Podcasts about underground system

It's July 7th 2005, and it's a typically busy morning on London's underground. It's like any other day. But then, simultaneously, three trains and a double decker bus explode.  Smoke fills the carriages, and panic and devastation takes over London.  Detective Gary Powell was sitting at his desk when he heard what we now know as the 7/7 terrorist attacks. Gary sits down with host Brent Sanders to talk about this case, and others from his time in the counter terrorism unit of the UK police.  This content contains references to suicide. If this content affects you, the number for Life Line is 13 11 14. See omnystudio.com/listener for privacy information.

Artist: SOLWAY (Istanbul, Turkey) Name: LUXURY UNDERGROUND SYSTEM PODCAST #003 [October, 2024] Genre: Electronic Release Date: 24.10.2024 Exclusive: Deep House Moscow SOLWAY: https://soundcloud.com/max-solowyow Instagram: instagram.com/max_solowyow LUXURY UNDERGROUND SYSTEM: www.facebook.com/LuxuryUndergroundSystem Soundcloud: @luxuryundergroundsystem Instagram: www.instagram.com/luxuryundergroundsystem CONTACT (DHM): Email — deephousemoscow@hotmail.com Follow us: www.facebook.com/deephousemsk/ www.instagram.com/deephousemoscow/ vk.com/deephousemsk/

Lollise is a musician, fashion designer, and visual artist from Botwana in southern Africa, now based here in New York. After many years of recording and touring with Underground System and the FELA! band, Lollise steps forward with her own bold Afro-futurist pop, rich with layers of kinetic, danceable percussion and gentle waves of ambient noise. Drawing on Setswana folk song, the sounds of nature, and infectious dance beats, she plays some of the hybrid songs from her debut LP, I Hit The Water, in-studio. Set list: 1. Semang Mang 2. eDube 3. Mme Mma Ndi

Artist: GEORGE CHROME (Moscow, Russia) Name: LUXURY UNDERGROUND SYSTEM PODCAST #002 [September, 2024] Genre: Downtempo / Electronic Release Date: 10.09.2024 Exclusive: Deep House Moscow GEORGE CHROME: https://soundcloud.com/user-812102692 Instagram: https://www.instagram.com/george_chrome LUXURY UNDERGROUND SYSTEM: www.facebook.com/LuxuryUndergroundSystem Soundcloud: @luxuryundergroundsystem Instagram: www.instagram.com/luxuryundergroundsystem CONTACT (DHM): Email — deephousemoscow@hotmail.com Follow us: www.facebook.com/deephousemsk/ www.instagram.com/deephousemoscow/ vk.com/deephousemsk/

Artist: KOROLEV (Moscow, Russia) Name: LUXURY UNDERGROUND SYSTEM PODCAST #001 [August, 2024] Genre: Downtempo / Electronic Release Date: 23.08.2024 Exclusive: Deep House Moscow KOROLEV: www.facebook.com/kirill.korolev.77 Instagram: instagram.com/kirill.korolev LUXURY UNDERGROUND SYSTEM: www.facebook.com/LuxuryUndergroundSystem Soundcloud: @luxuryundergroundsystem Instagram: www.instagram.com/luxuryundergroundsystem CONTACT (DHM): Email — deephousemoscow@hotmail.com Follow us: www.facebook.com/deephousemsk/ www.instagram.com/deephousemoscow/ vk.com/deephousemsk/

Lollise is a Botswana born, Brooklyn based singer, songwriter, and multidisciplinary artist. After cutting her teeth recording and touring with the FELA! band and Underground System, she has brought her song writing efforts to the forefront with her debut LP, I Hit The Water, out September 6 via Switch Hit Records. Lollise shares the story behind the new record, why it plays tribute to her family's journey and how it keeps her connection with Botswana. She tells us how the lead single, eDube, is both a message to her deceased father and honors her mother's experience with his passing.  We learn how intuition guides her writing process, how collaboration played a role on the new record and why she does NOT like playing her song Birthday. Joe and Lollise bond on the power of rehearsal, the beauty of the shekere, their fixation with vintage fashion and we hear a couple tunes. Lollise Switch Hit Records Episode supported by Izotope Episode supported by Distrokid

"Something Special" (feat. Wayne Snow) - Zeitgeist Freedom Energy Exchange; "Black Sand" (feat. Spy From Cairo) - Didje Doo; "Kings For a Minute" (feat. Cazaux O.S.L.O.) - Digital Afrika; "Getting It Back" - Sol Power All-Stars; "Looking In" - Underground System; "The Party" - Mister T; "Yeah Yeah" - Serge Funk; "The Job" - Giman & Chicago; "Solal" - AfrotronixTodas las músicas seleccionadas por Microfibras (Diego Gutiérrez Candelario) desde su casa en Lopera (Jaén).Escuchar audio

Reggae, Soul and Rock ‘n' Roll all feature this week with newies from HF International, Underground System, Mr Confuse, Floyd James, Sparks and Hollow Hand. Oldies from Desmond Dekker, Ronnie Lane, Marie Knight and lots more!Tune into new broadcasts of Blues & Grooves, Sunday from 4 - 5 PM EST / 9 - 10 PM GMT.For more info visit: https://thefaceradio.com/blues-and-grooves///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Nu Disco, Disco, Funk, House, and more. Edits and remixes of past, current and little known gems from Tiger Balms, George McCrae, Róisín Murphy & DJ Koze, Asha Puthli, Rene & Angela, Be, Alena, Phantom Slasher, Sequence, Underground System and more. This is Unbound with Ricardo…Keep it locked.Tune into new broadcasts of Unbound LIVE, Opposite Wednesdays from 10 PM - Midnight EST / 3 - 5 AM GMT (Thursday).For more info visit: https://thefaceradio.com/unbound//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

G Mateus brings the springtime vibes with an eclectic blend of new and old. Lots of funk disco, deep house and soul. Featuring new music from Smoota, Underground System, Bacao Rhythm and Steel Band, Axnér and more.For more info visit: https://thefaceradio.com/in-the-pocket/Tune into new broadcasts of In The Pocket, LIVE, Friday from 12 - 2 PM EST / 5 - 7 PM GMT.For more info visit: https://thefaceradio.com/in-the-pocket///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

A philosophical debate breaks out in host Chuck Da Fonk's home regarding whether one can have as much fun in their later years as they did in their university / college / 20s years. Chuck believes its a moot discussion - there's always time out for fun, unhinged and free of responsibilities. For this episode, he expresses that very sentiment by spinning plenty of "fun" titled cuts by George Clinton & Parliament Funkadelic, Con Funk Shun, The Isley Brothers, Brick, Devo, and many others. The third hour of this show is burning up with hot, brand new jams by Underground System, The Illustrious Blacks, Carlos Méndez, Meshell Ndegeocello, Woolfy and more. Plus, a special spotlight on the freshest output from Balearic gurus, Payfone. Tune into new broadcasts of FSQ, Thursday from 3 - 6 PM EST / 8 - 11 PM GMT.For more info visit: https://thefaceradio.com/fsq///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Edición Limitada - 20 de Febrero del 2023. Programa de corte Beats. Selección, producción, realización y conducción: Francisco J. Brenes. Presentando música de Kelly Lee Owens, A Certain Ratio, Inspiral Carpets, Sleaford Mods con Florence Shaw, M83, Maroco & Mach FoX, Color Theory, Stars, Underground System, Dot Major, Django Django con Self Esteem, Acid Arab con Wael Alkak, Maps, Alison Goldfrapp, Donzii, James Atkin, Jake Shears, Melts, Yunè Pinku, Honey Beard, Belgrado, The Orb con Rachel D'Arcy, Orbital, M.U.N.T Connection, Matt Hart, Capital X y Mach FoX & Zeven Odd Gods.

Peter Matson is a Dj, producer and front man of Brooklyn's live band Underground System. Enjoy the conversation and suscribe for free on your favorite podcasts app.  https://linktr.ee/ivancastpodcast

Une belle suite à leur nouveau single “Desnuda“, d'ailleurs remixé par Yuksek, suite à une collaboration avec les labels Razor-N-Tape et Heavenly Sweetness. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Arrêtez de vous compliquer la vie… et confiez votre playlist du nouvel an à Yuksek, qui exporte son Dance'o'drome pour cette soirée du 31 décembre avec une carte blanche au label Razor-N-Tape. Special Guests : Dimitri from Paris, Diogo Strausz et Underground System. Yuksek and co dans votre salon, poussez les meubles et dansez fort ! Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

In this episode I am talking to Dori, who as a child in the Netherlands, hid alone (without her family) in a system called "the underground", in different places, with people she did not know.How did she do it? What are the underground? Tune in to find out.

Artist: Angel A (Moscow, Russia) Name: DHM Podcast #1152 (Live@Electric Sunset / SpiritOn & Luxury Underground System, 2021) Genre: Electronic Release Date: 23.06.2021 Exclusive: Deep House Moscow Live@Electric Sunset / SpiritOn & Luxury Underground System / The Ritz-Carlton, Moscow 2021 Angel A: www.facebook.com/arkhangelskaya.anna Soundcloud: @anna_arkhangelskaya Instagram: www.instagram.com/Anna_arkhangelskaya Luxury Underground System: @luxuryundergroundsystem CONTACT (DHM): Email — deephousemoscow@hotmail.com Follow us: www.facebook.com/deephousemsk/ www.instagram.com/deephousemoscow/ vk.com/deephousemsk/

Artist: NILS (Moscow, Russia) Name: DHM Podcast #1111 (Live@Once*****Hotel, Luxury Underground System 2021) Genre: Electronic Release Date: 05.04.2021 Exclusive: Deep House Moscow YURY NILS: www.facebook.com/urij.nils Official Page: www.facebook.com/YURYNILS Soundcloud: @dj-nils-moscow Instagram: www.instagram.com/yurynils_official Luxury Underground System: https://soundcloud.com/luxuryundergroundsystem CONTACT (DHM): Email — deephousemoscow@hotmail.com Follow us: www.facebook.com/deephousemsk/ www.instagram.com/deephousemoscow/ vk.com/deephousemsk/

¡Bienvenidos a este su bar, el Bar Almohada! Hoy, nuestra carta de cocteles los llevará hasta los acordes de Esteban Copete y su Kinteto Pacífico, Muchachito Bombo Infierno, Chicha Libre, Underground System, Zoufris Maracas, Pérez Prado y La Marimba Cuquita. Además, en el Rincón Literario, lecturas de la periodista argentina Leila Guerriero, acompañada por música de Bajofondo. Los esperan sus anfitriones: el Profe. Gómez-Loza, el Cumbiero Intelectual y el Almohada Carnívora.

WorldOrganicNews.com All the videos: HERE

With tracks from FYI Chris, DJ Psychiatre, Tomasz Guiddo With Nirosta Steel, Riva Starr Pres. Hyperloop, DJ Pierre, Roach Motel, DJ XS, Underground System, Lauer, Munk, DJ Schwa, Damián Schwartz, Clavis, James Teej, The Barking Dogs, Arno E. Mathieu, Art Of Tones, Mekon, Solarc, TB, Gaoulé Mizik, Alico Vs Cagri. Contact: dj@ribeaud.ch.

Fusion 2019 Festival | No Cops Special Podcast @ Sea Fairy Show with Sinnestrieb. ■Fusion Festival 2019■ 26.06. ‐ 30.06.2018 ■Line-up■ DJ Tennis ANNA Adriatique Job Jobse Patrice Bäumel Oliver Koletzki Red Axes Roman Flügel Vandal, Magda Reinier Zonneveld, M.A.N.D.Y. &ME, Bobby Jennifer Cardini H.O.S.H. Super Flu Dirty Doering Perfect Stranger Sebastian Mullaert Blond:ish Horse Meat Disco Monolink Be Svendsen Oliver Huntemann Dana Ruh Stimming Marek Hemmann Bayawaka Joachim Pastor Martin Buttrich Miss Kittin Madmotormiquel Miss Melera Acid Arab Woo York Fjaak Rrose Tsepo, Rampue, Marcus Meinhardt, Steve Rachmad, Unders, Adam Port, Denis Horvat, André Galluzzi, Niko Schwind, Magit Cacoon, Marvin & Guy Jonas Saalbach Matthias Meyer, Marc Romboy, Oceanvs Orientalis Johannes Brecht Beckers Lady Starlight David Dorad DJ DustinDoc Scott Matias Aguayo Tim Engelhardt Maximono Sarah Farina, Hidden Empire, Schlepp Geist, Sterac, Holger Hecler, Mollono.bass, Pauli Pocket, Jan Oberländer, Der Dritte Raum, Anneli, David Keno, Marco Resmann, Umami, Crussen, Raoul, Heimlich Knüller, Peak & Swift, Rainer, RSS Disco, Cheshire, Colin Benders, Josephine Wedekind, Sven Dohse, Crystal Distortion, Yuli Fershtat, Mimi Love, Pilocka Krach, The Glitz, Dave Dinger, Rico Loop, DJ Ride, Commander Love, Thylacine, MANDI DEXTROUS, Dasha Redkina, Lake People, Just Emma, Elliver, Fidelity Kastrow, Undercatt, Kuriose Naturale, Lazare Hoche, Ryan Murgatroyd, HYENAH, Township Rebellion, Kombinat 100, Marcotix, Micronaut, Onero, DJ Milo, Barrio Lindo, Dachgeschoss, Skinnerbox, Symbiz, Turmspringer, Parallells, Kerala Dust, Bonjour Ben, DJ Caso, Jonty Skrufff, Lassmalaura, Tom Nowa, Psyfonic, Schmitzkatzki, Sutsche, Quentin, Caleesi, Ron Flatter, Doubting Thomas, Casimir Von Oettingen, Djuma Soundsystem, Philipp Fein, Radikal Guru, Robin Kampschoer, Toni Haupt, Adi-J, Mokt Blied, Tetra Hydro K, Lotte Ahoi, Gwen Wayne, Bukez Finezt, Floyd Lavine, Dole & Kom, Goth-Trad, Catnapp, Kutmah, Sonnensysteme, Haldolium, Keinemusik, Noema, Wide Awake, Yobovski, Lyktum, EULE:NHAUPT, Alley Cat, Molle:nhauer, Vincenzo, Perel, Bonfante, Jascha Hagen, Mapusa Mapusa, Switchbox, Atlantik, Paula Tape, BLANCAh, Dandara, Esther Silex, Miss Tekix, Driftmachine, Mila Stern, Gina Sabatini, Jpattersson, Tom Eichhagen, Luftschloss, Tunnelvisions, Fideles, Vanita, Ramona, JD Twitch, Suntree, Daniel Nitsch, Sarah Kreis, Peng Peng, Kampire, Molly, Katzele, Sound Nomaden, Gammler, Mantra, BurnTale, Fannie Mae, Tadoh, Isabeau Fort, Didier De La Boutique, Genii, Isis & Mozes, Meute, Pull180, Subp Yao, Lua Preta, Matthias Schuell, Mytripismytrip, Animistic Beliefs, Yugen, Andre Kronert, Bakke, From Drop Till Dawn, Hermigervill, Nam Shub Of Enki, Tales From The Woods, Tropikal Camel, Sidirum, Marcus Carp, Slimcase, Underground System, Liquid Viking, Cosmic, Fulltone, Laura Weider, Niju, Schmeckefuchs, Nicolai van D, TERRORRYTHMUS, Egooh, Fujimi, CALLING MARIAN, Peaq, Paul Anthonee, Richard Rossa, Andreas Siegemund, Electronic Elephant, El Muro, Brain Damage, TONY DRAHT, JEFF 23, REAL VIBES, SODA KIDS, ANDI ANDEAN, Jenny Sharp, Rebel Up, freak ass E, Ziaflow, Sammy B, Shredder, Audite, Ströme, Fibonacci, Felix Bøttcher, Anne, Deby Cage, Iorie, Animanz, Chris Imler, Barbara Morgenstern, Andrevictor, Signal, Dragos Rusu, Johan, Sheep, Gianni Mae, Gaye Su Akyol, Avem, bart b more, Mehr Is Mehr, Italo Johnson, Power Suff Girls, Asphalt-pirates, Mira, Tushen Raï, Kittin, Dj Rise, Cambium, Laxberger, Carlo Bonanza, Adrian, Lauren Hansom, britta unders, leafar legov, Oddz, Golden, artbat, Baptiste, Fidelis, baba the knife, Elias Doré, Hi-fi, Map.ache, Edward, Tony Casanova, Terr, Franca, Fixate, Kyrist, Digby, Dj Marcelle, Wintermute, Iglooghost, Trei, S-range, Mathame, La Fraicheur, Madlove, Penelope, Ixindamix, SoSo & ReRe, Marcos In Dub, Infinite Livez, Daniel Hauser ■Links■ Website: www.fusion-festival.de/de/x/home/ Tickets: www.fusion-festival.de/de/2018/ticke…/ticket-faqs/

EVERYTHING I’VE HEARD Present FSQ as 3rd guest mix FSQ is a 6 person production team and DJ unit, devoted to the enjoyment of warm summers and the sounds that align with such strong solar vibes. This one hour and twelve minute mix by Funk Style Quality aka FSQ is just long enough to get you from Bologna to Marina Di Ravenna beach by car. We selected these tunes specifically to put us in the mindset of such a quick Italian auto jaunt to the Adriatic sea. Some of the jams in the mix are from FSQ's upcoming album with Soul Clap Records, titled "Reprise Tonight" plus Wolf+Lamb's Jack Priest offers a new remix of our latest FSQ production, "I Zimbra" a Talking Heads cover featuring Dolette McDonald. FSQ's "Bologona to Marina Di Ravenna" mix features summer stunners by our Soul Clap Records label mates Underground System, and we have a new Caribbean disco inspired FSQ remix for our label boss, Mr Lonely C of Soul Clap. Fresh cinematic instrumentals by the likes of Dan Only, Xinobi, Luces, G Mawkus, Franc Spangler, Christian Martin and more power the majority of this mix which is more like a film soundtrack than a live club set. Sit back with a fresh ear, listen close to FSQ's "Bologna to Marina Di Ravenna" mix and feel the lust we have for the Mediterranean, Adriatic and Italian summers as expressed through brilliant sounds. More about FSQ : https://soundcloud.com/fsqofficial https://www.facebook.com/fsqofficial https://twitter.com/fsqofficial https://www.youtube.com/user/fonksquish Tracklist: 1) Franc Spangler - Dreamworld (Delusions of Grandeur) 2) Saint Petersburg Disco Spin Club - I Never Leave You (Is It Balearic) 3) Detroit Swindle featuring Tom Misch - Yes, No, Maybe - Sterac Electronics Remix Instrumental (Heist Recordings) 4) ??? - ??? (Forthcoming) 5) Underground System - Just a Place - Greg and Che Wilson Remix (Soul Clap Records) 6) Christian Martin - The Clapper (Trippy Ass Technologies) 7) Dan Only - Someday (Dirt Crew) 8) ??? - ??? (Forthcoming) 9) G Markus - The Sleepless Moon - queniv remix (OOSSHA) 10) Luces - Adios (Get Physical Music) 11) Xinobi - Piano Lessons (Discotexas) 12) ??? - ??? (Forthcoming) 13) ??? - ??? (Forthcoming) 14) Fouk - Need My Space (Heist Recordings) 15) Baxter Dury, Etienne de Crécy, Delilah Holliday - How Do You Make Me Feel (LE LABEL) 16) Je Dàvu - Don't You Need (Monologues Recordings) 17) Adeline - When I'm Alone - Dirty Channels Remix (Razor N Tape) 18) ??? - ??? (Forthcoming)

"Nouveau depuis 1979" Le groupe new-yorkais Underground System qui débride l’afro beat par l’apport d’autres musiques actuelles nous parle de sa conception de la musique et de sa participation particulière aux Trans Musicales. - NOUS SUIVRE | www.radiocampus.fr Insta @radio_campus TW @radiocampus FB @radiocampus NOUS ECOUTER | liste des fréquences FM sur www.radiocampus.fr webradio: http://bit.ly/RCFRenDIRECT

A great bass line is not only the music's foundation, it's also what gets the party started! But, it takes a very repetitive rhythm to get people moving. So in this video, you'll learn a magic hack for writing bass lines that move people, without boring them. But first… A quick announcement. Our Black Friday sale is pumping all weekend long (23-26 November 2018), so head on over to our Online Course page and our Books + PDFs page to grab 40% off everything - yes, all our PDFs, our book “Hack Music Theory, Part 1”, and our bestseller, the online Apprenticeship course, which has been called “life-changing” numerous times! So, are you ready to take your music to new heights? Then get involved now. But first… tea! Hello revolutionaries, we are Kate Harmony and Ray Harmony (AKA Revolution Harmony), and welcome to Hack Music Theory. We help you make great music that stands out, so you can get discovered! If that sounds useful to you, then subscribe to our YouTube channel and hit that bell to get notified every Saturday, when we publish our new video. Alright, it's time to open your DAW to hack music theory. THEORYIn Karma Fields' new track “An Underground System of Forgotten Machines” that just dropped yesterday, the bass line gets your head bobbing before the end of bar one, literally. How? Well, he uses a very clever hack that allows him to deliver the maximum dose of repetition, because the variation is disguised as repetition. Wait, what? Let me explain. He uses the shortest possible rhythmic segment (two notes), which he then repeats over two bars. Next, he assigns three pitches to this rhythm. Now, here's where the magic happens. Most other producers would simply loop this two-bar bass line and call it a day, but not Karma Fields! He loops only the rhythm, then re-assigns the same pitches, but in a different order. Boom! Step 1 - RepetitionSet up four bars of 4/4, with your grid set to 1/16 notes, and your tempo set to 97 BPM. Karma Fields uses the notes D♯, E and F for his main bass line. So we're gonna do something similar, but a little different: we'll use F as our root note, and Phrygian as our mode. And on that note (or mode), if you need help understanding the modes, then check out the modes hack in our Songwriting & Producing PDF (click & scroll down), which contains all our top music making hacks as well! But if you need help with the basics first, then read our free book on scales and chords (free download below). Alright, so start by creating a short rhythmic segment, using one 1/8 note and one 1/16 note, in whichever order you want. Next, loop those two notes over bar one. You'll be left with a 1/16 note open at the end, and that's where you throw in a couple 1/8 notes to change things up a bit as you head into bar two. This also creates an awesome syncopation, as you don't play the 1st beat of bar two. Then, continue looping your original two-note rhythmic segment over bar two. And once again you'll be left with a 1/16 note open at the end, but this time, draw in a 1/16 note there. And that concludes your two-bar rhythm, so you can now loop it over bars three and four.  Step 2 - MagicRight, now you're gonna assign three pitches to your rhythm. Let's use the root note (F), the ♭2 (G♭), and the ♭7 (E♭). And here's how you're gonna create your contour: start on the root, then go up, then go back to the root, and then go down. And to make it even more interesting, play the highest and lowest notes twice every time you get to them. So in other words, you're gonna start with one F, then go up to two G♭s, then back down to one F, and then down to two E♭s. Keep this pattern going for the whole two-bar rhythm. And that is your first bass line. Now, here's where the magic drops. In bars three and four, you're gonna turn that contour upside down. So, you're gonna start with one F, then go down to two E♭s, then back up to one F, and then up to two G♭s. Keep this pattern going for the whole two-bar rhythm. And that is your second bass line. Now, let's keep this between the three of us, but here's how this magic trick works. Your listeners will perceive these two bass lines as being the same, because of their shared rhythm and pitches. However, their different contours will prevent them from getting boring. Boom! NEXTRight, now that you've got one section down, how do you write more sections for it, and then, how do you transition between those sections, and turn 'em into a song? Great questions, and if this is something you need help with, then check out our cutting-edge online apprenticeship course, where you'll literally learn every step of the music making process, and most importantly, you'll learn how to finish your songs! You'll also gain access to our Private Network, which is a safe online space (i.e. social media platform) exclusively for our 400+ apprentices from 40+ countries. Our Network is a super supportive place for you to ask theory questions, share your music, get feedback, meet like-minded music makers, and collaborate! If all this sounds useful to you, then head on over to our Online Apprenticeship page now. Kate & Ray Harmony (AKA Revolution Harmony)Music Teachers & Producers in Vancouver BC, Canada   LEARNLevel 1: Read our free book (below) & watch our YouTube videosLevel 2: Read our "Part 1" book & "Songwriting & Producing" PDFLevel 3: Learn our secret art of songwhispering & finish your music ABOUTHack Music Theory is the pioneering notation-free method for making great music that stands out, so you can get discovered! Taught by award-winning music lecturer Ray Harmony, and his protégé (and wife) Kate Harmony, from their studio in Vancouver BC, Canada. Ray is the author of critically-acclaimed book series "Hack Music Theory", and has made music with Serj Tankian (System of a Down), Tom Morello (Rage Against the Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and many more! Kate has the highest grade distinction in Popular Music Theory from the London College of Music, and is the only person on the planet who's been trained by Ray to teach his method. On that note, the "Hack Music Theory" YouTube channel teaches relevant and instantly-usable music theory for producers, DAW users, and all other music makers (songwriters, singers, guitarists, bassists, drummers, etc.) in all genres, from EDM to R&B, pop to hip-hop, reggae to rock, electronic to metal (and yes, we djefinitely djent!). COPYRIGHT© 2018 Revolution HarmonyRevolution Harmony is Ray Harmony & Kate HarmonyAll content (script & music) in video by Revolution Harmony     Wooohooo!!! You're a mere 30 minutes away from being even smarter than you already are. Just head on over to your inbox now for your free download. There was an error submitting your subscription. Please try again.   “The most brilliant, fast, easy & fun music theory book I've ever seen!” DEREK SIVERS, CD Baby founder We use this field to detect spam bots. If you fill this in, you will be marked as a spammer. DOWNLOAD FREE BOOK /* Layout */ .ck_form { /* divider image */ background: #EAE9EA url(data:image/gif;base64,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) repeat-y center top; font-family: 'Montserrat'; line-height: 1.5em; overflow: hidden; color: #000000; font-size: 16px; border-top: none; border-top-color: #666666; border-bottom: none; border-bottom-color: #3d3d3d; -webkit-box-shadow: none; -moz-box-shadow: none; box-shadow: none; clear: both; margin: 0px 0px; } .ck_form, .ck_form * { -webkit-box-sizing: border-box; -moz-box-sizing: border-box; box-sizing: border-box; } #ck_subscribe_form { clear: both; } /* Element Queries — uses JS */ .ck_form_content, .ck_form_fields { width: 50%; float: left; padding: 5%; } .ck_form.ck_horizontal { } .ck_form_content { border-bottom: none; } .ck_form.ck_vertical { background: #fff; } .ck_vertical .ck_form_content, .ck_vertical .ck_form_fields { padding: 10%; width: 100%; float: none; } .ck_vertical .ck_form_content { border-bottom: 1px dotted #aaa; overflow: hidden; } /* Trigger the vertical layout with media queries as well */ @media all and (max-width: 499px) { .ck_form { background: #fff; } .ck_form_content, .ck_form_fields { padding: 10%; width: 100%; float: none; } .ck_form_content { border-bottom: 1px dotted #aaa; } } /* Content */ .ck_form_content h3 { margin: 0px 0px 0px; font-size: 0px; padding: 0px; } .ck_form_content p { font-size: 14px; } .ck_image { float: left; margin-right: 5px; } /* Form fields */ .ck_errorArea { display: none; } #ck_success_msg { padding: 10px 10px 0px; border: solid 1px #ddd; background: #eee; } .ck_label { font-size: 14px; font-weight: bold; } .ck_form input[type="text"] { font-size: 16px; text-align: center; margin-top: 20px; margin-bottom: 0px; padding: 8px 8px; width: 100%; border: 1px solid #d6d6d6; /* stroke */ -moz-border-radius: 4px; -webkit-border-radius: 4px; border-radius: 30px; /* border radius */ background-color: #fff; /* layer fill content */ height: auto; } .ck_form input[type="email"] { font-size: 16px; text-align: center; margin-top: 0px; margin-bottom: 15px; padding: 8px 8px; width: 100%; border: 1px solid #d6d6d6; /* stroke */ -moz-border-radius: 4px; -webkit-border-radius: 4px; border-radius: 30px; /* border radius */ background-color: #fff; /* layer fill content */ height: auto; } .ck_form input[type="text"]:focus, .ck_form input[type="email"]:focus { outline: none; border-color: #aaa; } .ck_checkbox { padding: 10px 0px 10px 20px; display: block; clear: both; } .ck_checkbox input.optIn { margin-left: -20px; margin-top: 0; } .ck_form .ck_opt_in_prompt { margin-left: 4px; } .ck_form .ck_opt_in_prompt p { display: inline; } .ck_form .ck_subscribe_button { width: 100%; color: #fff; margin: 0px 0px 0px; padding: 8px 8px; font-size: 18px; background: #d74128; -moz-border-radius: 4px; -webkit-border-radius: 4px; border-radius: 30px; /* border radius */ cursor: pointer; border: none; text-shadow: none; } .ck_form .ck_guarantee { color: #626262; font-size: 12px; text-align: center; padding: 5px 0px; display: block; } .ck_form .ck_powered_by { display: block; color: #aaa; } .ck_form .ck_powered_by:hover { display: block; color: #444; } .ck_converted_content { display: none; padding: 5%; background: #fff; } /* v6 */ .ck_form_v6 #ck_success_msg { padding: 0px 10px; } @media all and (max-width: 403px) { .ck_form_v6.ck_modal .ck_close_link { top: 30px; } } @media all and (min-width: 404px) and (max-width: 499px) { .ck_form_v6.ck_modal .ck_close_link { top: 57px; } }

A great bass line is not only the music’s foundation, it’s also what gets the party started! But, it takes a very repetitive rhythm to get people moving. So in this video, you’ll learn a magic hack for writing bass lines that move people, without boring them. But first… A quick announcement. Our Black Friday sale is pumping all weekend long (23-26 November 2018), so head on over to our Online Course page and our Books + PDFs page to grab 40% off everything - yes, all our PDFs, our book “Hack Music Theory, Part 1”, and our bestseller, the online Apprenticeship course, which has been called “life-changing” numerous times! So, are you ready to take your music to new heights? Then get involved now. But first… tea! Hello revolutionaries, we are Kate Harmony and Ray Harmony (AKA Revolution Harmony), and welcome to Hack Music Theory. We help you make great music that stands out, so you can get discovered! If that sounds useful to you, then subscribe to our YouTube channel and hit that bell to get notified every Saturday, when we publish our new video. Alright, it’s time to open your DAW to hack music theory. THEORYIn Karma Fields’ new track “An Underground System of Forgotten Machines” that just dropped yesterday, the bass line gets your head bobbing before the end of bar one, literally. How? Well, he uses a very clever hack that allows him to deliver the maximum dose of repetition, because the variation is disguised as repetition. Wait, what? Let me explain. He uses the shortest possible rhythmic segment (two notes), which he then repeats over two bars. Next, he assigns three pitches to this rhythm. Now, here’s where the magic happens. Most other producers would simply loop this two-bar bass line and call it a day, but not Karma Fields! He loops only the rhythm, then re-assigns the same pitches, but in a different order. Boom! Step 1 - RepetitionSet up four bars of 4/4, with your grid set to 1/16 notes, and your tempo set to 97 BPM. Karma Fields uses the notes D♯, E and F for his main bass line. So we’re gonna do something similar, but a little different: we’ll use F as our root note, and Phrygian as our mode. And on that note (or mode), if you need help understanding the modes, then check out the modes hack in our Songwriting & Producing PDF (click & scroll down), which contains all our top music making hacks as well! But if you need help with the basics first, then read our free book on scales and chords (free download below). Alright, so start by creating a short rhythmic segment, using one 1/8 note and one 1/16 note, in whichever order you want. Next, loop those two notes over bar one. You’ll be left with a 1/16 note open at the end, and that’s where you throw in a couple 1/8 notes to change things up a bit as you head into bar two. This also creates an awesome syncopation, as you don’t play the 1st beat of bar two. Then, continue looping your original two-note rhythmic segment over bar two. And once again you’ll be left with a 1/16 note open at the end, but this time, draw in a 1/16 note there. And that concludes your two-bar rhythm, so you can now loop it over bars three and four.  Step 2 - MagicRight, now you’re gonna assign three pitches to your rhythm. Let’s use the root note (F), the ♭2 (G♭), and the ♭7 (E♭). And here’s how you’re gonna create your contour: start on the root, then go up, then go back to the root, and then go down. And to make it even more interesting, play the highest and lowest notes twice every time you get to them. So in other words, you’re gonna start with one F, then go up to two G♭s, then back down to one F, and then down to two E♭s. Keep this pattern going for the whole two-bar rhythm. And that is your first bass line. Now, here’s where the magic drops. In bars three and four, you’re gonna turn that contour upside down. So, you’re gonna start with one F, then go down to two E♭s, then back up to one F, and then up to two G♭s. Keep this pattern going for the whole two-bar rhythm. And that is your second bass line. Now, let’s keep this between the three of us, but here’s how this magic trick works. Your listeners will perceive these two bass lines as being the same, because of their shared rhythm and pitches. However, their different contours will prevent them from getting boring. Boom! NEXTRight, now that you’ve got one section down, how do you write more sections for it, and then, how do you transition between those sections, and turn 'em into a song? Great questions, and if this is something you need help with, then check out our cutting-edge online apprenticeship course, where you’ll literally learn every step of the music making process, and most importantly, you’ll learn how to finish your songs! You’ll also gain access to our Private Network, which is a safe online space (i.e. social media platform) exclusively for our 400+ apprentices from 40+ countries. Our Network is a super supportive place for you to ask theory questions, share your music, get feedback, meet like-minded music makers, and collaborate! If all this sounds useful to you, then head on over to our Online Apprenticeship page now. Kate & Ray Harmony (AKA Revolution Harmony)Music Teachers & Producers in Vancouver BC, Canada   LEARNLevel 1: Read our free book (below) & watch our YouTube videosLevel 2: Read our "Part 1" book & "Songwriting & Producing" PDFLevel 3: Learn our secret art of songwhispering & finish your music ABOUTHack Music Theory is the pioneering notation-free method for making great music that stands out, so you can get discovered! Taught by award-winning music lecturer Ray Harmony, and his protégé (and wife) Kate Harmony, from their studio in Vancouver BC, Canada. Ray is the author of critically-acclaimed book series "Hack Music Theory", and has made music with Serj Tankian (System of a Down), Tom Morello (Rage Against the Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and many more! Kate has the highest grade distinction in Popular Music Theory from the London College of Music, and is the only person on the planet who's been trained by Ray to teach his method. On that note, the "Hack Music Theory" YouTube channel teaches relevant and instantly-usable music theory for producers, DAW users, and all other music makers (songwriters, singers, guitarists, bassists, drummers, etc.) in all genres, from EDM to R&B, pop to hip-hop, reggae to rock, electronic to metal (and yes, we djefinitely djent!). COPYRIGHT© 2018 Revolution HarmonyRevolution Harmony is Ray Harmony & Kate HarmonyAll content (script & music) in video by Revolution Harmony     Wooohooo!!! You’re a mere 30 minutes away from being even smarter than you already are. Just head on over to your inbox now for your free download. There was an error submitting your subscription. Please try again.   “The most brilliant, fast, easy & fun music theory book I’ve ever seen!” DEREK SIVERS, CD Baby founder We use this field to detect spam bots. If you fill this in, you will be marked as a spammer. DOWNLOAD FREE BOOK /* Layout */ .ck_form { /* divider image */ background: #EAE9EA url(data:image/gif;base64,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) repeat-y center top; font-family: 'Montserrat'; line-height: 1.5em; overflow: hidden; color: #000000; font-size: 16px; border-top: none; border-top-color: #666666; border-bottom: none; border-bottom-color: #3d3d3d; -webkit-box-shadow: none; -moz-box-shadow: none; box-shadow: none; clear: both; margin: 0px 0px; } .ck_form, .ck_form * { -webkit-box-sizing: border-box; -moz-box-sizing: border-box; box-sizing: border-box; } #ck_subscribe_form { clear: both; } /* Element Queries — uses JS */ .ck_form_content, .ck_form_fields { width: 50%; float: left; padding: 5%; } .ck_form.ck_horizontal { } .ck_form_content { border-bottom: none; } .ck_form.ck_vertical { background: #fff; } .ck_vertical .ck_form_content, .ck_vertical .ck_form_fields { padding: 10%; width: 100%; float: none; } .ck_vertical .ck_form_content { border-bottom: 1px dotted #aaa; overflow: hidden; } /* Trigger the vertical layout with media queries as well */ @media all and (max-width: 499px) { .ck_form { background: #fff; } .ck_form_content, .ck_form_fields { padding: 10%; width: 100%; float: none; } .ck_form_content { border-bottom: 1px dotted #aaa; } } /* Content */ .ck_form_content h3 { margin: 0px 0px 0px; font-size: 0px; padding: 0px; } .ck_form_content p { font-size: 14px; } .ck_image { float: left; margin-right: 5px; } /* Form fields */ .ck_errorArea { display: none; } #ck_success_msg { padding: 10px 10px 0px; border: solid 1px #ddd; background: #eee; } .ck_label { font-size: 14px; font-weight: bold; } .ck_form input[type="text"] { font-size: 16px; text-align: center; margin-top: 20px; margin-bottom: 0px; padding: 8px 8px; width: 100%; border: 1px solid #d6d6d6; /* stroke */ -moz-border-radius: 4px; -webkit-border-radius: 4px; border-radius: 30px; /* border radius */ background-color: #fff; /* layer fill content */ height: auto; } .ck_form input[type="email"] { font-size: 16px; text-align: center; margin-top: 0px; margin-bottom: 15px; padding: 8px 8px; width: 100%; border: 1px solid #d6d6d6; /* stroke */ -moz-border-radius: 4px; -webkit-border-radius: 4px; border-radius: 30px; /* border radius */ background-color: #fff; /* layer fill content */ height: auto; } .ck_form input[type="text"]:focus, .ck_form input[type="email"]:focus { outline: none; border-color: #aaa; } .ck_checkbox { padding: 10px 0px 10px 20px; display: block; clear: both; } .ck_checkbox input.optIn { margin-left: -20px; margin-top: 0; } .ck_form .ck_opt_in_prompt { margin-left: 4px; } .ck_form .ck_opt_in_prompt p { display: inline; } .ck_form .ck_subscribe_button { width: 100%; color: #fff; margin: 0px 0px 0px; padding: 8px 8px; font-size: 18px; background: #d74128; -moz-border-radius: 4px; -webkit-border-radius: 4px; border-radius: 30px; /* border radius */ cursor: pointer; border: none; text-shadow: none; } .ck_form .ck_guarantee { color: #626262; font-size: 12px; text-align: center; padding: 5px 0px; display: block; } .ck_form .ck_powered_by { display: block; color: #aaa; } .ck_form .ck_powered_by:hover { display: block; color: #444; } .ck_converted_content { display: none; padding: 5%; background: #fff; } /* v6 */ .ck_form_v6 #ck_success_msg { padding: 0px 10px; } @media all and (max-width: 403px) { .ck_form_v6.ck_modal .ck_close_link { top: 30px; } } @media all and (min-width: 404px) and (max-width: 499px) { .ck_form_v6.ck_modal .ck_close_link { top: 57px; } }

A great bass line is not only the music’s foundation, it’s also what gets the party started! But, it takes a very repetitive rhythm to get people moving. So in this video, you’ll learn a magic hack for writing bass lines that move people, without boring them. But first… A quick announcement. Our Black Friday sale is pumping all weekend long (23-26 November 2018), so head on over to our Online Course page and our Books + PDFs page to grab 40% off everything - yes, all our PDFs, our book “Hack Music Theory, Part 1”, and our bestseller, the online Apprenticeship course, which has been called “life-changing” numerous times! So, are you ready to take your music to new heights? Then get involved now. But first… tea! Hello revolutionaries, we are Kate Harmony and Ray Harmony (AKA Revolution Harmony), and welcome to Hack Music Theory. We help you make great music that stands out, so you can get discovered! If that sounds useful to you, then subscribe to our YouTube channel and hit that bell to get notified every Saturday, when we publish our new video. Alright, it’s time to open your DAW to hack music theory. THEORYIn Karma Fields’ new track “An Underground System of Forgotten Machines” that just dropped yesterday, the bass line gets your head bobbing before the end of bar one, literally. How? Well, he uses a very clever hack that allows him to deliver the maximum dose of repetition, because the variation is disguised as repetition. Wait, what? Let me explain. He uses the shortest possible rhythmic segment (two notes), which he then repeats over two bars. Next, he assigns three pitches to this rhythm. Now, here’s where the magic happens. Most other producers would simply loop this two-bar bass line and call it a day, but not Karma Fields! He loops only the rhythm, then re-assigns the same pitches, but in a different order. Boom! Step 1 - RepetitionSet up four bars of 4/4, with your grid set to 1/16 notes, and your tempo set to 97 BPM. Karma Fields uses the notes D♯, E and F for his main bass line. So we’re gonna do something similar, but a little different: we’ll use F as our root note, and Phrygian as our mode. And on that note (or mode), if you need help understanding the modes, then check out the modes hack in our Songwriting & Producing PDF (click & scroll down), which contains all our top music making hacks as well! But if you need help with the basics first, then read our free book on scales and chords (free download below). Alright, so start by creating a short rhythmic segment, using one 1/8 note and one 1/16 note, in whichever order you want. Next, loop those two notes over bar one. You’ll be left with a 1/16 note open at the end, and that’s where you throw in a couple 1/8 notes to change things up a bit as you head into bar two. This also creates an awesome syncopation, as you don’t play the 1st beat of bar two. Then, continue looping your original two-note rhythmic segment over bar two. And once again you’ll be left with a 1/16 note open at the end, but this time, draw in a 1/16 note there. And that concludes your two-bar rhythm, so you can now loop it over bars three and four.  Step 2 - MagicRight, now you’re gonna assign three pitches to your rhythm. Let’s use the root note (F), the ♭2 (G♭), and the ♭7 (E♭). And here’s how you’re gonna create your contour: start on the root, then go up, then go back to the root, and then go down. And to make it even more interesting, play the highest and lowest notes twice every time you get to them. So in other words, you’re gonna start with one F, then go up to two G♭s, then back down to one F, and then down to two E♭s. Keep this pattern going for the whole two-bar rhythm. And that is your first bass line. Now, here’s where the magic drops. In bars three and four, you’re gonna turn that contour upside down. So, you’re gonna start with one F, then go down to two E♭s, then back up to one F, and then up to two G♭s. Keep this pattern going for the whole two-bar rhythm. And that is your second bass line. Now, let’s keep this between the three of us, but here’s how this magic trick works. Your listeners will perceive these two bass lines as being the same, because of their shared rhythm and pitches. However, their different contours will prevent them from getting boring. Boom! NEXTRight, now that you’ve got one section down, how do you write more sections for it, and then, how do you transition between those sections, and turn 'em into a song? Great questions, and if this is something you need help with, then check out our cutting-edge online apprenticeship course, where you’ll literally learn every step of the music making process, and most importantly, you’ll learn how to finish your songs! You’ll also gain access to our Private Network, which is a safe online space (i.e. social media platform) exclusively for our 400+ apprentices from 40+ countries. Our Network is a super supportive place for you to ask theory questions, share your music, get feedback, meet like-minded music makers, and collaborate! If all this sounds useful to you, then head on over to our Online Apprenticeship page now. Kate & Ray Harmony (AKA Revolution Harmony)Music Teachers & Producers in Vancouver BC, Canada   LEARNLevel 1: Read our free book (below) & watch our YouTube videosLevel 2: Read our "Part 1" book & "Songwriting & Producing" PDFLevel 3: Learn our secret art of songwhispering & finish your music ABOUTHack Music Theory is the pioneering notation-free method for making great music that stands out, so you can get discovered! Taught by award-winning music lecturer Ray Harmony, and his protégé (and wife) Kate Harmony, from their studio in Vancouver BC, Canada. Ray is the author of critically-acclaimed book series "Hack Music Theory", and has made music with Serj Tankian (System of a Down), Tom Morello (Rage Against the Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and many more! Kate has the highest grade distinction in Popular Music Theory from the London College of Music, and is the only person on the planet who's been trained by Ray to teach his method. On that note, the "Hack Music Theory" YouTube channel teaches relevant and instantly-usable music theory for producers, DAW users, and all other music makers (songwriters, singers, guitarists, bassists, drummers, etc.) in all genres, from EDM to R&B, pop to hip-hop, reggae to rock, electronic to metal (and yes, we djefinitely djent!). COPYRIGHT© 2018 Revolution HarmonyRevolution Harmony is Ray Harmony & Kate HarmonyAll content (script & music) in video by Revolution Harmony     Wooohooo!!! You’re a mere 30 minutes away from being even smarter than you already are. Just head on over to your inbox now for your free download. There was an error submitting your subscription. Please try again.   “The most brilliant, fast, easy & fun music theory book I’ve ever seen!” DEREK SIVERS, CD Baby founder We use this field to detect spam bots. If you fill this in, you will be marked as a spammer. 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It's election night in America, do you know where you votes are? Honestly, Simon and I have found ourselves suckered into bloviating political commentary before and I've somewhat concluded that it makes for our worst radio — who the fuck are we, anyway? And all the more during such a demonically awful time, in an election that could realistically only be a step forward, not a do-over, we kinda felt we'd keep that on the down-low. So, there're some songs, we're not ignoring it, and we absolutely reel of a series of terms in reference to Ted Cruz, because fuck him. But mostly, this weeks show is here to take some respite in music, so I hope you enjoy it for that. — Ben.This week, Simon's away of course, so Fiona returns to the airwaves with some great picks. Enjoying the show? Please support BFF.FM with a donation. Playlist 1′32″ 2 + 2 = 5 by Radiohead on Hail to the Thief (Parlophone) 12′45″ (We Don't Need This) Facist Groove Thing by LCD Soundsystem on (We Don't Need This) Facist Groove Thing (DFA) 16′32″ Flip the Switch by Love Jerks on Million Movies (Self Released) 20′05″ Killer Queen by Queen on Sheer Heart Attack (Elektra) 26′30″ Breathe In, Breathe Out by Melody's Echo Chamber on Bon Voyage (Fat Possum) 29′42″ Gun to the Head by The Good, the Bad & the Queen on Merrie Land (Studio 13) 33′31″ Tiny Witch Hunter (feat. Richard Dawson, Rhodri Davies) by Hen Ogledd on Tiny Witch Hunter (Domino) 46′50″ Feeling Lonely by Boy Pablo on Soy Pablo (777) 49′45″ Small Talk by Courtney Barnett on Small Talk (Mom + Pop) 55′14″ Con Conn Was Impatient by Connon Mockasin on Jassbusters (Mexican Summer) 66′20″ On the Sunshine by Spiritualized on And Nothing Hurt (Fat Possum) 71′13″ Ways to Make It Through The Wall by Los Campesinos! on We Are Beautiful, We Are Doomed (Witchita) 75′05″ Drop the Guillotine by Peach Pit on Sweet FA (Columbia) 82′56″ Every Single Thing by Open Mike Eagle on What Happens When I Try To Relax (AutoReverse) 88′56″ Palm City by aiwake on Palm City (Majestic Casual) 89′54″ J.K. Rollin' by BOOTS & Le Malin on J.K. Rollin' (Le Palace) 93′18″ Bétise by Coby Ser on Bétise (Coby Ser Rework) (Cotch International) 106′45″ Ullswater (Luke Abbot Remix) by Hookworms (Domino) 112′30″ Go by Underground System on What Are You (Soul Clap) 118′36″ Free Yourself by The Chemical Brothers (Virgin) Check out the full archives on the website.

“Still swearin’ after all these years.” On this episode of Best Song Ever, Brian reads an anonymous statement written by a senior Best Song Ever staffer. The boys talk about politics, being sleepy, and their Labor Day weekends. Luke talks about his conversations with a racist grandpa and starting a bear revolution. Brian delivers some […]The post BSE 81: half•alive, Julia Holter, Underground System, Swearin’, Xenia Rubinos feat. Sammus & Olga Bell, and Knife Knights appeared first on Ghettoblaster Magazine.

Bob’s won 3 Grammy’s as one of the guitarists in Snarky Puppy. He’s also an in demand NYC session guitarist performing and recording with many artists including Bokanté, Michelle Willis, Cory Henry, Ghost-Note (Robert “Sput” Searight/Nate Werth), Lucy Woodward, Musiq Soulchild, Bilal, Banda Magda, Underground System, Jerry Granelli, Robben Ford, and others Bob explains how NOT getting into the colleges he wanted to attend, turned out to literally be the best thing that happened to him, musically… changing his motivation to succeed from “fear of something,” to a “love of something”... jamming with Joe Walsh & Bobby McFerrin… pizza, bagels, tomato sauce, trusting you can do something, and more. REALLY cool call with an incredibly successful and hard-working player Subscribe https://www.everyonelovesguitar.com/subscribe/ Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ Twitter: https://twitter.com/ELovesGuitar

The weekly Soul Clap Records Show with your host Eli, AKA Bamboozle, and Underground System. Tracklist:R+R Mon – Awake to […] The post 9/4/18, Eli & Underground System first appeared on The Soul Clap Mothership.

The weekly Soul Clap Records show live from The Lot Radio in Brooklyn. This week we have Underground System & […] The post 7/31/18, The Soul Clap Records Revue Tour Special with Underground System & Midnight Magic first appeared on The Soul Clap Mothership.

The Weekly Soul Clap Records Show live from The Lot Radio in Brooklyn, this week with special guests, our most […] The post 5/29/18, Underground System first appeared on The Soul Clap Mothership.

The weekly Soul Clap Records Show live from The Lot Radio in Brooklyn with your host Eli, and special guests […] The post 4/3/18 Eli, Underground System, & Navbox first appeared on The Soul Clap Mothership.

With tracks from Mr Fingers, Smallpeople, Francesco Chiocci, Underground System, Parple, Tracy Hamlin Feat. Keith Snipes, Kotelett & Zadak, Unknown Artist, Thatmanmonkz & Khalil Anthony, Whitesquare, Klein & M.B.O., WhoMadeWho, Rude Boy Himself Farley Farley Farley, Ron & Neil, Richard Sen, J Boogie's Dubtronic Science Feat. The Pimps Of Joytime, Session Victim, Trikk, JC Williams, Xinobi & Lazarusman, The Third Man, Wbeeza, Freiboitar & Fabio Montana and Lay-Far. Contact: dj@ribeaud.ch.

Marcel the Lion sat down with Underground System before their show at the Pout House on June 25th.