Podcast appearances and mentions of ryan koo

This podcast is brought to you by Outcomes Rocket, your exclusive healthcare marketing agency. Learn how to accelerate your growth by going to outcomesrocket.com Mental health startups targeting employers need to understand employer challenges, build relationships, and innovate to make care accessible, affordable, and integrated. In this episode, Ryan Koo, Employee Benefits Consultant at Marsh McLennan Agency, talks about critical challenges and opportunities in the mental health landscape. Ryan highlights actionable insights for startups aiming to succeed in employer markets. He discusses the vital role of community and relationships in the healthcare ecosystem. Ryan also discusses emerging trends like integrated mental health solutions addressing acute and chronic needs. Tune in to discover how to bridge gaps in mental health care, foster innovation, and navigate the complex employer ecosystem with actionable strategies and expert insights! Resources: Connect with and follow Ryan Koo on LinkedIn. Follow Marsh McLennan Agency on LinkedIn and visit their website.

No Film School founder and director Ryan Koo flips the script in this special episode, interviewing regular podcast host GG Hawkins about the world premiere of her feature film I Really Love My Husband at the 2025 SXSW Film Festival. GG shares her whirlwind experience of showcasing her first feature, from managing the chaos of festival logistics and marketing, to the overwhelming response from audiences and peers alike. This episode offers a candid, behind-the-scenes look at what it's really like to premiere at a major festival, how to prepare, and what filmmakers can learn to maximize their presence. In this episode, No Film School's Ryan Koo and GG Hawkins discuss... GG's emotional and logistical journey leading up to the world premiere of her film How SXSW's ticketing and badge system works—and how to prep for packed screenings Tips for marketing your film and working with PR ahead of a major festival The importance of pacing, wardrobe strategy, and managing energy during festival week Lessons learned from networking, screenings, and audience feedback A broader look at SXSW as a convergence of film, tech, and immersive media Memorable Quotes: "One of the best things you can do for yourself is have your family come to the second and third screening." (05:49) "If you make a movie and nobody sees it, what's the point?" (08:32) "Don't get a perm before your premiere." (17:01) "I didn't know I would be in sort of like a therapy support situation, which is awesome that the movie resonated with folks that way." (24:00) "This is the truest form for what it'll be in the long game—people who don't know me are going to sit back and watch and not know what's going to happen." (28:45) Resources: The Cameras Behind the Films of SXSW 2025 How to Shoot Your Feature in Three Months or Less Everything You Need to Know About Editing and Post-Production Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram 

Dennis chats with Ryan Koo, an Employee Benefits Consultant who specializes in working with digital health companies. Ryan has just returned from the HLTH conference and shares his recap of the conference as well as his view on the digital health space. Tune in to learn about how digital health companies should be thinking about the employer channel as well as the employee benefits consultant channel. Ryan also shares his view of what's most exciting for the future of digital health. Connect with Ryan on LinkedIn: https://www.linkedin.com/in/ryanmkoo/

The Austin Film Festival (AFF) stands out for its unique focus on writers and emerging filmmakers, providing a space for attendees to connect with industry professionals and discover creative collaborations. With its welcoming atmosphere, AFF offers an ideal environment for networking, learning, and exploring new opportunities. The conversation also delves into the career of cinematographer Mihai Malaimare Jr., who shares his journey from film school to working with legendary director Francis Ford Coppola, offering insights into his approach to cinematography and navigating the evolving role of technology in film.   Andy Volk is the Senior Film Programmer at Austin Film Festival. He selects films from around the world and helps shape the festival's diverse lineup.   Emily Lock is the Conference Director at Austin Film Festival. She organizes panels and events focused on screenwriting and filmmaking.   Mihai Malaimare Jr. is a cinematographer known for Megalopolis and Jojo Rabbit. He began working with Francis Ford Coppola shortly after film school and is recognized for his innovative approach to both film and digital cinematography. Mihai has worked on several acclaimed films, blending artistry with evolving technology.   In today's episode, No Film School's GG Hawkins and Ryan Koo speak with Andy Volk, Emily Lock, and Mihai Malaimare Jr. to discuss: How to make the most of your time at the Austin Film Festival Why AFF stands out as a community-driven festival Tips for networking, pitching, and finding creative collaborations at the festival Mihai Malaimare Jr.'s journey from film school to becoming Francis Ford Coppola's go-to cinematographer How Mihai navigates the evolving landscape of VFX-heavy productions and maintains the balance between technology and artistry Building lasting professional relationships with directors and how to stay open to creative ideas on set   Memorable Quotes: “[AFF] is one of the more welcoming festivals that I've ever been to, and it really is about community. And I think that's one of the things that we really pride ourselves on at the festival is making it feel really warm and really open.” (7:34) “It's a very rare opportunity for an aspiring and emerging storyteller to get in a room with someone who's an actual gatekeeper for Hollywood, to hear their perspective on what they're looking for and their advice to emerging voices, and to have the opportunity to speak with them, either one-on-one or in a group, and really pitch themselves.” (16:22) “I want any of our listeners who sort of skew on the shyer side to practice introducing themselves to somebody that they don't know.” (19:03) “My advice is watch everything. And I know that sounds trite, but it's so important to get outside your own taste bubble.” (25:34) “Make space for things that don't jump out at you. And you would be surprised how much you can love something that didn't really necessarily call to you.” (25:58) “It can be very stressful when you're not prepared, and you're used to productions that are really very carefully planned. If you move an inch, then it's a disaster.” (38:09) “I'm still trying to figure out why, but I'm more attracted to still photography than stills from other movies.” (52:18)     Resources Mentioned: Austin Film Festival   On Story podcast   Mihai Malaimare Jr. on Instagram    Mihai Malaimare Jr. on IMDb   Mihai Malaimare Jr.'s website     Find No Film School everywhere: On the Web https://nofilmschool.com/   Facebook  https://www.facebook.com/nofilmschool   Twitter  https://twitter.com/nofilmschool   YouTube    https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Send us an email with questions or feedback: podcast@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim Joyce and I had a blast recording

“There's never been a better time to make shorts or watch shorts,” says Mike Plante, the senior short film programmer at Sundance Film Festival. Mike, who has been at Sundance for over 20 years, shares his thoughts on the future of shorts and what his team looks for in the selection process. In today's episode, No Film School's Ryan Koo speaks with Mike Plante to discuss: Developing motion picture films at the drug store in the ‘90s Why shorts are a great medium to learn and experiment  Working at festivals and movie theaters Receiving over 12,000 short submissions in 2024 Disadvantages of creating long shorts Differences in funding international shorts Seeing many different types of voices, stories, and styles Sundance shorts that later became features What makes you a filmmaker What Sundance looks for in a short Memorable Quotes “You're always a filmmaker, but there will be months you're not doing anything on your film.” [2:48] “You may watch a thousand shorts and nothing is good. Then you just start to lose your mind.” [10:45] “Your 30-minute short has to be better than three, 10-minute shorts.” [12:25] “The internet is good for shorts because you can put it up. It doesn't mean anyone will watch it.” [31:31] Mentioned Submission Dates for Sundance Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook  https://www.facebook.com/nofilmschool Twitter  https://twitter.com/nofilmschool YouTube  https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Send us an email with questions or feedback: podcast@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

This year No Film School hosted an alumni party at Sundance, and it was amazing to see the community come together in person. The connections made at the party truly embody the ethos behind No Film School - accessibility, humility, and vulnerability.  In today's episode, No Film School's GG Hawkins, Ryan Koo, and Jo Light discuss:  The amazing energy in the room at the No Film School Alumni Party Seeing the community expand into more film groups across the country Why we love the commitment of filmmakers who continue to create stories  Resources for filmmakers outside of Los Angeles and New York More films we enjoyed at the festival Not having specific festival goals and letting opportunities happen naturally Some of our magical festival moments  Advice we would give to our younger selves Memorable Quotes “Let's try to be vulnerable and human, and recognize we are here because we want to make things.” [5:39] “Stop Hedging. Grab some friends. Just do it. Plant your flag.” [9:14] “Going into a dark theater. Turning your damn phone off. And totally giving yourself over to something that no one else in the world has seen before.” [13:12] “It felt great to come here without a specific expectation, and then be pleasantly surprised.” [20:46] “Sundance. I'm never not coming to this. I want to be here every year.” [22:43] Mentioned: Krazy House War Game Dìdi I Saw the TV Glow  A Real Pain Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook  https://www.facebook.com/nofilmschool Twitter  https://twitter.com/nofilmschool YouTube  https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Send us an email with questions or feedback: podcast@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

It's that time of year again! The time of year we get to meet emerging filmmakers and watch their creative, original, risk-taking films at the Sundance Film Festival. Not only are we networking and enjoying amazing films, but we are bringing some fun surprises to the festival this year.  In today's episode, No Film School's GG Hawkins, Ryan Koo, and Jo Light discuss:  Why the Sundance volunteers are so important to the spirit of the festival  Running into people we haven't seen in over a decade Hosting a No Film School party at Sundance this year An online giveaway for No Film School listeners Films we love and films we have mixed feelings about Being unexpectedly moved by a beautiful zombie film  An unconventional pairing that gives a fresh perspective on love Stories that encourage us to bring more originality to our work Being independent from what's considered “commercially viable” Why you need to watch the documentary lineup at Sundance Memorable Quotes “This is what I come to Sundance for…This is an original idea that is audacious and creative. It's something I have never seen before.” [20:00] “We are not here to be critics. We are not here to give films grades. We are here to be inspired as filmmakers.” [21:00] “What we come here to see is risk taking.” [32:12] “We're all in this community together. We are all trying to get movies made. It's harder than ever.” [35:21] Mentioned Online Giveaway: Enter to Win Freaky Tales - Directed by: Anna Boden & Ryan Fleck How to Have Sex - Directed by: Molly Manning Walker Layla - Directed by: Amrou Al-Kadhi Handling the Undead - Directed by: Thea Hvistendahl Love Me - Directed by: Sam & Andy Zuchero Your Monster - Directed by: Caroline Lindy Seeking Mavis Beacon - Directed by: Jazmin Jones Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook  https://www.facebook.com/nofilmschool Twitter  https://twitter.com/nofilmschool YouTube  https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Send us an email with questions or feedback: podcast@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Netflix delivered your Christmas gift early this year! For the first time ever, the platform just released all of its streaming data! This “data dump” is beneficial for many in the industry, and it seems we will be getting more of these gifts in the foreseeable future.  In today's episode, No Film School's Charles Haine, GG Hawkins, Jason Hellerman, Ryan Koo and writer Amanda Barnes discuss: The streaming data that was recently released by Netflix The metric Netflix used in ranking it's shows and movies Observations we have been making since the data dump Using the data as a negotiation talking point for future films How to avoid chasing others and instead attract attention Borrowing lines and ideas from our favorite holiday movies How to respond when you receive shitty notes  The blessings and curses of being a writer The concessions you make as an indie filmmaker  Handling heavy themes by wrapping them in joy and humor  Memorable Quotes “What it was like to not know how many people were watching my movie out in the world.” [2:45] “The one thing Netflix has never done is tell us who is watching what.” [7:26] “I want to know who's watching my show, so I can get paid accordingly.” [7:56] “Oh shit, now I have to learn how to write a Christmas movie.” [51:01] “If you have a vision and you need it executed your way and only your way, you have to make it yourself. And you have to be okay with the fact that maybe no one will see it.” [57:34] Mentioned: The making of Ryan's film 'Amateur' Netflix Releases All Its Streaming Data for the First Time Ever  Connect with Amanda on Instagram  Watch ‘Just Like a Christmas Movie' Watch 'The Holiday Shift'  Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook  https://www.facebook.com/nofilmschool Twitter  https://twitter.com/nofilmschool YouTube  https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Send us an email with questions or feedback: podcast@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Ryan Koo is a comedian, actor, and musician from Seoul, South Korea. He has performed in comedy clubs, college/universities, and festivals across the nation such as the New York Comedy Festival and the Crazy Woke Asians Festival where he received the Rising Star Award. Recently, Ryan was one of the featured comedians for LMAOF: Los Angeles, a comedy show filmed and aired by OFTV (OnlyFans). Ryan's acapella cover of the Spider Man theme song was featured on Inside the Magic and he also has a 15 minute comedy special with Funny Media Productions called Subtle Asian Comedy. Ryan has multiple stand up clips that have garnered more than a million views on Instagram, Facebook, and YouTube and has done various commercial/print work for popular brands such as Twitter, BetterHelp, and Hyundai. When he's not performing, he can most likely be found at 24 hour fitness playing basketball because ball is the life.Find Ryan:Instagram: @hankyolkooTwitter: @hankyolkooWebsite: hankyolkoo.comDonate to St. Baldrick's to support pediatric cancer research:https://www.stbaldricks.org/participants/groundedgeekThis podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrpChartable - https://chartable.com/privacyPodcorn - https://podcorn.com/privacy

On today's episode, No Film School founder Ryan Koo, writer Alyssa Miller, and podcast co-host GG Hawkins discuss their favorite aspects of Sundance 2023. They discuss the most impactful films they watched, the nature of networking at the festival, and the exciting film acquisitions that occurred.  In this episode, we talk about… Sundance films that we loved Mutual exhaustion and excitement everyone experienced at Sundance Understanding the currency of human emotion How, without Sundance, it would be difficult for certain films to be made Why you don't need a full scale production to make a brilliant film Having to navigate relationships in the industry with a guard up  The value in making connections in such a concentrated amount of time Multiple $20 million acquisitions for independent filmmakers Memorable Quotes “Diversity in emotion. The entirety of the human experience is found in this slate.” [1:32] “The currency of human emotion…will probably be one of the hardest things for A.I. to define.” [10:20] “Wow! Movies are so alive and well. Independent film is so alive and well.” [29:21] “You really bond when you're freezing.” [30:26] “You are your own business as a filmmaker, and you have to be making these connections.” [37:50] Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook  https://www.facebook.com/nofilmschool Twitter  https://twitter.com/nofilmschool YouTube  https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing editor@nofilmschool.com!  Learn more about your ad choices. Visit podcastchoices.com/adchoices

No Film School writers, Alyssa Miller, GG Hawkins, and Ryan Koo discuss the opening weekend of the 2023 Sundance Film Festival in Park City, Utah. We share why it has been so great to be back at Sundance in person. Also, we speak to a Powderkeg development executive about the future of indie films. In this episode, we talk about… The difficulty in choosing what to go to due to all the options Approaching your Sundance experience as if you are a character in a script Sharing our various objectives and goals for the festival Theories on the budget cuts Sundance has made The lack of distribution of the films at the festival Appreciating the happy energy of filmmakers at Sundance Powderkeg's purpose for going to the festival How important it is to build relationships in this industry Staying true to your voice by not chasing mandates Memorable Quotes “It's so hard to watch a movie in the middle of your work day and feel like you're actually at a festival.” [0:50] “Part of the filmmaker experience at Sundance is knowing where you sit in the pecking order.” [4:30] “Even if you have a film in the festival, it doesn't mean you're getting into the party.” [8:07] “The reality of Sundance is ditch or be ditched. And it's gonna happen to you and you just have to accept it and go with the flow.” [8:19] “Be honest, be authentic and put yourself out there.” [35:05] Mentioned Adobe Alyssa Miller GG Hawkins Ryan Koo Powderkeg Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook  https://www.facebook.com/nofilmschool Twitter  https://twitter.com/nofilmschool YouTube  https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing editor@nofilmschool.com!  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Eddie talks with Ryan Koo, an actor and stand-up comedian, living in Los Angeles, California.   Watch the full episode on YouTube: https://youtu.be/q0WGpbqGJbU   Follow Ryan Koo: Ryan's instagram: https://www.instagram.com/hankyolkoo/ Ryan's website: https://www.hankyolkoo.com/   Follow Eddie Vigil V: Eddie's instagram: https://www.instagram.com/eddievigilv Eddie's website: https://www.eddievigilv.com/  

Director Jeremiah Zagar, who directed the Netflix movie Hustle, shares many valuable filmmaking lessons and how he made a phenomenal movie with people who had never acted before. In this episode, we talk about… Making an independent art film with a sports story The freedom and possibilities he got while shooting with real basketball players The idea of evolving the narrative direction through each fight How to get good performances from people who don't act professionally Tips on working with actors and helping them to do their best and not freeze while on camera His experience while working with Adam Sandler, Queen Latifah, Robert Duvall, Kenny Smith, and others Advice for people who want to shoot in a digital format but want to capture the anamorphic look Behind-the-scenes stories from the movie set How he handled self-doubt while making the movie Learning from failures and recognizing the fact that perfect is not always in the cards Links to Resources:  First feature series, Ryan Koo and Amateur https://nofilmschool.com/tags/firstfeature  Link to Hustle on Netflix https://www.netflix.com/in/title/80242342  Winning time interview https://megaphone.link/BLU1506714910  Find No Film School everywhere: On the Web https://nofilmschool.com/   Facebook  https://www.facebook.com/nofilmschool   Twitter  https://twitter.com/nofilmschool   YouTube  https://www.youtube.com/user/nofilmschool    Instagram https://www.instagram.com/nofilmschool   Get your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode we are joined by Devon Meadows football club recruit and Casey Demons VFL listed player Ryan Koo. We cover all things footy and F1 with plenty of banter along the way. --- Send in a voice message: https://anchor.fm/trent-du2019alton/message

Guest host Ryan Koo, joins Jules in discussing the shocking trade deadline deals, their fantasy picks leading into the All-Star break, and their most embarrassing moment on the basketball court. See acast.com/privacy for privacy and opt-out information.

The Climb is one of the biggest indie breakouts of 2020. The debut feature from filmmaking-and-acting duo Michael Angelo Covino and Kyle Marvin played every major film festival you can think of before finally hitting theaters this holiday season. Michael and Kyle sit down with NFS founder Ryan Koo to talk about how they pulled off a buddy comedy made up entirely of long oners; the underutilized power of sound editing; and of course, the benefits of having a death metal ballerino as your dolly grip. They also go in depth on a very, very ballsy stunt done by Kyle, and the thrill of not only taking the film to Cannes, but winning a Jury Prize. The Climb is out now in theaters. Enjoy! Please email us any questions at ask@nofilmschool.com! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Listen along as we discuss Netflix’s seventy-ninth film, the 2018 sports drama ‘Amateur’ directed by Ryan Koo starring Michael Rainey Jr.   If you're interested in watching the short film 'Amateur' that plays as a prequel to this film you can watch it here.   Please follow us at Flix Forum on Facebook or @flixforum on Twitter and Instagram and answer our question of the week, 'What’s your favourite basketball movie?'   You can listen to us on Apple Podcasts, Spotify and Podbean so please subscribe and drop us a review or 5 star rating.    If you're interested in what else we are watching, head on over to our Letterboxd profiles; MJ Jesse    Next week we look at 'Come Sunday' so check out the film before then. You can see the trailer here. 

This week NFS Founder and CEO Ryan Koo stops by to discuss his time using the BMPCC6K, plus more news from Charles and George.

Emily Buder, Erik Luers, George Edelman, Ryan Koo and Jon Fusco are all together again in Park City to give you a rundown of everything that happened at the Sundance Film Festival in 2019. It's been a crazy week full of screenings, interviews, and generally just trying to stay alive, so you best believe they've got more than a few hot takes to throw your way. In addition to sharing their favorite films and what they're sad they missed, the team identifies a few trends that could end up re-shaping the future of the industry. This is Part 2 of No Film School's live audio coverage from Sundance 2019.

The Ringer’s Andy Greenwald sits down with comedic actor Jake Johnson to discuss the final season of 'New Girl' and the rest of his career (1:00). Later, The Ringer’s Chris Ryan chats with director Ryan Koo about his recent Netflix film ‘Amateur,’ which focuses on a young basketball star dealing with corruption in the amateur ranks (55:00).

Here's Episode Two of our new podcast series The First Feature. This is a step-by-step guide on how to get your first feature made, using Ryan Koo's new Netflix Original Film AMATEUR as a case study. In this episode, we get into: Whether or not your short should be a proof-of-concept for a feature, how to make production manageable and cost-effective for a short film, auditioning, casting, and finding crew for a short without a lot of personal connections, production prep, how much money you need to make your short, and how to distribute it once its done. AMATEUR will premiere on Netflix on April 6, 2018. You can find all episodes of The First Feature at nofilmschool.com/firstfeature

Here's Episode One of our new podcast series The First Feature. This is a step-by-step guide on how to get your first feature made, using Ryan Koo's new Netflix Original Film AMATEUR as a case study. In this episode, we get into: The three questions you can ask yourself to help decide which movie to make; when you need an agent; how Koo lied his way into MTV (and New York); Koo's DIY web series with Zack Lieberman, The West Side; how new platforms represent an opportunity because of decreased competition; how failure can be more instructive than success. AMATEUR will premiere on Netflix on April 6, 2018. You can find all episodes of The First Feature at nofilmschool.com/firstfeature

The First Feature is a new in-depth podcast series on No Film School about the making of a single film: in this case, NFS founder Ryan Koo's first feature AMATEUR. AMATEUR is a Netflix Original and premieres April 6; the trailer was released today. Every episode of The First Feature will cover a different phase of production, from screenwriting, to prep, to production, to release. It's meant to be a step-by-step guide to everything Koo did to get his first feature made, and the lessons he learned along the way. Episode one coming soon.

The 15th edition of the Tribeca Film Festival just wrapped up, leaving us to ponder how they managed to sell out nearly every screening in a city as competitive for audience attention as New York. In this episode of Indie Film Weekly, Managing Editor Emily Buder and Multimedia Producer Jon Fusco join No Film School founder Ryan Koo and Editor-in-Chief Liz Nord to discuss the possibility that Tribeca has become the new destination for domestic premieres—second to Sundance, of course. From groundbreaking VR (including the delightful Allumette, which lets you walk through the clouds) to mind-bending commentary on filmmaking (Actor Martinez) to exciting new international voices reminiscent of the Coen brothers (Mother) to discussions with some of our favorite directors in the world (ahem, Alfonso Cuarón) to taking a selfie with Danny DeVito, we experienced Tribeca to the fullest this year. Now, we get to tell you about it. We also follow up last week's NAB episode with some details of our forthcoming exclusive, in-depth look video of the most groundbreaking camera to emerge in a decade, Lytro Cinema.

Micah Van Hove and Ryan Koo are live from NAB 2016 in Las Vegas where they give a summary of some the best new technology they've seen over the past week. While it may not have been as flashy of a year at NAB in terms of hardware, it's clear that companies are focusing more than ever on taking their existing products and making them as good as they can be for the filmmakers who own them. This, for those of us who can't afford to be dropping 10k+ a year on new equipment, is highly comforting.

DIY filmmaking methods often yield a finished product characterized by a small number of characters in a small number of interior locations. 'Here Alone' is an exception: a genre film incorporating a mix of survival, zombie, and post-apocalyptic influences, it is set almost entirely outdoors. While the film does feature a small number of characters, it also involves action, violence, effects, and, yes, zombies (or as the filmmakers characterize the infected, "almost zombie-like"). For this episode No Film School founder Ryan Koo sits down with Director-Producer Rod Blackhurst and Producer Noah Lang just before their Tribeca Film Festival premiere. They discuss the frustration of trying to make films via established industry means, the desire to break out of that and just Do It Yourself, and the challenges encountered in the making of 'Here Alone.'

To celebrate the tenth anniversary of the Canon 5D(which began shipping in August 2005), Canon U.S.A. hosted a screening and in-depth Q&A fittingly titled "A Decade of DSLRs: Creative Minds Talk the Evolution of Hand-Held Filmmaking." As the author of The DSLR Cinematography Guide Ryan Koo was asked to host the event and we are happy to release the panel as an episode of The No Film School Podcast. The event featured a who's-who of cinematographers and directors with DSLR successes under their belt, including Joe Passarelli (Director of Photography, Anomalisa), Bryce Fortner (Director of Photography, Too Legit, Portlandia, W/ Bob & David), Lauren Greenfield (Director, The Queen of Versailles), Tom Hurwitz, ASC (Director of Photography, The Queen of Versailles, Ghosts of Abu Ghraib, Our Brand Is Crisis), and Tim Smith (Senior Film and Television Advisor, Canon).

Filmmaker Spotlight! Clint and Nick sit down to talk with GFC alumni and Director Jason Kraynek about what it takes to commit to filmmaking full time.

Clint and Nick sit down to talk with 2012 GFC judge and fillmaker Christian J Schwier to discuss this years event, his new film Jules Dongu Saves the World and upcoming projects.

Clint and Nick sit down to talk with 2012 GFC judges Ryan Koo and Mitch Aunger to discuss this years event, NAB 2012, the future of filmmaking and more. Also some surprise announcements are made.