Podcasts about Kitsch

Jake and Phil discuss Clement Greenberg's 1939 "Kitsch and the Avant-Garde" alongside Taylor Swift's "I Knew You Were Trouble" and Leonard Cohen's "Chelsea Hotel No. 2" The Manifesto: Clement Greenberg, "Avant-Garde and Kitsch" https://resources.finalsite.net/images/v1606923282/slcschoolsorg/wumlyaskvhhzawsvbbzc/Avant-GardeandKitsch.pdf The Art: Taylor Swift, "I Knew You Were Trouble" https://www.youtube.com/watch?v=vNoKguSdy4Y Leonard Cohen, "Chelsea Hotel No. 2" https://www.youtube.com/watch?v=QWZo7UmCbBc

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durée : 00:06:03 - Le Masque et la Plume - La parodie du célèbre film de James Cameron par Tye Blue a suscité les avis mitigés de nos critiques. Si une partie a adoré l'audace queer et le côté kitch théâtral, l'autre a trouvé le spectacle cheap, répétitif et ringard.

Derrière les paillettes du cinémaCette semaine, la vie d'avant vous emmène à la rencontre d'un cocktailer professionnel. C'est comme ça qu'on appelle ceux qui s'incrustent dans les soirées et les cocktails. On est en 1978, au festival de Cannes, Gilles Jacob vient d'en prendre la direction. Il lui donne une nouvelle impulsion vers plus d'indépendance avec notamment la création de la sélection "Un certain regard", en marge de la sélection officielle. Et autour du Palais Croisette, le festival reste un terrain de chasse exceptionnel pour les pique-assiettes. *** Crédits podcast *** Documentalistes : Anne Brulant - Textes : Elsa Coupard, Lætitia Fourmond - Restauration et mixage : Ian Debeerst, Quentin Geffroy - Enregistrement : Vincent Dupuis, Guillaume Solignat, Laurent Thomas - Voix off : Clara De Antoni - Musique(s) avec l'aimable autorisation d'Universal Production Music France - Chargée de production : Delphine Lambard - Cheffe de projet : Lætitia Fourmond - Stagiaire : Inès Bichel - Responsable éditoriale : Zoé Macheret - Un podcast INA.*** Crédits archive *** Extrait de l'émission radiophonique Les nuits magnétiques. Reportage de Bruno Sourcis - Chaîne France Culture - 26/05/1978 ***Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

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durée : 00:13:28 - Les Midis de Culture - par : Marie Labory - Les critiques discutent de "La forteresse noire" de Michael Mann, film d'horreur maudit de Michael Mann sorti en 1983 qui fait son retour en salles en version restaurée quarante ans plus tard. - réalisation : Laurence Malonda - invités : Murielle Joudet Journaliste et critique de cinéma; Philippe Azoury Journaliste, critique et auteur

Un rendez-vous plein de surprises et d'émotions musicales (et pas seulement ! ) nous attend cette semaine dans notre émission ! Des surprises et de l'émotion concernant nos animatrices (nos vous laisserons découvrir pourquoi…) mais aussi grâce à notre invitée : l'ardente et touchante autrice-compositrice-interprête Liza Lina ! « Passeuse d'âmes et de langues », l'artiste mêle l'âme slave de ses deux pays actuellement tournentés (Israël et l'Ukraine) aux textes et à la poésie français, qu'elle a étudiés avec passion à la Sorbonne. Aidée dans son écriture, entre autres, par le grand Claude Lemesle, elle propose un melting pot de chansons aux cultures foisonnantes et entremêlées... Petit voyage dans le temps pour notre videoKITSCH : souvenez-vous de ce que vous faisiez en 1999… Quoi que vous fassiez, vous n'avez pas pu échapper au groupe de musique electronique CASSIUS dont le nom a eté inspiré par le boxeur Cassius Clay. Un duo mythique composé de Philippe Cerboneschi (Zdar) et Hubert Blanc Francard. voici donc un extrait de leur album 1999 : Cassius 1999 . Clip réalisé par Alex et Martin. Et si vous voulez participer à votre façon à la « French Touch »nous vous invitons à nous retrouver toute cette semaine dans Kitsch et Net !

Elke maandag nemen Dave, Jeff en Raj je mee langs de voetbalvelden van het weekend. Er worden meerdere voetbalwedstrijden besproken en natuurlijk worden er meer dan genoeg (on)belangrijke randzaken besproken!Je luistert voor het voetbalnieuws, maar blijft voor de humor!Word lid van Petje Af: https://petjeaf.com/bet-boysGebruik code 'better1608' voor 16,08% korting: https://1608wear.com/

Music curator at the Alexander Turnbull Library Michael Brown undertakes a thorough study in his new book Eyeliner's Buy Now. 

Avec ou sans autorisation du futur Pape, vous allez « capoter » en nous écoutant cette semaine dans notre émission ! Avec le retour de la flamboyante chanteuse québecoise Geneviève Morissette, qui nous présente justement sa nouvelle tournée européenne ; ‘J'capote » ! Et vous serez émus tout comme elle en découvrant les nouvelle chanson de la vedette de notre 200ème émission en live, qui prépare activement son futur album… Après avoir incarné l'une des nombreuses sœurs de la vraie-fausse Céline Dion dans le biopic « Aline » de Valérie Lemercier et avant d'enflammer les scènes de tout le continent, c'est notre studio qu'elle chauffera avec un live électrisant… Et comme si nous n'étions pas assez nombreux, notre videoKITSCH mettra en valeur les Goguettes (en trio mais à quatre) est un groupe emblématique de la scène humoristico-musicale française. Formé par Stan, Valentin Vander, Clément Mirguet et Aurélien Merle, ce quatuor à l'autodérision assumée détourne avec talent les chansons populaires pour offrir une relecture drôle, satirique et toujours pertinente de l'actualité politique et sociale. Leur nom, volontairement absurde : « en trio mais à quatre », annonce d'emblée le ton : un humour intelligent, un goût du décalage et une complicité contagieuse sur scène comme en studio. Dans notre émission, nous avons choisi de mettre à l'honneur leur titre « Mon jet à moi », une parodie inspirée du célèbre « Mon mec à moi » de Patricia Kaas. À travers ce morceau, Les Goguettes se moquent avec légèreté de l'obsession de certains pour les symboles de richesse et de pouvoir, notamment les jets privés, dans un contexte où les questions environnementales sont plus que jamais au cœur des débats. Avec des textes ciselés, une interprétation pleine d'énergie et un humour aussi mordant que réjouissant, « Mon jet à moi » illustre parfaitement… Cumulez des (s)miles en nous écoutant toute cette semaine dans Kitsch et Net !

Rund zwölf Stunden sind es von Frankfurt bis nach Mauritius, das gerne als "Die grüne Perle im Indischen Ozean" bezeichnet wird. Rund 1,5 Millionen Menschen leben auf der Hauptinsel Mauritius mit den Nachbarinseln Rodriques, den Cargados-Carajos-und den Agalega-Inseln. Zwei Drittel der Bewohner sind indischer Abstammung, dazukommen Creolen, also Nachfahren ehemaliger Sklaven aus Afrika und Madagaskar. Der Rest der Bevölkerung besteht aus Europäern und Chinesen. Mauritius besticht mit seinen makellosen weißen Sandstränden, an denen gern und viel geheiratet wird, die Insel gilt als "Wedding-Paradise". Doch es gibt auch weitläufige Zuckerrohr-Plantagen, plus ausgezeichneter Rum-Destillerien, und vor allem für die, die hier abtauchen wollen: schillernde Korallen, jahrhundertealte Wracks und fantastische Felsformation locken Scharen von Diving-Experten nach unten. Und wer weder das eine noch das andere mag: die creolische Küche ist scharf, bekömmlich und abwechslungsreich, und wer mag, der genießt sie besonders im alten Kolonialhaus des Zuckerrohrbarons Eugène Le Clézio rund 10 Kilometer von der Inselhauptstadt Port Louis entfernt. "Kitsch als Kitsch can" wird oft gesagt, wenn von Mauritius die Rede ist. Hier ist die alte Formel von Stereotypen wahr, echt und greifbar. Reportagen von Peter Kaiser

I've been in London this week talking to America watchers about the current situation in the United States. First up is Edmund Fawcett, the longtime Economist correspondent in DC and historian of both liberalism and conservatism. Fawcett argues that Trump's MAGA movement represents a kind of third way between liberalism and conservatism - a version of American populism resurrected for our anti-globalist early 21st century. He talks about how economic inequality fuels Trumpism, with middle-class income shares dropping while the wealthy prosper. He critiques both what he calls right-wing intellectual "kitsch" and the left's lack of strategic vision beyond its dogma of identity politics. Lacking an effective counter-narrative to combat Trumpism, Fawcett argues, liberals require not only sharper messaging but also a reinvention of what it means to be modern in our globalized age of resurrected nationalism. 5 Key Takeaways* European reactions to Trump mix shock with recognition that his politics have deep American roots.* Economic inequality (declining middle-class wealth) provides the foundation for Trump's political appeal.* The American left lacks an effective counter-narrative and strategic vision to combat Trumpism.* Both right-wing intellectualism and left-wing identity politics suffer from forms of "kitsch" and American neurosis.* The perception of America losing its position as the embodiment of modernity creates underlying anxiety. Full TranscriptAndrew Keen: Hello everybody, we are in London this week, looking westward, looking at the United States, spending some time with some distinguished Englishmen, or half-Englishmen, who have spent a lot of their lives in the United States, and Edmund Fawcett, former Economist correspondent in America, the author of a number of important books, particularly, Histories of Liberalism and Conservatism, is remembering America, Edmund. What's your first memory of America?Edmund Fawcett: My first memory of America is a traffic accident on Park Avenue, looking down as a four-year-old from our apartment. I was there from the age of two to four, then again as a school child in Washington for a few years when my father was working. He was an international lawyer. But then, after that, back in San Francisco, where I was a... I kind of hacked as an editor for Straight Arrow Press, which was the publishing arm of Rolling Stone. This was in the early 70s. These were the, it was the end of the glory days of Haight-Ashbury, San Francisco, the anti-war movement in Vietnam. It was exciting. A lot was going on, a lot was changing. And then not long after that, I came back to the U.S. for The Economist as their correspondent in Washington. That was in 1976, and I stayed there until 1983. We've always visited. Our son and grandson are American. My wife is or was American. She gave up her citizenship last year, chiefly for practical reasons. She said I would always feel American. But our regular visits have ended, of course. Being with my background, my mother was American, my grandfather was American. It is deeply part of my outlook, it's part of my world and so I am always very interested. I read quite a bit of the American press, not just the elite liberal press, every day. I keep an eye on through Real Clear Politics, which has got a very good sort of gazetteer. It's part of my weather.Andrew Keen: Edmund, I know you can't speak on behalf of Europe, but I'm going to ask a dumb question. Maybe you'll give me a smarter answer than the question. What's the European, the British take on what's happening in America? What's happened in this first quarter of 2025?Edmund Fawcett: I think a large degree of shock and horror, that's just the first reaction. If you'll allow me a little space, I think then there's a second reaction. The first reaction is shock and terror, with good reason, and nobody likes being talked to in the way that Vance talked to them, ignorantly and provocatively about free speech, which he feels he hasn't really thought hard enough about, and besides, it was I mean... Purely commercial, in largely commercial interest. The Europeans are shocked by the American slide from five, six, seven decades of internationalism. Okay, American-led, but still internationalist, cooperative, they're deeply shocked by that. And anybody who cares, as many Europeans do, about the texture, the caliber of American democracy and liberalism, are truly shocked by Trump's attacks on the courts, his attacks on the universities, his attack on the press.Andrew Keen: You remember, of course, Edmund, that famous moment in Casablanca where the policeman said he was shocked, truly shocked when of course he wasn't. Is your shock for real? Your... A good enough scholar of the United States to understand that a lot of the stuff that Trump is bringing to the table isn't new. We've had an ongoing debate in the show about how authentically American Trump is, whether he is the F word fascist or whether he represents some other indigenous strain in US political culture. What's your take?Edmund Fawcett: No, and that's the response to the shock. It's when you look back and see this Trump is actually deeply American. There's very little new here. There's one thing that is new, which I'll come to in a moment, and that returns the shock, but the shock is, is to some extent absorbed when Europeans who know about this do reflect that Trump is deeply American. I mean, there is a, he likes to cite McKinley, good, okay, the Republicans were the tariff party. He likes to say a lot of stuff that, for example, the populist Tom Watson from the South, deeply racist, but very much speaking for the working man, so long as he was a white working man. Trump goes back to that as well. He goes back in the presidential roster. Look at Robert Taft, competitor for the presidency against Eisenhower. He lost, but he was a very big voice in the Republican Party in the 1940s and 50s. Robert Taft, Jr. didn't want to join NATO. He pushed through over Truman's veto, the Taft-Hartley bill that as good as locked the unions out, the trade unions out of much of the part of America that became the burgeoning economic America, the South and the West. Trump is, sorry, forgive me, Taft, was in many ways as a hard-right Republican. Nixon told Kissinger, professors are the enemy. Reagan gave the what was it called? I forget the name of the speech that he gave in endorsing Barry Goldwater at the 1964 Republican Convention. This in a way launched the new Republican assault on liberal republicanism. Rockefeller was the loser. Reagan, as it were, handed the palm to Rocket Goldwater. He lost to Johnson, but the sermon they were using, the anti-liberal went into vernacular and Trump is merely in a way echoing that. If you were to do a movie called Trump, he would star, of course, but somebody who was Nixon and Reagan's scriptwright, forgive me, somebody who is Nixon and Reagan's Pressman, Pat Buchanan, he would write the script of the Trump movie. Go back and read, look at some of Pat Buchanan's books, some of his articles. He was... He said virtually everything that Trump says. America used to be great, it is no longer great. America has enemies outside that don't like it, that we have nothing to do with, we don't need allies, what we want is friends, and we have very few friends in the world. We're largely on our, by our own. We're basically a huge success, but we're being betrayed. We're being ignored by our allies, we're being betrayed by friends inside, and they are the liberal elite. It's all there in Pat Buchanan. So Trump in that way is indeed very American. He's very part of the history. Now, two things. One is... That Trump, like many people on the hard right in Europe, is to some extent, a neurotic response to very real complaints. If you would offer a one chart explanation of Trumpism, I don't know whether I can hold it up for the camera. It's here. It is actually two charts, but it is the one at the top where you see two lines cross over. You see at the bottom a more or less straight line. What this does is compare the share of income in 1970 with the share of the income more or less now. And what has happened, as we are not at all surprised to learn, is that the poor, who are not quite a majority but close to the actual people in the United States, things haven't changed for them much at all. Their life is static. However, what has changed is the life for what, at least in British terms, is called the middle classes, the middle group. Their share of income and wealth has dropped hugely, whereas the share of the income and wealth of the top has hugely risen. And in economic terms, that is what Trumpism is feeding off. He's feeding off a bewildered sense of rage, disappointment, possibly envy of people who looked forward, whose parents looked forward to a great better life, who they themselves got a better life. They were looking forward to one for their children and grandchildren. And now they're very worried that they're not those children and grandchildren aren't going to get it. So socially speaking, there is genuine concern, indeed anger that Trump is speaking to. Alas, Trump's answers are, I would say, and I think many Europeans would agree, fantasies.Andrew Keen: Your background is also on the left, your first job was at the New Left Reviews, you're all too familiar with Marxist language, Marxist literature, ways of thinking about what we used to call late-stage capitalism, maybe we should rename it post-late-stage-capitalism. Is it any surprise, given your presentation of the current situation in America, which is essentially class envy or class warfare, but the right. The Bannonites and many of the others on the right fringes of the MAGA movement have picked up on Lenin and Gramsci and the old icons of class warfare.Edmund Fawcett: No, I don't think it is. I think that they are these are I mean, we live in a world in which the people in politics and in the press in business, they've been to universities, they've read an awful lot of books, they spend an awful lot of time studying dusty old books like the ones you mentioned, Gramsci and so. So they're, to some extent, forgive me, they are, they're intellectuals or at least they become, they be intellectualized. Lenin called one of his books, What is to be Done. Patrick Deneen, a Catholic right-wing Catholic philosopher. He's one of the leading right-wing Catholic intellectuals of the day, hard right. He named it What is To Be Done. But this is almost kitsch, as it were, for a conservative Catholic intellectual to name a book after Vladimir Lenin, the first Bolshevik leader of the Russian Revolution. Forgive me, I lost the turn.Andrew Keen: You talk about kitsch, Edmund, is this kitsch leftism or is it real leftism? I mean if Trump was Bernie Sanders and a lot of what Trump says is not that different from Sanders with the intellectuals or the few intellectuals left in. New York and San Francisco and Los Angeles, would they be embracing what's happening? Thanks, I've got the third again.Edmund Fawcett: No, you said Kitsch. The publicists and intellectuals who support Trump, there is a Kitsch element to it. They use a lot of long words, they appeal to a lot of authorities. Augustine of Hippo comes into it. This is really kind of intellectual grandstanding. No, what matters? And this comes to the second thing about shock at Trump. The second thing is that there is real social and economic dysfunction here that the United States isn't really coping with. I don't think the Trumpites, I don't think the rather kitschy intellectuals who are his mature leaders. I don't think they so much matter. What I think matters here is, put it this way, is the silence of the left. And this is one of the deep problems. I mean, always with my friends, progressive friends, liberal friends, it's terribly easy to throw rocks at Trump and scorn his cheerleaders but we always have to ask ourselves why are they there and we're here and the left at the moment doesn't really have an answer to that. The Democrats in the United States they're strangely silent. And it's not just, as many people say, because they haven't dared to speak up. It's not that, it's a question of courage. It's an intellectual question of lacking some strategic sense of where the country is and what kinds of policy would help get it to a better place. This is very bleak, and that's part of, underlies the sense of shock, which we come back to with Trump after we tell ourselves, oh, well, it isn't new, and so on. The sense of shock is, well what is the practical available alternative for the moment? Electorally, Trump is quite weak, he wasn't a landslide, he got fewer percentage than Jimmy Carter did. The balance in the in the congress is quite is quite slight but again you could take false comfort there. The problem with liberals and progressives is they don't really have a counter narrative and one of the reasons they don't have a counter-narrative is I don't sense they have any longer a kind of vision of their own. This is a very bleak state of affairs.Andrew Keen: It's a bleak state of affairs in a very kind of surreal way. They're lacking the language. They don't have the words. Do they need to reread the old New Left classics?Edmund Fawcett: I think you've said a good thing. I mean, words matter tremendously. And this is one of Trump's gifts, is that he's able to spin old tropes of the right, the old theme music of the hard right that goes back to late 19th century America, late 19th century Europe. He's brilliant at it. It's often garbled. It's also incoherent. But the intellectuals, particularly liberals and progressives can mishear this. They can miss the point. They say, ah, it doesn't, it's not grammatical. It's incoherent. It is word salad. That's not the point. A paragraph of Trump doesn't make sense. If you were an editor, you'd want to rewrite it, but editors aren't listening. It's people in the crowd who get his main point, and his main point is always expressed verbally. It's very clever. It's hard to reproduce because he's actually a very good actor. However, the left at the moment has nothing. It has neither a vocabulary nor a set of speech makers. And the reason it doesn't have that, it doesn't have the vocabularies, because it doesn't have the strategic vision.Andrew Keen: Yeah, and coming back to the K-word you brought up, kitsch. If anything, the kitsch is on the left with Kamala Harris and her presentation of herself in this kitschification of American immigration. So the left in America, if that's the right word to describe them, are as vulnerable to kitsch as the right.Edmund Fawcett: Yes, and whether it's kitsch or not, I think this is very difficult to talk to on the progressive left. Identity politics does have a lot to answer for. Okay, I'll go for it. I mean, it's an old saying in politics that things begin as a movement, become a campaign, become a lobby, and then end up as a racket. That's putting it much too strongly, but there is an element in identity politics of which that is true. And I think identity politics is a deep problem for liberals, it's a deep problem for progressives because in the end, what identity politics offers is a fragmentation, which is indeed happened on the left, which then the right can just pick off as it chooses. This is, I think, to get back some kind of strategic vision, the left needs to come out of identity politics, it needs to go back to the vision of commonality, the vision of non-discrimination, the mission of true civic equality, which underlay civil rights, great movement, and try to avoid. The way that identity politics is encouraged, a kind of segmentation. There's an interesting parallel between identity politics and Trumpism. I'm thinking of the national element in Trumpism, Make America Great Again. It's rather a shock to see the Secretary of State sitting beside Trump in the room in the White House with a make America it's not a make America great cap but it says Gulf of America this kind of This nationalism is itself neurotic in a way that identity politics has become neurotic.Andrew Keen: Yeah, it's a Linguistic.Edmund Fawcett: Neurosis. Both are neurotic responses to genuine problems.Andrew Keen: Edmund, long-time viewers and listeners to the show know that I often quote you in your wonderful two histories of conservatism and liberalism when you, I'm not sure which of the books, I think it may have been in conservatism. I can't remember myself. You noted that this struggle between the left and the right, between liberalism and conservatives have always be smarter they've always made the first move and it's always been up to the liberals and of course liberalism and the left aren't always the same thing but the left or progressives have always been catching up with conservatives so just to ask this question in terms of this metaphorical chess match has anything changed. It's always been the right that makes the first move, that sets the game up. It has recently.Edmund Fawcett: Let's not fuss too much with the metaphor. I think it was, as it were, the Liberals made the first move for decades, and then, more or less in our lifetimes, it has been the right that has made the weather, and the left has been catching up. Let's look at what happened in the 1970s. In effect. 30-40 years of welfare capitalism in which the state played ever more of a role in providing safety nets for people who were cut short by a capitalistic economy. Politics turned its didn't entirely reject that far from it but it is it was said enough already we've reached an end point we're now going to turn away from that and try to limit the welfare state and that has been happening since the 1970s and the left has never really come up with an alternative if you look at Mitterrand in France you look at Tony Blair new Labor in you look at Clinton in the United States, all of them in effect found an acceptably liberal progressive way of repackaging. What the right was doing and the left has got as yet no alternative. They can throw rocks at Trump, they can resist the hard right in Germany, they can go into coalition with the Christian Democrats in order to resist the hard right much as in France but they don't really have a governing strategy of their own. And until they do, it seems to me, and this is the bleak vision, the hard right will make the running. Either they will be in government as they are in the United States, or they'll be kept just out of government by unstable coalitions of liberal conservatives and the liberal left.Andrew Keen: So to quote Patrick Deneen, what is to be done is the alternative, a technocracy, the best-selling book now on the New York Times bestseller list is Ezra Klein, Derek Thompson's Abundance, which is a progressive. Technocratic manifesto for changing America. It's not very ideological. Is that really the only alternative for the left unless it falls into a Bernie Sanders-style anti-capitalism which often is rather vague and problematic?Edmund Fawcett: Well, technocracy is great, but technocrats never really get to do what they say ought to be done, particularly not in large, messy democracies like Europe and the United States. Look, it's a big question. If I had a Leninist answer to Patrick Deneen's question, what is to be done, I'd be very happy to give it. I feel as somebody on the liberal left that the first thing the liberal left needs to do is to is two things. One is to focus in exposing the intellectual kitschiness, the intellectual incoherence on the one hand of the hard right, and two, hitting back in a popular way, in a vulgar way, if you will, at the lies, misrepresentations, and false appeals that the hard-right coasts on. So that's really a kind of public relations. It's not deep strategy or technocracy. It is not a policy list. It's sharpening up the game. Of basically of democratic politics and they need to liberals on the left need to be much tougher much sharper much more vulgar much more ready to use the kinds of weapons the kinds of mockery and imaginative invention that the Trumpites use that's the first thing the second thing is to take a breath and go back and look at the great achievements of democratic liberalism of the 1950s, 60s, 70s if you will. I mean these were these produced in Europe and the United States societies that by any historical standard are not bad. They have terrible problems, terrible inequities, but by any historical standard and indeed by any comparative standard, they're not bad if you ask yourself why immigration has become such a problem in Western Europe and the United States, it's because these are hugely desirable places to live in, not just because they're rich and make a comfortable living, which is the sort of the rights attitude, because basically they're fairly safe places to live. They're fairly good places for your kids to grow up in. All of these are huge achievements, and it seems to me that the progressives, the liberals, should look back and see how much work was needed to create... The kinds of politics that underpinned that society, and see what was good, boast of what was and focus on how much work was needed.Andrew Keen: Maybe rather than talking about making America great again, it should be making America not bad. I think that's too English for the United States. I don't think that should be for a winner outside Massachusetts and Maine. That's back to front hypocritical Englishism. Let's end where we began on a personal note. Do you think one of the reasons why Trump makes so much news, there's so much bemusement about him around the world, is because most people associate America with modernity, they just take it for granted that America is the most advanced, the most modern, is the quintessential modern project. So when you have a character like Trump, who's anti-modernist, who is a reactionary, It's bewildering.Edmund Fawcett: I think it is bewildering, and I think there's a kind of bewilderment underneath, which we haven't really spoken to as it is an entirely other subject, but is lurking there. Yes, you put your absolutely right, you put your finger on it, a lot of us look to America as modernity, maybe not the society of the future, but certainly the the culture of the future, the innovations of the future. And I think one of the worrying things, which maybe feeds the neurosis of Make America Great Again, feeds the neurosis, of current American unilateralism, is a fear But modernity, talk like Hegel, has now shifted and is now to be seen in China, India and other countries of the world. And I think underlying everything, even below the stuff that we showed in the chart about changing shares of wealth. I think under that... That is much more worrisome in the United States than almost anything else. It's the sense that the United States isn't any longer the great modern world historical country. It's very troubling, but let's face it, you get have to get used to it.Andrew Keen: The other thing that's bewildering and chilling is this seeming coexistence of technological innovation, the Mark Andreessen's, the the Musk's, Elon Musk's of the world, the AI revolution, Silicon Valley, who seem mostly in alliance with Trump and Musk of course are headed out. The Doge campaign to destroy government or undermine government. Is it conceivable that modernity is by definition, you mentioned Hegel and of course lots of people imagine that history had ended in 1989 but the reverse was true. Is it possible that modernity is by-definition reactionary politically?Edmund Fawcett: A tough one. I mean on the technocracy, the technocrats of Silicon Valley, I think one of their problems is that they're brilliant, quite brilliant at making machines. I'm the machinery we're using right here. They're fantastic. They're not terribly good at. Messy human beings and messy politics. So I'm not terribly troubled by that, nor your other question about it is whether looming challenges of technology. I mean, maybe I could just end with the violinist, Fritz Kreisler, who said, I was against the telegraph, I was against the telephone, I was against television. I'm a progressive when it comes to technology. I'm always against the latest thing. I mean, I don't, there've always been new machines. I'm not terribly troubled by that. It seems to me, you know, I want you to worry about more immediate problems. If indeed AI is going to take over the world, my sense is, tell us when we get there.Andrew Keen: And finally, you were half-born in the United States or certainly from an American and British parent. You spent a lot of your life there and you still go, you follow it carefully. Is it like losing a lover or a loved one? Is it a kind of divorce in your mind with what's happening in America in terms of your own relations with America? You noted that your wife gave up her citizenship this year.Edmund Fawcett: Well, it is. And if I could talk about Natalia, my wife, she was much more American than me. Her mother was American from Philadelphia. She lived and worked in America more than I did. She did give up her American citizenship last year, partly for a feeling of, we use a long word, alienation, partly for practical reasons, not because we're anything like rich enough to pay American tax, but simply the business of keeping up with the changing tax code is very wary and troublesome. But she said, as she did it, she will always feel deeply American, and I think it's possible to say that. I mean, it's part of both of us, and I don't think...Andrew Keen: It's loseable. Well, I have to ask this question finally, finally. Maybe I always use that word and it's never final. What does it mean to feel American?Edmund Fawcett: Well, everybody's gonna have their own answer to that. I was just... What does it mean for you? I'm just reading. What it is to feel American. Can I dodge the question by saying, what is it to feel Californian? Or even what is to be Los Angelino? Where my sister-in-law and brother-in-law live. A great friend said, what it is feel Los Angeles you go over those mountains and you put down your rucksack. And I think what that means is for Europeans, America has always meant leaving the past behind.Edmund Fawcett was the Economist‘s Washington, Paris and Berlin correspondent and is a regular reviewer. His Liberalism: The Life of an Idea was published by Princeton in 2014. The second in his planned political trilogy – Conservatism: The Fight for a Tradition – was published in 2020, also by Princeton University Press. The Economist called it ‘an epic history of conservatism and the Financial Times praised Fawcett for creating a ‘rich and wide-ranging account' that demonstrates how conservatism has repeated managed to renew itself.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

In Part 1, Grant and Cait answer your weird ass questions and part 2 goes completely sideways - This is a fun couple of eps - FEEL BETTER Grant! We're unlocking premium episodes as we pick up new members - Enjoy this episode and sign up for the premium version of Terrible Person so you don't miss a thing ↓ GET TERRIBLE PERSON PREMIUM HERE ↓ http://www.terribleperson.coOR↓Get the Premium Eps on Patreon ↓ https://www.patreon.com/TerriblePersonPremium

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This episode of Couples Therapy with Grant & Cait covers: Intimacy, horny honey, Married Life, Cait's new glasses, throwing up, CATS, Jack in the Box, Sleeping Together, weird fetishes, pet peeves, conspiracy theories, TWILIGHT, Harry Potter, speeding tickets, laundry, toe nail clippings, dinner delusions, EMS simulation day at a community college, world history, young adult books, short fuses, dumb people, arguments, breathing too loud, mushrooms AND MUCH MORE!!↓ GET TERRIBLE PERSON PREMIUM HERE ↓ http://www.terribleperson.co OR ↓Get the Premium Eps on Patreon ↓https://www.patreon.com/TerriblePersonPremium

Des gigatonnes de couleurs, de lumières et d'électrons positifs empliront vos oreilles cette semaine dans notre émission ! Nous recevons le pianiste, compositeur et arrangeur Cedric Hanriot qui viendra vous présenter « A luninous world », le second album de son projet « Time is color ». Petit prince français du jazz collaborant à de nombreux projets dans le monde, adoubé par Herbie Hancock, écouté par Barack Obama et même… plébiscité aux Grammy Awards, il poursuit sa quête musicale et spirituelle dans ce deuxième opus teinté de sons urbains et inspiré par la Physique Quantique, dans lequel des pointures comme Erik Truffaz ou encore Arthur h. ont prété leurs voix, leurs instruments et même… leurs textes. Et pour notre vidéoKITSCH de la semaine, voyez la vie en… Grease ! Film sorti de Randal Kleiser sorti le 3 octobre 1978 ! Il est une adaptation de la comédie musicale créée à Broadway 7 ans plus tôt. On pourra voir Richard Gere ou Patrick Swayze dans le rôle de Dany interprété dans le film par John Travolta. Le générique début est faut tout en animation et mis en scène par John Wilson. Il met en scène tous les personnages du film et présent l'équipe également. La chanson « Grease », même titre que le film, a été écrite par Barry Gib un des membres des Bee Gees et elle est interprété par Francky Vali ! Elle sort dans les bac le 6 mai 1978. Un succès et des titres indémodables ! Avec ou sans « chemise grease », écoutez-nous toute cette semaine dans Kitsch et Net !

This episode of Couples Therapy with Grant & Cait covers: Intimacy, horny honey, Married Life, Cait's new glasses, throwing up, CATS, Jack in the Box, Sleeping Together, weird fetishes, pet peeves, conspiracy theories, TWILIGHT, Harry Potter, speeding tickets, laundry, toe nail clippings, dinner delusions, EMS simulation day at a community college, world history, young adult books, short fuses, dumb people, arguments, breathing too loud, mushrooms AND MUCH MORE!!Check out Grant & Cait's Podcast 'TERRIBLE PERSON' wherever you get your podcast AND THANK YOU FOR LISTENING!

We took edibles before we recorded AND what started as a good idea QUICKLY turned into a terrible idea....  We're unlocking premium episodes as we pick up new members - Enjoy this episode and sign up for the premium version of Terrible Person so you don't miss a thing ↓ GET TERRIBLE PERSON PREMIUM HERE ↓ http://www.terribleperson.coOR ↓Get the Premium Eps on Patreon ↓ https://www.patreon.com/TerriblePersonPremium

In this delightfully offbeat episode of States of Discovery, Sara and Marisa take you on a road trip through America's weirdest museums—the kind of places that make you do a double-take and say, “Wait… this is real?” From preserved medical oddities to mustard-themed exhibits, we explore the strange, specific, and surprisingly educational corners of the museum world.You'll learn about: The Mütter Museum in Philadelphia, home to giant colons and soapified bodies The hilariously sincere Museum of Bad Art in Massachusetts Idaho's love letter to the potato at the Idaho Potato Museum Extraterrestrial encounters at the International UFO Museum in Roswell Neon nostalgia at the Neon Museum in Las Vegas And yes—even the National Mustard Museum in WisconsinPlus, we dig into how these wonderfully weird places actually stay open—spoiler: it involves passionate collectors, creative funding, and a whole lot of merch.Why You'll Love It:If you've ever taken a roadside detour to see the world's largest ball of twine, this episode is your jam. It's a celebration of niche passions, local flavor, and the power of the peculiar. Whether you're into science, food, folklore, or just good ol' fashioned weirdness, there's something here for every curious traveler.Stay Curious:Got a favorite bizarre museum in the U.S.? Know a hidden gem with an eyebrow-raising backstory? Send it our way! We're always on the hunt for America's strangest attractions.Connect With Us: Phone Number: 805-298-1420 - Leave us a message! We'd love to hear from you. Email: podcast@onlyinyourstate.com

Nous vous donnerons bien des choses à voir… et à imaginer cette semaine dans notre émission ! Vous replongerez instantanément en enfance avec la nouvelle tournée de l'éternelle Chantal Goya, nous rendrons hommage à la guitare magique d'Amadou Bagayoko du duo Amadou & Mariam et nous pencherons sur d'autres lunettes noires : celles du spectacle « Lunettes noires et vie en rose » ! Nous accueillerons les deux créatrices et comédiennes de show post-apocalyprique déjanté : Géraldine Hilaire et Françoise Krief. La première étant également danseuse et la seconde sopranon elles vous offriront à 2 reprises un avant-goût de cette comédie d'un nouveau genre, que vous pourrez applaudir le 26 avril à Charenton et le 30 sous le soleil d'Anglet…. qui ne sera pas vert mais risquera de se teinter de rose ! Pour réserver, envoyez-leur un e-mail : francoisekrief@gmail.com ou melusine77@myyahoo.com . Il sera également question d'évolutions de la société dans notre vidéokitsch de la semaine avec un retour du fameux « Balance ton quoi » d'Angèle ! Le clip de ce titre coup de poing, dans lequel apparaît un certain Pierre Niney, voit la jeune icône belge endosser plusieurs rôles pas si sages qu'il n'y paraît embrassant ainsi à sa façon la cause #Metoo… Et c'est à vous de balancer… tous les liens pour nous écouter toute cette semaine dans Kitsch et Net !

durée : 00:05:03 - James Last : premier prix du kitsch ! - par : Max Dozolme - Le 17 avril 1929 naissait le chef d'orchestre et arrangeur James Last. Un musicien cent fois disque d'or, remis au goût du jour par Tarantino et Chinese Man qui se sont souvenus au début des années 2000 de ses reprises légères et sans paroles de tubes de la variété et du classique !

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Diese Folge ist eine etwas andere, der Start von vielen dieser Art. TROMMELWIRBELDenn finally haben wir Gäst*innen! ♥️Unsere erste Gästin ist Fotografin und Künstlerin Caroline Kynast.Wir sprechen über ihren Weg als Quereinsteigerin in die Fotografie, über ihren Start in Berlin, wie schwer es ist als Frau in einem nach wie vor sehr Männer dominierten Beruf zu arbeiten, über die Kreativszene in Berlin und über den Nachwuchs in der Branche. Freut euch auf spannende Einblicke, persönliche Gespräche und eine Menge Realtalk Ohne Filter, ohne Kitsch – dafür mit Haltung, Tiefe und viel Gefühl für das, was echt ist.Kommt mit uns auf die Couch! ♥️Folgt uns auf Instagram @carolinekynast@Behindthebrushes.podcast

Les « amazones » de la chanson reviennent aux affaires pour notre plus grand plaisir, c'est ce que vous constaterez cette semaine dans notre émission ! Nous vous dirons tout sur le grand retour sur scène de Nina Morato le 17 avril prochain et recevons pour la seconde fois une autre idole de la Génération X… et des suivantes : Ysa Ferrer ! Pour son second passage parmi nous et en attendant la sortie de son 7ème album, l'icône électro-pop nous présente « Pour de vrai », non nouveau single, mais aussi son « Nec Plus Ultra » : une anthologie indispensable et collector avec mix, goodies et figurines en prime. Elle vous réserve également un live acoustique surprise dans l'émission qui ravira ses « Ultras » et tous les autres… Une autre héroîne « Badass » vous attend enfin dans notre videoKITSCH : « Buffy contre les vampires » ! En attendant le come back de cette chasseuse intrépide incarnée par Sarah Michele Gellar, nous vous proposons de vous replonger dans son générique très rock, joué par Nerf Herder… Chassez tous vos démons (sauf les kitschs  en nous écoutant toute cette semaine dans Kitsch et Net !

Dietrich, Kirsten www.deutschlandfunkkultur.de, Religionen

Merriam-Webster's Word of the Day for April 11, 2025 is: kitsch • KITCH • noun Kitsch refers to something that appeals to popular or lowbrow taste and is often cheap or tacky. Kitsch also refers to a tacky or lowbrow quality or condition. // The restaurant is decorated with 1950s furniture and kitsch from old TV shows. // The critic opined that the movie, despite its lofty ambitions, at times descended into kitsch. See the entry > Examples: “If you were dressing yourself in the early 2000s, you might feel some kind of way about Y2K fashion ruling the runways and the sidewalks once again. But if you weren't? It's entirely understandable that mining the annals of recent fashion history—and the vintage shops—would hold a certain appeal. For all its kitsch and camp, Y2K fashion is full of some intriguing gems.” — Boutayna Chokrane and Christina Pérez, Vogue, 26 Jan. 2025 Did you know? Have you ever browsed through a flea market or thrift shop? If so, chances are you're well-acquainted with kitsch, the various bits and bobs of popular culture—fuzzy dice, plastic flamingos, cartoon-themed plastic lunchboxes, etc.—that enjoy widespread popularity but don't hold much cultural esteem. Or maybe you're a fan of (what some might call) cheesy movies—action movies and rom-coms that score big at the box office but are panned by critics—kitsch often applies to them, too, as well as to “lowbrow” art of all kinds. English users borrowed kitsch in the early 20th century from German; according to scholars the word was popularized by Munich painters and art dealers in the 1860s and 1870s who used it to refer to popular and cheap artwork. The word's earlier origins are found in the German verb kitschen, meaning “to slap something (such as a work of art) together” as well as “to scrape up mud from the street.” Despite these muddy origins and the disapproving tone with which kitsch is often deployed, kitsch is not quite the “dirty” word it once was—kitsch today is as likely to be celebrated as it is to be derided.

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Star Wars EP II - Heute wird es romantisch. Wir tauchen ein in die heile Welt von Naboo und begleiten Anakin und Padme, die sich immer näher kommen. Im starken Kontrast machen wir einen Köpper in die Tiefen von Kamino und dem schrecklichen Geheimnis dem Obi-Wan auf die Schliche kommt.Hast du konstruktives Feedback? Anregungen und oder Fragen? Dann schreibe uns einfach auf Instagram oder Nutze die Fragen-Funktion auf Spotify

Ein neuer Mann, die Liebe und eine plötzliche Trennung - ein Roman wie ein französischer Film. Buchtitel und Cover lassen durchaus Kitsch vermuten. Dem ist aber nicht so - die Autorin erzählt klar, distanziert, fast schon analytisch. Von Christine Westermann.

Vandaag in de studio: Hugo Borst, Frank van der Lende, Danielle Kliwon en Thomas Heerma van Voss. Wat deed Hugo bij Kunst & Kitsch? Thomas observeert dat Peter Bosz het roer heeft omgegooid en Danielle zag haar leven voorbij schieten dit weekend. Deze podcast wordt mogelijk gemaakt door Staatsloterij. Bekijk de podcast ook op ons YouTube-kanaal.

Un peu de classe dans un monde qui en manque souvent… C'est ce que nous proposons à vos oreilles cette semaine dans notre émission ! Afin de lui rendre hommage, l'inimitable voix de crooner de Herbert Léonard retentira dans un titre rare et n vous donnerons toutes les infos sur la nouvelle version du Lac des cygnes, Et c'est un autre timbre enjôleur inoubliable qui ravira vos sens et ravivera votre inconscient : celui de notre invitée Pascale Borel ! Pour son second passage dans l'émission, la mythique chanteuse du groupe MIKADO nous présente « Jamais seule », son 4ème album solo, nous parle de ses projets futurs et vous prépare une belle et émouvante surprise en live… Serez-vous avec nous ? Et notre videoKITSCH cous transporte dans d'autres souvenirs d'enfance… C'est en 1990 que l'on découvre Nicky Larson pour la première fois en France dans le club Dorothée. L'arrivée des manga japonais explose dans nos petits écrans. Nicky Larson est un détective privé et garde du corps qui se charge de résoudre les affaires les plus dangereuses ! Le générique légendaire est chanté par Jean-Paul Césari, choriste des Forbans; Un air dont on ne se lasse pas. En 2019, Philippe Lachau reprend les affaires de Nicky Larson sur le grand écran; Jean-Paul Césari fera d'ailleurs une apparition où il interprète une version jazz de sa chanson. Vous non plus, ne « craignez personne » en nous écoutant toute cette semaine dans Kitsch et Net !

In this episode, Grant and Caitlin talk  "Terrible Person" podcast taping, AI voice recognition, Love on the Spectrum, Cheez-Its and product ideas, gadget replacements for genitals, Mr. Beast's grocery store challenge, a neighborhood tragedy, Kanye West's controversial interview, potential murder conspiracy theories, writing to companies with product ideas, aliens and pyramids, Dante's Inferno, Judge Judy's appearance, honeymoon planning, and various news including a school shooting and a high school track meet stabbing. (description written by AI )↓ GET TERRIBLE PERSON PREMIUM HERE ↓ http://www.terribleperson.co OR ↓Get the Premium Eps on Patreon ↓https://www.patreon.com/TerriblePersonPremium

Ein Vortrag der Altphilologin Juliane Küppers Moderation: Sibylle Salewski***** Auch Menschen sind nur Teil der Natur, argumentierten Philosophen wie Epikur und Lukrez schon in der Antike. Sie hielten das für einen guten Grund, auch in schweren Zeiten nicht den Mut zu verlieren. Ein Vortrag der Altphilologin Juliane Küppers. ***** Juliane Küppers ist wissenschaftliche Mitarbeiterin am Institut für Griechische und Lateinische Philologie der Freien Universität Berlin. Ihr Vortrag hat den Titel "Der Honig und die bittere Medizin. Epikureische Philosophie und ihre poetische Schönheit bei Lukrez als Therapie für mentale Gesundheit in Krisenzeiten." Sie hat ihn am 2. Dezember 2024 an der Freien Universität Berlin gehalten im Rahmen der Vorlesungsreihe "Philosophie als Medizin in der Antike", die von der Klassischen Gräzistik der FU Berlin organisiert wurde. *****Schlagworte: +++ Philologie +++ Lateinisch +++ Griechisch +++ Altphilologie +++ Epikur +++ Lukrez +++ Gräzistik +++ Natur +++ Universum +++ Götter +++ Geschichte +++ **********Mehr zum Thema bei Deutschlandfunk Nova:Philosophie: KI kann Kunst! ... oder doch nur Kitsch?Philosophie: Liebesbeziehung mit einem ChatbotBelohnung: Wie wir unsere Erfolge sehen und feiern**********Den Artikel zum Stück findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: TikTok und Instagram .

Für die einen ein Kultklassiker, für die anderen reiner Trash – diese Ambivalenz passt nicht nur perfekt zu unserem Sci-Fi-Podcast Watch the Skies, sondern auch zu Barbarella mit Jane Fonda. Während manche den Film als visionär und einzigartig feiern, sehen andere darin nichts weiter als Kitsch und Kuriosität. Doch wo stehen Thomas, Jacko und DingDong? Hört rein und findet es heraus – viel Spaß!

This episode got referenced on the Johnjay & Rich Morning Show this morning so we figured we'd reupload it today :) Big thank you to Payton & Kadeem for letting Grant get overmedicated and ask wildly inappropriate questions! This was a good time! We're unlocking premium episodes as we pick up new members - Enjoy this episode and sign up for the premium version of Terrible Person so you don't miss a thing↓ GET TERRIBLE PERSON PREMIUM HERE ↓ http://www.terribleperson.co OR ↓Get the Premium Eps on Patreon ↓https://www.patreon.com/TerriblePersonPremium

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In this week's episode, we're re-airing one of our top episodes with Cassandra Thurswell, the founder of KITSCH, a global brand that creates eco-friendly hair care and beauty accessories for women. Cassandra came from a small town in Wisconsin to Los Angeles with the hopes of creating something meaningful in her life. But before launching her own business, she did whatever it took to make ends meet from working at a cupcake shop to crafting jewelry and babysitting. After seven failed attempts at various businesses, the idea for Kitsch was born. She started by hand-making her first product which was a basic but innovative knotted hair-tie in her tiny LA apartment. She was making cold calls, doing door to door sales, and whatever she could to get the brand out there all without any outside funding. Fast forward to today, the company has evolved into a multi-million dollar brand that's sold in over 27 countries and across 20,000 retail locations worldwide. You can find them at Ulta, Sephora, Whole Foods, Urban Outfitters, to name a few.In this week's episode, Cassandra walks us through how following her gut over the years has truly been the key to her success – from couch-surfing to saving money for her business to working different jobs to learn the industry. She also talks about how every single job she's had in the past has helped her become a stronger business person and was the "mini MBA" she needed. She then dives into the challenges of the early days of fulfilling orders in her one-bedroom apartment and the creative tactics she used to get into retailers without any connections. We also talk about the biggest learnings she's had over 14 years of running Kitsch, the power of micro-intentions and micro-habits when creating your dream life, & so much more. In this episode, we'll talk to Cassandra about:* Her thoughts on manifestation and its role in creating success. [05:42]* The power of visualization. [13:43]* Moving to Los Angeles, being broke, living on people's couches & hustling in life. [17:49] * Kitsch creation journey and inspiration. [30:05]* Having various jobs to make ends meet and how she self-funded Kitsch. [33:54]* Retailer entry without connections. [37:44]* Getting her first large purchase order. [40:08]* The power of vision boards and future journaling. [44:07]* Her unique partnership approach [51:41]* Experiencing postpartum anxiety. [59:12]* Establishing boundaries and leaning into change & personal growth. [01:01:35]* Definition of success and how it changed over the years. [01:04:37]* Daily routine and micro intentions. [01:09:14]* The messy truth in launching a business. [01:14:15]This episode is brought to you by beeya: * Learn more about beeya's seed cycling bundle at https://beeyawellness.com/free to find out how to tackle hormonal imbalances. * Get $10 off your order by using promo code BEHINDHEREMPIRE10Follow Yasmin: * Instagram: https://www.instagram.com/yasminknouri/* Stay updated & subscribe to our newsletter: https://www.behindherempire.com/Follow Cassandra: * Instagram: https://www.instagram.com/cassandrathurswell/* Instagram: https://www.instagram.com/mykitsch/* Website: https://www.mykitsch.com/ Hosted on Acast. See acast.com/privacy for more information.

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Von Schwiegermutter-, Design-, Kinder- und Spionage-Gießkannen zwischen Kitsch, Kunst und Alltag. Infos zu unseren Werbepartnern unter: https://detektor.fm/werbepartner/gartenradio

@paulumrecords is thrilled to announce that the upcoming debut EP "Escapism Tools" from Hamburg-based producer @linus-duewer will arrive very soon. Read more @ feeder.ro/2025/02/19/linus-duewer-paulum

In this episode of The goop Podcast, Gwyneth Paltrow sits down with Cassandra Thurswell, founder and CEO of Kitsch, to talk about how seven failed business attempts, a handful of handmade hair ties, and a one-paragraph business plan led her to building a global beauty empire. Thurswell shares the unfiltered realities of bootstrapping, the secret to creating viral products, and the mindset shifts that kept her going—all while staying true to her brand's mission of accessibility, sustainability, and innovation. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

„Ein Manifest für den Glamour“ wurde Jovana Reisingers Essay „Pleasure“ genannt. Über Kitsch, Camp, Trash, Strass, exzessives Rumliegen in luxuriösen Hotelbetten und alles, was Spaß macht. „Die subversive Kraft der Tussi“ hieß ein Text von ihr in der „Vogue“. Die „Tussi“ ist ihr Rollenmodell: eine Frau, die sich nimmt, was sie will und dafür Grenzen überschreitet – der sozialen Klasse und des sogenannten guten Geschmacks. „Einfach nur geil“. Steht in „Enjoy Schatz“, Reisingers Roman über die sexuelle Selbstbestimmung einer Schriftstellerin nach der Trennung von ihrem Mann. Happy Valentinstag!

Hon är snart 40 och kan inte köra bil. Hon kan inte läsa böcker eftersom hon har svårt att koncentrera sig. Hon är svartsjuk och jämför sig själv med sina killars ex. Hon är sen och har hål i strumpbyxorna. Men du kommer i alla fall inte att ha tråkigt med henne, lovar hon i sin hitlåt "Hello cowboy", och det gäller förhoppningsvis även när hon medverkar i Strages podd. Här berättar Maja Francis om att växa upp i Ängelholm där hennes far drev skivbutiken Änglavax och försåg henne med klassisk rock från en tidig ålder. Hon pratar också om att känna sig som en manic pixie dream girl, om psykisk ohälsa, om samarbetena med First Aid Kit och Veronica Maggio och om hon har den deppiga musiken i sina gener på grund av sin farmor Thory Bernhards (som sjöng "Vildandens sång", en av de sorgligaste låtar som gjorts på svenska). Hosted on Acast. See acast.com/privacy for more information.

Nachdem Chris Davids, zusammen mit Liam Ivory bekannt als Maribou State, von einer seltenen Gehirnerkrankung genesen ist, kommt das britische Produzenten-Duo nach sieben Jahren wieder mit einem Album. Dass «Hallucinating Love» etwas (zu) schöngefärbt ist, kann man ihnen kaum verübeln. Einerseits tanzten Maribou State schon immer auf der Grenze zum Kitsch. Andererseits darf man nach dem, was Chris Davids gesundheitlich durchgemacht hat, schon auch mal ordentlich Positivity verteilen. Und dass «Hallucinating Love» für ein sogenanntes «Producer-Album» erstaunlich facettenreich und organisch tönt, macht Freude! +++ PLAYLIST +++ 22:56 - TO LIVE FOREVER IN A SKYLIT ROOM von SUNDEN 22:52 - BLANKET von TIM & PUMA MIMI 22:48 - HARVEST SKY von OKLOU/UNDERSCORES 22:46 - ADORE von CHILD STAR 22:41 - DIAMOND (ON THE MOON) von WORRIES AND OTHER PLANTS 22:38 - CRUZ von MARINERO 22:33 - NUESTRA VICTORIA von MARINERO 22:30 - ME PASA von ASTROPICAL 22:26 - AFTERLIFE von SHARON VAN ETTEN AND THE ATTACHMENT THEORY 22:21 - LET IT GROW von SKELETEN 22:17 - BUILDING 650 von SQUID 22:14 - THE LADDER von THE VEILS 22:09 - LOW LAYS THE DEVIL von THE VEILS 21:56 - TONIGHT WITH THE DOGS I'M SLEEPING von BONNIE PRINCE BILLY 21:50 - I SEE A DARKNESS von BONNIE PRINCE BILLY 21:46 - SILVER LINING von MOUNT JACINTO 21:42 - RODEO von SOPHIA KENNEDY 21:39 - YOU HURT ME von PABLO NOUVELLE 21:35 - FEEL GOOD von MARIBOU STATE 21:27 - BLACKOAK von MARIBOU STATE 21:24 - BLOOM von MARIBOU STATE 21:17 - ALL I NEED von MARIBOU STATE FEAT. ANDREYA TRIANA 21:12 - PRAISE YOU von FATBOY SLIM 21:06 - SCARLETT GROOVE von MARIBOU STATE 21:04 - APPLE von CHARLI XCX FEAT. THE JAPANESE HOUSE 20:55 - TV OFF von KENDRICK LAMAR FEAT. LEFTY GUNPLAY 20:07 - SOUNDS! ZENTRALE 020: Super Bowl Halftime Show und warum man dort auftreten muss 20:03 - NOT LIKE US von KENDRICK LAMAR

Kitsch oder Kult? Kolportage oder Kunst? Wie auch immer: Giacomo Puccinis "La Boheme", "Tosca" und "Turandot" ziehen bis heute die Menschen in die Opernhäuser der Welt. Puccini war Weltstar, Schwermütiger, Auto- und Techniknarr, eine vielseitige, oft widersprüchliche, immer aber faszinierende Figur. Von Christian Schuler

Send us a textCostumes, Kitsch, and Festivity…I LOVE HALLOWEEN…but I know some of my clients don't feel the same way.In fact for a lot of you, the scariest thing this spooky season is that bag of Reese's (or whatever bag of sugar that gets your rocks off) taunting you from the cabinet. Let's take a look back at last year's advice on how to handle emotional eating and holiday snacking. Because surprise…what held true last season, holds true today!Whether it's stress-eating your feelings, juggling the chaos of holiday travel and parties, or going back for more halloween candy after you said you were done. The common thread here? It's all about owning your choices—taking charge or letting the circumstances run the show.How you approach these moments is key to shaping your habits, and that is where the magic happens.Food? It's just one of many tools in your life toolkit. Shift your mindset and explore other ways to feel supported, and bam—you're on the right track!Feeling stuck in this mental maze? Need a helping hand? Let's dive into the three things Tony Robbins says can transform your state of mind: Physiology, Focus, and Meaning.Sneaky KitKat or not… It's YOU calling the shots.What's Inside:Does using food for comfort make you a bad person?Finding strength in owning your decisions instead of letting circumstances control you.What's the deeper meaning behind that Halloween candy for you?Three things you can control to shift how you feel.Don't let the Halloween candy hiding in your pantry scare you!!! You're the boss of your body and your choices, so what does that mean to you? How are you going to own your choice to not eat the candy or to decide to eat it? Let me know on Insta!Mentioned In This Episode:Nutrition 911 - Fit Feels Good Transform Your Body & Habits In One Year.  Guaranteed. info@fitfeelsgood.com Oonagh on Insta 

We're back from our summer break!!! It was a bit extended because Kelly was helping her MIL and Anita moved her mom to Texas from Oklahoma. Summer is officially over and we are very excited to be back and talking about fall decor! Our best advice is to go natural and simple. We don't like the idea of spending a fortune of decor that you just use once. If you are going to buy something for the fall, invest in something worth keeping and using every year. Be sure to check out Anita's Cedar Hill Farmhouse wallpaper collection on the Cedar Hill Farmhouse website HERE. You can also go straight to the wallpaper site HERE and HERE. Anita uses these fall dishes every year. We are a part of the Amazon and other retailer affiliate programs, and if you make a purchase we can earn money. SPODE WOODLAND DISHES HERE ROYAL STAFFORD SAG DISHES HERE SPODE DELEMERE DISHES HERE Some other fall decor items you might enjoy are listed below with links. DRIED FALL WREATH HERE STAUB PETITE CERAMIC PUMPKIN BAKER HERE AMBER DRINKING GLASSES HERE PENDLETON YAKIMA WOOL THROW HERE BLACK CANDLESTICK HOLDERS HERE BLACK CHECK LAYERING DOOR MAT HERE DTT defines Georgian style that includes Sheraton, Chippendale, Hepplewhite, and Adam style CRUSHES: Anita's crush is this gorgeous set of Spode William Morris dishes. Each one is different and they would work so well for fall dishes!! HERE Kelly's crush is the book NEXT LEVEL by Dr. Stacy Sims. Get your copy HERE. Need help with your home? We'd love to help! We do personalized consults, and we'll offer advice specific to your room that typically includes room layout ideas, suggestions for what the room needs, and how to pull the room together. We'll also help you to decide what isn't working for you. We work with any budget, large or small. Find out more HERE Hang out with us between episodes at our blogs, IG and YouTube channel. Links are below to all those places to catch up on the other 6 days of the week! Kelly's IG HERE Kelly's Youtube HERE Kelly's blog HERE Anita's IG HERE Anita's blog HERE Are you subscribed to the podcast? Don't need to search for us each Wednesday let us come right to your door ...er...device. Subscribe wherever you listen to your podcasts. Just hit the SUBSCRIBE button & we'll show up! If you have a moment we would so appreciate it if you left a review for DTT on iTunes. Just go HERE and click listen in apple podcasts. XX, Anita & Kelly DI - 11:20 /19:00 Learn more about your ad choices. Visit megaphone.fm/adchoices