Podcast appearances and mentions of Roger Eno

Fosforo 1908: I brani della striscia numero 4 della settimana: Tandem Playlist; Jeff Beck - Angel (Footsteps); John Lurie - All Mixed Up; Makaya McCraven - The Beat Up; Roger Eno and Grace Davidson - The Final Year of Blossom; Cowboy Junkies - Fairytale (2025 Version); Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo

In deze aflevering van Kalm met Klassiek hoor je herfstige muziek van de hedendaagse Britse componist Roger Eno. Hij schreef het sferische 'Japanese rain garden'. Ab citeert wat de componist zelf over deze muziek te zeggen heeft. En vervolgens mag je ontspannen bij het rustgevende tikken van de regen. Als je goed luistert, dan hoor je de lucht vanzelf weer opklaren... Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/thema/kalm-met-klassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=be36463468d84e37). 

YO ho ho ah.. it's a bit late for that. Sorry this WAS supposed to be a Christmas pod. The so called "escape pod" but I got struck with a brutal illness that is only just waning. I shan't linger on it as it's dull but I was down. Down, down, down like the pointer sisters are clearly singing about in "automatic". This pod is brought to you remotely from Sedona Arizona. It might sound a bit less polished as a result but it's the content that matters :) Welcome to this humble whee ramble with Roger Eno, who's had a long and successful career in the olde music game. He's left behind some mellow corkers. If you've never heard “An Ending (Ascent)”  from the album "Apollo: Atmospheres and soundtracks" for example... you simply must. It's a true timeless beauty. The kind of track that if you were to have made it, you'd be chilling for the rest of your days. Quite literally. There's something utterly magical about that one and it really feels like a unique sound only possible thanks to Roger's sensibility. Of course it was a collaboration with Daniel Lanois and his rather famous sibling. It must be strange to have a brother like Brian. As Roger mentions in this pod, if he's ever getting full of himself he reflects on Brian being Bowie's producer and it's all put into stark perspective. A silly thing to linger on of course and we dont get too into that for long but it's there. This pod chat is mostly about him waking up and getting into music and literally how to get out ones way to let that inner music rush forth. Damn good advice nestled in this one I reckon. Happy listening and see you in 2025! x    

Compositores que proponen músicas desde los límites, rarezas y sorpresas, hoy en el programa. Goodbye monsters Roberto Musci Goodbye MonstersMemories of a piano player Roberto Musci Goodbye MonstersAmb el Cor Estret Miquel Brunet L'homme des Baléares (La Réponse du Destin)Fil Per Randa Miquel Brunet L'homme des Baléares (La Réponse du Destin)Breaking the Surface Roger Eno, Scoring Berlin, Christian Badzura the skies: raritiesPatterned Ground Roger Eno, Vocalconsort Berlin,Christian Badzura the skies: raritiesThrough The Blue Roger Eno the skies: raritiesAbove and Below Roger Eno the skies: raritiesFADING Joan Valent RebirthHolding Hands Hollie Kenniff, Goldmund Holding HandsLe temps qui passe sans moi  Dominique A Quelques lumièresVerano Parade, Nacho Casado Parade & Nacho CasadoCousteau Parade, Nacho Casado Parade & Nacho CasadoMañana Mismo Parade, Nacho Casado Parade & Nacho CasadoEscuchar audio

Letture: Valerio Magrelli, Mariangela Gualtieri, Ada Limon, Philip Levine. Musica: The National, Roger Eno, Olivia Vedder, Arcade Fire, Beck.

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Incoming transmission from Roger Eno. This week on the show, he joins us for a freewheeling, friendly chat about art, place, and Dune (1984). Eno began his recording life in 1983, when he joined his brother Brian and Daniel Lanois at the latter's studio in Hamilton, Ontario, to cut one of our favorite albums of all-time, Apollo: Atmospheres and Soundtracks. Imbued with country and western ambiance, it suggests the vastness of space and man's ventures into it. Not only that, but it serves as one of the foundational documents of the "ambient country" subgenre that practically forms its own corner of the Aquarium Drunkard sonic universe.  Eno got started on solo work after that, with Voices, and he's continued to record ever since, both in collaboration with his brother Brian, like on 2020's Mixing Colours, on his own, and with a diverse cast of artists including David Gilmore, The Orb, Jah Wobble, Youth, and Channel Light Vessel, his group with Bill Nelson, Kate St. John, and previous Transmissions guest Laraaji. His latest and second album for Deutsche Grammophon is The Skies, They Shift Like Chords. Eno joined host Jason P. Woodbury early this year to discuss that record, and a lot more: psycho-geography, space travel, and what he can recall about his work on the soundtrack with Brian Eno and Daniel Lanois on the soundtrack for David Lynch's 1984 adaptation of Frank Herbert's Dune. The sleeper has awakened. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. Next week on Transmissions? An interview with Aquarium Drunkard founder Justin Gage. 

The “distinctive style” of British composer and musician Roger Eno's slowly unfolding sonic landscapes has “attracted a cult following” (Eno's bio). As well as first collaborating with his brother Brian and Daniel Lanois in 1983 on Apollo: Atmospheres and Soundtracks, he has made over a dozen solo albums and other collaborative pieces. He's composed for theatre, TV, and film; formed the ambient music supergroup Channel Light Vessel in the 90s; collaborated with The Orb, Lou Reed, Laraaji, Jarvis Cocker and Beck; and was the Musical Director for Tim Robbins and his band, The Rogues Gallery, (RogerEno.com). In 2020 the album Mixing Colours by Roger and Brian Eno brough him to the prestigious classical music label Deutsche Grammophon. Roger's latest solo release for that label is called the skies, they shift like chords, and includes solo piano tracks, layers of instrumental and electronic colours, along with an appearance by vocalist Cecily Eno, his daughter. Roger Eno and Cecily Eno perform in-studio. Set list: 1. There Was a Ship 2. Shadow Clock 3. Tapestry

This week we're welcoming Elizabeth Nelson of The Paranoid Style to the show for a conversation about music, writing, ZZ Top, and her new album, The Interrogator. Packed with pub rock charm, punk verve, and rootsy, wide-eyed songwriting, the album finds Nelson and her collaborators, including partner Timothy Bracy and Peter Holsapple of The dB's, cranking the amps in service of sharp, literary rock & roll. Sitting down with host Jason P. Woodbury, Nelson explores her dual roles as a writer and artist, details her unique and optimistic approach to posting on X (formerly Twitter), and generally indulges in music geek back-and-forth. For heads, by heads. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support via our Patreon page. Transmissions is part of the Talkhouse Podcast Network. Join us next week for a conversation with Roger Eno.

In deze aflevering van Kalm met Klassiek hoor je gloednieuwe, moderne muziek. De Britse componist Roger Eno schreef een rustgevend neoklassiek stuk samen met zijn dochter Cecily Eno, die tevens zingt. In het werk staat de vergankelijkheid centraal. "The skies, they shift like chords": 'de luchten gaan voorbij als akkoorden', zo zingt Cecily. Richt je ogen naar de wolken boven je, en droom weg bij het stuk Strangely, I dreamt van Roger Eno.  Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

David Gilmour travaille en studio sur un nouvel album solo qui devrait sortir en 2024. Sydney Sweeney a répondu aux allégations selon lesquelles elle aurait été "considérée comme un objet" dans le clip du single "Angry" des Rolling Stones. La guitare que Jason Becker avait reçue en cadeau de la part d'Eddie Van Halen a été vendue aux enchères pour 110 000 dollars. Mots-Clés : réseaux sociaux, écrivain, parolièr, Polly Samson, Instagram, photos, studio, avec divers artistes, bassiste, Guy Pratt, Nick Mason, Roger Eno, piano, batteur, Adam Betts, Jarvis Cocker, bassiste, Tom Herbert, The Invisible, Polar Bear, Damon Albarn, Blur, maladie de Charcot, Guernsey's, New York. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Libri: Luciano Erba, Poesie; Judith Mackrell, Le corrispondenti (trad. A. Lovisolo, EDT). Musica: REM, Sylvain CHauveau, Franco Battiato, Roger Eno, Eels

We had the pleasure of interviewing Roger Eno over Zoom video!Following on from the critically acclaimed DG solo debut, The Turning Year (2022) and follow up tracks such as “Above and Below”, which has streamed over 19 million times, the new album, the skies, they shift like chords, features the previously released tracks, “Strangely, I Dreamt”, with vocals by Cecily Eno, “Tidescape”, “Chordal Drift”, and “Arms Open Wide”.the skies, they shift like chords builds on the soundworld of piano and strings heard on Roger Eno's DG debut solo album, The Turning Year, expanding it with lines for electric guitar, clarinet, bass clarinet, vibraphone, flute organ and subtle electronic sounds. Most of the tracks grew out of improvisations – musical snapshots. “Often, the best way to cement these is by hardly using any detail,” explains the composer and multi-instrumentalist. “The first track on the skies, ‘Chordal Drift', is a series of quite thick string chords with no intimation of melody. If you listen to it more closely, though, you'll start to link things together.”The lone vocal piece on the album, “Strangely, I Dreamt”, is co-written and sung by Roger Eno's eldest daughter, vocalist and visual artist Cecily Eno. Its lyrics began life as part of a poem by one of her father's friends, but Cecily adapted them to include “The skies, they shift like chords”, a line that invites us to contemplate the nature of impermanence.That same idea lies behind “Tidescape”. “It owes its name to a poem by Mary Markwell written in 1976,” notes Roger Eno. “I happened upon it in a Suffolk Poetry Society anthology, one of my favourite poetry collections. I loved the name, implying, as it does, how the tide creates a changing landscape unique to that environment.”As “Tidescape” began taking shape for the album, Eno invited his guitarist friend, Jon Goddard to fashion a high guitar drone above the existing music for flute organ. “Jon's additions allowed me to hear two other elements in the piece, my beloved clarinet and bass clarinet, which sound like aural velvet. The resulting openness perhaps prompted my producer at DG, Christian Badzura, to have the courageous idea of adding reversed distorted guitar. I thoroughly enjoyed watching how the piece developed as though on its own, like a river finding its own path to the sea.”By contrast, “Arms Open Wide” returns to the simplicity of Roger Eno's solo piano, although despite the track's gentle, intimate feel, it is underpinned by a sense of strength. “There always has to be something strong or utterly beautiful, otherwise there's the danger that it becomes like lift music…”The album's other expressive titles include “Japanese Rain Garden”, “That Which Is Hidden”, “Mind the Gap”, “Illusion”, “Above And Below (Crepuscular)” and “Through The Blue (Crepuscular)”. “I always name pieces after I've composed them,” says Roger Eno. “I try to match them to poetic titles, to trigger feelings, emotions and thoughts as the music plays.”One of the emotional threads running throughout the skies, they shift like chords is Eno's relationship with his native region of East Anglia. The tracks are inspired by its landscape – a mix of small market towns, medieval churches, wheatfields, meadows, rivers and open skies – as well as by the work of local poets and the Norwich School of artists, active in the early 1800s. The album's melancholy tone has much to do with the threat now posed to the region's biodiversity by intensive farming and climate change.“The overall mood is one of transience,” says Eno of his new recording, whose moments of stillness are vital, allowing the music to breathe and listeners to explore their own emotional and imaginative response to it. “There are lots of gaps, silent pauses, throughout the album, which are a really important part of it. When a track finishes, you're still ‘there' in the music, and unless the next one comes in at just the right moment, something's going to jangle with either or both of them. The composing part is only one part of the process – these other, constructive details are very important.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #RogerEno #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4972373/advertisement

   Stream Federico Mosconi - Nocturnal - At 10.00 P.M.Antonymes - The Gramophone Suite - The Gramphone Suite iAntonymes - The Gramophone Suite - The Gramphone Suite iiiRoger Eno (with Christian Badzura, Jon Goddard, Alexander Glücksmann) - The Skies, They Shift Like Chords… - TidescapeFederico Mosconi - Nocturnal - At 6.00 A.M.Colleen - Le Jour et la Nuit du Réel - Les Parenthèses Enchantées - Movement IIErik K Skodvin - Nothing Left but Silence - Observing the Lights from AboveLaurel Halo - Atlas - AbandonChristina Vantzou & John Also Bennett- Κ​λ​ί​μ​α (Klima) - Pottery FragmentsMary Lattimore - Goodbye, Hotel Arkada - Horses, Glossy on the Hillalva noto - HYbr:ID II - HYbr:ID Ectopia Field 1Caterina barbieri - Perennial Fantas - Perennial Fantas"Guardar Link Como" - "Save Link As"Right Mouse Button Click For Save (Last Show Oct 1) Poema | Poem by - Ana Freitas Reis (brevemente)Fotografia | Photo by - Alípio Padilha 

Sitting in the backseat of an Uber on the way home from a three week work trip, I tossed The Skies, They Shift Like Chords on my music player. “Centering” is the first word that comes to mind. A few minutes in, and your blood pressure starts to drop. Roger Eno has been an expert at centering for decades, constantly refining his music and distilling it to the fewest viable parts. The composer joins us to discuss his long career in music. Hosted on Acast. See acast.com/privacy for more information.

Tonight's edition features new music from Roger Eno, Olafur Arnalds, Aaron Martin + Dag Rosenqvist, Foam And Sand, and Hania Rani!

    1.ª parte:   1 - Max Richter, Virginia Woolf - Three Worlds: Music From Woolf Works -  Mrs Dalloway - Words 2 - Eluvium - (Whirring Marvels In) Consensus Reality - Scatterbrains 3 - Antonymes - The Gramophone Suite - The Gramphone Suite i 4 - Antonymes - The Gramophone Suite - The Gramphone Suite ii 5 - Laura Cahen - Tribute à William Sheller - Maman Est Folle 6 - Roger Eno, Scoring Berlin - The Skies, They Shift Like Chords… - Chordal Drift 7 - Vincent Delerm - Tribute à William Sheller - Les Filles de L'aurore 8 - Blonde Redhead - Sit Down for Dinner - Via Savona 9 - Feu! Chatterton - Palais d'argile - Avant Qu'il N'y Ait le Monde 10 - Peter Broderick - Glimmer - Eyes Closed And Traveling 11 - Spencer Krug - I Just Drew This Knife - The Shadow 12 - Helena Deland - Goodnight Summerland - Swimmer 13 - Jeff Alexander - The Brown Bunny (OST) - Come Wander With Me 14 - Blonde Redhead - Sit Down for Dinner - Rest of Her Life 15 - Simone White - … - The Kiss (Judee Sill Cover) 16 - Luluc - As Tears Go By - Moonbeam 17 - Sea Oleena - Weaving A Basket - Lost Song   2.ª parte:   18 - Ryuichi Sakamoto - Async - LIFE, LIFE (Feat. David Sylvian) 19 - Christoph Berg - Conversations - Conversations 20 - Eartheater - Powders - Crushing 21 - Slowdive - Everything is Alive - Andalucia Plays 22 - MJ Guider - Temporary Requiem - Gloria: Small Dance of Gratitud 23 - Demen - Nektyr - Niorum 24 - Mary Lattimore - Goodbye, Hotel Arkada - Yesterday's Parties 25 - Hilary Woods - Birthmarks - Through the Dark, Love 26 - Destroyer - Have We Met - Have We Met 27 - Destroyer - Have We Met - Foolssong 28 - David Sylvian, Robert Fripp - Damage: Live - Damage 29 - Scott Orr - Oh Man - Know U   * imagem de (image by) Joseph Szabo

This exceptional episode of Electronically yours features a legend in the world of ambient music, Roger Eno. Brother of Brian Eno (with whom he has created several live and recorded pieces), his compositions entrance and beguile. Roger's work covers intimate small scale orchestral, through to electronic and soundtrack pieces. His methodology is heavily influenced by his love of the countryside and nature, and he continues to prolifically release work and perform all over the world. Ladies and gentlemen, meet the one and only Roger Eno... If you can, please support the Electronically Yours podcast via my Patreon: https://www.patreon.com/electronicallyours

Ever wondered how a composer plays with silence to create evocative music? Roger Eno has been honing his ambient and emotive music since 1983's seminal Apollo: Atmosphere's And Soundtracks, an album he made with his older brother Brian and the producer Daniel Lanois. Roger chats with Paul about his style and his unique approach of "decomposition" in the creation of music. They delve into his life's experiences, from being a music therapist to his recent signing with esteemed German classical label Deutsche Grammophon and how it has impacted his work. His new LP, The Skies They Shift Like Chords is a testament to his ability to play with silence, create space in music and make every sound intentional. Get to know about his influences, his inspirations, and his aspiration for listeners to fill in the gaps in his music with their own interpretations. They also discuss the influences of his upbringing, his close connection with the English countryside, and his creative processes.Eno is set to release his second solo album for Deutsche Grammophon this autumn. Released 13th October, ‘The skies, they shift like chords…'Lost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing here.Lost and Sound title music by Thomas Giddins

Episode 106 Electronic Music of Dune Playlist Toto, “Main Title,” “Robot Fight,” and “Dune (Desert Theme)” from Main Title / Robot Fight / Dune (Desert Theme) (1984 Polydor). A single produced from the soundtrack of the David Lynch film version of Dune (1984). Toto, with its big synthesizers, created most of the soundtrack, although Brian Eno, Roger Eno and Daniel Lanois had one track (included later in this podcast). Bass, David Hungate; Drums, Percussion, Jeff Porcaro; Guitar, Steve Lukather; Keyboards, David Paich, Steve Porcaro. 6:36 David Matthews, “Part I: Arrakis,” “Part II: Sandworms,” “Part III: Song Of The Bene Gesserit,” “Part IV: Muad'Dib” from Dune (1977 CTI Records). Arranged by David Matthews and produced by Creed Taylor for his CTI jazz label, this was an extended work inspired by the novel by Frank Herbert. Cliff Carter plays the solo synth (mini-Moog?) on the first track and other places. The work is jazz with bits of electronic music blended into the instrumentation. It remains an interesting artifact partly because of the legal problems CTI faced once they released the album. Because CTI had not secured writer Frank Herbert's authorization to use his novel Dune as the thematic center piece for the album, Herbert filed a law suit against CTI and won, forcing the label to delete it from catalog. For this reason, that interesting album was never reissued in the USA. Enjoy. Alto Saxophone, David Sanborn; Bass, Mark Egan; Bass Trombone, Dave Taylor; Concertmaster, Sanford Allen; Drums, Andy Newmark, Steve Gadd; Flute, Piccolo Flute, Dave Tofani; Guitar, Eric Gale, Hiram Bullock; Keyboards, Cliff Carter; Oboe, Clarinet, Lew Del Gatto; Percussion, Gordon Gottlieb, Sue Evans; Tenor Saxophone, Soprano Saxophone, Grover Washington, Jr.; Trombone, Jerry Chamberlain*, Sam Burtis, Tom Malone, Wayne Andre; Trumpet, Flugelhorn, Burt Collins, Jim Bossy, Joe Shepley, John Gatchell, Jon Faddis, Lew Soloff, Randy Brecker; Vocals, Googie Coppola. Recorded at Electric Lady Studios, June 1977. The first side is the Dune suite, the second side features interpretations of other sci fi film themes (Silent Running, Star Wars, etc.). 20:29 Frank Herbert reading Dune from Dune, The Banquet Scene (1977 Caedmon Records) combined with a track by Alan R. Splet, “Space Travel W/ Changing Choral Textures” (2003 Sub Rosa) from An Anthology Of Noise & Electronic Music / Second A-Chronology 1936-2003. The recording of Herbert was made at the height of the Dune craze, the late 1970s. When David Lynch made his film for release in 1984, he was working with Splet who is not credited by whom may have contributed some electronic and ambient sounds. This track appears to confirm that and I've combined it with the Herbert reading. 5:07 Brian Eno, Roger Eno and Daniel Lanois, “Prophecy Theme” from Dune (Original Soundtrack Recording) (1984 Polydor). This little track was the only one that remained of Eno's contributions to the Dune soundtrack, although he reportedly composed an entire movie's worth of music for the film. Some was used as incidental music. 4:21 Zheani, “The Litany Against Fear” from Eight (2018 Sleepcvlt). Cassette release from this Australian rapper, electronic musician, model and actress.This is a famous quote from Herbert's Dune and seemed fitting to have it represented by a musician for the podcast. 0:36 Klaus Schulze, “Dune” from Dune (1979 Brain). Yes, Schulze, too, was infected with the Dune craze and created this ambitious 30-minute work to acknowledge it. This is a truly lovely electronic work from those days when Schulze was largely still working analog synthesis, and synthesize voices and orchestral sounds, much like his earlier album X. The cello is played by Wolfgang Tiepold, produced by and all keyboards by Klaus Schulze. The first side comprises the piece called Dune and the second side features an unrelated work with vocals by Arthur Brown. An intriguing album all around! 30:05 Graeme Revell & The City Of Prague Philharmonic, “Seduction” from Frank Herbert's Dune (Original Soundtrack From The Sci-Fi Channel Mini Series) (2001 GNP Cresendo). Composed by Graeme Revell; executive producer, Neil Norman; orchestra, chorus, The City Of Prague Philharmonic. This is the soundtrack for a Sci Fi channel mini-series back in 2001. The music is primarily orchestral, being performed in the Czech Republic and arranged by Neil Norman, Hollywood veteran of science fiction films. But Revell did compose it and there are a few tracks, such as the one featured here, that have clearly electronic elements that stand out. 1:51 Grimes, “Caladan” from Geidi Primes (2011 No Pain in Pop). Grimes' first album was a concept album based on Frank Herbert's novel Dune and David Lynch's 1984 film adaptation of the book. This track is about the fictional home planet of the Atreides, the protagonist clan in the novel. Produced by, written by, played by Grimes. She used relatively simple sounds, overdubs, and interesting vocal mixes to tell these tales. 2:23 Kurt Stenzel, “Parallel World” (1:42), “Parallel World (Outro)” (1:04), “Leap Of Faith” (0:43), “Time And Space” (2:04), “Optical World” (2:56), “Nebula” (2:26), and “Invitation” (excerpt) from Jodorowsky's Dune (Original Motion Picture Soundtrack) (2014 Cinewax). This is a bit of a side-hustle because Alejandro Jodorowsky's much hyped film version of Dune, which he sought to make in the 1970s, does not exist. It is one of the most famous movies that never existed. Still, the Chilean-French film director, producer, composer, actor stuck with the idea for quite some time until the David Lynch movie was produced in the 1980s and sucked all of the available Dune oxygen out of the room. But Jodorowsky's passion for the project inspired others, including guitarist and synthesist Stenzel who produced this soundtrack to a 2014 documentary about Jodorowsky and the ill-fated project. Stenzel composed music inspired by the book. This double LP has 33 tracks and I focused on a selection of connected synth tracks from the first album. Moog Source, CZ-101s, Roland Juno 6, toy Concertmate organ, Ninendo DS, voice, Kurt Stenzel. 11:56 Klause Schulze, “Side E—"Der Hauch Des Lebens (The Breath of Life) Pt #1” from Deus Arrakis (2022 SPV Recordings). Dune remained a lifelong source of fascination for Schulze. This, his final album, was also inspired by the novel he loved so well. This is a three-LP set, but the first LP is single-sided. Because of his ill health, Schulze knew that this might be his final project. In the liner notes he wrote directly to his fans, saying, “Thank you for your great support over all these years. This is for you! May the spice be with you. Always.” Recorded and written by Klaus Schulze; Cello, Wolfgang Tiepold; Voice, Eva-Maria Kagermann. 16:24 Han Zimmer, “Arrakis” from The Art And Soul Of Dune (Companion Book Music) (2021 WaterTower Music). Zimmer composed the soundtrack for the Denis Villeneuve released in 2021. Villeneuve has praised Zimmer's work on the film and that he had spent,"months and months creating new instruments, defining, creating, and seeking new sounds, pushing the envelope." In addition to a soundtrack for the film itself, Zimmer released two companion releases that provide an extended listen to the sounds and experiments that were created for the project. Three albums were released for the film by WaterTower Music, including The Dune Sketchbook (Music from the Soundtrack), Dune (Original Motion Picture Soundtrack), and The Art and Soul of Dune on September 3, September 17, and October 22, 2021, respectively. This work is from the reading companion to the film. 13:28 Opening background music: Hans Zimmer, “The Shortening Of The Way” from The Dune Sketchbook (Music from the Soundtrack) (2021 WaterTower Music). This track is from a companion 2-CD set that accompanied the actual soundtrack. Zimmer called these sketches and they represent his sound experiments as he formulated the music for the film. This grand combination of acoustic instruments and synth sounds from Zimmer's private studio is stunning in its scope and virtuosity and highly recommended. Synth programming by Hans Zimmer. 11:14 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

De Max Richter al último álbum de Víkingur Ólafsson, «el Glenn Gould de Islandia», en un programa evocador en el que también contamos con la arpista Lavinia Meijer; el Dream House Quartet de las hermanas Katia y Marielle Labèque, David Chalmin y Bryce Dessner; Gabríel Ólafs o Brian Eno, entre otros. SLEEP: Tranquility Base Max RichterNotturno         Víkingur Ólafsson, Álfheiður Erla GuðmundsdóttirThe Plover and the Raven      Víkingur Ólafsson, Snorri Hallgrímsson, Þorsteinn EyfjörðSung (After Brahms)  Víkingur ÓlafssonBird as Prophet           Víkingur Ólafsson, Michael A. Muller, Heather Woods BroderickThe Arts and the Hours          Lavinia Meijer, Jean-Philippe RameauSun     Lavinia MeijerEllis Island      Meredith Monk, Katia Labèque, Marielle Labèque, Bryce Dessner, David ChalminPausa Dom La NenaFantasía           +Bambaló          Gabríel Ólafs, Steiney SigurðardóttirMoving Chords          Roger EnoEscuchar audio

Make Someone Happy. Bill Evans Her Mothers House. Björk y Serpentwithfeet Paisaje Cubano Con Rumba. Edin Karamazov Alone with my thoughts this evening. Edin Karamazov y Sting Harmony Road. Sting Seeding+ Serendipity. Arve Henriksem y Kjetil Husebo Abisme. Shida Shahabi Low Cloud, Dark Skies + A place we once walked. Roger Eno Escuchar audio

Tonight's edition features new music from Eluvium, Ian Hawgood, Roger Eno, David Cordero, Elskavon and much more!

Kate St John is an English composer, arranger, producer and multi-instumentalist.Classically trained on oboe, she gained a music degree at City University London. Her first band was The Ravishing Beauties with Virginia Astley and Nicky Holland. The trio joined The Teardrop Explodes in Liverpool during the winter of 1981 for a series of dates at small clubs and a UK tour in early 1982. During the 1980s and early 1990s, she was a member of The Dream Academy with Nick Laird-Clowes and Gilbert Gabriel. In 1985 they had a worldwide hit with "Life In A Northern Town" and produced three albums: The Dream Academy (1985), Remembrance Days (1987) and A Different Kind Of Weather (1990). In the 1990s St. John was a member of Van Morrison's live band playing oboe and saxophone. She played on five Van Morrison albums. In 1994 she co-wrote and sang on 4 tracks with Roger Eno on the album The Familiar on the All Saints Label. This led to the formation of Channel Light Vessel, a band with Kate, Roger Eno, Bill Nelson, Laraaji and Mayumi Tachibana. St John has released two solo albums: Indescribable Night (1995) and Second Sight (1997).I met Kate when she was musical director for a Barbican show of the songs of Nick Drake. She has gone on to MD many other multi-artist shows. She has worked with Hal Wilner, Tom Waits, Leonard Cohen, Kate and Anna McGarrigle, to name just a few.In this episode she talks about working with Van Morrison, a love of books and libraries, wordle and how sleep comes even when she is stressed.Find Kate here Hosted on Acast. See acast.com/privacy for more information.

Recordamos a Barber, fallecido un 23 de enero de 1981, con su paisano Seán Matthew Deibler. Los hermanos Eno, Nils Frahm y Björk y familia completan el programa.  Agnus Dei de Barber  Seán Matthew Deibler The Music Group of Philadelphia Choral Arts Society of Philadelphia  Fleeting Smile  Roger Eno  These Small Noises + Making Gardens Out of Silence  Brian Eno  Briefly  Nils Frahm  Her Mother’s House  Björk e Isadóra Bjarkardóttir Barney  Escuchar audio

Músicas que ayudan a abstraerse: Shida Shahabi, Roger Eno, Sigur Rós, Dave Liebman con Pat Metheny, Billy Hart y Cecil McBee y, para cerrar, Balmorhea. Abisme Shida Shahabi  Homes  Low Cloud, Dark Skies + A place we once walked Roger Eno  The Turning Year  Untitled #7 - Jacobs Studio Sessions Sigur Rós  () Reflecting Pool - from The Elements – Water Dave Liebman, Pat Metheny, Billy Hart, Cecil McBee  The Elements: Water  Evening+ Rose in Abstract+ La Vagabonde + La Vagabonde - Joseph Shabason Remix Balmorhea The Wind  Escuchar audio

My first guest of the year is the multi-talented musician and composer, Roger Eno Roger talks to me about the making of his latest album 'The Turning Year' which I can't recommend enough. We also discuss 'Mixing Colours' his first proper collaborative album with his brother, Brian Eno. They brothers have previously worked together, but this is their first record release as a duo Another first is, Brian Eno and Roger Eno's Live at the Acropolis concert film which is set to be shown at selected cinemas in the UK on March 2nd, 2023. The unique event saw the brothers and an accompanying band perform at Athens' Odeon of Herodes Atticus amphitheatre in August 2021, as part of the annual Epidaurus Festival. The resultant film has been titled Live at the Acropolis. For more information about the concert film and for tickets visit www.cinemalive.com/event/brianandrogereno

Letture: Luna De Bartolo, Da Mosca a Biškek sola andata, QCode magazine Margaret Atwood, Brevi scene di lupi (a cura di R. Morresi, Ponte alle grazie) Musica: Tears for Fears, Everybody Wants to Rule the World AAVV, Music from Kirghizistan The Arctic Monkeys, There'd Be Better a Mirrorball Christos Hatzis, De Angelis I. e II. Roger Eno, Hope, On the Horizon Ben Harper, With My Own Two Hands

Vanessa Wagner présente l'album Study Of The Invisible (InFiné). S'il y a une constante chez Vanessa Wagner, c'est bien sa versatilité, au sens où l'entendent les Anglo-Saxons. Parallèlement à sa carrière de musicienne interprétant le grand répertoire soliste, chambriste et concertant sur les scènes du monde entier (et l'enregistrant pour le label La Dolce Volta), celle que Le Monde qualifie de "pianiste la plus délicieusement singulière de sa génération" et que Libération décrit comme "une des pianistes les plus curieuses et captivantes du paysage hexagonal - arpente avec la complicité du label InFiné des chemins tout aussi personnels, mais peut-être plus intimes". Après Statea en 2016, en duo avec le musicien électronique Murcof, elle vient aujourd'hui poursuivre avec Study Of The Invisible le voyage entamé sur son disque solo Inland (2019). Un voyage qui la voit défricher ce répertoire qu'elle est en France, voire en Europe, pratiquement la seule pianiste "classique" à aborder. Un répertoire contemporain et intemporel que l'on qualifiera, pour aller vite, de "minimaliste", mais qui recouvre en réalité une multitude d'univers singuliers et de personnalités musicales souvent hors du commun, toutes générations confondues. Pour composer ce programme, Vanessa Wagner a creusé son passionnant travail de découverte entamé avec Inland, assemblant des pièces rares qui tissent entre elles une mystérieuse histoire. Parmi les 15 stations qui composent ce palpitant périple, les États-Unis se taillent la part du lion. Sous le parrainage de Moondog, le viking aveugle et visionnaire, dont le très "bachien". Prélude en la majeur de 1961 constitue la pièce la plus ancienne du disque, se côtoient les icônes du minimalisme - l'incontournable Philip Glass, l'inclassable Harold Budd, pape de la musique ambient -, les représentants de la première génération de "postminimalistes" - Peter Garland, David Lang ou Julia Wolfe, nés dans les années 1950 - et la jeune garde : Bryce Dessner, Nico Muhly, Timo Andres, nés entre 1976 et 1985. Mais aussi quelques outsideuses de choix : Suzanne Ciani, plus connue (tout est relatif) comme pionnière de la musique électronique ou l'étonnante Caroline Shaw, qui fut en 2013, à 31 ans, la plus jeune lauréate du prix Pulitzer, et dont l'univers va et vient librement entre musiques "savante" et "populaire". Tout aussi inclassables, apparaissent aussi les œuvres et les parcours de l'Italien Ezio Bosso, du Français Melaine Dalibert ou, bien sûr, des frères Brian et Roger Eno, autres musiciens d'entre les mondes.   Ces partitions qui peuvent de prime abord paraître simples techniquement - quoique les Études de Philip Glass ou de Nico Muhly exigent une vélocité extravagante - réclament en réalité de l'interprète - bien davantage que la simple virtuosité : une intériorité, une authentique disposition de l'âme. À l'instar de la musique d'Érik Satie, c'est une musique qu'il appartient à chacun d'habiter en se gardant de la dénaturer. Ainsi l'exploration à laquelle se livre Vanessa Wagner est aussi une quête : "Chercher son intériorité : c'est ce que j'aime de plus en plus dans la musique." Après avoir joué Scriabine, Rachmaninov ou Ravel, explorer l'intensité sans déluge de notes, le dépouillement comme mode d'expression me passionne. Il s'agit pour l'interprète de faire ressortir une vraie atmosphère, une respiration du tempo, une sensualité du son, de mettre une intensité dans chaque intention, et faire vivre et vibrer les espaces entre chaque note. "Ce n'est pas une musique légère, c'est une musique intense émotionnellement, qui va en profondeur, dans laquelle on met une part de son histoire…" Marier à ce degré d'intensité le contrôle - celui du toucher, du son - et l'abandon n'est pas à la portée de tous les instrumentistes. Tel est le sens de Study Of The Invisible : aller chercher ce monde mystérieux qui vit derrière la partition, les liens imperceptibles qui unissent ces silences et ces harmonies, mais aussi ces ressources intérieures que cette musique est capable de mettre à jour. Avec ce disque et ce voyage, Vanessa Wagner dont l'apparente mélancolie s'avère en fin de compte puissamment réconfortante, continue de donner ses lettres de noblesse à une musique qui, mieux que brillante, se révèle avant tout rayonnante et lumineuse.   Et Labelle présente Eclat (InFiné/ Eumolpe), son nouvel album pour quatuor à cordes et électro-maloya avec la participation du quatuor Metavers. Avec Éclat - moment unique d'étincelle de la création - Labelle continue son exploration de l'infinie possibilité de la composition débutée en 2019 avec Orchestre Univers. Son quatrième album studio, centré autour d'un quatuor à cordes, est né lors d'une répétition à laquelle assistait Labelle : assis à côté des cordes, il les observe communiquer entre eux dans un langage sans paroles, presque télépathique, fait de contacts visuels, de hochements de tête et de coups d'archets. Depuis ses débuts, le compositeur aime s'affranchir des règles orchestrales traditionnelles pour expérimenter, innover et "créoliser" son art. "J'ai écrit pour eux comme si j'écrivais pour un groupe de rock." Jeremy précise : "Tu as ta section rythmique, tes deux guitares lead et un seul musicien joue de la basse." Dans la musique classique, le langage entre les musiciens est la clé - la conversation entre les lignes et les musiciens crée quelque chose d'organique et vivant. Ainsi, Labelle écrit aussi les parties électroniques pour qu'elles aient une double fonction : élément musical d'une part, clef de compréhension de l'œuvre d'autre part, devenant ainsi une partie du langage entre les musiciens. Ensemble, ils explorent un son unique où l'orchestration classique rencontre le Maloya, l'électronique moderne rencontre les instruments organiques, l'Afrique rencontre l'Europe, la terre rencontre l'espace. Labelle cherche l'inspiration partout : Mes Mondes a été augmenté d'un quart de ton pour correspondre à la gamme de la musique Gnaoua du Maroc, un morceau très rythmé et hypnotique étroitement lié au Maloya de La Réunion, pays d'origine de l'artiste. Le morceau suivant, Dann Ron Maloya, est une construction jusqu'à RON, la seule fois sur le disque où les quatre musiciens jouent la même ligne, un récit musical de l'état de transe que la musique et la danse Maloya peuvent permettre d'atteindre. Ils s'élèvent et s'élèvent jusqu'à ce qu'ils soient noyés dans la distorsion, ressemblant plus à un solo de guitare rock qu'à un quatuor à cordes. Le titre éponyme Éclat est peut-être celui qui s'inscrit le plus directement dans la lignée du précédent album de l'artiste, Orchestre Univers, évoquant un son cosmique, comme un orchestre suspendu en apesanteur. De nombreuses chansons ont d'abord été enregistrées lors d'une série de concerts, avant que la pandémie ne frappe en 2020, puis réenregistrées, éditées et superposées au cours d'une année de confinement. Sur le disque fini, grâce à un mixage et une production exceptionnelle, il est impossible de distinguer ce qui a été enregistré en direct de ce qui a été enregistré en studio : un témoignage du niveau étonnant de détails apporté à cet album. Pour immortaliser et ajouter la touche finale à cette expérimentation, le disque a été envoyé à Hector Plimmer pour un mixage supplémentaire. La touche jazz et expérimentale du producteur anglais déconstruit encore plus le quatuor à cordes, l'amenant vers un résultat encore plus beau et singulier. Labelle a créé un disque capable d'unir des éléments de rock, de jazz, d'électronique et de musique classique sans jamais perdre l'auditeur, il l'attire en l'introduisant lentement dans un monde où la musique se libère de toutes ses barrières. Ce n'est définitivement plus de la musique classique qu'il compose.   À propos de Labelle  Jeremy Labelle est à l'avant-garde d'une jeune génération de musiciens réunionnais représentant et développant le son Maloya à travers le monde. Après avoir enregistré sa première œuvre orchestrale Orchestre Univers lors de quatre concerts à guichets fermés à La Réunion, Éclat continue cette série de recherches atour de la composition classique et des sons traditionnels de son île. Titres interprétés au Grand studio à RFI - Étude n°16 [Philip Glass] Live RFI Vanessa Wagner voir le clip  - Elude Live RFI Labelle - Prélude N°1 In A Minor [Moondog] Live RFI Vanessa Wagner - Mes Mondes enchainé avec Dann Ron Maloya Live RFI Labelle (4'15'' au total) - Explore ! Live RFI commun Vanessa Wagner et Labelle (Ennéade). Son  Benoît Letirant, Fabien Mugneret, Mathias Taylor (Rediffusion du 5 juin 2022)

Playlist: Brian and Roger Eno, Vanessa Wagner - CelesteStephen Chatman, UBC Symphony Orchestra & Choirs - A Song of JoysAdrienne Elisha - AnthelionTristan Coelho, Emily Granger - In TransitGrazyna Bacewicz, Palaver Strings - Concerto for String Orchestrakati agocs, Vernon Reghr - VersprechenSofia Gubaidulina, Netherlands Radio Philharmonic Orchestra - In Tempus PraesensJames B Wilson, The Bach Choir, Faust Chamber Orchestra - Who Has Seen the Wind?

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Para los que ya amábamos esta música en el siglo XX. Christopher Dean, Medwyn Goodall, Deuter, William Aura, Johannes Schmoelling, Wavestar, Dan Hartman, Trapezoid, Steve Howe & Constance Demby & Paul Sutin, Klaus Schønning, Enigma, Tomás San Miguel, Kevin Braheny & Tim Clark, Erik Wøllo, Roger Eno, Nancy Rumbel, Mychael Danna & Jeff Danna, John Doan, Tom Vedvik. El playlist detallado con enlaces a las audiciones íntegras de cada album: lostfrontier.org/episodios/2022/984.Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825

Solénoïde (20.06.2022) - Evoluez dans les espaces flottants et immersifs d'un programme entièrement teinté de musiques ambient ! Solénoïde vous emmène au royaume de la discrétion et de l'impressionnisme sonore, royaume dans lequel aiment flâner les âmes rêveuses et vaporeuses...

Vanessa Wagner présente l'album Study Of The Invisible (InFiné). S'il y a une constante chez Vanessa Wagner, c'est bien sa versatilité, au sens où l'entendent les Anglo-Saxons. Parallèlement à sa carrière de musicienne interprétant le grand répertoire soliste, chambriste et concertant sur les scènes du monde entier (et l'enregistrant pour le label La Dolce Volta), celle que Le Monde qualifie de "pianiste la plus délicieusement singulière de sa génération" et que Libération décrit comme "une des pianistes les plus curieuses et captivantes du paysage hexagonal - arpente avec la complicité du label InFiné des chemins tout aussi personnels, mais peut-être plus intimes". Après Statea en 2016, en duo avec le musicien électronique Murcof, elle vient aujourd'hui poursuivre avec Study Of The Invisible le voyage entamé sur son disque solo Inland (2019). Un voyage qui la voit défricher ce répertoire qu'elle est en France, voire en Europe, pratiquement la seule pianiste "classique" à aborder. Un répertoire contemporain et intemporel que l'on qualifiera, pour aller vite, de "minimaliste", mais qui recouvre en réalité une multitude d'univers singuliers et de personnalités musicales souvent hors du commun, toutes générations confondues. Pour composer ce programme, Vanessa Wagner a creusé son passionnant travail de découverte entamé avec Inland, assemblant des pièces rares qui tissent entre elles une mystérieuse histoire. Parmi les 15 stations qui composent ce palpitant périple, les États-Unis se taillent la part du lion. Sous le parrainage de Moondog, le Viking aveugle et visionnaire, dont le très "bachien". Prélude en la majeur de 1961 constitue la pièce la plus ancienne du disque, se côtoient les icônes du minimalisme –l'incontournable Philip Glass, l'inclassable Harold Budd, pape de la musique ambient -, les représentants de la première génération de "postminimalistes" –Peter Garland, David Lang ou Julia Wolfe, nés dans les années 1950 – et la jeune garde : Bryce Dessner, Nico Muhly, Timo Andres, nés entre 1976 et 1985. Mais aussi quelques outsideuses de choix : Suzanne Ciani, plus connue (tout est relatif) comme pionnière de la musique électronique ou l'étonnante Caroline Shaw, qui fut en 2013, à 31 ans, la plus jeune lauréate du prix Pulitzer, et dont l'univers va et vient librement entre musiques "savante" et "populaire". Tout aussi inclassables, apparaissent aussi les œuvres et les parcours de l'Italien Ezio Bosso, du Français Melaine Dalibert ou, bien sûr, des frères Brian et Roger Eno, autres musiciens d'entre les mondes. Ces partitions qui peuvent de prime abord paraître simples techniquement - quoique les Études de Philip Glass ou de Nico Muhly exigent une vélocité extravagante – réclament en réalité de l'interprète –bien davantage que la simple virtuosité : une intériorité, une authentique disposition de l'âme. À l'instar de la musique d'Erik Satie, c'est une musique qu'il appartient à chacun d'habiter en se gardant de la dénaturer. Ainsi l'exploration à laquelle se livre Vanessa Wagner est aussi une quête : "Chercher son intériorité : c'est ce que j'aime de plus en plus dans la musique." Après avoir joué Scriabine, Rachmaninov ou Ravel, explorer l'intensité sans déluge de notes, le dépouillement comme mode d'expression me passionne. Il s'agit pour l'interprète de faire ressortir une vraie atmosphère, une respiration du tempo, une sensualité du son, de mettre une intensité dans chaque intention, et faire vivre et vibrer les espaces entre chaque note. "Ce n'est pas une musique légère, c'est une musique intense émotionnellement, qui va en profondeur, dans laquelle on met une part de son histoire…" Marier à ce degré d'intensité le contrôle – celui du toucher, du son – et l'abandon n'est pas à la portée de tous les instrumentistes. Tel est le sens de Study Of The Invisible : aller chercher ce monde mystérieux qui vit derrière la partition, les liens imperceptibles qui unissent ces silences et ces harmonies, mais aussi ces ressources intérieures que cette musique est capable de mettre à jour. Avec ce disque et ce voyage, Vanessa Wagner dont l'apparente mélancolie s'avère en fin de compte puissamment réconfortante, continue de donner ses lettres de noblesse à une musique qui, mieux que brillante, se révèle avant tout rayonnante et lumineuse. Et Labelle présente Eclat (InFiné/ Eumolpe), son nouvel album pour quatuor à cordes et électro-maloya avec la participation du quatuor Metavers. Avec Éclat - moment unique d'étincelle de la création - Labelle continue son exploration de l'infinie possibilité de la composition débutée en 2019 avec Orchestre Univers. Son quatrième album studio, centré autour d'un quatuor à cordes, est né lors d'une répétition à laquelle assistait Labelle : assis à côté des cordes, il les observe communiquer entre eux dans un langage sans paroles, presque télépathique, fait de contacts visuels, de hochements de tête et de coups d'archets. Depuis ses débuts, le compositeur aime s'affranchir des règles orchestrales traditionnelles pour expérimenter, innover et "créoliser" son art. "J'ai écrit pour eux comme si j'écrivais pour un groupe de rock". Jeremy précise : "tu as ta section rythmique, tes deux guitares lead et un seul musicien joue de la basse". Dans la musique classique, le langage entre les musiciens est la clé - la conversation entre les lignes et les musiciens crée quelque chose d'organique et vivant. Ainsi, Labelle écrit aussi les parties électroniques pour qu'elles aient une double fonction : élément musical d'une part, clef de compréhension de l'œuvre d'autre part, devenant ainsi une partie du langage entre les musiciens. Ensemble, ils explorent un son unique où l'orchestration classique rencontre le Maloya, l'électronique moderne rencontre les instruments organiques, l'Afrique rencontre l'Europe, la terre rencontre l'espace. Labelle cherche l'inspiration partout : ‘Mes Mondes' a été augmenté d'un quart de ton pour correspondre à la gamme de la musique Gnaoua du Maroc, un morceau très rythmé et hypnotique étroitement lié au Maloya de La Réunion, pays d'origine de l'artiste. Le morceau suivant, ‘Dann Ron Maloya', est une construction jusqu'à ‘RON', la seule fois sur le disque où les quatre musiciens jouent la même ligne, un récit musical de l'état de transe que la musique et la danse Maloya peuvent permettre d'atteindre. Ils s'élèvent et s'élèvent jusqu'à ce qu'ils soient noyés dans la distorsion, ressemblant plus à un solo de guitare rock qu'à un quatuor à cordes. Le titre éponyme Éclat est peut-être celui qui s'inscrit le plus directement dans la lignée du précédent album de l'artiste, Orchestre Univers, évoquant un son cosmique, comme un orchestre suspendu en apesanteur. De nombreuses chansons ont d'abord été enregistrées lors d'une série de concerts, avant que la pandémie ne frappe en 2020, puis réenregistrées, éditées et superposées au cours d'une année de confinement. Sur le disque fini, grâce à un mixage et une production exceptionnelle, il est impossible de distinguer ce qui a été enregistré en direct de ce qui a été enregistré en studio : un témoignage du niveau étonnant de détails apporté à cet album. Pour immortaliser et ajouter la touche finale à cette expérimentation, le disque a été envoyé à Hector Plimmer pour un mixage supplémentaire. La touche jazz et expérimentale du producteur anglais déconstruit encore plus le quatuor à cordes, l'amenant vers un résultat encore plus beau et singulier. Labelle a créé un disque capable d'unir des éléments de rock, de jazz, d'électronique et de musique classique sans jamais perdre l'auditeur, il l'attire en l'introduisant lentement dans un monde où la musique se libère de toutes ses barrières. Ce n'est définitivement plus de la musique classique qu'il compose. À propos de Labelle : Jeremy Labelle est à l'avant-garde d'une jeune génération de musiciens réunionnais représentant et développant le son Maloya à travers le monde. Après avoir enregistré sa première œuvre orchestrale Orchestre Univers lors de quatre concerts à guichets fermés à La Réunion, Éclat continue cette série de recherches atour de la composition classique et des sons traditionnels de son île.   Titres interprétés au Grand studio à RFI - Étude n°16 [Philip Glass] Live RFI Vanessa Wagner voir le clip  - Elude Live RFI Labelle - Prélude N°1 In A Minor [Moondog] Live RFI Vanessa Wagner - Mes Mondes enchainé avec Dann Ron Maloya Live RFI Labelle (4'15'' au total) - Explore ! Live RFI commun Vanessa Wagner et Labelle (Ennéade). Son : Benoît Letirant, Fabien Mugneret, Mathias Taylor.

Briti helilooja ja ambientmuusiku Roger Eno uusimal heliplaadil kõlab autorilooming.

a special show for Brian Eno and Mike Oldfield's birthdays, some lovely tunes, innit   Tubular Bells Part One – Mike Oldfield An Ending (Ascent) – Brian Eno (with Roger Eno and Daniel Lanois) (Kaz Fitz) Julie With . . . – Brian Eno Ali Click – Brian Eno If There Is Something – Roxy Music The Big Country – Talking Heads (Kelly Buckley) The Unforgettable Fire – U2 Sad Sing – Tom Newman Stranger In Blue Suede Shoes – Kevin Ayers Little Red Riding Hood Hit The Road – Robert Wyatt I'll Come Running – Brian Eno (Steve Gallant) On Some Far Away Beach – Brian Eno (Mike Levey) Delta Rain Dream – Brian Eno & Jon Hassell Foreign Affair – Mike Oldfield (Iain McDermott) Guilty – Mike Oldfield (Steve Gallant) Strangers When We Meet – David Bowie (Daryl Bamonte) The Grand Parade Of Lifeless Packaging – Genesis Strange Overtones – Eno & Byrne (John Jazz)

The Turning Year allows the listener to step through Roger Eno's looking-glass, filled as it is with free-flowing, affecting compositions. A blend of recent compositions and live favorites from Eno's concert repertoire, the album offers a comprehensive presentation of Roger's solo work.“The Turning Year is like a collection of short stories or photographs of individual scenes, each with its own character but somehow closely related to the other. These pieces allow us, perhaps, to think on how we live our lives in facets; how we catch fleeting glimpses, how we walk through our lives, how we notice the turning year.”  - Roger EnoPurchase the music (without talk) at:The Turning Year (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.

Tonight's edition features some absolutely fantastic new work from Hannah Peel, Claire Rousay, Floraleda Sacci, Roger Eno, Ryan Teague, Fennesz, Jazzanova and tons more!

Reconeix la intu

Roger Eno, Eydís Evensen, alva noto, Ryuichi Sakamoto, Alejandro Pelayo, Isao Tomita, Triosence, Paolo Fresu, Wim Mertens, The Cinematic Orchestra, Olatz Salvador, Rozalén o Max Richter, en un programa en el que nos disolvemos en el espacio tiempo ( y 2). Escuchar audio

Here's our review of our pick for October 2021, Apollo: Atmospheres and Soundtracks by Brian Eno, Daniel Lanois and Roger Eno, which is the ninth solo studio by British Eno and was released in 1983. It was a collaboration with his brother and Canadian Daniel Lanois. Have a listen to hear what we thought of it.

Please Enjoy A Recording Of Our Most Recent Balearic Sessions With Special Guest Chris Coco Sunday 24-10-21 For The First Hour Of Our Show I Delved Into Chris's Back Catalogue, Bringing Summer Back, Well For An Hour Anyways With Some Of Chris's Wonderful Work Over The Years.. TrackList: 1. Chris Coco - Red Geranium 2. Chris Coco - Down To The Sea (Spring Tide Mix) 3. Chris Coco & George Solar - September On The Island 4. Chris Coco - Drops (Wake Up) 5. Chris Coco - Summer Sun (Cafe Del Mar Guitar Version) 6. Chris Coco - Dreaming Of Love 7. Chris Coco - Villa Bonita ( Coyote Dub Mix) 8. Nick And Samantha - On The Beach (Chris Coco Mix) 9. Chris Coco - Albatross 10. Chris Coco - Lillestrøm 11. Roger Eno, Lol Hammond Chris Coco - String On Piano (Part Two) 12. Chris Coco - Fragile Beauty 13. Chris Coco - A Suitcase Full Of Stars 14. Chris Coco - Event Horizon (Out) 15. Chris Coco - Return To Good Karma (Spoken Text) Then For The Second Part Of The Show We Welcome Chris Coco For A More Autumnal Selection Of Balearic Grooves Chris's Title Mellow Melancholy.... Tracklist: 1 Family Of Swede - Mellow 2 The Bees - I Love You 3 Betty Wright - God Only Knows 4 Van Morrison - Queen Of The Slipstream 5 Wolf - Paul 6 Cassandra Jenkins - New Bikini 7 Bobby Lee & Maia Doi Todd - Walking With Trees 7 Warren Hampshire - The Falling Rain 8 Mario Rui Silva - Dembita 9 Rosinha de Valenca - Summertime 10 Alan James Eastwood - Crystal Blue 11 Jeb Loy Nichols - I Just Can't Stop 12 Joni Mitchell - Carey  13 Big Thief - Love In Mine 14 Peter Sarstedt - Where Do You Go To My Lovely On Behalf Of Everyone Here At Uknown.fm We Would Like To Thank You Chris For A Wonderful Hour Of Music.. Balearic Sessions Goes Out Every Sunday 6 -8pm GMT Guest Mixes Air rom 7 - 8pm GMT Ways to connect: Web: www.unknown.fm/ Live Chat: www.unknown.fm/chat/ Ios App: apps.apple.com/cv/app/unknown-fm/id1534978065 Android App: https://play.google.com/store/apps/details...

Ásgeir Brynjar Torfason hagfræðingur segir að vaxtahækkun peningastefnunefndar Seðlabanka Íslands í gær hafi komið á óvart og Ísland sé eitt örfárra ríkja sem er byrjað að hækka vexti eftir heimsfaraldur. Ásgeir Brynjar situr í fjármálaráði og er doktor í fjármálum. Hann segir peningastefnunefndina fara eftir kenningum í hagfræði varðandi verðbólgu og verðbólguvæntingar sem ekki eigi við þegar efnahagsmálin eru eins og þau eru nú í heiminum. Annað sé uppi á teningnum hjá öðrum seðlabönkum, svo sem þeim evrópska og bandaríska. Bogi Ágústsson sat við heimsgluggann og fór yfir Nóbelsverðlaunin og þá sem mögulega eru taldir hljóta bókmenntaverðlaun Nóbels en tilkynnt verður um handhafa þeirra klukkan 11 að íslenskum tíma í dag. Lykt árið 1765 bar einnig á góma sem og möguleikinn á að allir forsætisráðherrar Norðurlanda verði konur í nóvember. Ef af yrði þá er það í fyrsta skipti. Ásmundur G. Vilhjálmsson, lögmaður og sérfræðingur í skattarétti, fór yfir aflandsfélög og lögmæti þeirra. Tilefnið eru Pandóru-skjölin en þau eru samansafn gagna um fjármálagjörninga bæði þjóðarleiðtoga og annarra þar sem eignum er komið fyrir í skattaskjólum. Tónlist: Celeste með bræðrunum Brian og Roger Eno, Chelsea Morning og California með Joni Mitchell. Umsjón: Björn Þór Sigbjörnsson og Guðrún Hálfdánardóttir.

Ásgeir Brynjar Torfason hagfræðingur segir að vaxtahækkun peningastefnunefndar Seðlabanka Íslands í gær hafi komið á óvart og Ísland sé eitt örfárra ríkja sem er byrjað að hækka vexti eftir heimsfaraldur. Ásgeir Brynjar situr í fjármálaráði og er doktor í fjármálum. Hann segir peningastefnunefndina fara eftir kenningum í hagfræði varðandi verðbólgu og verðbólguvæntingar sem ekki eigi við þegar efnahagsmálin eru eins og þau eru nú í heiminum. Annað sé uppi á teningnum hjá öðrum seðlabönkum, svo sem þeim evrópska og bandaríska. Bogi Ágústsson sat við heimsgluggann og fór yfir Nóbelsverðlaunin og þá sem mögulega eru taldir hljóta bókmenntaverðlaun Nóbels en tilkynnt verður um handhafa þeirra klukkan 11 að íslenskum tíma í dag. Lykt árið 1765 bar einnig á góma sem og möguleikinn á að allir forsætisráðherrar Norðurlanda verði konur í nóvember. Ef af yrði þá er það í fyrsta skipti. Ásmundur G. Vilhjálmsson, lögmaður og sérfræðingur í skattarétti, fór yfir aflandsfélög og lögmæti þeirra. Tilefnið eru Pandóru-skjölin en þau eru samansafn gagna um fjármálagjörninga bæði þjóðarleiðtoga og annarra þar sem eignum er komið fyrir í skattaskjólum. Tónlist: Celeste með bræðrunum Brian og Roger Eno, Chelsea Morning og California með Joni Mitchell. Umsjón: Björn Þór Sigbjörnsson og Guðrún Hálfdánardóttir.

Our pick for October 2021 is Apollo: Atmospheres and Soundtracks by Brian Eno, Daniel Lanois and Roger Eno, which is the ninth solo studio by British Eno and was released in 1983. It was a collaboration with his brother and Canadian Daniel Lanois. Many of the tracks have since appeared on soundtracks such as Trainspotting, 28 Days Later, and Heat, among others. The album was originally recorded as the soundtrack for a feature-length documentary movie called Apollo, but the film went through several iterations and wasn't particularly well received. But the music has gone on to make a much deeper impression upon listeners since its release.

Track List- 1. Clouds- Hiroshi Yoshimura 2. Spring Frost- Brian Eno & Roger Eno 3. Meet Me In The Sheep Meadow- Yoshio Suzuki 4. You, Me & Gravity (Jim Croft Mix)- Jim Guthrie & J.J. Ipsen 5. Blue Jewels- Anouar Brahem Trio 6. Full On Night- Rachel’s 7. 1:1- Brian Eno 8. Loftið Verður Skyndilega … Continue reading "Episode 29- I’m Gonna Make This A Sane Summer (for Jim Willis)"

'Tell a story of deficit' Kirby, Michael Redmond, Stuart Firestein, Roger Eno, Patience and Prudence, Dominic Fike, Kirk Franklin & The Family. Julia Jacklin, James Baldwin, SAULT, Duo Voces del Caney, Philippe Cohen Solal feat. Green Gartside, Dan Ariely, Tig Notaro, Nina Simone, The Carpenters

I like to think that I put a lot of thought and effort into these mixes. Hopefully, the mix as a whole is greater than the sum of its parts. But what I do is nothing compared to the transformative touch that Peter Van Cooten brings to his mixes.  Each mix is a unique work of art. Peter rarely lets a track play in its complete form. Instead, he uses smaller samples and deftly weaves the tracks in and out of each other. Sometimes 2,3, or 4 tracks play simultaneously, creating something new from different elements. In this mix, he uses an incredible 41 tracks! Here's what Peter has to say about using so many short samples:  "Sometimes I feel a bit embarrassed about using such short samples and/or editing the tracks (of these 41, only 8 are used in their complete form). It's a bit like cutting up the Mona Lisa to create a landscape patchwork with the fragments ;-)  But on the other hand, this is what I feel makes these mixes unique. Taken out of their context and in relation to other fragments, the music sometimes tells a different story."  This mix is a bit darker than most of my mixes. But it's dark in an interesting way, not in a droney, dissonant way. The mix has a very cinematic feel and combined with the cover art and title I can imagine drone shots of empty streets and newspapers blowing across the square. Peter was hesitant about the name and the cover art. He says -  "It may be too closely linked to the current worldwide crisis, but on the other hand I have tried to think of another name or context but the uncertain times seem to be too dominant to think of another name I could give it. The funny thing is, that if you listen back most of my mixes have a rather dark edge to them. There's always a lot of 'tension/release' to them. But in this case, it seems there's a bit more 'tension' than 'release'. Oh well, sign of the times..." Peter runs his own ambient music blog called, appropriately, Ambientblog.net. Where in addition to his fine mixes(available in DTS surround as well), he has a ton of good reviews and recommendations. You can find it here...   https://www.ambientblog.net/blog/   He's also on Mixcloud here... https://www.mixcloud.com/ambientblog/ When he creates these extraordinary mixes he posts a pic of the total track layout, layer upon layer of all the music used. Here is the map of this mix...      Peter does his tracklist a little differently than I do. He gives listeners more info about each track, including start time, sample length, artist, title, album title, year and record label. Thanks to Peter Van Cooten of Ambientblog.net for such an excellent mix. Hopefully, I can talk him into doing another one in the future.   Cheers, and stay safe.   T R A C K L I S T - Start time - Sample length - Artist - Title Album Title, Year, Label 00:00  03:23 Fovea Hex - Is  Is Lanza Light and Given (Steven Wilson Remixes), 2019, Die Stadt/Janet Records 01:25  04:35 Maggi Payne - Fluid Dynamics Arctic Winds, 2020, Aguirre Records 02:03  01:45 Pat Keista - Doppler Still Of The Void, 2020, self-released 04:17  01:47 Dave Phillips - Phytognosophysiology Post Homo Sapiens, 2020, Attenuation Circuit 05:10  02:45 Jóhann Jóhannsson and Yair Elazar Glotman - Prelude Last And First Men, 2020, Deutsche Grammophon 05:42  02:00 Andrew Pekler - Fonseca Winds (Lament) Sounds From Phantom Islands, 2019, Faitiche 07:29  01:19 Jóhann Jóhannsson and Yair Elazar Glotman - Telepathic Unity Last And First Men, 2020, Deutsche Grammophon 08:13  03:10 Ben Bertrand - Those Behind Us That We Follow Manes, 2020, Les Albums Claus 11:08  01:31 Fani Konstantinidou - (Variations) Moving Music: Sounds From The Rocking Chair, 2020, Moving Furniture Records, 11:58  01:32 Aaron Martin - Overcoming Inertia Test Subjects, 2019, self-released 12:53  01:51 A Journey Of Giraffes - Gone Is The New Fuji Kona, 2019, Somewherecold records 13:29  03:30 Robert Haigh - Ghosts Of Blacker Dyke Black Sarabande, 2020, Unseen Worlds 16:46  02:48 Snorri Hallgrímsson - Fear Chasing The Present, 2020, Moderna Records 16:53  00:30 Mica Levy - Mensajero Monos, 2019, Invada 17:40  02:30 Snorri Hallgrímsson - Suffering Chasing The Present, 2020, Moderna Records 19:22  01:58 Bersarin Quartett - Prolog Methoden Und Maschinen, 2019, Denovali  20:41  01:09 Ruairi O'Baoighill - Scryer To See Without Eyes, 2018, Cursed Monk Records 20:50  01:59 I Wound - The Choir Of The Drowned Sings 'Our Demons Are Real' Homework Year 3, 2018, Taâlem 21:48  03:01 Christine Ott - Comma Chimères (Pour Ondes Martenots), 2020, Nahal Recordings 24:22  02:34 Ida Toninato - Pour Retourner Au Silence We Become Giants, 2020, Dragon's Eye Recordings 25:32  03:47 Merrin Karras - Drawn, Quartered Northwest Passage, 2020, A Strangely Isolated Place 28:27  02:07 Ciro Berenguer - Luna Creciente Eilean 100, 2019, Eilean Records 29:57  01:47 Yiorgis Sakellariou - B4 Diapsalmata: A Collection Of Short Works, 2018, Tanuki Records 29:57  01:19 Celer - Birds Inside The High Halls Of Hangzhou (06.23.17) Xièxie, 2019, Two Acorns 30:12  03:18 Apichatpong Weerasethakul, Akritchalerm Kalayanamitr, Koichi Shimizu - Sharjah And Java Metaphors - Selected Soundworks from the cinema of Apichatpong Weerasethakul, 2017, Sub Rosa 31:24  00:44 Coil - Corybantic Ennui Stolen and Contaminated Songs, 2019, Cold Spring Records  32:32  01:22 Olivier Messiaen - Quator Pour Le Fin Du Temps III: Abîme des Oiseaux Olivier Messiaen - Complete Edition, 2008, Deutsche Grammophon 33:54  01:26 Hildur Gudnadottir - Following Sophie Joker OST, 2019, Watertower Records 35:14  00:55 Ryuichi Sakamoto - Countdown Black Mirror: Smithereens, 2019, Milan 35:45  03:24 Silent Chaos - Nocturne On Ganimede  Macro, 2020, We Don't Give A Fuck 38:52  04:03 Roger Eno and Brian Eno - Burnt Umber Mixing Colours, 2020, Deutsche Grammophon 42:38  02:13 Martina Bertoni - Invisible Cracks All The Ghosts Are Gone, 2020, Falk 44:29  03:30 Eivind Aarset and Jan Bang - Nightspell Snow Catches On Her Eyelashes, 2020, Jazzland Recordings 46:21  02:13 Jana Irmert - Fog Cusp, 2020, self-released 47:40  01:36 Fovea Hex - Given Is Lanza Light and Given (Steven Wilson Remixes), 2019, Die Stadt/Janet Records 48:42  02:40 Frank Makowski - Fliegende Schatten - Canon 1 Canon der Finsternisse, 2019, Diffusschall 49:05  01:12 Michael Begg - Plain Chant Sonambulo, 2019, Omnempathy 50:40  02:20 A Winged Victory For The Sullen - The Slow Descent Has Begun The Undivided Five, 2019, Ninja Tune 52:35  04:30 Felix Blume - Horns In Fog Pt. 2 Fog Horns, 2019, Discrepant 55:49  03:02 Max Richter - Ursa Minor - Visions Ad Astra, 2019, Deutsche Grammophon 58:30  00:40 Jóhann Jóhannsson and Yair Elazar Glotman - The Sun Last And First Men, 2020, Deutsche Grammophon 59:10 End            

If you listen back, most of my mixes have a rather dark edge to them. There's always a lot of 'tension/release' - but in this case, it seems there's a bit more 'tension' than 'release'. Sign of the times, probably…I tried to find another name (and image) for this mix, but it seems that only one title remained appropriate at this time.I'm very proud that this mix is also published on Dave Michuda's great Low Light Mixes blog. Tracklist:Start time Sample length Artist - TitleAlbum Title, Year, Label 00:00 03:23 Fovea Hex - Is Is Lanza Light & Given (Steven Wilson Remixes), 2019, Die Stadt/Janet Records01:25 04:35 Maggi Payne - Fluid DynamicsArctic Winds, 2020, Aguirre Records02:03 01:45 Pat Keista - DopplerStill Of The Void, 2020, self-released04:17 01:47 Dave Phillips - PhytognosophysiologyPost Homo Sapiens, 2020, Attenuation Circuit05:10 02:45 Jóhann Jóhannsson & Yair Elazar Glotman - PreludeLast And First Men, 2020, Deutsche Grammophon05:42 02:00 Andrew Pekler - Fonseca Winds (Lament)Sounds From Phantom Islands, 2019, Faitiche07:29 01:19 Jóhann Jóhannsson & Yair Elazar Glotman - Telepathic UnityLast And First Men, 2020, Deutsche Grammophon08:13 03:10 Ben Bertrand - Those Behind Us That We FollowManes, 2020, Les Albums Claus11:08 01:31 Fani Konstantinidou - (Variations)Moving Music: Sounds From The Rocking Chair, 2020, Moving Furniture Records,11:58 01:32 Aaron Martin - Overcoming InertiaTest Subjects, 2019, self released12:53 01:51 A Journey Of Giraffes - Gone Is The New FujiKona, 2019, Somewherecold records13:29 03:30 Robert Haigh - Ghosts Of Blacker DykeBlack Sarabande, 2020, Unseen Worlds16:46 02:48 Snorri Hallgrímsson - FearChasing The Present, 2020, Moderna Records16:53 00:30 Mica Levy - MensajeroMonos, 2019, Invada17:40 02:30 Snorri Hallgrímsson - SufferingChasing The Present, 2020, Moderna Records19:22 01:58 Bersarin Quartett - PrologMethoden Und Maschinen, 2019, Denovali 20:41 01:09 Ruairi O'Baoighill - ScryerTo See Without Eyes, 2018, Cursed Monk Records20:50 01:59 I Wound - The Choir Of The Drowned Sings 'Our Demons Are Real'Homework Year 3, 2018, Taâlem21:48 03:01 Christine Ott - CommaChimères (Pour Ondes Martenots), 2020, Nahal Recordings24:22 02:34 Ida Toninato - Pour Retourner Au SilenceWe Become Giants, 2020, Dragon's Eye Recordings25:32 03:47 Merrin Karras - Drawn, QuarteredNorthwest Passage, 2020, A Strangely Isolated Place28:27 02:07 Ciro Berenguer - Luna CrecienteEilean 100, 2019, Eilean Records29:57 01:47 Yiorgis Sakellariou - B4Diapsalmata: A Collection Of Short Works, 2018, Tanuki Records29:57 01:19 Celer - Birds Inside The High Halls Of Hangzhou (06.23.17)Xièxie, 2019, Two Acorns30:12 03:18 Apichatpong Weerasethakul, Akritchalerm Kalayanamitr, Koichi Shimizu - Sharjah And JavaMetaphors - Selected Soundworks from the cinema of Apichatpong Weerasethakul, 2017, Sub Rosa31:24 00:44 Coil - Corybantic EnnuiStolen & Contaminated Songs, 2019, Cold Spring Records 32:32 01:22 Olivier Messiaen - Quator Pour Le Fin Du Temps III: Abîme des OiseauxOlivier Messiaen - Complete Edition, 2008, Deutsche Grammophon33:54 01:26 Hildur Gudnadottir - Following SophieJoker OST, 2019, Watertower Records35:14 00:55 Ryuichi Sakamoto - CountdownBlack Mirror: Smithereens, 2019, Milan35:45 03:24 Silent Chaos - Nocturne On Ganymede Macro, 2020, We Don't Give A Fuck38:52 04:03 Roger Eno & Brian Eno - Burnt UmberMixing Colours, 2020, Deutsche Grammophon42:38 02:13 Martina Bertoni - Invisible CracksAll The Ghosts Are Gone, 2020, Falk44:29 03:30 Eivind Aarset & Jan Bang - NightspellSnow Catches On Her Eyelashes, 2020, Jazzland Recordings46:21 02:13 Jana Irmert - FogCusp, 2020, self-released47:40 01:36 Fovea Hex - GivenIs Lanza Light & Given (Steven Wilson Remixes), 2019, Die Stadt/Janet Records48:42 02:40 Frank Makowski - Fliegende Schatten - Canon 1Canon der Finsternisse, 2019, Diffusschall49:05 01:12 Michael Begg - Plain ChantSonambulo, 2019, Omnempathy50:40 02:20 A Winged Victory For The Sullen - The Slow Descent Has BegunThe Undivided Five, 2019, Ninja Tune52:35 04:30 Felix Blume - Horns In Fog Pt. 2Fog Horns, 2019, Discrepant55:49 03:02 Max Richter - Ursa Minor - VisionsAd Astra, 2019, Deutsche Grammophon58:30 00:40 Jóhann Jóhannsson & Yair Elazar Glotman - The SunLast And First Men, 2020, Deutsche Grammophon59:10 End

I had not planned on doing another piano mix so soon after the last one in November 2015.  Then Piano Day happened.  On March 28th of this year a group founded by Nils Frahm celebrated the piano and everything around it. This was the second year for the event. In addition to music released for Piano Day and live events, the Piano Day website, pianoday.org, has this awesome random note generator.  I highly recommend playing around with it.  You can record your noodlings and play it back on the site.  It works great with a tablet where you can hit several notes simultaneously.   The website piano player is what got me started on this mix.  I made an audio recording of my random notes and then messed with it by mixing it with a backwards version and a slowed down version and adding a bit of reverb.  The result is very listenable.  Not an exact composition per se with now structure but it works pretty well as an ambient piano track. That's a long winded way of saying that is where this mix started.  Next I stumbled across an amazing recording on SoundCloud here... https://soundcloud.com/hey-exit/every-recording-of-gymnopedie-1 Brendan Landis, recording as Hey Exit, took every recording he could find of Satie's Gymnopedie #1 and played them all at the same time, layered on top of each other, timestretched to the length of the longest recording.  The 60 plus recordings combine to create an ethereal, phasing shifting version the famous Gymnopedie #1.  I knew immediately that I had to include this in any piano mix. A couple of quick notes on other tracks... The mix starts of with Fleeting Smile by Roger Eno.  A cut that owes a lot to Satie's Gymnopedies but is still beautiful on it's own.  It had been years since I listened to this track and after hearing it again I immediately added to a playlist I have called The Most Beautiful Recordings Ever. There is another sort of random notes type of piece in the mix and it's from Akria Rabelais.  The tracks full name is "Every Tone Is the Prism as Words, Any Unexpected Corners Must Be Slipped Away."  It's a 42 minute piece with LOTS of dead air in between notes.  I decided to remix it a bit by layering it to eliminate much of the silence.  I know this goes totally against the original intent of the track but I was just experimenting with the randomness of rearranging the notes and ended up liking how it sounded. I hope you enjoy these piano moments.  Maybe next year I'll have a piano mix ready on Piano Day.  In the meantime go visit the site... pianoday.org Enjoy T R A C K L I S T : 00:00 Roger Eno - Fleeting Smile 02:24 Hey Exit - every recording of gymnopedie 1 06:50 Hey Exit - every rec of gymnoedie 1 slowly 08:23 pianoday.org + Low Light - Piano Day web player remix 15:15 Steve Roach & Robert Logan - Moments Notice 20:30 Akira Rabelais - every tone is the prism(layered remix) 28:30 Harold Budd - Templar 37:30 Roedelius - Roedelius plays piano part 11 40:05 Nils Frahm - Mi 43:54 Unknown - random pno 47:27 Mark Lyken & Emma Dove - fishing for rigs pt. 1 49:05 Howard Skempton - piano piece 1969 50:30 Roedelius - Roedelius plays piano part 1 52:33 Chris Walla - Introductions 60:14 Hey Exit - every recording of gymnopedie 1 slowly 62:20 end

Музыкальные традиции Севера, вводящие в транс шаманские ритмы, саамы и их йойки, гипнотические голоса финских певиц... Все это можно услышать в музыке норвежской группы Transjoik. Во второй части программы - Roger Eno , Delirium, Afro Celt Sound System. Программа электронной, экзотической, экспериментальной музыки "Лунный город" выходит в эфир с 1996 года, теперь на IMAGINE RADIO FM. Автор и ведущая - Александра Ромашова.