever you get your podcasts. Your rating and review help more people discover it! Follow on Instagram @awakenandalign Let me know your favorite guests, lessons, or any topic requests.

The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well? Published in November 2020 by Fordham University Press, Genevieve Yue's Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.” In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies. Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices

The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well? Published in November 2020 by Fordham University Press, Genevieve Yue's Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.” In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies. Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well? Published in November 2020 by Fordham University Press, Genevieve Yue's Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.” In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies. Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well? Published in November 2020 by Fordham University Press, Genevieve Yue's Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.” In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies. Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well? Published in November 2020 by Fordham University Press, Genevieve Yue's Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.” In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies. Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well? Published in November 2020 by Fordham University Press, Genevieve Yue's Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.” In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies. Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well? Published in November 2020 by Fordham University Press, Genevieve Yue's Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.” In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies. Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Join Haymarket Books and Spectre Journal for a conversation on revolution in the contemporary era. The last three decades have seen an increase in the number of political upheavals that challenge existing power structures, many of them taking the form of urban revolts. Revolutionary Rehearsals in the Neoliberal Age explores a series of these upheavals--in Eastern Europe, South Africa, Indonesia, Argentina, Bolivia, Venezuela, sub-Saharan Africa (including Congo, Zimbabwe, Burkina Faso) and Egypt. In this book launch scholars of and participants in some of these revolutionary upheavals will consider what lessons we can draw from these moments and movements that brought the system to its knees, before it rallied and turned back the tides of sweeping change. Order a copy of the book from Haymarket: https://www.haymarketbooks.org/books/1653-revolutionary-rehearsals-in-the-neoliberal-age --------------------------------------------------------------------- Speakers: Cinzia Arruzza is associate professor of philosophy at the New School for Social Research and Eugene Lang College. She is the Vice-President of the New School AAUP chapter and the co-author of Feminism for the 99%. A Manifesto. She is a member of the editorial board of Spectre Journal. Gareth Dale teaches politics at Brunel University. He is the author of The East German Revolution of 1989. Frances Fox Piven is a distinguished professor of political science and sociology at The Graduate Center, City University of New York. She is a co-author, with Richard A. Cloward, of The Breaking of the American Social Compact; a co-author, with Lorraine C. Minnite and Margaret Groarke, of Keeping Down the Black Vote: Race and the Demobilization of American Voters; and the author of The War at Home: The Domestic Costs of Bush's Militarism and Who's Afraid of Frances Fox Piven?: The Essential Writings of the Professor Glenn Beck Loves to Hate. She lives in New York City. Sameh Naguib teaches sociology at the American University in Cairo and has written extensively on politics in Egypt and the Middle East. He is also a founding member of the Revolutionary Socialist Movement in Egypt. --------------------------------------------------------------------- This event is sponsored by Spectre Journal and Haymarket Books. Watch the live event recording: https://youtu.be/OyRXyOXZyv0 Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Harvey Brownstone conducts an in-depth interview with Elisa Donovan, Actor and Author of “Wake Me When You Leave: Love and Encouragement via Dreams from the Other Side”About Harvey's guest:For over 20 years, Elisa Donovan has been a part of iconic pop culture phenomenons.  She began her film career originating the role of Amber in the iconic Paramount Pictures comedy Clueless.  She followed that up with a turn on another pop culture sensation, the television series Beverly Hills, 90210, playing bad girl Ginger LaMonica. She then went on to reprise her role of Amber for three seasons on the television series of Clueless.  During which time she shot the Paramount/SNL Films comedy, A Night At The Roxbury.  Then for three seasons Elisa played Morgan Cavanaugh on the monster hit series Sabrina The Teenage Witch. Elisa has had recurring roles on multiple other TV series, and has starred in numerous telefilms, including “Your Love Never Fails”, “Eve's Christmas”, “12 Wishes Of Christmas” and “It Was One Of Us”.Elisa was also the star and co-producer of the NBC comedy web series In Gayle We Trust, created and written by Brent Forrester (The Office). IGWT was an unprecedented success for the network, garnering over 35MM views.  Elisa also co-stars in the franchise of family films, “The Dog Who Saved…”  and was voted Reader Favorite as a Celebrity Mom Blogger for people.com. Elisa was hand selected by Sheryl Sandberg to be the voice for her #1 bestsellers Lean In and Option B. The audiobook for Lean In was also #1 on the charts and was submitted for a Grammy nomination.Elisa's first book, Wake Me When You Leave, was released on June 8, 2021. Wake Me When You Leave is her very personal memoir about losing her job, her relationship, and her father to cancer, all over a very short period of time. Through her grief, she began to connect to her father through a series of visitations and dreams, helping her to heal and remedy her life.  The film version of Wake Me When You Leave is currently in development, with Richard J. Bosner producing.  The film will mark Elisa's screenwriting and directorial debuts.In addition to her entertainment career, Elisa supports women struggling with eating disorders and is a proponent of spreading awareness and recovery. She has had pieces published in the “Chicken Soup For The Soul” series of books as well as having her recovery story featured in the book “Feeding The Fame” and documented for TEEN People. Elisa has spoken about recovery on many television shows including 20/20, Entertainment Tonight, Access Hollywood and Dr. Drew's Headline News.Originally from Northport, Long Island, Elisa grew up studying acting, writing, and photography. She was also a competitive equestrian. She graduated from Eugene Lang College at The New School University in NYC, where she studied dramatic literature, acting and writing. Elisa lives in San Francisco with her husband and daughter. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/https://www.elisa-donovan.com/https://www.facebook.com/elisa.donovan#ElisaDonovan  #harveybrownstoneinterviews

The chef and co-founder of The River Cafe, Ruth Rogers, picks the life of the writer and activist James Baldwin. A writer, poet, playwright and activist, Baldwin was known as a trailblazing explorer of race, class and sexuality in America and the “literary voice of the Civil Rights movement”. Joining Ruth and Matthew is Professor Rich Blint from the Eugene Lang College of Liberal Arts in New York. He is director of the college's race and ethnicity programme and is a contributing editor to the James Baldwin Review. Together they explore Baldwin's writing style, the turbulent times faced both politically and personally; and ask - were he alive today - whether he would feel the world had progressed in its attitude to race. Presented by Matthew Parris and produced for BBC Audio in Bristol by Caitlin Hobbs.

At this week's Round Table, Inica and Madeline spoke with Jennifer Wilson, Dean of Eugene Lang College and Associate Professor of Mathematics at Eugene Lang College. Dean Wilson loves math and she loves social change so she has found ways to entwine the two in her work. She studies the ways in which we make decisions and the fairness properties embedded in that, for good and for bad. Voting is a quintessential way citizens make decisions and thus is of particular interest to her. Dean Wilson is deeply invested in plurality vs majority systems, and is closely analyzing the recent primaries in New York City, which used ranked choice voting (RCV) for the first time. Of course SOME aspects of RCV can be approached mathematically (like the spoiler effect) and others can't (like does it impact how candidates approach the campaign) but analyzing it mathematically can help us step back, gain objectivity, and think LESS about campaigning as a sport and MORE about the structures we use to make decisions--and then to critique and improve them. A mathematical lens (specifically collective game theory) can also be helpful in analyzing the bandwagon effect--that is, what are the reasons for candidates to support one another as they're gaining momentum—and gerrymandering to produce more or less competitive races. Needless to say, Jennifer Wilson's work and this episode will help you think differently and more deeply about electoral math. Thank you for listening! --- Send in a voice message: https://anchor.fm/nextgenpolitics/message

In a culture that seems to be fraying and coming apart at the seams, does Buddhism have any possibilities? Last week I got to chat with celebrated Buddhist teacher and mentor Ethan Nichtern, and hear a bit about Buddhist psychology, Tantric Buddhism, and how the Middle Path can help us navigate not just our own minds but the world around us. I really appreciated Ethan's expertise; he effortlessly explains complex Buddhist ideas (and Western misconceptions). Dig in, friends. Ethan Nichtern is, as Sally Vogler of Vogue put it, “a supercool, deeply kind brainiac—imagine a very chilled-out blend of Pauls Auster and Rudd—who is also to-the-cushion born.  A Buddhist teacher for over 19 years, Ethan has taught meditation and Buddhist psychology classes and workshops around New York City, North America, and Europe, along with working with students privately. He has primarily studied in the Shambhala and other Tibetan traditions, but has also studied Theravadan and Soto Zen Buddhism. He is also an avid yoga practitioner. He served as Shastri, or Senior Teacher-In-Residence, for the Shambhala Meditation Center of New York, from 2010-2018. He was formerly on the part-time faculty at Eugene Lang College at New School University and has lectured at Brown, Wesleyan, Yale, NYU, FIT, Antioch, and other universities, and as well as at many other meditation/yoga centers and conferences around the country and world. He is the author of the acclaimed book The Road Home: A Contemporary Exploration of the Buddhist Path. His most recent book, The Dharma of The Princess Bride: What The Coolest Fairy Tale of Our Time Can Teach Us About Buddhism and Relationships was in 2017. He is also the author of One City: A Declaration of Interdependence and the Novella/poetry collection, Your Emoticons Won’t Save You. Connect With Ethan -Website: https://www.ethannichtern.com/ -Twitter: https://twitter.com/ethannichtern -Instagram: https://www.instagram.com/ethannichtern/ -Books: https://ethannichtern.com/the-road-home -https://www.ethannichtern.com/dharma-of-the-princess-bride/ See omnystudio.com/listener for privacy information.

In this week’s episode, Kendra and Sachi discuss Hawaii’s Story by Hawaii’s Queen and Long Live the Tribe of Fatherless Girls. Plus, special guest T Kira Madden recommends two books by Native Hawaiian authors. Check out our Patreon page to learn more about our book club and other Patreon-exclusive goodies. Follow along over on Instagram, join the discussion in our Goodreads group, and be sure to subscribe to our newsletter for more new books and extra book reviews! Things Mentioned Interview with T Kira Madden Book Recommendations: Happy Asian Pacific Heritage Month! Books By Maori and Pasifika Authors Redefining Realness by Janet Mock We Need Diverse Books Blog Post: Resources for Pacific Islander Heritage Month Books Mentioned Hawaii's Story By Hawaii's Queen by Lili'uokalani Long Live the Tribe of Fatherless Girls by T Kira Mahealani Madden T Kira Recommends Shark Dialogues by Kiana Davenport This Is Paradise by Kristiana Kahakauwila About Our GuestT Kira Mahealani Madden is a lesbian APIA writer, photographer, and amateur magician living in Hudson Valley, New York. She holds an MFA in creative writing from Sarah Lawrence College and an BA in design and literature from Parsons School of Design and Eugene Lang College. She is the founding Editor-in-chief of No Tokens, a magazine of literature and art, and is a 2017 NYSCA/NYFA Artist Fellow in nonfiction literature from the New York Foundation for the Arts. She has received fellowships from MacDowell, Hedgebrook, Tin House, DISQUIET, Summer Literary Seminars, and Yaddo, where she was selected for the 2017 Linda Collins Endowed Residency Award. She facilitates writing workshops for homeless and formerly incarcerated individuals and currently teaches in the MFA program at Sarah Lawrence College. Her debut memoir, LONG LIVE THE TRIBE OF FATHERLESS GIRLS, was a New York Times Editors' Choice selection, a finalist for the National Book Critics Circle John Leonard Prize, and a finalist for the LAMBDA Literary Award for lesbian memoir. There is no period in her name. Website | Twitter | Instagram CONTACT Questions? Comments? Email us hello@readingwomenpodcast.com.  SOCIAL MEDIA Twitter | Facebook | Instagram | Website Music by Miki Saito with Isaac Greene Learn more about your ad choices. Visit megaphone.fm/adchoices

Talia Lugacy, director and co-writer of This Is Not A War Story, drops by the podcast to discuss the film's upcoming release.  A collaborate work between Talia, her cast and crew, and a group of anti-war veterans, the film takes to task many of the conventional and stereotypical tropes that are associated with veteran portrayals in films and television. The film will be screened this upcoming weekend on Sunday, March 28 at 5:00pm, at the Cinequest Film Festival, followed by a Q&A with Talia, executive producer Rosario Dawson, actor Sam Adegoke, and veteran / About Face member Eli Wright. "THIS IS NOT A WAR STORY tracks a ragtag group of combat veterans in New York whose anti-war art, poetry and papermaking keep them together, despite the spectre of their friend’s suicide and the ever-crystalizing fact that healing from war is sometimes an impossible mission." Talia Lugacy co-wrote and directed the feature film "Descent" starring Rosario Dawson, which premiered in competition at the Tribeca Film Festival and was released theatrically by Warner Independent. Despite an NC-17 rating "Descent" was championed by The New York Times as "essential to see, a vividness never seen in an American film." Talia is a full-time Assistant Professor of Screen Studies at Eugene Lang College of Liberal Arts, The New School, in NYC. She is also a member of the Actors Studio Playwrights & Directors Unit, and began studying filmmaking at NYU Tisch at the age of 15. She has directed numerous short films as well as directed environmental PSAs with Frack Action, Water Defense, Mark Ruffalo and Food & Water Watch. Let me guess.  You're enjoying the show so much, you'd like to leave us a review?!  Click here for Stitcher.  Click here for Apple Podcasts.  Click here for our Facebook page.  Alternatively, you can click here: https://lovethepodcast.com/fortressonahill Email us at fortressonahill@gmail.com Check out our t-shirt store on Spreadshirt.com Not a contributor on Patreon? You're missing out on amazing bonus content! Sign up to be one of our patrons today! - www.patreon.com/fortressonahill A special thanks to our Patreon honorary producers - Will Ahrens, Fahim Shirazee, James O'Barr, Adam Bellows, Eric Phillips, Paul Appell, Julie Dupris, Thomas Benson,  Janet Hanson, Tristan Oliver, Daniel Fleming, Michael Caron, Zach H, Ren Jacob, Howard Reynolds, Why I am Antiwar Podcast, Kenneth Cordasco, Korgoth, and the Statist Quo Podcast.  You all are the engine that helps us power the podcast.  Thank you so much!!! Not up for something recurring like Patreon, but want to give a couple bucks?!  Visit Paypal.me/fortressonahill to contribute!! Fortress On A Hill is hosted, written, and produced by Chris 'Henri' Henrikson, Danny Sjursen, and Keagan Miller. Intro / outro music "Fortress on a hill" written and performed by Clifton Hicks.  Clifton's Bandcamp page; Clifton's Patreon page Cover and website art designed by Brian K. Wyatt Jr. of B-EZ Graphix Multimedia Marketing Agency in Tallehassee, FL Note: The views expressed in this podcast are those of the hosts alone, expressed in an unofficial capacity, and do not reflect the official policy or position of the Department of the Army, Department of Defense, or the U.S. government.

Sam Goldman interviews Federico Finchelstein, Professor of History at the New School for Social Research and Eugene Lang College and Director of the Janey Program in Latin American Studies at NSSR. Dr. Finchelstein is the author of seven books on fascism, populism, Dirty Wars, the Holocaust and Jewish history in Latin America and Europe. His latest book is A Brief History of Fascist Lies and you can follow him on Twitter @FinchelsteinF. Send your comments to samanthagoldman@refusefascism.org or @SamBGoldman. Connect with the movement at RefuseFascism.org and support: Venmo: @Refuse-Fascism Cashapp: @RefuseFascism paypal.me/refusefascism donate.refusefascism.org Music for this episode: Penny the Snitch by Ikebe Shakedown. --- Send in a voice message: https://anchor.fm/refuse-fascism/message

A conversation about the struggle against neoliberalism in higher education with leading voices from the front lines. ———————————————— Higher education has been transformed over the last several decades. State funding has been dramatically reduced, tuition fees have exponentially increased, tenure track jobs have been replaced with adjuncts and graduate students, and staff have laid off and those that remain forced to work longer and harder for less, The pandemic and recession have triggered an enormous crisis in this neoliberal model of higher education, putting not only jobs but entire institutions in jeopardy. This panel, organized by Spectre Journal, will address how faculty, staff and graduate students can organize and defend their jobs, programs, and higher education in the US. ———————————————— Panelists: Tithi Bhattacharya is a professor of South Asian History and the Director of Global Studies at Purdue University. She is the author of The Sentinels of Culture: Class, Education, and the Colonial Intellectual in Bengal (Oxford University Press, 2005) and the editor of the now classic study, Social Reproduction Theory: Remapping Class, Recentering Oppression (Pluto Press, 2017). Her recent coauthored book includes the popular Feminism for the 99%: A Manifesto (Verso, 2019) which has been translated in over 25 languages. She writes extensively on Marxist theory, gender, and the politics of Islamophobia. Her work has been published in the Journal of Asian Studies, South Asia Research, Electronic Intifada, Jacobin, Salon.com, The Nation, and the New Left Review. She is on the editorial board of Studies on Asia and Spectre Journal. Cinzia Arruzza is associate professor of philosophy at the New School for Social Research and Eugene Lang College. She is the Vice-President of the New School AAUP chapter and the co-author of Feminism for the 99%. A Manifesto. She is a member of the editorial board of Spectre Journal. Kathleen Brown is a doctoral student at the University of Michigan in the department of American Culture and a member of the Graduate Employees' Union Local 3550. She helped organize GEO's historic 9-day abolitionist strike in September 2020 and studies 1930s transnational movements against fascism. Henry Drobbin has been active in the Higher Education Labor Movement for the past 12 years. He held the title of Steward, Lead Steward, and Lead Organizer with The International Brotherhood of Teamsters Local 1205. Most recently, he worked with the Leadership of ACT-UAW 7902, AAUP, AFM 802, and IBT 1205 to form the New School Labor Coalition. Nancy Welch(moderator) is Professor of English at the University of Vermont and a member of UVM United Academics AFT-AAUP. Her recent publications include the co-edited collections Unruly Rhetorics (with Jonathan Alexander and Susan Jarratt) and Composition in the Age of Austerity (with Tony Scott). Her essay "A Semester to Die For" and interview "Standing Together Against Sexual Assault at Dartmouth" were published last summer at spectrejournal.com ————————————————————— Find more about Spectre: https://spectrejournal.com/ Watch the live event recording: https://youtu.be/73y_TVExf_g Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Guest: Federico Finchelstein is Professor of History at the New School for Social Research and Eugene Lang College and author of Brief History of Fascist Lies. The post The Mythology of Fascism appeared first on KPFA.