Podcasts about armageddon time

Editors - Andrew Buckland ACE and Scott Morris A COMPLETE UNKNOWN editors Andrew Buckland, ACE and Scott Morris came into James Mangold's latest film being almost completely unknown to one another.  Aside from mutual acquaintances, the two had never worked together or even met prior to this film.  In spite of this, their combined talents tackled a big film that featured forty live performances and an aggressive post schedule. Co-written and directed by James Mangold, A COMPLETE UNKNOWN takes place in the early 1960s, when 19-year-old Bob Dylan arrives in New York with his guitar and revolutionary talent, destined to change the course of American music.  Forming his most intimate relationships during his rise to fame, he grows restless with the folk movement, making a controversial choice that reverberates worldwide. ANDREW BUCKLAND, ACE Andrew Buckland ACE is an Academy Award winning film editor who won the Oscar for his work on FORD v FERRARI alongside Michael McCusker ACE.  He received his B.F.A. in Film from Purchase College before transitioning into editing. Landing his first job on Alan Pakula's THE DEVIL'S OWN, Andrew has been a part of the editorial teams on many high-profile films including Mike Nichol's CLOSER and CHARLIE WILSON'S WAR.  Andrew subsequently directed two documentary films THE LONG WALL HOME and SOMOS WICHI, which won the 2012 Documentary Expose Award at The Peace On Earth Film Festival, Chicago USA.  Andrew began his collaboration with James Mangold on KNIGHT AND DAY and THE WOLVERINE, and later edited FORD v FERRARI, and INDIANA JONES AND THE DIAL OF DESTINY. Other credits include Co-Editing Tate Taylor's THE GIRL ON THE TRAIN and Additional Editing GET ON UP. SCOTT MORRIS Scott Morris is a film editor with over 10 years' experience. He has collaborated with directors James Mangold, James Gray, Adam McKay and Gareth Edwards. In 2022 he was named one of Variety's top 10 Artisans To Watch.  His last film, THE CREATOR was nominated for two Oscars. His previous collaborations with James Gray on ARMAGEDDON TIME and AD ASTRA were selected for competition in the Cannes and Venice film festivals respectively. Ad Astra went on to be nominated for an Oscar. He worked as an additional editor on Adam McKay's film, DON'T LOOK UP. It was nominated for 4 Oscars, including Best Film Editing for Hank Corwin. Scott is a graduate of Emerson College and represented by CAA. Editing A COMPLETE UNKNOWN In our discussion with A COMPLETE UNKNOWN editors Andrew Buckland, ACE and Scott Morris, we talk about: The sounds of the city, the sounds of the sixties Nuance, nuance and more nuance Finding humanity in the cutting room Making the film "sing" Editors as voice extras The Credits Visit Extreme Music for all your production audio needs Listen to Andrew talk about his Oscar-winning work on FORD v FERRARI with Mike McCusker Check out Scott Morris' podcast for THE CREATOR Hear Andrew talk about what it was like cutting INDIANA JONES AND THE DIAL OF DESTINY Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

durée : 00:11:18 - L'invité de 7h50 du week-end - Entretien avec le réalisateur James Gray (Little Odessa, La nuit nous appartient, Two Lovers, The Immigrant, Ad Astra, Armageddon Time). Le festival du cinéma américain de Deauville, dont la 50ème édition se termine ce dimanche, lui a rendu hommage.

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Writer and critic Eamon Tracy joins to discuss the brilliant James Gray and his debut feature 'Little Odessa' starring Tim Roth, Edward Furlong, and Vanessa Redgrave. Made when Gray was just 23 years old, it's a semi-autobiographical story that merges a character study of an estranged Russian-Jewish family with elements of the crime genre to arrive at something that pulls from the films of Francis Ford Coppola, Sidney Lumet and Luchino Visconti in equal measure.We begin by discussing the career of James Gray, his undersung filmography, and his reputation as a notoriously great interview subject. Then we explore the world of 'Little Odessa', its melodramatic flourishes, stunning camerawork, and deliberate tone and pacing. Finally, we look forward to what might be next for Gray as a filmmaker, having last released the film 'Armageddon Time' which functions as a compelling bookend to the director's three decades in filmmaking.Read Eamon's recent piece on 'The Battle of Algiers' and its relation to Palestinian resistance for The Hampton InstituteFollow Eamon Tracy on Twitter....Our theme song is "Mirror" by Chris Fish.

In the film, Eileen, the story follows a woman's friendship with a new co-worker at the prison facility where she works, but the friendship takes a sinister turn. In the previous interview, screenwriters Ottessa Moshfegh & Luke Goebel discussed how they created this adaptation, based on Ottessa's novel. In this interview, stars Anne Hathaway and Thomasin McKenzie discuss their interpretation of the work. We also discuss the problem in Hollywood that still exists in terms of great roles for women, which Anne noticed on Ocean's 8 and thinks will continue to evolve post Barbie, how Thomasin researched the role, what Anne learned from James Gray on Armageddon Time, what it means to feed yourself with culture, and advice for young actresses trying to break in today. Want more? Steal my first book, Ink by the Barrel - Secrets From Prolific Writers right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!

We hack The Creator plus we also discuss The Wonderful Story of Henry Sugar, Snake Oil, Armageddon Time, The Ring, The Royal Hotel, Imitation of Life and Long Shot. 0:00 - Intro 4:05 - Reed's "Story" 25:50 - Review: The Creator 1:11:30 - Other Stuff We Watched: Imitation of Life (1934), Imitation of Life (1959), The Ring, Snake Oil, The Royal Hotel, Hotel Coolgardie, Jane Eyre (1943), The Wonderful Story of Henry Sugar, Dial M For Murder, Long Shot, Flame in the Streets, A Gentleman's Agreement, Armageddon Time, Love at First Sight, Athena, Hellzapoppin' 1:51:33 - This Week on DVD, Blu-ray and VOD 1:54:35 - Outro 1:57:10 - Spoiler Discussion: The Creator

Two weeks ago, a trailer was released for the new Leonard Bernstein biopic Maestro. Immediately, controversy surfaced about Bradley Cooper—the director of the film who also stars as Bernstein—wearing a prosthetic nose, intended to resemble Bernstein's own formidable schnoz. Because Cooper is not Jewish, this also revived a conversation about so-called Jewface, a term that has, over the last several years, become a buzzword in conversations about non-Jews being cast as Jews in dramatic roles. In this episode, Jewish Currents editor-in-chief Arielle Angel talks to contributing writer Rebecca Pierce, author and theater critic Alisa Solomon, and writer and collector of “Jewface” artifacts Jody Rosen about the controversy—exploring the long history of “Jewface” performances and what's really underneath these repeated dust-ups over Jewish representation.Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”Articles, podcasts, and further reading:Trailer for Maestro, directed by Bradley Cooper“The Politics of ‘Jewface,'” Rebecca Pierce, Jewish CurrentsJewface: ‘Yiddish' Dialect Songs of Tin Pan Alley, YIVO exhibitionJody Rosen discusses “Jewface” on PBS“A ‘Merchant of Venice' That Doubles Down on Pain,” Alexis Soloski, The New York Times“Fables and Lies,” On the Nose podcast about Armageddon Time and The Fabelmans“On the Nose,” inaugural On the Nose podcast, discussing our Spring 2021 Nose cover

Bleck and Abdalla crosstalk with Kap and J. Hood. The Bears are the only NFC North team being picked to go over their win total. NASA shot at an asteroid and now it's coming to Earth.

Erin and Paul review the latest entries in the MISSION: IMPOSSIBLE and INDIANA JONES franchies, plus Pixar's ELEMENTAL, BIOSPHERE and THE IDOL. Also: Erin describes the delights of San Francisco!

This week on On Story, a conversation with acclaimed writer, director, and producer James Gray to discuss not only his artistic process, but how he established himself as one the industry's most talented writer-directors.  A true visionary, Gray made his directorial debut with his celebrated film Little Odessa, which earned him nominations for both Best First Feature and Best First Screenplay at the 1994 Independent Spirit Awards. Other esteemed features in Gray's canon include The Yards, starring Joaquin Phoenix, who is in fact a frequent collaborator of Gray's, and We Own the Night, starring Mark Wahlberg, in addition to his films, Two Lovers, The Immigrant, The Lost City of Z, and Ad Astra, all of which set the bar for both screenwriting and direction.  Gray's most recent feature, Armageddon Time, is a deeply personal film inspired by Gray's childhood. A reflection on the strength of family, the complexity of friendship, and the realities of class as seen through the eyes of a young Jewish boy growing up in 1980s Queens, the film's star-studded cast includes leading actors Anthony Hopkins, Anne Hathaway, and Jeremy Strong.  In addition to speaking with Gray on his process of writing and directing each of his seven critically-acclaimed feature films, AFF was eager to honor Gray with our coveted Bill Wittliff Award for Screenwriting, an annual award presented to leading storytellers within film, television and new media. Gray adds this accolade to his five Palme d'Or nominations, as well as the Silver Lion Award.  During our annual Writers Conference, Barbara Morgan sat down with Gray to discuss how he became a pillar of American filmmaking.  Ad Astra clips courtesy of Twentieth Century Fox Film Corporation. Little Odessa clips courtesy of Fine Line Features. Lost City of Z clips courtesy of Sierra Afinity, LLC. We Own the Night clips courtesy of Columbia Pictures.

In this extended interview with Jeremy Strong, the "Succession" actor makes his first visit to The Late Show to discuss his latest film, “Armageddon Time,” the dark message contained in his hit series, “Succession,” and his whatever-it-takes approach to acting. Original Air Date: October 13th, 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's episode, the siblings talk ARMAGEDDON TIME, including Jeremy Strong's Jeffrey Dahmer, inevitable references to The Fabelmans, and Anthony Hopkins' ghost. Listen to their discussion on ARMAGEDDON TIME at OrWhateverMovies.com. Contains spoilers. Thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

2022 was definitely the everything bagel of movie years. No less an authority than Stephen Spielberg anointed Tom Cruise as the savior of movies this summer, which made sense given the success of "Top Gun: Maverick". Then came the fall, and excellent movies were released…and no one showed up. And even when they did, as with the $2.2 billion dollar gross accumulated by James Cameron's "Dances with Smurfs Part Deux", the movies barely seemed to make a dent in the cultural landscape. It didn't help that so many of our beloved directors released crappy movies: Aronofsky with the odious "The Whale", Russell with his how-could-it possibly-go-wrong-with-that-cast disaster "Amsterdam", Alex Garland with the puzzling (and not in an interesting way) "Men", Iñarritú inadvertently reminding us how brilliant both "Roma" and "8 ½" are with "Bardo", and the literal crapfest (elephant, in this case) that was "Babylon". Sometimes, it felt like 2022 was a living, breathing argument against the auteur theory. Yet there were some very good spots too, including not one but two really interesting portrait-of-the-filmmaker-as-a-young-man movies with "Fabelmans" and "Armageddon Time". The scene of the year? Cate Blanchett as Lydia Tar (née Linda Tarr of Staten Island!) arguing with one of her students about the pointlessness of cancelling Bach in Todd Fields' most welcome return. "Everything Everywhere" became the only film in history to win three acting Oscars and Best Picture. Underappreciated gems like "The Menu" and (sorry, John and Michael) "Don't Worry Darling", and even appreciated ones like "Aftersun" wormed their way into our brains and didn't let go, though I will never look at s'mores the same way again. And we even had a solid Oscars ceremony, with powerhouse performances by Rihanna and Lady Gaga and nearly an epic battle between Malala and Cocaine Bear. Plus, we got perhaps the most sublime moment in American film this century: David Lynch playing John Ford in a Spielberg film. That glorious scene almost took away the sour taste of the “Look, I'm doing Bergman!” montage of film history that ended "Babylon" not nearly soon enough. And while we liked "EO" better when it was "Au Hasard Balthasar", and "Living" better when it was "Ikiru", and we thought that the Siegfried Sassoon biopic "Benediction" was a better World War I film than "All Quiet", there were definitely some tasty tidbits to be found on that everything bagel. An up and down year, but to paraphrase the wondrous Lashana Lynch as Miss Honey in Matilda, it wasn't much, but it was enough for us.

Comment enfin découvrir son dernier film, «Armageddon Time », présenté l'an dernier en compétition à Cannes ? Est-ce que le 4ème extrait du nouvel album de Peter Gabriel va lui permettre de remplir le SportPaleis ? Alexis Michalik, roi du théâtre avec « Edmond », renouera-t-il avec le succès avec « Une histoire d'amour » ? Vincent Niclo défend-il vraiment le folklore celtique, ou vaut-il mieux redécouvrir la doyenne Shirley Collins ? « Transmission impossible » est le titre inattendu d'un formidable album live… Mais de quel groupe ? Quel invité de marque s'apprête à accueillir le BIFFF ? Et quelles savoureuses parodies musicales nous offre le Palmashow ? Pour le savoir, une solution : écouter « La semaine des 5 heures » de ce mardi 11 avril

This week on On Story, AFF Moderator and Senior Programmer, Andy Volk, sat down with writer, director, and producer James Gray for a post-screening Q&A of his coming-of-age drama, Armageddon Time. A deeply personal film inspired by Gray's childhood, Armageddon Time is a reflection on the strength of family, the complexity of friendship, and the realities of class as seen through the eyes of a young Jewish boy growing up in 1980s Queens. Through the brilliant performances of its all-star cast, which includes leading actors such as Anthony Hopkins, Anne Hathaway and Jeremy Strong, Armageddon Time is a beautiful, detailed, and intimate portrait of how privilege, inequality, and prejudice are integral to the American experience. AFF was ecstatic to welcome the preeminent writer-director James Gray, not only to speak more about the film but also to honor him as the 2022 recipient of AFF's coveted Bill Wittliff Award for Screenwriting, an annual award presented to leading storytellers within film, television, and new media. A true visionary, Gray made his directorial debut with his acclaimed film, Little Odessa, which earned him nominations for both Best First Feature and Best First Screenplay at the 1994 Independent Spirit Awards. Other acclaimed features in Gray's canon include The Yards, starring Joaquin Phoenix, who is in fact a frequent collaborator of Gray's, and We Own the Night, starring Mark Wahlberg, in addition to his films Two Lovers, The Immigrant, The Lost City of Z, and Ad Astra, all of which are critically acclaimed and set the bar for both screenwriting and direction. So join us and the legendary director James Gray for a little trip back to the 1980s and a closer look at Armageddon Time. Clips of Armageddon Time courtesy of AT Picture Ventures LLC.

Mister Class is a collector of celebrity knowledge. Using his vast fortune, Mister Class pays famous people to tell him how they do what they do. Now, the benevolent billionaire shares his personal stash of celebrity secrets with the world.In this course, Jeremy Strong from "Succession," "Armageddon Time," and that movie about poker, shares insights into his existential acting process. Thank you and you're welcome!Featuring Anna Rubanova as Mister Class and Adam Bozarth as Jeremy StrongSupport Left Handed Radio on Patreon at patreon.com/lefthandedradioVisit our Tee Public page: https://www.teepublic.com/stores/left-handed-radiohttp://www.lefthandedradio.com/merchLeftHandedRadio.com | patreon.com/LeftHandedRadio | http://twitch.tv/lefthandedradio | facebook.com/LeftHandedRadio | instagram.com/lefthandedradio | twitter.com/LeftHandedRadio| lefthandedradio@gmail.com | https://www.tiktok.com/@lefthandedradioSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

| Review | I think it's nice that we share the same sky. Aftersun is a dreamy and wistful slice of life that tells the story of a father and daughter on holiday at a fading little resort in Turkey. Loosely inspired by writer/director Charlotte Wells' own childhood experiences with her father, this haunting piece of fiction is a charming coming of age story set against a pervasive and foreboding sense of sadness. But first, a quick review of the new James Gray picture Armageddon Time - another film inspired by a writer/director's childhood.

“Asa Nisi Masa:” 8 ½ at Sixty It is an intriguing coincidence that perhaps the two greatest films ever made about the creative breakthroughs and heartbreaks involved in making a film are both celebrating major anniversaries in 2023. First, Federico Fellini's raucous, post-modern celebration of his own creative process, "8 ½" turns sixty. It's important to note, though, that while we see no filmmaking in that film, the actual portrayal of the logistical and emotional vicissitudes of film creation are very much at the heart of François Truffaut's much-beloved "Day for Night", which itself turns fifty this year. We will focus most of our time in this episode on Fellini's film, taking our intrepid listeners on a tour that begins with an opening that stands as the most brilliant metaphor for creative blockage ever put on film, all the way through the end with the circus band playing Nino Rota's indelible march as every character we've seen from the director's past and present joins hands and dances in perhaps the most life-affirming moment in all of film. We then use Fellini's work as a springboard to discuss the other films about filmmaking that we love, starting with "Day for Night", and bringing in works ranging in tone from Assayas' "Irma Vep" to Jonze's "Adaptation" to Burton's loving tribute to Ed Wood. Finally, we'll take a quick peek at this year's two great portraits of the filmmaker as a young man, Gray's "Armageddon Time" and Spielberg's "The Fabelmans" (though honestly, I'd take J.J. Abrams' "Super 8" over either of them). But it's important to keep in mind that all of these wonderful films probably never even come close to happening without Fellini blazing the trail. To paraphrase the master himself, he may have had nothing to say, but fortunately for all of us, he found the most brilliant way to say it all the same. Grazie mille, maestro!

Oh, hey. What's up, ding-dong? Featuring... What's This Shit?!?!?! - A very stylized 50s. Two people at a kitchen table talking about insurance. What We're Watching: Triangle of Sadness; Ticket to Paradise; Shania Twain: Not Just a Girl; Armageddon Time; Bardo: False Chronicle of a Handful of Truths Hosted by your own personal cinematic Sun-dried tomato & Canadian bacon! Music by Splash '96 Recorded & Edited by Boutwell Studios

This week on The Treatment, Elvis sits down with director Elegance Bratton, whose film “The Inspection” is based on his experience as a queer Black man who goes from being homeless to joining the Marines. Next, Emmy winning actor Jeremy Strong talks about his latest role in the James Gray film “Armageddon Time.” And on The Treat, director Robert Townsend talks about a 1974 film that reflected his experience and had a killer soundtrack.

David, Jeff and Devindra discuss technical issues with showings of Avatar: The Way of Water, Tom Cruise's extreme marketing tactics and why the Interview with the Vampire series is more interesting than the film. Then, they take a bite out of Luca Guadagnino's latest horror film, with a full review of Bones and All. Also: we're making video versions of our reviews! Be sure to subscribe to us on YouTube at youtube.com/slashfilmcast. Thanks to our sponsors this week: Gerber Life: For a free quote, visit GerberLifeFamily.com. See website for terms and restrictions. Quip: Go to GetQuip.com/Filmcast for your first refill on floss tips, brush heads and more for FREE.  SizzlePitch: Use promo code FILMCAST at Sizzlepitch.com for $100 off one sizzle project. Use #slashtag on Twitter to recommend titles. Thanks to Mike C for building the Hashtag Slashtag website. Weekly Plugs David - Decoding TV: Five Questions We Have HBO's ‘The Last of Us' (with Christian Spicer)   Devindra - Engadget Podcast: Diving into the Best and Worst of Tech in 2022 Jeff - Cameo.com/jeffcannata Shownotes (All timestamps are approximate only) What we've been watching  (~33:11) Devindra - Aftersun, Armageddon Time, Fleishman Is in Trouble S1, Interview with the Vampire S1 David - Empire of Light, EO Jeff - Pinocchio, The White Lotus S2 Featured Review (~1:23:17) Bones and All SPOILERS (~1:38:14) Support David's artistic endeavors at his Patreon. Listen and subscribe to David's interview podcast Culturally Relevant and subscribe to his YouTube channel. Check out Jeff Cannata's podcasts DLC and We Have Concerns. Listen to Devindra's podcast with Engadget on all things tech.   You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, follow us on Twitter @thefilmcastpod. Credits: Our theme song is by Varsity Blue, the newest project by Tim McEwan from The Midnight. Our weekly plugs music comes from Noah Ross. Our spoiler bumper comes from filmmaker Kyle Corwith. If you'd like advertise with us or sponsor us, please e-mail slashfilmcast@gmail.com. You can support the podcast by going to patreon.com/filmpodcast or by leaving a review on Apple Podcasts.

With a Broadway career spanning over 50 years, Tovah Feldshuh takes us through her journey as she shares her life as an actress, wife, and mother. While she loves politics, it's her love of people that motivates her to fight for what she believes in and help in every way that she can. Initially determined to go to Harvard Law School to stay close to her father, her brother encouraged her to apply for the McKnight Fellowship in acting and was eventually chosen as one of the four to attend the fellowship. This trajectory change was the beginning of Tovah's pursuit of becoming an actor, which to her is "so much cheaper than therapy". Tovah talks about her role as Mrs. Brice in "Funny Girl" and bringing a level of humanity and relatability to her character, and her memoir, “Lilyville: Mother, Daughter, and Other Roles I've Played” which explores mother-daughter relationships, and her complex relationship with her mother. Married for 46 years, she shares what makes their marriage work. Tovah intends to keep acting for as long as she can, mainly motivated by her love of people and making connections. Tovah Feldshuh is an actress, singer, and playwright who's been a Broadway star for more than four decades now, which earned her Tony Award nominations and two Emmy Award nominations. She made her Broadway debut in the 1973 musical "Cyrrano". Her other stage credits include "Saravá", "Lend Me a Tenor", "Golda's Balcony", “Dreyfus in Rehearsal”, “Lend Me a Tenor”, “Golda's Balcony”, "Irena's Vow", "Pippin", and "Yentl". She made her cabaret debut with her act, "Tovah: Crossovah! From Broadway to Cabaret", followed by "Tovah: Out of Her Mind!" and was selected as Best Cabaret Artist of 2000 by the Boston Globe. Tovah has also appeared in numerous tv shows, including "Ryan's Hope", "Holocaust", "Mariah", "As the World Turns", "Law & Order", "Flesh and Bone", "The Walking Dead", "Crazy Ex-Girlfriend", and "Star Wars Resistance". Her film credits include "Kissing Jessica Stein", "Just My Luck", "She's Funny That Way", and "Armageddon Time". Tovah is currently playing Mrs. Brice in the Broadway revival of "Funny Girl", and is the author of the memoir, “Lilyville: Mother, Daughter, and Other Roles I've Played”. Connect with Tovah: Instagram: @tovahfeld Website: www.tovahfeldshuh.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

After a series of box office flops for prestige films, some are questioning whether films for grown-ups such as "She Said" and "Armageddon Time" still have the ability to draw audiences into movie theaters. We discuss the state of Hollywood films with Brooks Barnes, a New York Times reporter covering all things Hollywood. We also take your calls.

James Gray's new film, Armageddon Time, was inspired by his childhood in Queens in the 1980s. Though his grandparents had fled antisemitism in Ukraine, his family didn't recognize their own biases against Black people. He talks about his life and the film.Book critic Maureen Corrigan shares her list for the best books of the year. Physician Siddhartha Mukherjee writes about cellular science could lead to breakthroughs in the treatment of cancer, HIV, Type 1 diabetes and sickle cell anemia. His new book is The Song of the Cell.

Patrick and Adam discuss nine movies from 2002 and the movie O.Download this episode here. (62.1 MB) Listen to F This Movie! on Spotify and on Apple Podcasts. Subscribe to our Patreon!Also discussed this episode: Kenny & Company (1976), The Devil's Rain (1975), Star Trek: Generations (1994), Christmas at the Golden Dragon (2022), Ticket to Paradise (2022), Armageddon Time (2022), The Banshees of Inisherin (2022), Christmas Bloody Christmas (2022), A Wounded Fawn (2022), I'm Not There (2007), Four Brothers (2005)

Two conversations with people from films that dive deep into family and memory— what could be more perfect for Thanksgiving week? First, David Canfield talks to Paul Dano, who took on the towering challenge of playing Steven Spielberg's father in The Fabelmans. Then Rebeca Ford talks to James Gray, who mined his own childhood for the 1980-set "ghost story" Armageddon Time.  Email us at littlegoldmen@vf.com Find Little Gold Men on Twitter: @HWD  Follow our hosts: @kateyrich, @rilaws, @beccamford, @davidcanfield97  Our editor and producer is Brett Fuchs. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to Reference Max, where we have a lot to say on new releases so fitting it all into a multi-splooshy, spoiler-free review episode!Dig through the archives of growing pains, investigative journalism and historical fanfare with Armageddon Time, She Said & The Lost King this week.0:00 Intro0:43 Start1:55 Armageddon time14:38 She Said24:07 The Lost KingWebsite | Apple | Patreon | Twitter | Instagram

For Peter Kujawski, chairman of Focus Features, it was “very simple and easy” to greenlight James Gray's drama “Armageddon Time.” Gray had written the script before the pandemic shut down of March 2020. By that Summer, Kujawski got a call from Roeg Sutherland, a talent agent from CAA, saying he had something that he should look at. Sutherland knew Kujawski was a “gigantic fan” of Gray's work and he was in a position to say yes to the project. “I was predisposed because of my fanship,” Kujawski reveals. “The movie literally could have been about young James Gray just building a model rocket, and I would have wanted to do it.” Gray, who also produced and directed the film, says he didn't know of Kujawski's admiration. “This is fabulous to hear!” Now Gray and Kujawski discuss “Armageddon Time,” the challenges of making the film during the pandemic, their careers, and Gray's bad experience working with former film producer Harvey Weinstein. But first, Kim Masters and Matt Belloni talk about another producer, Eric Weinberg, the criminal charges against him, and the “club” culture of complicity that allowed him to keep getting jobs in Hollywood.

David discusses the movies he's been watching recently, including The Thing, Old Man, Brainwashed: Sex-Camera-Power, Armageddon Time, Please Baby Please, Holy Spider, Dream Life, The Inspection, Something in the Dirt, Weird: The Al Yankovic Story, La Habanera, Merrily We Go to Hell and There There.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hey, democracy was (mostly) saved! Yay! Let's celebrate by talking about movies. First, it's the highly anticipated Marvel sequel "Black Panther: Wakanda Forever." Then we discuss James Gray's "Armageddon Time." Then it's Christmas movie time with the Will Ferrell-Ryan Reynolds musical "Spirited," on Apple TV. Timestamps: 15:22 "Black Panther: Wakanda Forever" 51:45 "Armageddon Times" 1:08:21 "Spirited" Thanks to Dylan Mayer and My Friend Mary, both of which are wonderful, for the music. We hope you enjoy. Let us know what you think @griersonleitch on Twitter, or griersonleitch@gmail.com. As always, give us a review on iTunes with the name of a movie you'd like us to review, and we'll discuss it on a later podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Director James Gray discusses his new film, Armageddon Time, with fellow director Matt Reeves in a Q&A at the DGA theater in Los Angeles. In the conversation, Gray discusses reconstructing his past onscreen, directing the actors who played his real-life family, and portraying the melancholic tone of the movie. The film follows Paul, a Jewish-American sixth grader who finds himself learning about racism and privilege against the backdrop of 1980s Queens. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/December2022/Armageddon-Time_QnA_1122.aspx

This week on the InSession Film Podcast, Nicole Ackman of AwardsWatch joins us as we discuss Martin McDonagh's new film The Banshees of Inisherin and we also review James Gray's Armageddon Time! - Review: The Banshees of Inisherin (4:17) - Notes / Discussion (1:05:24) - Review: Armageddon Time (1:36:01) Thanks for listening and be sure to subscribe on iTunes, Google Play, Stitcher, Soundcloud or TuneIn Radio! Apple Podcasts: https://podcasts.apple.com/us/podcast/insession-film-podcast/id605634337 Spotify: https://open.spotify.com/show/5LIi40D5BTFnsRMP57O5nG IHeartRadio: https://www.iheart.com/podcast/269-insession-film-podcast-30916083/ Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9pbnNlc3Npb25maWxtLmxpYnN5bi5jb20vcnNz?ep=14 Podchaser: https://www.podchaser.com/podcasts/insession-film-podcast-195831 Stitcher: http://www.stitcher.com/podcast/insession-film Soundcloud: https://soundcloud.com/insession-film TuneIn Radio: http://tunein.com/radio/The-InSession-Film-Podcast-p522717/ Listen Now: http://insessionfilm.com/listen-now/

James Gray's "Armageddon Time" had its world premiere at the Cannes Film Festival earlier this year and later screened at the Telluride and New York Film Festivals before releasing in theaters last week from Focus Features. The film tells the personal childhood story of a young James Grey (played by Banks Repeta as Paul Graff) growing up in 1980s Queens, New York, during a time of social and political change that was sweeping the country. Jeremy Strong, who plays Paul's father Irving, was on hand with Gray to discuss their work on the film alongside another interview I conducted with Banks Repeta, who went into detail about what it was like working with Strong, Anne Hathaway, and the legendary Anthony Hopkins and more. Please take a listen to my interviews with all of them and enjoy! Thank you!   Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

For this week's main podcast review, I am joined by Josh Parham and Dan Bayer. Together we're reviewing the newest film from director James Gray, "Armageddon Time," starring Jeremy Strong, Anne Hathaway, Banks Repeta, Jaylin Webb & Anthony Hopkins. The film premiered at the Cannes Film Festival and is now playing in theaters from Focus Features as it tells the story of Gray's childhood as a young kid growing up in a Jewish-American household in 1980s Queens, New York. What did we think of the writing, performances, and how Gray handled the more sensitive topics of the story, all the while telling a coming-of-age story devoid of nostalgia? Tune in below to find out. Thank you, and enjoy!   Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Adam and Josh cover lots of new releases on this week's show, including James Gray's guilt-ridden coming-of-age film ARMAGEDDON TIME and Ruben Östlund's eat-the-rich Palme d'Or-winner TRIANGLE OF SADNESS, along with a return to form from Jennifer Lawrence in CAUSEWAY (with Brian Tyree Henry); Henry Selick's new stop-motion collaboration with Jordan Peele WENDELL & WILD; and new docs about the secret history of Africatown, Alabama (the not-to-miss DESCENDANT), the early 2000s indie rock scene (MEET ME IN THE BATHROOM), and jazz great "Satchmo" (LOUIS ARMSTRONG'S BLACK & BLUES). 1:06 - Review: "Armageddon Time" 28:04 - Reviews (AK): “Causeway," "Descendant" 40:29 - Review (JL): “Wendell & Wild" 44:02 - New doc recs (AK): “Meet Me in the Bathroom," "Louis Armstrong's Black & Blues" 48:56 - Next Week / Notes  59:31 - Massacre Theatre 1:05:31 - Review: “Triangle of Sadness" 1:16:59 - Outro Learn more about your ad choices. Visit megaphone.fm/adchoices

Anne Hathaway and Anthony Hopkins star in the new film Armageddon Time. On this week's show, director James Grey dishes on the making of the film, with the addition of a delicious surprise.We also discuss the new trailer for Avatar: The Way Of Water, Black Adam's box office performance, our review for Weird: The Al Yankovic Story, and our favorite Anthony Hopkins movie.ReelBlend PremiumSign up for an extra episode a week, a bi-weekly newsletter from Sean, and ad-free episodes at RedCircle.ReelBlend on YouTubeBe sure to subscribe to ReelBlend on YouTube (YouTube.com/ReelBlendPodcast) for full episodes of the show in video form. Follow The ShowReelBlend - @ReelBlendSean - @Sean_OConnell Jake - @JakesTakesKevin - @KevinMcCarthyTVGabe - @gabeKovacsTimestamps (approx. only)00:00:00 - Intro00:09:00 - James Gray Interview00:39:28 - Box Office Reactions00:51:30 - Avatar: The Way of Water Trailer Reaction01:09:54 - This Week In Movies01:14:52 - Weird: The Al Yankovic Story Review01:26:50 - Armageddon Time Review01:38:15 - Our Favorite Anthony Hopkins Movie1:53:30 - OutroSupport this podcast at — https://redcircle.com/reelblend/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today on Boston Public Radio: We began the show by asking listeners about the voting patterns of white women ahead of the midterms. Shirley Leung talked about Mass. Governor Charlie Baker's multi billion dollar spending bill, her own latest piece on Mass. ballot Question 1, and women's entrepreneurship in Boston. Leung is a business columnist for the Boston Globe Callie Crossley discussed white suburban women's' swing to the right ahead of midterms and Kyrie Irving's recent anti-Semitic tweet. Crossley is the host of GBH's “Under the Radar.” Andrea Cabral explained the Lady of the Dunes story, and new city laws about throwing out mattresses and handling food waste. Cabral is the former Suffolk County sheriff, former Massachusetts secretary of public safety and former CEO of the cannabis company Ascend. Jared Bowen gave his thoughts on climate protesters using art as a means of getting attention, shared his thoughts on the new film “Armageddon Time,” and discussed the MFA's “Frank Bowling's America” and “To Begin Again” at the ICA. Bowen is GBH's executive arts editor and the host of Open Studio. Pamela Means joined us for another installment of live music Friday. She chatted about the history and legacy of protest music, and sang us a few songs. Means is a singer/songwriter based out of Easthampton. We ended the show by talking about daylight saving time.

Dave and Alonso recommend everything this week, which is a rarity. Subscribe (and review us) at Apple Podcasts, follow us @linoleumcast on Twitter, Instagram and Facebook, there'll be parties for hosting. Join our club, won't you?

Millie Bobby Brown is a total delight as she returns to the role of Sherlock Holmes' plucky younger sister in “Enola Holmes 2.” The action comedy starts streaming Friday on Netflix, but we have an early review for you here at Breakfast All Day. Alonso and Christy also catch up with the latest from writer-director James Gray, the semi-autobiographical drama “Armageddon Time,” which includes strong performances from Anne Hathaway, Jeremy Strong, Anthony Hopkins and young Banks Repeta. It's in limited release now but is expanding wider. We're shocked that it's already November, so stick with us for this big month of movies! And mark your calendar for Nov. 12, when we'll do a livestream discussion of “Black Panther: Wakanda Forever” on our YouTube channel. Join us, and if you haven't already, we'd love it if you'd subscribe.

It's a tremendously hectic period at the movies right now, with award season picking up pace, the Streaming Wars in high gear, and some major-event movies right around the corner. Sean and Amanda break down 10-plus new releases now streaming or in theaters (39:00). Then, writer-director James Gray returns to the show to discuss his autobiographical new film, ‘Armageddon Time,' and the state of the movie business. Hosts: Sean Fennessey and Amanda Dobbins Guest: James Gray Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices

We've got the second LIVE show of the month and thanks to the release of Armageddon Time your hosts John Rocha and Matt Knost are discussing Family Centric Movies with a Dramatic Bent on The Top 10! Basically, we were looking for movies that centered around families that weren't zany comedies. So the Beethoven and Christmas Vacation's of the world don't count. We're looking for movies that may have some comedy or not but must have some drama inherent in the story. Now let's go! The Top 10 guys are doing live episodes on the 2nd and 4th Thursdays of every month at 12pm PST! The $10 and above Top 10 patrons get early access to watch these episodes on those Thursdays, know the topics, and have their comments read in real time during the show. Just one more way they want to say thank you to the patrons for supporting the show! To become a Boss Hogg Patron of the show and watch live & suggest a topic, go to https://www.patreon.com/thetop10 Make sure to SUBSCRIBE to the podcast and leave a REVIEW/RATING on Apple and Spotify Follow on twitter: John Rocha: https://www.twitter.com/therochasays Matt Knost: https:/www.twitter.com/mattknost The Top 10: https://www.twitter.com/top10show YouTube: https://www.youtube.com/thetop10podcast Instagram: https://www.instagram.com/thetop10podcast Facebook: https://bit.ly/39m9Nbf Patreon: https://bit.ly/39sNb9b Merch: https://bit.ly/2WQBDtO

Today, director James Gray is back! We start by diving into the aftermath of Ad Astra (7:25), returning home to Queens with Armageddon Time (12:00) and the historical context of this new picture (15:18). After watching an early scene from the film (18:33), we discuss what the story reveals about race and class in America (20:35), his family's personal experiences with those divisions (22:50), and the painful timeliness of Gray's 8th film (25:39) as anti-semetic rhetoric continues to surge (29:51). We also wrestle with the economics of moviemaking today (31:37), lessons learned from his directorial debut, Little Odessa (33:22), and how the words of novelist Marcel Proust (36:03) and photographer Susan Sontag (38:14) shaped his most personal effort to date, Armageddon Time.See omnystudio.com/listener for privacy information.

We're dipping in the archive and finding our spookiest tape. Stephen King talks about what terrified him as a child — and what frightens him as an adult. Director Jordan Peele talks about the scares that inspire his filmmaking. Justin Chang reviews Armageddon Time.

Actor Jeremy Strong and director James Gray join us to discuss their new film, Armageddon Time. In this week's installment of Chris Cote finally sees a classic movie... The Silence of the Lambs. “I'm having an old friend for dinner”. Adnan reads his DM's with a celebrity. Ramy. The filthiest revelation Adnan has seen on a TV series. Reaction to Adnan's epic story last week. We got Hanks. Learn more about your ad choices. Visit megaphone.fm/adchoices

Actor Jeremy Strong and director James Gray join us to discuss their new film, Armageddon Time. In this week's installment of Chris Cote finally sees a classic movie... The Silence of the Lambs. “I'm having an old friend for dinner”. Adnan reads his DM's with a celebrity. Ramy. The filthiest revelation Adnan has seen on a TV series. Reaction to Adnan's epic story last week. We got Hanks. Learn more about your ad choices. Visit megaphone.fm/adchoices

On the October 25, 2022 episode of /Film Daily, /Film editor Ben Pearson is joined by /Film editor Hoai-Tran Bui to gather around the virtual water cooler and talk about what they've been up to. Opening Banter:  At The Water Cooler: What we've been Doing:Ben visited Beyond Van Gogh: The Immersive Experience. What we've been Reading:HT has picked up Tales from Earthsea again. What we've been Watching:HT watched The Hobbit trilogy, against her better judgment (her judgment was right). She's also watched The School for Good and Evil, Raymond and Ray, Armageddon Time, finally saw Barbarian, and was disappointed by the Doctor Who centenary special. Ben rewatched The Thing and Knives Out, watched Death on the Nile, and is mixed on Triangle of Sadness. What we've been Eating:  What we've been Playing:      All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com.  You can subscribe to /Film Daily on Apple Podcasts, Google Podcasts, Overcast, Spotify and all the popular podcast apps (RSS).  And please subscribe to our newsletter! Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on Apple Podcasts, tell your friends and spread the word!  Thanks to Sam Hume for our logo.

What's happening in the UK right now has heads spinning around the globe. New Prime Minister Liz Truss is already scrambling to survive. Her new chancellor Jeremy Hunt today brought down the axe on nearly all of her tax-cutting plan after it sent the markets spiraling. To make sense of all of this, Christiane spoke to Rory Stewart, former conservative party MP and cabinet minister, and economist Mariana Mazzucato.  Also on today's show: Frank Tsai, the founder of China Crossroads, which works closely with academic and business figures in China; Rana Faroohar, a global economic analyst for CNN and columnist at the Financial Times; actor Jeremy Strong and director James gray discuss their new movie Armageddon Time.To learn more about how CNN protects listener privacy, visit cnn.com/privacy

Stephen Colbert just finished watching the tenth live hearing of the January 6 Committee and he recaps all the chilling moments including the surprise ending where the committee issued a subpoena for the former president to testify. Next, Stephen's monologue continues with a look at footage of Speaker Nancy Pelosi, Sen. Schumer and other leaders as they fought to defend the U.S. Capitol and reassemble Congress to certify President Biden's victory in the 2020 election. And in an extended interview with Jeremy Strong, the "Succession" actor makes his first visit to The Late Show to discuss his latest film, “Armageddon Time,” the dark message contained in his hit series, “Succession,” and his whatever-it-takes approach to acting. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Karen Han talks to artist Drusilla Adeline, who works primarily as a movie poster and cover designer. Her work includes the poster for Armageddon Time, as well as the one for Bodies, Bodies, Bodies. She also designed the cover and other materials for the Criterion Collection's edition of David Lynch's The Elephant Man. In the interview, Drusilla breaks down her creative process and demystifies the art of movie poster and cover design.  After the interview, Karen and co-host June Thomas discuss some of Drusilla's brainstorming techniques when she's starting a new project. They also share some of their favorite movie posters.  In the exclusive Slate Plus segment, Drusilla talks about the movie posters that are currently hanging on her walls.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. __ Check out Remote Works here: https://link.chtbl.com/remoteworks?sid=podcast.WORKING Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Karen Han talks to artist Drusilla Adeline, who works primarily as a movie poster and cover designer. Her work includes the poster for Armageddon Time, as well as the one for Bodies, Bodies, Bodies. She also designed the cover and other materials for the Criterion Collection's edition of David Lynch's The Elephant Man. In the interview, Drusilla breaks down her creative process and demystifies the art of movie poster and cover design.  After the interview, Karen and co-host June Thomas discuss some of Drusilla's brainstorming techniques when she's starting a new project. They also share some of their favorite movie posters.  In the exclusive Slate Plus segment, Drusilla talks about the movie posters that are currently hanging on her walls.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. __ Check out Remote Works here: https://link.chtbl.com/remoteworks?sid=podcast.WORKING Learn more about your ad choices. Visit megaphone.fm/adchoices

Topics Include: Glass Onion, Wendell & Wild, Armageddon Time, Luckiest Girl Alive, The Estate, The Visitor, The Son, Living, All Quiet On The Western Front, and Spitgate.