Podcast appearances and mentions of Dallas Contemporary

Season 25 begins! We meet Juergen Teller, one of the world's most sought-after contemporary photographers, successfully straddling the interface of both art and commercial photography.We discuss childhood, touring with Nirvana, Agnès Varda, Tracey Emin, William Eggleston, Kate Moss, Pope Francis, Kristen McMenemy, Zoe Bedeaux, collaborating with @DovileDrizyte and breakthroughs with Marc Jacobs. Juergen Teller's new exhibition of his photographs taken at Auschwitz Birkenau is now open Kunsthaus Göttingen, Germany until 1 June 2025 @KunsthausGoettingen. An accompanying photobook is published by @SteidlVerlag. 7 ½, Teller's concurrent exhibition runs at Galleria Degli Antichi, Sabbioneta, Italy until 23 November 2025 @VisitSabbioneta.Teller (b.1964) grew up in Bubenreuth near Erlangen, Germany. Teller graduated in 1986 and moved to London, finding work in the music industry shooting record covers for musicians such as Simply Red, Sinéad O'Connor and Morrissey with the help of the photographer, Nick Knight. By the early 1990s, he was working for avant-garde fashion magazines such as i-D, The Face, Details and Arena. Teller has collaborated with many fashion designers over the years, including Helmut Lang, Marc Jacobs, Yves Saint Laurent, Vivienne Westwood, Celine and Louis Vuitton.Teller was the recipient of the Citibank Photography Prize in association with the Photographer's Gallery, London in 2003. In 2007, he represented the Ukraine as one of five artists in the 52nd Venice Biennale. Teller has exhibited internationally, including solo shows at the Photographer's Gallery, London (1998), Kunsthalle Wien, Vienna (2004), Foundation Cartier, Paris (2006), Kunsthalle Nürnberg, Germany (2009), Daelim Contemporary Art Museum, Seoul (2011), Dallas Contemporary, USA (2011), Institute of Contemporary Art, London (2013), Deste Foundation, Athens (2014), Contemporary Fine Arts, Berlin (2015) and Bundeskunstalle, Bonn (2016).Teller's work is featured in numerous collections around the world, including the Centre Pompidou, Paris; International Center for Photography, New York; Pinchuk Art Centre, Kiev; and the Victoria & Albert Museum, London. He has published forty-one artist books and exhibition catalogues since 1996. He currently holds a Professorship of Photography at the Akademie der Bildenden Künste Nürnberg, and lives and works in London. Follow @JuergenTellerStudio and https://www.juergenteller.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

Jammie Holmes in his Dallas studio, 2024. Photo by  Daisy Avalos Morning Thoughts takes its title from a 1981 Gil Scott-Heron song by the same name. Throughout the song's soft, spoken-word lyrics Scott-Heron meditates on the magical potential felt in the moment when night quietly turns to day—on the possibilities that radiate in the first light of morning, as the morning glory and daylily buds open. With his newest body of work, Holmes captures this moment of possibility alongside the inevitable moments of loss that follow as flowers wilt, as color seeps away—the dichotomy of morning and mourning. Underneath all of this,Morning Thoughts embodies the resilience of Holmes, of his community: morning glory and daylily flowers may wilt and die by dusk, but the plants and their roots remain. With Morning Thoughts, Holmes reminds us that hope and loss go hand-in-hand—but beauty remains for those willing to see it, that flowers bloom again in the morning. Jammie Holmes's first solo museum exhibition, Jammie Holmes: Make the Revolution Irresistible, was presented at the Modern Art Museum of Fort Worth, TX in 2023. His work has been included in numerous group exhibitions, including:Afro-Atlantic Histories, which traveled to the Los Angeles County Museum ofArt, CA; the Museum of Fine Arts, Houston, TX; the National Gallery of Art, Washington, D.C.; and the Dallas Museum of Art, TX. His work has also been included in group exhibitions at the New OrleansMuseum of Art, LA; the China Center of International Contemporary Art Vancouver, Canada;Columbus Museum of Art, OH; Dallas Contemporary, TX; and many more. Jammie Holmes - ‘Black Market' (2024) - copyright of Jammie Holmes and courtesy of Marianne Boesky Gallery Jammie Holmes - ‘Morning Glory' (2024) - copyright of Jammie Holmes and courtesy of Marianne Boesky Gallery Jammie Holmes - ‘Malcolm' (2024) - copyright of Jammie Holmes and courtesy of Marianne Boesky Gallery

Episode No. 649 features artist Patrick Martinez and author Nell Irvin Painter. Dallas Contemporary is showing "Patrick Martinez: Histories" through September 1. The exhibition surveys work Martinez has made since 2016, including his Pee Chee folder-referencing paintings, cake paintings, neons, and his recent multi-media paintings which often feature stucco, paint, and neon. It was curated by Rafael Barrientos Martínez. Martinez is a Los Angeles-based painter whose work investigates socio-economic position, immigration, police violence, and civic and cultural loss. He's had solo shows at museums and kunsthalles such as the ICA San Francisco, the Tucson (Ariz.) Museum of Art, the Madison Museum of Contemporary Art, and the Vincent Price Art Museums. He's been in recent group shows at the Riverside (Calif.) Art Museum, The Broad, Los Angeles, the Museum of Contemporary Art, Los Angeles, the Crystal Bridges Museum of American Art, Bentonville, Ark., and El Museo del Barrio, New York. Painter's new book is "I Just Keep Talking: A Life in Essays." The book features essays on Painter's experience of art school, the construction of whiteness, and a sub-collection of essays on visual culture that addresses topics such as Alma Thomas' life and career, and the exhibition "Soul of a Nation." "I Just Keep Talking" is available from Amazon and Bookshop for $30-35. Painter's previous books include "The History of White People," "Standing at Armageddon," "Sojourner Truth: A Life, A Symbol," and "Old in Art School: A Memoir of Starting Over." The “starting over” of the title refers to Painter's retirement after a career as a top Ivy League historian to return to college as a sixty-something student — first to take undergraduate studio art courses at Rutgers, then to pursue an MFA at the Rhode Island School of Design. Instagram: Patrick Martinez, Nell Irvin Painter, Tyler Green.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Patrick Martinez, a mixed media visual artist from Los Angeles.About Artist Patrick Martinez:Patrick Martinez maintains a diverse practice that includes mixed media landscape paintings, neon sign pieces, cake paintings, and his Pee Chee series of appropriative works. The landscape paintings are abstractions composed of Los Angeles surface content; e.g. distressed stucco, spray paint, window security bars, vinyl signage, ceramic tile, neon sign elements, and other recognizable materials. These works serve to evoke place and socio-economic position, and further unearth sites of personal, civic and cultural loss.Patrick's neon sign works are fabricated to mirror street level commercial signage, but are remixed to present words and phrases drawn from literary and oratorical sources. His acrylic on panel Cake paintings memorialize leaders, activists, and thinkers, and the Pee Chee series documents the threats posed to black and brown youth by law enforcement.Patrick Martinez (b. 1980, Pasadena, CA) earned his BFA with honors from Art Center College of Design in 2005. His work has been exhibited domestically and internationally in Los Angeles, Mexico City, San Francisco, Minneapolis, Miami, New York, Seoul, and the Netherlands, and at venues including the Whitney Museum of American Art, the Museum of Contemporary Art, Los Angeles, the Brooklyn Museum, Crystal Bridges Museum of American Art, the Studio Museum in Harlem, the Smithsonian National Portrait Gallery, the Smithsonian NMAAHC, the Tucson Museum of Art, the Buffalo AKG Museum, the Columbus Museum of Art, the Vincent Price Art Museum, the Museum of Latin American Art, the Crocker Art Museum, the Rollins Art Museum, the California African American Museum, the Nerman Museum of Contemporary Art, and El Museo del Barrio, among others.Patrick's work resides in the permanent collections the Whitney Museum of American Art, the Broad Museum, Crystal Bridges Museum of American Art, the Museum of Contemporary Art Los Angeles (MOCA), the Rubell Museum, the Smithsonian National Museum of American History, the California African American Museum, the Autry Museum of the American West, the Benton Museum of Art at Pomona College, the Nerman Museum of Contemporary Art, the Smithsonian National Museum of African American History and Culture, the Los Angeles County Museum of Art (LACMA), the Tucson Museum of Art, the Pizzuti Collection of the Columbus Museum of Art, the University of North Dakota Permanent Collection, the JPMorgan Chase Art Collection, the Crocker Art Museum, the Escalette Permanent Collection of Art at Chapman University, the Manetti-Shrem Museum of Art at UC Davis, the Rollins Museum of Art, and the Museum of Latin American Art, among others.Patrick was awarded a 2020 Rauschenberg Residency on Captiva Island, FL. In the fall of 2021 Patrick was the subject of a solo museum exhibition at the Tucson Museum of Art entitled Look What You Created. In 2022, Patrick was awarded a residency at the Atlantic Center for the Arts. This year, Patrick's suite of ten neon pieces purchased by the Whitney Museum of American Art is on yearlong exhibition installed in the Kenneth C. Griffin Hall in the entrance of the Museum. In September 2023, Patrick opened a solo exhibition at the ICA San Francisco titled Ghost Land and in November of 2023 Patrick will exhibit in Desire, Knowledge, and Hope (with Smog) at The Broad Museum in Los Angeles, CA. Patrick will be the subject of an expansive solo exhibition at the Dallas Contemporary opening in April 2024. Patrick lives and works in Los Angeles, CA and is represented by Charlie James Gallery, Los Angeles.CLICK HERE to see more of Patrick's work. Follow Patrick on Social Media: @Patrick_Martinez_StudioFor more info on his Ghost Land Exhibit, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Ep. 163 features Jammie Holmes. Born and raised in Thibodaux, Louisiana, Jammies Holmes (b. 1984) is known for his paintings that portray intimate and poignant scenes of distinctly American communities, families, and traditions. Holmes draws heavily on his own recollections to depict the stories and experiences of Black life in the deep American South, capturing moments of celebration and struggle. The artist, who works intuitively and without formal artistic training, creates expressive tableaux that incorporate portraiture, symbols, text, and objects to reveal universal truths through personal narratives. Jammie Holmes is a self-taught painter. Following his graduation from high school, Holmes spent more than a decade working in an oil field. He relocated to Dallas in 2016. His work has most recently been presented in exhibitions at Library Street Collective, Detroit; Deitch Projects, Los Angeles; Marianne Boesky, New York; Nassima-Landau Projects, Tel Aviv; Dallas Museum of Art; and Dallas Contemporary, among others. His work is also included in the permanent collections of the Aïshti Foundation, Brooklyn Museum, Dallas Museum of Art, Hammer Museum, ICA Miami, Museum of Fine Arts, Houston, Nasher Museum of Art at Duke University, New Orleans Museum of Art, Perez Museum of Art, X Museum, and The Xiao Museum of Contemporary Art. Artist https://www.jammieholmes.com/ The Modern Art Museum of Fort Worth https://www.themodern.org/exhibition/jammie-holmes-make-revolution-irresistible e-flux https://www.e-flux.com/announcements/510210/jammie-holmesmake-the-revolution-irresistible/ Library Street Collective https://lscgallery.com/artists/jammie-holmes The Gordon Parks Foundation https://www.gordonparksfoundation.org/grants/fellowships-in-art/jammie-holmes2 Various Small Fires https://www.vsf.la/exhibitions/127/works/artworks-5351-jammie-holmes-somewhereinamerica-2023/ ARTNews https://www.artnews.com/art-news/artists/jammie-holmes-paintings-various-small-fires-1234657924/ Artnet News https://news.artnet.com/art-world/wet-paint-in-the-wild-jammie-holmes-2300880 Hyperallergic https://hyperallergic.com/795017/jammie-holmes-and-jose-parla-named-gordon-parks-fellows/ Mousse Magazine https://www.moussemagazine.it/magazine/jammie-holmes-various-small-fires-los-angeles-2023/ Dallas News https://www.dallasnews.com/event/c2c3bb5b-f7c7-edc0-7329-f9f9bf48d4e1/ Contemporary Art Daily https://www.contemporaryartdaily.com/project/jammie-holmes-at-various-small-fires-los-angeles-27148 Dallas Contemporary https://www.dallascontemporary.org/jammie-holmes

Few living artists have created an artwork as instantly recognizable as Shepherd Fairey's Hope poster, which has become the stuff of legend as the face of Barack Obama's 2008 presidential campaign. The image, which the New Yorker dubbed "the most efficacious American political illustration since Uncle Sam Wants You,” remains embedded in the public consciousness even if you don't know the street artist's name.  But Fairey has been creating powerful visuals for more than 30 years, dating back to 1989, when he began pasting stickers of Andre, the Giants face over the word obey on the streets of Providence during his studies at the Rhode Island School of Design. In the decades since, Fairey has become equally at home in the art museum as on the streets, bridging the divide between the fine art world and the skateboarding slash graffiti scene with work that reflects his commitment to activism—the Obama poster, it's worth noting, was a grassroots effort, not a campaign commission.  Ahead of Fairey's new solo show at Dallas Contemporary, Artnet News senior writer Sarah Cascone, sat down with the artist to talk about his long career from the DIY skate and punk scene to art world acceptance. "Shepard Fairey: Backward Forward" is on view at Dallas Contemporary, 161 Glass Street, Dallas, Texas, September 25, 2022–July 23, 2023.

Few living artists have created an artwork as instantly recognizable as Shepherd Fairey's Hope poster, which has become the stuff of legend as the face of Barack Obama's 2008 presidential campaign. The image, which the New Yorker dubbed "the most efficacious American political illustration since Uncle Sam Wants You,” remains embedded in the public consciousness even if you don't know the street artist's name.  But Fairey has been creating powerful visuals for more than 30 years, dating back to 1989, when he began pasting stickers of Andre, the Giants face over the word obey on the streets of Providence during his studies at the Rhode Island School of Design. In the decades since, Fairey has become equally at home in the art museum as on the streets, bridging the divide between the fine art world and the skateboarding slash graffiti scene with work that reflects his commitment to activism—the Obama poster, it's worth noting, was a grassroots effort, not a campaign commission.  Ahead of Fairey's new solo show at Dallas Contemporary, Artnet News senior writer Sarah Cascone, sat down with the artist to talk about his long career from the DIY skate and punk scene to art world acceptance. "Shepard Fairey: Backward Forward" is on view at Dallas Contemporary, 161 Glass Street, Dallas, Texas, September 25, 2022–July 23, 2023.

Utopia! Racism! Cold War! + The American Dream! Today, Field Projects Co-Directors Jacob Rhodes and Kris Racaniello cover their trip to Staten Island, Snug Harbor, and last week's studio visits with Siobhan McBride and Natalie Wadlington. Then the FP team interviews artist Johannah Herr with her co-author and collaborator Cara Marsh Sheffler. Herr's solo show I HAVE SEEN THE FUTURE is on view at Field Projects gallery through May 21, 2022. They talk about the 1939 and 1964 world's fairs that took place in Flushing NY–– a discussion covering consumerism, capitalism, collaborations between and across mediums, segregation and the racist history of housing policy, plus daring to dream of the future. Jacob and Kris wrap things up after the interview with a short list of shows to “go see” right now!  Show Notes Interviewee Social Handles & Websites Johanna Herr: @johannah_herr https://www.johannahherr.com/  Cara Marsh Sheffler: @carasheffler https://conversationalist.org/writer/cara-marsh-sheffler/  Studio Visits:  Siobahn McBride: @Siobhanmcbride8 https://www.siobhanmcbride.com/  Natalie Wadlington: @natalie.wadlington https://www.nataliewadlington.com/ (Current Show on View at Dallas Contemporary thru August!) GO SEEs Living, Catherine Haggarty, Geary Contemporary @ 208 Bowery, NYC, April 28 - June 4, 2022 We're All Going to the World's Fair, Film, playing at Cinemas throughout NYC and streaming online Gall, K. C. Joseph, Soloway Gallery @ 348 S 4th St. Brooklyn, NY, May 8 - June 12, 2022  Diagramming Space, Marguerite Louppe, Rosenberg & Co @ 19 East 66th Street, NY,  April 19 - July 1, 2022 Allegories, Katie Hector, The Cabin LA,  on view thru end of May. DM @dannyfirst for more details

On this episode of the Artist Collective Radio Show, I sit down with Stuart Sikes, an award-winning record producer, engineer, and mixer, and Diane Sikes, an artist and program director for Austin-based Women & Their Work. In this episode, we talk about their life works, empowering others to shine through art, and the changes they made to make it through the pandemic. More about Stuart:Stuart got his start as an unpaid intern at Easley-McCain Studios in Memphis, Tennessee, before working his way up to studio manager (a paid gig). In 2001, he moved from Memphis to Dallas and soon went on to open his own studio in the Oak Cliff area of Dallas. In 2005, Stuart won a Grammy award for his work engineering Loretta Lynn's album, Van Lear Rose. Stuart has worked with acts like Cat Power, The White Stripes, Modest Mouse, Black Pumas, and The Walkmen, as well as bands like Pleasant Grove (my husband's band), Pedigo's Magic Pilsner, Dove Hunter, and the up-and-coming, Jackson Scribner. In 2012, Stuart relocated from Oak Cliff to Austin, and just last year, he put the finishing touches on an at-home studio he built in a former yoga studio behind his home—a pivot resulting from the great pandemic of 2020.More about Diane:Diane has been in the world of professional artists since she earned her MFA from Memphis College of Art in 2000. Her own work has appeared in shows at 500X Gallery, Dallas; Dallas Contemporary; Art Con; Moody Museum, Ft. Worth; and the University of Art and Design Helsinki, among many others. Since 2017, Diane has been the program director for Austin-based Women & Their Work, where she develops educational programs, exhibitions, and membership and fundraising programs for the organization.Connect with Stuart:Website: http://www.stuart-sikes.com Instagram: @stuartsikesConnect with Diane:Websites: https://www.dianesikes.com https://womenandtheirwork.orgInstagram: @dhsikes; @womenandtheirwork*********************More about Artist Collective Radio Show:I'm Shashana Pearson, a writer, actor, sometimes textile artist, and long-time dreamer. If there's anything I've learned about the creative life, it's that #livinthedream is not always easy, and the road is always better when you're surrounded and encouraged by a community of others on the same journey. I publish interviews of in-depth conversations with artists on YouTube, Apple, Spotify, and Google in an effort to help surround, encourage, and inspire others and to build a sense of community, so we all feel a little less alone on this creative journey.Theme song written and performed by the brilliant @margaretchavezmusicConnect with me:Websites: https://shashanapearson.com http://artistcollectiveradioshow.comInstagram: @shashanapearson; @artistcollectiveradioshowSupport the show: https://www.buymeacoffee.com/acrstvFor on-camera bookings, please call my agent Gillian at The Horne Agency (214) 350-9220. #artistcollectiveradioshow #acrstv #shashanapearsonSupport the show (https://www.buymeacoffee.com/acrstv)

With his first major museum exhibition in North America underway, the iconic fashion photographer Paolo Roversi is taking a well-deserved bow. Dan speaks with the legendary artist on how he takes his alluring images, the future of his craft, and what he really thinks of Instagram. But first, Dallas Contemporary executive director Peter Doroshenko explains the maestro's secrets, and how fashion photography is gaining greater acceptance in the art world. See acast.com/privacy for privacy and opt-out information.

Hannah is co-owner of 12.26, a Dallas-based contemporary art gallery, with her sister Hilary Fagadau. Before starting 12.26, Hannah spent three years on the development team at Dallas Contemporary. She holds a MA in Arts Administration from Columbia University.After receiving a BFA in Studio Art from the University of Texas, Hilary Fagadau worked in art book publishing for Artbook D.A.P. in New York City. Most recently, she was the director of a contemporary art gallery in Los Angeles. Hannah, Hilary, and I discuss running a new gallery during a pandemic, balancing the love of art and profitability, and what it means to be a woman in the art space.12.26 was featured in Artsy, D Magazine, and  Dallas Morning News.  https://www.gallery1226.com/https://www.instagram.com/12.26_tx/Run Time: 42 minutes Original record date: February 19, 2021Host, Earlina Green Hamilton 

This week we look at the future of work and art, by stepping into the world of Joyce Goss. Joyce Goss is the Executive Director of The Goss-Michael Foundation, which is internationally renowned for its Goss-Michael Collection of important contemporary and modern British art. She is a leading philanthropist and activist in the art world and has served in executive positions, a board member and chair of key events for The Family Place, MTV RE:DEFINE, U.S. Fund for UNICEF, Dallas Women’s Foundation, The Nasher Sculpture Center, Planned Parenthood of North Texas, The Dallas Contemporary and the Dallas Opera among others. If you enjoy the podcast, please consider leaving us a short review. It really makes a difference! For show notes and past guests, please visit: wndyr.com/podcasts/ For transcriptions of this episode visit: wnydr.com/podcasts/Joyce_Goss Follow Wndyr: LinkedIn: linkedin.com/company/wndyrsocial/ Twitter: twitter.com/wndyrsocial Facebook: facebook.com/wndyrsocial

Erin Cluley is the owner of Erin Cluley Gallery, a contemporary art gallery presenting a provocative program of artists from Texas and the East Coast. Cluley opened in 2014, igniting a creative movement in West Dallas, and recently moved her operation to the Riverbend development in the Design District. Prior to opening her gallery, Cluley served as the Director of Exhibitions for Dallas Contemporary.Erin and I discuss the appropriateness of purchasing art during a pandemic, business planning for creatives, social media & new technologies, and why it is important for the artist to be informed. Cluley is a native of Wichita Falls, Mommy to a 3-year-old boy named Lachlan and Wife to film industry executive Tearlach Hutcheson. Mentions:El Mercado: An Exhibition of Art and Design Artist, Riley Holloway Originally recorded on October 1, 2020Host, Earlina Green Hamilton

Arthur Peña is a Bronx based artist, curator, and writer. He is the co-founder of Dallas’ Deadbolt Studios, founder/director of experimental art space WARE:WOLF:HAUS, and grant-funded, roving music venue/music label Vice Palace.Arthur discusses his evolution as an artist, his Dallas upbringing, and time spent in the studio. Peña has shown throughout Texas, including exhibitions at Blue Star Contemporary, Oliver Francis Gallery, Barry Whistler Gallery, Dallas Museum of Art, Dallas Art Fair, and a solo exhibition at Dallas Contemporary; additional exhibition venues in New York include Et Al Projects, This Friday or Next Friday, and Couples Counseling. In 2019, Brigitte Mulholland (currently a director at Anton Kern Gallery) presented a solo booth of his work at the Spring/Break Art Show.His work has been featured in Art in America, Vice, ArtNews, Hyperallergic, Art Maze Magazine, New American Paintings, and Dallas Morning News. Additionally, Peña is a prominent contributing writer with a storied archive of artist interviews including conversations with Stanley Whitney, Joyce Pensato, Nina Chanel Abney, Katherine Bradford, Sterling Ruby, Michael Rakowitz, and many more.Peña received his Post- Baccalaureate from the School of the Art Institute of Chicago and his MFA in Painting from Rhode Island School of Design.website: ArthurPena.comOriginally recorded on October 2, 2020

"My personality is not one of sitting in a library. I’m very much engaged with the world."Enjoy the second half of my conversation with freelance journalist and humanities PhD Alice Driver. ---------------------Alice Driver is a bilingual journalist based in Mexico City. Her narrative non-fiction, feature writing & audio work have appeared in National Geographic, Time, CNN, Cosmopolitan, Outside, Reveal from the Center for Investigative Reporting, Longreads, and NBC News. In 2017, Driver was invited by the Nobel Women’s Initiative to join Nobel Laureates Jody Williams, Shirin Ebadi, Tawakkol Karman, and Rigoberta Menchú as they traveled to Guatemala and Honduras to highlight the work of human rights activists in indigenous communities. In 2019, she worked with Chinese neorealist painter Liu Xiaodong and his documentary team along the US-Mexico border, and the results of that work, including the catalog for the exhibit that Driver is writing, will be shown at Dallas Contemporary museum in 2020.

Alice Driver is a bilingual journalist based in Mexico City. Her narrative non-fiction, feature writing & audio work have appeared in National Geographic, Time, CNN, Cosmopolitan, Outside, Reveal from the Center for Investigative Reporting, Longreads, and NBC News. In 2017, Driver was invited by the Nobel Women’s Initiative to join Nobel Laureates Jody Williams, Shirin Ebadi, Tawakkol Karman, and Rigoberta Menchú as they traveled to Guatemala and Honduras to highlight the work of human rights activists in indigenous communities. In 2019, she worked with Chinese neorealist painter Liu Xiaodong and his documentary team along the US-Mexico border, and the results of that work, including the catalog for the exhibit that Driver is writing, will be shown at Dallas Contemporary museum in 2020.

The musical track that accompanied the January 2020 FriendsWithYou exhibition, The Dance, at Dallas Contemporary.

Episode Fourteen features Paula Crown, a multimedia artist with a practice encompassing drawing, painting, video, and sculpture. She incorporates cutting-edge technology, social activism, collaboration, and a commitment to sustainability in her studio practice. Crown has had several solo exhibitions including the Aspen Institute, Dallas Contemporary, Marlborough Gallery, New York, Venice concurrent with the 16th Venice Architectural Biennale, and Fort Gansevoort, New York, to name a few. She has also participated in various group exhibitions nationally, including For Freedoms, Jack Shainman Gallery, New York, Mount Analogue, Aspen, and the Elmhurst Museum of Art, Illinois. Crown's Public Art Installations include being featured during EXPO Chicago 2014, the Miami Design District several years and Thoughts & Prayers, with For Freedoms, Chicago in 2018. Most recently, she had a public art installation at the For Freedoms Congress in LA (2020). In 2009, President Barack Obama appointed Paula to the President’s Committee on the Arts and the Humanities. She is a trustee of the Museum of Modern Art and serves on the Aspen Institute Committee of the Arts. Upcoming projects in 2020 include large-scale installations in the United States, the United Kingdom, and India. Crown's works are in numerous public and top-100 private collections. Please read more about Paula Crown in links provided below. https://www.atelierpaulacrown.com/ https://www.aspenideas.org/speakers/paula-crown https://www.galeriemagazine.com/paula-crown-venice-dallas-contemporary/ https://hauteliving.com/2014/03/paula-crown-shares-journey-wall-street-art-world/457891/ https://forfreedoms.org/partners/for-freedoms/

“You don’t just believe in yourself, You behave in a way that you can believe in yourself, trust yourself. You have to show up. You have to show up everyday in the studio. You have to put in your time to make this unreal thing real.” Naomi Schlinke is an visual artist who after many years as a professional dancer, decided to shift her energy primarily to painting. But dance and movement still inform the spirit of her work and the way it is created. As Naomi says in the interview, she provokes the conditions where her work comes to life through many specific choices, but also leaves much up to chance and strives to push the elements of each piece until the whole is activated by the limitations of the extent of the chosen frame. Her most recent body of work, Being Mobile, expresses the movement and iconic form of entities and symbols that seem familiar but also mysterious, elusive, and timeless. Naomi was just a joy to speak with and we laughed quite a bit. I love talking with artists who are so thoughtful about their work and who have such an interesting life journey and experiences to share. https://files.fireside.fm/file/fireside-uploads/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/5E6Rt3am.jpg Big Blue 2019 60” x 48” ink on mulberry paper collage mounted to panel Bio courtesy of Naomi's website In the 1970’s and early 80’s, Schlinke danced with the Margaret Jenkins Dance Company and the Joe Goode Performance Group, both based in San Francisco. At that time, the San Francisco art and dance scene were strongly influenced by new concepts flowing from artists such as Merce Cunningham, John Cage, and Robert Rauschenberg, many of whom emerged from the hot house for avant-garde work at Black Mountain College, North Carolina. Much of Schlinke's approach to painting is founded on the experiences that she absorbed as a dancer in those decades. Before moving to San Francisco, she received a B.A. and M.A. in dance from the University of Wisconsin-Madison. Currently a resident of Austin, she grew up in Dallas, Texas. Since relocating to Austin, Texas from San Francisco in 1994, Schlinke has exhibited her work at numerous venues including the Robert McClain Gallery in Houston, The Dallas Contemporary and the MAC, Women & Their Work, Texas State University in San Marcos, D Berman Gallery in Austin, D. M. Allison Gallery in Houston, the Dougherty Art Center in Austin, and Northern-Southern Gallery also in Austin. Before returning to Texas, she exhibited with the Braunstein-Quay Gallery in San Francisco. https://files.fireside.fm/file/fireside-uploads/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/HM9xi2tb.jpg Coil Up 2019 48” x 36” ink on mulberry paper collage mounted to panel NAOMI SCHLINKE and JAMES TURNER Steps on Steppes now showing at NORTHERN-SOUTHERN GALLERY (https://northern-southern.com/2019/steps-on-steppes/) 1900-b East 12th Street near Chicon / Austin, TX 78702 Phillip Niemeyer, curator Show Run: January 11 - February 15, 2020 Gallery hours Saturdays Only: Jan 18, Jan 25, Feb 1, Feb 8, Feb 15 3:00pm - 6:30 pm or for appointment, contact: the gallery: hello@northern-southern.com or the artist: naomi@naomischlinke.com Some of the subjects we discuss: Resonating work Creating an environment REM-Gensler Daydreaming Immersion Studio visits Describing new work Religious art Abstraction/movement Beginnings of dance Studying dance Touring and performing Writing and painting European art tour San Fran in the 70’s Dance experiences Mind of another time Foundational influences Slowing down Engaging with materials Print with Coronado Starting to use ink Quoting myself Ink and mulberry paper Creating a life Loft in SF/showing work Move to Austin Adventurous spaces Collectors/prices Chance/choice Making paintings Aesthetically rewarding Arranging the pieces Name and titles Northern-Southern Thanks This interview has been edited and condensed for clarity. Intro music generously provided by Stan Killian (http://stankillian.com/main/) Support this podcast. (http://www.austinarttalk.com/supportpodcast)

American painter, John Currin, discusses his Dallas Contemporary exhibition "My Life As a Man." Adjunct Curator, Alison Gingeras, moderates the discussion.

Polish-German contemporary artist, Alicja Kwade, discusses her Dallas Contemporary exhibition, "Moving in Glances." Adjunct Curator, Pedro Alonzo, moderates the discussion.

Social Justice in the Art Classroom with Dr. Lauren Cross. Dr. Cross beautifully, respectfully, and resolutely introduces frameworks for Social Justice to Visual Art teachers working for Dallas ISD during professional development week at Dallas Contemporary. She facilitates tough conversations about subjects many would rather ignore or conversely who many depend upon for life-saving change. She introduces key concepts like hegemony and stratification, Critical Race Theory, white allyship, and decolonization.

The dialogues and topics surrounding the U.S./Mexico border are extraordinarily complex; discussion subjects are inherently tied to both countries’ economies, budgets, national security, and the civil and human liberties of their citizens. In honor of Margarita Cabrera’s exhibition "It is Impossible to Cover the Sun with a Finger," Dallas Contemporary and the SMU Mission Foods Texas/Mexico Center hosted a panel discussion on these key issues moderated by Luisa del Rosal, the Executive Director of the SMU Mission Foods Texas/Mexico Center. Panelists included Alfredo Corchado of the Dallas Morning News and Neil Foley of the Clements Center for Southwest Studies.

Chit Chat with artist Ian Davenport + DC Executive Peter Doroshenko discussing Davenport's exhibition at Dallas Contemporary, "Horizons." Audio shortened due to technical difficulties.

Chit Chat with artist Ghada Amer + Curator Justine Ludwig discussing Amer's exhibition at Dallas Contemporary, "Ceramics, Knots, Thoughts, Scraps."

Chit Chat with artist Sara Rahbar + DC Director of Exhibitions / Senior Curator Justine Ludwig discussing Rahbar's exhibition at Dallas Contemporary, "Carry me home."

Liz Trosper is a Dallas-based artist whose work utilizes assemblage and digital imaging to challenge the conventional definitions of painting. She came to painting after the prolonged study of political science and public administration, as well as professional experience in the public sector. Liz obtained her MFA at UT Dallas, a program that focuses on the intersection of traditional art theories with emerging technologies. While there, she was a resident at UTD’s highly touted CentralTrak residency program. Liz is represented by Barry Whistler Gallery in Dallas, and her work has been shown in art spaces such as The Dallas Contemporary, Lawndale Art Center in Houston, Richland College, UT Dallas, Academic Gallery in New York and many other galleries and exhibition spaces. She is a lecturer at UT Dallas and curates a nonprofit experimental art space in Dallas called Umbrella.I recently sat down with Liz at her Deep Ellum studio where we discussed growing up in the suburbs, the landscape of community-level politics, studying philosophy, using technology in the studio, and the satisfaction of finding your life’s calling.

Liz Trosper is a Dallas-based artist whose work utilizes assemblage and digital imaging to challenge the conventional definitions of painting. She came to painting after the prolonged study of political science and public administration, as well as professional experience in the public sector. Liz obtained her MFA at UT Dallas, a program that focuses on the intersection of traditional art theories with emerging technologies. While there, she was a resident at UTD’s highly touted CentralTrak residency program. Liz is represented by Barry Whistler Gallery in Dallas, and her work has been shown in art spaces such as The Dallas Contemporary, Lawndale Art Center in Houston, Richland College, UT Dallas, Academic Gallery in New York and many other galleries and exhibition spaces. She is a lecturer at UT Dallas and curates a nonprofit experimental art space in Dallas called Umbrella.I recently sat down with Liz at her Deep Ellum studio where we discussed growing up in the suburbs, the landscape of community-level politics, studying philosophy, using technology in the studio, and the satisfaction of finding your life’s calling.

Chit Chat with artist Eric Fischl + DC Executive Peter Doroshenko discussing Fischl's exhibition at Dallas Contemporary, "If Art Could Talk." Audio shortened due to technical difficulties.

Joseph Havel is a world-renowned artist who lives and works in Houston, Texas. In addition to his studio practice, Joseph is Director of the Glassell School of Art and its acclaimed Core Residency Program. Originally from Minnesota, he obtained his BFA from the University of Minnesota and his MFA from Penn State. Joseph is best known for his ever-changing body of work which consists mostly of sculptures, but also drawings. His artwork has been exhibited extensively worldwide and he is part of the permanent collections of many of the world’s top art institutions, including The Whitney Museum of American Art, The Modern Art Museum of Fort Worth, Le Centre Pompidou, The Ministry of Culture – Paris, The Menil Collection and The Museum of Fine Arts – Houston. He has received numerous awards, including a National Endowment for the Arts Fellowship, a Louis Comfort Tiffany Fellowship, the Dallas Contemporary’s Texas Legend Award and Texas State Visual Artist of the Year. He is represented by a number of galleries, including Talley Dunn Gallery in Dallas and Hiram Butler Gallery in Houston.I recently sat down with Joseph in a private viewing room at Talley Dunn prior to a recent opening where we discussed growing up in Minnesota, conceptual art, white shirts, the Glassell School, the state of change in San Francisco and avoiding boxes.

Joseph Havel is a world-renowned artist who lives and works in Houston, Texas. In addition to his studio practice, Joseph is Director of the Glassell School of Art and its acclaimed Core Residency Program. Originally from Minnesota, he obtained his BFA from the University of Minnesota and his MFA from Penn State. Joseph is best known for his ever-changing body of work which consists mostly of sculptures, but also drawings. His artwork has been exhibited extensively worldwide and he is part of the permanent collections of many of the world’s top art institutions, including The Whitney Museum of American Art, The Modern Art Museum of Fort Worth, Le Centre Pompidou, The Ministry of Culture – Paris, The Menil Collection and The Museum of Fine Arts – Houston. He has received numerous awards, including a National Endowment for the Arts Fellowship, a Louis Comfort Tiffany Fellowship, the Dallas Contemporary’s Texas Legend Award and Texas State Visual Artist of the Year. He is represented by a number of galleries, including Talley Dunn Gallery in Dallas and Hiram Butler Gallery in Houston.I recently sat down with Joseph in a private viewing room at Talley Dunn prior to a recent opening where we discussed growing up in Minnesota, conceptual art, white shirts, the Glassell School, the state of change in San Francisco and avoiding boxes.

Inspired by Mary Katrantzou’s exhibition at Dallas Contemporary, "Mary, Queen of Prints," Annette Becker, Director of the Texas Fashion Collection, discusses the role of prints in fashion design, innovations in technology, and fashion as fine art. Slideshow: http://dallascontemporary.org/assets/dc_printinfashionhistory.pdf

As an accompaniment to Enoc Perez’s exhibition at Dallas Contemporary, "Liberty & Restraint," Hilary Lewis, the Chief Curator and Creative Director of The Philip Johnson Glass House, discusses Philip Johnson's life and work as an art collector and architect. This event is in collaboration with The Dallas Architecture Forum. Introduction by Nate Eudaly of The Dallas Architecture Forum. Slideshow: http://dallascontemporary.org/assets/dc_philipjohnsonlecture.pdf

Pamela Nelson is a Dallas-based artist who uses pattern, rhythm and repetition to make brightly colored pieces that draw inspiration from textiles from around the world. A native Texan, Pamela completed her BFA at Southern Methodist University. In addition to exhibitions in more than 100 venues, her commissions can be seen at some of Dallas’ highest trafficked destinations, including DFW International Airport, the George W. Bush Presidential Library and NorthPark Center. Pamela has a long history of service to the arts, including co-founding the Stewpot Open Art Program for the homeless in Dallas and ten years of service as Vice-Chair of the U.S. Commission of Fine Arts, the agency that reviews proposed designs for memorials in our nation’s capitol. Among her many recognitions, Pamela received the Legends Award from the Dallas Contemporary in 2000. She is currently represented by Craighead Green Gallery in Dallas.I recently sat down with Pamela at her studio in a converted apartment off of Turtle Creek where we discussed her childhood in Dallas, her grandmother’s influence, the challenges of commissions, the universal language of art, the importance of family and the menagerie of places where she has tried to set up a studio.

Pamela Nelson is a Dallas-based artist who uses pattern, rhythm and repetition to make brightly colored pieces that draw inspiration from textiles from around the world. A native Texan, Pamela completed her BFA at Southern Methodist University. In addition to exhibitions in more than 100 venues, her commissions can be seen at some of Dallas’ highest trafficked destinations, including DFW International Airport, the George W. Bush Presidential Library and NorthPark Center. Pamela has a long history of service to the arts, including co-founding the Stewpot Open Art Program for the homeless in Dallas and ten years of service as Vice-Chair of the U.S. Commission of Fine Arts, the agency that reviews proposed designs for memorials in our nation’s capitol. Among her many recognitions, Pamela received the Legends Award from the Dallas Contemporary in 2000. She is currently represented by Craighead Green Gallery in Dallas.I recently sat down with Pamela at her studio in a converted apartment off of Turtle Creek where we discussed her childhood in Dallas, her grandmother’s influence, the challenges of commissions, the universal language of art, the importance of family and the menagerie of places where she has tried to set up a studio.

Chit Chat with artist Enoc Perez + DC Executive Director Peter Doroshenko discussing Perez's exhibition at Dallas Contemporary, "Liberty & Restraint."

Chit Chat with fashion designer Mary Katrantzou + Nasiba Adilova discussing Katrantzou's ten years of innovation in fashion with her exhibition at Dallas Contemporary, "Mary, Queen of Prints."

Richard Phillips was born in 1962 in Marblehead, Massachusetts. He received his B.F.A. in 1984 from Massachusetts College of Art in Boston, and his M.F.A. in 1986 from Yale University. His recent solo museum exhibitions include Kunsthalle Zürich in Switzerland , Kunstverein Hamburg in Germany, “Paintings and Drawings,” at Le Consortium in Dijon, “Lindsay Lohan,” at the Institute of Modern Art in Brisbane and “Negation of the Universe,” at the Dallas Contemporary in Texas . His work in public collections include the Museum of Modern Art, New York, the Whitney Museum of American Art, the Albright-Knox Art Gallery in Buffalo, the San Francisco Museum of Modern Art, the Denver Art Museum, the Modern Art Museum of Fort Worth in Texas, the Museum of Contemporary Art in North Miami, the Tate Modern in London and the Van Abbemuseum in the Netherlands. His films ‘Lindsay Lohan’ and ‘Sasha Grey’ premiered at the 54th Venice Bienale in 2011 and at the Institute of Modern Art in Brisbane in 2012. First Point premiered at Art Unlimited at Art Basel, Switzerland in June 2012. Brian met up with Richard at his Red Hook studio in Brooklyn and they spoke about his early days in the Village making sculptural paintings, surfing and racing, the impact of music, Blinky and Motherwell and lots more.

Chit Chat with Tokyo-based collective Chim↑Pom + DC Assistant Curator Lilia Kudelia and Independent Curator Jason Waite discussing the collective's exhibition "Non-Burnable," part of "Invisible Cities" at Dallas Contemporary.

Chit Chat with one half of artist duo McDermott & McGough, Peter McGough + DC Adjunct Curator Alison Gingeras discussing the pair's exhibition at Dallas Contemporary, "I've Seen the Future and I'm Not Going."

Chit Chat with artist Keer Tanchak + DC Assistant Curator Lilia Kudelia discussing Tanchak's exhibition at Dallas Contemporary, "Soft Orbit."

Chit Chat discussing social justice, community engagement, and arts and activism-issues central to Ambreen Butt’s exhibition at Dallas Contemporary, "What is left of me." Panelists include artist Ambreen Butt, Executive Director of Human Rights Initiative of North Texas Bill Holston, + Director of Ignite / Arts Dallas at SMU Meadows School of the Arts Clyde Valentin. Moderated by DC Director of Exhibitions / Senior Curator Justine Ludwig.

Chit Chat con la artista Pia Camil + DC Curador Adjunto Pedro Alonzo en platica sobre la exhibición de Camil en Dallas Contemporary, "Bara, Bara, Bara."

Chit Chat with artist Pia Camil + DC Director of Exhibitions / Senior Curator Justine Ludwig discussing Camil's exhibition at Dallas Contemporary, "Bara, Bara, Bara."

Chit Chat with artist John Houck + DC Adjunct Curator Pedro Alonzo discussing Houck's exhibition at Dallas Contemporary, "The Anthologist."

Chit Chat with artist Ross Bleckner + DC Executive Director Peter Doroshenko discussing Bleckner's exhibition at Dallas Contemporary, "Find a peaceful place where you can make plans for the future."

Chit Chat with artist Paola Pivi + DC Director of Exhibitions / Senior Curator Justine Ludwig discussing Pivi's exhibition at Dallas Contemporary, "Ma'am." Video: https://vimeo.com/165931207

Filmed at Dallas Contemporary :: 2016 Art by Jeff Zilm (Lossless Forms For Picture Plane) Drone by Ted Forbes Music by JLin http://amzn.to/1VYtbyY Samples from the film Mommie Dearest Recorded with a DJI Phantom 3 Professional - footage in 4k See Jeff's Work at Dallas Contemporary (Dallas) http://www.dallascontemporary.org/ and at Simon Lee (London) http://www.simonleegallery.com/ Twitter: http://twitter.com/tedforbes Instagram: http://instagram.com/tedforbes Facebook: https://www.facebook.com/aop.podcast Pinterest: http://pinterest.com/tedforbes Website: http://theartofphotography.tv And get on our mailing list to stay up to date on photography news and the latest episodes: http://theartofphotography.tv/about/mailing-list/ Ted Forbes The Art of Photography 3100 Main St #135 Dallas, Texas 75226 Thanks for watching - if you like this video, remember to share it with your friends! My name is Ted Forbes and I make videos about photography. I’ve been making photographs most of my life and I have a tremendously deep passion for photography that I want to share with you on YouTube. The Art of Photography is my channel and I produce photography videos to provide a 360 degree look into the world of making images. We all want to get better so lets do this together! I make videos covering famous photographers, photography techniques, composition, the history of photography and much more. I also have a strong community of photographers who watch the show and we frequently do social media challenges for photographers to submit their own work. I feature the best and most interesting on the show when we do these so come check it out and get involved!

Prepare for something a little bit different… https://www.youtube.com/watch?v=3Hiet5MnZ9c JEFF ZILM :: LOSSLESS FORMS FOR PICTURE PLANE at the Dallas Contemporary through March 20, 2016 http://www.dallascontemporary.org JEFF ZILM :: SOME SCREEN MODS at Simon Lee (London) through April 1, 2016 http://www.simonleegallery.com Twitter: http://twitter.com/tedforbes Instagram: http://instagram.com/tedforbes Facebook: https://www.facebook.com/aop.podcast Pinterest: http://pinterest.com/tedforbes Website: http://theartofphotography.tv And get on our mailing list to stay up to date on photography news and the latest episodes: http://theartofphotography.tv/about/mailing-list/ Ted Forbes The Art of Photography 3100 Main St #135 Dallas, Texas 75226 Thanks for watching - if you like this video, remember to share it with your friends! My name is Ted Forbes and I make videos about photography. I’ve been making photographs most of my life and I have a tremendously deep passion for photography that I want to share with you on YouTube. The Art of Photography is my channel and I produce photography videos to provide a 360 degree look into the world of making images. We all want to get better so lets do this together! I make videos covering famous photographers, photography techniques, composition, the history of photography and much more. I also have a strong community of photographers who watch the show and we frequently do social media challenges for photographers to submit their own work. I feature the best and most interesting on the show when we do these so come check it out and get involved!

Dans un article annonçant la venue de "The Unplayed Notes Museum" au Dallas Contemporary, Frank Dufour préfigurait ce qu'il faut bien aujourd'hui convenir d'appeler "l'effet Gréaud" (article publié dans la revue Patron). Dans ce podcast, l'artiste nous entretient sur le concept d'irrésolution qui nourrit sa démarche et ses futurs projets.

Chit Chat with photographer Mario Testino + DC Executive Director Peter Doroshenko discussing Testino's exhibition at Dallas Contemporary, "Alta Moda."

Chit Chat with artist JR + DC Adjunct Curator Pedro Alonzo discussing JR's exhibition at Dallas Contemporary, "INSIDE OUT."

Chit Chat with artist group FAILE + DC Adjunct Curator Pedro Alonzo discussing the group's exhibition at Dallas Contemporary, "Where Wild Won't Break."

This week:Amanda Browder (of the Amanda Browder show) chats with artists and curators Keri Oldham and Jacob Rhodes, founders of the artist run space Field Projects located in Chelsea, NYC. Listen to our conversation about artists as curators, the current gallery system and the ways these two have worked to make Field Projects a space for innovation and a more open dialog between artist and gallery. Next, Max and Hank do the shortest interview in the history of the show at Chicago Comic Con. Lastly, Bad at Sports remembers Eydie Gorme. Field Projects is an artist run project space and online venue dedicated to emerging and mid-career artists. Centered on short-term curatorial projects, Field Projects presents monthly exhibitions at their Chelsea location in addition to pop-up exhibitions throughout New York City. Artists and curators are invited to submit their work for consideration in future exhibitions through our open call submissions guidelines. Curators/Founders/Artists: Keri Oldham is a New York-based artist and curator working in watercolor, paper and video. Her work deals with issues of identity, religion, love and death in cinema. Originally from Dallas, Texas, Oldham has exhibited her work throughout the country, including: Jen Bekman Gallery in New York, Kirk Hopper Gallery in Dallas, The Hardware Store Gallery in San Francisco, Camel Art Space in New York, The Dallas Contemporary, The Reading Room and 500X in Dallas. She was a 2011 Summer Central Track resident and has received other awards including a 2010 New Media Fellowship with BRIC Arts in Brooklyn. Oldham is also founder of Field Projects, an artist-run project space in Chelsea. Her work has been spotlighted and reviewed by Beautiful/Decay, Gwaker Arts, Glasstire, D Magazine, San Francisco Weekly and others. Jacob Rhodes' work explores codes of masculinity, class and the inherent violence in homo-social interaction. The middle child of three boys born to a car mechanic and a school cafeteria cook, Jacob spent his youth touring in punk bands, publishing zines, and self producing records. He received his BFA in New Genre and Photography from Otis College of Art and Design in Los Angeles where he studied under Larry Johnson, Bruce Hainley, and Richard Hawkins. After graduating, he joined the US Army, spending three years in Alaska at Fort Wainwright’s 172nd Arctic Infantry Brigade. In 2005, he returned to school attending Skowhegan School of Painting and then earned his MFA in Sculpture at Yale School of Art in 2007. Jacob has shown at the Bronx Museum, Alona Kagan Gallery, New York, Federal Art Project, Los Angeles, Galerie Im Regierungsviertel, Berlin, and Bart Wells Institute, London. He currently lives and works in Brooklyn, NY. http://www.fieldprojectsgallery.com/