Argentinian-born Spanish artist
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4 episodes with amalia ulman
4 episodes with amalia ulman
2 episodes with amalia ulman
2 episodes with amalia ulman
4 episodes with amalia ulman
2 episodes with amalia ulman
3 episodes with amalia ulman
This week, Amon chats to director Babak Anvari and star Matthew Rhys about their new horror-thriller HALLOW ROAD (05:36), while we review the film (25:23) and then take a trip down to Amalia Ulman's MAGIC FARM (37:19), for her Argentina-set absurdist comedy. Plus, in our HOT TAKE (50:51), we deliver our spoiler-filled thoughts on the second (and final) season of ANDOR. If you would like to donate directly towards humanitarian aid in Gaza please visithttps://www.map.org.uk/https://www.safebowgazanaid.com/take-action-nowJoin the conversation or suggest a Hot Take for the gang to discuss tweet us at @FadeToBlackPodFollow us: @amonwarmann, @clarisselou, @hannainesflintMusic by The Last SkeptikIf you like the show do subscribe, leave a review and rate us too!
A bumper pod this week – we review Amalia Ulman's Magic Farm about a bunch of hipster journalists getting lost in Argentina, and India Donaldson's Good One about a v v awkward intergenerational camping trip. But that's not all! We also dig into Wes Anderson's ornate cinematic toolbox ahead of The Phoenician Scheme, so we're talking family, casting, animation, etc etc. But that's still not all! Jamie inspires some Final Destination-style catastrophising, and Anahit's been back on the Love Is Blind tip so that's in there as well. And that's all. TIMESTAMPS: What We've Been Watching: Final Destination Bloodlines, Love Is Blind UK, Earth Girls Are Easy (2:20) Magic Farm review (16:15) Good One review (29:10) Wes Anderson, cinema's fanciest lad (40:00) Get us on Twitter, Bluesky, Instagram and Letterboxd @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded at Ground Floor, Leith – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license
"Magic Farm" had its world premiere at the 2025 Sundance Film Festival and later went on to screen at the Berlin International Film Festival. Set against the backdrop of an impending health crisis, it tells the story of a film crew who lands in South America to profile a musician but discover they have arrived in the wrong country. Director/Writer/Star Amalia Ulman and actors Chloë Sevigny, Alex Wolff, and Joe Apollonio were all kind enough to spend some time speaking with us about their experience making the film, which you can listen to below. Please be sure to check out the film, which is now playing in New York theaters from MUBI and will expand to additional cities starting May 2nd. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
Amalia Ulman has followed El Planeta, one of this decade's most auspicious debuts, with the equal-parts caustic and sincere Magic Farm. With its limited release beginning today, Nick Newman had the fortune of speaking with her and Chloë Sevigny in an interview that highlights the particular relationship between a writer-director-actor and her co-star.
Take a trip down the dark alleys of Film Noir, filled with unscrupulous men, state corruption and crimes waiting to be solve. Listen to our hosts' favourite urban thrillers, as they try to figure out what Film Noir even is. A genre? A style? Or a mode of production that dominated Hollywood post World-War II. Inspired by our current program Tales From Nightmare Alley, we dive deep into this infamous moment of American cinema that forever marked the cinematic landscape. With our partners Mubi, you can enjoy 30 days free of handpicked cinema at mubi.com/lab111, including Amalia Ulman's El Planeta (2021) who we recently interviewed here on the podcast. --- Send in a voice message: https://podcasters.spotify.com/pod/show/lab111/message
As part of our new partnership with Mubi, we had the exclusive chance to speak with Artist-turned-filmmaker Amalia Ulman about her feature debut El Planeta. This dark comedy, set in Amalia's childhood town Gijon, is a fresh twist on the precarious economic conditions the working-class can find themselves in. In this candid interview Amalia shares what it was like to make her first film, co-starring with her mother, and why her work across different mediums is so narrative driven. You can enjoy 30 days free of handpicked cinema at mubi.com/lab111, including Amalia Ulman's El Planeta (2021). --- Send in a voice message: https://podcasters.spotify.com/pod/show/lab111/message
Hollywood writer-director-producer James Gray on his magnificent and moving new film Armageddon Time, and an offbeat comedy centering on the story of a mother and daughter in post-crisis Spain.
Hollywood writer-director-producer James Gray on his magnificent and moving new film Armageddon Time, and an offbeat comedy centering on the story of a mother and daughter in post-crisis Spain.
Hollywood writer-director-producer James Gray on his magnificent and moving new film Armageddon Time, and an offbeat comedy centering on the story of a mother and daughter in post-crisis Spain.
Hollywood writer-director-producer James Gray on his magnificent and moving new film Armageddon Time, and an offbeat comedy centering on the story of a mother and daughter in post-crisis Spain.
Join me and Amalia Ulman, in the last days of her purr-fect apartment, as we dive deep into her unique journey towards the cinema, with some detours into the internet, the art world and more!
Dialogues | A podcast from David Zwirner about art, artists, and the creative process
A conversation with two exciting artists taking their multimedia practices onto the movie screen. Ulman, whose work combines video, performance, and the Internet in fluid ways, recently released her critically-acclaimed first feature film, El Planeta. A hit at the Sundance Film Festival, it features Ulman and her mother as a pair of mother-and-daughter grifters in Gijon, Spain, their hometown. And Lee, who works across all manner of media, also made a standout film that draws from her own life: Mommy is a resonant profile of her mother following her devastating death that, like El Planeta, fuses the visual language of video and Net Art with that of Hollywood.
Esta semana os invitamos a conocer la parte más experimental del FICX, del que Radio3 os ofrece una buena cobertura, desde Gijón y hablamos con directores como Lois Patiño, la norteamericana Eve Heller, el austriaco Tscherkassy, la española Amalia Ulman, la neoyorkina Jane Schoernbrun o el gallego Andrés Goteira. Escuchar audio
Hoy desde el Festival Internacional de Cine de Gijón, cuya edición número 59 empezó el viernes. Con su director, Alejandro Díaz Castaño. Con Icíar Bollaín, Premio Mujer de Cine 2021. Con la artista multidisciplinar Amalia Ulman, que presenta su primera película "El planeta" en la sección oficial Retueyos. Y con Andrés Goteira y "Welcome to ma maison" de la sección Tierres en trance. Escuchar audio
8年前的2014年，一个刚刚毕业的艺术院校学生、一个初出茅庐的阿根廷艺术家阿玛利亚·乌尔曼（Amalia Ulman），在社交媒体上凭借一场名为《卓越和完美》的、长达4个月的艺术艺术实验，成功地批判了“网红世界”，她也因为几张自拍照而一跃成为全世界最厉害的社交媒体艺术家。她的成名故事是偶然但也是必然。在网友们深受“网红滤镜迫害”（小红书的网图滤镜有多强）、明星人设频繁翻车的环境下，到底什么才是社交媒体软件不断在强调的“真实性”？隔着屏幕，我们能看到真实的你我他吗？今天的《纽约艺术圈》就通过艺术家的视角，带你了解网红滤镜。我是天楚，我在纽约。欢迎大家订阅《纽约艺术圈》，如果你有任何想法和建议，也欢迎留言告诉我哦！ 图片来源于网络，版权归原作者所有
8年前的2014年，一个刚刚毕业的艺术院校学生、一个初出茅庐的阿根廷艺术家阿玛利亚·乌尔曼（Amalia Ulman），在社交媒体上凭借一场名为《卓越和完美》的、长达4个月的艺术艺术实验，成功地批判了“网红世界”，她也因为几张自拍照而一跃成为全世界最厉害的社交媒体艺术家。她的成名故事是偶然但也是必然。在网友们深受“网红滤镜迫害”（小红书的网图滤镜有多强）、明星人设频繁翻车的环境下，到底什么才是社交媒体软件不断在强调的“真实性”？隔着屏幕，我们能看到真实的你我他吗？今天的《纽约艺术圈》就通过艺术家的视角，带你了解网红滤镜。我是天楚，我在纽约。欢迎大家订阅《纽约艺术圈》，如果你有任何想法和建议，也欢迎留言告诉我哦！ 图片来源于网络，版权归原作者所有
8年前的2014年，一个刚刚毕业的艺术院校学生、一个初出茅庐的阿根廷艺术家阿玛利亚·乌尔曼（Amalia Ulman），在社交媒体上凭借一场名为《卓越和完美》的、长达4个月的艺术艺术实验，成功地批判了“网红世界”，她也因为几张自拍照而一跃成为全世界最厉害的社交媒体艺术家。她的成名故事是偶然但也是必然。在网友们深受“网红滤镜迫害”（小红书的网图滤镜有多强）、明星人设频繁翻车的环境下，到底什么才是社交媒体软件不断在强调的“真实性”？隔着屏幕，我们能看到真实的你我他吗？今天的《纽约艺术圈》就通过艺术家的视角，带你了解网红滤镜。我是天楚，我在纽约。欢迎大家订阅《纽约艺术圈》，如果你有任何想法和建议，也欢迎留言告诉我哦！ 图片来源于网络，版权归原作者所有
8年前的2014年，一个刚刚毕业的艺术院校学生、一个初出茅庐的阿根廷艺术家阿玛利亚·乌尔曼（Amalia Ulman），在社交媒体上凭借一场名为《卓越和完美》的、长达4个月的艺术艺术实验，成功地批判了“网红世界”，她也因为几张自拍照而一跃成为全世界最厉害的社交媒体艺术家。她的成名故事是偶然但也是必然。在网友们深受“网红滤镜迫害”（小红书的网图滤镜有多强）、明星人设频繁翻车的环境下，到底什么才是社交媒体软件不断在强调的“真实性”？隔着屏幕，我们能看到真实的你我他吗？今天的《纽约艺术圈》就通过艺术家的视角，带你了解网红滤镜。我是天楚，我在纽约。欢迎大家订阅《纽约艺术圈》，如果你有任何想法和建议，也欢迎留言告诉我哦！ 图片来源于网络，版权归原作者所有
We meet the author of a new monograph about David Lynch's Inland Empire, his strangest and most haunting film. Spanish artist and filmmaker Amalia Ulman talks about casting herself and her mother in a film inspired by two real life scammers which is one of the highlights at this year's Sydney Film Festival, and talented Australian actor Hal Cumpston shares his Top Shelf.
We meet the author of a new monograph about David Lynch's Inland Empire, his strangest and most haunting film. Spanish artist and filmmaker Amalia Ulman talks about casting herself and her mother in a film inspired by two real life scammers which is one of the highlights at this year's Sydney Film Festival, and talented Australian actor Hal Cumpston shares his Top Shelf.
We meet the author of a new monograph about David Lynch's Inland Empire, his strangest and most haunting film. Spanish artist and filmmaker Amalia Ulman talks about casting herself and her mother in a film inspired by two real life scammers which is one of the highlights at this year's Sydney Film Festival, and talented Australian actor Hal Cumpston shares his Top Shelf.
We meet the author of a new monograph about David Lynch's Inland Empire, his strangest and most haunting film. Spanish artist and filmmaker Amalia Ulman talks about casting herself and her mother in a film inspired by two real life scammers which is one of the highlights at this year's Sydney Film Festival, and talented Australian actor Hal Cumpston shares his Top Shelf.
We meet the author of a new monograph about David Lynch's Inland Empire, his strangest and most haunting film. Spanish artist and filmmaker Amalia Ulman talks about casting herself and her mother in a film inspired by two real life scammers which is one of the highlights at this year's Sydney Film Festival, and talented Australian actor Hal Cumpston shares his Top Shelf.
Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. One of my favorite debuts in a while is El Planeta, directed by and starring Amalia Ulman. She plays a designer who lives with her mother (played by Ulman's mother) but they're both going broke. So they're making ends meet any way they can, which for her mother might include a little light scamming. It's a movie with many layers, both funny and poignant, about keeping up appearances and about the complicated bond between mother and daughter. In many ways it builds on Ulman's extensive art practice, which plays with class, identity, fashion, and how we have to present and re-present ourselves to the world. Ulman was raised in Gijón, Spain, where the movie is set, and she's based in New York. I already had the pleasure of interviewing Ulman at length for Screen Slate, and so this time I was able to spend more time than usual talking about the wonderful movies she's been watching. But first our Zoom conversation was interrupted by a surprise guest... You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass
This last year has been a drought for movie-lovers by most standards. But if you're looking for silver linings, you could do worse than noting that there's a fresh edition of the New Directors/New Films festival happening a mere four months after the 2020 edition. This year is extra special: it returns the festival to theaters alongside virtual screenings, and it also marks the 50th anniversary of New Directors/New Films. It's a nice reminder that despite all the doom-saying, cinema's future remains as vibrant as its past. To preview the lineup, FC editors Devika Girish and Clinton Krute were joined by critics Vadim Rizov and Chloe Lizotte—both veterans of our 2020 New Directors talk— for a live taping of the podcast. The four discussed festival highlights including Amalia Ulman's El Planeta, James Vaughan's Friends and Strangers, Fern Silva's Rock Bottom Riser, Salomé Jashi's Taming the Garden, Mani Kaul's Duvidha, and more. This episode of the Film Comment Podcast is sponsored by MUBI. Film Comment readers and listeners can get 30 days of great cinema free at mubi.com/filmcomment.
Hola! Estamos felices de llegar con nuestro primer episodio. Somos Marc Tio & Juan Carvajal, dos amigos que nos conocimos en el festival de cine de Nueva York que hemos estado viviendo festivales desde hace muchísimos años. En este programa inaugural de Sala Se7en hablamos de lo bueno y lo malo del festival de Sundance que se ha celebrado online debido a la pandemia. Aquí te contamos qué títulos debes ver y cuales es mejor evitar. Destacamos "Coda" de Sian Heder; "Flee" de Jonas Poher Rasmussen; "Summer of Soul (of, when the revolution could not be televised" de Ahmir 'Questlove' Thompson; "Land" de Robin Wright; "Judas and the Black Messiah" de Shaka King, "Cryptozoo" de Dash Shaw; "Jockey" de Clint Bentley; "The Pink Cloud" de Iuli Gerbase; "Hive" de Blerta Bahsolli; y "El Planeta" de Amalia Ulman.También queremos que nos cuentes que sería chévere tener en el podcast y TODAS las sugerencias que tengas son BIENVENIDAS! Email. salase7en@gmail.com
Welcome to The Last Thing I Saw, with your host Nicolas Rapold. On this episode about the 2021 Sundance Film Festival, I'm joined by critic Beatrice Loayza, a frequent guest on the show. Among the movies we discuss are Ben Wheatley's In the Earth, 1980s throwback Censor, A Glitch in the Matrix (from the director of Room 237), and Amalia Ulman's El Planeta. For complete show notes with links, sign up for my newsletter at rapold.substack.com Music: “Monserrate” by The Minarets. This episode was co-produced by John Gaudio. Photo by Steve Snodgrass
TT + Dan go to Sundance (virtually) & toast the Utah Jazz's #1 spot in the Western conference. We talk about our love for Amalia Ulman's EL PLANETA (our festival discovery of the weekend). Plus, how the NBA is like academia. (5:15) Being at your peak as a basketball player and as a writer (10:06) What it means when Steph Curry puts a towel on his head (12:44) The particular style of movies that premiere at Sundance (18:42) The difference between quirky, cute, and zany (22:50) The plot of EL PLANETA from the Sundance catalogue (we’re not going to Cavell-patchwork it this time) (24:18) “A divine peace falls when the only unknown is the question of when” (26:03) A poem that TT wrote about Zara (the clothing brand) and the movie (28:03) The class-blurring quality of animal prints (37:40) “Part of the tragedy of EL PLANETA is that these characters haven’t realized yet what kind of movie they’re in” (46:04) “How many feminists does it take to change a lightbulb?” (1:00:13) On the inherently melodramatic nature of beach scenes, and how this movie’s beach scene isn’t one (1:04:25) Ending a movie ambivalently vs. ending a movie with a specific move (1:16:03) On how FRANCES HA (2012) is the super-American, privatized version of EL PLANETA
UNLOCKING our previously Patreon-only conversation with Amalia Ulman because of SUNDANCE, BABY! Watch the video / hear more fire shit: www.patreon.com/theionpack @THEIONPACK
- WWW.PATREON.COM/THEIONPACK - FOR FULL EPISODE !
The history of fake identities is tightly interwoven with the rise of the internet - the free and open space where you could be anyone you wanted to be. What role did - and do - artists play in this? How do they develop and manifest characters online? Early net artist Martine Neddam has been creating online fake personas that work with public feedback since 1996, far before the establishment of social media. Mouchette, David Still, Xiao Qian are all characters that she created anonymously. This edition of Cultural Matter 2019-20, the audience will get to know the online curator Madja Edelstein-Gomez. The work of Neddam and Edelstein-Gomez will act as a starting point for further reflection on online identity and user feedback - and will be placed in an art historical and socio-political context. Madja Edelstein-Gomez Madja Edelstein-Gomez (1960, Montevideo, Uruguay) is an independent curator who has curated several large thematic exhibitions (Bangalore, Buenos Aires, Prague, Tbilisi, Toronto). Edelstein-Gomez currently lives in Kuala Lumpur and Paris. She is also an activist working with several NGOs. Edelstein-Gomez created a manifesto and a group exhibition that revolves around the Recombinant, a concept where artificial intelligence and artists meet. Madja Edelstein-Gomez is the collaborative creation of Martine Neddam, Emmanuel Guez and Zombectro. Martine Neddam Martine Neddam is an artist, researcher and teaches at the Gerrit Rietveld Academy and the Sandberg Institute in Amsterdam. She uses language as raw material for her art, and many of her works center on the phenomena of speech acts, approaches to communication as well as to language and writing in public space. She has been working with virtual characters since 1996, the first and most famous one being Mouchette, a fictive thirteen-year-old that has meanwhile acquired cult status. Neddam’s virtual personae function as communications tools such that they have already facilitated the exchange between human beings via the medium of the artistic figure, and thereby anticipated the functionality of social media. Diana McCarty Independent media producer and feminist media activist Diana McCarty is a founding editor of reboot.fm, the award winning free artists’ radio in Berlin; a co-founder of the radio networks Radia Network (radia.fm) and 24/3 FM Radio Network Berlin; and of the FACES (faces-I) online community for women, among other initiatives. She co-initiated the exhibition Nervous Systems: Quantified Life and the Social Question, Haus der Kulturen der Welt, 2016, Berlin, and actively collaborates with the experimental media project Luta ca caba inda. As a cyberpunk in the 1990s, she was active in independent internet culture with nettime, the MetaForum conference series, and different hacking spaces. Her work revolves around art, gender, politics, radical feminism, technology, and media. McCarty is a BAK Fellow 2019/2020. Cultural Matter Cultural Matter is a series of exhibitions and events that provide a platform for the international discussion of digital art and aims to develop new strategies for the presentation and preservation of these artworks. Also part of the Cultural Matter series: JODI, Jonas Lund, Rafaël Rozendaal, Amalia Ulman, Thomson & Craighead. Curated by: Sanneke Huisman and Jan Robert Leegte.
The history of fake identities is tightly interwoven with the rise of the internet - the free and open space where you could be anyone you wanted to be. What role did - and do - artists play in this? How do they develop and manifest characters online? Early net artist Martine Neddam has been creating online fake personas that work with public feedback since 1996, far before the establishment of social media. Mouchette, David Still, Xiao Qian are all characters that she created anonymously. This edition of Cultural Matter 2019-20, the audience will get to know the online curator Madja Edelstein-Gomez. The work of Neddam and Edelstein-Gomez will act as a starting point for further reflection on online identity and user feedback - and will be placed in an art historical and socio-political context. Madja Edelstein-Gomez Madja Edelstein-Gomez (1960, Montevideo, Uruguay) is an independent curator who has curated several large thematic exhibitions (Bangalore, Buenos Aires, Prague, Tbilisi, Toronto). Edelstein-Gomez currently lives in Kuala Lumpur and Paris. She is also an activist working with several NGOs. Edelstein-Gomez created a manifesto and a group exhibition that revolves around the Recombinant, a concept where artificial intelligence and artists meet. Madja Edelstein-Gomez is the collaborative creation of Martine Neddam, Emmanuel Guez and Zombectro. Martine Neddam Martine Neddam is an artist, researcher and teaches at the Gerrit Rietveld Academy and the Sandberg Institute in Amsterdam. She uses language as raw material for her art, and many of her works center on the phenomena of speech acts, approaches to communication as well as to language and writing in public space. She has been working with virtual characters since 1996, the first and most famous one being Mouchette, a fictive thirteen-year-old that has meanwhile acquired cult status. Neddam’s virtual personae function as communications tools such that they have already facilitated the exchange between human beings via the medium of the artistic figure, and thereby anticipated the functionality of social media. Cultural Matter Cultural Matter is a series of exhibitions and events that provide a platform for the international discussion of digital art and aims to develop new strategies for the presentation and preservation of these artworks. Also part of the Cultural Matter series: JODI, Jonas Lund, Rafaël Rozendaal, Amalia Ulman, Thomson & Craighead. Curated by: Sanneke Huisman and Jan Robert Leegte. More information: http://www.li-ma.nl/lima/cm2 Event Cultural Matter: Martine Neddam in conversation with Elvia Wilk (Pt.I) Wednesday February 19, 8.00 PM 7,50 / 5 / Free with Cineville TICKETS Facebook event Exhibition February 19 - April 5, 2020 Every day from 17 - 23 LIMA (in the basement of LAB111) Arie Biemondstraat 111, Amsterdam Entrance is free Design by Pablo Bardinet This programme is supported by the AFK (Amsterdam Fund for the Arts) and Stichting Niemeijer Fonds.
This conversation between Dutch artist duo JODI and art historian Sakrowski was recorded on the 20th of November 2019 at LIMA at the opening event of Cultural Matter:JODI. Cultural Matter:JODI Max Payne Cheats Only (2004) is a double projection video consisting of video game ‘cheats’: alterations to the behavior of a video game, often built in by the original programmers to help players who have reached an impasse. JODI compiled cheats from the New York vigilante third person shooter game Max Payne. JODI: ‘We wanted to do something that was non-aesthetically ours. No scary black blobs on jumping white backgrounds, but trying to achieve the impossible - an abstraction within the aesthetic of a game which is already set.’ The work is a selection of 140 hours of game recordings, a process which starts as an endurance performance and ends in a machinima underground art film. In the exhibition and lecture programme Cultural Matter, the work will be presented and discussed. JODI JODI is a duo consisting of Joan Heemskerk (1968, NL) and Dirk Paesmans (1965, BE). The two artists, with a background in video and photography, turned their attention to the web in the 1990s, and have created some of the most subversive Internet artworks since. In line with video art pioneers such as Nam June Paik and Steina and Woody Vasulka, they subject their medium to a critical analysis and dismantle its structures. Their work uses the widest possible variety of media and techniques, from installations, software and websites to performances and exhibitions. Their pioneering website wwwwwwwww.jodi.org (1995) is a puzzling experience: a well-choreographed chaos. In a pioneering, medium-specific way, they deconstruct and analyze the languages of new media: from visual aesthetics to interface elements, from code to breaking code. They challenge the relationship between technology and users by subverting our expectations about the functionalities and conventions of the systems that we depend upon every day. Cultural Matter Cultural Matter is a series of exhibitions and events that provide a platform for the international discussion on the position and intricacies of digital art. Leading artworks are the starting point for an exhibition and an additional public programme in which local and international experts will analyse the works in an art historical and material context. Also part of the Cultural Matter series: JODI, Jonas Lund, Martine Neddam, Thomson & Craighead, Amalia Ulman. Curated by: Sanneke Huisman and Jan Robert Leegte. Exhibition November 20, 2019 - January 8, 2020 Every day from 12 - 22 LIMA (in the basement of LAB111) Arie Biemondstraat 111, Amsterdam Entrance is free
'Anthem' is a collection of artistic and musical creations curated by US-based producer Total Freedom released as a series of limited edition 12″ records and is the soundtrack to the 9th Berlin Biennale, published by The Vinyl Factory. The purpose of 'Anthem' is to bring together artists and musicians in an environment that testifies the importance of collaboration and sharing. The episode features: Amalia Ulman with Carles Santos, Patricia Satterwhite with Jacolby Satterwhite and Nick Weiss, Trevor Jackson, Kelela Elysia Crampton with Not Adrian Piper, Ryoji Ikeda, Fatima Al Qadiri with Hito Steyerl and Juliana Huxtable, Isa Genzken with Total Freedom, Jamie Lidell, Jeremy Deller.
Is the iPad Pro sincerely progressive or ironically backward, is it possible it’s both at the same time? Chicago Apple Store https://www.apple.com/retail/michiganavenue/ Genius Grove replacing the Genius Bar https://www.racked.com/2016/5/20/11721984/apple-new-store-design Microsoft Surface Studio Ad https://www.youtube.com/watch?v=BzMLA8YIgG0 Austin Lee https://www.instagram.com/austinleee/ Procreate https://procreate.art/ Apple Pencil https://www.apple.com/ca/apple-pencil/ Mother of all demos https://www.youtube.com/watch?v=yJDv-zdhzMY Sterling Crispin’s VR painting tool (Cyber Paint) http://www.sterlingcrispin.com/cyberpaint.html James Paterson, using VR and 3d printing http://presstube.com/hello/, https://www.instagram.com/presstube/ James Turrell http://jamesturrell.com/ Amalia Ulman http://amaliaulman.eu/ Jonathan Harris http://number27.org/works Cité Internationale des Arts, Paris https://www.citedesartsparis.net/ Teenage engineering https://www.teenageengineering.com/products/op-1 Philippe Parreno https://hyperallergic.com/101160/philippe-parreno-palais-de-tokyo/ Pierre Huyghe https://www.hauserwirth.com/artists/63/pierre-huyghe/images-clips/ Apple iPad Pro “What’s a Computer” https://www.youtube.com/watch?v=sQB2NjhJHvY
伏尔泰是法国启蒙时期的最重要的作家之一，他惊人的产出涵盖历史、政治、科学、小说、戏剧和诗歌，更别提留下了两万多件书信。他最新的作品全集收编用了50年，总长度超过了100卷之多。但伏尔泰的成功往往决定于他最精干的讽刺作品——1759年，作者65岁时出版的短篇小说 Candide。这本不到90页的作品一出版就被当局列为禁书，畅销欧洲。他讲述了一位天真善良的青年Candide在哲学导师Pangloss理论的指引下，在全世界历险，寻找和解救他的真爱Cunegonde的故事。攻击哲学、宗教、文学、政府、军队，和世人的作为，这是一本紧张严肃活泼而无情的讽刺作品。和我一起讨论伏尔泰和赣第得的是艺术史学家张宇凌和作家晏礼中。节目中提到的作品信息：小说《老实人》或《赣第德》，伏尔泰傅雷版：https://book.douban.com/subject/27108920/徐志摩版：https://book.douban.com/subject/20272955/非虚构《启蒙时代》，彼得·盖伊https://book.douban.com/subject/26104025/一篇在 Lapham’s Quarterly 关于伏尔泰投资的杂文《伏尔泰的运气》https://www.laphamsquarterly.org/luck/voltaires-luck晏礼中提到的明清中国“启蒙”的号召者是李贽、王夫之、黄宗羲、顾炎武编辑推荐：Amalia Ulman 个展《优越》在北京金杜艺术中心持续到5.19日http://kwmartcenter.com台湾电影《大佛普拉斯》https://movie.douban.com/subject/27059130/Intro 音乐是 Berstein 的音乐剧《赣第德》的序曲，Outro 音乐是音乐剧《悲惨世界》插曲《都是伏尔泰的错》。下一次误读会会在五月末上线，我们会讨论简·奥斯丁的《诺桑觉寺》，欢迎和我们一起阅读。 See acast.com/privacy for privacy and opt-out information.
This podcast is protected. Only confirmed followers have access to this episode of Good Point. Jeremy’s MCA Chicago show https://mcachicago.org/Exhibitions/2018/I-Was-Raised-On-The-Internet Cambridge Analytica, the story so far https://www.theguardian.com/news/2018/mar/26/the-cambridge-analytica-files-the-story-so-far Judge’s predict recidivism https://www.propublica.org/article/machine-bias-risk-assessments-in-criminal-sentencing Zuckerberg on CNN http://money.cnn.com/video/technology/2018/03/22/zuckerberg-cambridge-analytica-breach-of-trust.cnnmoney/index.html #Deletefacebook https://twitter.com/hashtag/deletefacebook?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Ehashtag Tom from MySpace https://www.instagram.com/myspacetom/?hl=en Front Porch Forum https://frontporchforum.com/ Telegram https://telegram.org/ Whatsapp https://www.whatsapp.com/ Ello https://ello.co/ Ad blocker usage up 30% http://www.businessinsider.com/pagefair-2017-ad-blocking-report-2017-1 GDPR compliance https://www.eugdpr.org/ PCI compliance https://www.pcisecuritystandards.org/ Amalia Ulman https://www.elle.com/culture/art-design/a38857/amalia-ulman-instagram-artist/ Mark Grotjahn https://www.gagosian.com/artists/mark-grotjahn Callum Innis http://www.calluminnes.com/ Everlane https://www.everlane.com/about The You Museum http://www.theyoumuseum.org/ Jill Magid http://www.jillmagid.com/ The Spy Project http://www.jillmagid.com/projects/article-12-the-spy-series-2 In Praise of the Flaneur https://www.theparisreview.org/blog/2013/10/17/in-praise-of-the-flaneur/ Eyes Wide Shut https://www.youtube.com/watch?v=YEfyfcEdW4Y Elon Musk deletes FaceBook http://www.adweek.com/digital/ask-and-ye-shall-receive-elon-musk-deletes-facebook-pages-for-tesla-spacex/
The week Rafael asks why performance art has to be so cringe worthy and Jeremy argues that Apple’s recently announced iPhone X represents the biggest innovation for performance art in years. iPhone X https://www.apple.com/iphone-x/ PrimeSense https://www.crunchbase.com/organization/primesense#/entity Johnny Lee http://johnnylee.net/ Faceshift https://www.youtube.com/watch?v=RLfAmNDNgHk Face Tracking with ARKit https://developer.apple.com/videos/play/fall2017/601/ Kinect fastest selling device on record http://www.bbc.com/news/business-12697975 Sony Portapak http://experimentaltvcenter.org/sony-av-3400-porta-pak Portapak ad of man with baby birds http://rebrn.com/re/sony-tape-recorder-ad-1743082/ Fluxus http://www.widewalls.ch/what-is-fluxus/ Chris Burden “Shoot” https://www.youtube.com/watch?v=26R9KFdt5aY Nam June Paik’s actual video art invention story (jeremy got a couple details wrong) https://www.guggenheim.org/blogs/the-take/the-year-video-art-was-born Boomerang by Richard Serra and Nancy Holt https://www.youtube.com/watch?v=qc6Meui6GWM Martha Rosler, semiotics of the camera https://www.youtube.com/watch?v=Vm5vZaE8Ysc Tino Sehgal https://www.guggenheim.org/artwork/artist/tino-sehgal Carolee Schneemann https://hyperallergic.com/232342/forty-years-of-carolee-schneemanns-interior-scroll/ Ann Hirsch http://therealannhirsch.com/ Amalia Ulman http://amaliaulman.eu/ Petra Cortright https://www.youtube.com/user/petracortright Animoji https://www.theverge.com/2017/9/12/16290210/new-iphone-emoji-animated-animoji-apple-ios-11-update Kaprow’s Happenings http://www.tate.org.uk/context-comment/blogs/performance-art-101-happening-allan-kaprow ** Commercial Break ** http://www.trytriggers.com Cindy Sherman’s Instagram https://www.instagram.com/_cindysherman_/ The Aesthetics of Narcissism https://people.ucsc.edu/~ilusztig/176/downloads/reading/rosalindkraus.pdf David Foster Wallace https://en.wikipedia.org/wiki/David_Foster_Wallace Sherry Turkle, connected but alone? https://www.ted.com/talks/sherry_turkle_alone_together Important Portraits https://www.kickstarter.com/projects/jeremybailey/important-portraits Marx, Das Kapital https://en.wikipedia.org/wiki/Capital:_Critique_of_Political_Economy Krug, Don’t Make me Think https://www.sensible.com/dmmt.html Chris Burden Documentation of Selected Works 1971-74 https://vimeo.com/3302101
EMyth https://emyth.com/ Alexander Calder’s website http://www.calder.org/ Fear of Missing Out https://en.wikipedia.org/wiki/Fear_of_missing_out Amalia Aulman’s Instragram https://www.instagram.com/amaliaulman/?hl=en Live Journal http://www.livejournal.com/ Jeremy’s 90s skin design website http://sblcommunications.com/jbd/ Tripod history https://en.wikipedia.org/wiki/Tripod.com Popex https://en.wikipedia.org/wiki/Popex Jeremy’s 90s friend trading website http://sblcommunications.com/groupex/ UbuWeb http://www.ubuweb.com/ Hito Steyerl (she has no website) https://en.wikipedia.org/wiki/Hito_Steyerl The You Museum http://theyoumuseum.org/ Amalia Ulman, Excellences & Perfections http://rhizome.org/editorial/2014/oct/20/first-look-amalia-ulmanexcellences-perfections/ M. Night Shyamalan http://www.imdb.com/name/nm0796117/ Andy Kaufman https://www.youtube.com/watch?v=6p0sr2BejUk&list=RD6p0sr2BejUk#t=86 Andy Warhol, 15 minutes of fame https://en.wikipedia.org/wiki/15_minutes_of_fame Best hair cutting scissors are Japanese http://www.hairstylermag.com/best-hair-cutting-shears-reviews/ FlowBee https://www.flowbee.com/ ** Our First Sponsored Ad, Ben Fino-Radin’s Small Data Industries http://smalldata.industries/ Samurai Philosophy http://www.artofmanliness.com/2008/09/14/the-bushido-code-the-eight-virtues-of-the-samurai/ Seth Godin’s Blog http://sethgodin.typepad.com/ Marketing Channel https://en.wikipedia.org/wiki/Marketing_channel JR’s instagram https://www.instagram.com/jr/?hl=en PewDiePie https://www.youtube.com/user/PewDiePie Our new Good Point Podcast website http://goodpointpodcast.com/ Times New Ramen http://timesnewramen.com/ Ryder Ripps http://observer.com/2015/01/the-trial-of-ryder-ripps-an-embattled-artist-on-haters-angry-muses-and-threats/ Past Futures at Eyebeam (where jeremy first met Ryder) http://eyebeam.org/archive/events/mixer-past-futures Ghost in the Shell whitewashing http://collider.com/ghost-in-the-shell-racism-explained/ Threadless https://www.threadless.com/ Google Adwords https://adwords.google.com/home/#?modal_active=none Rafael’s Flaming Cursor website http://www.flamingcursor.com/ Petra Collins censored by Instagram http://www.huffingtonpost.com/petra-collins/why-instagram-censored-my-body_b_4118416.html Google Ad guidelines https://support.google.com/adwordspolicy/answer/6008942?hl=en Banner Blindness https://en.wikipedia.org/wiki/Banner_blindness Content Marketing https://en.wikipedia.org/wiki/Content_marketing The MET’s Instagram https://www.instagram.com/metmuseum/?hl=en David Bowie is, exhibition http://www.vam.ac.uk/content/articles/t/touring-exhibition-david-bowie-is/ La Gaîté lyrique https://gaite-lyrique.net/en Bryan Unger https://twitter.com/thx4bnu
Primal Scream's Bobby Gillespie discusses the band's new album Chaosmosis and why they have returned to 'immediate' pop songwriting.Cellist Steven Isserlis tells John Wilson about his new recording of the Elgar Cello Concerto, and his fear of performing the complete Bach Cello Suites from memory.Amalia Ulman, the social media-based artist, discusses her work in Performing for the Camera, a new exhibition at Tate Modern in London, which examines the relationship between photography and performance, from the invention of photography in the 19th century to the selfie culture of today.Presenter John Wilson Producer Jerome Weatherald.
Based on the Archive of Asturian Artists, Eight Views of a Landscape that Never Fully Materialises shows, in addition, different ways of approaching contemporary videographic production. While trying to dig out the pas of our present through the alleged objectivity of the documentary format, fiction is eventually up to its old tricks. Even if it questions traditional drama and its illusionist tricks, its role is to be the vehicle for our understanding of the world: An artifact able to bring our relationship with the world with a more human scale. Curator: Alfredo Aracil Artists: Ramón LluísBande, Elisa Cepedal, Colectivo DV, Cristina Ferrández, David Ferrando, Alicia Jiménez, Marcos Merino, Amalia Ulman
Las ocho piezas de vídeo recogidas en esta exposición pertenecen a ocho artistas pertenecientes al Archivo de Artistas Asturianos. Se presentan ocho visiones de un paisaje que nunca se termina de hacer muestra, además, distintas maneras de enfocar la producción videográfica contemporánea. Mientras se trata de exhumar el pasado de nuestro presente a través de la supuesta objetividad de la forma documental, la ficción siempre termina por hacer de las suyas. Aun cuando cuestiona la dramaturgia tradicional y sus trucos ilusionistas, su papel es el de vehicular nuestro entendimiento del mundo: un artefacto capaz de acercar nuestra relación con el mundo a una escala más humana. Comisario: Alfredo Aracil Artistas: Ramón Lluís Bande, Elisa Cepedal, Colectivo DV, Cristina Ferrández, David Ferrando, Alicia Jiménez, Marcos Merino, Amalia Ulman
Our weekly look at all things photographic with Sarah Jacobs and PhotoShelter co-founder Allen Murabayashi. Get the podcast: http://bit.ly/ilovephoto Watch the broadcast: http://bit.ly/ilovephotoyt 0:55 10 magazine covers you should see beside Kim Kardashian 4:19 The Metropolitan Museum Butt Checks Kim 5:30 David Brandon Geeting Doesn’t Retouch His Butt Photos 7:22 Keira Knightley Poses Nude, demands no Photoshop 9:54 Cass Bird Photographs Plus Size Models for Vogue 12:12 Larry Sultan at LACMA 14:11 Don McCullin’s lost Berlin Wall photos 15:50 The first photo of a human 16:55 The first photo taken from a comet 18:48 Amalia Ulman manipulated you on Instagram 21:47 Fader’s 15 year archive on VSCO 23:12 Hans Eijkebloom’s People of the 21st Century 24:55 Exactitudes 26:37 The Ethics of Retouching 30:14 Martin Schoeller’s Portraits 32:28 Martin Schoeller shoots Taylor Swift for TIME 35:14 Kids attempt to use film cameras
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