Podcast appearances and mentions of Bobby Gillespie

Peter Hook reflects on 50 years of music, the emotional weight of performing Joy Division and New Order live, and the many memories and ghosts of his past. Tickets for Peter Hook & The Light, Australia 2026 Topics Include: New Order toured Australia as early as 1982, helped by Factory Australasia's local support. Hooky calls Australia the only place he never wants to leave — he still suffers leaving every time. Peter Hook and the Light played their seventh-ever gig in Melbourne on their first Australian tour. He is now working through every New Order and Joy Division album ever recorded live. Get Ready features songs never played live as New Order, with Steve Morris largely absent during recording. The band's Grammy came from Orgy's heavy metal cover of Blue Monday — Hook loves the weird covers most. He revealed a plan to stage a full New Order classical concert, eyeing the Sydney Opera House. Ian Curtis performed with absolute conviction every single night — something Bernard Sumner couldn't match early on. Hook recalls first seeing Ian smash up a venue at 2:30am, dancing through broken tables — terrifying and electrifying. That chaotic Stiff/Chiswick talent show led directly to Rob Gretton becoming Joy Division's manager. Ian's lyrics, Hook says, are heartbreaking up close — Love Will Tear Us Apart masks devastating words in euphoric music. Singing Ian's words himself has given Hook a profound new insight into what Curtis was actually expressing. Tony Wilson signed them with a handshake — no contracts — while other labels arrived with thick legal documents. Bernard Sumner found the Unknown Pleasures pulsar image in a textbook; nobody planned the iconic sleeve. Hooky was actually sued for bootlegging the Unknown Pleasures artwork — which Factory themselves had originally stolen. Ian Curtis reportedly wrote a letter complaining about how Closer sounded — a detail Hook only learned years later. During Closer sessions, Curtis was being torn apart: marriage collapsing, new love, epilepsy worsening, the band pushing forward. Hook deeply regrets not seeing Ian before his cremation — but a gravedigger privately told him where Curtis is actually buried. The inquest into Ian's death so disgusted the band they decided on the spot to continue as New Order. Joy Division was deliberately boxed away for 30 years; Bernard called playing those songs "miserable" and refused to continue. Bobby Gillespie suggested the album playback concept so Hook could faithfully recreate Martin Hannett's studio sound live. Watching his son learn Joy Division bass lines at the same age Hook was then felt like staring into the past. Performing these songs, Hook says he is "living surrounded by ghosts" of collaborators now gone. The K-93 sessions saw Killing Joke's Geordie Walker move into Hook's Manchester home for six weeks, causing complete chaos. Those lost K-93 tapes mysteriously surfaced after the label went bankrupt — and Jaz Coleman promptly went silent again. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

...y más nuevas canciones de Yttling Jazz (con Bobby Gillespie), Rostam (con Clairo), Kelsey Lu, TOMORA y Kneecap.Escuchar audio

Lundi 13 avril, Pop-Rock Station lance la semaine avec un mélange de classiques et d'actualités. Ouverture avec Foo Fighters et "Of All People", nouvel extrait de leur album "Your Favourite Toy". Côté classiques, Marjorie Hache nous propose The Bangles, Paul McCartney avec Wings et "Mrs Vandebilt", ainsi que AC/DC. L'album de la semaine met en avant Memorials avec "All Clouds Bring Not Rain", porté par Verity Susman et Matthew Simms. Une esthétique entre rock 60s-70s et post-punk. Autres passages marquants : Infectious Grooves, 16 Horsepower, puis Gorillaz avec "Delirium", issu de leur projet "The Mountain". La séquence cover revisite Nirvana avec "Smells Like Teen Spirit", dans une version produite par Trevor Horn et interprétée par Jack Lukeman. Découverte "Fresh Fresh Fresh" avec Björn Yttling et Bobby Gillespie sur "Strange". Enfin, retour aux fondamentaux avec The Box Tops et Strawberry Switchblades, avant une fin d'émission avec Jack White. Foo Fighters - Of All People The Bangles - Walk Like An Egyptian Wings - Mrs. Vandebilt Green Day - Kill The DJ AC/DC - Rock&Roll Train James Brown - Papa's Got A Brand New Bag Infectious Grooves - Violent & Funky Memorials - In The Weeds Pink Floyd - Run Like Hell 16 Horsepower - Clogger Visage - Fade To Grey Gorillaz - Delirium (Feat. Mark E. Smith) Trevor Horn - Smells Like Teen Spirit (Feat. Jack Lukeman) Cold War Kids - Louder Than Ever Fatboy Slim - Right Here Right Now Motionless In White - Afraid Of The Dark Otis Redding - (Sittin'on) The Dock Of The Bay Jeff Buckley - Last Goodbye Aldous Harding - One Stop Golden Earing - Radar Love (1973 Single Edit) Stereophonics - Have A Nice Day Yttling Jazz & Bobby Gillespie - Strange Weezer - A Little Bit Of Love The Box Tops - The Letter Strawberry Switchblade - Since Yesterday The Revels - Comanche Jack White - G.O.D. And The Broken Ribs Deftones - Pink MaggitHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

"Happy Birthday, Peter Hook" There's nothing about Peter Hook that I can tell you you don't already know, so let's just do a refresher run through his musical CV. In the late '70s Hook formed Joy Division with childhood pal Bernard Sumner after the two friends saw the Sex Pistols play in Manchester. The band only put out two albums and one of those albums, the legendary Closer was put out two months after the band had ceased to b,e due to the suicide of singer Ian Curtis on the eve of Joy Division's debut US/Canada tour. Rechristened New Order and consisting of the remaining members of Joy Division plus keyboardist Gillian Gilbert, New Order blended jittery post-punk rhythms with dance music. The result? Well, you know the result. They were one of the biggest bands of the '80s, spawning hits like True Faith, The Perfect Kiss, Subculture and Blue Monday, which was the biggest selling 12-inch of all time. It might still be. New Order dominated the '80s, but the '90s weren't too shabby—they had a #1 UK hit with World In Motion in 1990 and they had their biggest US hit with “Regret” in 1993. They kept crushing it, putting out Get Ready in 2001 and collaborating with Billy Corgan and Bobby Gillespie of Primal Scream. They were given the Godlike Genius award at the 2005 NME awards and got nominated for a Grammy in 2006 for Guilt Is a Useless Emotion. Then things got a bit sour, with Hook leaving the band in 2007 and forming his own outfit Peter Hook and the Light, a band that featured his son Jack and much to his fans delight, revisited the Joy Division and New Order songbooks. Over the course of his career Hook has worked with The Stone Roses, and Perry Farrell, he toured with the Durutti Column, put out albums with Revenge and Monaco and wrote one of the best music books ever: Substance; Inside New Order. This is a partial list, btw. Almost a partial partial list because when it comes to Peter Hook, there's a lot of ground to cover. But these are the basics. Do a deeper dive after you hear the show—the guy is a titan. As for his split with New Order and his boyhood pal Bernard, we don't have time to go over the legal end of that dissolution, so let's just say this. If you're hoping for a reunion you're wasting your good hope energy. Not going to happen. As a bassist, he plays with an authoritative blend of prowl and sting and not only is he one of the all time greats, he also happens to be a nice guy. This chat covers his fractured friendship with Sumner, why the New Order/Joy Division songbooks appeal to fans across generations and what Hooky has learned from his old material. www.peterhookandthelight.live www.bombshellradio.com www.embersarts.com www.stereoembersmagazine.com www.alexgreenbooks.com Stereo Embers The Podcast Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com

For the 40th anniversary of The Jesus and Mary Chain's landmark debut album, Psychocandy, we take a detailed look at how it was made. Growing up in East Kilbride, Scotland, brothers William and Jim Reid had their lives changed by punk and both made plans to start their own bands. When they had trouble finding like-minded musicians in their town, they realized they could pool their resources and start a band together. After their father was made redundant from his job at a factory, he gave them a gift of 300 pounds, which they used to buy a Portastudio 4-track machine. Recording the songs they were writing allowed them to find the sound of the band that they were looking for. By 1984, they had recruited Douglas Hart on bass and Murray Dalglish on drums and were sending around a demo tape to try and get gigs. Their tape was passed on to Bobby Gillespie, who loved it and connected them with Alan McGee of Creation Records. After seeing them live, McGee signed them to a deal and they released their first single, “Upside Down,” in 1984. The single, along with their notorious live performances, generated a lot of interest and they ended up signing a deal with a subsidiary of Warner Music Group, called Blanco y Negro. At this point, Bobby Gillespie replaced Murray Dalglish on drums and they released their follow-up single, “Never Understand,” in early 1985. Their full-length debut album, Psychocandy, was eventually released in late 1985.  In this episode, Jim Reid describes the impetus for starting a band with his brother William and how they would spend hours talking about music and envisioning the type of band that could start a cultural revolution. He describes how they were of a shared mind in those early days and how they would each write songs and flipped a coin to ultimately decide that Jim would become the lead singer. William Reid talks about his punk-inspired approach to guitar and how a chance purchase of a used Shin-ei fuzz pedal from a neighbor kid gave him the sound he was looking for. By blending feedback and noise with 60s-inspired pop, the Reid brothers found their unique sound and went to great lengths to protect it from being watered down by the record company. From being emboldened to experiment by engineer John Loder, to the chaos of their early live gigs, to the standup drumming style of Bobby Gillespie, to swapping shifts in the studio with Ministry, to creating an album where every song could be a single, to punk music as the missing ingredient in their lives, to their shared confidence in making a record that would stand the test of time, we'll hear the stories of how the album came together.

Roger Armstrong co-founded the legendary Rock On record shop and was running the Chiswick label long before the punk rock explosion of independents, a believer that you could license rare R&B, soul and rockabilly classics while cutting new records with rising stars (Shane MacGowan, Kirsty MacColl and Joe Strummer among them). He then co-founded Ace Records and talks to us here about the thrill of trawling through American label vaults, locating vintage tracks and finding them a whole new audience. Along with … … seeing Ella Fitzgerald and the Beatles in Belfast in the early ‘60s ... inventing a new Irish rock circuit and turning showbands into soul bands … how American Graffiti, Gaz's Rockin' Blues and the mod revival all chimed with Ace Records' re-issues … promoting ‘Tin' Lizzy (“that's what it sounded like on the phone”) and being immortalised in one of their lyrics (“I get my records at the Rock On stall”) … Joe Strummer in the 101-ers – “sensational, full-tilt, as if playing a stadium” … releasing Dylan's Theme-Time Radio Hour box-sets and the size of his record collection … finding a Little Richard demo and making an Elvis Presley speech album a money-spinner … being a pioneer tape rat and crate-digger and Ace Records quality control – “Stack ‘em low, sell ‘em high!” … “think of the strapline, then choose the tracks”: making compilations with Jon Savage, Bob Stanley, Bobby Gillespie and Paul Weller … plus reflections on John Martyn, Carol Grimes, Brinsley Schwarz, Rocky Sharpe, Irma Thomas, Arthur Alexander and the Count Bishops (“like the Stones at 78”). Order ‘Chiswick Records 1975 - 1982 Seven Years At 45 RPM' here: https://www.acerecords.co.uk/chiswick-records-1975-1982-seven-years-at-45-rpmFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Roger Armstrong co-founded the legendary Rock On record shop and was running the Chiswick label long before the punk rock explosion of independents, a believer that you could license rare R&B, soul and rockabilly classics while cutting new records with rising stars (Shane MacGowan, Kirsty MacColl and Joe Strummer among them). He then co-founded Ace Records and talks to us here about the thrill of trawling through American label vaults, locating vintage tracks and finding them a whole new audience. Along with … … seeing Ella Fitzgerald and the Beatles in Belfast in the early ‘60s ... inventing a new Irish rock circuit and turning showbands into soul bands … how American Graffiti, Gaz's Rockin' Blues and the mod revival all chimed with Ace Records' re-issues … promoting ‘Tin' Lizzy (“that's what it sounded like on the phone”) and being immortalised in one of their lyrics (“I get my records at the Rock On stall”) … Joe Strummer in the 101-ers – “sensational, full-tilt, as if playing a stadium” … releasing Dylan's Theme-Time Radio Hour box-sets and the size of his record collection … finding a Little Richard demo and making an Elvis Presley speech album a money-spinner … being a pioneer tape rat and crate-digger and Ace Records quality control – “Stack ‘em low, sell ‘em high!” … “think of the strapline, then choose the tracks”: making compilations with Jon Savage, Bob Stanley, Bobby Gillespie and Paul Weller … plus reflections on John Martyn, Carol Grimes, Brinsley Schwarz, Rocky Sharpe, Irma Thomas, Arthur Alexander and the Count Bishops (“like the Stones at 78”). Order ‘Chiswick Records 1975 - 1982 Seven Years At 45 RPM' here: https://www.acerecords.co.uk/chiswick-records-1975-1982-seven-years-at-45-rpmFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Roger Armstrong co-founded the legendary Rock On record shop and was running the Chiswick label long before the punk rock explosion of independents, a believer that you could license rare R&B, soul and rockabilly classics while cutting new records with rising stars (Shane MacGowan, Kirsty MacColl and Joe Strummer among them). He then co-founded Ace Records and talks to us here about the thrill of trawling through American label vaults, locating vintage tracks and finding them a whole new audience. Along with … … seeing Ella Fitzgerald and the Beatles in Belfast in the early ‘60s ... inventing a new Irish rock circuit and turning showbands into soul bands … how American Graffiti, Gaz's Rockin' Blues and the mod revival all chimed with Ace Records' re-issues … promoting ‘Tin' Lizzy (“that's what it sounded like on the phone”) and being immortalised in one of their lyrics (“I get my records at the Rock On stall”) … Joe Strummer in the 101-ers – “sensational, full-tilt, as if playing a stadium” … releasing Dylan's Theme-Time Radio Hour box-sets and the size of his record collection … finding a Little Richard demo and making an Elvis Presley speech album a money-spinner … being a pioneer tape rat and crate-digger and Ace Records quality control – “Stack ‘em low, sell ‘em high!” … “think of the strapline, then choose the tracks”: making compilations with Jon Savage, Bob Stanley, Bobby Gillespie and Paul Weller … plus reflections on John Martyn, Carol Grimes, Brinsley Schwarz, Rocky Sharpe, Irma Thomas, Arthur Alexander and the Count Bishops (“like the Stones at 78”). Order ‘Chiswick Records 1975 - 1982 Seven Years At 45 RPM' here: https://www.acerecords.co.uk/chiswick-records-1975-1982-seven-years-at-45-rpmFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

El polifacético Tav Falco observa por su retrovisor con una nueva mirada. El artista de Memphis lanza “Desire on ice”, rodeándose de viejos amigos -Kid Congo Powers, Reverend Horton Heat, Bobby Gillespie, Chris Spedding, Nichole Atkins...- para darle una vuelta de tuerca a unas cuantas canciones desperdigadas en sus 4 décadas de trayectoria.Playlist;(sintonía) TAV FALCO feat REVEREND HORTON HEAT, KID CONGO POWERS y ROSS JOHNSON “Prologue”TAV FALCO feat CHRIS SPEDDING, CHARLIE MUSSELWHITE y FRANCESO D’AGNOLO “Cuban rebel girl”TAV FALCO feat BOBBY GILLESPIE “Doomsday baby”TAV FALCO feat NICHOLE ATKINS y RICHARD BARONE “Crying for more”BLOODSHOT BILL and LAMMPING “I won’t back down”MARCEL BONTEMPI “Go down”JUANITA & JUAN “Jungle cruise” (Jungle cruise)KID CONGO POWERS “Peanuts” (sings Subsonics)TOKEN HEARTS “American lens”ICHY BOOM “Black alley stroll”HOLLY GOLIGHTLY “Black tongue” (Look like trouble)BONNIE DOBSON and THE HANGING STARS “Don’t look down” (Dreams)THE NUDE PARTY “Sweetheart of the rodeo”THE MINUS 5 “I don’t want to hate anyone” (Oar on, Penelope!, 2025)DAVID BYRNE “When we are singing” (Who is the sky?, 2025)THE JAMES HUNTER SIX “A sure thing” (Off the fence)LES RENCARDS “Les angles morts” (Angles morts)Escuchar audio

Christopher & Jobst im Gespräch mit Hyun. Wir reden über Verbotene Liebe & James Bond, asiatische Klischeerollen, Korean Fine Dining, "Hyun, der Restauranttester", "Ab 18" im Landschulheim, die Levi´s-Werbung mit The Clash, "Walk like The Clash, Sing Like The Supremes", zuerst mal links sein, die Mädchen hatten immer kürzere Haare und die Jungs immer längere, The Birthday Party bei 120 Minutes auf MTV, die Deutschlandpremiere von "Smells Like Teen Spirit", Musik war immer ein Abenteuer, ein nerdiger Abgrenzungscharakter, koreanische Gastarbeiter:innen im Krankenhaus & Bergbau, je dunkler die Hautfarbe desto größer die Probleme, Schamanismus mal wieder, an den Schuhen den Charakter des Menschen, mit Markstücken in die öffentliche Telefonzelle, die Olympiade 1988 in Seoul, immer Räume für sich selbst zu brauchen, sich von den Nirvana-Spießern abgrenzen müssen, Vision & Circle Jerks, Fugazi waren ein richtiger Door Opener, relativ früh X-Mist, Verbal Razor & Melmac, Hardcore-Brieffreundschaften, Tuba eigentlich viel besser als Bass, Spontan-Zuschaltung von Melanie, plötzlich den Schlüssel von der Rampe in Überlingen haben, gute Connection zu Mine & Dawnbreed, endlich mal wieder Cwill, "Reverse the Violent Trend", DIY im besten Sinne, regelmäßige Antifa-Meetings, Native Nod & Indian Summer, immer Probleme mit dem Männerbild im Hardcore, dreimal die Woche hinterm Pfandautomat, alle Bands mit Barcodes müssen weg, ein Band-Versuch mit den ehemaligen Nothing Left To Grasp-Leuten, Corrosive & Melting Process, die Währung der Liebe wird total unterschätzt, mal auf Iconoclast Radio gehen, die neue Downcast-LP, Fechten in der Schauspielschule, Gudrun Guts Ocean Club im alten WMF, Rapture, zum ersten Mal am Hackeschen Markt, sich durchs Leben treiben lassen, ein Hauch von Selbstkritik, die Eröffnung vom Kimchi Princess, im Streit auseinander, in Schönheit sterben, die ganzen Hobby-Restauranttester, Modifikationen von Gerichten, Bafnet als Teil von BIPOC-Alliance, Bedrohung durch AI & AFD, Diversitäts-Beirat im Filmförderungsgesetz, Old Boy, stolz auf die Rolle in Maxton Hall, die Band-Idee war nie aus dem Kopf, während wir das Hören hat eine Hardcore-Band 3,5 Millionen Streams, sich für Befreiungsbewegungen interessieren, die unterschätzte Disco-Bewegung der 70 in New York, versuchen spirituelles Wording zu vermeiden, alle 500m rechts ranfahren müssen, Bobby Gillespie "Tenement Kid", die Serie Pachinko, von Bolle das Intro von Crestfallen von Split Lip gezeigt bekommen, uvm.Drei Songs für die Playlist1) Ein Hardcore-Song, den Hyun eigentlich immer hören kann: DAG NASTY - The Godfather2) Ein Post-Hardcore-Song, den Hyun eigentlich immer hören kann: THE VAN PELT - Nanzen Kills A Cat3) Ein richtig guter Soundtrack-Song: JOHN BARRY - Midnight Cowboy

Jehnny Beth joined us at our local coffee shop to talk moving to London as a teenager, working with Damon Albarn and Bobby Gillespie, and her new album You Heartbreaker, You - out 29 August. Photo: Johnny Hostile Get yourself some top class Shure microphone gear: https://shu.re/3YhV7p2 DistroKid makes music distribution fun and easy with unlimited uploads and artists keeping the ENTIRETY of their revenue. Get 30% off the first year of their service by signing up at https://distrokid.com/vip/101pod Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we're talking about a band who managed to change their sound every single album while still staying absolutely, totally, and utterly themselves: Primal Scream. Bobby Gillespie and co started in the 80s but they most meaningfully bookended the 90s with their two most notable albums – from the hopeful optimism and upbeat acid house that started the decade in Screamadelica to the dark, caustic grit and gunmetal sounds that embodied the end of the dream on XTRMNTR. Join Yasi and guest Chris Ryan as they chart the history and discography of one the most unique bands of our time, Primal Scream.   EPISODE PLAYLIST: Listen to the songs we talk about HERE CREDITS: Host: Yasi Salek @yasisalek Guest: Chris Ryan IG: @crashactivated Twitter: @ChrisRyan77  // Listen to the The Watch Producer: Liz Sánchez  Audio Editor: Adrian Bridges Additional Production Supervision: Justin Sayles Theme Song: Bethany Cosentino Learn more about your ad choices. Visit podcastchoices.com/adchoices

En este podcast estrenamos "Las horas pasan”, el cuarto y ya último single del nuevo disco de Yawners, "Superbucle", que se publica el 28 de marzo. "Las horas pasan” es una conversación con tu "yo" del pasado, es quedar a ir de paseo con el proyecto de persona que una vez fuiste, siendo tú el resultado. Es una canción de retrospectiva. Expectativas. Una revisión de las decisiones tomadas. Es un análisis sobre la persona en la que soñabas convertirte, y en la que finalmente te has convertido. Compartimos otra de las canciones incluidas en "Temporary", el tercer disco de Evrything is Recorded, que también se publica este viernes, se trata de "Never Felt Better", un pasaje precioso junto a Sampha y Florence Welch (Florence + The Machine). Además, escuchamos lo nuevo de Kaleo, a Sen Senra con Ed Maverik, a Hermano Salvaje y a los franceses, The Limiñanas con Bobbie Gillespie (Primal Scream):  KALEO - Back DoorTHE LIMIÑANAS, BOBBY GILLESPIE - Prisoner of BeautyPRIMAL SCREAM - Country GirlZAHARA - CTRL+ZYAWNERS - Las horas pasanJORDANA B, CAMELLOS - Hacerlo MalALCALÁ NORTE - SupermanBARRY B, CAROLINA DURANTE - Yo Pensaba Que Me Había Tocado DíosSEN SENRA, ED MAVERICK - Ya No Te Hago FaltaHERMANO SALVAJE - Nuestros HimnosVIVA SUECIA - Dolor y GloriaEVERYTHING IS RECORDED - Never Felt Better (ft Sampha & Florence Welch)FONTAINES D.C. - It's Amazing To Be YoungVULFPECK - NEW GURUSEXY ZEBRAS - PogoMISO EXTRA - GhostlyEscuchar audio

Alan Buckley in conversation with David Eastaugh https://www.youtube.com/watch?v=HyCcKAa35PE https://www.youtube.com/watch?v=Ayh-vWqDzBU https://www.youtube.com/watch?v=e2ioIhmzGEI https://www.youtube.com/watch?v=tVfK1tbeGwk&list=PLcDwkXhr5uEwekhN-p-OKHqcY_cLxvWjR Mid 80s proto-janglers Here Comes Everybody inspired Andy Bell (Ride/Oasis) to buy his first guitar, then, mission accomplished, broke up in 1986. Singer/ guitarist Richard and drummer Pete were introduced to bassist Alan by some HCE fans at St Paul's Arts Centre later that year, and The Anyways' core trio was born. Their goal was to wear black and sound like The Velvet Underground, but luckily they got it slightly wrong and ended up sounding like themselves (while still wearing black). Jennie used to read the newspaper onstage and on one occasion shorted out the keyboard by pouring fizzy pop into it. Trudy, a volunteer mental health worker, brought a big following from the Mill Drop-In Centre, to liven up the usual anoraked indie audience. Sounds reviewed the band's second gig, The Television Personalities offered support slots at the 100 Club in Oxford St, and Notown Records put out the first single, Confession, in 1987. Overcome by the excitement of being played on John Peel (once), Jennie left, and Ali took her place. The Anyways became regular performers at the Camden Falcon, where Bobby Gillespie told them they needed more guitar solos. Two tracks (no solos) were featured on The Jericho Collection in 1988 alongside Notown label-mates Shake Appeal (lots of solos). A video of rousing revolutionary anthem Levitate the Pentagon was shown on satellite TV at 2.00am. The Anyways played in Oxford, London, and Bristol with Talulah Gosh, Razorcuts, The Mission and Ride... and on their own at a Hindu wedding in Hendon (kicking off the evening with that cheery toe-tapper, Love Gone Bad). Band mantra Welcome to Psychedelic Country became even more appropriate when Hamish and Karen joined in 1990. An album (Love Lies) was recorded by Rich Haines at Dungeon Studios, but sadly not released. A swirling cover of George Harrison's If I needed someone graced a charity album called Revolution No. 9. Despite their sterling work on the swirling, Hamish and Karen decided to go more Country than Psychedelic, and left to form Lucky and The Losers in 1991. The final incarnation of The Anyways was completed by guitar maestro Mark, who had previously acted as friend and multi-tasking facilitator to the band for some time - in celebration, chilled Frascati was served to the new line-up onstage at the Zodiac in front of hundreds of delighted Heavenly fans. The Sunshine Down EP came out on Marineville Records in 1993, by which time Richard had received stage-fright counselling from Jonathan Richman and the band had supported Bad Manners at a college ball. Wider (not inspired by Buster Bloodvessel) was featured on the Days Spent Dreaming compilation. By now people wanted to spread their musical wings, so The Anyways' Grand Finale gig was held in 1994 at the Jericho Tavern (the band's spiritual home for many years). 

Ce 10 décembre, Marjorie Hache orchestre deux heures alliant rock, indie et nuances pop alternatives. Sur le volet nouveautés, The Murder Capital, Ghost Wolves et les Liminana's, associés à Bobby Gillespie, proposent un avant-goût de leurs prochains disques. Father John Misty dévoile "Mahash-Ma-Shana", l'album de la semaine, empreint d'une ambiance de fin de carrière toute relative. Le live du jour, signé Tom Petty and the Heartbreakers nous transporte à Édimbourg en 1982 avec un "American Girl" pétillant d'énergie scénique. Pour la reprise, Queens Of The Stone Age revisitent "White Wedding" de Billy Idol, réinventant ce classique en une version saisissante. La playlist de l'émission: Franz Ferdinand - Night Or Day Blue Swede - Hooked On A Feeling Fats Domino - The Fat Man Beth Ditto - Fire Lambrini Girls - Big Dick Energy The Velvet Underground - Heroin Stereophonics - The Bartender And The Thief Father John Misty - Summer's Gone The Undertones - Here Comes The Summer The Chemical Brothers - Hey Boy Hey Girl Ghost Wolves - Baby's First Knife Patti Smith - Because The Night The Liminanas & Bobby Gillespie - Prisonner Of Beauty Queens Of The Stone Age - White Wedding Hole - Violet The Murder Capital - Can't Pretend To Know The Beach Boys - Good Vibrations Nirvana - Something In The Way Tom Petty & The Heartbreakers - American Girl (Live In Edinburgh 1982) AC/DC - Its A Long Way To The Top My Chemical Romance - I'M Not Okay (I Promise) Cathedrale - The Setting Sun Air - Sexy Boy Joan Jett - Bad Reputation The Beatles - Everybody's Got Something To Hide Sum 41 - Landmines Architects - Whiplash Nico - Chelsea Girls

Ce 2 décembre, Marjorie Hache orchestre deux heures mêlant rock classique et nouveautés alternatives. Parmi les classiques, on retrouve Janis Joplin avec "Move Over", The Doors avec "LA Woman", et Thin Lizzy en live avec "The Boys Are Back In Town". Les nouveautés incluent The Murder Capital avec "Can't Pretend To Know", Les Limiñanas collaborant avec Bobby Gillespie sur "Prisoner Of Beauty", et Killswitch Engage qui dévoile "Forever Aligne" de leur prochain album "This Consequence". L'album de la semaine est le premier solo de Kim Deal, ex-bassiste des Pixies, dont on écoute "A Good Time Pushed". La reprise du jour est "I'll Never Fall In Love Again" interprétée par Bobbie Gentry. Enfin, Mogwai nous offre "Lion Rumpus" en avant-première de leur album à venir. La playlist de l'émission : Jack White - You Got Me Searching Janis Joplin - Move Over The Alan Parsons Project - Eye In The Sky Stereophonics - Have A Nice Day The Murder Capital - Can't Pretend To Know The Doors - L.A. Woman Kim Deal - A Good Time Pushed Limp Bizkit - Take A Look Around Urge - Surrenders Steve Miller Band - Abracadabra 12'' Mix The Liminanas & Bobby Gillespie - Prisonner Of Beauty Bobbie Gentry - I'll Never Fall In Love Again Cage The Elephant - In One Ear Mogwai - Lion Rumpus Cyndi Lauper - She Bop The Rapture - Echoes Thin Lizzy - The Boys Are Back In Town (Live & Dangerous) Rage Against The Machine - Freedom Pixies - Gigantic Killswitch Engage - Forever Aligned Queens Of The Stone Age - No One Knows Yazoo - Situation P.J. Harvey - A Place Called Home King Gizzard And The Lizzard Wizzard - Iron Lung

The Primal Scream singer joins Nihal for an in-depth chat.Nihal Arthanayake presents his new Sunday evening show and podcast, featuring exclusive in-depth interviews with headline guests across entertainment, sport, culture and politics.

Selección de novedades que arranca con el nuevo álbum de The Jackets, el trío suizo comandado por Jackie Torera que vuelve a subir de escalón con el disco “Intuittion”. Veteranos como Iggy Pop, Mekons o Peter Perrett encuentran su hueco junto a nuevas bandas como las canadienses Taxi Girls, los australianos Straight Arrows o el británico Jamie Perrett, o nombres ya plenamente consolidados como Jack White, Black Keys o Limiñanas.(Foto por Christa Minder; The Jackets)Playlist;THE JACKETS “Crossing streets” (Intuition)THE JACKETS “Gambling town” (Intuition)STRAIGHT ARROWS “Peakin” (Surface world)MYSTERY LIGHTS “I don’t want no, don’t need no” (Purgatory)TAXI GIRLS “Rainy”IGGY POP “Five foot one” (Live at Montreux Jazz Festival 2023)JACK WHITE “You got me searching”BLACK KEYS “Sin city” (Ohio players (Trophy edition))PETER PERRETT “Mixed up confucius” (The Cleansing)JAMIE PERRETT “Age of reason”THE LIMIÑANAS feat BOBBY GILLESPIE “Prisoner of beauty”SKEGSS “I think I can fly” (Pacific highway)MEKONS “You’re not singing anymore”EDITH FROST “Hold on” (In space)THE CUBICAL “Night falls” (Cut me like a hog)Escuchar audio

Ce 25 novembre, Marjorie Hache propose deux heures de rock et de pop alternative. Au programme, Sum 41, Santigold, T. Rex et Primal Scream. Elle rend hommage à Nick Drake en diffusant "River Man" pour les 50 ans de sa disparition. Parmi les nouveautés, The Horrors dévoile "The Silence That Remains" de leur futur album *Trial By Fire*. L'album de la semaine est *Come Ahead* de Primal Scream, avec le touchant "Ready To Go Home" dédié au père de Bobby Gillespie. On découvre également "Raise The Red Flag" de Marilyn Manson, choisi par Francis Zégut, et le nouveau titre des Architects avant leur tournée en 2025. La reprise du jour est signée Yodelice qui interprète "I Wanna Be Your Dog" des Stooges, extrait de son concert privé pour RTL2. Enfin pour la deuxième heure de l'émission Marjorie Hache accueille Jean-Noël Sherrer de Last Train pour parler de leur nouvel album à venir et de sa prochaine tournée. La playlist de l'émission : Last Train - Way Out FFF - Le Pire Et Le Meilleur Nick Drake - River Man Santigold - L.E.S. Artistes The Horrors - The Silence That Remains The Mamas And The Papas - California Dreaming The 5.6.7.8'S - Woo Hoo Primal Scream - Ready To Go Home Sum 41 - Still Waiting Marilyn Manson - Raise The Red Flag T.Rex - 20Th Century Boy Architects - Whiplash The Last Dinner Party - Nothing Matters Last Train - The Plan Nine Inch Nails - Every Day Is Exactly The Same Placebo - Spécial K (Bercy 2003) Led Zeppelin - Good Times Bad Times Last Train - Home Boygenius - Not Strong Enough Linkin Park - Heavy Is The Crown Ultra Vomit - Doigts De Métal The Kinks - All Day And All Of The Night Last Train - The Big Picture

durée : 00:55:14 - Et je remets le son - par : Matthieu Conquet - Voyages et avalanches de nouveautés qui réchauffent ce mois-ci : avec Damso, les Limiñanas & Bobby Gillespie, Etienne Daho live, BADBADNOTGOOD Tim Bernardes, Matias Aguayo... Sans oublier un détour par le Japon au gré d'une belle compilation de reggae synthétique.

Bobby Gillespie of Primal Scream speaks about Come Ahead, the band's first new album in eight years. We discuss how the publication of books for children by celebrities affects the wider industry and reading trends. And as an exhibition of work by Maud Sulter opens in Glasgow, the curators talk about the widespread influence of this artist, poet, photographer and gallerist, who died in 2008. Presenter: Kirsty Wark Producer: Mark Crossan

Ce 12 novembre, Marjorie Hache nous offre un mix parfait entre classiques et nouveautés. Parmi les classiques, The Smiths avec "Girlfriend in a Coma", les Sex Pistols avec "Pretty Vacant" et The Cure avec "Nothing Is Forever". Pour les nouveautés, Villagers avec "Mountain of a Molehill" et la collaboration entre Les Limiñanas et Bobby Gillespie de Primal Scream. L'album de la semaine est "Songs of a Lost World", le premier album de The Cure en 16 ans, explorant des thèmes comme le deuil et la désillusion. Le live est assuré par Bad Religion avec "American Jesus". La reprise du jour est "Shakin' All Over" de Johnny Kidd, revisitée par Raylene and the Blue Angels. Le long format de la soirée est "Comfortably Numb" de Pink Floyd, un classique intemporel. La playlist de l'émission ; Pixies - Motoroller Florence + The Machine - Ship To Wreck Sex Pistols - Pretty Vacant New Order - Crystal Gans - Dirty Cowboy Mungo Jerry - In The Summertime Weezer - All My Favorite Songs The Cure - And Nothing Is Forever The Smiths - Girlfriend In The Coma Pale Waves - Gravity Anthrax & Public Enemy - Bring The Noise Amyl And The Sniffers - Jerkin' Raylene & The Blue Angels - Shakin All Over Kasabian - Days Are Forgotten Lana Del Rey - Blue Jeans Villagers - Mountain Out Of A Molehill Pink Floyd - Comfortably Numb Queens Of The Stone Age - Little Sister Bad Religion - American Jesus (Fear And Loathing In Los Angeles - Live 1993) Al Green - Let's Stay Together Infectious Grooves - Violent & Funky The Liminanas & Bobby Gillespie - Prisonner Of Beauty Hole - Celebrity Skin Megadeath - Holy Wars... The Punishment Due The Dandy Warhols - Bohemian Like You The Who - Won't Get Fooled Again

Fast schon angriffig ist der Albumtitel der neuen Platte von Primal Scream: «Come Along» - die schottische Antwort auf die Einladung zum Faustkampf. Etwas versöhnlicher könnte man den Titel auch als Aufforderung zum Mitkommen auf die Reise der letzten acht Jahre der Band verstehen. Das zwölfte Album der Alternative-Heroes aus Glasgow handelt von Konflikten – im Innern wie im Äussern. Die Titelinterpretation des aufmüpfiges «na, komm schon» liegt also nicht ganz fern. Wie auch immer der Titel gemeint ist, Hauptsache es groovt. Und das tut «Come Along» so ordentlich mit funky Basslines, poppigen Melodien und dem einen oder anderen Gospel-Moment. «Come Along» ist die erste Platte der Band rund um Bobby Gillespie seit acht Jahren und diese Woche Sounds! Album der Woche. Sounds! hat CDs und Vinyl und verlost täglich.

Episode 53: Screamadelica (Primal Scream). McCartney In Goal is the podcast that debates the great albums of pop music, using a competitive knock-out format. Today we're discussing, Screamadelica which was the third studio album by Scottish rock/indie band Primal Scream. It was first released on 23 September 1991 in the United Kingdom. The album includes "Loaded", "Movin' On Up", "Come Together" and "Higher Than The Sun".How did a remix transform a rock band into dance music pioneers? In our latest episode, we embark on a spirited journey through Primal Scream's iconic album "Screamadelica." Set against the backdrop of September 1991—a month that birthed Nirvana's "Nevermind" and the Red Hot Chili Peppers' "Blood Sugar Sex Magik"—we reminisce about our teenage years and debate which album truly defined the era. With a playful quiz on the band's roots, we explore their ties with figures like Bobby Gillespie and Alan McGee, and the influence of the UK indie and Acid House scenes, all peppered with tales of our adolescent awkwardness.Our discussion takes a lively turn as we dissect the album's eclectic nature, bouncing between gospel-infused anthems and psychedelic dance tracks. We engage in a humorous yet passionate debate over whether "Screamadelica" should be considered a concept album, reminiscent of a journey through a weekend's highs and lows. We even engage in a cheeky saxophone solo showdown, diving into differing tastes in jazz and musical complexity, while reflecting on the transformative power of tracks like "Moving On Up" and "Slip Inside This House."No conversation about "Screamadelica" would be complete without celebrating the profound impact of Andy Weatherall. We dive into his pivotal role in reshaping the band's sound with remixes like "Loaded," and ponder how his collaboration with Bobby Gillespie and Andrew Innes forged a legacy that won the 1992 Mercury Prize. Whether you're a longtime fan or a curious newcomer, our exploration promises not just entertainment but a deep appreciation for an album that remains a defining piece of '90s musical history.Support the showTwitter - https://twitter.com/mccartneyinWebsite - https://mccartneyingoal.com/

Primal Scream is one of our favorite bands of all time. Their excellent new record, Come Ahead, is out November 8th. We spoke with Bobby Gillespie from his home in England about Andy Cohen dancing at a Grateful Dead show, we're both moderating conversations this week, caviar, venues with chairs in them, opening for Alice Cooper, Direct To Consumer marketing, his kids listen to Tyler The Creator, how drug trends shape music, working in Tennesse, William Eggleston stories, the music industry used to be full of fun characters but now, not so much, when a band changes their sound every record, The Ramones and Iggy Pop, politically charged disco and funk music, and how he learned how to perform sober. instagram.com/primalscreamofficial twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's show, after a 1978 Saints' serenade: brand new Peter Perrett (with Bobby Gillespie), Fastbacks, Redd Kross, Tears Run Rings, Nada Surf, Brief Candles, and Herb Albert, plus The Olympics, Jeff Lynne's ELO, Eddy Arnold, George Harrison, Alice...

It's the Indie Disco show Música Eelectrónica from my travels around the Mediterranean featuring Spanish MegaBeat Records from Valencia / the closest I've found to Big Beat label Skint out of Brighton Warp. Music from David Holmes, Stereolab, RRUCCULLA, Elbis Rever, Kid Loco, and soundtrack music from Bobby Gillespie and Badly Drawn Boy. For more info and tracklisting, visit: https://thefaceradio.com/category/golazo/Tune into new broadcasts of ¡Golazo! with Matt Pape LIVE, Thursdays from 12 - 2 PM  EST /  5-7 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

World Cafe talks to "The Modfather" about making his 17th studio album, featuring collaborations with Noel Gallagher and Bobby Gillespie.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Bobby was so good, we had to squeeze a wee bonus baw out of him. Eric Cantona & Mani tails and more wise words from the man himself. Make sure you subscribe and leave a 5 star review! If you'd like to share the times you've been a resourceful rascal, or want to get in touch, send an email to Hello@RestlessNativesPodcast.comPlease review Global's Privacy Policy: https://global.com/legal/privacy-policy

This week, we've outdone ourselves on our guest. One of the true Scottish legend, Bobby Gillespie joins Martin and Gordon in studio on their return from Germany to chat growing up in Scotland, musician's ascent pre-social media, media training, offending people, the future of Primal Scream and what's next for the band.Make sure you subscribe and leave a 5 star review! If you'd like to share the times you've been a resourceful rascal, or want to get in touch, send an email to Hello@RestlessNativesPodcast.comPlease review Global's Privacy Policy: https://global.com/legal/privacy-policy

Dive into the inaugural episode of "Old Friends, New Stories" as host Nate Fochtman reconnects with an old pal, Bobby Gillespie, the visionary behind Propr, a groundbreaking creative agency based in Baltimore, Md. From his early days as a budding artist in Philadelphia to the pivotal moments that shaped his entrepreneurial path, Bobby shares the raw and real story of transforming passion into profession.This episode peels back the layers of creativity, resilience, and the relentless pursuit of authenticity in the business world. Whether you're an aspiring entrepreneur, a creative at heart, or someone navigating their own professional journey, Bobby's insights and experiences offer a treasure trove of inspiration. Join us for a deep dive into how embracing change, chasing dreams, and cultivating a unique vision can lead to unimaginable success.The FreeMind Podcast is brought to you by The FreeMind Group. The FreeMind Podcast: a compelling journey into the minds of the most resilient and visionary founders and leaders of our time. Hosted by Nate Fochtman, this podcast shines a light on the unwavering grit and determination it takes to transform bold dreams into reality. Each episode is a deep dive into the stories of those who dare to dream big and refuse to give up, offering listeners not just inspiration, but a roadmap to achieving their own lofty goals. From tech innovators to social entrepreneurs, our guests share the challenges they've faced, the setbacks they've overcome, and the pivotal moments that have shaped their paths. The FreeMind Podcast is more than just a series of conversations; it's a source of motivation for anyone looking to leave a mark on the world. Tune in to discover the perseverance and passion required to lead and succeed in today's dynamic landscape.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-freemind-podcast-unveiling-the-grit-behind-innovation-and-leadership--5189978/support.

Oasis released their first single Supersonic in 1994. The first time I heard it I knew there was a sea change. It was special, and felt massive. Jump to a quick 30 years later! 30 years! Just like that, in the blink of an eye. With the release of a new John Squire and Liam Gallagher single, comes almost impossible expectations- you want it to be biblical! Is it John Squires' true second coming? The boy can play guitar. And will Liam return to Oasis glory or sound more like Frank Gallagher singing nonsense in the shower? Have a listen and decide. Also featuring David Holmes, Buzzcocks, The Dear Boys, Bobby Gillespie, Jehnny Beth, Johnny Marr, Blur, Saint Etienne, Paul Weller and loads more. Tune into new broadcasts of Matt Pape Mixtape, Friday from 12 - 1 AM EST / 5 - 6 AM GMTFor more info visit: https://thefaceradio.com/matt-pape-mixtape///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

"Movement" There's nothing about Peter Hook that I can tell you you don't already know, so let's just do a refresher run through his musical CV. In the late '70s Hook formed Joy Division with childhood pal Bernard Sumner after the two friends saw the Sex Pistols play in Manchester. The band only put out two albums and one of those albums, the legendary Closer was put out two months after the band had ceased to b,e due to the suicide of singer Ian Curtis on the eve of Joy Division's debut US/Canada tour. Rechristened New Order and consisting of the remaining members of Joy Division plus keyboardist Gillian Gilbert, New Order blended jittery post-punk rhythms with dance music. The result? Well, you know the result. They were one of the biggest bands of the '80s, spawning hits like True Faith, The Perfect Kiss, Subculture and Blue Monday, which was the biggest selling 12-inch of all time. It might still be. New Order dominated the '80s, but the '90s weren't too shabby—they had a #1 UK hit with World In Motion in 1990 and they had their biggest US hit with “Regret” in 1993. They kept crushing it, putting out Get Ready in 2001 and collaborating with Billy Corgan and Bobby Gillespie of Primal Scream. They were given the Godlike Genius award at the 2005 NME awards and got nominated for a Grammy in 2006 for Guilt Is a Useless Emotion. Then things got a bit sour, with Hook leaving the band in 2007 and forming his own outfit Peter Hook and the Light, a band that featured his son Jack and much to his fans delight, revisited the Joy Division and New Order songbooks. Over the course of his career Hook has worked with The Stone Roses, and Perry Farrell, he toured with the Durutti Column, put out albums with Revenge and Monaco and wrote one of the best music books ever: Substance; Inside New Order. This is a partial list, btw. Almost a partial partial list because when it comes to Peter Hook, there's a lot of ground to cover. But these are the basics. Do a deeper dive after you hear the show—the guy is a titan. As for his split with New Order and his boyhood pal Bernard, we don't have time to go over the legal end of that dissolution, so let's just say this. If you're hoping for a reunion you're wasting your good hope energy. Not going to happen. As a bassist, he plays with an authoritative blend of prowl and sting and not only is he one of the all time greats, he also happens to be a nice guy. This chat covers his fractured friendship with Sumner, why the New Order/Joy Division songbooks appeal to fans across generations and what Hooky has learned from his old material. www.peterhookandthelight.live www.bombshellradio.com www.embersarts.com www.stereoembersmagazine.com www.alexgreenbooks.com Stereo Embers The Podcast Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com

Barrie Cadogan (also known as "Little Barrie") is one of the world's first call electric guitarists when it comes to classic soul, rock, punk, and rhythm & blues. He has worked with some of the biggest indie artists performing today including Morrissey, Paul Weller, Edwyn Collins, Liam Gallagher, and Primal Scream. That's a hell of a CV by anyone's standards, but Barrie is perhaps best known for the theme music from the Netflix show 'Better Call Saul.' That glorious guitar intro? That was him! Quite simply, he is very cool. He inhabits a world of pristine big E vintage Levis, Cuban heels, and 1960s Jazzmasters; bespoke hatmakers name their latest designs after him; and, if you are planning a global stadium tour and you need a guitarist that will bring the goods, then you had better make sure that you have Little Barrie on speed dial. I caught up with him at the private, by-appointment-only premises of Guncotton Guitars in London. (More from them later as they have generously sponsored this episode!)  We talked about our shared love of seminal Manchester band The Stone Roses and watching 'Sounds of The Sixties' on British TV which for many musicians of our generation had a similar impact as that of the Ed Sullivan show in the USA. Barrie shares his experiences as a young musician moving to London some 20 years ago, his realization that a Marshall half stack may not be the ideal bedroom practice amp, the dangers of applying a Jackson Pollock-style paint job to a guitar, and Bobby Gillespie's eccentric hiding place for demo CDs. He also shares his love of Japanese architecture and his recent reunion with a guitar that got away from him years previously. I think we can all relate to that. This interview was recorded on a hot summer's day in London. As I sank into the vintage Charles Eames furniture and pressed record, I remember feeling very happy to be there. I hope it shows...and I'm glad to be able to share this with you. Barrie Cadogan https://www.littlebarrie.com https://www.youtube.com/channel/UCVn9XB03wI5dM4d0Vbl-i2A https://open.spotify.com/artist/5ozUXaDjc4mfVyDIWCJH4E?autoplay=true https://www.instagram.com/littlebarrie/   This episode is brought to you by the kind sponsorship of Guncotton Guitars in London https://www.guncottonguitars.com https://www.instagram.com/guncottonguitars/  and Microtech Gefell Microphones https://www.microtechgefell.de  Your Host Michael Watts https://www.michaelwattsguitar.com https://www.youtube.com/user/michaelwattsguitar https://www.instagram.com/michael.watts.guitar/  To support this podcast please use this Tip Jar link https://michaelwattsguitar.com/tip-jars/4745  

One of us changed - One stayed the same Let's start at the very beginning The Spirit and Magic of it A Simple process - A Breakdown of Sorts Boom Boom Boom Boom Time after time after time after time  Composite born of Scribbles and Noise Three Ideas with Strange Titles Begat Three lyrics and Melodies Lol's Impersonation of a Small dog My nervous system collapsing like buildings Bobby asked, ‘Have you got any Lyrics?' We said, ‘Surprise us!' Dipping in During Lock-Down Using Lyrics as Drummers Directions    Love was diseased right from the start   Hit me like Adventures too Close to Home Bobby speaking for every man and every woman Internal Collapse and Total Disintegration  Changing, Running Away, Lusting for Life. ___ Respect: Andrew James Weatherall (6 April 1963 – 17 February 2020) ___ Learn more about your ad choices. Visit megaphone.fm/adchoices

The legendary Alan McGee joins me to talk cresting Creation records, managing the Happy Mondays, the drawbacks of drugs, Primal Scream & his friendship with Bobby Gillespie, getting sober, discovering Oasis, slipping back into bad habits, selling Creation to Sony, beating benzos, walking & weight loss, My Bloody Valentine, positivity, Slowdive, the magic of Mike Chapman, and a deep dive on David Bowie. Support this show by checking the refreshed benefit tiers and hott new lower prices at https://www.patreon.com/CraigAndFriends Be a Pal, a Friend, a Friend With Benefits or a Best Friend and receive early & uncut ad-free versions of these episodes, exclusive bonus episodes, Movie Club participation and much more!

In this episode, we talk to Bobby G. about how he started his agency and the mission he has to do things differently.  This episode is full of one-liners and wisdom you won't want to miss!You can find Bobby at proprdesign.com

In this episode, we talk to Bobby G. about how he started his agency and the mission he has to do things differently.  This episode is full of one-liners and wisdom you won't want to miss!You can find Bobby at proprdesign.com

In this episode, we talk to Bobby G. about how he started his agency and the mission he has to do things differently.  This episode is full of one-liners and wisdom you won't want to miss!You can find Bobby at proprdesign.com

In this episode, we talk to Bobby G. about how he started his agency and the mission he has to do things differently.  This episode is full of one-liners and wisdom you won't want to miss!You can find Bobby at proprdesign.com

In this episode, we talk to Bobby G. about how he started his agency and the mission he has to do things differently.  This episode is full of one-liners and wisdom you won't want to miss!You can find Bobby at proprdesign.com

In this episode, we talk to Bobby G. about how he started his agency and the mission he has to do things differently.  This episode is full of one-liners and wisdom you won't want to miss!You can find Bobby at proprdesign.com

In this episode, we talk to Bobby G. about how he started his agency and the mission he has to do things differently.  This episode is full of one-liners and wisdom you won't want to miss!You can find Bobby at proprdesign.com

In this episode, we talk to Bobby G. about how he started his agency and the mission he has to do things differently.  This episode is full of one-liners and wisdom you won't want to miss!You can find Bobby at proprdesign.com

In this episode, we talk to Bobby G. about how he started his agency and the mission he has to do things differently.  This episode is full of one-liners and wisdom you won't want to miss!You can find Bobby at proprdesign.com

In this episode, we talk to Bobby G. about how he started his agency and the mission he has to do things differently.  This episode is full of one-liners and wisdom you won't want to miss!You can find Bobby at proprdesign.com

In this episode, we talk to Bobby G. about how he started his agency and the mission he has to do things differently.  This episode is full of one-liners and wisdom you won't want to miss!You can find Bobby at proprdesign.com

In this episode, we talk to Bobby G. about how he started his agency and the mission he has to do things differently.  This episode is full of one-liners and wisdom you won't want to miss!You can find Bobby at proprdesign.com

In this episode, we talk to Bobby G. about how he started his agency and the mission he has to do things differently.  This episode is full of one-liners and wisdom you won't want to miss!You can find Bobby at proprdesign.com

In this episode, we talk to Bobby G. about how he started his agency and the mission he has to do things differently.  This episode is full of one-liners and wisdom you won't want to miss!You can find Bobby at proprdesign.com