Podcast appearances and mentions of anna boden

The filmmaking duo of Anna Boden & Ryan Fleck have a new movie out that relays four interconnected stories set in 1987 Oakland, CA revolving around a mysterious force that guides the area underdogs. We've got a review of FREAKY TALES plus some movie news & a joint recommendation from our hosts of a movie you should consider watching. Recommendation - Nickel Boys

Paul and Erin review a host of new movies, including blockbusters like SINNERS and worthwhile indies like THE RULE OF JENNY PEN, THE ACTOR and EEPHUS.

 This week on The Treatment, Elvis speaks with Emmy winning actress Kerry Washington about her new action thriller Shadow Force. Then, Anna Boden and Ryan Fleck — the directing team behind Freaky Tales — stop by to talk about making this new film that’s a return to Oakland in 1987. And on The Treat, Oscar-nominated director James Mangold talks about a film that shows the darker side of the big apple.  

On this episode of Reel Insights, Sean Tajipour, the Mayor of Nerdtropolis, chats with Freaky Tales directors Anna Boden and Ryan Fleck to talk about their wild new film set in 1980s Oakland. They discuss the real punk rock stories that inspired the movie, their love for retro video stores, and what movies shaped them growing up. Will Freaky Tales become a franchise? They say it's possible!Visit Nerdtropolis.comhttps://www.Facebook.com/nerdtropolishttps://Instagram.com/nerdtropolishttps://Twitter.com/nerdtropolis

On this episode of More Deadly: The Director's Cut, Rachel and Ariel sit down with dynamic directing duo Anna Boden and Ryan Fleck, directors of Freaky Tales. Listen to The More Deadly Director's Cut with Anna Boden and Ryan Fleck to hear our conversation! To support our show and for exclusive bonus content, join our Patreon. Want to be a part of the show? We'd love to hear from you! Send feedback and questions to TheMoreDeadlyPodcasts@gmail.com or on our Facebook page! Subscribe to our podcast on Apple Podcasts, Google Music, Stitcher, and Spotify. While you're there, why not leave us a review. Follow us on Twitter and Instagram @zgpodcasts Check out our merch at Teepublic The More Deadly Theme Music is “More Deadly” by Elizabeth Kyle & Eric Newell

On this episode of More Deadly: The Director's Cut, Rachel and Ariel sit down with dynamic directing duo Anna Boden and Ryan Fleck, directors of Freaky Tales.  Listen to The More Deadly Director's Cut with Anna Boden and Ryan Fleck to hear our conversation! To support our show and for exclusive bonus content, join our Patreon. Want to be a part of the show? We'd love to hear from you! Send feedback and questions to TheMoreDeadlyPodcasts@gmail.com or on our Facebook page! Subscribe to our podcast on Apple Podcasts, Google Music, Stitcher, and Spotify. While you're there, why not leave us a review. Follow us on Twitter and Instagram @zgpodcasts Check out our merch at Teepublic The More Deadly Theme Music is “More Deadly” by Elizabeth Kyle & Eric Newell Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The First Run, Chris and Matt engage with (or is it test) their love of anthology films with Ryan Fleck's and Anna Boden's ‘Freaky Tales'. A set of tall, kinda' true tales set in Oakland in 1987. Do the creative team behind ‘Half Nelson' and ‘Captain Marvel' spin an engaging, winding, and ultimately cohesive tale? Chris explains why ‘Death Of A Unicorn' was booted. And there's the magical rundown of the big releases on Physical Media, featuring the Streaming and Viper Video Picks of the Week! Matt and Chris then close out the proceedings with a loving homage to Val Kilmer as they discuss their favorite Val performances. RIP Iceman.00:00-12:53: Intro/Freaky Tales12:54-26:05: Physical Media Picks, et al26:06-28:21: Death Of A Unicorn28:22-41:48: 5 Favorite Val Kilmer Performances41:49-43:25: Wrap UpTheme music by Jamal Malachi Ford-Bey

Things are getting a little freaky this week when Derek Miranda (@DerekMiranda85) and Karen Peterson (@KarenMPeterson) talk FREAKY TALES. As always, featured reviews are done in two parts, a NON-SPOILER review with letter grade and brief discussion, followed by a more in depth SPOILER review. PLOT SUMMARY: Four interconnected stories set in 1987 Oakland, CA. will tell about the love of music, movies, people, places and memories beyond our knowable universe. Directed and written by: Anna Boden and Ryan Fleck Starring: Pedro Pascal, Ben Mendelsohn, Jay Ellis, Normani, Dominique Thorne, Jack Champion, Ji-young Yoo, Angus Cloud *Trailer for FREAKY TALES courtesy of Lionsgate. @TheWatchAndTalk (Twitter/Instagram) Letterboxd.com/TheWatchandTalk Facebook.com/TheWatchAndTalk www.TheWatchAndTalk.com TheWatchAndTalk@gmail.com   Support the show! www.Patreon.com/TheWatchAndTalk

On this episode, JD and Brendan discuss the new action-comedy from Anna Boden and Ryan Fleck in FREAKY TALES!   Visit https://insessionfilm.com for merch and more!   Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe   Follow us on X/Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

On this episode of More Deadly, Rachel and Ariel don our wooden clogs and bonnets for a review of Holland, directed by Mimi Cave. So, was this movie a perfect marriage of theme and execution? Or do we want a divorce? Listen to The More Deadly Podcast Episode 115 to find out! What to watch before the next episode: Freaky Tales, directed by Anna Boden & Ryan Fleck In the extended version of this episode for our Patrons, Rachel and Ariel take a look at the short films of Mimi Cave. Support our Patreon to access longer episodes, early releases, live shows, and much more, all ad-free! Want to be a part of the show? We'd love to hear from you! Send feedback and questions to TheMoreDeadlyPodcast@gmail.com, or on our Facebook page! Follow us on Instagram, Bluesky, and X @zgpodcasts and on TikTok @More.Deadly. Subscribe to our podcast on Apple Podcasts, Spotify, or wherever you get the pod. If you're enjoying the show please consider taking a moment to rate and review our pod. Check out our sweet merch at Teepublic. The More Deadly theme music is “More Deadly” by Elizabeth Kyle & Eric Newell

On this episode of More Deadly, Rachel and Ariel don our wooden clogs and bonnets for a review of Holland directed by Mimi Cave. So, was this movie a perfect marriage of theme and execution? Or do we want a divorce? Listen to The More Deadly Podcast Episode 115 to find out! What to watch before the next episode: Freaky Tales directed by Anna Boden & Ryan Fleck In the extended version of this episode for our Patrons, Rachel and Ariel take a look at the short films of Mimi Cave Support our Patreon to access longer episodes, early releases, live shows, and much more, all ad-free! Want to be a part of the show? We'd love to hear from you! Send feedback and questions to TheMoreDeadlyPodcast@gmail.com, or on our Facebook page! Follow us on Instagram, Bluesky, and X @zgpodcasts and on TikTok @More.Deadly. Subscribe to our podcast on Apple Podcasts, Spotify, or wherever you get the pod. If you're enjoying the show, please take a moment to rate and review our pod. Check out our sweet merch at Teepublic. The More Deadly theme music is “More Deadly” by Elizabeth Kyle & Eric Newell Learn more about your ad choices. Visit megaphone.fm/adchoices

“Oakland in ‘87 was hella wild.” So begins the new movie “Freaky Tales,” which establishes its bonafides by having rap legend Too $hort as its narrator. Told in four chapters, the film weaves together punks, rappers, Nazis, and the Warriors, with clutch cameos from local legends. We'll talk to its director and some of the people whose wild stories inspired the movie. Prepare yourself, we're popping in the cassette tape and readying the time machine. Guests: Gabe Meline, senior editor, KQED Arts and Culture Tamra Goins, talent agent, Innovative Artists; Goins performed as Entice in the rap duo Dangerzone, which is featured in the movie "Freaky Tales" Too $hort, Oakland-based West Coast rap legend, producer and founder of OG records; Too $hort is the narrator and executive producer of the movie "Freaky Tales," a love letter to late 1980s Oakland Ryan Fleck, filmmaker and co-director of the movie "Freaky Tales," Fleck and his co-director Anna Boden's credits include "Captain Marvel," "Half Nelson," "Sugar" and "It's Kind of a Funny Story," among other films; Fleck grew up in Berkeley Learn more about your ad choices. Visit megaphone.fm/adchoices

We couldn't have imagined a more random episode to leave you with before spring break, but hopefully there's a little something for everyone here at Breakfast All Day. We begin with "The Friend," a warm and wise drama about grief, healing, and a 150-pound Great Dane. We don't totally agree on how well this movie works, but the dog is amazing. Starring Naomi Watts, Bill Murray, Carla Gugino and Ann Dowd. In theaters. Next up is the four-part anthology "Freaky Tales," from "Captain Marvel" filmmakers Anna Boden and Ryan Fleck, returning to their indie roots. Pedro Pascal, Ben Mendelsohn, Jay Ellis, Dominique Thorne and Too $hort are among the stars of this intertwined homage to 1987 Oakland. In theaters. Finally, we catch up with "Holland," but you're welcome to avoid it. Nicole Kidman, Matthew Macfadyen and Gael García Bernal star in this overly familiar dark comedy about secrets lurking beneath the pristine veneer of small-town America. Streaming on Prime Video. No news this week because Christy's on vacation. But if you're a member of our Patreon, keep an eye out for our recap of "The White Lotus" season finale on Monday morning. Thanks for being here! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/  

"Freaky Tales" had its world premiere at the 2024 Sundance Film Festival, where it received positive reviews for its homage to 80's genre films and Oakland, California, with a game cast who were all tuned in to filmmakers Anna Boden and Ryan Fleck's distinct vision for the anthology film. Starring Pedro Pascal, Jay Ellis, Normani Kordei Hamilton, Dominque Thorne, Ben Mendelsohn, Ji-young Yoo, Jack Champion, Angus Cloud & Kier Gilchrist, the film depicts four interconnected stories taking place at real locations and during real historical events in 1987 Oakland, California. Boden and Fleck were both kind enough to speak with me about their work on the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Lionsgate. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Brent Leuthold joins me to review the new anthology crime comedy from Anna Boden and Ryan Fleck, Freaky Tales in a feature review and then, in this week's secondary review, I share my thoughts on the action movie A Working Man. We also discuss recent movie and TV news out of CinemaCon, Val Kilmer's passing, screenings around Indianapolis, and more.   Timestamps Show Start - 00:28 Introducing Brent - 02:34 Screening in Indy - 06:28 News Before the Reviews - 10:20 Feature Review Freaky Tales (2025) - 48:53 Spoiler - 1:10:57 Secondary Review A Working Man (2025) - 1:35:31 Closing the Ep - 2:03:14 Patreon Clip - 2:04:25   Related Links Heartland Film Cinemania - April 11, 2025 Indy Film Fest Warner Bros Completes Worldwide Sale Of ‘Coyote Vs. Acme' Sam Mendes' Beatles Biopics Set Release: All Four Movies to Open in April 2028 ‘Spider-Man: Beyond the Spider-Verse' Sets 2027 Release Date, Reveals First Look at CinemaCon Tom Holland's ‘Spider-Man 4' Gets Official Title, ‘Spider-Man: Brand New Day,' Ahead of Summer Filming Keanu Reeves Set for ‘John Wick 5' as Franchise Expands With Animated Prequel Film, Donnie Yen-Directed Caine Spinoff Val Kilmer, Star of ‘Batman Forever,' ‘Tombstone,' Dies at 65   My 2025 Podcast and Writing Archive Immediate Reaction - Warfare (2025) - Mar 26, 2025 Immediate Reaction - Opus (2025) - Mar 13, 2025 Patreon Companion Episodes Collection Companion Ep - OV467 - Akeelah and the Bee (2011) & The Girl is in Trouble (2015) - Feb 26-Mar 1, 2025 Patreon - Severance Episode Reviews   Brent's Letterboxd Awake in the Dark Brent's Review of Death of a Unicorn (2025) Brent's Review of Snow White (2025) Brent's Review of Black Bag (2025) Indianapolis Theaters Alamo Drafthouse Indy Kan-Kan  Living Room Theaters Keystone Art  Flix Brewhouse   Ways to Support Us Support Us on Patreon for Exclusive Content Official OV Merch Buy Me A Coffee Obsessive Viewer Obsessive Viewer Presents: Anthology Obsessive Viewer Presents: Tower Junkies As Good As It Gets - Linktree Start Your Podcast with Libsyn Using Promo Code OBSESS   Follow Us on Social Media My Letterboxd | YouTube | Facebook | Twitter Instagram | Threads | Bluesky | TikTok | Tiny's Letterboxd   Mic Info Matt: ElectroVoice RE20 into RØDEcaster Pro II (Firmware: 1.5.4) Brent: Earthworks ICON Pro in Google Meet   Episode Homepage: ObsessiveViewer.com/OV473   Next Week on the Podcast OV474 - Warfare (2025) & The Luckiest Man in America (2025)

Meet us at 7 pm on the couch, and give us a listen this month as we discuss the 2010 film It's Kind of a Funny Story. Tune in as we talk about what we loved in this movie and Austin shares his personal connection to the film. We explore how this movie depicts depression and suicidality to its audience and give our opinion on what it does well. And we also answer the burning question: what do you think happened to Bobby?So heat up that burrito and listen, then join us next month when we discuss the 1994 crime thriller Pulp Fiction. Write into us at layersoffilmpod@gmail.comFollow us on Instagram, Twitter, and TikTok: @layersoffilmpod

Guy Pearce-t évtizedekre traumatizálta a Kevin Spacey-vel közös munka Igényesférfi.hu     2025-02-20 05:34:04     Film Hollywood Kevin Spacey A két hollywoodi színész a Szigorúan bizalmas című 1997-es neo-noirban játszott együtt. Pearce a Hollywood Reporter új podcastjában árulta el, hogy még mindig fájdalmas emlékeket ébreszt benne a Spacey-vel közös munka. Fergeteges, korhatáros vígjátékkal jön Pedro Pascal, itt az előzetes Mafab     2025-02-20 06:32:02     Film A 80-as évek hangulatát idézi meg a Ryan Fleck és Anna Boden rendezésében készült Freaky Tales, amelyhez befutott az előzetes. Bejelentés: Ember Márk lesz az új Shrek Blikk     2025-02-19 18:06:22     Film Shrek Újabb főszerepet kapott Ember Márk. Napjaink egyik legtöbbet foglalkoztatott és legnépszerűbb színésze a nyáron a megunhatatlan zöld ogre, Shrek bőrébe bújhat bele. Bernarda Ballada a Hagyományok Házában kultura.hu     2025-02-20 07:33:06     Színpad Színház Federico García Lorca talán legjelentősebb drámája, a Bernarda Alba háza alapján készült a Fitos Dezső Társulat Bernarda Ballada című előadása, amelyet február 22-én tekinthetnek meg az érdeklődők a Hagyományok Háza színháztermében. 5 izgalmas sorozat, amit máig érthetetlen okból kaszált el a Netflix port.hu     2025-02-19 17:55:00     Film Netflix Az 1899, Az éjféli klub és a Mindhunter – Mit rejt a gyilkos agya rajongói is megérdemelték volna a folytatást. Börtön vár Cyndi Lauper fiára? Story     2025-02-19 18:01:44     Bulvár Börtön Búcsúturnéján Budapesten is fellép az énekesnő, akinek karrierére nem lehet panasza, a magánéletében viszont van miért aggódnia: anyai szívének nagy próbatételeket kell kiállnia. Linda Castillo: Sötét szív Ekultura     2025-02-20 10:00:00     Könyv Rendőrség Nyomozó A General Press Könyvkiadó Világsikerek-sorozatában jelennek meg Linda Castillo krimijei. Kitalált rendőrfőnök karaktere, a kissé különc és ettől nagyon emberi Kate Burkholder nyomozó már Pogány Judit: Katasztrófa, ami történik Index     2025-02-19 17:50:00     Színpad Színház Tüntetés A Nemzet Színésze Pogány Judit A Nemzet Színésze többedmagával szólalt fel a Kolibri Színházért szervezett szolidaritási tüntetésen. Jön a 700. S.Ö.R. Kálloy Molnár Péterrel, Kálid Artúrral és Gáspár Andrással Színház.online     2025-02-20 06:08:00     Színpad Kálloy Molnár Péter Jubileumi előadásra készül a S.Ö.R. alkotócsapata, Kálloy Molnár Péter, Kálid Artúr és Gáspár András a terézvárosi 6Szin-ben, március 2-án. Száz éve született Robert Altman 24.hu     2025-02-20 09:57:53     Film USA Az elnökjelölteket lelövik, a vadnyugat mítosza hazugság, a producerek gyilkosok. A száz éve született Robert Altman az amerikai film nagy újítója volt. Képgalériánkkal rá emlékezünk. A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

Guy Pearce-t évtizedekre traumatizálta a Kevin Spacey-vel közös munka Igényesférfi.hu     2025-02-20 05:34:04     Film Hollywood Kevin Spacey A két hollywoodi színész a Szigorúan bizalmas című 1997-es neo-noirban játszott együtt. Pearce a Hollywood Reporter új podcastjában árulta el, hogy még mindig fájdalmas emlékeket ébreszt benne a Spacey-vel közös munka. Fergeteges, korhatáros vígjátékkal jön Pedro Pascal, itt az előzetes Mafab     2025-02-20 06:32:02     Film A 80-as évek hangulatát idézi meg a Ryan Fleck és Anna Boden rendezésében készült Freaky Tales, amelyhez befutott az előzetes. Bejelentés: Ember Márk lesz az új Shrek Blikk     2025-02-19 18:06:22     Film Shrek Újabb főszerepet kapott Ember Márk. Napjaink egyik legtöbbet foglalkoztatott és legnépszerűbb színésze a nyáron a megunhatatlan zöld ogre, Shrek bőrébe bújhat bele. Bernarda Ballada a Hagyományok Házában kultura.hu     2025-02-20 07:33:06     Színpad Színház Federico García Lorca talán legjelentősebb drámája, a Bernarda Alba háza alapján készült a Fitos Dezső Társulat Bernarda Ballada című előadása, amelyet február 22-én tekinthetnek meg az érdeklődők a Hagyományok Háza színháztermében. 5 izgalmas sorozat, amit máig érthetetlen okból kaszált el a Netflix port.hu     2025-02-19 17:55:00     Film Netflix Az 1899, Az éjféli klub és a Mindhunter – Mit rejt a gyilkos agya rajongói is megérdemelték volna a folytatást. Börtön vár Cyndi Lauper fiára? Story     2025-02-19 18:01:44     Bulvár Börtön Búcsúturnéján Budapesten is fellép az énekesnő, akinek karrierére nem lehet panasza, a magánéletében viszont van miért aggódnia: anyai szívének nagy próbatételeket kell kiállnia. Linda Castillo: Sötét szív Ekultura     2025-02-20 10:00:00     Könyv Rendőrség Nyomozó A General Press Könyvkiadó Világsikerek-sorozatában jelennek meg Linda Castillo krimijei. Kitalált rendőrfőnök karaktere, a kissé különc és ettől nagyon emberi Kate Burkholder nyomozó már Pogány Judit: Katasztrófa, ami történik Index     2025-02-19 17:50:00     Színpad Színház Tüntetés A Nemzet Színésze Pogány Judit A Nemzet Színésze többedmagával szólalt fel a Kolibri Színházért szervezett szolidaritási tüntetésen. Jön a 700. S.Ö.R. Kálloy Molnár Péterrel, Kálid Artúrral és Gáspár Andrással Színház.online     2025-02-20 06:08:00     Színpad Kálloy Molnár Péter Jubileumi előadásra készül a S.Ö.R. alkotócsapata, Kálloy Molnár Péter, Kálid Artúr és Gáspár András a terézvárosi 6Szin-ben, március 2-án. Száz éve született Robert Altman 24.hu     2025-02-20 09:57:53     Film USA Az elnökjelölteket lelövik, a vadnyugat mítosza hazugság, a producerek gyilkosok. A száz éve született Robert Altman az amerikai film nagy újítója volt. Képgalériánkkal rá emlékezünk. A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

We continue our series going through the entire catalog of A24's films. On this episode we are looking at 2015's Mississippi Grind directed by Anna Boden and Ryan Fleck. The film stars Ben Mendelsohn as Gerry a down and out gambling addict who befriends Ryan Reynolds Curtis, a man who he believes is his good luck charm. Joining the show is Eric Zhu, who publishes his work on Substack called The Insert. Our double bill pairings include Hard Eight (Dakota's pick) and The Adults (Eric's pick). See our complete A24 Double Bill Pairings on ⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠. If you haven't heard our deep dive into the origins of A24, listen to episode ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠108: A History of A24 Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and our last episode in this series episode 277: A24 Retrospective - Dark Places. For more of Eric's work check out his reviews on La Práctica and Notes on Films by Nathaniel Dorsky and Jerome Hiler on The Insert. Follow Contra Zoom on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Check out more great Contra Zoom content on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠That Shelf⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Listen to Contra Zoom on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Anchor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Google Play⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Overcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RadioPublic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Breaker⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Podcast Addict and more! Please ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠rate and review⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the show on Apple Podcasts or Spotify. For more information, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠contrazoompod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

L'émission Front Page est une revue d'actualité qui s'intéresse à tout ce qui touche le monde de la bande dessinée américaine (comics) du côté des Etats-Unis comme de la France, ainsi qu'à ses adaptations tous médias confondus. Le podcast est une série régulière chez First Print et revient au rythme de trois épisodes par mois, hors contenus spéciaux. Ce Front Page est le premier podcast consacré à l'actualité comics du mois d'avril 2024.Le podcast est sponsorisé par Pulps et on vous propose un "Focus Pulps" chaque mois ! Découvrez une sélection de comics VO à prix de lancement !Le Focus Pulps d'avril 2024 : Profane #1 / Precious Metal #1/ Zatanna : Bring Down the House #1Si vous appréciez le travail fourni par l'équipe et que vous souhaitez soutenir le podcast, vous pouvez partager les émissions sur les réseaux sociaux et vous abonner à nos différents comptes, laisser des notes sur les différentes plateformes d'écoute, ou encore nous soutenir via notre page Tipeee. Très bonne écoute à vous, et à bientôt pour le prochain podcast !Le ProgrammeCOMICS - 03:10Ulule : soutenez les Lanternes de Nedzu chez Bubble La Biennale du Comics, 1ère édition, s'installe à LyonUrban Comics se met aussi aux blindpacks pour TransformersPanini Comics dévoile le reste de son programme Marvel Pocket pour 2024Dynamite récupère les droits de Terminator en comicsRob Liefeld annonce ses mémoires pour 2025Ore : la suite de Starhenge de Liam Sharp chez Image ComicsUn artbook pour Invincible saison 2 (et toujours rien en VF)Lands Unknown : le nouvel univers partagé de Mike Mignola et Ben StenbeckRobin Lives! : DC publie une suite alternative à Death in the FamilyLa nouvelle série X-Force se dévoileTV - 1:15:45On en pense quoi des visuels du Zorro de France TV ?  1h20Criminal : l'adaptation TV chapeautée par Anna Boden et Ryan FleckUn nouveau trailer tout weird pour Dead Boy DetectivesCINEMA - 1:34:33Craig Gillespie en vue pour réaliser Supergirl : Woman of TomorrowAvengelyne et Bloodstrike : on y croit vraiment ?Fantastic Four recrute Julia Garner en Silver SurferUn premier trailer pour Joker : Folie à DeuxHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In this final podcast, hosts Kirk Saduski and Donald Miller discuss Part Nine of Masters of the Air. Mark Herzog, director of the documentary The Bloody Hundredth, tells the story of the real men of the 100th Bomb Group. And, we hear from Callum Turner, Nate Mann, Anthony Boyle, and Tom Hanks.  The Apple Original series from the executive producers of Band of Brothers and The Pacific is now streaming on Apple TV+.  Masters of the Air is based on the best-selling book by Donald Miller. The National WWII Museum's Making Masters of the Air Podcast is presented by Boeing. Special thanks to Apple TV+ for clips and musical score for this podcast. Acknowledgements Hosts:Donald Miller & Kirk Saduski The National WWII Museum:- President & CEO: Stephen Watson- Education & Access VP: Pete Crean- Media Center: Meredith Richards, Bert Hidalgo, Amy Ngo, Jeremy Burson & Stephen Burke - Jenny Craig Institute for the Study of War and Democracy: Michael Bell, John Curatola, Kevin Dupuy & Jeremy Collins- Collections & Exhibits: Erin Clancey & Cory Graff - Marketing & Communications: Stephanie Verdin, Jennifer Sacks, Danielle Trapp, Keith Darcey, Ashley Scharr, Alex Dodson, Jourdon Ferdinand, Grace Martin, Kenn Perkins, Kelsey Scott, Evann Cookmeyer & John Mueller Special Thanks:- AppleTV+: Mostafa Fazel, Adam Schwartz, Jackson Izzo, Annie Fernandes, Voncella McIntosh, Daniel Coffey - Guests: Tom Hanks, Callum Turner, Gary Goetzman, Captain Dale Dye, Anna Boden, Ryan Fleck, Anthony Boyle, Nate Mann, Colleen Atwood, Branden Cook, Josiah Cross, Conrad Crane, Matthew Delmont & Mark Herzog- Playtone: Gary Goetzman, Tom Hanks, Kirk Saduski & William Hahn  - Formosa Group: Kimi Rosenthal, Alan Freedman & Matthew Germeyer  - Herzog & Co.: Mark Herzog, John Buckley & Ben Olson  

Anthony Boyle discusses his portrayal of Major Harry Crosby. And, hosts Don Miller and Kirk Saduski break down Part Six of Masters of the Air, and continue the conversation with directors Anna Boden and Ryan Fleck.  New podcast episodes of Making Masters of the Air release every Friday.  The Apple Original series from the executive producers of Band of Brothers and The Pacific is now streaming on Apple TV+.  Masters of the Air is based on the best-selling book by Donald Miller. The National WWII Museum's Making Masters of the Air podcast is presented by Boeing. Special thanks to Apple TV+ for clips and musical score for this podcast.  

In this podcast, directors Anna Boden and Ryan Fleck break down the scenes in episode five of Masters of the Air. And, hosts Kirk Saduski and Don Miller discuss the Münster mission. New podcast episodes of the Making Masters of the Air release every Friday.  The Apple Original series from the executive producers of Band of Brothers and The Pacific is now streaming on Apple TV+.  Masters of the Air is based on the best-selling book by Donald Miller. The National WWII Museum's Making Masters of the Air Podcast is presented by Boeing. Special thanks to Apple TV+ for clips and musical score for this podcast.  

GUEST: Cheryl Vienna After spending 25 years in Corporate America and quitting a nine-to-five job to pursue her life-long goal of being an actress, Cheryl Vienna is excited to announce her first film role in FREAKY TALES, written and directed by Anna Boden and Ryan Fleck (HALF NELSON and CAPTAIN MARVEL). The indie made its world premiere at the recent Sundance Film Festival last week. Cheryl is a perfect example of a person who's living their best life. Neither time, location or circumstances have stopped her dreams for coming to pass. After overcoming cancer, the Indianapolis beauty moved to Los Angeles in 2021 to lead a more creative lifestyle with aspirations of becoming a full-time actress and model.  She's now doing just that! She's been in demand, booking tv commercials, national print ad campaigns and tv roles consistently since her arrival to LA. Audiences will recognize her from several prominent tv commercials running nationally. Listen to her inspiring story that will hopefully encourage you to pursue that dream in 2024!

It's that time of year again! The time of year we get to meet emerging filmmakers and watch their creative, original, risk-taking films at the Sundance Film Festival. Not only are we networking and enjoying amazing films, but we are bringing some fun surprises to the festival this year.  In today's episode, No Film School's GG Hawkins, Ryan Koo, and Jo Light discuss:  Why the Sundance volunteers are so important to the spirit of the festival  Running into people we haven't seen in over a decade Hosting a No Film School party at Sundance this year An online giveaway for No Film School listeners Films we love and films we have mixed feelings about Being unexpectedly moved by a beautiful zombie film  An unconventional pairing that gives a fresh perspective on love Stories that encourage us to bring more originality to our work Being independent from what's considered “commercially viable” Why you need to watch the documentary lineup at Sundance Memorable Quotes “This is what I come to Sundance for…This is an original idea that is audacious and creative. It's something I have never seen before.” [20:00] “We are not here to be critics. We are not here to give films grades. We are here to be inspired as filmmakers.” [21:00] “What we come here to see is risk taking.” [32:12] “We're all in this community together. We are all trying to get movies made. It's harder than ever.” [35:21] Mentioned Online Giveaway: Enter to Win Freaky Tales - Directed by: Anna Boden & Ryan Fleck How to Have Sex - Directed by: Molly Manning Walker Layla - Directed by: Amrou Al-Kadhi Handling the Undead - Directed by: Thea Hvistendahl Love Me - Directed by: Sam & Andy Zuchero Your Monster - Directed by: Caroline Lindy Seeking Mavis Beacon - Directed by: Jazmin Jones Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook  https://www.facebook.com/nofilmschool Twitter  https://twitter.com/nofilmschool YouTube  https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Send us an email with questions or feedback: podcast@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Soutenez nous sur PatreonForfait 3€ épisode en accès anticipé sans pubForfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs #ShitList, le Podcast cinéma de Retour vers le Turfu qui parle du pire du cinéma. Super héros, comédie, horreur, science-fiction, action, drame, tout y passe ! A l'occasion de la sortie de The Marvels, le nouveau produit des studios Marvel, profitons-en pour revenir sur le film qui introduit Captain Marvel sobrement intitulé Captain Marvel, sortie en 2019 avec succès, puisque contrairement à 2023, il fut un temps où les films Marvel dépassaient le milliard de dollars, où les gens n'étaient pas fatigué de regarder le même film encore et encore, bref, une époque formidable pour les studios mais fatiguant pour les cinéphiles spé film de 3h en noir et blanc tourné en Estonie. Sortie dans la hype entre Infinity War et Endgame, Captain Marvel a reçu les louanges de la presse et des spectateurs ou chaque critique négative du film était taxé de Misogynie, comme si un film nul parce qu'il met en scène une femme ne peut recevoir de blâme, une réthorique de mongol qu'on retrouvera en juillet 2023 avec le film Barbie mais également des campagnes de harcèlement stupides de la part des incels envers les personnes surtout les femmes qui ont aimé le film, internet dans sa plus grande splendeur Mais alors Captain Marvel ? Est-il vraiment un bon film ou si on dit maintenant tout de suite que c'est un film naze comme n'importe quel film du MCU, on devient automatiquement misogyne, on se fait cancel et on arrête le podcast pour de bon ? C'est ce qu'on va entendre aujourd'hui dans ce numéro Produit par Marvel, Disney et Kevin Feige avec un budget de 175 Milllions de dollars. Écrit et réalisé par Anna Boden et Ryan Fleck aidé par la scénariste de Tomb Raider et la future showrunneuse de la série Fallout sur Prime Vidéo Geneva Robertson-Dworet. Captain Marvel nous raconte l'histoire de Carol Danvers interprété par Brie Larson qui va devenir l'une des super-héroïnes les plus puissantes de l'univers lorsque la Terre se révèle l'enjeu d'une guerre galactique entre deux races extraterrestres. La liste de la Shitlist sur Senscritique https://www.senscritique.com/liste/la_shitlist/3657768? La liste de la Shitlist sur Letterboxd par WongKarWaifu https://boxd.it/pQN3e Soutenez nous sur PatreonForfait 3€ épisode en accès anticipé sans pubForfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs Si vous souhaitez soutenir ou aider notre Podcast Shitlist gratuitementNous vous demandons simplement de mettre des commentaires 5 étoiles avec un joli commentaire sur Apple Podcasts, Itunes ou Podcast Addict en vous remerciant par avance. Par ailleurs vous avez toujours la possibilité de nous envoyer vos suggestions de sujet pour qu'on en parle dans l'émission à l'adresse suivante shitlistpodcast@gmail.com Enregistré en live sur notre chaîne twitch ABONNEZ-VOUS ! Rattrapez le live sur notre chaine youtube Ne ratez aucun numéro, suivez-nous sur Twitter et Instagram Chroniqueur Karim Berradia, Marvin Montes, Emmanuel Peudon, Wonder Vesper et présenté par Luc LE GONIDEC Host : Luc LE GONIDECDesign : Christelle DauresMusique Jean Baptise BLAISMontage et mixage son : Luc LE GONIDEC

The Professor is sick, so the TA's take over and class jumps into 2019's Captain Marvel starring Brie Larson, directed by Anna Boden and Ryan Fleck. Of course we barely get into the movie because of all the side tracks. TBJ continues to try to sell Art's thigh meat on Only Fans and more!

Joe & Adam dig into Half Nelson, the critical darling from 2006 directed by Anna Boden and Ryan Fleck, and starring a young Gosling. They talk white saviours, and generally struggle to get a handle on what the film is actually about. There is a fun Gosling Game to be played though.

When is a movie no longer just a movie? It's when it becomes an event, or even a cultural phenomenon. What happens when two of those movies drop at the same time? You have the collision that was "Barbenheimer." This past week saw the opening of two films that are polar opposites: Greta Gerwig's playful comedy "Barbie" that brings the doll to life and Christopher Nolan's "Oppenheiemer," the biographical drama depicting the development of the atomic bomb under J. Robert Oppenheimer.  The films should presumably appeal to vastly different audiences, but buzz around both films had moviegoers swarming to both — often on the same day — and each delivered in a big way. "Barbie" brought in more than $162 million domestically on opening weekend and "Oppenheimer" had more than $82 million in sales to take the top two box office spots this past week. And while that seems like a distant No. 2 for the latter, don't forget that "Barbie" is more than an hour shorter and appeared on more screens. Co-hosts Bruce Miller and Terry Lipshetz discuss seeing both films, including Terry's experience seeing "Oppenheimer" in an IMAX theater. Plus, learn why both films will surely be in the running for multiple Academy Awards when Oscar season approaches.  Next week: We discuss the upcoming final season of "High School Musical: The Musical: The Series" on Disney+ and have interviews with cast members Frankie A. Rodriguez, Julia Lester and Dara Reneé, plus the creator of the series Tim Federle. Where to watch "Barbie" in theaters "Oppenheimer" in theaters About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome everyone to another episode of Screamed and Screamed in Entertainment Podcasts about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co-host of the program with the King of this podcast's mojo dojo casa house Bruce Miller, editor of the City Journal and a longtime entertainment reporter. So Mr. Mojo Dojo Casa House ruler, see any good movies this weekend. Was it a Brucedom? Yeah. Are you are you leading the patriarchy? Are you in charge of that? That's right. I can hardly wait there with the patriarchy is coming to Barbie land. That'll be so cool. Actually, this was like, I swear, this will have been the best week of movies of the year. It's incredible to really big ones. And I saw a lot of people who were trying to do both of them in the same day when I went. And they all an awful lot of people dressed up like Barbie, basically a lot of pink. And then they would their choice was to go to Barbie first in Oppenheimer's second, which I don't know if was because they felt that they could relax or something. I don't know. But they did like doing the double feature like that. But I would have savored a little bit of it so that I wouldn't add all the goodness at once, because I think it was it was interesting. Now you've got girls who would probably be of a Barbie age, right? E their they've outgrown Barbie as a toy or a thing. So they're past the Barbie stage. And this is an interesting movie, too, because this Barbie, this isn't a kids movie. This is all sort of an adult themed. Yeah. Yeah. I think that if parents were thinking they're going to send their kids to see Barbie, it might be a bad idea because I don't think that there's anything in there that's subversive or anything that they shouldn't see, but I don't think they would think it was like past Barbie films where it was, you know, just kind of magic unicorns and cars and God knows what Barbie did back in the past. But it's a spoof in a way of the Barbie motif. I thought it was brilliant the way they were able to make Barbie relevant today. And where you don't dismiss her as just that. Oh, that's that kind of obnoxious doll, you know, because Barbie has always been seen as why are little girls playing with anything but a baby doll? And Barbie came around. It was like, you know, maybe we like to play with dolls like that. So it's very interesting how they do that. And then they make Mattel look good, which I was shocked about that. I thought Mattel, you know, they had these kind of mean guys who are all male staff at Mattel running the thing. And then they introduce you to the the woman who created Barbie. And a very fascinating to show how Mattel doesn't come off as a bad guy in this whole thing, I think. But I do think that a lot of people have been leaning in far too much to the end. Everybody talks about it as the best final line of any movie. And I think, okay, it's interesting, but let's not all get so excited that we lose sight of what came before that. Right? I really loved it. I didn't know what to expect because I. I tried to stay away from so many reviews and everything. I wanted to go in with it with a very fresh mind. I obviously read enough of it to know, you know, obviously this is a little bit of a spoof of Barbie. This isn't like some of the Barbie movies that the cartoon is. You're the very Barbie Barbie type of movies that have been there. This is obviously poking fun at Barbie to a degree. I mean, even in the trailers says if you love Barbie, you're going to love this movie. If you hate Barbie, hate Barbie, love this movie. And I you know, I'm not a a Barbie person, but I went into it thinking like, okay, I want to check this out. It has the pedigree of people in it that, you know, I should like it. I mean, Will Ferrell is as the head of Mattel and I thought he was brilliant in that part is normal. Will Ferrell Nice. I don't always love him in movies, but I thought he played this role very well. And then I thought, you know, Rhea Perlman in that role, as you know, the creator of Barbie, did did a wonderful job. It was fun to see her. My wife was excited when Kate McKinnon came on screen as Weird Barbie. She loves Kate McKinnon. I love Kate McKinnon. And so it was it was kind of fun from that perspective. She's like three Barbie that every girl, like, did her hair. I mean, heard anybody who owned a Barbie. I cut her hair. Oh, yeah. Barbie was always getting her hair cut. And this is how she turns out. And then she becomes the one who sits in the box without shoes and kind of the wrong outfit put on together. And maybe the makeup got smeared. That is Kate McKinnon in a heartbeat. And she did a beautiful job of kind of left over Barbie. Yeah, I was just overall surprised at how much I enjoyed it. I thought I would like it. You know, Greta Gerwig is attached to it. She's becoming a very brilliant filmmaker. And I just thought that, okay, we have enough components here where I'm probably going to like it and it's fine. I can be a dad and go into this movie. There were very few kids in the theater when we went. We went in the afternoon on a Saturday. I only brought one of the two daughters. One wanted absolutely nothing to do with the movie because she hates Barbie, she hates pink things, she hates being a girly girl. I showed her the trailer and I said like, No, no, no, it makes fun of that stuff. And she still didn't want to see it. I guarantee you, as soon as it's on TV, she'll watch it and she'll probably love it. But I'm not going to force a 12 year old to go see a movie that she doesn't want. So we we went my wife and one of my daughters went and we enjoyed it. There were one other family I want to say that was there. They had kind of like a tween ish daughter. And then there was a really little younger sister with her, which probably was too young for the movie. After that, it was all adults. It was all like older Gen-X, younger baby boomers. You know, It was like Women's Night Out. Yeah. And they were dressed in pink. I saw two guys come in wearing pink shirts and pink shorts and blazers. So interesting crowd. And they were all of from teenage to, you know, middle aged. I think it was a yeah, a fascinating mix. And I thought it had a real big opening day crowd. I was surprised that on opening day it would be that big. But it was and it was the number one film of the week. So they did like by like a mile, I mean 162 million in 4200 plus theaters. That is insane. And it was I don't know if you picked up on this, but it actually shattered a record for a film directed by a woman, 162 million. The next best was Captain Marvel, which was co-directed by Anna Boden, and that did 153 million in 2019. And then the Wonder Woman film by Patty Jenkins in 2017 that just did just a little over 103 million. So this this was a just a huge movie on so many different levels. The number of screens it was showing on just at my little AMC Theater in town, it was it was like 10 a.m. 1030, 12, 12 3130. It was just nonstop in my theater. It wasn't packed when I went kind of early in the afternoon, but it was constant. I mean, it was the most full. I've seen that parking lot in a very long time. You know, the thing that the success will cause them to want to do a sequel. Yep. And to me. Okay. But go into those other Barbies because there's a whole lineup of different kinds of Barbies. You don't have to have Margot Robbie come back and go through some other kind of life affirming mission or whatever. You could have a Supreme Court Barbie. You could have President Barbie, you could have astronaut Barbie. You could go with all those different ones, and same with cans. You could have different cans. So then it's not the same thing, because I think that's what they're just too eager for is an and my favorite of all was Allen Allen. I was just going to bring Allen up. Michael's Nero was so good as Allen and you know what I loved is at the end during the credits you got to see what that doll looked like and there was it says I can wear Ken's clothes or something like that. And that was one of his lines. And yet she was able to grab all those things from costumes that Barbie wore or the different kinds of Barbies there were. She I mean, if you were a Barbie fan, she did her homework. And I think that really shows with this. I wanted to see a little more image. I got to be honest and Skipper, because those two were, you know, how they traded. Let's make every dime we can get out of the franchise. It would have been fun to see those. But they again, they could be potential for a sequel. But I laughed so much and I do think if I'm going to predict anything, Ryan Gosling could get a Best Supporting Actor nomination for Cat. He was good. He played kind of that dopey sidekick kind of. But then when he comes into the real world and sees that, you know, it's not like Barbie Land in, and he starts kind of asserting himself and then comes back and creates the mojo dojo casa house, which is my favorite line of the whole thing. And then he's wearing this fur coat all the time, like he's some rapper or something, you. Know, And the battle, the battle at the end, I don't you know, we don't need you, but you're going to be you mentioned that beating each other off. I think he did a really nice job of toeing the line with some of the referencing and that kind of thing to keep the adults happy, but they never really crossed the line where I don't think it was at any point, you know, concerning to have kids in there other than maybe a few adult ish things a little bit here and there. I mean, they got a little anatomical a couple of times, but that was it. But it was it was funny. If anything, kids would be bored, right, Because they wouldn't get the lines or they wouldn't get the reference. But if you've lived through Barbie and I think that's most of us, we've seen the kind of things they've done with her and where it was like beauty queen Barbie and all these things where it was promoting a different image than maybe most people thought of Barbie because I think when it started, she kind of looked Marilyn Monroe ish. No, I mean, then she became kind of this Miss America ideal. And I think that didn't really play well with people who were looking for a doll who was adult. Right. But they never they never lay on all of that so that it's a bad thing, like when they make fun of Barbie being these is just that she could do anything. Yeah. And I love the concept that she could dream to be Barbie, could be whatever she wants to be. Exactly. That's what I think the movie talks about, is that women should have the right to be whatever they want to be. You know, you brought up Ryan Gosling in this for a possible award season thing. You don't normally see comedies enter into that level of discussion. Could you see this film, though, because of the messaging and the way they approached it, the direction, the screenwriting? Could you see this maybe getting in being their 10th film to get a best Picture nominee to get, you know, best director nominee for Greta Gerwig, Best Original Screenplay, maybe. Okay. It's definitely going to be a contender, if not the winner already for best sets and best costumes, because those are just brilliant. And then you start looking down the road and you think, Well, she's going to get a writing nomination because here's a way that you can reward. They want to give Greta something over all these years where they like past her by. And I think writing could be the one that she could win. I don't know that directing is one that she could win because you've got those heavy dramas that are in there, but she can certainly be nominated. Yeah. And then and it'll be I think it'll be nominated for best Picture because it's just goofy enough that there is room for it. Yep. You know, and it was one of those things and we'll talk about it too, as we move on to Oppenheimer. But it was a film that I felt like I really wanted to see it in the theater and it was funny because I looked at my purchase history in my AMC app because I watched I saw that on a on Saturday. I couldn't get to Oppenheimer until Monday afternoon, which is July 24th, July 24th of last year. I saw Top Gun Maverick. I saw that in my history. That was the first movie I went to in the theater since the pandemic. I mean, the last thing I saw before that in the theater was going to the last Star Wars movie twice in December of 2019. So I went to Top Gun Maverick in July of last year. I went to Avatar. That was the next movie I saw in the theater was Avatar in December. But since then, it's been, you know, is Barbie movie. It's Oppenheimer, it's Indiana Jones. It was elemental. It was The Flash, It was Super Mario Brothers. I've been to, you know, like a half dozen movies now, and it feels like we're back. We're back with all right. Movies, event level movies where I don't even want to wait until it's on streaming or anything like that. I have to be there. Well, and didn't you feel that the crowd reaction helped? Yes. You know, if you were sitting at home, you wouldn't really have those good belly laughs that you got out of some of these things. And I don't feel any of them. But there were moments when I was just snorting. Yeah, they were so funny. Yeah. And, you know, it is interesting too, for me, before I went to see the movie Friday night, we had tickets to to a pro baseball game. It was kind of one of these. It's not an affiliated minor league team. It's kind of, you know, it's where the players go to keep their careers going. And so we go to this game and we're watching it and there's a family behind us. And the family includes a few daughters that were, you know, like late teens, early 20 kind of age. And they're talking about Barb and Heimer for a couple of innings. And they're giving their critique of, you know, yeah, I love the Barbie movie. Oppenheimer It was pretty good. We were surprised. It was a little slow at first, but it and there I'm thinking it's like we're we're at a baseball game and people are talking about urban Heimer there it's almost because it's entered into this this cultural it's a cultural phenomenon in the moment. And, you know, no matter where you are, people are talking about it. And you go, la la la la la. Don't tell me anything about that. But I was luckily my hearing's a little off, so whatever else, they kept on yapping about it. Yeah, I missed it, but I picked up on that. You got to see Oppenheimer. How I wish I had, which is on IMAX screens. I did. I wasn't really. I would think that when they they now hear it's going to sound like I'm spoiling it but when they test the bomb. Yeah, that that would have been really, really cool in IMAX. Oh yeah. Oh yes. Because. All right, you've got me. And I'm jealous because I didn't see an IMAX. Yeah. So I couldn't get to Oppenheimer over the weekend and I was looking I was I wasn't sure if I'd even be able to see it before we talked. I go and I was looking to see where it was playing and when, and I didn't even realize it. But there was an IMAX theater not too far from the office, and I saw that even even during the week, it was getting pretty filled up. So my best chance to see it in IMAX was at 1215 on a monday afternoon. I buy my ticket, I get there and the place is absolutely packed. Other than the first couple of rows where you're going to get a stiff neck and a few seats off to the side on either end. The place was packed on a monday afternoon. I have never in my life been to an IMAX theater. I've been to a few large format type of things in museums and that kind of thing where, you know, they try to immerse you in sound and screen. But I was never actually at an IMAX theater to see a Hollywood film as soon as I sat in, even just there going through the previews and I'm already just getting blown away, seeing all the movies that I'm expecting to see in the next few months. But then when when the film comes up and you're seeing it and you know that Christopher Nolan filmed it with IMAX in mind and the imagery is huge and the sound I'm just swimming in sound and it's not it's it's loud, but it's not overpowering. I could just feel it around me. So again, we don't want to give away anything. We want to be as spoiler free as possible. But it's pretty obvious that, yes, they do test the atomic bomb in a movie about the atomic bomb. So when they drop it and it kind of there's that scene where they don't they don't give you the sound right away. They just give you that flash. Right. And I'm just thinking, oh, okay, you know, that's interesting. But then then it hits you. And I could feel like you can feel the sound pouring over you as that destructive wave just comes at you. And I was just so blown away by that that I'm so glad I was so glad I saw that in IMAX. Did you see Sound of Metal, the one about the musician who was losing his hearing? It's on my list of like, yeah, I know what you're speaking of. It's in my Amazon Prime. Like, I got to see it and I've been watching this for three years. They play with sound in very, very interesting ways and that that was what I was reminded of when I saw Oppenheimer. I thought, you know, he's really he's using all of these different elements. I mean, everything cinematography, where he has black and white in color, the makeup where the makeup techniques are very subtle. They aren't ones where you go, Oh, my God, he's got a big plastic face on and he's supposed to be old. Okay, I get that. I guess this is very, very subtle. All of the things that the elements are top drawer, top drawer with everybody. And then when you look at the cast of supporting actors, I mean, it's a it's an independent directors dream cast. And you go, Oh, my God. And they they don't even have lines. Some of those people are just kind of background. They wanted to be in this film so badly and you go through it, you go, Wow, this is clout, where you're able to get these people in this film. Now, I like you. I think it starts slowly. I think it's one of those things where don't be thrown off by a film that might seem a little oh, my God, it's just sluggish. We're going to get a whole buy. Because I thought immediately of Beautiful Mind. I thought, Oh, jeez, it's going to be Beautiful Mind all over again. And then it isn't. And then you you get into that whole building process where they're creating Los Alamos and and the team is assembling and you kind of get, okay, it's like riding a train and the train keeps chugging and then it gets a high pitch. And there's a moment again, this is another one I want to ask you about when he is greeted by everybody in the room where they again use sound as and flashes to see how he responds to the people who are cheering him on. Do you know which one I'm meaning? Yeah. And you're kind of later after. Yeah. And did you. Did you. Was that a real big and have seen watch. Yeah. Yeah that and that and just the emotion and because you can see it on his face so clearly being so large but then the sound into it and the sound of kind of like him imagining the world being destroyed by right energy it just it filled the theater the whole way through. Absolutely amazing. And then there's that kind of oh my God moment when they started talking about a vote that was taken and who was responsible for. And that is just I think that's one of that. That's one of those kind of cherries on the top that rewards you for hanging with it and also knowing the history. Yeah, it's interesting because I, I mean, I obviously knew that Cillian Murphy was in there as Robert Oppenheimer. I knew Matt Damon was in the movie, but I, I really avoided paying too close attention to who is doing what because I just wanted to go in and see the film. I didn't realize right away that it was Robert Downey Jr in that role, but it was interesting to me. And let me ask you this, as someone who's seen a lot of movies, like I went into it, it's a three hour film and it's a it's a drama about the Manhattan Project. And I'm thinking myself, I hope this isn't boring. You know, I know that there's going to be an hour in. I know there's a lot of story to tell as I started watching it, because obviously they give you the black and white is meant to be from the perspective of Louis Strauss's character. Right. Right. And then the color is Robert Oppenheimer's perspective, right? It got me thinking a little bit to how Francis Ford Coppola directed Godfather Part two, which is also a very long movie, over 3 hours and 20 minutes. But he used the scenes where he had scenes with kind of the present day Corleone family. But then they also had Robert De Niro's the flashbacks of how Vito Corleone came to power, and they would bounce you back and forth. And I thought with Oppenheimer how they were able to go back and forth between the black and white and the color. It helped actually move the story along. So you weren't so beaten down by just constant dialog and stuff. It was almost, you know, in both cases, both movies have very little action. It's more of a of a drama. And they used a different jumping around in color to kind of keep you moving along. So I actually never felt like it was, you know, there was a few few moments where kind of slowly went along. But I always thought it kept me going the whole way through. I you know, I think the your concept is that black and white means it's the past. And that wasn't how he used that. That is just perspective and so immediately you jump to that you think or these old scenes that we're watching here now is this before something and it's not it's actually more of the more contemporary scenes of some of the things that they were dealing with. I thought it was very fascinating how Matt Damon looked like a movie star in that he was a little broader than most of the other actors. The other actors kind of pulled it back a little bit and he was kind of like, Ooh, la, where you're you're getting a little more than maybe you want out of him. And I know he'll probably be nominated for best supporting actor. But you see that Robert Downey Jr is almost invisible as Strauss. Then he gives it away with a few little gestures of his that are typical Robert Downey Jr things. But I think it's still a good performance. Emily Blunt How exciting is she as Mrs. Oppenheimer She is like, I want to know her because that one woman would just tell people, OP and she was like, just kind of she had that bitterness that her husband didn't and she knew how to be just that other side there that she needed. And I think Gillian Murphy pulls back enough that you can just project just about anything on his personality so that if you thought he was a nudge or you thought he was just this brilliant man who is, you know, doesn't have equals anywhere, there were a lot of things that you could play off his performance, how he modulated that. And, you know, they all talk about how he ate nothing and didn't mingle with the rest of them. And you think, well, if that helped the performance go for it, you know, But when I saw like Josh Hartnett sitting there on the on the couch, barely in it, Rami Malick, who has maybe one decent scene and these are and people who are like Oscar winners. Affleck had a little bit part in there, too so. That anybody in it's like all of a sudden he shows up. Matthew Modine I thought, Oh, this is your tip of the hat to Ken Burns, because Matthew Modine would be the kind who would like narrate something for Ken Burns, right? Yeah, he was it was buried. But in Florence Pugh You don't recognize that. That's Florence Pugh in there as somebody in Oppenheimer's life. Albert Einstein Yeah. You know, I mean, it just it goes one after another. So if you're a fan of movies, Oppenheimer is like the best reward we've gotten in a long time. And I'm not saying bad things about past movies that have won Best Picture or whatever, but they've been pretty middle of the road in recent years. I mean, you know, don't get me wrong, I love Coda, but I don't think Coda is high art. I think this is something that you look at and you say, you know what, This guy did some planning. He did some thinking about this. It isn't we've just got to get this shot today and we're moving on. This movie also. I mean, you know, it did only 82 million compared to Barbie's 162. But it was on it was on 600 fewer screens, number one. And it's 3 hours. You can only show it so many times during the course of the day. So yeah, it did half of Barbie. But in a sense, with the time and everything, we almost it almost equal that, you know, it's just like if you could have shortened up the movie and threw it on more screens, it would have been right up there. People, people flocked to this movie. You know, last week we talked about RAGBRAI, which was the bicycle ride across Iowa. And Saturday was when I went to it and in the theater, it was packed with with bicycle riders, because I don't know if it was because they want to get out of the heat, but they wanted have something to do or they wanted to recline in a in a comfy seat. But they were it was wall to wall people in bicycle clothes. And they just loved it. They ate it up like crazy. And I don't think they slept if they were planning on doing that. So overall, I mean, is Oppenheimer best picture frontrunner at this point for you? Well, it is. But if you saw the previews, you saw that there's a martin Scorsese film that's coming out. And I think that's his biggest competition. And I think that's where we're going to see who's playing off whom in this. And it will depend how it you know, there will be some backlash. I think we already saw it today. People were counting the stars on the flags and said use the right number of stars. And so there you go. I read an interesting thing about that, too, that that might have actually been intentional because it was there was one scene where it had the correct number of stars and there was another scene where is incorrect. And the theory was that because it was it the split was between color in black and white. So the perspective may have been from one of their perspectives, the one where it was correct, remembering it as, you know, 48 states in the union, whereas the other one was, you have the perspective of the time where there's 50 stars. I don't know if that's true or if somebody just, you know, in set design flubbed and grabbed the wrong one. But it was an interesting theory. At least Clint Eastwood has done that, where he's done, you know, a period piece and then the flag is wrong. Right. You know, so it happens. It happens. But I don't that doesn't pull away from anything else. And I think, you know, he is a real stickler for not trying to recreate things in special effects. You're not going to see 10,000 names that are listed as people who did the animation for this. So I think there's a real a love fest. And if Christopher Nolan doesn't win best director for this, it better be something good. Absolutely. Well, next week we're going to move probably as far away from Oppenheimer and Barbara, yet we have a new show, well, I guess not a new show, but a new season of a show on Disney and yeah, ending. Do you want to just set us up on that one? What are we looking at? Come on, High School Musical and I know you're not of that ilk. I know that you're not from that age range. 26 When it popped, it was unbelievable. I mean, nobody thought that a Disney movie would turn out to be that much of a phenomenon. And it launched careers not unlike other films and then led way to High School Musical, The musical, the series, which is ending its season. In fact, they're going to drop all the episodes on one day. So if you are a high school musical nut, you'll find out what happened to those kids in the in the final season so that we're telling you that next weekend we've got people from the show that we are talking to as well. So come on, we're all in this together. I can't wait to talk with you more about that. Thank you again for listening to this episode of Streamed and Screened.See omnystudio.com/listener for privacy information.

Anna Boden and Ryan Fleck's Captain Marvel is  revisited!Discover more great podcasts on the That Shelf Podcast Network! Learn more about TDF Everything on Facebook and Twitter!Hosts:Daniel Grant (Twitter & Instagram)Ben Sit (Twitter & Instagram)Show:@TDFSpoiled on Twitter & Instagram

Written and directed by Anna Boden and Ryan Fleck, Mississippi Grind is a movie about a lonely and depressed gambling addict named Gerry (played by Ben Mendelsohn) who meets a charismatic wandering soul at a poker tournament in Iowa named Curtis (played by Ryan Reynolds). After a night out where Curtis and Gerry get along famously: we figure out Gerry owes money to a bookie, he hates his job, and his wife left him years ago. He convinces Curtis to stake him money and go on a road trip down to New Orleans, so he can try his luck in a high stakes poker game. Special guest and former online tournament poker player Caitlin Kiska gives her wisdom on how Mississippi Grind depicts poker and the gambling world. What grade's will the A24 Rocks gang give this one? Caution: movie spoilers. --- Support this podcast: https://anchor.fm/a24otr/support

Join Marty Schwartz (a great examination of a collapsing psyche) and Scott Sharplin (his milkshake brings all the boys to the yard) as they upend cinema history… Canadian style! Core Connections:Mean Girls (2004, Dir. Mark Waters)Waydowntown (2000, Dir. Gary Burns)Scott Pilgrim vs. The World (2010, Dir. Edgar Wright) Connective Cameos:Run Lola Run (1998, Dir. Tom Tykwer)Road to the Lemon Grove (2018, Dir. Dale Hildebrand)Encino Man (1992, Dir. Les Mayfield)Easy A (2010, Dir. Will Gluck)American Pie (1999, Dir. Paul Weitz)Legally Blonde (2001, Dir. Robert Luketic)Black Christmas (2006, Dir. Glen Morgan)Catch-22 (1970, Dir. Mike Nichols)Office Space (1999, Dir. Mike Judge)Shaun of the Dead (2004, Dir. Edgar Wright)Hot Fuzz (2007, Dir. Edgar Wright)The World's End (2013, Dir. Edgar Wright)Baby Driver (2017, Dir. Edgar Wright)Superbad (2007, Dir. Greg Mottola)Chinatown (1974, Dir. Roman Polanski)Ant-Man (2015, Dir. Peyton Reed)Deadpool (2016, Dir. Tim Miller)Kick Ass (2010, Dir. Matthew Vaughn)Sin City (2005, Dir. Frank Miller and Robert Rodriguez)Superman Returns (2006, Dir. Bryan Singer)Captain Marvel (2019, Dir. Anna Boden and Ryan Fleck)Captain America: The First Avenger (2011, Dir. Joe Johnston)The Eternals (2021, Dir. Chloé Zhao)Mean Girls 2 (2011, Dir. Melanie Mayron)Father of the Bride (1991, Dir. Charles Shyer)Wayne's World (1992, Dir. Penelope Spheeris)It's Pat: The Movie (1994, Dir. Adam Bernstein)Bean (2007, Dir. Mel Smith)Super Mario Bros. (Dir. Annabel Jankel and Rocky Morton)Grumpy Cat's Worst Christmas Ever (2014, Dir. Tim Hill) Linked Film Count: 536

Scott & Marty welcome retro-futurist fashionista Christine Sokaymoh Frederick to discuss a seminal sci-fi classic, plus its secret prequels & sequels! This Podcast Begins Where Imagination Ends! Core Connections:Logan's Run (1976, Dir. Michael Anderson)The Comedians (1967, Dir. Peter Glenville)Austin Powers: International Man of Mystery (1997, Dir. Jay Roach) Connective Cameos:Star Wars (1977, Dir. George Lucas)THX-1138 (1971, Dir. George Lucas)American Graffiti (1973, Dir. George Lucas)Metropolis (1927, Dir. Fritz Lang)Short Circuit (1986, Dir. John Badham)Lord of the Flies (1963, Dir. Peter Brook)War Games (1983, Dir. John Badham)Planet of the Apes (1968, Dir. Franklin J. Schaffner)The Visitor, aka Stridulum (1979, Dir. Guilio Paradisi)The Secret of My Success (1987, Dir. Herbert Ross)Dune (1984, Dir. David Lynch)2001: A Space Odyssey (1968, Dir. Stanley Kubrick)The Empire Strikes Back (1980, Dir. Irvin Kershner)Thor (2011, Dir. Kenneth Branagh)Intolerance (1916, Dir. D.W. Griffith)It's a Mad, Mad, Mad, Mad World (1963, Dir. Stanley Kramer)Juno (2007, Dir. Jason Reitman)Who's Afraid of Virginia Woolf? (1966, Dir. Mike Nichols)Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964, Dir. Stanley Kubrick)Black Panther (2018, Dir. Ryan Coogler)Captain Marvel (2019, Dir. Anna Boden and Ryan Fleck)Cats (2019, Dir. Tom Hooper)The Island (2005, Dir. Michael Bay)Room (2015, Dir. Lenny Abrahamson)The Room (2003, Dir. Tommy Wiseau)The Disaster Artist (2017, Dir. James Franco) Linked Film Count: 523 

Bienvenue dans le film le plus, podcast cinéma bimensuel.Cette semaine, et pour la journée des droits de la femme qui à eu lieu hier (le 8 mars) nous vous offrons une édition exceptionnelle avec un invité exceptionnel : François Rey, créateur du mook Héros nous fait l'honneur d'être le premier invité du podcast et de nous apporter son expertise sur le sujet du jour.Dans cet épisode un tour d'horizon des films de super-héroïnes et de l'évolution de leur représentation au fil des décennies avec comme chaque fois, une analyse autour de 3 films : SUPERGIRL / CATWOMAN / CAPTAIN MARVEL.Emission chamboulée, documentée et mieux articulée pour cet épisode exceptionnel qu'il nous tarde de vous faire découvrir!Réagissez, commentez, partagez sur Twitter, Instagram et Facebook!Toute la collection de Héros, un mook de qualité, est disponible chez Ynnis éditions : https://ynnis-editions.fr/heros/Références de l'épisode:- Supergirl de Jeannot Szwarc (1984)- Catwoman de Pitof (2004)  - Captain Marvel d' Anna Boden et Ryan Fleck (2019) - Helen Slater- Faye Dunaway- Peter O'toole- Mia Farrow- Halle Berry- Benjamin Bratt- Sharon Stone- Lambert Wilson- Brie Larson- Jude Law- Samuel L. JacksonLes recos de l'épisode: - Pam and Tommy de Matthew Margeson (série Disney+)- The Power de Corinna Faith- Le dernier duel de Ridley ScottEgalement évoqués:- Barberella de Roger Vadim (1968)- La légende de Billie Jean de Matthew Robbins (1985)- Tank Girl de Rachel Talalay (1995)- Barbwire de David Hogan (1996)- Elektra de Rob Bowman (2005)- Ma super-ex d'Ivan Reitman (2006)- Wonder Woman de Patty Jenkins (2017)- X-Men Dark Phoenix de Simon Kinberg (2019)- Brids of Prey et la fantabuleuse histoire de Harley Quinn de Cathy Yan (2020)- Wonder Woman 1984 de Patty Jenkins (2020)- Black Widow de Cate Shortland (2021)- Avengers de Joss Whedon (2012)- Avengers : l'ère d'Ultron de Joss Whedon (2015)- Avengers : Infinity War de Anthony et Joe Russo (2018)- Avengers : Endgame de Anthony et Joe Russo (2019)- Batman vs Superman : l'aube de justice de Zack Snyder (2016)- Sucker Punch de Zack Snyder (2011)- Zack Snyder's Justice League (2021)- Ant-Man de Peyton Reed (2015)- Captain America : First Avenger de Joe Johnston (2011)- Iron Man de Jon Favreau (2008)- Thor de Kenneth Branagh (2011)- Captain America : Le soldat de l'hiver de Anthony et Joe Russo (2014)- Les gardiens de la galaxie de James Gunn (2014)- Captain America : Civil War de Anthony et Joe Russo (2016)- Thor : Ragnarok de Taika Waititi (2017)- Spider-Man : No way home de Jon Watts- Kevin Feige- Marvel- DC-Comics- Image comics- X-men- Witchblade- Fathom- Hellboy- Conan- Chris Claremont Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Directors Ryan Fleck and Anna Boden

Acordaos que esta la estrenaron después de Infinity War. Muchas gracias por aguantarme. No os merezco. Página oficial: https://planetainvierno.es/ Todos los podcasts de pennylanebcn: Planeta Invierno, Sicansíos, audiolibros, audiodescripciones creativas de películas y de Juego de Tronos... https://www.ivoox.com/escuchar-pennylanebcn_nq_514109_1.html Redes: @PlanetaInvierno @pennylanebcn @NotPennyNot Puedes comprar el primer disco de pennylanebcn aquí https://www.hotmart.com/product/invitame-a-vivir-2017-de-pennylanebcn/V16864776Q Comprar el segundo disco de pennylanebcn aquí: https://hotmart.com/product/sin-los-demas-disco-2019-pennylanebcn Puedes comprar el primer libro de pennylanebcn aquí: Invítame a vivir (2016) https://www.hotmart.com/product/invitame-a-vivir-libro-pennylanebcn-2016-edicion-con-poemas-nuevos/I16935881F Puedes comprar el segundo libro de pennylanebcn aquí: Pi. Sin los demás, nadie sería nada (2020) https://hotmart.com/product/pi-sin-los-demas-nadie-seria-nada-pennylanebcn-2020/O44372678R?sck=HOTMART_PRODUCT_PAGE

True Believers MCU Podcast EP.35: CAPTAIN MARVEL (2019). Infinity Saga Chronological Timeline Re-Watch: Welcome to the Fandom Podcast Network's TRUE BELIEVERS Marvel MCU Infinity Saga Chronological Timeline Re-Watch Podcast! Here on the TRUE BELIEVERS Marvel MCU Chronological Infinity Saga Timeline Re-Watch, we will re-watch the MCU in Chronological order! We will discuss our re-watch reactions and connections to the original Marvel comics and how they relate to the past, current and future MCU Universe. Your TRUE BELIEVERS Marvel MCU Podcast hosts will discuss CAPTAIN MARVEL (2019). Captain Marvel is a  superhero film based on Marvel Comics featuring the character Carol Danvers / Captain Marvel. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the 21st film in the Marvel Cinematic Universe (MCU). The film was written and directed by Anna Boden and Ryan Fleck, with Geneva Robertson-Dworet also contributing to the screenplay. Brie Larson stars as Carol Danvers, alongside Samuel L. Jackson, Ben Mendelsohn, Djimon Hounsou, Lee Pace, Lashana Lynch, Gemma Chan, Annette Bening, Clark Gregg, and Jude Law. Set in 1995, the story follows Danvers as she becomes Captain Marvel after Earth is caught in the center of a galactic conflict between two alien civilizations.   Warning *SPOILERS AHEAD*! The FPN TRUE BELIEVERS Marvel MCU Podcast will explore the MCU universe in detail, from the movies, TV series and comics. Fandom Podcast Network Contact Information True Believers: A Marvel & MCU Podcast Fandom Facebook Group: Are you enjoying our True Believers Marvel MCU Podcast Discussion? Then join our Facebook group: "True Believers: A Marvel & MCU Podcast Fandom Group" Link: https://www.facebook.com/groups/143313841014405 - The FANDOM PODCAST NETWORK YouTube Channel:  https://www.youtube.com/c/FandomPodcastNetwork - Master feed for all FPNet audio podcasts: http://fpnet.podbean.com/ - Facebook: https://www.facebook.com/Fandompodcastnetwork - Email: fandompodcastnetwork@gmail.com - Instagram: https://www.instagram.com/fandompodcastnetwork/ - Twitter: @fanpodnetwork / https://twitter.com/fanpodnetwork FPN True Believers Marvel MCU Host & Guest Contact Info: - Kyle Wagner on Twitter: @AKyleW / Instagram: @Akylefandom - Kevin Reitzel on Twitter & Instagram: @spartan_phoenix - Drew Kaplan on social media: Twitter: @DrewKaplan /  Instagram: @DrewKaps MCU Maven: https://www.instagram.com/mcumaven/ MCU Maven Facebook: https://www.facebook.com/mcumaven MCU Maven on YouTube: https://www.youtube.com/channel/UCaMuephi30udjNydbt4ugHQ Star Wars Maven on YouTube: https://www.youtube.com/c/StarWarsMaven Star Wars Maven Facebook: https://www.facebook.com/StarWarsMaven Star Wars Maven Twitter: @StarWarsMaven Star Wars Maven Instagram: @StarWarsMaven Email: StarWarsMaven@gmail.com - Tee Public Fandom Podcast Network Store:  https://www.teepublic.com/stores/fandom-podcast-network

Frame Fatale es un podcast sobre películas no canónicas conducido por Sebastián De Caro y Santiago Calori. En este vigésimo cuarto episodio, nos ocupamos de Fritz, el gato (Fritz the Cat, 1972) de Ralph Bakshi y, como nos suele ocurrir, hablamos de esa, pero terminamos hablando de todas estas otras: Tráfico pesado (Heavy Traffic, 1973) de Ralph Bakshi, La vida de Brian (Life of Brian, 1979) de Terry Jones, El padrino (The Godfather, 1972) de Francis Ford Coppola, Garganta profunda (Deep Throat, 1972) de Gerard Damiano, Taxi Driver (1976) de Martin Scorsese, Las nueve vidas de Fritz el gato (The Nine Lives of Fritz the Cat, 1974) de Robert Taylor, Cool World (1992), Coonskin (1974) y El señor de los anillos (The Lord of the Rings, 1978) de Ralph Bakshi, Capitana Marvel (Captain Marvel, 2019) de Anna Boden y Ryan Fleck, Let My Puppets Come (1976) de Gerard Damiano, Detrás de la puerta verde (Behind the Green Door, 1972) de Jim y Artie Mitchell, Más allá del valle de la muñecas (Beyond the Valley of the Dolls, 1970) de Russ Meyer, Juegos de placer (Boogie Nights, 1997) de Paul Thomas Anderson, Batman: el caballero de la noche (Dark Knight, 2008) de Christopher Nolan, La conversación (The Conversation, 1974) de Francis Ford Coppola y Tiburón (Jaws, 1975) de Steven Spielberg... ... por si justo te dio paja anotar y hasta nos dignamos a contestar preguntas de lxs oyentes. Podés comentar este episodio o agregar una pregunta usando el hashtag #FrameFatale en Twitter. Frame Fatale volverá el lunes que viene. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia que de todas maneras, ya explicamos varias veces, es lo menos importante.

Notes:Here's a good description on Hero's Journey from Reedsy:- Hero's Journey 101 - https://blog.reedsy.com/guide/story-structure/heros-journey/ The Verbivore consulted many resources while prepping for this episode, including the following:- The Heroine Journey Project - https://heroinejourneys.com/ - Joseph Campbell Is the Hidden Link Between ‘2001,' ‘Star Wars,' and ‘Mad Max: Fury Road' - https://www.indiewire.com/2018/03/joseph-campbell-heros-journey-2001-star-wars-1201937470/ - Excepts from Myth and the Movies, Stuart Voytilla - https://www.tlu.ee/~rajaleid/montaazh/Hero%27s%20Journey%20Arch.pdf - The Monomyth (The Hero's Journey) - https://libguides.gvsu.edu/c.php?g=948085&p=6857311 - How to Use The Hero's Journey to Structure a Novel - https://www.youtube.com/watch?v=3jQDdq8HREc&list=PLK-VmT9palrSWI2wozhAIbKymCqf7l5mn&index=2 - Star Wars and Myth - https://www.starwars.com/news/mythic-discovery-within-the-inner-reaches-of-outer-space-joseph-campbell-meets-george-lucas-part-i - Why Screenwriters Should Embrace The Heroine's Journey - https://screencraft.org/2017/06/18/how-screenwriters-can-embrace-the-heroines-journey/ - This is why the hero's journey is outdated as a creative tool for writers - https://medium.com/swlh/the-heros-journey-is-outdated-as-a-creative-tool-for-writers-d88461f3ed5f The Verbivore read a short paragraph that describes the gist of the Hero's Journey. Here it is:- “Hero receives a quest (usually by some higher being) and leaves the comfort of his home to venture out into the wide world. The hero encounters a mentor and a ragtag band of companions on the way and, through a series of tests, becomes stronger. He succeeds in his goal and returns to the mundane world to share his wisdom and power.”- Website: Pages Below the Vaulted Sky - https://pagesbelowvaultedsky.wordpress.com/2018/04/24/the-heroines-journey-in-fantasy-books/ Books Mentioned:The Hero with a Thousand Faces by Joseph Campbell The Writer's Journey by Christopher VoglerSave The Cat! The Last Book on Screenwriting You'll Ever Need by Blake Snyder The Hunger Games by Suzanne Collins The Heroine's Journey: Woman's Quest for Wholeness by Maureen Murdock Women Who Run with the Wolves: Myths and Stories of the Wild Woman Archetype by Clarissa Pinkola Estés 45 Master Characters: Mythic Models for Creating Original Characters, Revised Edition by Victoria Lynn Schmidt Catching Fire by Suzanne Collins Movies Mentioned:Star Wars: A New Hope – Directed by George Lucas Mulan (Animated) - Directed by Barry Cook and Tony BancroftBeauty and the Beast (Animated) - Directed by Gary Trousdale and Kirk Wise Alien - Directed Ridley ScottThe Terminator - Directed by James CameronTerminator 2: Judgement Day - Directed by James Cameron Terminator: Dark Fate - Directed by Tim MillerWonder Woman - Directed by Patty JenkinsCaptain Marvel - Directed by Anna Boden and Ryan FleckMusic from: https://filmmusic.io 'Friendly day' by Kevin MacLeod (https://incompetech.com) Licence: CC BY (https://creativecommons.org/licenses/by/4.0/)

Begonia FM's Nic Jehle and Lucas Soares continue their completionist quest through the Marvel Cinematic Universe. This is their twenty-fourth episode in the season. This week's film is Captain Marvel (2019) directed by Anna Boden and Ryan Fleck.Mammoth Proudly a part of Begonia FMTwitter: @perlustrationfmInstagram: @perlustrationfm

Cinq comme les cinq doigts de la main, comme le fameux club des cinq mais aussi et surtout comme cet épisode 5 ! Cette semaine, un film simple mais brillant qui vous apportera du réconfort en ce temps un peu délicats. Je vous parle ici du charme du film "It's kind of a funny story", sorti en 2010 et réalisé par Anna Boden et Ryan Fleck.

Alig pár hónap alatt jutott el a mozikba, illetve az Oscar-jelölésig két király(nő)dráma, három szellemírónős sztori, egy női szuperhős és legutóbb egy pankrátorlány története. Új adásunkban megbeszéljük, hogy * ez feminista új hullám vagy csak véletlen egybeesés, * Brie Larson vagy Gal Gadot-e a hitelesebb akcióhős, * túlkompenzál-e a Marvel, * kellenek-e fekete nemesek egy skót királyi udvarba, * miért dobálta meg Árpa Attila Keira Knightley-t, * van-e lelkük a floridai Barbie-babáknak, * és mennyire igazak az igaz történetek? A mikrofon mögött: Varga Dénes, Pozsonyi Janka, Huber Zoltán, Baski Sándor. Menetrend: 01:30 – Marvel kapitány (Captain Marvel, r: Ryan Fleck, Anna Boden) 23:15 - Két királynő (Mary Queen of Scots, r: Josie Rourke) 43:52 - Colette (r: Wash Westmoreland) 58:14 - A férfi mögött (The Wife, r: Björn Runge) 1:07:44 - Megbocsátasz valaha? (Can You Ever Forgive Me?, r: Marielle Heller) 1:20:04 - Családi bunyó (Fighting with My Family, r: Stephen Merchant)

Sean answers your Marvel questions!0:24 Alex WardHey Sean! Thanks so much for all the great Captain Marvel content this weekend! I really appreciate that you waited till Sunday so we could all get our questions in.1) Just out of curiosity, and it's totally fine if you don't remember, but did you know about Carol's call sign being Avenger when I asked why they're called the Avengers in a Q and A a couple months ago? Like I said last week, you had a good answer, so I'm extra impressed if you were also tiptoeing around that spoiler!1:28 Alex Ward2) Did you hear any fake rumors about Captain Marvel that didn't pan out? If so, what were they? I heard one that said Carol was actually from the modern era, but after getting her powers from the Quantum Realm, she was accidentally sent back to 1995 with amnesia about her past.3:06 Alex Ward3) Have you seen and/or liked anything else from Anna Boden and Ryan Fleck? I just  found out they wrote and directed Mississippi Grind, which is one of my favorite movies. Also, do you think they'll get to direct Captain Marvel 2?6:50 Alex Ward4) Since Goose was sort of a given, I would argue that Talos was the surprise hit character in Captain Marvel. When do you think we'll see him again? Is there any part of you that laments Ben Mendelsohn not getting a "famous" character in the MCU, or are you cool with him being Talos since the MCU is so good at elevating characters who aren't as memorable in the comics? 9:35 Hector Giovanni NavarreteHey Sean! Hope y'all are all having a good week so far!So last Q&A show you mentioned that you feel it is more than a coincidence now in regards to female lead superhero films being set in the past/ being prequels in their respective universes. Why do you think that is? Any specific reason(s) you think? Do you think studios just saw how well WW did in a pre era type film and decided to kinda, for lack of a better term, “copy” that model?14:41 Michael Louis WeaselboyHey Sean how is your week hope it is good. Anyways after seeing Captain Marvel three times now, I was thinking I would love to see the Skrulls again but this time as villains, do you think for Avengers 5 they could do Secret Invasion?? Say the X Men and Fantastic Four join in as well to stop the new threat of the Skrulls. Also do you think Talos's daughter could turn out to be Veranke?? Thoughts??17:55 Chris FHey Sean! One question today. So in Iron Man all those years ago Coulson says he's from the Strategic Homeland Intervention, Enforcement and Logistics Division, to which Pepper makes a joke that they should really shorten it. Thus later on it's called shield.However in Captain Marvel Fury is calling it shield through the movie to various people and they all seem to somewhat understand what it is.Do you view this as a minor continuity error or is Coulson just trying to be formal. I find it odd he would say the whole thing instead of just calling it shield.Thanks and have a great week!21:33 Paul ShearmanHey Sean and everyone, hope you're all having a good week so far (and if you're seeing Captain Marvel, then you'll definitely be having a good week!)Sean, a quick question about the Avengers Endgame Art of the Movie book. Do you have any info on a release date at all?  Here in the UK we have the ‘Road to Avengers Endgame' Art of the Movie available to pre-order on Amazon, but not the Endgame specific book, so I wondered if there was anything happening with this in the US market that you were aware of?Thanks for your time as always, and best wishes to you and all the patrons.25:18 Woo S! KimThere has been so much talk since the cancellation of the Marvel Netflix's shows and now this is just my point of view and I realize that the tones of the shows are different but I think Hulu has been a much better network than Netflix was in terms of embracing the source material and not kidding themselves into believing “this isn't a superhero show,” whereas Netflix like you have commented in the past Sean, that an explanation of  why “The Defenders” characters for the most part weren't in costumes may have been because of Netflix, am I way off in my assessment?27:14 Woo S! KimSean, if I could choose any three Marvel Comics superpower and or weapon they would have to be Tony's Mark Fifty Armor, Spider-Man's Strength, and Daredevil's Heightened Senses.  What about you and yes armors/suits count as weapons?28:39 Woo S! KimThere has been so many adaptations of famous Wolverine comic book stories thanks to FOX Studios is they are any that come to your mind that haven't been done that you would like to see Marvel Studios do Sean, the one that comes to my mind is one featuring Alpha Flight now some may say “X-Men: Origins” had Alpha Flight, my counter argument would be I didn't see a ten foot tall Orange Big Foot in that movie, what are your thoughts, would you like to see a live action Alpha Flight?29:50 William Ford-ConwayHey Sean! Been absent from the Q&A for some time but still been tuning in. Great to be back and thanks for keeping the Marvel talk alive and well! Happy to report that I loved Captain Marvel for many of the same reasons you pointed. I am glad you pointed out the tired criticsm of the "Marvel Formula" once again.  I, like you have always thought this was an overplayed (if not generally weak) argument against Marvel but seeing it labeled on Captain Marvel was the final straw for me simply not take the criticism even remotely seriously anymore. I have to be candid and say that blaming stuff on "formula" shows a very weak understanding of story. I feel that way too often do people conflate criticism and analysis with being able to identify tropes, and the more tropes you see the weaker the story. This doesn't hold water from me because it ignores ALL the other aspects that make a story. I never want to be the guy who says people don't "get it" but it's just getting tiring to see people boil down these stories to un-nuanced factors. Heck, I loved Spider-Verse, but you could have easily said THAT just followed the Superhero origin formula. Anyways that's my rant and would love to hear your extended thoughts on the matter and why so many pick and choose (and frankly target Marvel) with this criticism.35:04 AlexSean,  when I saw  Stan Lee's cameo in Captain Marvel he was rehearsing his lines for Mallrats. If you recall Stan's famous  cameo in Mallrats  then you remember  that  scene  explicitly acknowledged him  as the creator of several Marvel characters including ones that  already exist in the MCU as real people like the Hulk and Spider-Man and not fictional characters that they are in our world.  So do you think the version  of Mallrats in the MCU  omits references to any Marvel  characters and Stan Lee is the co-creator of something else in the MCU? Maybe Stan Lee in the MCU actually went on to become a successful novelist who wrote the great American novel who managed to leave comics early  unlike  our world's Stan Lee.  I'm overthinking it because its fun.  36:10 AlexShould  Reed and Sue be already married  by the time we meet them  in the MCU or do you prefer they're not not an item just yet?  36:36 Jeremy WatsonCan you please explain what Ronan's role within the Kree empire is? I know he is an accuser but how is that different from the Star Force?37:35 Jeremy WatsonIn the MCU, has the light speed engine been developed? It appeared that the Krees method of transportation was similar to that in Guardians, with the jumps from sector to sector. But when Carol left with the Skrulls to find a new home it didn't look like the hexagon portal opening (but I could be remembering wrong). 38:52 Jeremy WatsonShould we assume that Howard Stark worked on Project Pegasus with Mar-Vell?40:15 Jeremy WatsonFinally, with the final season of Game of Thrones and Avengers: Endgame set to take place in April, do you think April will be considered one of the greatest months in entertainment history?Thanks for your great insight and keep up the great work!41:52 Xavier ArquerosHello Sean and fellow Patrons, I'm finding myself in a strange situation with Captain Marvel. After the first viewing I felt a little disappointed, I expected a few more action beats during the movie, a lot of the action we have in it is with Shaky Cam which I've hated since the Bourne movies, and I didn't think there was enough of Hala and the Kree culture. However after seeing the movie five times already, I don't care about any of that any more, I just love the movie and it's characters. Have you ever had a feeling like this with any other MCU movie? That watching it a bunch of times you forget about what you dislike and just enjoy so much the movie that every new viewing makes you love it even more. Because I think this is my first time. I thought a second or third viewing would be enough, now I'm thinking when can I go again! Cheers everyone!45:55 AlexHey Sean, when the deal closes next week does that mean Feige will get the rights immediately after that or do you think it will take awhile for Feige to get access to those properties even with the Fox deal closing? How will the rights to transfer over to Marvel Studios?48:31 Derek BeebeHey Sean, What do you know about the falling out between Marvel and Jon Favreau?  Was it over the rushed schedule of Iron Man 2?  Wasn't he supposed to direct the Avengers?  Has he had any involvement since then?55:04 Derek BeebeWhat do you know about the falling out between Marvel and Joss Whedon?  Was it over the forced franchise inclusion of Age of Ultron?  Was he supposed to direct Avengers 3?  Has he had any involvement since then?1:01:51 Derek BeebeGiven that Joss created Agents of SHIELD, wrote the pilot, and put his brother in charge of the show, do you think Joss' departure from Marvel was a contributing factor to SHIELD becoming so disconnected from the MCU?1:03:35 Derek BeebeI was listening to an earlier episode where you lamented Maria Hill's characterization in The Avengers.  I recall in deleted scenes we saw an original version of the character who was much more suspicious and adversarial, like in the comics.  Do you know why this was changed?1:04:26 bryan smithHey Sean hope your having a good week. Captain moving was a all around great movie in my opinion. I have two questions for you this week . 1) do you think Marie Rambou was dusted during infinity war?  2) was I the only one who notice captain marvel looked like she been through a battle on the post credits scene?1:05:38 Hector Giovanni NavarreteSo I watched CM again and loved it more the second time round.This might be minor tbh but I thought of it while watching the film. How does CM's helmet actually work? Like is it for breathing? She uses it in the beginning on the mission on Torfa and then she uses it again when she blasts open the Skrulls' ship. Then at the end of the film when she is flying in space and on earth she uses it again. It's not until the end of the film when she is leaving to go on her mission to find a new home with the Skrulls that she doesn't use the helmet in space. Why do you think that is? Continuity error, wanting to show the actors' face at the end of the movie or since she is binary she doesn't need the helmet to breathe in space?1:08:35 AlexSean,  I wonder if you and Paul will ever do a X-Men on Film retrospective series that  discusses the history of the X-Men franchise and speculate on  the new era of the X-Men movies under Marvel Studios?1:10:01 AlexWhat's your anticipation level for the  Morbius film that Sony is doing?1:10:23 AlexDo you think there's something poetic about  Marvel getting the rights back to Fantastic Four and X-Men in the same year Endgame which will mark the end of the MCU as we know it?  Is it the best possible  time for X-Men and  Fantatsic Four to return home or do you think it should've happened a bit earlier?  1:13:33 David RosenAfter CM, it seems like there is still some story to tell for Nick Fury between the end of CM and when we first met him in Iron Man. I don't believe he'll get his own movie at this point, but do you think we'll get a chance to see some of those years, and how he went from a wise-cracking, suit and tie-wearing agent, to bad-ass, dressed in all black Director of SHIELD? Do you think Fury's transition to wearing all black could just be to create a persona that goes along with him missing an eye? Do you think it's even important for us to see any of those years or can they just be left to our imagination or filled in with some dialogue somewhere? What would you be interested to see during those years?1:16:18 David RosenDo you think we'll get to see the scene in End Game when Carol learns that Fury's team is called The Avengers and what do you think her reaction will be, assuming that she realizes the team was named after her.1:18:01 AlexDoes it matter to you that Reed Richards have gray temples in the MCU or do you think it's such a superficial, inessential aspect of the character enough that the MCU can get away with not having them?1:19:22 David RosenI have to admit that I was a little confused at first about how the Tesseract was being used in the movie for Mar-Vell's plan, and without the context of the rest of the MCU, I don't think the movie works as well. For example, I started thinking about it's other appearances and uses in the MCU, and how it's been used as both a power source and to open up portals in space. I've heard some people call it a plothole that Mar-Vel's plan isn't necessary since the movie shows how it's possible to travel long distances via the space honeycomb; but Yondu, Rocket, and Groot showed us that that method has its limitations. As Thanos and Loki showed that the Tesseract can be used to open portals and travel vast distances instantaneously without any bodily harm, I think part of her plan was to use its energy to do something similar. Is that your understanding of how she was planning to use the Tesseract? And in regards as to why she decided to sneak it off earth, if she did work for SHIELD at some point, she might have read about how Hydra used the Tesseract to make weapons during WWII. If she read about that, and perhaps even found out about SHIELD's intent to try and develop similar weapons (what we come to know as Phase 2), she might have taken it upon herself to sneak it off of Earth and use it to save lives rather than allow it to be used to destroy them.I say all of that to ask you this, with all its previous history, did the Tesseract's inclusion give you any more understanding or insight into its true nature or into any other history in the MCU? Since you didn't really get a chance to talk a lot about the inclusion of the Tesseract in Captain Marvel in your discussion with Paul, can I simply ask you now to share some additional/extended thoughts about its inclusion in the movie, either connected to, or entirely independent of, some of my ideas above?1:26:11 David RosenAs I mentioned above how, at least for me, previous movies helped inform some things for Captain Marvel, do you think all future movies will continue to be enriched by what's come before? When and how do you think it can eventually become too convoluted with too much history to keep track of? See acast.com/privacy for privacy and opt-out information.

On the March 12, 2019 episode of /Film Daily, /Film editor in Chief Peter Sciretta is joined by producer Kevin Feige and directors Ryan Fleck and Anna Boden to answer our questions about Captain Marvel. You can subscribe to /Film Daily on iTunes, Google Podcasts, Overcast, Spotify and all the popular podcast apps (here is the RSS URL if you need it). Opening Banter: If you haven't seen Captain Marvel, don't listen to this episode until you do! In Our Feature Presentation: A Captain Marvel Interview Special: ‘Captain Marvel' Directors Ryan Fleck and Anna Boden Talk the Genius of Ben Mendelsohn, Renaming Goose the Cat, '90s Music, Stan Lee and More [Interview] Interview: Kevin Feige Talks Captain Marvel Spoilers, The Future of Goose, Stan Lee's Tribute and Disney Plus TV Shows All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. You can subscribe to /Film Daily on iTunes, Google Podcasts, Overcast, Spotify and all the popular podcast apps (RSS). Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on iTunes, tell your friends and spread the word! Thanks to Sam Hume for our logo.

"I'm not what you think I am."Attention true believers! The Film Board is approaching the home stretch of the Marvel Cinematic Universe Phase Three. It's wrapping up over two successive months here in 2019. The big one of course is next month's Avengers: Endgame, but first let's dig into the penultimate Captain Marvel. The conversation on this episode will potentially spoil 22 films' worth of successive blockbuster suspense, so consider yourself forewarned.Pete Wright, Andy Nelson, Steve Sarmento, and Justin "JJ" Jaeger will chat up the progression of this epic anthology of super-ness, as long as there are no evil impersonators. But wait, how will we know if they're real? Check out our conversation to learn some inventive ideas about sniffing out alien infiltration as we pass around conspiracy theories about what's coming for us in April.Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesWatch this film: Apple • AmazonOriginal theatrical trailerOriginal poster artworkFlickchartLetterboxdAV Club: "Stan Lee's Captain Marvel cameo raises a lot of questions" Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at AUDIBLE! Get your free audiobook and 30-day free trial today.Learn more about CODA and how it can work for you!We spend hours every week putting our shows together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?BECOME A MEMBER HERE: $5 monthly or $55 annuallyJoin the conversation with movie lovers from around the world on The Next Reel's DISCORD channel!Here's where you can find us around the internet:The WebLetterboxdFlickchartCheck out poster artwork for movies we've discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.

What's Up Cinemaniacs! Join Cinemania Editor and Chief Duane as he reviews the latest installment in the MCU, "Captain Marvel"! Yes we finally made it to the long awaited film and we couldn't be more excited! "Captain Marvel" follows the story of Carol Danvers who becomes one of the universe's most powerful heroes when Earth is caught in the middle of a galactic war between two alien races. The movie stars Brie Larson, Samuel L. Jackson, Ben Mendolsohn, Jude Law, Annette Bening, and Lashana Lynch and was written and directed by Anna Boden and Ryan Fleck! Was "Captain Marvel" a well addition to the MCU? Find out in our review! #CaptainMarvel #MovieReview  Follow us: Facebook Twitter Instagram YouTube Spotify Messy FM  Cinemania Merch: Teepublic 

Ryan Fleck and Anna Boden, the filmmaking partners responsible for the movies Half Nelson, Sugar, and Mississippi Grind, look back at how they started making movies together, talk about their creative partnership, and discuss Mississippi Grind. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Ryan Fleck and Anna Boden, the filmmaking partners responsible for the movies Half Nelson, Sugar, and Mississippi Grind, look back at how they started making movies, talk about their creative partnership, and discuss their frustration with the amount of people who have watched Mississippi Grind. Plus, the two dissect the decisions they've made to keep making independent films and why directing television shows (The Affair, Looking, Billions) can be a scary, vulnerable experience.  Topics mentioned: Mississippi Grind, Half Nelson, Sugar, Billions, Buffalo '66, "How to Annoy a Fan Base in 60 Easy Steps" by Bill Simmons, Do The Right Thing, She's Gotta Have It, Goodfellas, First Blood, The Deer Hunter, Apocalypse Now, Raising Arizona, Stranger Than Paradise, Slacker, "I Saw Mommy Kissing Santa Clause" by The Jackson Five, NY 99X Radio Station, Exile in Guyville by Liz Phair, True Lies, Struggle a short film by Ryan Fleck, Creed, Hard Eight, California Split, Gowanus a short film by Ryan Fleck and Anna Boden, Out of Sight, The Moment with Scott Rosenberg: 12/22/15 People mentioned: Vincent Gallo, Rick Barry, Spike Lee, Leonard Maltin, Martin Scorsese, Jim Jarmusch, Richard Linklater, Emily Dickinson, James Cameron, Grant Heslov, Ryan Coogler, Ryan Gosling, Ben Mendelsohn, Paul Thomas Anderson, Steven Soderbergh, James Lipton This episode of The Moment is brought to you by Showtime's new series Billions. Paul Giamatti and Damian Lewis star in this bold, original drama as two of New York's most powerful titans locked in an epic battle of egos. And there is no line both men won't cross to win. Billions premieres January 17th at 10pm-only on Showtime. Email: themomentbk@gmail.com, Twitter: @BrianKoppelman, iTunes: itunes.com/themoment To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The Total Tutor Neil Haley will interview Sundance Channel Star Jayson Warner Smith. He will discuss discuss his career and his show Rectify.   Best known for his portrayal of Wendall Jelks on SundanceTV's Rectify, Jayson has recently been working all over the Southeast from Wilmington, NC to New Orleans. With roles on FOX's Sleepy Hollow and in the films, 99 Homes and Mississippi Grind, Jayson has been busy working with wonderful film makers and show-runners such as Ramin Bahrani,Ray McKinnon, Ryan Fleck and Anna Boden. He also found time to star in and play a supporting role in the films Heavy Water and Beacon Point respectively. Both are small budgeted high-end Atlanta produced independent films.