Podcasts about another timbre

Continuing with our multi-episode arc, we discuss the joys of listening to CDs. Help support The Next Track by making regular donations via Patreon (https://www.patreon.com/thenexttrack). We're ad-free and self-sustaining so your support is what keeps us going. Thanks! ‌Show notes: My New Vitsœ Shelves Have Freed Up Space in My Office (https://kirkville.com/my-new-vitsoe-shelves-have-freed-up-space-in-my-office/) Another Timbre (http://www.anothertimbre.com) Episode #155 - Running a Small Record Label: Another Timbre (https://www.thenexttrack.com/158) Dave's Picks Vol. 50: Palladium, New York City, NY 5/3/77 (https://store.dead.net/en/grateful-dead/special-collections/daves-picks/daves-picks-vol.-50-palladium-new-york-city-ny-5377/081227817466.html) Barenboim: Complete Wagner Operas (https://amzn.to/3Ka9xAW) Our next tracks: Emerson String Quartet: Complete Recordings on Deutsche Grammophon (https://amzn.to/4avYInL) Simple Minds: Empires and Dance (https://amzn.to/3Kh3Gd6) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

FLORILEGIO'S MIXTAPE #18 A tapestry of contemporary experimental and underground tracks from Florilegio's worldwide network of female musicians. www.florilegio.org https://www.freeformfreakout.com/florilegio-mixtape-18/ TRACKLIST: Spivak “Mid Week Ritual” You Win Again (Ecstatic Recordings) 00:05-03:25 Mariam Rezaei “I WANT U 2 (ft. Alya-Al-Sultani)” BOWN (Heat Crimes) 03:23-07:56 Mieko Suzuki ”Vertigo 目眩” Ödipus, Herrscher (raster – artistic platform) 07:50-11:00 Fuji Yuki “Scene 2” One Butoh (Akuphone) 10:49-17:31 Anna vs June “As I Walk” Ersi (Subject To Restrictions Discs) 16:43-24:41 Michiko Ogawa & Lucy Railton “Fragments of reincarnation” (extract) (Another Timbre) 24:33-28:57 Shida Shahabi “Tecum” Living Circle (130701) 28:36-36:29 Silvia Kastel “Errori” Flowers From The Ashes: [SALP006] (OTHER FACTS (fka Stroboscopic Artefacts)) 36:25-39:38 Faten Kanaan “Fin août, début septembre” Afterpoem (Fire Records) 39:34-41:33 Hekla “Tvö Þrjú Slit” Sprungur (Phantom Limb) 40:57-44:29 Vica Pacheco “El Fuego” Fibre-Fusion (wabi-sabi tapes) 44:11-50:05 Aga Ujma “In the Ocean” Songs of Innocence and Experience (Slow Dance Records) 49:54-52:36 Matana Roberts “We Said” Coin Coin Chapter Five: In The Garden… (Constellation) 52:29-56:00 Fantôme Josépha “Ein Sturm” Dramarama (KRUT) 55:59-01:00:23

Learn more about Allison at her website here.You can hear Allison's music at: allison cameron Pliny (excerpt) Another Timbreallison cameron in-memoriam-robert-ashley by the avensallisoncameron 3rds-4ths-5thstheallisoncameronband mach shornallison cameronmusic In Svalbard 2013 Here are more links: from Allisons early years: Lloyd Burritt  https://www.thecanadianencyclopedia.ca/en/article/lloyd-burritt-emcFrom the Victoria and later Toronto time: Martin Arnold  https://en.wikipedia.org/wiki/Martin_Arnold_%28composer%29John Abram  https://en.wikipedia.org/wiki/John_AbramRudolf Komorous  https://collections.cmccanada.org/final/Portal/Composer-Showcase.aspx?lang=en-CAHenryk Górecki  https://en.wikipedia.org/wiki/Henryk_G%C3%B3reckiFrom the Amsterdam time: Frederic Rzewski  https://en.wikipedia.org/wiki/Frederic_RzewskiWalter Zimmerman  https://en.wikipedia.org/wiki/Walter_ZimmermannPer Nørgård  https://en.wikipedia.org/wiki/Per_N%C3%B8rg%C3%A5rdLouis Andriessen  https://en.wikipedia.org/wiki/Louis_AndriessenMaarten Altena  https://maartenaltena.nl/The great UK record label that is very sympathetic to Canadian composers: Another Timbre http://www.anothertimbre.com/   

In this episode, Madison speaks with Johnny Chang and Keir GoGwilt about their album ‘hope lies fallow', which was released on Another Timbre. The conversation encompasses their recompositions of Orlando di Lasso and Hildegard von Bingen, the sociological resonances of chamber music, instant ramen as a metaphor for art making, amidst much more. hear the full album at: https://anothertimbre.bandcamp.com/album/hope-lies-fallow for more about Keir GoGwilt: https://kgogwilt.com/ for more about Johnny Chang and the Viola Torros project: https://soundcloud.com/johnnychchang to donate to TAK's year-end fundraising campaign: https://fundraising.fracturedatlas.org/tak for more about TAK ensemble: http://takensemble.com

Ernst and Veronika talk to us about their process of composing Expedition Content, the augmented sound piece composed from 37 hours of recordings which document the encounter between members of the Harvard Peabody Expedition, particularly Michael Rockefeller of the Rockefeller family, and the Hubula people of West Papua, at the time Nederlands New Guinea. The piece reflects on visual anthropology, the lives of the Hubula and of Michael, and the ongoing history of colonialism and occupation in West Papua. “Expedition Content” premiered at the 70th Berlin International Film Festival and has been screened at Cinéma du Réel at the Centre Pompidou Paris, the Art of the Real, Lincoln Center New York, and Camden international Film Festival. Veronika Kusumaryati is a social anthropologist and artist working on the issues of Indigenous politics, conflict and violence, race/racism, and digital media. The geographic focus of her research is Indonesia, primarily West Papua, a self-identifying term referring to Indonesia's easternmost provinces of Papua and West Papua, where she has conducted extensive fieldwork since 2012. She holds a Ph.D. in anthropology with a secondary field in film and visual studies from Harvard University and was a postdoctoral fellow at the Asian Studies Program at the Edmund A. Walsh School of Foreign Service, the Prince Alwaleed Bin Talal Center for Muslim-Christian Understanding, and the Berkley Center for Religion, Peace, and World Affairs at Georgetown University during the 2020-2021 academic year. Her writings have been published in journals, such as Comparative Studies in Society and History and Critical Asian Studies. She is an incoming assistant professor in anthropology and international studies at the University of Wisconsin-Madison starting in the spring of 2023. www.veronikakusumaryati.wordpress.com Ernst Karel works with sound, including electroacoustic music, experimental nonfiction sound works for multichannel installation and performance, image-sound collaboration, and postproduction sound for nonfiction vilm, with an emphasis on observational cinema. Lately he works around the practice of actuality/location recording (or 'fields [plural] recording') and composing with those recordings, with recent projects also taking up archival location recordings. Sound projections have been presented at Sonic Acts, Amsterdam; Oboro, Montreal; EMPAC, Troy NY; Arsenal, Berlin; and the 2014 Whitney Biennial. Sound installations in collaboration with Helen Mirra have been exhibited at the Gardner Museum, Boston; Culturgest, Lisbon; KW Institute for Contemporary Art, Berlin; Audiorama, Stockholm; MIT List Visual Arts Center, Cambridge; and in the 2012 Sao Paulo Bienal. Audio-video collaborations include Expedition Content (2020, with Veronika Kusumaryati), Ah humanity! (2015, with Lucien Castaing-Taylor and Véréna Paravel) and Single Stream (2014, with Toby Lee and Pawel Wojtasik). CDs of his often collaborative work, including with the electroacoustic duo EKG, have been released on and/OAR, Another Timbre, Cathnor, Gruenrekorder, Locust, Sedimental, and Sshpuma record labels, and a duo with Bhob Rainey is forthcoming on Erstwhile. From 2006 until 2017 he managed the Sensory Ethnography Lab at Harvard University, doing postproduction sound for vilms including Sweetgrass, The Iron Ministry, Manakamana, and Leviathan. He has taught audio recording and composition through the Sensory Ethnography Lab at Harvard (through 2021), the Center for Experimental Ethnography at Penn (2019), and the Department of Film & Media at UC Berkeley (2022). www.ek.klingt.org --- Support this podcast: https://anchor.fm/sugar-nutmeg/support

“It is the act of people being together, and finding that space together that I find most fascinating, and it's the most difficult thing, I feel like I'm still learning how to do that and will be trying to do that for the rest of my life”. In this week's episode, Marina and Madison speak with Catherine Lamb about her extensive practice of composing and performing in rational intonation, Erv Wilson's proof of the harmonic series as a spiral, the process of tuning in as an expression of human agency in performance. We also talk about paradoxical roles of tones, her string quartet divisio spiralis, the Harmonic Space Orchestra, and tips for performers who are interested in deepening their relationship with rational intonation. The music at the beginning and end of this episode is from "divisio spiralis," performed by the JACK Quartet, from their 2021 album CATHERINE LAMB: String Quartets (Kairos) The music in the middle of the episode is an excerpt from "three bodies moving" from the 2019 album of the same name (Another Timbre), performed by Erika Duke-Kirkpatrick - cello; Eric km Clark - violin; and Phil O'Connor - bass clarinet For more information about Catherine Lamb, you can visit her website: https://www.sacredrealism.org/artists/catherine-lamb/

Episode 64 Playlist Hugh Davies, “Shozyg I” from the National Sound Archive of The British Library. The file was produced in Davies' home studio and dates from 1968. 8:16 The Music Improvisation Company, “Tuck” from The Music Improvisation Company (1970 ECM). Electric Guitar, Derek Bailey; Live Electronics, Hugh Davies; Percussion, Jamie Muir; Soprano Saxophone, Evan Parker. Recorded on August 25th, 26th, 27th, 1970 at the Merstham Studios, London. 3:14 Gentle Fire, “Group Composition IV” (excerpt) from Explorations (1970 - 1973) (2020 Paradigm Discs). Recorded live At ICES 72 (The Roundhouse, London, 14th August 1972). Cello, Michael Robinson; Springboard, Hugh Davies; Performer, Gentle Fire; Recorder, EMS VCS3, Graham Hearn; Tabla, Richard Bernas; Trumpet, Cello, Stuart Jones. 4:33 Gentle Fire, “Edges” from Earle Brown, John Cage, Christian Wolff – 4 Systems, Music For Amplified Toy Pianos, Music For Carillon, Edges (1974 EMI Electrola). German recording of the Christian Wolff piece “Edges,” performed by Gentle Fire. Graham Hearn, Hugh Davies, Michael Robinson, Richard Bernas, Stuart Jones. 10:17 Hugh Davies, “Music for Bowed Diaphragms” from the National Sound Archive of The British Library. The file was produced in Davies' home studio and dates from October 7, 1977. 10:08 Hugh Davies, “Salad” from the National Sound Archive of The British Library. The file was produced in Davies' home studio and dates from February 19, 1977. Davies performs on four different egg slicers, two tomato slicers and one cheese slicer. 13:55 Hugh Davies, “Toads” from the National Sound Archive of The British Library. The recording dates from 1980. 5:50 Hugh Davies, “Spring Song” from the National Sound Archive of The British Library. The recording dates from 1980. 4:56 Borbetomagus, “Concordat 7” from Work On What Has Been Spoiled (1981 Agaric). Live Electronics, Hugh Davies; Guitar, Donald Miller; Saxophone, Don Dietrich, Jim Sauter. 4:57 Hugh Davies, “Porcupine” from Warming up with the Iceman (2001 GROB). Solo work from 2000. 5:08. Porcupine was a more recent instrument invented by Davies in 2000. It comprised a disc shaped contact microphone and some wires that create a glissandi when touched with a finger. 5:08 Hugh Davies, “From Trees and Rocks” from Tapestries: Five Electronic Pieces (2005 Ants). Music for an installation at the Diozesanmuseum in Cologne called Walkmen that ran from April to September of 2000. A work in which “all the sounds were related to the processes that would have been undergone in order to transforms trees and rocks into works of art, especially sawing and chiselling; to these sounds I added others which were produced by treating the tools themselves as if they were simple musical instruments” (Davies). This CD is noted for the generous and informative biographical notes by David Toop, a friend and sometimes collaborator of Davies. 9:49 Background music: Karlheinz Stockhausen, Mikrophonie I (excerpt) (1967 Columbia). A key work for which Davies contributed while he was working as an assistant to Stockhausen. Filters, Potentiometers, Hugh Davies, Jaap Spek, Karlheinz Stockhausen; Microphones, Harald Bojé, Johannes Fritsch; Tamtam, Fred Alings, Aloys Kontarsky. 13:02 Notes: Many of the works attributed to the National Sound Archive of The British Library are also available on the following commercial recording: Hugh Davies, Performances 1969 – 1977 (2008 Another Timbre), a UK CD The Hugh Davies Collection: live electronic music and self-built electro-acoustic musical instruments, 1967–1975. Researcher/scholar James Mooney, of the University of Leeds, UK, keeps the Davies flame alive with his contributions around Davies handmade instruments and music. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.  

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Losing My Taste for the Nightlife by Arthur Russell on Sketches for World of Echo June 25 1984 Live At Experimental Intermedia (Audika) 2′30″ Loop 7 by Hali Palombo on Cylinder Loops (Astral Editions) 3′56″ Everything Without Shadow by Carmen Villain on Sketch for Winter IX: Perlita (Geographic North) 7′56″ Nor by Loren Connors and Oren Ambarchi on Leone (Family Vineyard) 18′55″ Untitled [excerpt] by Robert Turman on Flux (Spectrum Spools) 27′05″ EXTRACT - Best that you do this for me by Jim O'Rourke on Best that you do this for me (Another Timbre) 36′02″ Sixth Yama: Evening by Amelia Cuni/Werner Durand on Ashtayama: Song of Hours (Amiata Records) 46′26″ Saucer Men by Rob Noyes & Sam Moss on Rob Noyes & Sam Moss (Scissor Tail) 48′22″ Primo quadro della conoscenza (da Dialoghi dal presente) by Luciano Cilio on Dell'Universo Assente (EMI) 57′31″ Chrysalis Nu (To Barney's Memory) by Harold Budd on Avalon Sutra (Samadhisound) Check out the full archives on the website.

A Quartet For Palladio, zo heet het kunstwerk waarvan je hier een afbeelding ziet. Het is gemaakt door Luiz Henrique Yudo, die tegelijkertijd beeldend kunstenaar èn componist is - tegelijkertijd in dit geval in een heel letterlijke en bijzondere betekenis: Yudo zíet het visuele als muziek - hij denkt in structuren, zowel visueel als auditief. Zijn beeldend werk en zijn composities zijn dus niet los van elkaar te zien: zijn muziek is niet een illustratie bij de beeldende werken die hij maakt (of beeldend werk van andere kunstenaars, zoals François Morellet), maar daadwerkelijk een 'auditieve versie' van hetzelfde werk. Yudo bereikt die samensmelting door een zeer gestructureerde, en beknopte, je zou kunnen zeggen symbolische manier van noteren: toonhoogte, timbre, instrumentatie laat hij voor een heel belangrijk deel, soms zelfs volledig, over aan de musici. Vanavond een eerste kennismaking met het werk van deze bijzondere kunstenaar, met stukken van de CD Chamber works (een uitgave van Another Timbre), uitgevoerd door leden van het Engelse ensemble Apartment House. A Quartet For François Morellet is geïnspireerd op (of eigenlijk 'een vertaling van') het schilderij Violet, bleu, vert, jaune, orange, rouge (1953) van de Franse kunstenaar François Morellet (1926-2016), wiens werk gerekend wordt tot de zogenaamde geometrische abstractie. Het voornoemde schilderij is te zien in het Centre Pompidou in Parijs, maar ook op de website van dat museum. Muziek van Jan Sandström, Daan Manneke, Luiz Henrique Yudo, en Haytam Safia.

Paul Thomas is joined by guitarist, broadcaster and concert organiser Tom McKinney for a wide-ranging conversation about contemporary music. As well as discussing some recent new releases the discussion touches upon performances in unconventional venues and the art of commissioning new works.www.prestomusic.comThe music discussed in the show:Haydn: String Quartets Op. 76 Nos. 1 - 3Chiaroscuro QuartetBIS - BIS2348https://www.prestomusic.com/classical/products/8777472--haydn-string-quartets-op-76-nos-1-3Vienne 1900 – Music by Mahler, Zemlinsky, Berg & SchoenbergEric Le Sage (piano), Zvi Plesser (cello), Daishin Kashimoto (violin), Paul Meyer (clarinet), Emmanuel Pahud (flute)ALPHA - ALPHA588https://www.prestomusic.com/classical/products/8789365--vienne-1900Here We AreHéloïse Werner (soprano); The Hermes ExperimentDelphian - DCD34244https://www.prestomusic.com/classical/products/8794320--here-we-areMessiaen: Quartet for the End of Time & Catlin Smith: Among the Tarnished StarsAnton Lukoszevieze (piano), Mira Benjamin (violin), Heather Roche (clarinet) & Philip Thomas (piano)Another Timbre - AT143https://www.prestomusic.com/classical/products/8623053--messiaen-quartet-for-the-end-of-time-catlin-smith-among-the-tarnished-starsMorton Feldman PianoPhilip Thomas (piano)Another Timbre – AT144https://www.prestomusic.com/classical/products/8676745--morton-feldman-pianoSpilled Out From TanglesJuliet Fraser (soprano)Huddersfield Contemporary Records - HCR23CDhttps://www.prestomusic.com/classical/products/8768008--spilled-out-from-tanglesMessiaen: Catalogue d'oiseaux Books 1-7Pierre-Laurent Aimard (piano)PENTATONE - PTC5186670https://www.prestomusic.com/classical/products/8404435--messiaen-catalogue-doiseaux-books-1-7

Tracklist1. Hanne Darboven, Abschliessend (op. 22, book 61) (« Requiem », 2005, Hanne Darboven Stiftung) 2.Emmanuel Holterbach with Blutwurst, Ricercar nell’ombra (excerpt) (« Ricercar nell’ombra », 2020, Another Timbre) 3.Gavin Bryars, White’s SS (« From Brussels with Love », 1980, Les Disques du Crépuscule) 4.Steven Brown, Waltz (« Music for Solo Piano », 1984, Another Side) 5.Jill Kroesen, I’m Just a Human Being (« Stop Vicious Cycles », 1982, Lovely Music) 6.John Cale,The Jeweller (« Slow Dazzle », 1975, Island) 7.Anthony Moore, Johnny’s Dead (« Out », 1976, Virgin) 8.Virginia Astley, We Will Meet Them Again (« A Bao A Qu » 10’, 1982, Why Fi) 9.Blaine L. Reininger & Mikel Rouse,Windy Outside (« Colorado Suite », 1984, Crammed Discs) 10. Anna Domino, Land of My Dreams (« East and West », 1984, Les Disques du Crépuscule) 11.Mark Isham / Marianne Faithfull, The Hawk (El Gavilan) (« Trouble in Mind » OST, 1986, Island) 11.Brian Eno, Daniel Lanois & Roger Eno, Weightless (« Apollo. Atmospheres and Soundtracks », 1983, EG)

Madison Greenstone is a clarinetist currently based between San Diego and New York City. Her creative practice encompasses contemporary & experimental music, improvisation, noise & acoustic feedback, and band-like collaborations with other creative performers. She has performed as a featured artist of the Darmstadt Ferienkurse für Neue Musik and the Lucerne Festival Academy. Notable performances have been as a soloist presented by ISSUE Project Room, as part of the Merce Cunningham Centennial in Los Angeles, and in recital at the Vigeland Mausoleum (Oslo). Madison is the clarinetist of TAK Ensemble, a founding member of the [Switch~ Ensemble], and can be heard on Wandelweiser Editions and Another Timbre. Madison is a doctoral candidate at UC San Diego and received her Bachelor's degree from the Eastman School of Music. In this episode, TAK flutist and Executive Director Laura Cocks and Technical Director Taylor Brook interview Madison, who is the newest member of TAK ensemble. This episode was edited by Marina Kifferstein with help from Alex Van Gils.

We welcome Simon Reynell, who runs Another Timbre, a one-man record label that releases experimental and contemporary music. Simon tells us how he started the label, and what it's like to run a record label in a niche of this kind. Guest: Simon Reynell (http://www.anothertimbre.com/allaboutjazzarticle.html) Another Timbre (http://www.anothertimbre.com) Show notes: Frank Denyer: music for shakuhachi (http://www.anothertimbre.com/denyershakuhachi.html) John Cage: Two2 (http://www.anothertimbre.com/cagetwo2.html) John Cage's Number Pieces (Wikipedia) (https://en.wikipedia.org/wiki/Number_Pieces) Episode #69 – Brian Brandt of Mode Records on John Cage, Morton Feldman, and the Music Business (https://www.thenexttrack.com/72) Episode #80 – John Cage (https://www.thenexttrack.com/83) Episode #123 - John Cage's Silent Piece 4'33" (https://www.thenexttrack.com/126) Wandelweiser (Wikipedia) (https://en.wikipedia.org/wiki/Wandelweiser) Edition Wandelweiser Records (https://www.wandelweiser.de) Wandelweiser und so weiter (http://www.anothertimbre.com/page145.html) Harold Budd on Morton Feldman (https://harmonicsdb.wordpress.com/2014/12/31/harold-budd-on-morton-feldman/) Brian Eno on the Andrew Marr Show (https://www.bbc.co.uk/iplayer/episode/m00071g0/the-andrew-marr-show-21072019) Our next tracks: Brian Eno: Apollo: Atmospheres And Soundtracks) (https://amzn.to/3187FjA) Captain Beefheart: Trout Mask Replica (https://amzn.to/2YqqD7J) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast. Special Guest: Simon Reynell.

Summary: The letter D has Martin and Georgia talking about Distance, Angharad Davies, Axel Dorner, Hanne Darboven, Jeremy Deller, Kieran Daly and Ryan Driver. Array to Zed is a monthly podcast exploring experimental music by way of the alphabet. Hosts Martin Arnold, Artistic Director of ArrayMusic, and Georgia Carley chat about the ideas, procedures, composers and music that make up that nebulous beautiful thing we call “Experimental Music.” Music Credits: The ADs by Angharad Davies and Axel Dorner can be found on Another Timbre anothertimbre.com under the title A.D. For more from Angharad Davies, including Balancing Spring Study #1 (from Six Studies; Confront Recordings), visit her webstite www.angharaddavies.com/ The excerpts from Hanne Darboven’s Symphony 1, 2 and 3 are recordings from the 1991 world premiere performances at the now-defunct Ydessa Hendeles Art Foundation in Toronto, put together by Christopher Butterfield under the auspices of Arraymusic. For more on Hanne Darboven see: www.hanne-darboven.org/ To learn more about Jeremy Deller, check out his website www.jeremydeller.org For more about Acid Brass specifically see: www.jeremydeller.org/AcidBrass/AcidBrassMusic.php And to see and read about The History of the World, the wall drawing by Deller that inspired (was inspired by?) Acid Brass, visit http://jeremydeller.org/TheHistoryOfTheWorld/TheHistoryOfTheWorld.php Kieran Daly’s version of the jazz standard Cherokee is from his digital album 
untitled pluff BGM w ossias. Go to: madacyjazz.bandcamp.com Ryan Driver’s website where you can learn more about him and his work is www.ryandriver.com/ To purchase the three pieces that we played on the show (Whether They Like It Or Not; On A Beautiful Night Like Tomorrow; and Improvisation, go to: basspiano.bandcamp.com/album/bass-piano-iii-ryan-driver  

Kyle Bruckmann is a composer, oboist and bandleader from Danbury CT who has been living in the Oakland since 2003. Since the mid 90s he has collaborated with many of contemporary music's most forward thinking musicians including Fred Lomberg-Holm, Oxbow, Greg Kelley and Damon & Naomi. With his bands Wrack, EKG and Lozenge he has released records on 482 Music, Another Timbre, Porter and New World Records among others. For this talk we cover a lot of ground from his early days in Danbury to his time in Chicago up until his recent activities in the Bay Area. A good man.

  Rare Frequency Podcast 61 1 Yuko Nexus6, "J’aime Beaucoup La Cassette #1" Journal de Tokyo (Sonore) 2002 CD Time: 00:00-01:35 2 John Chantler, "All Visible Signs" Which Way to Leave? (Room40) 2017 LP Time: 01:50-08:18 3 Laurence Crane, "John White in Berlin" Chamber Works, 1992-2009 (Another Timbre) 2015 2CD Time: 08:18-21:42 4 Leo Okagawa, "Lumbar Spinre"e; The Notional Terrain (Glistening Examples) 2016 LP/mp3 Time: 21:37-32:16 5 Sarah Davachi, "In Staying" Vergers (Important Records) 2016 LP/mp3 Time: 32:12-42:35 6 Stefan Mathieu, "Traum" Radiance X: Her Dark Gaze Drowned In Light (Schwebung) 2017 mp3 Time: 42:34-48:25 7 Gelbart, "The Big Sleep" Preemptive musical offerings to satisfy our future masters (Gagarin) 2016 LP Time: 49:39-53:56 8 Franck Vigroux / Reinhold Friedl, "Tobel A1" Tobel II (Monotype) 2015 CD Time: 53:55-1:09:13 9 Ghost Grass, "The Wooden Man" The Wooden Man (Bandcamp) 2016 mp3 Time: 1:09:01-1:14:42 10 Porter Ricks, "Harbour Chart" Shadow Boat EP (Tresor) 2016 12” Time: 1:14:37-1:21:05 11 Ashley Bellouin, "Bourden" Ballads (Drawing Room) 2016 LPTime: 1:21:51-1:38:53 12 Asmus Tietchens, "Soiree Fantastique #2" Soiree Fantastique (Auf Abwegen) 2016 EPTime: 1:40:08-end

  Rare Frequency Podcast 60 1 Goh Lee Kwang, "untitled 1" __, and Vice Versa (Herbal International) 2011 CD Time: 00:00-01:44 2 Jon Mueller, "A" A Magnetic Center (Rhythmplex) 2015 cassette/mp3 Time: 01:45-20:18 3 Coppice, "Flut (Tighter)" Preamble to Newly Cemented Dedication to Freedom (Aposiepese) 2016 CDr/EP/mp3 Time: 20:18-24:48 4 Olivia Block, "Dissolution BDissolution (Glistening Examples) 2016 LP/mp3 Time: 24:47-38:18 5 W. Zabarkas, "Autumn Invades the House" The Origin of Dreams (Glistening Examples) 2016 LP/mp3 Time: 38:18-46:40 6 Kassel Jaeger / Jim O’Rourke, "Side A" Wakes on Cerulean (Editions Mego) 2016 LP Time: 46:23-56:18 7 Linda Catlin Smith, "Part 14" Dirt Road (Another Timbre) 2016 CD Time: 56:25-1:05:59 8 Morgan Evans-Weiler, "Ensemble 3" Endless Overtones in Relational Space (Suppedaneum) 2016 CD Time: 1:00:59-1:13:20 9 Conrad Schnitzler & Pole, "Drachenbäume sind friedliche Wesen" Con-Struct (Bureau B) 2017 CD Time: 1:15:38-end