Podcasts about fine arts

Born to a Norwegian mother and a Nigerian father, actress Toks Olagundoye is a native of Lagos, Nigeria. She received a Bachelor of Fine Arts in theatre from Smith College. She is best known for her role as Olivia Finch on the newest iteration of the sitcom, Frasier, Kemi Talbot (the Kamala Harris character) on Veep as well as alien matriarch Jackie Joyner-Kersee in her first series regular job, ABC's The Neighbors.  As a breast cancer survivor and thriver, Toks talks about the importance of early detection, not to fear the treatments, and to always have a loud best advocate with you for appointments. She leads a vegan lifestyle and cares deeply for the preservation of our planet, advocates recycling and repurposing clothes and uses socializing as an excuse to host clothing swaps. Toks has joined forces with Recycle Across America to promote awareness and the standardized recycling labels. Toks uses her platform to engage in and promote substantive discussions on living in tune with yourself and the planet, environmental action and sustainable living.  Potential resources for Recycling: *Habitat for Humanity *Goodwill *Recycle America.org *Ridwell.com *Tetracycle.com You can also look up local recycling and local sanitation organizations. Website: www.heatherthomson.com Social Media: IG: https://www.instagram.com/iamheathert/                     You Tube: https://youtube.com/@iamheathert?si=ZvI9l0bhLfTR-qdo Learn more about your ad choices. Visit megaphone.fm/adchoices

Artist and educator Elizabeth St. Hilaire shares how she built a successful online course business teaching art. She covers course creation, marketing for creatives, student engagement, using Patreon, and growing a mailing list—offering practical insights for artists balancing creativity and income.Elizabeth St. Hilaire is a mixed-media visual artist, author, instructor, and the founder of Paper Paintings.In this episode, Ari, Abe, and Elizabeth discuss:The Evolution of Teaching MethodsCourse Development and Feedback LoopsMarketing Strategies for Online CoursesBuilding and Growing a Mailing ListUtilizing Patreon for Additional IncomeBalancing Multiple Income StreamsEngagement in Self-Study CoursesQuality and Consistency in Course OfferingsThe Challenges of Marketing Art CoursesStrategies for Engaging Students in Art Education“Patreon has been a great income stream for me.” — Elizabeth St. HilaireGuest Bio:Elizabeth St. Hilaire is a renowned mixed-media artist, instructor, and author recognized for her innovative approach to collage. Using hand-painted papers, she creates dynamic works celebrated for their bold color, intricate detail, and layered depth. Her art has been exhibited internationally and featured in prominent publications such as The Artist's Magazine, Acrylic Artist Magazine, Cloth Paper Scissors, and Southern Living.A Signature Member of the National Collage Society, St. Hilaire holds a Bachelor of Fine Arts from Syracuse University and has spent over 20 years exploring and refining her unique methods. She is the author of Painted Paper Art Workshop and has written numerous books and instructional guides to inspire artists around the globe.Known for her engaging teaching style, St. Hilaire travels widely to lead workshops, sharing her passion for creativity and the transformative power of collage. Her work has extended beyond gallery walls, appearing on textiles, home decor, and more, making her a leader in the modern collage movement.Resources or websites mentioned in this episode:MiraseeRuzukuElizabeth's website: PaperPaintings.comCredits:Hosts: Ari Iny and Abe CrystalProducer: Michi LantzEditor: Andrew ChapmanExecutive Producer: Danny InyMusic Soundscape: Chad Michael SnavelyMaking our hosts sound great: Home Brew AudioTo catch the great episodes that are coming up on Course Lab, please follow us on Mirasee FM's YouTube channel or your favorite podcast player. And if you enjoyed the show, please leave us a comment or a starred review. It's the best way to help us get these ideas to more people.Music credits:Track Title: Bossa BBArtist Name: MarieWriter Name: Chelsea McGoughPublisher Name: A SOUNDSTRIPE PRODUCTIONTrack Title: Coo CoosArtist Name: Dresden, The FlamingoWriter Name: Matthew WigtonPublisher Name: A SOUNDSTRIPE PRODUCTIONTrack Title: GraceArtist Name: ShimmerWriter Name: Matthew WigtonPublisher Name: BOSS SOUNDSTRIPE PRODUCTIONSTrack Title: Carousel LightsArtist Name: Chelsea McGoughWriter Name: Chelsea McGoughWriter Name: Matthew WigtonPublisher Name: A SOUNDSTRIPE PRODUCTIONPublisher Name: BOSS SOUNDSTRIPE PRODUCTIONSSpecial effects credits:24990513_birds-chirping_by_promission used with permission of the author and under license by AudioJungle/Envato Market.Episode transcript: Marketing, Monetizing, and Teaching Art Online (Elizabeth St. Hilaire) coming soon.

Marty Ross-Dolen joins Let's Talk Memoir for a conversation discovering the story while writing, inviting the speculative and magical elements into a narrative, rediscovering lost relatives, advocating for our vision and for our books, scaffolding fragmented forms, being raised by a mother in protracted mourning, incorporating letters, photographs, and erasure poetry, when people tell you what your book is supposed to be, living with an inherited sense of grief, unspoken family pacts, when structure is a surprise, and her new memoir Always There, Always Gone: A Daughter's Search for Truth.   Also in this episode:  --being raised in silence around a tragedy -telling 3 stories at once -memoir as erasure   Books mentioned in this episode: -Safekeeping by Abigail Thomas -Another Bullshit Night in Suck City by Nick Flynn -Ghostbread by Sonja Livingston -Disconto for My Father by Harrison Kandelaria Fletcher -Fearless Confessions by Sue William SIlverman   Marty Ross-Dolen is a graduate of Wellesley College and Albert Einstein College of Medicine and is a retired child and adolescent psychiatrist. She holds an MFA in Writing from Vermont College of Fine Arts. Prior to her time at VCFA, she participated in graduate-level workshops at The Ohio State University. Her essays have appeared in North Dakota Quarterly, Redivider, Lilith, Willow Review, and the Brevity Blog, among others. Her essay entitled “Diphtheria” was named a notable essay in The Best American Essays series. She teaches writing and lives in Columbus, Ohio. Connect with Marty: Website: www.martyrossdolen.com Instagram: https://www.instagram.com/martyrossdolen Get the book: https://a.co/d/5HtWU4s https://www.thurberhouse.org/adult-writers-studio – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

Our guest today is Amy Barickman. Born in Michigan, raised in Iowa - Amy graduated from the University of Kansas with a degree in Fine Arts, only wishing it was with an emphasis in textiles versus glass blowing.Always drawn to boutique fashion as well as upcycling and vintage, Vintage Made Modernhas been a theme of many of the books and patterns she produced over the more than 30 the years of product development with the brand she founded in 1990, Indygo Junction.  She is the author of the award-winning book; Vintage Notions: An Inspirational Guide to Needlework, Cooking, Sewing, Fashion and Fun. Most recently her passion for vintage and upcycling, led her to create Treasured Threadz with her manufacturing and distribution partner Colonial Patterns. Her latest project, a gift book Love You to Piecesis a combination of her passion for collecting quilts and sharing handmade treasures along with the history behind them .  She is coming full circle with her new project - a book based on her collection of quilts and stuffed bears and dolls- she'll also be introducing a collection of doll and bear patterns to companion the book - hoping to add machine embroidery and other products that will inspire the sewing and quilting community. Additionally, she's working with Colonial Patterns on a new line of embroidery products under ABC Amy Barickman Creative.  Amy currently spends most of the year in Kansas City, though she  enjoys her family home in NW Michigan as well. Her husband is a sixth-grade teacher, and they have two kids who both have graduated college and are working in Kansas City.(2:29) Amy's mother taught her to sew and her grandmother also provided inspiration. She tells about her Girl Scout project…a wrapped skirt. Learn of her mom's business and how that also influenced Amy.(4:30) What business did Amy start in High School? And…how did her mom influence this?(7:57) Supporting local businesses is so very important to Amy. She talks about why she feels this way and why it's important. (9:44) Why the fascination with vintage? Mom and Grandma had a lot to do with this. Hear about the photo with the matching gingham outfits! (12:11) Amy talks about her brand-new line of embroidery products…she's launching them soon!  (15:04) Amy is excited about the new makers in sewing. She explains why she feels this way and provides examples. (17:46) How did Amy come up with the name of her first company, Indygo Junction? (18:30) Why dies Amy consider herself a historian? Learn that here! (21:00) Mary Brooks Picken is Amy's muse. Amy tells us Mary's story and why she's had such a powerful influence on her. (25:44) Hear about Mend and Make Do…the precursor to upcycling! (27:30) What inspired Amy? Well, would you be surprised if she said Vintage? (28:53) Amy shares the deep connection she has with the sewing community and how important all of this is to her.  (31;59) New book, landing page, launch party! Love You to Pieces is her new book! Amybarickman.com/loveyoutopieces (33:50) What's next for Amy? And of course, what's her dream?! (35:09) Anything we didn't ask?  (35:42) How do you reach out to Amy? Amy@amybarickman.com. Also go to amybarickman.com for more info and to join her community. Be sure to follow, rate and review this podcast on your favorite platform. Be sure to subscribe to, review and rate this podcast on your favorite platform…and visit our website sewandsopodcast.com for more information about today's and all of our Guests.

Major Jackson is a poet, author, and professor who is the recipient of fellowships from Guggenheim Foundation, National Endowment for the Arts, Academy of American Poets, Fine Arts works Center in Provincetown, and the Radcliffe Institute for Advanced Study at Harvard, he has been honored by the Pew Fellowship in the Arts, and the Witter Bynner foundation in conjunction with the Library of Congress, awarded the Pushcart Prize, has been published in American Poetry Review, the New Yorker, Paris Review, Orion Magazine, is an elected member of the American Academy of Arts and Sciences and serves as the Poetry Editor of The Harvard Review, and is the Gertrude Conaway Vanderbilt Chair in the Humanities and Director of Creative Writing at Vanderbilt University. We touch on stewardship, curiosity being emblematic of being human, art in a time of upheaval, human expression, AI, art monsters, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Major JacksonEp 96 - Maggie SmithParnassusPeabody InstituteRobert FrostPhiladelphia Museum of ArtMarcel Duchamp“A Love Supreme”Ezra Klein & Rebecca Winthrop - ‘Rethinking Education'Humanities TennesseeMichaela Anne - “Is This What Mama Meant?”Hunter S ThompsonMichael RuhlmanClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

I capolavori dei maestri del movimento francese del Museum of Fine Arts di Boston sono in mostra alla National Gallery of Victoria fino al 5 ottobre.

In this episode of Creative Guts, co-hosts Laura Harper Lake and Sarah Wrightsman chat with Jenny Tibbits. Jenny is a multi-disciplinary artist and  tribal elder for the Newichawannock tribe, which is a subtribe of the Pennacook and part of the larger Abenaki diaspora. As an artist, Jenny primarily works in torchwork glass, photography, fashion design, and fiber arts. In this episode, we'll talk about “No More Stolen Sisters”, which features red dresses to honor murdered and missing Indigenous Women and Girls. Jenny is also an electronic music producer, DJ and a singer (we kick off this episode talking about their music)!You can find Jenny Tibbits on Instagram at www.instagram.com/buffalospirit86 and follow the links to their work from there! You can find Jenny's music by searching for DJ Ghia on streaming services. Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord. Creative Guts recently moved our newsletter to Substack, and you can find us at creativegutspod.substack.com. If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax deductible donation at www.CreativeGutsPodcast.com. Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show! We'd also like to thank The Currier Museum of Art in Manchester, NH for their support of our recent Tiny Art Exchange Zine; Red River Theatres in Concord, NH for collaborating with us on the Creative Guts Short Film Festival; and Creative Co Op as a sponsor of the film festival. We appreciate all the folks and organizations who give support to Creative Guts.

In this podcast, Ty J. Gluckman, MD, MHA, discusses the pivotal phase III FINEARTS-HF trial and how the treatment landscape is evolving for patients with heart failure (HF) with mildly reduced or preserved ejection fraction, including:The emerging role of mineralocorticoid receptor antagonists in HF careFinerenone's efficacy in reducing composite cardiovascular death and worsening HF events Why safety must be monitored, especially considering hyperkalemia riskWhere HF guideline recommendations lack compared with the current evidence PresenterTy J. Gluckman, MD, MHAMedical Director, Center for Cardiovascular Analytics, Research, and Data Science (CARDS)Providence Heart InstituteProvidence Health SystemPortland, OregonProgram page: https://bit.ly/448XcH0

What does it really mean to be a “good woman”? For the controversial podcaster and writer Elise Loehnen, female goodness is a misery trap. And so reclaim their happiness, to make themselves whole, Loehnen says, women need to stop being good. The former goop executive and co-author of the upcoming Choosing Wholeness Over Goodness explains how the seven deadly sins reveal women's hidden conditioning, how the wellness industry became toxic, and why the Enneagram can help women embrace their full selves—including the darker, "unacceptable" parts they've been taught to suppress. five key takeaways 1. The "Good Woman" Performance is Exhausting Women are conditioned to suppress basic human instincts—never being tired, needing no praise, having compliant bodies, avoiding anger—which requires enormous energy and is driven by fear of social rejection.2. The Seven Deadly Sins Reveal Female Conditioning What society labels as "sins" (pride, envy, sloth, etc.) are actually normal human traits that women are taught to repress, creating a "punch card" for performing goodness to the world.3. Women Police Each Other Through Envy Instead of recognizing envy as a signal pointing toward what we want, women often use it destructively to tear down other women who have what they desire—like the backlash against Goop.4. The Drama Triangle Keeps Us Stuck Most people operate in victim-villain-hero dynamics, blaming others instead of taking responsibility. Breaking free requires recognizing these patterns and creating different conditions in your life.5. Wholeness Beats Goodness True liberation comes from integrating all parts of yourself—including the "darker" aspects you've been taught to hide—rather than performing an impossible standard of perfection.Elise Loehnen is a writer, editor, and podcast host who lives in Los Angeles with her husband, Rob, and their two sons, Max and Sam. She is the host of Pulling the Thread, a podcast focused on pulling apart the stories we tell about who we are—and then putting those threads back together. Current Work & Recent Publications: Elise is the author of the New York Times bestseller On Our Best Behavior. She has co-written thirteen books, five of which were New York Times bestsellers, including True and False Magic with psychiatrist Phil Stutz. Her upcoming co-authored Choosing Wholeness Over Goodness will be published in August. Podcast & Media: She hosts Pulling the Thread where she interviews cultural luminaries on the big questions of the day, including Dr. Gabor Maté, Dr. Temple Grandin, Dr. Harriet Lerner, Loretta Ross, Drs. John and Julie Gottman, Dr. Richard Schwartz, Joy Harjo, Dr. B.J. Miller, Nedra Tawwab, Dr. Suzanne Simard, Susan Cain, Heather McGhee, Dr. Riane Eisler, and Terry Real. Professional Background: Previously, she was the chief content officer of goop, where she co-hosted The goop Podcast and The goop Lab on Netflix, and led the brand's content strategy and programming, including the launch of a magazine with Condé Nast and a book imprint. Prior to goop, she was the editorial projects director of Conde Nast Traveler. Before Traveler, she was the editor at large and ultimately deputy editor of Lucky Magazine, where she also served as the on-air spokesperson, appearing regularly on shows like Today, E!, Good Morning America, and The Early Show. She has a B.A. from Yale where she majored in English and Fine Arts.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

In this episode of PhotoWork with Sasha Wolf, Sasha welcomes two extraordinary guests: artist and curator Justine Kurland and Marina Chao, a curator at CPW. Together, they discuss their collaboration on The Rose, an exhibition that explores collage as a feminist form, strategy, and genealogy. Featuring works by over fifty contemporary artists and key figures from the 1960s and 1970s, the exhibition examines collage as both a means of world-building and a survival strategy in times of crisis. Sasha, Justine, and Marina delve into the layered responsibilities of artists and discuss the assumption that interpreting a straightforward photograph is inherently simpler than reading and interpreting conceptual art. https://www.justinekurland.com https://cpw.org/staff/ https://cpw.org/exhibition/the-rose/ Justine Kurland is an artist known for her utopian photographs of American landscapes and the fringe communities, both real and imagined, that inhabit them. Her early work comprises photographs, taken during many cross-country road trips, that counter the masculinist mythology of the American landscape, offering a radical female imaginary in its place. Her recent series of collages, SCUMB Manifesto, continues to make space for women by transforming books by canonized male photographers through destruction and reparation. Kurland's work has been exhibited at museums and galleries in the United States and abroad. Her work is included in permanent collections of the Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum of Art, New York; Museum of Modern Art, New York; Carnegie Museum, Pennsylvania; Getty Museum, California; National Gallery of Art, Washington, D.C.; and the Museum of Fine Arts, Montreal, among others. She works with Higher Pictures in New York. Marina Chao has previously held curatorial positions at the International Center of Photography and the Museum of Modern Art in New York. As assistant curator at ICP she organized the exhibition Multiply, Identify, Her (2018) and contributed to the publication Public, Private, Secret: On Photography and the Configuration of Self (Aperture and ICP, 2018). She was awarded a 2019 Curatorial Research Fellowship from the Andy Warhol Foundation for the Visual Arts for Seeing Meaning, a project exploring the intersections of image, language, and technology.

We welcome Tricia Rose Burt to the show to tell her story! After spending nearly 15 years with some of America's top business institutions, Tricia Rose Burt made a dramatic shift and enrolled in the School of the Museum of Fine Arts in Boston. This bold move led to a decade as a visual artist until the 2008 market crash forced another pivot. She created an award-winning one-woman show — How to Draw a Nekkid Man — about her transformation from executive to artist and her storytelling career took off after performing with The Moth, where she is also part of their corporate storytelling arm, MothWorks. These days, Tricia combines her corporate background and artistic experience, teaching storytelling to executives to help them more clearly share their ideas and initiatives. She also hosts and produces the award-winning podcast "No Time to be Timid," the centerpiece of the No Time to be Timid movement.The Compulsive Storyteller Podcast is a series of short personal true stories in 20 minutes or less written and narrated by, Gregg LeFevre.

The world's most petty and ill informed football podcast. A Blether Beyond The Grave, Replica Shirts, Fine Art XI and Terracing Teaser with Stephen Craigan and Robbie Lunn, Stuart Cosgrove and Tam Cowan.

Aliyyah Koloc, a professional racing driver and advocate for autism awareness, shares her unique journey from tennis to motorsports, her passion for art, and her involvement with Raphael Coin. She discusses the challenges and rewards of racing, the importance of tokenization in making art accessible, and her insights on the future of crypto for her generation. Why you should listen Raphael Coin was founded in early 2025 with the mission to democratize ownership of historically significant fine art. Following the recent authentication and rediscovery of “Recto: Study for the Battle of the Milvian Bridge” by Renaissance master Raffaello, the project was created to enable public participation in cultural heritage through blockchain technology. Raphael Coin uniquely allows public access and fractional ownership of an authenticated and recently rediscovered Renaissance masterpiece. It combines cultural importance, secure custody, and transparent ownership through blockchain technology. Raphael Coin offers fractional ownership of a culturally important artwork, the "Recto: Study for the Battle of the Milvian Bridge" piece recently rediscovered. Using blockchain technology, Raphael Coin makes fine art ownership accessible, secure, and transparent, allowing individuals worldwide to become stakeholders in cultural history. Founded in 2015, Gleec.com started as a comprehensive blockchain ecosystem aiming to simplify and secure digital asset management.  Today, Gleec provides integrated blockchain infrastructure, centralized and decentralized exchanges, crypto cards, secure chat, and banking solutions, all underpinned by strong regulatory compliance. Gleec's secure and licensed infrastructure now also powers innovative projects like Raphael Coin. Supporting links Stabull Finance Raphael Coin Gleec Andy on Twitter  Brave New Coin on Twitter Brave New Coin If you enjoyed the show please subscribe to the Crypto Conversation and give us a 5-star rating and a positive review in whatever podcast app you are using.  

What Hump? Thirty Years of Cybersecurity and the Fine Art of Pretending It's Not a Human ProblemA new transmission from Musing On Society and Technology Newsletter, by Marco CiappelliJune 6, 2025A Post-Infosecurity Europe Reflection on the Strange but Predictable Ways We've Spent Thirty Years Pretending Cybersecurity Isn't About People.⸻ Once there was a movie titled “Young Frankenstein” (1974) — a black-and-white comedy directed by Mel Brooks, written with Gene Wilder, and starring Wilder and Marty Feldman, who delivers the iconic “What hump?” line.Let me describe the scene:[Train station, late at night. Thunder rumbles. Dr. Frederick Frankenstein steps off the train, greeted by a hunched figure holding a lantern — Igor.]Igor: Dr. Frankenstein?Dr. Frederick Frankenstein: It's Franken-steen.Igor: Oh. Well, they told me it was Frankenstein.Dr. Frederick Frankenstein: I'm not a Frankenstein. I'm a Franken-steen.Igor (cheerfully): All right.Dr. Frederick Frankenstein (noticing Igor's eyes): You must be Igor.Igor: No, it's pronounced Eye-gor.Dr. Frederick Frankenstein (confused): But they told me it was Igor.Igor: Well, they were wrong then, weren't they?[They begin walking toward the carriage.]Dr. Frederick Frankenstein (noticing Igor's severe hunchback): You know… I'm a rather brilliant surgeon. Perhaps I could help you with that hump.Igor (looks puzzled, deadpan): What hump?[Cut to them boarding the carriage, Igor climbing on the outside like a spider, grinning wildly.]It's a joke, of course. One of the best. A perfectly delivered absurdity that only Mel Brooks and Marty Feldman could pull off. But like all great comedy, it tells a deeper truth.Last night, standing in front of the Tower of London, recording one of our On Location recaps with Sean Martin, that scene came rushing back. We joked about invisible humps and cybersecurity. And the moment passed. Or so I thought.Because hours later — in bed, hotel window cracked open to the London night — I was still hearing it: “What hump?”And that's when it hit me: this isn't just a comedy bit. It's a diagnosis. Here we are at Infosecurity Europe, celebrating its 30th anniversary. Three decades of cybersecurity: a field born of optimism and fear, grown in complexity and contradiction.We've built incredible tools. We've formed global communities of defenders. We've turned “hacker” from rebel to professional job title — with a 401(k), branded hoodies, and a sponsorship deal. But we've also built an industry that — much like poor Igor — refuses to admit something's wrong.The hump is right there. You can see it. Everyone can see it. And yet… we smile and say: “What hump?”We say cybersecurity is a priority. We put it in slide decks. We hold awareness months. We write policies thick enough to be used as doorstops. But then we underfund training. We silo the security team. We click links in emails that say whatever will make us think it's important — just like those pieces of snail mail stamped URGENT that we somehow believe, even though it turns out to be an offer for a new credit card we didn't ask for and don't want. Except this time, the payload isn't junk mail — it's a clown on a spring exploding out of a fun box.Igor The hump moves, shifts, sometimes disappears from view — but it never actually goes away. And if you ask about it? Well… they were wrong then, weren't they?That's because it's not a technology problem. This is the part that still seems hard to swallow for some: Cybersecurity is not a technology problem. It never was.Yes, we need technology. But technology has never been the weak link.The weak link is the same as it was in 1995: us. The same it was before the internet and before computers: Humans.With our habits, assumptions, incentives, egos, and blind spots. We are the walking, clicking, swiping hump in the system. We've had encryption for decades. We've known about phishing since the days of AOL. Zero Trust was already discussed in 2004 — it just didn't have a cool name yet.So why do we still get breached? Why does a ransomware gang with poor grammar and a Telegram channel take down entire hospitals?Because culture doesn't change with patches. Because compliance is not belief. Because we keep treating behavior as a footnote, instead of the core.The Problem We Refuse to See at the heart of this mess is a very human phenomenon:vIf we can't see it, we pretend it doesn't exist.We can quantify risk, but we rarely internalize it. We trust our tech stack but don't trust our users. We fund detection but ignore education.And not just at work — we ignore it from the start. We still teach children how to cross the street, but not how to navigate a phishing attempt or recognize algorithmic manipulation. We give them connected devices before we teach them what being connected means. In this Hybrid Analog Digital Society, we need to treat cybersecurity not as an optional adult concern, but as a foundational part of growing up. Because by the time someone gets to the workforce, the behavior has already been set.And worst of all, we operate under the illusion that awareness equals transformation.Let's be real: Awareness is cheap. Change is expensive. It costs time, leadership, discomfort. It requires honesty. It means admitting we are all Igor, in some way. And that's the hardest part. Because no one likes to admit they've got a hump — especially when it's been there so long, it feels like part of the uniform.We have been looking the other way for over thirty years. I don't want to downplay the progress. We've come a long way, but that only makes the stubbornness more baffling.We've seen attacks evolve from digital graffiti to full-scale extortion. We've watched cybercrime move from subculture to multi-billion-dollar global enterprise. And yet, our default strategy is still: “Let's build a bigger wall, buy a shinier tool, and hope marketing doesn't fall for that PDF again.”We know what works: Psychological safety in reporting. Continuous learning. Leadership that models security values. Systems designed for humans, not just admins.But those are hard. They're invisible on the balance sheet. They don't come with dashboards or demos. So instead… We grin. We adjust our gait. And we whisper, politely:“What hump?”So what Happens now? If you're still reading this, you're probably one of the people who does see it. You see the hump. You've tried to point it out. Maybe you've been told you're imagining things. Maybe you've been told it's “not a priority this quarter.” And maybe now you're tired. I get it.But here's the thing: Nothing truly changes until we name the hump.Call it bias.Call it culture.Call it education.Call it the human condition.But don't pretend it's not there. Not anymore. Because every time we say “What hump?” — we're giving up a little more of the future. A future that depends not just on clever code and cleverer machines, but on something far more fragile:Belief. Behavior. And the choice to finally stop pretending.We joked in front of a thousand-year-old fortress. Because sometimes jokes tell the truth better than keynote stages do. And maybe the real lesson isn't about cybersecurity at all.Maybe it's just this: If we want to survive what's coming next, we have to see what's already here.- The End➤ Infosecurity Europe: https://www.itspmagazine.com/infosecurity-europe-2025-infosec-london-cybersecurity-event-coverageAnd ... we're not done yet ... stay tuned and follow Sean and Marco as they will be On Location at the following conferences over the next few months:➤ Black Hat USA in Las Vegas in August: https://www.itspmagazine.com/black-hat-usa-2025-hacker-summer-camp-2025-cybersecurity-event-coverage-in-las-vegasFOLLOW ALL OF OUR ON LOCATION CONFERENCE COVERAGEhttps://www.itspmagazine.com/technology-and-cybersecurity-conference-coverageShare this newsletter and invite anyone you think would enjoy it!As always, let's keep thinking!— Marco [https://www.marcociappelli.com]

"Mystic Maya: Journey of Initiation," is a cinematic masterwork that unveils the ancient wisdom of the Maya. Prepare to be captivated, challenged, and forever changed by this extraordinary exploration of esoteric knowledge.Step into a hidden realm beyond the pyramids as this captivating documentary unravels the truth about these enigmatic structures, intertwining the sacred initiation rites of the Maya, Egypt, and modern Western Esoteric Mystery schools. Prepare for a mesmerizing journey that challenges your perception of history and illuminates profound connections between diverse esoteric traditions."Mystic Maya" unlocks the secrets of pyramids, revealing their purpose as catalysts for personal transformation and global change. Featuring intimate interviews with Mayan lineage holders, esteemed Western Esoteric authors, and renowned experts, "Mystic Maya" reveals the once-veiled knowledge and illuminates the hidden dimensions of world history. Experience a transcendent journey that awakens curiosity and invites you to embark on your own path of initiation.Douglas Beechwood is a filmmaker with extensive experience in Commercial/Documentary and Live event production. He studied Fine Art and Photography at the University of Colorado and has immersed himself in the study of world religions for over three decades.Notably, Douglas served as Editor for "Yangsi: Reincarnation is Just the Beginning," a documentary following the life of renowned Buddhist Lama Dilgo Khyentse Rinpoche for close to twenty years, from his coronation at age three to his graduation as an empowered Tibetan teacher. Additionally, he served as Production Manager, TD, and finish editor for all three seasons of the New Mexico PBS series entitled "Ageless Living."Douglas worked for twelve years as the Technical Director and Production Manager for the prestigious Festival of Faiths in Louisville, KY, which brings together faith leaders from diverse backgrounds from Native America, Judaism, Hinduism, Christianity, Islam, and Buddhism for a multi-day theatrical livestream conference. His efforts helped grow the Festival of Faiths from a small local event into a world-renowned happening that continues to engage the viewership of many millions.His spiritual journey embraces practices in Christianity, Native American beliefs, Western Esoteric Mystery Schools, and the profound teachings of Dzogchen Buddhism. Douglas further works as the media coordinator for the worldwide outreach of Tsoknyi Rinpoche's humanitarian activities through the Pundarika Foundation USA, which involves producing Buddhist retreats and secular mindfulness programs, as well as the support of Buddhist schools and nunneries in Nepal and Tibet.Free viewing, https://www.mysticmayamovie.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

Elizabeth Ravn (b.1994, Brooklyn, NY) received a Bachelors in Fine Arts from the School of the Art Institute of Chicago, Chicago, IL in 2016. She lives and works in Berlin. Recent solo and group exhibitions include David Peter Francis, New York (2025); die raum, Berlin (2024); Deborah Schamoni, Munich (2023); SOX, Berlin (2023); KINDL Centre for Contemporary Art, Berlin (2022); ChertLüdde Bungalow, Berlin (2022); Kinderhook & Caracas, Berlin (2021); Kjøpmannsgata Ung Kunst, Trondheim, (2021); and Pina, Vienna (2019). Elizabeth Ravn, Bild, 2024, oil on canvas, 39 3/8 x 31 1/2 inches (100 x 80 cm). Courtesy of the artist and David Peter Francis, NY. Elizabeth Ravn, Cubbyhole, 2025, oil on canvas, 43 1/4 x 35 3/8 inches (110 x 90 cm). Courtesy of the artist and David Peter Francis, NY. Elizabeth Ravn, November, 2024, oil on canvas, 43 1/4 x 35 3/8 inches (110 x 90 cm). Courtesy of the artist and David Peter Francis, NY Elizabeth Ravn, Telephone, 2024, oil on canvas, 27 1/2 x 19 3/4 inches (70 x 50 cm). Courtesy of the artist and David Peter Francis, NY.

University of Georgia professor, Rafiki Jenkins, joins Doc and Mike to discuss the origins of human monstrosity (can a human be monstrous?) and how horror fictions presents and complicates history and American culture. We hope you have a fortunate Friday the 13th!   Jerry Rafiki Jenkins is Assistant Director of the Institute for African American Studies at the University of Georgia. Rafiki holds a doctorate in Literature from the University of California, San Diego, and his research focuses on Black speculative fiction and film, with an emphasis on horror, and future human studies. Rafiki is the author of Anti-Blackness and Human Monstrosity in Black American Horror Fiction (Ohio State UP, 2024) and The Paradox of Blackness in African American Vampire Fiction (Ohio State UP, 2019), and he co-edited, with Martin Japtok, Human Contradictions in Octavia E. Butler's Work (Palgrave Macmillan, 2020) and Authentic Blackness/Real Blackness: Essays on the Meaning of Blackness in Literature and Culture (Peter Lang, 2011). Rafiki has also authored several book chapters, and his peer-reviewed articles appear in Pacific Coast Philology, Screening Noir, African American Review, Journal of Children's Literature, and Science Fiction Studies.     About this podcast: MONSTERS! They haunt our days and chill our dreaming nights, to paraphrase Emily Dickinson. There's not a population on earth that does not have its own unique monster stories to tell to frighten, but also to instruct on the nature of good and evil, right and wrong. But what happens when monsters get out of control, when the monstrous imagination starts to bleed over into the real world? What are the effects of monsters on real people's real lives? This podcast examines the histories and mysteries of some of our favorite monsters to unlock their secrets and expose their influence on our lives.   About the hosts: Michael Chemers (MFA, PhD) is a Professor of Dramatic Literature in the Department of Theater Arts at UC Santa Cruz. His work on monsters includes The Monster in Theatre History: This Thing of Darkness (London, UK: Routledge 2018). Dr. Chemers is the Founding Director of The Center for Monster Studies. Formerly the Founding Director of the Bachelor of Fine Arts in Dramaturgy Program at Carnegie Mellon University, he joined the faculty of UCSC in 2012. He is also the author of Ghost Light: An Introductory Handbook for Dramaturgy (Carbondale, IL: Southern Illinois University Press, 2010) and Staging Stigma: A Critical Examination of the American Freak Show (New York: Palgrave MacMillan, 2007). Dr. Chemers is also an actor, a juggler, and a writer of drama. Mike Halekakis is an entrepreneur, business owner, internet marketer, software engineer, writer, musician, podcaster, and hardcore situational enthusiast. He is the co-founder of What We Learned, a company that specializes in compassionate training courses on complex adult subjects such as caregiving for people who are sick, planning for death, and administering after the loss of a loved one. He is also the CEO of Moneyfingers Inc., a company that trains people on how to successfully create, market, and sell products on the internet. When not burning the candle at both ends with a blowtorch, Mike loves video games, outdoor festivals, reading comics and novels, role-playing, writing and playing music, hanging out with the world's best cats, and spending time with his amazing wife and their collective worldwide friend-group.

Leonardo Drew invites us into the physical, philosophical, and sometimes painful world of material transformation. Unlike artists who work with found objects carrying built-in histories, Drew deliberately purchases new materials that he must personally weather and transform. "I need to become the weather," he explains, describing a process where he subjects materials to rigorous physical manipulation that often results in literal bloodshed.This physical commitment reflects Drew's deeper philosophy about creation. He describes himself as "the crack addict of art," chasing the highs of creative breakthrough through persistent experimentation and a willingness to fail. His practice demands patience—it took seven years from his initial decision to create what would become his signature style before producing what he considered his first successful piece (which he numbered "8," acknowledging the previous attempts).Drew conceptualizes artists as antennas receiving creative energy from the universe. He purposefully travels to "cradles of civilization" like China and Machu Picchu, absorbing experiences that later emerge organically in his work. "You don't have to say I'm making work about this specifically," he notes, "because that would cage and imprison the whole idea." This philosophy requires "getting out of the way" of one's own creative process—removing ego and preconceptions to allow authentic creation to happen.By refusing to title his monumental works beyond simple numbering, Drew extends his transformation-based practice to the viewing experience itself. Each piece continues to transform through viewers' unique interpretations, creating an endless cycle of meaning-making that transcends the artist's original intent. As Drew profoundly states, "As I'm moving closer and closer to answering questions, at the same time I'm moving further away from the answers."Want to experience this transformative approach in your own creative practice? Keep your channels open by constantly introducing new ideas and techniques. When feeling stuck, switch things up dramatically—if you're a painter, try sculpture; if you work abstractly, attempt representation. The discomfort of new approaches often leads to the most significant breakthroughs.Leonardo Drew in "Investigation" - Season 7 - "Art in the Twenty-First Century" | Art21https://www.youtube.com/watch?v=ymMGgOCoK8k&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=5An Interview with Leonardo Drew | Wadsworth Antheneumhttps://www.youtube.com/watch?v=-75fm_UzhYg&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=4Woodcuts: Leonardo Drew | useum of Arts and Design (MAD)https://www.youtube.com/watch?v=4N3S2nvDcvU&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=3Artist Talk: Leonardo Drew | Amon Carter Museum of American Art Fort Worthhttps://www.youtube.com/watch?v=LtsqaHfEYxc&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqRCarrie Scott, SEEN Podcast | Leonardo DrewSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Send us a textMichele Landel is an American artist living and working in Sèvres, France. She holds degrees in Fine Arts and Art History, and her work has been exhibited across Europe, the UK, and the United States. Her practice has been featured in The Collage Ideas Book (Ilex Press, 2018) and the forthcoming Fil Découpé (Pyramyd Editions, 2025).Landel was awarded the Surface Design Association's 2018 Innovative Technique Award and was a finalist for the Prix Carré-Sur-Seine in both 2019 and 2020. She is currently represented by Galerie Amélie du Chalard (Paris & NYC), Ségolène Brossette Galerie (Paris), Le Salon Vert (Geneva), Donna Seager Fine Arts & Artists' Books (Mill Valley), and Muriel Guépin Gallery (NYC)https://michelelandel.com/https://www.instagram.com/michelelandel/Support the show

On this episode of the Arkansas Wildlife Podcast Trey Reid sits down with Dr. Jennifer Jankauskas, curator at the Arkansas Museum of Fine Arts, and Chris Revelle, director of Community Engagement to talk about The Long View: From Conservation to Sustainability: Works from the Bank of America Collection.

In this episode of Creative Guts, co-hosts Laura Harper Lake and Sarah Wrightsman sit down with musician and artist Dan Blakeslee! Dan has been making music and art for the past 30 years — in fact, he performed at Laura's college back in 2003! His music is largely about his life, but sometimes it's about ghouls and vampires. His art, which we think pairs beautifully with his music, is whimsical and playful with visions of mermaids and other mystical sea things!In this episode, Dan regales us with magical tales, including the unofficial nominee for “most supportive boss in the universe”, his time spent busking in Boston, the challenges and triumphs of screenprinting, and that time he got lost and found himself in Sleepy Hollow! This episode will make you laugh until your cheeks hurt. Find more Dan online at www.DanBlakeslee.com and on Instagram at www.instagram.com/danblakesleemusic and Facebook at www.facebook.com/@DanBlakesleeAndTheCalabashClub. Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord.If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax deductible donation at www.CreativeGutsPodcast.com. Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show! We'd also like to thank The Currier Museum of Art in Manchester, NH for their support of our recent Tiny Art Exchange Zine; Red River Theatres in Concord, NH for collaborating with us on the Creative Guts Short Film Festival; and Creative Co Op as a sponsor of the film festival. We appreciate all the folks and organizations who give support to Creative Guts.

French Impressionism is a major exhibition developed by the Museum of Fine Arts, Boston, in partnership with the National Gallery of Victoria. Ksenia Radchenko, an art historian and lecturer of art history at the University of Sydney, talks about the collection, the essence of impressionism and the lives of artists. - В Национальной галерее Виктории открылась выставка работ французских импрессионистов из коллекции Бостонского музея в рамках ежегодной серии «Зимние шедевры». Искусствовед и преподаватель истории искусства в Сиднейском университете Ксения Радченко рассказывает о коллекции, сути импрессионизма и жизни художников.

Send us a textKatherine Edney is a Sydney-based artist whose evocative oil paintings delve into themes of identity, memory, and emotional transformation. Born in 1983, she holds a Master of Fine Arts by Research in Painting from UNSW's College of Fine Arts (2008), as well as a Bachelor of Fine Arts with First Class Honours (2004).Edney's work has received wide recognition in major Australian art prizes. She was a finalist in the prestigious Archibald Prize in both 2019 and 2020. Her 2019 entry, Self-portrait with Ariel, captured a poignant and deeply personal moment during late pregnancy, highlighting her ongoing interest in the strength and vulnerability of the female body during periods of transformation. Other accolades include multiple selections for the Salon des Refusés (2021–2024), the Portia Geach Memorial Award, Ravenswood Women's Art Prize, and the Brett Whiteley Travelling Art Scholarship.Her recent solo exhibition, I want to lie in the clouds with you, held at Curl Curl Creative Space, explored mental health and emotional landscapes. Through dreamlike compositions and layered textures, Edney invites the viewer into a contemplative space of calm and introspection. Katherine Edney Her portfolio spans portraiture, still life, and landscape. Notable works include David, Teena, and the black dog (Archibald finalist, 2020) and Ariel as a Green Cat (finalist, 2024 National Emerging Art Prize). Edney's paintings often blend realism with symbolism, creating narratives that resonate on both personal and universal levels.Alongside her painting practice, Edney is committed to arts education and runs classes for children on Sydney's Northern Beaches. Her work continues to evolve, underpinned by a strong dedication to storytelling and emotional nuance.Discover more at katherineedney.com.Thanks Katherine, we really appreciate your time!

David Wojahn grew up in St. Paul, Minnesota. He studied at the University of Minnesota and the University of Arizona. Ever since his first collection, Icehouse Lights, was chosen for the Yale Series of Younger Poets award in 1981, Wojahn has been one of American poetry's most thoughtful examiners of culture and memory. His work often investigates how history plays out in the lives of individuals, and poet Tom Sleigh says that his poems “meld the political and personal in a way that is unparalleled by any living American poet.”Wojahn's book World Tree (2011) received the Lenore Marshall Poetry Prize from the Academy of American Poets. His collection Interrogation Palace: New and Selected Poems 1982–2004 (2006), which Peter Campion called “superb” and “panoramic” in a review for Poetry, showcases Wojahn's formal range, the scope of his personal narratives, and his intense, imaginative monologues and character sketches, such as his sonnets on pop culture icons and rock-and-roll musicians in Mystery Train (1990). He is also celebrated for the emotional resonance of his poetry—the ability to, in the words of poet Jean Valentine, “follow … tragedy to its grave depths, with dignity and unsparingness, and egolessness.”In addition to his books of poetry, Wojahn is the author of From the Valley of Making: Essays on the Craft of Poetry (2015) and Strange Good Fortune (2001), a collection of essays on contemporary poetry. He coedited A Profile of Twentieth Century American Poetry (1991), and edited a posthumous collection of his wife Lynda Hull's poetry, The Only World (1995).Wojahn has received fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Illinois Arts Council, and the Indiana Arts Commission. He teaches poetry at Virginia Commonwealth University and in the low residency MFA in Writing program at the Vermont College of Fine Arts.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

As a teenager, Dr Michael Brand experienced moving from Canberra to Washington as both traumatic and exciting. It was on a journey back to Australia via family in Nepal with his brother, they were aged 15 and 18 respectively, that he first experienced Islamic art. He can trace a direct line from that experience to his field of study and life’s work. Brand has recently retired as Director of the Art Gallery of NSW, after guiding it through the most significant transformation in its history. He’s led galleries all over the world, from the Aga Khan Museum in Toronto, to the J Paul Getty Museum in LA and the Virginia Museum of Fine Arts. He started his career as curator of Asian art at the National Gallery of Australia under the iconic James Mollison. Brand is a scholar of Indian and Islamic art, architecture and landscape design and has led these world-class art museums at some of the most challenging in their history. Listen in as Vince and Michael discuss trying to be ethical in the art world, falling in love with Asian art in Nepal aged 15 and being sent to NYC by Frank Robertson to buy art. See omnystudio.com/listener for privacy information.

In this episode Gary Mansfield speaks to Jessica Gale (@Jess.Gale.Art) Jessica Gale is a British landscape artist born in 1967 in Catterick, Yorkshire. She began painting in 2010 during a period living in Amsterdam, inspired by the subdued beauty of a Dutch winter and influenced by Rembrandt's moody palette . Her work encompasses both representational and abstract landscapes. She investigates the interplay of shapes, light, and negative space, manipulating these elements through form and colour to convey the energy of her subjects. Gale trained at The Heatherley School of Fine Art in Chelsea, London, and currently resides and works in London and Dorset. Her diverse media include oil, acrylic, charcoal, pastels, and printmaking. She has exhibited widely, including at Harvey and Woodd in Edinburgh and the Otter Gallery in Dorset, and participated in the 2024 season of Sky's Landscape Artist of the Year. For more information on the work of Jessica Gale go tohttps://jessicagalefineart.com To Support this podcast from as little as £3 per month: www.patreon/ministryofarts For full line up of confirmed artists go to https://www.ministryofarts.orgEmail: ministryofartsorg@gmail.comSocial Media: @ministryofartsorg Hosted on Acast. See acast.com/privacy for more information.

This episode features discussions on figure drawing, capturing form, and culture. Artists on the panel include Cassandra Kim, John English, Scott Anderson, and Raymond Bonilla. Visual Arts Passage offers online mentorship programs in Illustration and Fine Arts, led by industry professionals to help you develop real-world skills and build a career doing what you love.Start Your Journey Today: www.visualartspassage.com/programWhy Choose Visual Arts Passage?

Mary is based in London and graduated from the Royal Drawing School in 2018 and Goldsmiths College London's BA in Fine Art and contemporary critical studies in 2010.Her works have been the subject of solo exhibitions at Moskowitz Bayse (Los Angeles) and Lychee One (London), and have recently been included in group exhibitions at The British Museum, White Cube, Union Pacific, and Huxley-Parlour (London), Hweg (Penzance), F2T Gallery (Milan), Harkawik (New York), and Clint Roenisch (Toronto), among others. I visited Mary a few days after her most recent show ‘Careful not to fill an Emptiness' opened at Moskowitz Bayse in London, which is where our conversation takes place. So as our conversation predominantly references the work within it, a fitting introduction to the work in the show, and to lead into our conversation as a whole would be to read an excerpt from her press release.The experience of the body can't be measured in feet or by the length of its limbs. But as a changing and curious instrument, the body knows space as something foreclosing – an abrupt cul-de-sac in a dream – and sometimes so blown open it can feel like sensory deprivation, extending past any textured surface or distance in time.The artworks in Careful not to fill an Emptiness move into spaces which have held – and been held by – the body. Here, these spaces are loosely described by paint or in dry materials on paper. They are shared and solitary at once: a group of figures stand together with their heads bowed, someone holds out a flower to another who is angled away and appears not to see them but is still supported by bodies on either side. When an object or body is depicted, a surrounding space forms by default. Around the bodies of natural elements, Mary Herbert paints a kind of default landscape that doesn't need to be clearly defined to be occupied. It is a not-quite place that exists despite the body's vulnerability, despite the human dualisms of language. 

Comedian and writer Athena Kugblenu has a hot take: we're all liars, and that's OK. Exploring the line between the little lies that do no harm and the big, self-serving whoppers you'd best avoid, she offers a crucial question to ask yourself to help determine if honesty is the best policy — or if a fib might best fit the situation.Want to help shape TED's shows going forward? Fill out our survey!Become a TED Member today at https://ted.com/join Hosted on Acast. See acast.com/privacy for more information.

Alejandro Cartagena | Ground Rules Photographer, publisher, and curator Alejandro Cartagena joined me at the 2025 Chico Review. We talk about the many different ways in which Alejandro practices photography and how much he has embraced being and editor and curator for others. Alejandro also discusses his upcoming retrospective, Ground Rules, at SFMOMA, curated by Shana Lopes along with the accompanying book published by Aperture. The show opens in September and the book is scheduled for November. https://alejandrocartagena.com — https://www.instagram.com/alexcartagenamex/ This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com Alejandro Cartagena, Mexican (b. 1977, Santo Domingo, Dominican Republic) lives and works in Monterrey, Mexico. His projects employ landscape and portraiture as a means to examine social, urban, and environmental issues. Cartagena's work has been exhibited internationally in more than 50 group and individual exhibitions in spaces including the Fondation Cartier pour l'art contemporain in Paris and the CCCB in Barcelona, and his work is in the collections of several museums including the San Francisco MOMA, The J. Paul Getty Museum, The Museum of Contemporary Photography in Chicago, The MFAH in Houston, the Portland Museum of Art, The West Collection, the Coppel collection, the FEMSA Collection, Museum of Fine Arts in Houston, the George Eastman House and the Santa Barbara Museum of Art and among others. Cartagena has received several awards including the international Photolucida Critical Mass Book Award, the Street Photography Award in London Photo Festival, the Lente Latino Award in Chile, the Premio IILA-FotoGrafia Award in Rome and the Salon de la Fotografia of Fototeca de Nuevo Leon in Mexico among others. He has been named an International Discoveries of the FotoFest festival, a FOAM magazine TALENT and an Emerging photographer of PDN magazine. He has also been a finalist for the Aperture Portfolio Award and has been nominated for the Santa Fe Photography Prize, the Prix Pictet Prize, the Photoespaña Descubrimientos Award and the FOAM Paul Huff Award. His work has been published internationally in magazines and newspapers such as Newsweek, Nowness, Domus, the Financial Times, The New York Times, Le Monde, Stern, PDN, The New Yorker, and Wallpaper among others.

We meet Alev Ebüzziya Siesbye (b. 1938, Istanbul, TR) is a ceramic artist known for her refined, monochrome stoneware bowls, which she has been producing for nearly sixty years. Working with the ancient coiling technique and a traditional wooden kick wheel, Ebüzziya Siesbye creates vessels that bear the intimate marks of her hand, balancing density and spaciousness, firmness and fragility. Fired at high temperatures, her bowls possess a stone-like solidity, while their sharp-edged lips and small, recessed bases lend them an impression of levitation. Though often unadorned, some pieces feature delicate horizontal lines along the rim to, as the artist describes, “prevent them from lifting off the ground.”Ebüzziya Siesbye studied sculpture at the Istanbul State Academy of Fine Arts before working at ceramic studios in Höhr-Grenzhausen, DE, and Istanbul. In 1963, she moved to Denmark to join the Royal Copenhagen Porcelain Manufactory, later founding her first independent studio in Copenhagen in 1969. She has lived and worked in Paris since 1987. She has been awarded many honors, including the 2022 Danmarks Nationalbank's Anniversary Foundation Honor Award and the Aydın Doğan Award, and her work has been the subject of retrospective exhibitions at the Museum of Turkish and Islamic Arts, Istanbul (TR), and the Museum of Decorative Arts, Copenhagen (DK).Ebüzziya Siesbye's ceramics are held in numerous museum collections, including the Cooper-Hewitt Museum, New-York (NY); the Victoria and Albert Museum, London (UK); the Los Angeles County Museum of Art (CA); Musée des Arts Décoratifs, Paris (FR); Museum Boijmans Van Beuningen, Rotterdam (NL); the Museum of Decorative Arts, Copenhagen (DK); the Nationalmuseum, Stockholm (SE); the Royal Scottish Museum, Edinburgh, (SCT); and the Museum of Fine Arts, Houston (TX), among others.Follow @Salon94 on Instagram.Alev's current solo show ‘Vibrations' which runs in New York at Salon 94 until 8th August 2025, address 3 East 89th Street: https://salon94.com/exhibitions/alev-ebuzziya-siesbye-vibrations Hosted on Acast. See acast.com/privacy for more information.

“We don't have to look far to realize there's a void of godly voices in modern youth culture. When we look around and see students struggling with self-harm, gender identity, as well as depression and anxiety, to name a few, we can see the void of godly voices,” writes Ashton Peters. “There's a void of Christ-honoring love, biblical discipleship, and authentic mentorship. There's a void of spiritual mothers and fathers, brothers and sisters, who deeply love a generation and want them to be all that God calls them to be.” In this episode of the Influence Podcast, I talk to Ashton Peters about why youth ministries need to fill that void with good adult mentors, and how they can best do so. I'm George P. Wood, executive editor of Influence magazine and your host. Ashton Peters is national Fine Arts coordinator for the Assemblies of God and author of The Third Voice, forthcoming from Gospel Publishing House. ————— This episode of the Influence podcast is brought to you by My Healthy Church, distributors of the Ignite Parenting Conversation Cards. Strengthen your family's relationships with God and each other with these easy-to-use Conversation Cards. Each card is uniquely designed with a question, faith builder statement, and a Bible verse to spark meaningful conversations that cultivate an open and nurturing environment in your home. For more information about the Ignite Parenting Conversation Cards visit MyHealthyChurch.com.

For the Season 3 finale—and the series finale—of "Barbara London Calling," Barbara speaks with artist María Magdalena Campos-Pons. Born in 1959 in Matanzas, Cuba, Magda recently received the ARTnews Lifetime Achievement Award for her contributions to art. Last year, she was honored with a MacArthur Fellowship, and she is currently the Cornelius Vanderbilt Endowed Chair Professor of Fine Arts at Vanderbilt University.

In this episode of Creative Guts, co-hosts Laura Harper Lake and Sarah Wrightsman sit down with Anthony Payton, a freelance writer, podcast host, and motivational speaker. Anthony is a regular columnist for the Common Ground Initiative at the Granite State News Collaborative and its partner Manchester Ink Link and co-host of the Lock and Key Podcast. Anthony was also a featured speaker at TEDx Amoskeag Millyard in 2023. Anthony's writing is often centered on his own history with incarceration — he describes writing as a way to stay out of the dark abyss while in prison. Originally from Brooklyn, NY, Anthony walks us through his journey to New Hampshire and to prison and the role writing and creativity has always played in his life. Anthony primarily writes creative nonfiction and strives to be sometimes humorous and always insightful. Learn more about Anthony Payton at www.anthonypaytonmedia.com and check out Anthony's TEDx Amoskeag Millyard talk, https://www.youtube.com/watch?v=sIXauVs_Svs. Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord.If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax deductible donation at www.CreativeGutsPodcast.com. Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show! We'd also like to thank The Currier Museum of Art for their support with our recent Tiny Art Exchange Zine; Red River Theatres for their partnership with the Creative Guts Short Film Festival; and Creative Co Op as a sponsor of the film festival. We appreciate all the folks and organizations who give support to Creative Guts.

Alex Greenwood explores the multifaceted nature of persuasion, particularly in writing and storytelling. He discusses how writers use persuasion to create believable narratives, the ethical implications of persuasion in various fields, and the importance of trust in the writer-reader relationship. Through examples from fiction, public relations, and law, he highlights the thin line between persuasion and manipulation, urging listeners to be aware of the narratives they encounter and the tacit bargain you make with the written word.CONNECT:​⁠⁠⁠⁠⁠⁠⁠⁠⁠All the Fits That's News on Substack (Free or Paid)⁠⁠⁠⁠⁠⁠⁠⁠⁠​⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alex's Author Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ​⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mysterious Goings On website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠​⁠⁠⁠⁠⁠⁠⁠⁠Contact Alex about advertising/sponsorship here⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠Buy a Book!⁠⁠⁠⁠ (John Pilate Mysteries)⁠⁠⁠⁠⁠Going to Killing City...Alex's true Crime Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hey friends—can you do me a quick favor?I'm running a short survey to get your take on my podcasts and All the Fits That's News newsletter. It only takes about 2 minutes, and your feedback will help shape what comes next.Whether you're a regular listener or just pop in occasionally, I'd really value your input. Bonus: you can enter to win a $20 Amazon gift card just for participating.The survey closes once we hit our target number of responses—or by June 30, whichever comes first.Thanks so much for supporting independent creators like me. You keep this whole thing going. -- Alexhttps://forms.gle/oDaEZDAG9mTTHbqk6Announcer: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mary McKenna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. PR After Hours Theme: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://filmmusic.io⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "Bossa Antigua" by Kevin MacLeodMusic Licensed under Creative Commons: By Attribution 4.0 License ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://creativecommons.org/licenses/by/4.0/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Original theme music "Mysterious Goings On" by Jamie Green. Want your own cool score for your podcast or website? Contact Jamie at ⁠⁠⁠⁠⁠⁠⁠⁠Greenhouse Consulting.⁠⁠⁠⁠⁠⁠⁠⁠ Check out Jamie's interview on the show ⁠⁠⁠⁠⁠⁠⁠⁠here.⁠⁠⁠⁠⁠⁠⁠⁠This Mysterious Goings On Podcast episode was recorded and mixed at Green Shebeen Studios in beautiful Kansas City, Missouri. Copyright 2025, all rights reserved. No reproduction, excerpting, or other use without written permission.We are an Amazon Associates seller, and some of our links may earn us a commission. 

This week the American Landscape Painter Kim Casebeer whose career spans some 25 years and whose work is shown in private, corporate and museum collections throughout the United States. Kim is represented in galleries from Colorado to Wyoming, Montana, Arizona and her home state of Kansas. She is, she says, in a good place in her career now balancing her time between studio commissioned work, plein air painting and teaching workshops. Kim was born in Newton, KS in 1970 and grew up in the tiny town of Goessel, KS with her two younger sisters Trish and Jenny. Her father Lloyd is a retired farmer and mother Marlene, a retired nurse. Kim's family are fifth generation farmers so her childhood was spent learning to grow a variety of crops and compete in the local 4H club where her talent as a horticulturist was noteworthy. An early interest in all things artistic was encouraged by her parents from drawing tractors with her dad to learning a variety of mediums through high school. It was a natural progression for Kim to choose art school as she laid the foundation for her career by graduating with a Bachelor in Fine Arts from Kansas State University with an emphasis in Graphic Design in 1992. It was here that she met Shannon and the couple recently celebrated their 31st wedding anniversary. Upon graduating, Kim's first jobs were in graphic design with her art work pursued as a hobby. It was only when her paintings were generating more income than her employment that Kim decided it was time to quit her day job and focus on being a full-time artist in 2001. Kim is a Master Signature Member of the American Women Artists, and a Signature Member of the Oil Painters of America and the Pastel Society of America. She has received multiple awards and publicity for her work that focuses on the big skies and wide open spaces of the western United States. Kim lives in Manhattan, KS with her husband Shannon, sons Collin and Lucas, and Australian Shepherd, Matilda. Kim's links:https://www.kimcasebeer.com/https://www.instagram.com/kimcasebeerartist/ Some favorite female artists in visual arts:Kami MendlikChula BeauregardJane HuntCindy BaronShanna HernandezMelissa Scott MillerJan BeaneyChiharu ShiotaHost: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week the American Landscape Painter Kim Casebeer whose career spans some 25 years and whose work is shown in private, corporate and museum collections throughout the United States. Kim is represented in galleries from Colorado to Wyoming, Montana, Arizona and her home state of Kansas. She is, she says, in a good place in her career now balancing her time between studio commissioned work, plein air painting and teaching workshops. Kim was born in Newton, KS in 1970 and grew up in the tiny town of Goessel, KS with her two younger sisters Trish and Jenny. Her father Lloyd is a retired farmer and mother Marlene, a retired nurse. Kim's family are fifth generation farmers so her childhood was spent learning to grow a variety of crops and compete in the local 4H club where her talent as a horticulturist was noteworthy. An early interest in all things artistic was encouraged by her parents from drawing tractors with her dad to learning a variety of mediums through high school. It was a natural progression for Kim to choose art school as she laid the foundation for her career by graduating with a Bachelor in Fine Arts from Kansas State University with an emphasis in Graphic Design in 1992. It was here that she met Shannon and the couple recently celebrated their 31st wedding anniversary. Upon graduating, Kim's first jobs were in graphic design with her art work pursued as a hobby. It was only when her paintings were generating more income than her employment that Kim decided it was time to quit her day job and focus on being a full-time artist in 2001. Kim is a Master Signature Member of the American Women Artists, and a Signature Member of the Oil Painters of America and the Pastel Society of America. She has received multiple awards and publicity for her work that focuses on the big skies and wide open spaces of the western United States. Kim lives in Manhattan, KS with her husband Shannon, sons Collin and Lucas, and Australian Shepherd, Matilda. Kim's links:https://www.kimcasebeer.com/https://www.instagram.com/kimcasebeerartist/ Some favorite female artists in visual arts:Kami MendlikChula BeauregardJane HuntCindy BaronShanna HernandezMelissa Scott Miller Jan Beaney Chiharu Shiota  Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

[Contemporary Realism] Joining us on the show today is painter Matthew Sievers, who recently finished a 10-week run at the Celebration of Fine Art in Scottsdale, Arizona. The artist speaks with us about his career, his landscape paintings and much more. Today's episode is sponsored by Michigan's Muskegon Museum of Art and The Bennett Prize, which celebrates women artists. To learn more about these two sponsors and their long-standing partnership in the art world, visit  thebennettprize.org.

Today's guest is Katherine Lawrence, Principal Faculty with Ballet West's pre-professional training program. A native of Fairfield, Connecticut, she trained atConnecticut Dance School and The Harid Conservatory, where she graduated as Valedictorian in 1998. She performed with The Hartford Ballet for a year before joining Ballet Internationale in 1999. In 2004, she joined Ballet West, retiring as a Principal Artist in May 2021. She holds a Bachelor's of Fine Arts in Ballet with a Teaching Emphasis from the University of Utah.In our conversation, Katherine shares about cultivating a positive environment, embracing what makes you uncomfortable, and making decisions to support being a well-rounded dancer.Learn more about Katherine and Ballet West - including their summer program: https://www.academy.balletwest.org/summer.You can learn more about dance education and career planning for dancers at theballerinatist.com.

"How To Start a Conversation, Keep It Going, Build Networking Skills – and Leave a Positive Impression!"

“GEMINI MOON PHASES & Jupiter in Cancer” presented by Talk Cosmos Kaleidoscope Visions.The Gemini New Moon and 1st quarter lead up to Jupiter's new year cycle in Cancer. Occurring a few days before the Sagittarius Full Moon, the social planets Jupiter and Saturn push us towards making actions to define cultural perspectives,” said Sue Minahan, founder, and host of the weekly show. “What makes up our personal foundation and security philosophically is an ongoing story for the year Jupiter is in Cancer. Understanding the lunar cycle impacts one's foundation, emotions, and emotional story.”The moon's our personal planet regulating the past coming into the present. Weekly the moon systematic monthly cycle transitions from the New Moon to first quarter, Full Moon, and third quarter moon phases. Daily transiting 12-13 degrees, the moon moves through a Zodiac sign in two & a half days. Join Sue Rose Minahan of Kailua-Kona, Hawai'i with Kaleidoscope Visions panel members, Amanda Pierce, and John Chinworth of Seattle. Bios below and on Talk Cosmos website for Season 8. Subscribe on Talk Cosmos website. Follow on YouTube @TalkCosmos. Weekly on YouTube, Facebook, Radio and Podcasts.JOHN CHINWORTH: Consultant, Conference Lecturer, Writer/Poet. Diploma from the International Academy of Astrology (IAA) in 2021. More than two decades of experience. https://www.skypathastro.com/ email: ... at NORWAC, and SFAS | Obsessed with mythology & branded the Greco-Roman pantheon into his psyche | Past board member of WSAA |Teaches and mentors developmentally disabled and resource students for many years | Pens poems and does road trips around Washington. https://www.skypathastro.comAMANDA PIERCE: blends her eclectic style of astrology and energy magic around a soul-centered approach to life and healing. With a B.A. in Psychology, Astrology and Energy Work Consultation | Meditation | Writing & Editing. Empowerment-based Meditation: teaching in-person 4-week series classes. Amandamoonastrology@gmail.com Past WSAA Board Member | UAC 2018 Volunteer Coordinator.SUE ‘ROSE' MINAHAN: Evolutionary Astrologer Consultant, studying Vibrational Astrology. Speaker, Writer. Dwarf Planet Astrology graduate and tutor; Kepler Astrology Toastmaster Charter Member; Associate of Fine Arts Music Degree, & a Certificate of Fine Arts in Jazz. Artist & musician. Mythology enthusiast. Founder of Talk Cosmos delivering weekly insightful conversations to awaken heart and soul-growth consciousness. 2025 Season 8. https://www.talkcosmos.com/#TalkCosmosKaleidoscopeVisions #SueMinahan #JohnChinworth #AmandaPierce #astrologyYouTubeconversations #MajorLunarPhases #marsinleo #astrologypodcastweather #TalkCosmos #SkyPathAstro #TalkCosmosYouTubeChannel #KKNW1150AM #ScorpioFullMoon #gemininewmoon #firstquarterMoon #QuarterMoon #radiopodcast #youtubeconversationpodcasts #mercury #jupiterincancer #saturninaries #neptuneinaires #astroweather #cosmosTalk Cosmos is your opportunity to ponder realms of what Carl Jung called the collective unconsciousness that's shared through time to the present…all through the lens of Sue's lifetime of peering into astrology.“Thankfully, I discovered Evolutionary astrology. Its perspective points directly to our unique personal spiritual soul growth…driven by our aligned intentions. Its promising purpose of soul growth ignited an entirely alive Zodiac. Captured, I felt compelled to study the deep significance of astrological application,” said Sue.Sue is your guide to focusing the Cosmos kaleidoscope. In the words of Einstein, “Energy's never destroyed, energy only changes.”Discover the energy that is Talk Cosmos, every Sunday from 1 p.m. to 2 p.m. right here on Alternative Talk 1150!Contact https://talkcosmos.com for weekly schedule, blog, and information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode Summary:Sherry Lin, a registered dietitian, nutritionist, and professional dancer. Sherry discusses how dancers and athletes can fuel their bodies effectively to perform at their highest level without resorting to restrictive diets. She highlights the importance of developing a personalized fueling strategy, rather than following rigid meal plans, to ensure long-term energy, recovery, and optimal performance.Sherry shares insights into the mistakes many dancers make, such as under-eating or focusing too much on dieting, and instead promotes a flexible, sustainable approach to nutrition. She introduces the "performance plate" method, which helps dancers balance carbohydrates, protein, and vegetables according to their activity levels, whether they're on low, moderate, or high-intensity days. Sherry also addresses the importance of meal timing around training and recovery to enhance muscle repair and energy replenishment.Throughout the conversation, Sherry emphasizes the importance of self-awareness in understanding nutritional needs and encourages dancers to be their own “badass detective” to assess their unique bodies. She also offers tips on meal prep, even for busy schedules, and discusses her Optimal Performance Nutrition program, which guides dancers through creating their personalized nutrition plans.This episode is packed with practical tips and advice for dancers looking to improve their energy levels, reduce recovery time, and sustain a healthy career through thoughtful nutrition.Show Notes:(0:00) Introduction to Sherry Lin, registered dietitian and professional dancer(2:30) Sherry's journey from Chicago to LA and booking her first commercial(6:00) Nutrition's impact on dancer performance(9:00) Common mistakes dancers make with diets and fueling(12:30) The "performance plate" and adapting meals for intensity levels(16:00) Why fueling strategies are better than rigid diets(18:30) Intuitive eating and why it's not ideal for high performers(22:00) Balancing physical, emotional, and mental health with food(25:00) Post-training nutrition for recovery and energy(28:00) Sherry's Optimal Performance Nutrition program(32:00) Easy meal prep tips for dancers(35:00) Sherry's approach to self-awareness and healthy eating(38:00) How to get started with Sherry's program(40:00) Conclusion and actionable steps for creating fueling strategiesBiography:Hailing from Chicago, Sherry Lin is a certified registered dietitian nutritionist (RDN) and dancer Within her first year in LA, Sherry booked her first commercial, two print advertisements, and a guest appearance on a mini-series directed by Lulu Wang, starring Sarayu Blue, Nicole Kidman, and Ji-Young Yoo.She performed for several years with Hip Hop ConnXion Dance Company and earned a Master's in Fine Arts in Dance from the University of Michigan.Sherry is also the founder of Rhythm and Nutrition, INC, a nutrition counseling service helping high achievers fuel their bodies so they can sustain doing what they love to their highest ability! Sherry completed her nutrition degree at the University of Illinois at Chicago and has over ten years of experience working as a dietitian specializing in performance nutrition and eating disorder recovery. She promotes holistic wellness through dance, nutrition, faith, and community.Connect on Social Media:https://www.instagram.com/sherrylin.rdWebsitehttps://www.sherrylinrd.com/

The journey from discarded material to transcendent art forms the foundation of our conversation about Leonardo Drew, one of contemporary art's most physically committed and philosophically profound creators. Drew's remarkable journey began in the most unlikely of places—playing in a dump as a child in Tallahassee, Florida—a formative experience that would later inform his artistic sensibility and material relationship.What strikes you immediately about Drew is the joyful contradiction between his ebullient personality and the weighted gravity of his installations. His work appears weathered, aged, and discovered rather than created, yet as we learn, this is a carefully orchestrated illusion. "I don't work with found objects," Drew reveals. "Most of my material I actually create in the studio... I become the weather." This transformation process, where new materials are methodically distressed until they appear to carry centuries of history, speaks to Drew's profound understanding of time, memory, and physical transformation.Perhaps most compelling is Drew's pivotal turning point at age fifteen, when a black-and-white reproduction of a Jackson Pollock painting changed everything. Despite being courted by Marvel and DC Comics for his extraordinary illustrative talents, Drew abandoned this promising commercial path to pursue fine art—a decision requiring remarkable courage. "I decided it was time for me to stop using what I did well," he explains, essentially tying his hands to discover what existed beyond his comfort zone. This willingness to abandon mastery in pursuit of deeper questions characterizes his entire approach.Drew's extraordinary work ethic—rotating between seven projects simultaneously like "crying babies" needing attention—and his seven-year disappearance into the studio to develop his voice demonstrate a commitment few artists match. His perspective on creative struggle as "the most beautiful part of the journey" reminds us that art-making thrives on questions rather than answers. Experience Drew's transformative installations in person to understand why his work commands such reverence among artists and audiences alike.Sources:Leonardo Drew in "Investigation" - Season 7 - "Art in the Twenty-First Century" | Art21https://www.youtube.com/watch?v=ymMGgOCoK8k&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=5An Interview with Leonardo Drew | Wadsworth Antheneumhttps://www.youtube.com/watch?v=-75fm_UzhYg&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=4Woodcuts: Leonardo Drew | useum of Arts and Design (MAD)https://www.youtube.com/watch?v=4N3S2nvDcvU&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=3Artist Talk: Leonardo Drew | Amon Carter Museum of American Art Fort Worthhttps://www.youtube.com/watch?v=LtsqaHfEYxc&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqRCarrie Scott, SEEN Podcast | Leonardo Drewhttps://open.spotify.com/episode/1a54U1cidMrWratJewuyFy?si=27cd5abd710f4439Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Commercial art is more than just mass-produced publicity; it constructs social and political ideologies that impact the public's everyday life. In The Fine Art of Persuasion: Corporate Advertising Design, Nation, and Empire in Modern Japan (Duke University Press, 2025), Gennifer Weisenfeld examines the evolution of Japanese advertising graphic design from the early 1900s through the 1964 Tokyo Olympics, a pivotal design event that rebranded Japan on the world stage. Through richly illustrated case studies, Weisenfeld tells the story of how modern corporations and consumer capitalism transformed Japan's visual culture and artistic production across the pre- and postwar periods, revealing how commercial art helped constitute the ideological formations of nation- and empire-building. Weisenfeld also demonstrates, how under the militarist regime of imperial Japan, national politics were effectively commodified and marketed through the same mechanisms of mass culture that were used to promote consumer goods. Using a multilayered analysis of the rhetorical intentions of design projects and the context of their production, implementation, and consumption, Weisenfeld offers an interdisciplinary framework that illuminates the importance of Japanese advertising design within twentieth-century global visual culture. Gennifer Weisenfeld is Walter H. Annenberg Distinguished Professor of Art and Art History at Duke University. Dr. Jingyi Li is an assistant professor of Japanese Studies at Occidental College, Los Angeles. She is a cultural historian of nineteenth-century Japan. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Send us a textThis week, Wes and Todd sit down with photographer, Tania Kaaz. Tania discusses film photography, film soups, how she got started souping film, developing color film, the magic of film photography, how she got back into photography after a long hiatus, different effects with different substances & films, her cameras, how she chooses what substances to soup her film in, travel size bottles, double exposures, sharing knowledge, Alter Analog, favorite subject matter, polaroid, her exhibition “Beauty Out Of Mayhem”, Heads of Hydra, inspiration, trauma & the healing of art, favorite photographers, bartering, and the importance of community.Join us for a fantastic conversation with Tania Kaaz!Check out Tania's website at www.taniakaaz.comFollow Tania on social media:Instagram - www.instagram.com/tania_nofilter/@tania_nofilterFollow us on Instagram: @tenetpodcast - www.instagram.com/tenetpodcast/ @wesbrn - www.instagram.com/wesbrn/ @toddpiersonphotography - www.instagram.com/toddpiersonphotography/ Follow us on Facebook: www.facebook.com/TenetPodcast/ Email us at todd@toddpierson.com If you enjoyed this episode or any of our previous episodes, please consider taking a moment and leaving us a review on your favorite podcast platform. Thanks for listening!

CANDYcolored studio podcast episode #251:micah clasper-torch is one of the most warm, caring and genuine people i've had the pleasure of spending time with. we quickly went deep in this interview and you'll not only be smitten by her gracious desire to teach all that she's learned, but you'll go away from this interview filled with wise thoughts and the courage to continue pursuing your creative path. micah's cv is extensive as are her experiences in the design capitals of the US and the world (milano). her book: punch needle fashion is the bridge between the time-loved craft of needle rug hooking and the seemingly intimidating world of fashion. she effortlessly shares how her love to learn and celebrate the craft & its evolution has taken a lovely creative journey discovering how to construct fashion pieces using this timeless art of punch needle. join her in her community: punch needle world. learn, create and be inspired via her book (it's truly like nothing i've seen) and by joining her email list. enjoy! (and thank you micah!!)order the bookpunch needle fashion: 15 punch needle projects for crafting accessories and wearableson amazonbarnes & noble micah's websites:www.micahclasper-torch.compunchneedleworld.com micah's instagrams:@claspertorch@punchneedle.world CONNECT WITH ME:katrinaberg.comemail: k@katrinaberg.comjoin my SWEETlist (my email list)instagram @katrina.berg LEAVE ME FEEDBACK: - what should i talk about next? let me know in the comments below. - did you enjoy this episode? if so, leave me a review!

Commercial art is more than just mass-produced publicity; it constructs social and political ideologies that impact the public's everyday life. In The Fine Art of Persuasion: Corporate Advertising Design, Nation, and Empire in Modern Japan (Duke University Press, 2025), Gennifer Weisenfeld examines the evolution of Japanese advertising graphic design from the early 1900s through the 1964 Tokyo Olympics, a pivotal design event that rebranded Japan on the world stage. Through richly illustrated case studies, Weisenfeld tells the story of how modern corporations and consumer capitalism transformed Japan's visual culture and artistic production across the pre- and postwar periods, revealing how commercial art helped constitute the ideological formations of nation- and empire-building. Weisenfeld also demonstrates, how under the militarist regime of imperial Japan, national politics were effectively commodified and marketed through the same mechanisms of mass culture that were used to promote consumer goods. Using a multilayered analysis of the rhetorical intentions of design projects and the context of their production, implementation, and consumption, Weisenfeld offers an interdisciplinary framework that illuminates the importance of Japanese advertising design within twentieth-century global visual culture. Gennifer Weisenfeld is Walter H. Annenberg Distinguished Professor of Art and Art History at Duke University. Dr. Jingyi Li is an assistant professor of Japanese Studies at Occidental College, Los Angeles. She is a cultural historian of nineteenth-century Japan. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this week's episode of Tiger Talk, join Northeast Mississippi Community College President Dr. Ricky G. Ford and Marketing and Public Relations Specialist Liz Calvery as they delve into how each academic division and department is going over and beyond what many collegiate departments are doing to be innovative and impactful to the students. Ford talks about how each division and department, in its own way, is helping to impact student lives. From Career and Technical Education to the Vice President of Instruction's Office to the friendships and technology used in the Division of Fine Arts and beyond, Ford spotlights some of the emerging technological usages by the Northeast faculty and staff and how it helps to make the college one of the top community colleges in the nation. Plus, stay updated on the latest in athletics, academics, workforce development, and more at one of the nation's premier community colleges. For those who may have missed an episode, all Northeast TigerTalk episodes are archived at https://nemcctigertalk.simplecast.com.--NEMCC--Information about Northeast Mississippi Community CollegeNortheast Mississippi Community College is a leading educational institution that provides comprehensive academic, technical, and workforce training programs to empower students and promote lifelong learning. With a commitment to excellence, Northeast Mississippi Community College fosters a supportive environment that prepares individuals for success in their chosen fields.For more information about Northeast Mississippi Community College, visit http://www.nemcc.edu.

Commercial art is more than just mass-produced publicity; it constructs social and political ideologies that impact the public's everyday life. In The Fine Art of Persuasion: Corporate Advertising Design, Nation, and Empire in Modern Japan (Duke University Press, 2025), Gennifer Weisenfeld examines the evolution of Japanese advertising graphic design from the early 1900s through the 1964 Tokyo Olympics, a pivotal design event that rebranded Japan on the world stage. Through richly illustrated case studies, Weisenfeld tells the story of how modern corporations and consumer capitalism transformed Japan's visual culture and artistic production across the pre- and postwar periods, revealing how commercial art helped constitute the ideological formations of nation- and empire-building. Weisenfeld also demonstrates, how under the militarist regime of imperial Japan, national politics were effectively commodified and marketed through the same mechanisms of mass culture that were used to promote consumer goods. Using a multilayered analysis of the rhetorical intentions of design projects and the context of their production, implementation, and consumption, Weisenfeld offers an interdisciplinary framework that illuminates the importance of Japanese advertising design within twentieth-century global visual culture. Gennifer Weisenfeld is Walter H. Annenberg Distinguished Professor of Art and Art History at Duke University. Dr. Jingyi Li is an assistant professor of Japanese Studies at Occidental College, Los Angeles. She is a cultural historian of nineteenth-century Japan. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

I have a special episode for you today with visual artist Shuling Guo. In this episode we hear about her incredible story going from a very traditional, small village in Southern China, and her triumph against a very dominant patriarchal culture structure, to go to art school in Beijing, and ultimately to the United States to pursue her artistic path.  We learned about her spiritual influences from the women in her life and how that set the stage for her artistic journey.  -----------------------------------------Guo graduated from the Oil Painting Department of China Central Academy of Fine Arts, Beijing (B.F.A.) in 2010. She moved to the United States in 2019, and currently lives between Philadelphia and aboard the Sailing Vessel Selkie. In 2012, she had her first solo exhibition in Beyond Art Space in Beijing. Since then, her work has been exhibited in New York, Beijing, Los Angeles, Philadelphia and Platform Art.Her works have been included in the permanent collections of Central Academy of Fine Arts Art Museum (Beijing) and Art Museum of Guangzhou Academy of Fine Arts (Guangzhou). Her work has been selected to appear in New American Paintings, 2025 Issue 172.Mindy Solomon Gallery Shuling's Instagram Follow Martin Benson for more insights:*To stay updated on the podcast and related content, check out ⁠⁠⁠my Instagram⁠⁠⁠*To support the show and access exclusive content, consider subscribing for $0.99/month on Instagram (link above).Credits: Special thanks to Matthew Blankenship of ⁠⁠⁠The Sometimes Island⁠⁠⁠ for our podcast theme music!Support this podcast: ⁠⁠⁠https://podcasters.spotify.com/pod/show/martin-l-benson/support⁠