Podcasts about Kitsch

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Wo Ganghofer draufsteht, ist Heimatkitsch drin: ein weit verbreitetes, aber womöglich falsches Urteil. Wie viel Ludwig Ganghofer verträgt der Mensch - und wie viel braucht er? Eine heimatkundliche Ermittlung!

Wenn Dein Herz für die Natur, den Wald und die Pflanzenwelt schlägt, dann ist diese Episode Dein auditives Handbuch! Wir tauchen tief, aber sehr praktisch in die Welt der Naturwesen und Baumgeister ein - jenseits von spiritueller Realitätsflucht und Kitsch. Ich teile mit Dir 5 Möglichkeiten, wie Du Deinen ganz eigenen Zugang zu diesen Wirkmächten finden kannst. Entdecke, wie Du so auf überraschend einfache Weise innere Kraft schöpfen, Dich erden und mit Elementar- und Pflanzenwesen verbinden wirst. Ich freue mich riesig über Dein Feedback in den Kommentaren unten und über Deine 5-Sterne-Rezension auf Spotify (rechts auf die 3 Punkte, dann auf Stern tippen). Dein Retreat im Herbst! Vom 31. Oktober bis 2. November 2025 eröffnen wir in der Nähe von Nürnberg einen geschützten Raum für 8 Frauen mit Freude an kreativem Gestalten, Aktivierung ihrer Selbstheilungskräfte und Vernetzung mit spirituellen Gleichgesinnten. Infos & Buchung HIER Mein komplettes Angebot an Kursen, Metaphysik-Readings und mehr findest Du hier. Meine Jahresrad-Gruppe auf Whatsapp findest Du hier. Hier geht's zu den Tarot Witches auf Whatsapp. Bestärkende Popo-Tritte und Raum für Deine direkten Feedbacks gibt's auf Instagram unter @katharina.forster.bode. Falls Du lieber auf Facebook unterwegs bist: Das ist mein Profil Kathi Forster-Bode.

Daniel und Katharina öffnen den Buchladen und empfehlen Bücher für jede Leselage. Mails an: eatreadsleep@ndr.de Podcast-Tipp: https://www.ardaudiothek.de/sendung/schoene-gruesse-reisegeschichten-hoerbuecher/55964050/ Für nicht-lesende Männer Michael Palin: „Erebus“ Ranulph Fiennes: „Scott. Das Leben einer Legende.“ David Baldacci: „Die Verschwörung“ uvm. Szczepan Twardoch: „Demut“ + „Der Boxer“ Column McCann: „Der Himmel unter der Stadt“ und „Twist“ Für Abenteuerreisende Sven Hedin: „Von Pol zu Pol“, „Durch Asiens Wüsten“ Mick Conefrey: „Wie man bei Windstärke 10 stilvoll eine Tasse Tee trinkt“ Tobias Friedrich: „Der Flussregenpfeifer“ Ian McGuire: „Nordwasser“ Olli Jalonen: „Himmelskugel“ Für 70-jährige Erstleser James Herriot: „Der Doktor und das liebe Vieh“ Andreas Altenburg: „Man ist ja Nachbar“ Heinz Strunk: „Fleisch ist mein Gemüse“ Für die Mutter, die Angst vor dem Älterwerden hat Alicja Czarnecka-Suls - Dziewięć kołatek Troya Konrad Boguslaw Bach „Der Wisent“ Richard Osman: „Der Donnerstagsmordclub Olivia Ford: "Der späte Ruhm der Mrs Quinn" Für Mutter im Pflegeheim – zum Vorlesen Stefan Zweig: „Sternstunden der Menschheit“ Roald Dahl: „Küsschen, Küsschen“ uvm. Anna Gavalda: „Ich wünschte mir, dass irgendwo jemand auf mich wartet“ Marina Leky „Liebesperlen“ + „Kummer aller Art“ Florian Illies: „Liebe in Zeiten des Hasses“ Guy de Maupassant: Novellen und Meistererzählungen Für die nicht-lesende Freundin: Stevan Paul: „Die Kichererbsen der Senora Dolores“ Shirley Jackson: „Krawall & Kekse“ Hans Rosenthal: „Zwei Leben in Deutschland“ Mary Roos: „Aufrecht geh'n – mein liederliches Leben“ Ein Buch, das Spaß macht und unterhält Holly Gramazio: „Ehemänner“ Paige Toon: „Sieben Sommer“ uvm. Anthony Doerr: „Wolkenkuckucksland“ Ein Buch gegen die Buchflaute: Liv Moore: „Gott des Waldes“ Miranda Cowley Heller: „Der Papierpalast“ Adrienne Brodeur „Wild Game“ Emma Pattee: „Auf der Kippe“ Eine Familiengeschichte, gerne mit Sozialkritik Claire Fuller: „Eine englische Ehe“ Georgina Moore: „Die Garnett Girls“ Sarah Moss: „Gezeitenwechsel“ Für den Schwedenurlaub, kein Kitsch! Kristina Hauff: In blaukalter Tiefe Sofia Lundberg: „Wo wir uns trafen“ + „Hilma“ Anne Swärd: „Polarsommer“ Alles von Alex Schulmann Für Urlaub in Südfrankreich: Anthony Doerr: „Alles Licht, das wir nicht sehen“ Joséphine Nicolas: „Das Haus am Meeresufer“ Für den Historiker, gern militärisch Dan Jones: „Essex Dogs“ Ricarda Huch: „Der 30jährige Krieg“ Daniel Kehlmann: „Tyll“ Für den Ehemann, der gerne surfen geht: Frederik Kohner: „Gidget. Mein Sommer in Malibu.“ William Finnegan: „Barbarentage“ Für die Tante, die englische Landsitze liebt: Eva Ibbotson: „Was der Morgen bringt“ Jane Crilly: Der Gärtner von Wimbledon“ + „Mit goldenem Löffel“ Nicola Upson: „Experte in Sachen Mord“ ff. Für Urlaub in der Bretagne Anne Berest: „Die Postkarte“ Chimananda Ngozi Adichie: „Dream Count“ Krimi zum Partnerlesen: Michael Crichton: „Eisenbahnraub“ Elly Conway: „Argylle“

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Karen Jonas plotted a record called The Rise and Fall of American Kitsch before she began writing for her 2023 release The Restless, which Holler Country called “a deep exploration of love and vulnerability.” “I had some personal things to process, so I shelved 10 or 12 songs and started sorting through that. Art can be like that,” Jonas reflects. Only a few original Kitsch tracks would make the final set, including “Plastic Pink Flamingos,” a frenzied story about a lady whose quirky fascination with the feathered yard decor devolves into a darkly fanatical lunacy. “It's not really about flamingos,” Jonas winks cryptically, “or is it?”https://www.karenjonasmusic.com/https://tantaly.pxf.io/jezWbe https://invideo.sjv.io/c/3290446/1543...https://mindbloom.sjv.io/c/3290446/15...https://daily-high-club-affiliate-pro...https://www.opus.pro/?via=a28600https://goodbru.com/?sca_ref=8203535....DONATE TO THE CHANNEL: https://www.paypal.com/donate/?hosted...Join this channel to get access to perks:   / @minddog  

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Quelle que soit la scène, la musique s'incrira en grosses lettres rouges cette semaine sur le fronton… de notre émission ! Grâce à notre invité Tito Clément, la salle mythique de L'Olympia sera à l'honneur avec des extraits live du show qu'il présentera au Théâtre Funambule Montmartre : « Mémoires de l'Olympia »… Nous vous dévoilerons aussi le nouveau titre de l'artiste tout-terrain Cyril Adda et accueillerons une artiste qui a marqué de manière ière très particukière ce mythique endroit : Billy Ze Kick ! La chanteuse et sampleuse icônique ressort de sa forêt magique et signe son grand retour du « Rien n'a changé » des Poppys… qu'elle avait déjà repris il y a 30 ans, car rien n'a vraiment changé depuis ! C'est dans noitre vidéoKITSCH de la semaine que vos retrouverez cette reprise de reprisen que Billy nterprète non pasavec sas gamine en folie mais avec Tomawok, un raggaman qui est ici représenté en chef indien… Car il s'agit, tout comme « mangez-loi » il y a 30 ans, d'un film d'animation bucolique, jubilatoire et trippant, dans lequel les champignons sont de retour mais ont maille à partir avec la déforestation et les chars d'assaut… Ce qui ne change pas, c'est que vous pouvez nous écouter toute cette semaine dans Kitsch et Net !

Sehr kitschige Folge mit sehr kitschigen Themen: Gag Recycling, Sozialstruppi, vitriolic, der Tübinger Brotkrawall, Mein Schiff 3, Podcast Erinnerungen, Kitsch & Nippes, selbstgeschriebene Witze, die Wildecker Herzbuben, Casablanca und der Zeitgeist. Das ist Kitsch für die Ohren! HIER KANNST DU UNS ÜBERALL HÖREN: https://linktr.ee/komischegespraeche HIER KANNST DU UNS AUF KAFFEE EINLADEN: https://ko-fi.com/komischegespraechepodcast HIER GEHT ES ZUR KOMISCHE MUSIKE PLAYLIST AUF SPOTIFY: https://tinyurl.com/komischeMusike

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In der neuen Ausgabe der Speakeasy-Bar beantworten wir wieder Fragen aus dem Publikum. Politisches, Ökonomisches und Kulturelles wechseln sich dabei ab: Wir setzen uns mit dem Solidarismus von Rudolf Diesel auseinander, der typisch ist für die Soziologie eines Ingenieurs. Diesel entwickelte nicht nur den berühmten Motor, sondern auch eine Gesellschaftstheorie, die alle Widersprüche des Kapitalismus auflösen wollte. Wir sprechen auch über Engels' These vom „absterbenden Staat“ und fragen uns, ob man im Sozialismus noch länger repressive Staatsorgane benötigt. Außerdem geht es um die Besteuerung und die Prüfung von Vermögen: Ist eine Vermögenssteuer überhaupt möglich?Wir geben Literaturempfehlungen, diskutieren über Kitsch und Camp beim Eurovision Songcontest und sprechen über unsere Reisegewohnheiten. Zunächst aber geht es um Oles Auftritt in der Phoenix-Runde und um den vielleicht beigelegten Zollstreit zwischen den USA und China. Unsere Zusatzinhalte könnt ihr bei Apple Podcasts, Steady und Patreon hören. Vielen Dank! Apple Podcasts: https://podcasts.apple.com/de/podcast/wohlstand-f%C3%BCr-alle/id1476402723 Patreon: https://www.patreon.com/oleundwolfgang Steady: https://steadyhq.com/de/oleundwolfgang/about Unser Kinderbuch namens "Die kleinen Holzdiebe" ist nun erschienen! Alle Informationen findet ihr unter: https://www.suhrkamp.de/buch/die-kleinen-holzdiebe-und-das-raetsel-des-juggernaut-t-9783458644774 Ihr könnt uns unterstützen - herzlichen Dank! Paypal: https://www.paypal.me/oleundwolfgang Konto: Wolfgang M. Schmitt, Ole Nymoen Betreff: Wohlstand fuer Alle IBAN: DE67 5745 0120 0130 7996 12 BIC: MALADE51NWD Social Media: Instagram: Unser gemeinsamer Kanal: https://www.instagram.com/oleundwolfgang/ Ole: https://www.instagram.com/ole.nymoen/ Wolfgang: https://www.instagram.com/wolfgangmschmitt/ TikTok: https://www.tiktok.com/@oleundwolfgang Twitter: Unser gemeinsamer Kanal: https://twitter.com/OleUndWolfgang Ole: twitter.com/nymoen_ole Wolfgang: twitter.com/SchmittJunior Die gesamte WfA-Literaturliste: https://wohlstand-fuer-alle.netlify.app

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Season 2, Episode 8 of Conversations with Hyung Cho features Trent Kitsch — a Canadian entrepreneur who went from D1 baseball to building two iconic brands: SAXX Underwear and DOJA Cannabis (sold for $630M to Canopy Growth).Before becoming a founder, Trent was one of the few Canadians to earn a Division 1 baseball scholarship in the early 2000s, playing at Oklahoma State and UNLV. In this episode, we dive deep into how the mindset from the field helped him build businesses, manage setbacks, and spot opportunity where others saw risk.This season finale is all about resilience, vision, and how your time in the game can set the foundation for everything after.---What You'll Hear in This Episode:Trent's journey from Junior National Team to D1 baseballThe grind of college baseball in the early 2000sFounding SAXX and solving a real problem with product innovationDOJA's cannabis play and how the $630M deal came togetherBaseball lessons that apply to entrepreneurshipAdvice for athletes entering life after sportHis next ventures and what drives him now

Subscribe to DTC Newsletter - https://dtcnews.link/signupIn this episode of the DTC Podcast, we're joined by Garrick Tiplady, Global Head of SMB Group at Meta, and Yingying Kuang, Head of Ecommerce and Growth at Kitsch. They share practical insights into how AI tools are reshaping media buying—not replacing it, but making it more efficient and creative.From Zuckerberg's recent comments about simplifying campaign setup to the real-world tactics Kitsch uses to launch 100 creatives a week, this episode is filled with straightforward strategies for scaling performance marketing. Garrick and Yingying discuss how Meta's Advantage+ and GenAI Creative tools support human creativity and free up media buyers to focus on strategy and storytelling.Key insights:Why creative is targeting, and how AI helps scale itHow Kitsch leverages AI for creative production, testing, and analysisThe balance between automation and human strategy in performance marketingMeasuring incrementality and understanding attribution beyond last-clickPreparing for Q4 with proven creative and campaign strategiesThis is a must-listen for media buyers and marketers who want to leverage AI tools without losing sight of strategy, customer connection, and real business impact.Find out more at https://www.facebook.com/business/news/meta-advantage-explained-in-two-minutesTimestamps00:00 – How Kitsch approaches Meta's automation and creative strategy02:15 – Why creative diversification outperforms targeting hacks04:30 – Retargeting strategy and why it's not one-size-fits-all07:00 – Meta's view on freeing up time for creative strategy09:15 – Using Gen AI to boost creative volume and performance11:30 – Measuring incrementality with Meta tools and Northbeam14:00 – Multi-channel attribution and retail halo effects16:15 – Testing Q4 offers early and holiday creative strategies18:30 – How creators and partnership ads drive 15–25% higher ROAS20:30 – Final advice for mastering Meta media buying in 2025Hashtags#dtcpodcast#mediabuying#metaads#genai#ecommercemarketing#kitschbrand#advertisingstrategy#q4planning#creatorads#digitalattribution#incrementality#performancecreative Subscribe to DTC Newsletter - https://dtcnews.link/signupAdvertise on DTC - https://dtcnews.link/advertiseWork with Pilothouse - https://dtcnews.link/pilothouseFollow us on Instagram & Twitter - @dtcnewsletterWatch this interview on YouTube - https://dtcnews.link/video

Emily Moore is the Instruction and Outreach Archivist, and Mahala Ruddell is the Lead Processing Archivist in Special Collections and University Archives at the University of Oregon. They discuss their work and the value of UO's collections. They also talk about some of the curious things they have come across in the archives. • uoregon.edu/special-collections • uoregon.aviaryplatform.com • oregondigital.org Research Notes: Abigail Fine, assistant professor of Musicology in the UO's School of Music and Dance, talks about her new book "The Composer Embalmed: Relic Culture from Piety to Kitsch" which was published by the University of Chicago Press in June 2025. She also offers other titles to explore relic culture. • "The Author's Effects: On Writer's House Museums" by Nicola J. Watson • "Relics of Death in Victorian Literature and Culture" by Deborah Lutz • "Cranioklepty" by Colin Dickey • "The Hummingbird Cabinet: A Rare and Curious History of Romantic Collectors" by Judith Pascoe

Pleins feux sur les pygmalions talentueux dont l'efficacité discrète fait mouche et que nous mettons en lumière cette semaine dans notre émission ! Nous vous parlerons ainsi du dernier duo de Léonard Lasry qui retrouve l'iconique Sylvie Vartan avec une chansons spécialement pour elle. Et nous accueillons pour la seconde fois en tant que chanteur Paul Galiana ! Le guitar-hero au chapeau est, par ailleurs, venu accompagner de nombreux artistes dans l'émission. Après son EP précédent « Marque-page », il affirme davantage son côté « frontman » avec un album intitulé « De la vie », riche en messages forts, en envolées nostalgiques et en accords audacieux. Cette semaine, notre vidéo kitsch, nous vous proposons de découvrir le clip « Est-ce que tu regrettes » ? de François Sentinelle, alias Jonathan Cohen. Tirée du film Sentinelle, cette chanson mêle moustache, chemises criardes et drame surjoué pour un concentré de kitsch savoureux et parfaitement assumé ! En tout cas vous ne regretterez pas… de nous écouter toute cette semaine dans Kitsch et Net !

Vater werden.Klingt nach Glück.Fühlt sich an wie Krieg im Nervensystem.Und ist am Ende: Heilung.In dieser Folge spreche ich radikal ehrlich über meine persönliche Reise in die Vaterschaft – ohne Filter, ohne Kitsch, ohne toxisches Männlichkeits-Gehabe.Ich teile mit dir:

Jake and Phil discuss Clement Greenberg's 1939 "Kitsch and the Avant-Garde" alongside Taylor Swift's "I Knew You Were Trouble" and Leonard Cohen's "Chelsea Hotel No. 2" The Manifesto: Clement Greenberg, "Avant-Garde and Kitsch" https://resources.finalsite.net/images/v1606923282/slcschoolsorg/wumlyaskvhhzawsvbbzc/Avant-GardeandKitsch.pdf The Art: Taylor Swift, "I Knew You Were Trouble" https://www.youtube.com/watch?v=vNoKguSdy4Y Leonard Cohen, "Chelsea Hotel No. 2" https://www.youtube.com/watch?v=QWZo7UmCbBc

Text us your questions to answer on a future episode (if you want me to contact you, please include your email)Jennie and Jay discuss a listener question about the weather then discuss their favorite Alaska Roadside Kitsch.Support us on Patreon for access to the full episode Shop all Alaska Travel planners and premade itineraries (and 2025 Alaska stickers!)Follow Jennie on InstagramMusic credits:  Largo Montebello, by Domenico Mannelli, CC.Support the show

Derrière les paillettes du cinémaMademoiselle Tessère est l'hôtesse du Carlton, à Cannes. On est en 1951, 40 ans pile après la construction du fameux palace, classé monument historique. Trois après, en 1954, Alfred Hitchcock y situe l'intrigue de son film “La Main au collet” avec Grace Kelly et Cary Grant. Mais c'est sur d'autres clients de marque que Mademoiselle Tessère nous partage ses anecdotes. *** Crédits archive *** Extrait de l'émission radiophonique "Reportages au Carlton à Cannes" - Reportage de Micheline Sandrel et Pierre Dumayet - RTF - 01/01/1951 *** Crédits podcast *** Documentalistes : Hélène Deudon - Textes : Elsa Coupard, Lætitia Fourmond - Restauration et mixage : Ian Debeerst, Quentin Geffroy - Enregistrement : Vincent Dupuis, Guillaume Solignat, Laurent Thomas - Voix off : Clara De Antoni - Musique(s) avec l'aimable autorisation d'Universal Production Music France - Chargée de production : Delphine Lambard - Cheffe de projet : Lætitia Fourmond - Stagiaires : Inès Bichel, Edith Monnier - Responsable éditoriale : Zoé Macheret - Un podcast INA. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

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In this powerful episode of SHE MD, hosts Mary Alice Haney and Dr. Thaïs Aliabadi sit down with Amy Griffin, author of the memoir "The Tell”. Amy shares what “The Tell” is about. She recounts her experience of childhood trauma and finds healing through unconventional methods. The conversation addresses the complexities of repressed memories, the pursuit of perfection, and the transformative power of vulnerability.Access more information about the podcast and additional expert health tips by visiting SHE MD Podcast and Ovii. Sponsors: Equip: To learn more about Equip treatment, visit equip.health/sobermomlife. Cymbiotika: Go to Cymbiotikia.com/SHEMD for 20% off your order + free shipping today.KiwiCo: Get $15 off on your Summer Adventure Series at kiwico.com/SHEMDNutrafol: Nutrafol is offering our listeners ten dollars off your first month's subscription and free shipping when you go to Nutrafol.com and enter promo code SHEMDStriVectin: StriVectin – Discover the Science Behind Great SkinOpill: Opill is birth control in your control, and you can use code SHEMD for twenty five percent off your first month of Opill at Opill.com AMY GRIFFIN'S KEY TAKEAWAYS:Embrace Vulnerability: Allow yourself to be open and honest about your feelings.Seek Support: Reach out to trusted friends or professionals for guidance.Explore Alternative Therapies: Consider therapies like psychedelic-assisted therapy, ensuring you have medical supervision.Practice Self-Compassion: Treat yourself with the same kindness you offer others.Be Patient with Healing: Understand that healing is a journey, not a destination.Own Your Truth: Listen to your inner voice and find empowerment in acknowledging and owning your experiences.Seek Joy Amidst Challenges: Look for light even in the darkest times, knowing that joy can follow pain.IN THIS EPISODE: (00:00) Intro(05:47) What happened to “The Tell” author Amy Griffin? (08:42) Children's role in uncovering hidden truths(13:16) Breaking free from perfectionism and control(17:48) Graphic details of childhood sexual abuse(25:55) MDMA-assisted therapy: A transformative experience(40:58) Vulnerability as a source of strength(42:12) What is “The Tell” by Amy Griffin about?(44:58) Finding light after facing the darknessRESOURCES:Amy Griffin's - InstagramAmy Griffin's - LinkedInThe Tell Book GUEST BIOGRAPHY:Amy Griffin is the Founder and Managing Partner of G9 Ventures, a private fund that invests in generation-defining brands. G9 has partnered with over 60 companies, including Bobbie, Bumble, Evvy, Kitsch, Midi Health, On Running, Oura, Saie, and Spanx. Amy is an enthusiastic champion of women with more than 70% of G9's portfolio companies being female founded or led. She is known for her ability to help build brands by fostering community, creating authentic connections, and solving problems. Amy serves on the Board of Directors of Bumble, Spanx, and Gagosian and is a member of the Board of Trustees of The Metropolitan Museum of Art, the Women's Board of the Boys Club of New York, and the Advisory Board of the One Love Foundation. She is a frequent speaker at notable conferences and events, including those hosted by The New York Times, The Information, JPMorgan, among others. Amy's debut memoir, The Tell, about the transformative power of sharing one's story, will be published in March 2025. Amy graduated with a BA in English from the University of Virginia where she was Captain and MVP on the women's volleyball team. She lives in New York City with her husband, John, and their four children.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

durée : 00:06:03 - Le Masque et la Plume - La parodie du célèbre film de James Cameron par Tye Blue a suscité les avis mitigés de nos critiques. Si une partie a adoré l'audace queer et le côté kitch théâtral, l'autre a trouvé le spectacle cheap, répétitif et ringard.

Derrière les paillettes du cinémaCette semaine, la vie d'avant vous emmène à la rencontre d'un cocktailer professionnel. C'est comme ça qu'on appelle ceux qui s'incrustent dans les soirées et les cocktails. On est en 1978, au festival de Cannes, Gilles Jacob vient d'en prendre la direction. Il lui donne une nouvelle impulsion vers plus d'indépendance avec notamment la création de la sélection "Un certain regard", en marge de la sélection officielle. Et autour du Palais Croisette, le festival reste un terrain de chasse exceptionnel pour les pique-assiettes. *** Crédits podcast *** Documentalistes : Anne Brulant - Textes : Elsa Coupard, Lætitia Fourmond - Restauration et mixage : Ian Debeerst, Quentin Geffroy - Enregistrement : Vincent Dupuis, Guillaume Solignat, Laurent Thomas - Voix off : Clara De Antoni - Musique(s) avec l'aimable autorisation d'Universal Production Music France - Chargée de production : Delphine Lambard - Cheffe de projet : Lætitia Fourmond - Stagiaire : Inès Bichel - Responsable éditoriale : Zoé Macheret - Un podcast INA.*** Crédits archive *** Extrait de l'émission radiophonique Les nuits magnétiques. Reportage de Bruno Sourcis - Chaîne France Culture - 26/05/1978 ***Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

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durée : 00:13:28 - Les Midis de Culture - par : Marie Labory - Les critiques discutent de "La forteresse noire" de Michael Mann, film d'horreur maudit de Michael Mann sorti en 1983 qui fait son retour en salles en version restaurée quarante ans plus tard. - réalisation : Laurence Malonda - invités : Murielle Joudet Journaliste et critique de cinéma; Philippe Azoury Journaliste, critique et auteur

Music curator at the Alexander Turnbull Library Michael Brown undertakes a thorough study in his new book Eyeliner's Buy Now. 

Bilal & Théo : La colloc qui slay trop frr no capDans cet épisode, Pierre Lapin et Rémi Boyes reçoivent Kitsch & Midge !Grâce à la participation de ChatGPT, le modèle de langage avancé, les échanges entre les invités et les animateurs prennent une dimension encore plus profonde.ChatGPT intervient avec des informations contextuelles, des références pertinentes et des perspectives uniques pour enrichir les discussions et offrir une expérience d'écoute unique en son genre.Un podcast réalisé et produit par Zu grâce à des sons EpidemicsoundAvec un générique par le talentueux Douglas Cavanna▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬Vous pouvez retrouver l'équipe sur les réseaux sociauxRémi BoyesPierre LapinZu▬▬▬▬▬▬▬▬▬▬ Trois coups de pouce pour aider le podcast ▬▬▬▬▬▬▬▬▬▬1. Abonnez vous

Rund zwölf Stunden sind es von Frankfurt bis nach Mauritius, das gerne als "Die grüne Perle im Indischen Ozean" bezeichnet wird. Rund 1,5 Millionen Menschen leben auf der Hauptinsel Mauritius mit den Nachbarinseln Rodriques, den Cargados-Carajos-und den Agalega-Inseln. Zwei Drittel der Bewohner sind indischer Abstammung, dazukommen Creolen, also Nachfahren ehemaliger Sklaven aus Afrika und Madagaskar. Der Rest der Bevölkerung besteht aus Europäern und Chinesen. Mauritius besticht mit seinen makellosen weißen Sandstränden, an denen gern und viel geheiratet wird, die Insel gilt als "Wedding-Paradise". Doch es gibt auch weitläufige Zuckerrohr-Plantagen, plus ausgezeichneter Rum-Destillerien, und vor allem für die, die hier abtauchen wollen: schillernde Korallen, jahrhundertealte Wracks und fantastische Felsformation locken Scharen von Diving-Experten nach unten. Und wer weder das eine noch das andere mag: die creolische Küche ist scharf, bekömmlich und abwechslungsreich, und wer mag, der genießt sie besonders im alten Kolonialhaus des Zuckerrohrbarons Eugène Le Clézio rund 10 Kilometer von der Inselhauptstadt Port Louis entfernt. "Kitsch als Kitsch can" wird oft gesagt, wenn von Mauritius die Rede ist. Hier ist die alte Formel von Stereotypen wahr, echt und greifbar. Reportagen von Peter Kaiser

I've been in London this week talking to America watchers about the current situation in the United States. First up is Edmund Fawcett, the longtime Economist correspondent in DC and historian of both liberalism and conservatism. Fawcett argues that Trump's MAGA movement represents a kind of third way between liberalism and conservatism - a version of American populism resurrected for our anti-globalist early 21st century. He talks about how economic inequality fuels Trumpism, with middle-class income shares dropping while the wealthy prosper. He critiques both what he calls right-wing intellectual "kitsch" and the left's lack of strategic vision beyond its dogma of identity politics. Lacking an effective counter-narrative to combat Trumpism, Fawcett argues, liberals require not only sharper messaging but also a reinvention of what it means to be modern in our globalized age of resurrected nationalism. 5 Key Takeaways* European reactions to Trump mix shock with recognition that his politics have deep American roots.* Economic inequality (declining middle-class wealth) provides the foundation for Trump's political appeal.* The American left lacks an effective counter-narrative and strategic vision to combat Trumpism.* Both right-wing intellectualism and left-wing identity politics suffer from forms of "kitsch" and American neurosis.* The perception of America losing its position as the embodiment of modernity creates underlying anxiety. Full TranscriptAndrew Keen: Hello everybody, we are in London this week, looking westward, looking at the United States, spending some time with some distinguished Englishmen, or half-Englishmen, who have spent a lot of their lives in the United States, and Edmund Fawcett, former Economist correspondent in America, the author of a number of important books, particularly, Histories of Liberalism and Conservatism, is remembering America, Edmund. What's your first memory of America?Edmund Fawcett: My first memory of America is a traffic accident on Park Avenue, looking down as a four-year-old from our apartment. I was there from the age of two to four, then again as a school child in Washington for a few years when my father was working. He was an international lawyer. But then, after that, back in San Francisco, where I was a... I kind of hacked as an editor for Straight Arrow Press, which was the publishing arm of Rolling Stone. This was in the early 70s. These were the, it was the end of the glory days of Haight-Ashbury, San Francisco, the anti-war movement in Vietnam. It was exciting. A lot was going on, a lot was changing. And then not long after that, I came back to the U.S. for The Economist as their correspondent in Washington. That was in 1976, and I stayed there until 1983. We've always visited. Our son and grandson are American. My wife is or was American. She gave up her citizenship last year, chiefly for practical reasons. She said I would always feel American. But our regular visits have ended, of course. Being with my background, my mother was American, my grandfather was American. It is deeply part of my outlook, it's part of my world and so I am always very interested. I read quite a bit of the American press, not just the elite liberal press, every day. I keep an eye on through Real Clear Politics, which has got a very good sort of gazetteer. It's part of my weather.Andrew Keen: Edmund, I know you can't speak on behalf of Europe, but I'm going to ask a dumb question. Maybe you'll give me a smarter answer than the question. What's the European, the British take on what's happening in America? What's happened in this first quarter of 2025?Edmund Fawcett: I think a large degree of shock and horror, that's just the first reaction. If you'll allow me a little space, I think then there's a second reaction. The first reaction is shock and terror, with good reason, and nobody likes being talked to in the way that Vance talked to them, ignorantly and provocatively about free speech, which he feels he hasn't really thought hard enough about, and besides, it was I mean... Purely commercial, in largely commercial interest. The Europeans are shocked by the American slide from five, six, seven decades of internationalism. Okay, American-led, but still internationalist, cooperative, they're deeply shocked by that. And anybody who cares, as many Europeans do, about the texture, the caliber of American democracy and liberalism, are truly shocked by Trump's attacks on the courts, his attacks on the universities, his attack on the press.Andrew Keen: You remember, of course, Edmund, that famous moment in Casablanca where the policeman said he was shocked, truly shocked when of course he wasn't. Is your shock for real? Your... A good enough scholar of the United States to understand that a lot of the stuff that Trump is bringing to the table isn't new. We've had an ongoing debate in the show about how authentically American Trump is, whether he is the F word fascist or whether he represents some other indigenous strain in US political culture. What's your take?Edmund Fawcett: No, and that's the response to the shock. It's when you look back and see this Trump is actually deeply American. There's very little new here. There's one thing that is new, which I'll come to in a moment, and that returns the shock, but the shock is, is to some extent absorbed when Europeans who know about this do reflect that Trump is deeply American. I mean, there is a, he likes to cite McKinley, good, okay, the Republicans were the tariff party. He likes to say a lot of stuff that, for example, the populist Tom Watson from the South, deeply racist, but very much speaking for the working man, so long as he was a white working man. Trump goes back to that as well. He goes back in the presidential roster. Look at Robert Taft, competitor for the presidency against Eisenhower. He lost, but he was a very big voice in the Republican Party in the 1940s and 50s. Robert Taft, Jr. didn't want to join NATO. He pushed through over Truman's veto, the Taft-Hartley bill that as good as locked the unions out, the trade unions out of much of the part of America that became the burgeoning economic America, the South and the West. Trump is, sorry, forgive me, Taft, was in many ways as a hard-right Republican. Nixon told Kissinger, professors are the enemy. Reagan gave the what was it called? I forget the name of the speech that he gave in endorsing Barry Goldwater at the 1964 Republican Convention. This in a way launched the new Republican assault on liberal republicanism. Rockefeller was the loser. Reagan, as it were, handed the palm to Rocket Goldwater. He lost to Johnson, but the sermon they were using, the anti-liberal went into vernacular and Trump is merely in a way echoing that. If you were to do a movie called Trump, he would star, of course, but somebody who was Nixon and Reagan's scriptwright, forgive me, somebody who is Nixon and Reagan's Pressman, Pat Buchanan, he would write the script of the Trump movie. Go back and read, look at some of Pat Buchanan's books, some of his articles. He was... He said virtually everything that Trump says. America used to be great, it is no longer great. America has enemies outside that don't like it, that we have nothing to do with, we don't need allies, what we want is friends, and we have very few friends in the world. We're largely on our, by our own. We're basically a huge success, but we're being betrayed. We're being ignored by our allies, we're being betrayed by friends inside, and they are the liberal elite. It's all there in Pat Buchanan. So Trump in that way is indeed very American. He's very part of the history. Now, two things. One is... That Trump, like many people on the hard right in Europe, is to some extent, a neurotic response to very real complaints. If you would offer a one chart explanation of Trumpism, I don't know whether I can hold it up for the camera. It's here. It is actually two charts, but it is the one at the top where you see two lines cross over. You see at the bottom a more or less straight line. What this does is compare the share of income in 1970 with the share of the income more or less now. And what has happened, as we are not at all surprised to learn, is that the poor, who are not quite a majority but close to the actual people in the United States, things haven't changed for them much at all. Their life is static. However, what has changed is the life for what, at least in British terms, is called the middle classes, the middle group. Their share of income and wealth has dropped hugely, whereas the share of the income and wealth of the top has hugely risen. And in economic terms, that is what Trumpism is feeding off. He's feeding off a bewildered sense of rage, disappointment, possibly envy of people who looked forward, whose parents looked forward to a great better life, who they themselves got a better life. They were looking forward to one for their children and grandchildren. And now they're very worried that they're not those children and grandchildren aren't going to get it. So socially speaking, there is genuine concern, indeed anger that Trump is speaking to. Alas, Trump's answers are, I would say, and I think many Europeans would agree, fantasies.Andrew Keen: Your background is also on the left, your first job was at the New Left Reviews, you're all too familiar with Marxist language, Marxist literature, ways of thinking about what we used to call late-stage capitalism, maybe we should rename it post-late-stage-capitalism. Is it any surprise, given your presentation of the current situation in America, which is essentially class envy or class warfare, but the right. The Bannonites and many of the others on the right fringes of the MAGA movement have picked up on Lenin and Gramsci and the old icons of class warfare.Edmund Fawcett: No, I don't think it is. I think that they are these are I mean, we live in a world in which the people in politics and in the press in business, they've been to universities, they've read an awful lot of books, they spend an awful lot of time studying dusty old books like the ones you mentioned, Gramsci and so. So they're, to some extent, forgive me, they are, they're intellectuals or at least they become, they be intellectualized. Lenin called one of his books, What is to be Done. Patrick Deneen, a Catholic right-wing Catholic philosopher. He's one of the leading right-wing Catholic intellectuals of the day, hard right. He named it What is To Be Done. But this is almost kitsch, as it were, for a conservative Catholic intellectual to name a book after Vladimir Lenin, the first Bolshevik leader of the Russian Revolution. Forgive me, I lost the turn.Andrew Keen: You talk about kitsch, Edmund, is this kitsch leftism or is it real leftism? I mean if Trump was Bernie Sanders and a lot of what Trump says is not that different from Sanders with the intellectuals or the few intellectuals left in. New York and San Francisco and Los Angeles, would they be embracing what's happening? Thanks, I've got the third again.Edmund Fawcett: No, you said Kitsch. The publicists and intellectuals who support Trump, there is a Kitsch element to it. They use a lot of long words, they appeal to a lot of authorities. Augustine of Hippo comes into it. This is really kind of intellectual grandstanding. No, what matters? And this comes to the second thing about shock at Trump. The second thing is that there is real social and economic dysfunction here that the United States isn't really coping with. I don't think the Trumpites, I don't think the rather kitschy intellectuals who are his mature leaders. I don't think they so much matter. What I think matters here is, put it this way, is the silence of the left. And this is one of the deep problems. I mean, always with my friends, progressive friends, liberal friends, it's terribly easy to throw rocks at Trump and scorn his cheerleaders but we always have to ask ourselves why are they there and we're here and the left at the moment doesn't really have an answer to that. The Democrats in the United States they're strangely silent. And it's not just, as many people say, because they haven't dared to speak up. It's not that, it's a question of courage. It's an intellectual question of lacking some strategic sense of where the country is and what kinds of policy would help get it to a better place. This is very bleak, and that's part of, underlies the sense of shock, which we come back to with Trump after we tell ourselves, oh, well, it isn't new, and so on. The sense of shock is, well what is the practical available alternative for the moment? Electorally, Trump is quite weak, he wasn't a landslide, he got fewer percentage than Jimmy Carter did. The balance in the in the congress is quite is quite slight but again you could take false comfort there. The problem with liberals and progressives is they don't really have a counter narrative and one of the reasons they don't have a counter-narrative is I don't sense they have any longer a kind of vision of their own. This is a very bleak state of affairs.Andrew Keen: It's a bleak state of affairs in a very kind of surreal way. They're lacking the language. They don't have the words. Do they need to reread the old New Left classics?Edmund Fawcett: I think you've said a good thing. I mean, words matter tremendously. And this is one of Trump's gifts, is that he's able to spin old tropes of the right, the old theme music of the hard right that goes back to late 19th century America, late 19th century Europe. He's brilliant at it. It's often garbled. It's also incoherent. But the intellectuals, particularly liberals and progressives can mishear this. They can miss the point. They say, ah, it doesn't, it's not grammatical. It's incoherent. It is word salad. That's not the point. A paragraph of Trump doesn't make sense. If you were an editor, you'd want to rewrite it, but editors aren't listening. It's people in the crowd who get his main point, and his main point is always expressed verbally. It's very clever. It's hard to reproduce because he's actually a very good actor. However, the left at the moment has nothing. It has neither a vocabulary nor a set of speech makers. And the reason it doesn't have that, it doesn't have the vocabularies, because it doesn't have the strategic vision.Andrew Keen: Yeah, and coming back to the K-word you brought up, kitsch. If anything, the kitsch is on the left with Kamala Harris and her presentation of herself in this kitschification of American immigration. So the left in America, if that's the right word to describe them, are as vulnerable to kitsch as the right.Edmund Fawcett: Yes, and whether it's kitsch or not, I think this is very difficult to talk to on the progressive left. Identity politics does have a lot to answer for. Okay, I'll go for it. I mean, it's an old saying in politics that things begin as a movement, become a campaign, become a lobby, and then end up as a racket. That's putting it much too strongly, but there is an element in identity politics of which that is true. And I think identity politics is a deep problem for liberals, it's a deep problem for progressives because in the end, what identity politics offers is a fragmentation, which is indeed happened on the left, which then the right can just pick off as it chooses. This is, I think, to get back some kind of strategic vision, the left needs to come out of identity politics, it needs to go back to the vision of commonality, the vision of non-discrimination, the mission of true civic equality, which underlay civil rights, great movement, and try to avoid. The way that identity politics is encouraged, a kind of segmentation. There's an interesting parallel between identity politics and Trumpism. I'm thinking of the national element in Trumpism, Make America Great Again. It's rather a shock to see the Secretary of State sitting beside Trump in the room in the White House with a make America it's not a make America great cap but it says Gulf of America this kind of This nationalism is itself neurotic in a way that identity politics has become neurotic.Andrew Keen: Yeah, it's a Linguistic.Edmund Fawcett: Neurosis. Both are neurotic responses to genuine problems.Andrew Keen: Edmund, long-time viewers and listeners to the show know that I often quote you in your wonderful two histories of conservatism and liberalism when you, I'm not sure which of the books, I think it may have been in conservatism. I can't remember myself. You noted that this struggle between the left and the right, between liberalism and conservatives have always be smarter they've always made the first move and it's always been up to the liberals and of course liberalism and the left aren't always the same thing but the left or progressives have always been catching up with conservatives so just to ask this question in terms of this metaphorical chess match has anything changed. It's always been the right that makes the first move, that sets the game up. It has recently.Edmund Fawcett: Let's not fuss too much with the metaphor. I think it was, as it were, the Liberals made the first move for decades, and then, more or less in our lifetimes, it has been the right that has made the weather, and the left has been catching up. Let's look at what happened in the 1970s. In effect. 30-40 years of welfare capitalism in which the state played ever more of a role in providing safety nets for people who were cut short by a capitalistic economy. Politics turned its didn't entirely reject that far from it but it is it was said enough already we've reached an end point we're now going to turn away from that and try to limit the welfare state and that has been happening since the 1970s and the left has never really come up with an alternative if you look at Mitterrand in France you look at Tony Blair new Labor in you look at Clinton in the United States, all of them in effect found an acceptably liberal progressive way of repackaging. What the right was doing and the left has got as yet no alternative. They can throw rocks at Trump, they can resist the hard right in Germany, they can go into coalition with the Christian Democrats in order to resist the hard right much as in France but they don't really have a governing strategy of their own. And until they do, it seems to me, and this is the bleak vision, the hard right will make the running. Either they will be in government as they are in the United States, or they'll be kept just out of government by unstable coalitions of liberal conservatives and the liberal left.Andrew Keen: So to quote Patrick Deneen, what is to be done is the alternative, a technocracy, the best-selling book now on the New York Times bestseller list is Ezra Klein, Derek Thompson's Abundance, which is a progressive. Technocratic manifesto for changing America. It's not very ideological. Is that really the only alternative for the left unless it falls into a Bernie Sanders-style anti-capitalism which often is rather vague and problematic?Edmund Fawcett: Well, technocracy is great, but technocrats never really get to do what they say ought to be done, particularly not in large, messy democracies like Europe and the United States. Look, it's a big question. If I had a Leninist answer to Patrick Deneen's question, what is to be done, I'd be very happy to give it. I feel as somebody on the liberal left that the first thing the liberal left needs to do is to is two things. One is to focus in exposing the intellectual kitschiness, the intellectual incoherence on the one hand of the hard right, and two, hitting back in a popular way, in a vulgar way, if you will, at the lies, misrepresentations, and false appeals that the hard-right coasts on. So that's really a kind of public relations. It's not deep strategy or technocracy. It is not a policy list. It's sharpening up the game. Of basically of democratic politics and they need to liberals on the left need to be much tougher much sharper much more vulgar much more ready to use the kinds of weapons the kinds of mockery and imaginative invention that the Trumpites use that's the first thing the second thing is to take a breath and go back and look at the great achievements of democratic liberalism of the 1950s, 60s, 70s if you will. I mean these were these produced in Europe and the United States societies that by any historical standard are not bad. They have terrible problems, terrible inequities, but by any historical standard and indeed by any comparative standard, they're not bad if you ask yourself why immigration has become such a problem in Western Europe and the United States, it's because these are hugely desirable places to live in, not just because they're rich and make a comfortable living, which is the sort of the rights attitude, because basically they're fairly safe places to live. They're fairly good places for your kids to grow up in. All of these are huge achievements, and it seems to me that the progressives, the liberals, should look back and see how much work was needed to create... The kinds of politics that underpinned that society, and see what was good, boast of what was and focus on how much work was needed.Andrew Keen: Maybe rather than talking about making America great again, it should be making America not bad. I think that's too English for the United States. I don't think that should be for a winner outside Massachusetts and Maine. That's back to front hypocritical Englishism. Let's end where we began on a personal note. Do you think one of the reasons why Trump makes so much news, there's so much bemusement about him around the world, is because most people associate America with modernity, they just take it for granted that America is the most advanced, the most modern, is the quintessential modern project. So when you have a character like Trump, who's anti-modernist, who is a reactionary, It's bewildering.Edmund Fawcett: I think it is bewildering, and I think there's a kind of bewilderment underneath, which we haven't really spoken to as it is an entirely other subject, but is lurking there. Yes, you put your absolutely right, you put your finger on it, a lot of us look to America as modernity, maybe not the society of the future, but certainly the the culture of the future, the innovations of the future. And I think one of the worrying things, which maybe feeds the neurosis of Make America Great Again, feeds the neurosis, of current American unilateralism, is a fear But modernity, talk like Hegel, has now shifted and is now to be seen in China, India and other countries of the world. And I think underlying everything, even below the stuff that we showed in the chart about changing shares of wealth. I think under that... That is much more worrisome in the United States than almost anything else. It's the sense that the United States isn't any longer the great modern world historical country. It's very troubling, but let's face it, you get have to get used to it.Andrew Keen: The other thing that's bewildering and chilling is this seeming coexistence of technological innovation, the Mark Andreessen's, the the Musk's, Elon Musk's of the world, the AI revolution, Silicon Valley, who seem mostly in alliance with Trump and Musk of course are headed out. The Doge campaign to destroy government or undermine government. Is it conceivable that modernity is by definition, you mentioned Hegel and of course lots of people imagine that history had ended in 1989 but the reverse was true. Is it possible that modernity is by-definition reactionary politically?Edmund Fawcett: A tough one. I mean on the technocracy, the technocrats of Silicon Valley, I think one of their problems is that they're brilliant, quite brilliant at making machines. I'm the machinery we're using right here. They're fantastic. They're not terribly good at. Messy human beings and messy politics. So I'm not terribly troubled by that, nor your other question about it is whether looming challenges of technology. I mean, maybe I could just end with the violinist, Fritz Kreisler, who said, I was against the telegraph, I was against the telephone, I was against television. I'm a progressive when it comes to technology. I'm always against the latest thing. I mean, I don't, there've always been new machines. I'm not terribly troubled by that. It seems to me, you know, I want you to worry about more immediate problems. If indeed AI is going to take over the world, my sense is, tell us when we get there.Andrew Keen: And finally, you were half-born in the United States or certainly from an American and British parent. You spent a lot of your life there and you still go, you follow it carefully. Is it like losing a lover or a loved one? Is it a kind of divorce in your mind with what's happening in America in terms of your own relations with America? You noted that your wife gave up her citizenship this year.Edmund Fawcett: Well, it is. And if I could talk about Natalia, my wife, she was much more American than me. Her mother was American from Philadelphia. She lived and worked in America more than I did. She did give up her American citizenship last year, partly for a feeling of, we use a long word, alienation, partly for practical reasons, not because we're anything like rich enough to pay American tax, but simply the business of keeping up with the changing tax code is very wary and troublesome. But she said, as she did it, she will always feel deeply American, and I think it's possible to say that. I mean, it's part of both of us, and I don't think...Andrew Keen: It's loseable. Well, I have to ask this question finally, finally. Maybe I always use that word and it's never final. What does it mean to feel American?Edmund Fawcett: Well, everybody's gonna have their own answer to that. I was just... What does it mean for you? I'm just reading. What it is to feel American. Can I dodge the question by saying, what is it to feel Californian? Or even what is to be Los Angelino? Where my sister-in-law and brother-in-law live. A great friend said, what it is feel Los Angeles you go over those mountains and you put down your rucksack. And I think what that means is for Europeans, America has always meant leaving the past behind.Edmund Fawcett was the Economist‘s Washington, Paris and Berlin correspondent and is a regular reviewer. His Liberalism: The Life of an Idea was published by Princeton in 2014. The second in his planned political trilogy – Conservatism: The Fight for a Tradition – was published in 2020, also by Princeton University Press. The Economist called it ‘an epic history of conservatism and the Financial Times praised Fawcett for creating a ‘rich and wide-ranging account' that demonstrates how conservatism has repeated managed to renew itself.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

In Part 1, Grant and Cait answer your weird ass questions and part 2 goes completely sideways - This is a fun couple of eps - FEEL BETTER Grant! We're unlocking premium episodes as we pick up new members - Enjoy this episode and sign up for the premium version of Terrible Person so you don't miss a thing ↓ GET TERRIBLE PERSON PREMIUM HERE ↓ http://www.terribleperson.coOR↓Get the Premium Eps on Patreon ↓ https://www.patreon.com/TerriblePersonPremium

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This episode of Couples Therapy with Grant & Cait covers: Intimacy, horny honey, Married Life, Cait's new glasses, throwing up, CATS, Jack in the Box, Sleeping Together, weird fetishes, pet peeves, conspiracy theories, TWILIGHT, Harry Potter, speeding tickets, laundry, toe nail clippings, dinner delusions, EMS simulation day at a community college, world history, young adult books, short fuses, dumb people, arguments, breathing too loud, mushrooms AND MUCH MORE!!↓ GET TERRIBLE PERSON PREMIUM HERE ↓ http://www.terribleperson.co OR ↓Get the Premium Eps on Patreon ↓https://www.patreon.com/TerriblePersonPremium

This episode of Couples Therapy with Grant & Cait covers: Intimacy, horny honey, Married Life, Cait's new glasses, throwing up, CATS, Jack in the Box, Sleeping Together, weird fetishes, pet peeves, conspiracy theories, TWILIGHT, Harry Potter, speeding tickets, laundry, toe nail clippings, dinner delusions, EMS simulation day at a community college, world history, young adult books, short fuses, dumb people, arguments, breathing too loud, mushrooms AND MUCH MORE!!Check out Grant & Cait's Podcast 'TERRIBLE PERSON' wherever you get your podcast AND THANK YOU FOR LISTENING!

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In this delightfully offbeat episode of States of Discovery, Sara and Marisa take you on a road trip through America's weirdest museums—the kind of places that make you do a double-take and say, “Wait… this is real?” From preserved medical oddities to mustard-themed exhibits, we explore the strange, specific, and surprisingly educational corners of the museum world.You'll learn about: The Mütter Museum in Philadelphia, home to giant colons and soapified bodies The hilariously sincere Museum of Bad Art in Massachusetts Idaho's love letter to the potato at the Idaho Potato Museum Extraterrestrial encounters at the International UFO Museum in Roswell Neon nostalgia at the Neon Museum in Las Vegas And yes—even the National Mustard Museum in WisconsinPlus, we dig into how these wonderfully weird places actually stay open—spoiler: it involves passionate collectors, creative funding, and a whole lot of merch.Why You'll Love It:If you've ever taken a roadside detour to see the world's largest ball of twine, this episode is your jam. It's a celebration of niche passions, local flavor, and the power of the peculiar. Whether you're into science, food, folklore, or just good ol' fashioned weirdness, there's something here for every curious traveler.Stay Curious:Got a favorite bizarre museum in the U.S.? Know a hidden gem with an eyebrow-raising backstory? Send it our way! We're always on the hunt for America's strangest attractions.Connect With Us: Phone Number: 805-298-1420 - Leave us a message! We'd love to hear from you. Email: podcast@onlyinyourstate.com

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Merriam-Webster's Word of the Day for April 11, 2025 is: kitsch • KITCH • noun Kitsch refers to something that appeals to popular or lowbrow taste and is often cheap or tacky. Kitsch also refers to a tacky or lowbrow quality or condition. // The restaurant is decorated with 1950s furniture and kitsch from old TV shows. // The critic opined that the movie, despite its lofty ambitions, at times descended into kitsch. See the entry > Examples: “If you were dressing yourself in the early 2000s, you might feel some kind of way about Y2K fashion ruling the runways and the sidewalks once again. But if you weren't? It's entirely understandable that mining the annals of recent fashion history—and the vintage shops—would hold a certain appeal. For all its kitsch and camp, Y2K fashion is full of some intriguing gems.” — Boutayna Chokrane and Christina Pérez, Vogue, 26 Jan. 2025 Did you know? Have you ever browsed through a flea market or thrift shop? If so, chances are you're well-acquainted with kitsch, the various bits and bobs of popular culture—fuzzy dice, plastic flamingos, cartoon-themed plastic lunchboxes, etc.—that enjoy widespread popularity but don't hold much cultural esteem. Or maybe you're a fan of (what some might call) cheesy movies—action movies and rom-coms that score big at the box office but are panned by critics—kitsch often applies to them, too, as well as to “lowbrow” art of all kinds. English users borrowed kitsch in the early 20th century from German; according to scholars the word was popularized by Munich painters and art dealers in the 1860s and 1870s who used it to refer to popular and cheap artwork. The word's earlier origins are found in the German verb kitschen, meaning “to slap something (such as a work of art) together” as well as “to scrape up mud from the street.” Despite these muddy origins and the disapproving tone with which kitsch is often deployed, kitsch is not quite the “dirty” word it once was—kitsch today is as likely to be celebrated as it is to be derided.

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Ein neuer Mann, die Liebe und eine plötzliche Trennung - ein Roman wie ein französischer Film. Buchtitel und Cover lassen durchaus Kitsch vermuten. Dem ist aber nicht so - die Autorin erzählt klar, distanziert, fast schon analytisch. Von Christine Westermann.

In this episode, Grant and Caitlin talk  "Terrible Person" podcast taping, AI voice recognition, Love on the Spectrum, Cheez-Its and product ideas, gadget replacements for genitals, Mr. Beast's grocery store challenge, a neighborhood tragedy, Kanye West's controversial interview, potential murder conspiracy theories, writing to companies with product ideas, aliens and pyramids, Dante's Inferno, Judge Judy's appearance, honeymoon planning, and various news including a school shooting and a high school track meet stabbing. (description written by AI )↓ GET TERRIBLE PERSON PREMIUM HERE ↓ http://www.terribleperson.co OR ↓Get the Premium Eps on Patreon ↓https://www.patreon.com/TerriblePersonPremium

Ein Vortrag der Altphilologin Juliane Küppers Moderation: Sibylle Salewski***** Auch Menschen sind nur Teil der Natur, argumentierten Philosophen wie Epikur und Lukrez schon in der Antike. Sie hielten das für einen guten Grund, auch in schweren Zeiten nicht den Mut zu verlieren. Ein Vortrag der Altphilologin Juliane Küppers. ***** Juliane Küppers ist wissenschaftliche Mitarbeiterin am Institut für Griechische und Lateinische Philologie der Freien Universität Berlin. Ihr Vortrag hat den Titel "Der Honig und die bittere Medizin. Epikureische Philosophie und ihre poetische Schönheit bei Lukrez als Therapie für mentale Gesundheit in Krisenzeiten." Sie hat ihn am 2. Dezember 2024 an der Freien Universität Berlin gehalten im Rahmen der Vorlesungsreihe "Philosophie als Medizin in der Antike", die von der Klassischen Gräzistik der FU Berlin organisiert wurde. *****Schlagworte: +++ Philologie +++ Lateinisch +++ Griechisch +++ Altphilologie +++ Epikur +++ Lukrez +++ Gräzistik +++ Natur +++ Universum +++ Götter +++ Geschichte +++ **********Mehr zum Thema bei Deutschlandfunk Nova:Philosophie: KI kann Kunst! ... oder doch nur Kitsch?Philosophie: Liebesbeziehung mit einem ChatbotBelohnung: Wie wir unsere Erfolge sehen und feiern**********Den Artikel zum Stück findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: TikTok und Instagram .

This episode got referenced on the Johnjay & Rich Morning Show this morning so we figured we'd reupload it today :) Big thank you to Payton & Kadeem for letting Grant get overmedicated and ask wildly inappropriate questions! This was a good time! We're unlocking premium episodes as we pick up new members - Enjoy this episode and sign up for the premium version of Terrible Person so you don't miss a thing↓ GET TERRIBLE PERSON PREMIUM HERE ↓ http://www.terribleperson.co OR ↓Get the Premium Eps on Patreon ↓https://www.patreon.com/TerriblePersonPremium

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In this week's episode, we're re-airing one of our top episodes with Cassandra Thurswell, the founder of KITSCH, a global brand that creates eco-friendly hair care and beauty accessories for women. Cassandra came from a small town in Wisconsin to Los Angeles with the hopes of creating something meaningful in her life. But before launching her own business, she did whatever it took to make ends meet from working at a cupcake shop to crafting jewelry and babysitting. After seven failed attempts at various businesses, the idea for Kitsch was born. She started by hand-making her first product which was a basic but innovative knotted hair-tie in her tiny LA apartment. She was making cold calls, doing door to door sales, and whatever she could to get the brand out there all without any outside funding. Fast forward to today, the company has evolved into a multi-million dollar brand that's sold in over 27 countries and across 20,000 retail locations worldwide. You can find them at Ulta, Sephora, Whole Foods, Urban Outfitters, to name a few.In this week's episode, Cassandra walks us through how following her gut over the years has truly been the key to her success – from couch-surfing to saving money for her business to working different jobs to learn the industry. She also talks about how every single job she's had in the past has helped her become a stronger business person and was the "mini MBA" she needed. She then dives into the challenges of the early days of fulfilling orders in her one-bedroom apartment and the creative tactics she used to get into retailers without any connections. We also talk about the biggest learnings she's had over 14 years of running Kitsch, the power of micro-intentions and micro-habits when creating your dream life, & so much more. In this episode, we'll talk to Cassandra about:* Her thoughts on manifestation and its role in creating success. [05:42]* The power of visualization. [13:43]* Moving to Los Angeles, being broke, living on people's couches & hustling in life. [17:49] * Kitsch creation journey and inspiration. [30:05]* Having various jobs to make ends meet and how she self-funded Kitsch. [33:54]* Retailer entry without connections. [37:44]* Getting her first large purchase order. [40:08]* The power of vision boards and future journaling. [44:07]* Her unique partnership approach [51:41]* Experiencing postpartum anxiety. [59:12]* Establishing boundaries and leaning into change & personal growth. [01:01:35]* Definition of success and how it changed over the years. [01:04:37]* Daily routine and micro intentions. [01:09:14]* The messy truth in launching a business. [01:14:15]This episode is brought to you by beeya: * Learn more about beeya's seed cycling bundle at https://beeyawellness.com/free to find out how to tackle hormonal imbalances. * Get $10 off your order by using promo code BEHINDHEREMPIRE10Follow Yasmin: * Instagram: https://www.instagram.com/yasminknouri/* Stay updated & subscribe to our newsletter: https://www.behindherempire.com/Follow Cassandra: * Instagram: https://www.instagram.com/cassandrathurswell/* Instagram: https://www.instagram.com/mykitsch/* Website: https://www.mykitsch.com/ Hosted on Acast. See acast.com/privacy for more information.

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In this episode of The goop Podcast, Gwyneth Paltrow sits down with Cassandra Thurswell, founder and CEO of Kitsch, to talk about how seven failed business attempts, a handful of handmade hair ties, and a one-paragraph business plan led her to building a global beauty empire. Thurswell shares the unfiltered realities of bootstrapping, the secret to creating viral products, and the mindset shifts that kept her going—all while staying true to her brand's mission of accessibility, sustainability, and innovation. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices