First Time Go

Watch This Episode On YouTubeJoining me today is…he is going to hate that I say it this way, as you'll hear in the conversation…but the director with the most nominated film at Raindance, Max Morgan, talking about his film BREAKWATER (2025).The ability to make your first feature, your first film, carry the weight of, and I'll quote Max here, “people never mean what they say, and there is a lot of that in BREAKWATER” is simply breathtaking. I've posted the trailer in the YouTube conversation, go watch it and you see what you mean. And the trailer is hardly encompassing of the beauty of the film.The film has its premiere at Raindance on June 23rd, 2025 — sold out — but tickets are still available for the 24th. Go watch it if you can. There's a reason it's the most nominated film, the first feature out of the University of Oxford since 1982, and that's Max Morgan and his team. In this episode, Max and I talk about:What people should expect to see when they watch BREAKWATER, such a wide ranging and expansive film — “it's a psychological drama about connection between two characters, Otto and an older retired angler on the East Coast of England…and it's about how their lives come together, collide through happenstance and fuse irreversibly and thematically”;How he decided to make such an ambitious film, the first film he ever shot! — “so it really was like a massive learning curve for me”; “and then when I went to university, I did lots of theater”;Was screenwriting a safety net for him? “ I find that thinking about myself as a writer is almost more important to me as thinking myself as a director in some ways”His advice for someone who is not gifted at writing and how to develop that skill without decades of education — “I don't think that being able to write a good play or screenplay is necessarily a gift. I think it's important to think about writing and directing in all kind of creative capacities as more of a craft.”His issues with the term debut film and filmmaker as “quite misleading”, as there's so much that goes into a creative's life;How mentors gave him advice on what he termed “bad plays, bad screenplays” — “ if anyone tells you as a piece of feedback that something is straight up bad, then they're really awful at giving notes”; How you have to trust your instincts as well — you have to challenge incredibly bad and incredibly good feedback equally;The realistic dialogue in BREAKWATER — was it from life experience? “It was from the theater”; “people never mean what they say, and there is a lot of that in BREAKWATER”BREAKWATER has its world premiere at Raindance — has he seen it on a cinema screen and does he see a theatrical run for the film?An interlude about the amazingness of Tom Cruise and his stunts;What does being a British filmmaker mean to him and how he thinks people think of that identity? “ the way I think about it is so massively influenced by British art and the sense of British independent filmmaking, which has historically produced so many amazing filmmakers”;How he is planning for the world premiere at Raindance;Max's Indie Filmmaker Highlights: Mark Jenkin, famously of BAIT (2019) and other films; Sarah BrocklehurstLinks:Buy Tickets To BREAKWATERFollow BREAKWATER On InstagramFollow BREAKWATER's WebsiteMax Morgan's WebsiteSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeIf you watch IN THE SHADOW OF BEIRUT (2023), you might get an idea about the director, and guess he has a cinematographer's eye for visuals and a humanist's approach to connecting with people. This episode proves that assessment right about director Stephen Gerard Kelly.IN THE SHADOW OF BEIRUT is described as "a portrait of modern-day Lebanon as seen through the eyes of four families living in the backdrop of an infamous massacre in 1982." It's visually stunning and Stephen calls it a "bit of an emotional juggernaut."It doesn't hold back, and neither does Stephen. If you haven't seen the film, go rent it, come back, and let's talk about one of the best films of 2023. In this episode, Stephen and I talk about:how he successfully utilized the cinematography of IN THE SHADOW OF BEIRUT to take his documentary to an extraordinary level of craftsmanship -- "I had been in New York for five years very much inspired by many great photojournalist and documentary photographers who would be in and around New York and I learned a lot"; his fluency in five (more?) different languages and does he see filmmaking as another way of communicating with the world? "How do you connect with the humanity in all of us? It's completely a language in its own right";what should people expect to see when they watch IN THE SHADOW OF BEIRUT? "It's a quality documentary that is a bit of an emotional juggernaut";his advice for moving from cinematography to directing -- "Open up. Trust people. It's a lonely road when you're walking alone for years";how did he blend in -- or not -- in a film about Lebanon? "Look at me, a red bearded, giant leprechaun" "It's about connection and being genuine with people and learning their language, which isn't easy";his feelings about the Oscars and the awards process in indie filmmaking -- he doesn't mince words! "Fuck the Oscars"; "As soon as I went into it and I saw the publicists turning their nose about the very meager budget comparatively that Screen Ireland offered up";the challenges of streaming and diluting independent filmmaking;what is he working on now and his process for filmmaking;fatherhood, the documentary film world, and how it influences his world and changed his perspective, especially on female filmmakers.Links:Watch IN THE SHADOW OF BEIRUT (2023) NowFollow Stephen On InstagramStephen Gerard Kelly's WebsiteWatch This Episode On YouTube Support this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: 29,000 WISHES. 1 REGRET (2012)Director: Oliver RobinsWriters: Oliver RobinsCast: Justus Zimmerman; Casey RuggieriSYNOPSISAfter losing their jobs, a husband (Justus Zimmerman) and wife (Casey Ruggieri) decide to max out their credit cards and have some fun, then commit suicide.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSubscribe to our YouTube channelSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTube The film, SPECTRUM (2024), directed by my guest, Rick Stanton, is a true triumph for art and sticking to one's own vision. As he said, “it's a very honest take on what life is like as an adult with autism.” Rick's path into filmmaking is unconventional and instead of paying endless amount of festival fees, he's forging a different path.In this episode, Rick and I talk about:what you should expect to see when you watch SPECTRUM -- "very honest take on what life is like as an adult with autism" -- it is an aural and visual experience;his wildly original way of filmmaking, casting his brother as the lead in the film;how he got his start in filmmaking, completely self-taught and through music;his desire to "show people that I could take on an episode for a series or even a feature film because I feel like I know how to tell a story";the decisions he made to make the viewer feel more uncomfortable than usual for a short film -- his insights here are extraordinary;what has been the festival reaction to the film and how he feels about the labeling of films -- he posted just on YouTube because "I just wanted to find an audience";why he is choosing to go off the beaten path in his career as an indie filmmaker and how other people feel about his decision;is he expanding SPECTRUM into a feature and his vision for expanding the scope of disabilities shown;how he is going to stay true to his vision for the film in making the feature -- "I don't wanna hear your opinion on it. I just wanna know whether you're gonna gimme the money"Rick's Indie Film Highlight: LIFT (2001) dir. by Marc IsaacsLinks:Watch SPECTRUM NowFollow Rick Stanton On InstagramRick Stanton's WebsiteSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

DC/DOX is about to celebrate its third year, and I chat with co-founder Sky Sitney about its origin story, celebrity documentary, AI in docs, the financial plight of doc filmmakers, and more.Befitting a powerhouse in the doc filmmaking world, Sky took on the most challenging questions and gave thought-provoking answers. It's no surprise with her leadership DC/DOX has become an international stop in the world of documentary in three quick years.In this episode, Sky and I discuss:the origin story of DC/DOX and how it become a staple of documentary filmmaking nationally after just three years;how she got involved in filmmaking -- "the question all my life was not so much would it be film, but what my specific passion within film would be" -- and why she loves curation;the necessity of experience in running film festivals to make DC/DOX work at the level it does and against an amazingly competitive landscape in Washington, DC;how does she balance celebrity documentaries versus emerging filmmakers;the financial plight of documentary filmmakers and her thoughts on second jobs (if you haven't heard Daniel Lombroso's take on this, you really should check it out);AI at DC/DOX;what does DC/DOX look like in five years?the amazing IT department at DC/DOX -- look at how easy it is to buy tickets!Links:Buy Tickets Now For DC/DOX June 12 - 15, 2025Listen to Huiju Park, director of WELCOME HOME FRECKLES at DC/DOXListen to Sasha Wortzel, director of RIVER OF GRASS at DC/DOXSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch The Video On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: GOD'S POCKET (2014)Director: John SlatteryWriters: Peter Dexter; Alex Metcalf; John SlatteryCast: Philip Seymour Hoffman; Richad Jenkins; Christina Hendricks; John TurturroSYNOPSISA boozy lowlife (Philip Seymour Hoffman) tries to bury the truth about his crazy stepson's suspicious death, but a nosy newspaper columnist (Richard Jenkins) and the young man's mother complicate matters.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSubscribe to our YouTube channelSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Go See WELCOME HOME FRECKLES at DC/DOX on June 14th, 12pmWatch This Episode On YouTubeWhat do you do when people question your style of filmmaking? If you know that the story is in your heart, as my guest Huiju Park did with her film WELCOME HOME FRECKLES (2025), you make your film your way. In a deeply personal tale about her return home to Korea for the first time in four years, that's what she did. We talk about that and so much more with this UK-based filmmaker, whose authenticity will astound you.In this episode, we talk about:how she got started in filmmaking and going home to Korea with a camera;why she decided to take on a personal documentary -- "self-expression"; "I tend to use my film as a therapy";what did her teachers think of her style of documentary -- "definitely, it's not really common...and I was using me as a character...to deliver the story"; "the whole film, the story, is universal; I see myself as a medium";does she introduce herself as a Korean filmmaker? what's her relationship with that label? -- "I'm trying to bring Korean cinema into the documentary world";her trip to Cannes (she attended a program called Focus COPRO') and why she attends film festivals;do programs like Focus COPRO help documentary filmmakers -- "I don't make films for making money because I know there's no money";what's it like working as a doc filmmaker in London? -- "I'm Korean Korean, I moved to the UK just for the school"; "after Brexit, the difference between European market and the UK market is really big, as much as American and European"; "in the UK, it's really tough";what's next for her -- "it's not about moving away from personal documentary, I've said enough";Huiju's Indie Film Highlight: THE ECHO (2023) dir. by Tatiana HuezoLinks:Follow Huiju Park On InstagramSee WELCOME HOME FRECKLES at DC/DOX Support this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeWith the baritones of Bono and U2 as the soundtrack, the globe-trotting world of Mary Robinson requires an epic film to depict her life, and thankfully, they found the director that can deliver just that in Irish filmmaker Aoife Kelleher.Aoife gave us the brilliant film MRS ROBINSON (2024), still on its festival run. MRS ROBINSON tells the inspirational life story of change-maker Mary Robinson: Ireland's first female President, a pioneering UN High Commissioner for Human Rights, and the successor of Nelson Mandela as Chair of The Elders.And if all that wasn't enough, check out her film, TESTIMONY (2025), also on the festival circuit. Not sure when Aoife has time to sleep but she found time to talk with me for the podcast, and I'm delighted to share that conversation with you.In this episode, Aoife and I discuss:her biographical statement that she seeks in her work to "tell hidden truths about Ireland and Irishness" -- what does that mean? what is an Irish film?;how did she get involved in filmmaking? "my parents were primary school principals and my dad was a politician so it was like, there were a lot of debates around these kind of themes at the dinner table";her switch from law to filmmaking -- "I'd had this work experience in a legal firm that had put me off the idea of pursuing law";what did she learn from her first documentary ONE MILLION DUBLINERS (2014) that she takes away for her current film?how did she get the opportunity to make MRS ROBINSON (2024), even with pitching against many other companies -- "you really can't stress [enough] how large Mary Robinson looms in Irish society";how she made it clear they weren't creating a puff piece documentary -- "from the earliest points in the pitching process, we made it clear that we would not be doing that, and that was what she wanted, too";how she was able to license U2 and other prominent musicians as part of this film (they were going to play "Fortunate Son" by CCR in a Vietnam scene...I think it worked out better with Bono!);the climate activism portion of the film and how it resonates now versus 30 years ago;how has documentary changed in the last ten years?;what's next for her? TESTIMONY (2025) is also on the festival circuit, which means she has TWO feature films on the circuit right nowAoife's Indie Film Highlight: BLUE ROAD: THE EDNA O'BRIEN STORY (2024) dir. by Sinead O'Shea; A WANT IN HER (2024) dir. by Myrid CartenLinks:MRS ROBINSON (2024) WebsiteFollow Screen Ireland on Instagram For More Info On Irish FilmmakersWatch This Episode On YouTubeSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: BEFORE/DURING/AFTER (2020)Director: Stephen Kunken; Jack LewarsScreenplay: Finnerty SteevesCast: Finnerty Steeves; Jeremy Davidson; John Pankow; John Ellison ConleeSYNOPSISThis sharp-witted dramedy studies a middle-aged NYC theatre actress suddenly forced to figure out the kind of person she wants to portray in real life when her marriage comes to an end after she catches her husband cheating.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSubscribe to our YouTube channelSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeAs soon as RIVER OF GRASS (2025) starts, the viewer is given an astonishing sense of place, and according to my guest, director Sasha Wortzel, this is most certainly by design. The film -- "an ode to the Florida Everglades past and present" -- is an amazing piece of artwork that elevates its subject to a character all of its own. Wherever you watch the film -- perhaps at DC/DOX on June 14th, 2025 -- you are going to feel like you are in Florida.I'm not sure you're transported there during the podcast, but what I can certainly promise is you'll be hearing from an extraordinarily talented filmmaker. In this episode, Sasha and I discuss:how did she get the sense of place, the feeling of being in Florida, through sound and visuals, so right?how did she get the archival footage that makes up RIVER OF GRASS?"the more you know about the place, the louder the whispers become" -- how did she get so many insights from the people she interviewed for the film?how she became a filmmaker focused on "attend[ing] to sites and stories systematically erased or ignored from...[New York and Florida's] histories"did RIVER OF GRASS, a doc feature, feel like a natural progressive after making shorts?her advice for doc filmmakers -- "really hone in what is the story you want to tell and why";her film won a jury prize at Hot Docs; how does she approach the festival process?the importance of resilience in getting her film made -- "make bold choices with your work creatively";her roles as director, producer, and editor -- was editing important to her for this project?how she was able to get her voiceovers right -- "what really worked for the voiceovers in this particular film that it's a lot about memory";with this film, does she consider herself a climate filmmaker?what's next for her and when does she expect RIVER OF GRASS to be available for streaming -- she's "dreaming up a sort of live immersive performance version"Sasha's Indie Film/Filmmaker Highlight: THE RED SHOES (1948) -- available on Tubi!; THE TUBA THIEVES (2023) dir. by Alison O'Daniel; Ja'Tovia GaryLinks:Follow RIVER OF GRASS On InstagramFollow Sasha Wortzel On InstagramBuy Tickets To See River of Grass At DC/DOX On June 14th, 2025Watch This Episode On YouTubeSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: UNTOGETHER (2018).Director: Emma ForrestWritten By: Emma ForrestCast: Jamie Dornan; Ben Mendelsohn; Jemima Kirke; Lola Kirke; Billy CrystalSYNOPSISOnce considered a teen prodigy, a recovering addict sobers up and tries to get her writing career back on track. She begins a relationship with a rising author known for his wartime memoirs.Watch This Episode On YouTubeSubscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSubscribe to our YouTube channelSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeAs we move further away from the conventional wars in Afghanistan and Iraq, colloquially known as the Global War on Terror, the need for films like AMERICAN SONS (2025) is greater; it informs us, through powerful filmmaking, what we've lost.AMERICAN SONS follows a brotherhood of Marines a decade after their deployment to Afghanistan, as they struggle to overcome the trauma of combat and the loss of their best friend, Corporal JV Villarreal.I am joined today by director Andrew James Gonzales and producer Laura Valera for an important -- essential -- discussion for the Memorial Day holiday.In this episode, we discuss:the world premiere at SXSW and how they were able to make such an authentic film about fallen Marines;why they were drawn to documentary filmmaking -- "I've always been drawn to documentary because I appreciate the realism. I like real stories. I don't like this. There's a lot of great narrative Hollywood stuff, but I just don't like this fake, happy ending in every movie, right? - Andrew James Gonzales;what should viewers expect when they watch AMERICAN SONS -- "They should expect to see a very real veteran story" - Andrew James Gonzaleshow the film was funded and producer Laura Valera brought together a variety of different resources to make it happen -- "If you don't get money from a certain organization and you really feel that they align, make sure you call, get feedback, apply again. The other thing that I tell young filmmakers is offer to be a grant reader" - Laura Valerathe crucial difference between a director and a filmmaker -- "So a director directs the film versus a filmmaker does anything that they need to do to finish the film, which means you're taking on a role that you've never even done before, but because you have the vision of how to complete it." - Andrew James Gonzales;why don't we see more of these authentic veteran films in narrative? And with the release of WARFARE (2025) by another Latino director, is there something specific to the Latino experience in the military, perhaps with the emphasis on community, that highlights these kinds of stories?;what was the response to the film at SXSW?what's next for this film and the filmmakers?Laura's Indie Filmmaker Highlight: Tejanas In FilmLinks:AMERICAN SONS WebsiteFollow Andrew On InstagramFollow AMERICAN SONS On InstagramFinally, here are links to five soldiers I served with who died either in action or because of its aftermath, and I think about them often. There is this whole "inside baseball" amongst veterans that you should never wish a veteran Happy Memorial Day because it's a solemn event to honor our fallen, like somehow our friends want all of us to be eternally miserable every last Monday of May in honor of their sacrifice. It's petty when the meaning of the statement is kind and it creates a division between civilian and veteran that shouldn't be there, not on this day.Sidestep all that noise. If you do encounter a veteran on Memorial Day, say something like this: "I'm sure this is hard for you. If you're able, I'd love to hear a story about someone you've lost, just so I can understand the magnitude of our country's sacrifice."For me, I could talk about these guys all day. Enjoy the holiday.Cody BakerGil MoralesMichael McGahanRyan SartorJustin SchmidtSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeNatalie Halla, the award winning Austrian filmmaker of THE LAST AMBASSADOR (2025), among other films, found that her way of making the world a better place is making insightful and incisive films. In her latest, she tells the story of Manizha Bakhtari, who is "risking everything in her fight for the rights of girls and women in Afghanistan."It had its North American premiere at Hot Docs to a standing ovation, and Natalie is here to talk about her journey and her powerful filmmaking.In this episode, Natalie and I discuss:the reception of THE LAST AMBASSADOR (2025) at Hot Docs;how did she get the access to make such a film?;how did she get involved in filmmaking -- "I'm a total autodidact";what drives her to make documentaries -- "I see it as my mission";the idea of a "search for the ultimate value of life" -- how that is connected throughout her filmmaking -- "it's not about just staying alive, it's about finding something worth living for";how she made a documentary with so much done on the road;"let's shoot it; I'll find the funding later" -- how she started filmmaking;what advice she would give documentary filmmakers;why she goes to festivals like Hot Docs and what her strategy is for attending -- "I really love meeting fellow filmmakers, so film festivals [are] the best chance to do that";what is next for her? "I don't have the energy and time to start something new, this film has so much interest it will keep me occupied for awhile";what's it like as an indie filmmaker in Austria?Links:Follow Natalie On InstagramVisit Natalie's WebsiteSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: 12 MONTHS (2022).Director: Clinton CornwellWritten By: Clinton Cornwell; Elizabeth Hirsch-Tauber; Michael James KellyCast: Elizabeth Hirsch-Tauber; Michael James Kelly; Christopher Mychael WatsonSYNOPSISA hyper-realistic diversion from the usual rom-com, 12 Months candidly portrays moments that are commonly experienced but rarely shown as it follows the story of Ellie and Clark, a millennial couple, navigating the peaks and valleys of new relation.Watch This Episode On YouTubeSubscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSubscribe to our YouTube channelSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeWriter, filmmaker, actor...and activist Ben Steinberg joins me to talk about his campaign to save the Cinerama Dome and his filmmaking, most recently HIKIKOMORI, a surreal short film you have to see to believe.In this episode, Ben and I talk about:how he got decided to get into film and acting;his campaign to save Cinerama Dome in Los Angeles;why should indie filmmakers care about theaters when most films are streamed?;how he made the surreal short HIKIKOMORI (inspired by THE LOBSTER, one of my favorite films);what's next for him, possibly a documentary on saving the Cinerama Dome ("I just need to stay organized and contact like media outlets and just see if they're willing to report on it because so far, not really, no one's really reporting on it");what does it say about the state of filmmaking when even Oscar winners are having trouble getting their projects made.Ben's Indie Filmmaker Highlight: Vince Di Meglio Links:Follow Ben Steinberg On InstagramFollow Ben Steinberg On TwitterFollow Save Arclight Cinemas! On TwitterSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Are you familiar with the Crazy8s competition in British Columbia?Thanks to today's guest, executive director of the Crazy8s Film Society, Grace Chin, you are now.The event is held in March annually and if you're able to participate next year, go for it. But as Grace talks about, not everybody gets in. This conversation offers your best roadmap to get crazy in Vancouver next year. In this episode, Grace and I discuss:what is the Crazy8s? "it's still the eight crazy days -- they shoot for 3 days, the fourth day you deliver your rough cut, fifth day your fine cut, sixth day your locked cut, seventh is editing, and then you deliver on eight";how did she get involved as executive director of the festival?;how she got involved in filmmaking and running festivals, including the Asian Film Festival, before going over to Crazy8s;what does she see as the market for short films? "definitely festivals";why does Western Canada get a shorter shrift than the rest of the country in indie filmmaking?;how Crazy8s is helping filmmakers in British Columbia;what she told the people that got rejected from Crazy8s;what does Crazy8s look like in five years? is AI part of the plan?Grace's Indie Film Highlight: DOUBLE HAPPINESS (1994), dir. by Mina ShumLinks:Follow Grace On InstagramFollow Crazy8s On InstagramCrazy 8s WebsiteSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: TO DUST (2018).Director: Shawn SnyderWritten By: Shawn Snyder; Jason BegueCast: Matthew Broderick; Géza RöhrigSYNOPSISA Hasidic cantor in upstate New York, distraught by the untimely death of his wife, befriends a local community college biology professor and the two embark on an increasingly literal undertaking into the underworld.Watch This Episode On YouTubeSubscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSubscribe to our YouTube channelSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeIt's hard to say what's been the biggest achievement for Daniel over the past few weeks — starting his own studio, Outerboro Films, getting selected as a 2025 Film Independent Documentary Story Lab Fellow, or telling the white supremacist Nick Fuentes that he's an asshole.Daniel said it's the latter, but I'm guessing as we look back, it'll be the first two, as he releases more of his critically acclaimed docs under his own banner. Daniel has made truly extraordinary films, and now he's put himself in a position to help others make theirs. In this episode, Daniel and I discuss:how do you make the jump into embed in alt right hate groups? -- Daniel has the most incredible origin story;WHITE NOISE, The Atlantic's first feature documentary, directed by Daniel -- "it was journalistically important; a historical document";did The Atlantic know they were going into video when they hired him out of college?his founding of Outerboro Films; is he building off his work at The Atlantic and The New Yorker with a strategy to monetize his films?how he sees those two venerable magazines moving away to more social videos and leaving a space for companies like Outerboro;what Outerboro is -- a production studio? a distributor? both?;the unreal story of his upcoming documentary feature film, YOU'LL BE HAPPIER;his process of starting the project and then bringing on executive producers;the role of festivals in releasing documentaries in ways that they stay relevant;the advice "we need to destigmatize working at the coffee shop" for documentary filmmakers -- how does he feel about that advice?the name Outerboro Films and what it means; what would his company look like if it was based in Los Angeles?;what's next for him and Outerboro -- a sequel to NINA AND IRENA (2023)!;Daniel's Indie Film Highlight: ETERNAL FATHER (2023) dir. by Omer SamiLinks:Follow Daniel On InstagramOuterboro Films WebsiteFollow Outerboro Films On LinkedinSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch LITTLE MISS SLEEPY On YouTubeWatch This Episode On YouTubeAt 21, Jenny Lee-Gilmore was diagnosed with narcolepsy. In her film LITTLE MISS SLEEPY, she explores what it's like to live with a neurological disorder that's misunderstood and often misdiagnosed.In this conversation, we explore how she made that decision to turn one of her most personal life stories into a documentary and what advice she has for other filmmakers.The film recently screened at GEMFest 2025 in Vancouver.In this episode, Jenny and I talk about:what it was like to make something so personal and then screening it;how she decided to tell the story of narcolepsy through filmmaking -- "originally, no, I never wanted to make a film about this. I never thought I'd about my experiences";how her mom's story in OVERTIME (2023) made her comfortable releasing this film;what kind of concessions she made about what she couldn't share;advice she has for other documentary filmmakers starting on such a personal journey -- "surround yourself with a great crew";the ability to connect through vulnerability with other people;how she was able to find a crew for such a personal story?;how she sees documentary filmmaking going forward -- "people usually aren't going to watch documentaries, but so many more documentaries are being more cinematic";how she developed the unique hook for this film;what it is like as a filmmaker in British Columbia and why they don't get as much funding as the East Coast of Canada;does she ever feel pigeonholed as a documentary filmmaker, especially with her interest in narrative filmmaking;what's next for her --- she just finished a narrative short film and working on her first feature.Jenny's Indie Film Highlight: MY OLD ASS (2024) dir. by Megan Park Links:Follow Jenny On InstagramWatch LITTLE MISS SLEEPY On YouTubeSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: BROKEN FLOWERS (2005).Director: Jim JarmuschWritten By: Jim Jarmusch; Bill Raden; Sara DriverCast: Bill Murray; Jessica Lange; Sharon StoneSYNOPSISWhen his latest girlfriend (Julie Delpy) leaves him, retired computer magnate Don Johnston (Bill Murray) has no greater ambition than to sit around the house. When he receives an anonymous letter from a former girlfriend claiming he has a 19-year-old son he's never met, Don doesn't even think to follow up. It's not until his neighbor, a mystery fan, encourages him that Don resolves to visit the exes who seem the most likely candidates and find out the truth.Watch This Episode On YouTubeSubscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSubscribe to our YouTube channelSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeWatch The Trailer Of A Nice Indian BoyPreorder the film, available for streaming on May 6, 2025I can't give this title out often before it becomes meaningless, but the best film I've seen this year is A NICE INDIAN BOY (2024), by director Roshan Sethi. And with SINNERS (2025), it's the hottest story in film right now. Let's talk about why that is with one of the most intelligent and analytic minds in filmmaking: Roshan Sethi.In this episode, Roshan and I talk about:the overwhelming positive response to the film and what that says about the state of independent film;how did they know to go "all in" with theaters?he does a deep dive into the complex nature of distribution;his path from doctor to indie filmmaker;was it because he was bothered by medical inaccuracies in Hollywood? no, not at all;what about romcoms draws him to that material and what he learned from 7 DAYS?he's done both a heteronormative and a queer romcom; was he worried about the release of this film?when does he trust a streamers' algo?** how to cast ethnic, queer, or other niches and what guideposts to use for actors that aren't part of a particular group? "often gay roles are used to launch stars"; this is a must listen answer **it seemed like this would be a written and directed feature but it came from a play; what kind of adaptations did he make?how he borrowed a technique from reality television to move along different plot points simultaneously;how to find profitability in great indie films -- "And so the problem is not the creators who are creating very diverse content, that's often very good. It's not the audiences who crave diverse content, it's the people who are in the middle, which is film executives and the apparatus of the system";his advice as a mentor for the Indian Film Festival of Los Angeles; "I am just recommending that everybody make as commercial a project as they can, action, horror, thriller, whatever";where did the nobility come from in being broke to make films? "every art form suffers from a certain amount of pretentiousness, which is the desire to be artistically elevated and to be seen as an artist who is more sophisticated than other artists;his thought process of releasing the film for streaming while it's in theaters;having to think about releasing an indie film almost like politicians think about precincts.Roshan's Indie Film Highlight: GIRLS WILL BE GIRLS (2024) dir. by Shuchi TalatiLinks:Follow Roshan On InstagramFollow A NICE INDIAN BOY On InstagramA NICE INDIAN BOY Official WebsiteSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Buy Tickets Now For JIMMY IN SAIGON In NYC Through May 1stWatch The Trailer For JIMMY IN SAIGONWatch This Episode On YouTube"Polite persistence" -- that's the story of filmmaker Peter McDowell in so many ways, and it's how he brought the film JIMMY IN SAIGON to movie theaters, through May 1st, 2025 in NYC, and then beyond. He's been at work on the film since 2010, and it throws on its head what you might expect from a Vietnam War documentary.In this episode, we discuss:how he got started in filmmaking, alongside his brother, Jimmy, who is the subject of JIMMY IN SAIGON;what his concepts of documentaries about the Vietnam War before he started?the long journey of creating his film, starting in 2010, that details the search for what happened to his brother during the Vietnam War;what advice he'd give documentary filmmakers embarking on such a personal narrative -- "just turn the camera on";what his "special sauce" for fundraising on a project that took 12 years to put together -- fiscal sponsorship;the soundtrack was released for the film; was that always part of that plan and how did he come up with a such a great score?the film has been on the festival circuit for over two years; what does he think of film festivals?what's next for him?Peter's Indie Film Highlight: Pedro Almodovar; A PHOTOGRAPHIC MEMORY (2024) dir. by Rachel Elizabeth SeedLinks:Follow JIMMY IN SAIGON On InstagramSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: MOBILE HOMES (2017).Director: Vladimir de FontenayWritten By: Vladimir de Fontenay; Danielle LessovitzCast: Imogen Poots; Callum Turner; Frank OultonSYNOPSISA young mother drifts from one motel to the next with her dangerously intoxicating boyfriend and her 8-year-old son. When a crisis tears them apart, the mother finds a mobile home community that provides the possibility of a better life.Watch This Episode On YouTubeSubscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSubscribe to our YouTube channelSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeOne of the things that fascinates me about filmmaking is the concept of authenticity. That is, the filmmakers either have to put in the time to do research for a particular film genre (veterans, ethnic films, etc) or they have to live it. For the new film BROTHERS AFTER WAR, my guest Jake Rademacher lived it. It's in his blood -- literally, as many of his siblings serve in the military. I felt honored to talk with a director who told veterans' stories so eloquently. Keep checking the BROTHERS AFTER WAR social media on when it'll be available for screening near you. And I hope you enjoy this episode with one of the most authentic voices for military veteran stories you'll ever hope to meet. In this episode, Jake and I discuss:how he created such a unique and genuine film series about his "brothers" -- both familial and military;how he created such an authentic film about war and after war;what made him decide to get into filmmaking and how he had the resilience to go into war zones with just a camera;advice he has for other documentary filmmakers -- "don't make a film during a global pandemic"; they were the first film back in Italy; "get a pen out, a piece of paper out, and ask yourself why you want to make yourself this film? and why do they need to see it?;his thoughts on the political response to Matthew Heineman's film RETROGRADE and how he handled his relationship with the DoD -- "I always have final cut";what did he leave out? where does it go too far for a cinéma vérité documentary filmmaker?would he consider making a narrative film? is documentary the best way to share veterans' stories?if he wants to turn it into a Richard Linklater BEFORE type series and what's next for him;how Christian filmmakers have inspired a model for veteran films.Jake's Indie Film Highlight: FIGHTING SPIRIT: A COMBAT CHAPLAIN'S JOURNEY (2024) dir. by Richard Hull; Justin RobertsLinks:Follow @brothersafterwar on InstagramBROTHERS AFTER WAR WebsiteSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTube NowGo and listen to THE CORONER'S ASSISTANT, a new show on Tubi by filmmaker Angeline Walsh, and I'll bet you have the theme music caught in your head for the rest of the day (week, month, etc.) Kudos to Angeline for putting music first.The episodic model might look scary, but my guest is here to convince you otherwise -- for her, it was a way to follow her heart.In this episode, we discuss:the ridiculously catchy theme music and how she decided to start with that instead of leaving it to the end;how she got into filmmaking;she calls her filmmaking "weird and too dark for children" -- where did that come from? it's more lighthearted than you may think;what they should expect to see from THE CORONER'S ASSISTANT;isn't that the point of good filmmaking, to subvert expectations?why episodic content on Tubi versus a short or a feature?the metrics available on Tubi?what advice would she give about the process of putting a show on Tubi?how to monetize episodic or short films -- "I'm not being hired to do this, so I might as well just make it the way I want to because I'm not beholden to anyone's rules right now";will there be a season two?what other projects is she working on?Angeline's Indie Film Highlights: Valyo Gennoff, composer of the catchy music for THE CORONER'S ASSISTANT; Mabel Normand; Marion Davies (Angeline later mentioned she meant Frances Marion)Links:Follow Angeline On InstagramAngeline Walsh's WebsiteWatch THE CORONER'S ASSISTANT on TubiSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubePreorder on Apple TV NowIn the beating heart of the most successful independent filmmakers you can find one thing for certain: a belief in oneself. I've hardly ever heard a more powerful defense of one's vision than from filmmaker Rachel Suissa, who is here to talk about her debut indie film, GREEK MOTHERS NEVER DIE (2025).If you want to be inspired by a woman and her vision, this is the episode for you.And don't forget -- preorder her film! Rachel lets us in on the insight of the Apple algorithm and so much more.In this episode, Rachel and I discuss:how she got involved in filmmaking, starting as an actress and boldly taking control of her career after a show bombed -- "people had different ways to grieve and mine was to take control, of things and have freedom to tell my stories";what people should expect to see during GREEK MOTHERS NEVER DIE;what kind of advice she gives on creating ethnic related films? "if somebody wants to make a first indie movie, it has to be something that resonate with his heart, his universe, and his experience";her feelings about MY BIG FAT GREEK WEDDING (2002);how she was able to keep a two hour plus run time in a field (romcoms) that's very hard to do -- how did she manage this?whether being an actress helped her direct this film with the vision she wanted -- "it's all ink and paper until an actor brings it to life";her thoughts on funders demanding a "name" cast and what an indie director should do about it;her sticking to her vision, no matter the consequences;how many preorders it takes to beat the Apple algo;what's next for her -- "The Hangover meets Mamma Mia!"Rachel's Indie Film Highlight: ETERNAL SUNSHINE OF THE SPOTLESS MIND (2004) dir. by Michel GondryLinks:Follow Rachel Suissa On InstagramPreorder on Apple TV NowSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: THE BACHELORS (2017).Director: Kurt VoelkerWritten By: Kurt VoelkerCast: JK Simmons; Josh Wiggins; Odeya RushSYNOPSISAfter the death of his wife, Bill and his 17-year-old son, Wes, move from a small town to a big city for a fresh start. As they begin to adjust to life in the city and seek ways to heal their wounds, they both find comfort in newfound romances. Although circumstances contribute to Bill and Wes growing apart, they come back together and rediscover their true selves in the process.Watch This Episode On YouTubeSubscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSubscribe to our YouTube channelSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeIt takes a really special filmmaker to write, act, direct, produce their debut feature film. Well, let's go to Western Canada to find out in Caitlyn Sponheimer, the dynamo behind the film WILD GOAT SURF (2023), which had its US premiere in the beginning of April.If it was my dream world, it would open in a thousand theaters, but look for it on streaming on May 20th.In this episode, Caitlyn and I discuss:she does everything in her latest film -- acting, directing, writing, producing -- how did she get started? "I wasn't being seen for the type of roles I wanted to be seen for"; "I just kept making stuff";why don't more actors make that jump to writing and directing?her path to feature filmmaking. It started with an indelibly titled short, KITTY'S NAUGHTY KNICKERS (2019) and followed the supposed "path" for indie filmmakers. Does she wish it was different?the incredible cinematography, writing, acting -- everything -- in her film WILD GOAT SURF;the brilliance of Shayelin Martin, the protagonist in the film, and how she found such an incredible actress;how Caitlyn eventually decided to act in the film and what that means for indie filmmaking and casting -- "it's a balance of names...and budget"; "it has to be an actor I want to work with and respect so much...not just a name";the mission of her production company, CouKuma Productions, to empower female voices and how that can be tested in the casting process;how she decided on the release strategy for WILD GOAT SURF, including getting picked up by Tribeca Studios;how should indie filmmakers look at Canada as a film market?what's next for this brilliantly talented filmmaker?Caitlyn's Indie Film Highlight: SHE DIES TOMORROW (2020) dir. by Amy Seimetz; THE WOLVES (2019) dir. by Samuel Kishi; VIOLENT (2014) dir. by Andrew Huculiak and cinematography by Joseph SchweersLinks:Follow Caitlyn On InstagramSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeMy guest, Chelsea Christer, is being modest but you can't be just dream adjacent while turning out brilliant, touching, and culturally relevant films like OUT FOR DELIVERY (2025).By premiering the film both at Sundance and SXSW Film Festival this year, it's clear Chelsea is at the top of her game...and closer to dream actualized than ever before.In this episode, we discuss:how she got involved in filmmaking and the rise of female filmmakers, particularly directors;how she chose her path of narrative, docs, corporate work -- "in order to live in San Francisco, you have to make a bit of money to pay the bills";how she found herself "dream adjacent" -- making films and getting opportunities in documentary filmmaking that were not her passion;what did she learn from having her films at premiere film festivals (Sundance, SXSW, Slamdance, and more)?;the story behind her brilliant film, OUT FOR DELIVERY;how she made such a fully encapsulated short film and whether that was the intention;has she moved from dream adjacent to dream actualized?;what is she working on now?Chelsea's Indie Film/Filmmaker Highlights: TOUCH ME (2025) dir. by Addison Heimann; DEATH OF A UNICORN (2025) dir. by Alex Scharfman; Sebastian SilvaLinks:Follow Chelsea On InstagramChelsea Christer's WebsiteSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: FIVE YEARS APART (2019).Director: Joe Angelo MenconiWritten By: Joe Angelo Menconi; Zac KrauseCast: Chloe Bennet; Scott Michael Foster; Ally MakiSYNOPSISTwo estranged brothers born on the same day five years apart run into each other at their family vacation home with wildly different expectations for how their birthday weekend will play out.Watch This Episode On YouTubeSubscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSubscribe to our YouTube channelSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

There's not a person alive who won't be moved by STANDOUT: THE BEN KJAR STORY (2025) -- it's a story of overcoming expectations and spreading kindness into the world. It's also an extraordinary achievement of documentary filmmaking. We get into that and more with director Tanner Christensen.In this episode, Tanner and I discuss:the uplifting qualities of STANDOUT: THE BEN KJAR STORY (2025);what to expect when you watch the film (laughing, crying, feeling better about the state of humanity);the crazy scope of the film, with archival footage from over 25 years ago;the decision-making process of utilizing re-enactments and whether he'd use AI in future documentaries;how he developed the chronology of the film and why he made it the way he did;what did the process of making this film teach him about documentaries?;is it a particular Utahan story?;what's next for him?Tanner's Indie Film Highlight: DISPOSABLE HUMANITY (2025) dir. by Cameron S. Mitchell; COMPLICATED (2025) dir. by Andrew Abrahams; STOLEN KINGDOM (2025) dir. by Joshua BaileyLinks:Follow STANDOUT On InstagramSTANDOUT WebsiteSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

I don't say this lightly: you've never seen a film like PROJECT DAD. It's a Slamdance original from an artist that is making waves throughout Europe and now looking forward to a North American run: Camilla Jämting.What a film. What a story. PROJECT DAD is a film you have to see to believe, and keep up with Camilla so you can see it just as soon as it screening near you.In this episode, Camilla and I talk about:the courage and bravery to create PROJECT DAD;what should people expect to see when they watch PROJECT DAD;the little moments in the film that touch upon gender stereotypes and social commentary;does she see it as a Swedish film?;does she identify herself as a feminist and how does it influence her filmmaking?why Slamdance?;when people can watch the film -- who knows, maybe partner with Tinder!;what's next for her? PROJECT DAD might be turned into a reality TV series!Camilla's Indie Film Highlight: MY OMAHA (2025) dir. by Nick Beaulieu; TONI ERDMANN (2016) dir. by Maren AdeLinks:Follow Camilla On InstagramPROJECT DAD WebsiteSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: HANK AND ASHA (2013).Director: James E. DuffWritten By: Julia Morrison; James E. DuffCast: Mahira Kakkar; Andrew Pastides; Bianca Butti; Brian SloanSYNOPSISAn Indian woman studying in Prague corresponds with a young filmmaker in New York. As their relationship intensifies, they must choose whether to meet.Watch This Episode On YouTubeSubscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSubscribe to our YouTube channelSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeOne of one. One of one. One of one. It kept coming back to me that every significant avenue filmmaker Alex Dvorak went into, she was the only one with that path.And that kind of trailblazing requires bravery, vulnerability, and as you see in her film BAD SURVIVOR, a fair bit of snark.Special Slamdance coverage continues with Alex Dvorak.In this episode, we discuss:her completely unique entry into filmmaking...as a cancer survivor;are there more survivor stories out there? "Hard yes" - Alex Dvorak;the range and brilliance of her short film, BAD SURVIVOR;what's it like to have survivors approach her after the film?;how she is going into a different direction with this short by turning it into a YA graphic novel and a series;"writer, director, model" -- Alex is one of one of so many categories; how does she keep finding herself pursuing these unique goals?how does she view Gen Z filmmakers and what kind of films we are going to see from them? "the most interesting and unique stories" - Alex Dvorakwhat's next for her?Alex's Indie Film Highlight: NOGGIN (2024) dir. by Case JerniganLinks:Follow Alex On InstagramFollow Alex On Her WebsiteSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: BROKEN ENGLISH (2007).Director: Zoe CassavetesWritten By: Zoe CassavetesCast: Parker Posey; Melvil Poupaud; Drea de Matteo; Justin Theroux; Peter Bogdanovich; Gena RowlandsSYNOPSISNora Wilder (Parker Posey), a single woman, is heading deep into the doldrums as a result of disappointments in her professional and personal lives. A series of disastrous dates convinces her that love will always elude her. At a co-worker's party, she meets Julien (Melvil Poupaud), a young man from Paris, who sweeps her off her feet and invites her to France with him. Nora refuses, then wonders if she has made the biggest mistake of her life.Watch This Episode On YouTubeSubscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSubscribe to our YouTube channelSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

I never met or even heard of Bill Bartell before watching this documentary, but darn if filmmaker Dave Markey doesn't bring him to life in his brilliant film, THE SECRET LIVES OF BILL BARTELL. The film is a kaleidoscope of events and people; you'll think it's a mockumentary before realizing that...it's all true.It is a testament to the craft of Dave that he creates such a stunning documentary about a unique subject, and we get into how he's sustained a career in music, punk rock, and documentary. The film had its world premiere at Slamdance 2025.In this episode, we discuss:the story behind THE SECRET LIVES OF BILL BARTELL;how he got involved in filmmaking and got the skillset to make such a genre-breaking film;creating the intentional rush the viewer gets from watching the film -- "I wanted to make the experience I had with him in real life";how the film came together over 30 years and his use of a mockumentary structure;his thoughts on funding and distributing his own films over the years;the future of documentary filmmaking and the possibility of AI;why Slamdance and why the Breakout Features category;will LGBTQ films be harder to make in the future?Dave's Indie Film/Filmmaker Highlights: HARLEY FLANAGAN: WIRED FOR CHAOS (2024) dir. by Rex Miller; 40 WATTS FROM NOWHERE (2025) dir. by Sue Carpenter; DEBARGE (2025) dir. by Matthew Siretta; Sean BakerLinks:Follow THE SECRET LIVES OF BILL BARTELL On InstagramWe Got Power FilmsSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Every Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: SAY YOU WILL.Director: Nick NavedaWritten By: Nick NavedaCast: Travis Tope; Katherine Hughes; Israel Broussard; Sam TrammellSYNOPSISAfter his father's suicide, a promising young musician tries to help his mother survive her grief while he tries to find solace in a troubled childhood crush.Watch This Episode On YouTubeSubscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSubscribe to our YouTube channelSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeCase Jernigan wins at so many things -- animation, gamemaking, filmmaking, and having without a doubt the best setting for recording a podcast episode. Normally, I edit out all background noise but with the birds chirping, I just could. not. do. it. His sound is such a mood.And I created special podcast animation art to celebrate such a fantastic artist.Case is a true Renaissance man who, not surprisingly, has found himself in Italy, and our discussion demonstrates the sheer breadth of talents that he brings to his art.His film, NOGGIN, now available to watch as a Vimeo Staff Pick, offers the same extraordinarily uplifting experience as this conversation with Case.In this conversation, we discuss:how the Slamdance screenings went;does he see himself as a filmmaker, in light of so many other artistic talents? "to me, they are all linked";on his website, Case talks about making art about "masculinity and illness." We talk about the rise of performative masculinity and how he views it relative to the art he creates.what we should know before watching NOGGIN and the thought process behind making the film;was it a way for him to work through his MS diagnosis, through his art? and how did he get from his diagnosis to where he is now?why Slamdance?; it must take a special film festival to get on a plane from Florence, Italy;what's next for him?Case's Indie Film Highlights: STOLEN KINGDOM (2025) dir. by Joshua Bailey; FISHMONGER (2023) dir. by Neil FerronLinks:Watch NOGGIN As A Vimeo Staff PickFollow Case On InstagramVisit Case Jernigan's WebsiteSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeJump into the mosh pit with filmmaker Portlynn Tagavi. We talk about her stunning filmmaking career, animation, Film Independent's Project Involve, and her brilliant short film, MOSH, which screened at Slamdance this year. In this episode, we talk about:how she got started in filmmaking through animation;the difference in directing animation vs. life action ("the whole concept of talking to actors still freaks me out");what the AFI Conservatory MFA Directing program is like;the importance of going into a room and acknowledging that you are still learning a particular craft;how MOSH got made through Film Independent's Project Involve;leadership advice in directing;what's the creative executive track like;the story of MOSH and what people should expect to see ("what does masculine emotional release look like?";why Slamdance? what is she expecting going into the screenings;the role of short films especially in a premiere film festival like Slamdance;the benefits of a larger social media following;the challenges of finding distribution for films at even the premiere film festivals;how Oscars don't exactly help careers -- "even with Oscars, you probably still have to prove yourself";what's next for her.Portlynn's Indie Film Highlight: STOLEN KINGDOM (2025) dir. by Joshua BaileyLinks:Follow Portlynn On InstagramPortlynn Tagavi's WebsiteSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Every Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: CASHBACK (2006).Director: Sean EllisWritten By: Sean EllisCast: Sean Biggerstaff; Emilia Fox; Michelle RyanSYNOPSISSophia's comfortable life turns upside down the day she meets Sylvain, and she leaves everything for a new, burning passion.Watch This Episode On YouTubeSubscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSubscribe to our YouTube channelSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeNtare Guma Mbaho Mwine is an accomplished actor, director, and documentary filmmaker, and so it's no surprise that his film, MEMORIES OF LOVE RETURNED (2024), is a love letter to the arts. It's also a love letter about Uganda, and offers a deeply personal look at his experience in the country and that of photographer Kibaate Aloysius Ssalongo.In this episode, we discuss:how he got started in filmmaking and if he has a preference between acting and directing;how his knowledge of directing affected his acting "for years";what he learned in his decades of documentary filmmaking;the role of LGBTQ films going forward;the challenge of making films in an occasional hostile social and political environment;why Slamdance?;when can people see MEMORIES OF LOVE RETURNED;what's next for him?does he ever feel typecast as an actor or as a director -- because of his name, he was getting "certain African roles"; he told his reps, it would be great to get something where he isn't speaking an African accent;being told he "wasn't African enough."Ntare's Indie Film Highlight: WHEN THE SMOKE CLEARS (2024) dir. by Misha Kapany Schwarz, Maarya Zafa.Links:Follow Ntare On InstagramSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeI couldn't have loved CONTOURS (2025) more, Aisha Amin's film which screened at Slamdance, and that bled through into the conversation. The story is brilliantly written, wonderfully acted, and gorgeously shot, so it's no surprise Aisha is such a fascinating guest for the podcast.She comes to filmmaking from the perspective of a Pakistani-American filmmaker and it is clear she will continue to push boundaries of what's possible in independent filmmaking.In this episode, we talk about:how you decide to put a twist into a short film;how she got involved in filmmaking (and she made me feel better about asking a similar question every time) -- hat tip to the Straight 8 competition;her thoughts on film v. digital and why more people aren't funding short films;how CONTOURS, a deeply rich film about a couple fighting, came to be;what the process is like directing something you haven't written -- "you have to be really collaborative";how she feels about diversity initiatives, especially in this political climate;why Slamdance for her film;how she responds to questions about her first feature;the challenge of being pigeonholed as a young director;what's next for her -- she drops info about her first feature!the problems with screeners only viewable on laptops and publicists utilizing Zoom for their press days with filmmakers.Aisha's Indie Film Highlight: FOUL EVIL DEEDS (2024) dir. by Richard Hunter; NO OTHER LAND (2024) dir. by Rachel Szor; Yuval Abraham; Basel Adra; Hamdan Ballal; Pastel ProductionsLinks:Follow Contours On InstagramFollow Aisha Amin On InstagramFollow Aisha Amin On VimeoSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeThe needle-threading to make a great political documentary, a brilliant social commentary about a Midwestern city, and a deeply personal story is truly breathtaking. But Nick Beaulieu delivers with MY OMAHA (2025), a film about a father, a son, and a city in Nebraska that will be viewed as a bellwether of our times for years to follow.In this episode, we discuss:how he got started as a filmmaker -- he went out to LA to "do anything" but came back to Omaha as a documentarian;what people should expect to see when they turn on MY OMAHA;how he took the topic of political disagreements and gave it a tremendous amount of depth -- the film isn't what you might expect;how he shot such a personal story -- shout out to James Zanders and what advice he has for people embarking on such a project;the importance of building trust in making a documentary and how he sees the state of the industry;how specifically he made a political documentary without bringing the disagreements to a forefront;why Slamdance?what's next for him?Nick's Indie Film Highlight: PROJECT DAD (2024) dir. by Camilla JämtingLinks:Follow MY OMAHA On InstagramFollow Nick Beaulieu On InstagramSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeThis is as close as I've ever been to going Joe Rogan style, four hour interview.I've never talked with someone so willing to discuss the history of cinema (in this case, Taiwanese) than my guest today, Birdy Wei-Ting Hung. She directed the brilliant film, A BRIGHTER SUMMER DAY FOR THE LADY AVENGERS (2024), which screened at Slamdance.In order to make the film, she drew on years of reading history and watching cinema. If you loved school, or even if you didn't, prepare for the best class ever with Birdy.In this episode, we discuss:how she became a subject matter expert on Taiwanese cinema and learned to love horror films;how Edward Young and other filmmakers influenced her film;if a critic can take their own biases out of their judgment on a particular film and whether students of film can see that in others' works;Sean Baker's influence on her type of filmmaking and the bravery to take on subjects like sexual awakening, which is a theme of her film;who she thinks are female directors taking similar steps and her thoughts on labels;what her first screening at Fantastic Fest and in Taiwan was like;why Slamdance? it's her first time at the festival;does she consider herself a California filmmmaker?her work on music videos and what her first feature looks like -- "I'm not one of those people that has to be working on a feature"Birdy's Indie Film Highlights: MAULED BY A DOG (2024) dir. by Sion Owens; THE STAG (2023) dir. by An ChuLinks:Follow Birdy Wei-Ting Hung On InstagramVideo Essay For A BRIGHTER SUMMER DAY FOR THE LADY AVENGERS (2024)Support this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch Now On YouTubeMy guest, Woody Bess, makes it sound happenstance, but don't kid yourself: Keith David and Richard Kind aren't signing up for just any independent film. But if you've extremely talented and put your heart and soul into a film -- and the script is great -- well, they will, and you've got PORTAL TO HELL (2025), which debuted at Slamdance. Glad Woody didn't go in the portal, and he joined me to discuss this riveting horror comedy feature.In this episode, we discuss:how he took so many jobs on PORTAL TO HELL;a pitch-perfect film between campy and serious to make one of the best horror comedy films of the year;how he wrote the script and "held for talent", betting on himself and his team to land great talent like Keith David and Richard Kind, separating the film from a lot of other independent projects;his thoughts on the horror genre;why Slamdance and what his thoughts are on its role in marketing and distribution;when PORTAL will be available to see (especially in theaters);his approach to limited social media in an age where directors almost have to have a presence;what's next for him -- a scary horror -- and how he feels about comedy as a genre to write for;"actors want to act" -- how to land fantastic actors in your indie project, even without a casting director;Woody's Indie Film Highlights: LOCKJAW (2025) dir. by Sabrina Greco; FOUL EVIL DEEDS (2024) dir. by Richard Hunter; MadS (2024) dir. by David MoreauLinks:Follow PORTAL TO HELL On InstagramSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Hello, Slamdance! Be on the lookout for episodes coming out every day for the next few weeks. with 2025 Slamdance directors.It is one of the most diverse lineups with often debut filmmakers so of course the pod will be highlighting the creators.Thanks for helping filmmakers get their first time go.Support this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: THE NATURE OF LOVE (2023).Director: Monia ChokriWritten By: Monia ChokriCast: Magalie Lépine Blondeau; Pierre-Yves Cardinal; Francis-William Rheaume; Steve LaplanteSYNOPSISSophia's comfortable life turns upside down the day she meets Sylvain, and she leaves everything for a new, burning passion.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSubscribe to our YouTube channelSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeWhat do you get by matching "a former Marine Corps drill instructor and an elementary arts educator"? A fantastic filmmaker in Kyle Henry. Kyle teaches film production at Northwestern University and has made both narrative and docs films to the acclaim of the Independent Spirit Awards and other film festivals. He's back with his newest film, TIME PASSAGES, which is one of the most unique documentaries you'll ever see.In this episode, we discuss:how TIME PASSAGES is graduate level doc filmmaking -- how was he able to pull that off?a bunch of awards for his debut feature, ROOM (2005) -- how? he credits it to being an observer of his community and engaging with this world;is that challenging for students nowadays, who may be perpetually online? and he flips the script to that question by saying "you can't make films based on the past";"you have stories within you", Kyle points out;the film TIME PASSAGES and how he came up with the unique tools of telling the story -- it's about the "struggle of putting the pieces together and then the process of letting go" with his family;if this film could have been made 20 years ago?how long he has been working with this project and what lessons he can take up from the experience-- "shut up and listen more";the state of film school from the lens of a film professor;what's next for a filmmaker who switches from documentary to narrative and how he makes that happen -- his next film (a narrative) sounds wild.Kyle's Indie Film Highlight: CROOKEDFINGER (2023) dir. by Jason Cortlund and Julia HalperinLinks:Follow TIME PASSAGES On InstagramVisit TIME PASSAGES' websiteFollow Kyle Henry on InstagramSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: BROADCAST NEWS (1987).Director: James L BrooksScreenplay: James L BrooksCast: Holly Hunter; William Hurt; Albert BrooksSYNOPSISA highly strung news producer finds herself strangely attracted to a vapid anchorman even through she loathes everything he personifies. To make matters worse, her best friend, a talented but not particularly telegenic news reporter, is secretly in love with her.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSubscribe to our YouTube channelSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeStream INHABITANTS (2025) NowThere's no more fertile ground for indie filmmakers than horror, and for a few extremely talented directors like my guest Matt McClung, you can even exceed expectations of the genre with a film like INHABITANTS (2025). The film tells the tale of a young woman who moves in with her lapsed Catholic boyfriend, only to discover...uh oh.In this episode, we discuss:how he got started in filmmaking;the benefit of film school -- he says the relationships were the most beneficial part;why he decided to take on such heavy themes -- religion, Catholicism, families, and stones -- for INHABITANTS -- he calls it a throwback film;the film has a "personal character driven component and a sort of an emotional mystery component";how he aimed for an element of "audience participation";the amazing potential of horror and what would he tell people who say they don't like the genre?;the marketing challenges associated with horror;the importance of casting in INHABITANTS and how he has a great casting director to thank -- thank you, Bess Fifer, CSA!his plans for the next year -- does he stay in the horror genre and does he feel like directors can get pigeonholed?Matt's Indie Film Highlight: BONE LAKE (2024) dir. by Mercedes Bryce MorganLinks:Follow INHABITANTS on InstagramFollow Mercedes Bryce Morgan on InstagramSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeAttend A Screening Of PAPER MARRIAGE in Washington, DCTo paraphrase Walt Whitman, Jeff Man is a man that contains multitudes. He often plays a character, like in PAPER MARRIAGE (2024) and SANTA CLAUS (2017), that is reserved and unsure of himself, and the stories, at least partially, revolve around how he -- and the outside world -- reacts to those personality traits. During our conversation, he talks about how he grapples with these questions in his own life and utilizes his art to get to a greater truth.And yet.In many of his short films and his debut feature, PAPER MARRIAGE, he writes, directs, and acts in a lead role. He is an extraordinarily talented, supremely unique filmmaker, which I'd argue makes for a great podcast guest. I think you'll agree.In this episode, we talk about:how he got started in filmmaking and the story behind his debut feature, PAPER MARRIAGE -- he originally thought he'd be a film critic;why he wrote, directed, and starred in his first feature -- the Duplass brothers forced him to do it! (out of love, of course);how he handled the work flow of directing...himself...and other characters;his thoughts on the current political debate surrounding immigration, DEI, and his film, especially on the eve of its Valentine's Day screening;his relationship with the Duplass brothers and how supportive they are of his vision as executive producers;why he loves Washington, DC;keeping up an active Instagram for a debut feature film;how much we love SMOKING TIGERS and the work of So Young Shelly Yo;the real-to-life feeling of PAPER MARRIAGE and how Jeff emotionally and intellectually got there to create such a film;what's next for him.Jeff's Indie Film Highlights: 9500 LIBERTY (2009) dir. by Annabel Park and Eric Byler; DEAD TALENT SOCIETY (2024) dir. by John Hsu; BECOMING WHO I WAS (2016) dir. by Moon Chang-young; Jeon Jim; SMOKING TIGERS (2023) dir. by So Young Shelly YoTrivia:The quote "chance favors the prepared mind" is from Louis Pasteur, not Thomas Edison.Links:Follow Jeff Man on InstagramFollow Jeff Man on VimeoAttend A Screening Of PAPER MARRIAGE in Washington, DCSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content