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Murph & Markus - Hour 4: Christian Koss continues to make a name for himself, the man himself, Mr. Koss, joins the show, and WDYTLT: "Twerkulator" by City Girls uses a sample from "Planet Rock" by Afrika BambaataaSee omnystudio.com/listener for privacy information.
Murph & Markus - Hour 4: Christian Koss continues to make a name for himself, the man himself, Mr. Koss, joins the show, and WDYTLT: "Twerkulator" by City Girls uses a sample from "Planet Rock" by Afrika BambaataaSee omnystudio.com/listener for privacy information.
An epic rock song from the Odd Socks featuring the Godfather of Rock (played by Brian May) which is simply out of this world!
In part two of our interview with legendary house music producer Junior Sanchez, we talk about the late 1990s until the present day: forming the Wu-Tang of house with artists like Daft Punk and Basement Jaxx, Miami WMC and Ibiza hijinks, the “Planet Rock” tape, the electrohouse era, Junior's remix outlook, working with Madonna and the evolution of club culture over the last two decades, plus what keeps Junior inspired and connected to the underground more than three decades on. Hosted by Vivian Host (aka DJ Star Eyes). For more info and extras, visit Ravetothegrave.org or Instagram @ravetothe.grave.
The “girlie shows” are long gone from the county fairs. Former clubs like Planet Rock in Barre and Club Fantasy in South Burlington have all shut down. Vermont is now the only New England state without strip clubs. One stripper who grew up in Vermont reached out with a simple question: Why?For photos from our reporting, check out the web version of this story.Thanks to Susan Meiselas and Magnum Photos for the materials from Carnival Strippers and Carnival Strippers Revisted. This episode was reported by Sabine Poux. It was produced and edited by Josh Crane and Burgess Brown. Additional support from Sophie Stephens. Angela Evancie is Brave Little State's Executive Producer. Our theme music is by Ty Gibbons; other music by Blue Dot Sessions.Special thanks to Liam Elder-Connors, Jeff Haig, Steve Taylor, Scott Rogers, Fern Strong, Elaine Howe, Gail Weise, Jordan Mitchell, Matt Sutkoski, Lydia Flanagan and The Mutual Zine Society, as well as everyone we spoke to at the Tunbridge World's Fair: Gary and Martha Howe, Baxter Doty, Dave Smith, Louise and Frank Mier, Elliot Morse, Betsy and David Race and Gary YoungAs always, our journalism is better when you're a part of it:Ask a question about VermontSign up for the BLS newsletterSay hi on Instagram and Reddit @bravestatevtDrop us an email: hello@bravelittlestate.orgMake a gift to support people-powered journalismTell your friends about the show!Brave Little State is a production of Vermont Public and a proud member of the NPR Network.
Black Lakes talk to us at Bloodstock Festival telling us how they landed their spot on the bill via Planet Rock. They also go into their set at the festival, their new album, talk about whats next for the band and more. ===================== Follow The Razor's Edge online: Web: https://therazorsedge.rocks Facebook: https://www.facebook.com/therazorsedgerocks Twitter: https://twitter.com/_therazorsedge_ Instagram: https://www.instagram.com/therazorsedgerocks
Send us a Text Message.New podcast every two weeksCelebrating 20 years of digital uploads in 202542 years ago"Planet Rock" is a 1982 song by Afrika Bambaataa & the Soulsonic Force. The background and hooks featured Marvella Murray, Yvette Murray, Melissa Johnson and Sandra Wheeler. Although it was primarily an underground hit in the United States, Canada, and UK, it helped change the foundations of hip-hop and dance music. It is credited with developing the electro style.Sorry no track listLast track Planet Rock by Afrika Bambaataa & the Soulsonic Force
Extrait : « … Au fil des ans, l'organisation perd de sa superbe, son code d'honneur s'avérant peu en phase avec les réalités de la vie où « paix, unité, amour et fun » est vite supplanté par « drogues dures, rivalités, argent bling-bling et femmes objet ». En France, introduite par DJ Dee Nasty, Zulu Queen Malika et Sydney, le futur présentateur de l'émission HIP HOP sur TF1, la Zulu Nation s'essouffle vite, en raison du rapprochement de la maison mère avec la Nation of Islam de Louis Farrakhan, et l'interdiction de boire de l'alcool. Interdire le chablis, t'imagines le drame … »Pour commenter les épisodes, tu peux le faire sur ton appli de podcasts habituelle, c'est toujours bon pour l'audience. Mais également sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde. Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
For episode 68 we're going back to basics with no guest as Colin & Ian discuss Melody Maker's Planet Rock tape from June 1997 (in a previously unreleased episode recorded in 2021).The tape's full tracklisting is -1 – Foo Fighters - Wind Up2 - Rollins Band - Inhale Exhale3 - Helmet - Renovation4 - 3 Colours Red - Nuclear Holiday5 - Bush - A Tendency To STart Fires6 - Terrorvision - Didn't Bleed Red7 - Reef - Summer's In BloomListen to all available songs on our ongoing Spotify playlist - https://open.spotify.com/playlist/1mzWOWEfQ5LklJyUZkpfs2?si=LbWBi9-oTl-eXjkUJbpx2QYou can buy a copy of the tape from Discogs here - https://www.discogs.com/release/2046347-Various-Melody-Maker-Planet-RockHosts - Ian Clarke & Colin Jackson-BrownRecorded/Edited/Mixed/Original music by Colin Jackson Brown for We Dig PodcastsPart of the We Dig Podcasts network along with We Dig Music & Pick A Disc.Tiktok - https://www.tiktok.com/@freewiththismonthsissueTwitter – https://twitter.com/thismonthsissueInstagram - https://www.instagram.com/freewiththismonthsissue/Facebook - https://www.facebook.com/freewiththismonthsissue/Find our other episodes & podcasts at www.wedigpodcasts.com
With their tenth studio album 'Science, Not Fiction' due out on Peaceville Records in just weeks, Joe of Orange Goblin stops by The Razor's Edge studio. We talk all about the new album, how they achieved it's massive sound, the transition from Martyn to Harry, how bands labeled "stoner rock" are overlooked by the likes of Planet Rock, their plans for the next eighteen months and a lot more. ===================== Follow The Razor's Edge online: Web: https://therazorsedge.rocks Facebook: https://www.facebook.com/therazorsedgerocks Twitter: https://twitter.com/_therazorsedge_ Instagram: https://www.instagram.com/therazorsedgerocks
Send us a Text Message.Welcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:1 point: get the year correct within 10 years (e.g., you guess 1975 and it is between 1965-1985)4 points: get the year correct within 5 years (e.g., you guess 2004 and it is between 1999-2009)7 points: get the year correct within 2 years (e.g., you guess 1993 and it is between 1991-1995)10 points: get the year dead on!Guesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes.I will read your scores out on the following episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Copperhead Road by Steve Earle (1988)Song 1: Batter Up by Nelly (feat. Murphy Lee & Ali) (2000)Song 2: Do You Believe in Love by Huey Lewis & the News (1982)Song 3: Chicago by Michael Jackson (1999)Song 4: Welcome to Your Life by GROUPLOVE (2016)Song 5: Planet Rock by Afrika Bambaataa & Soulsonic Force (1982)Song 6: You're the First, the Last, My Everything by Barry White (1974)Song 7: God Almighty's Gonna Cut You Down by Golden Gate Quartet (1947)Song 8: You Got Lucky by Tom Petty & the Heartbreakers (1982)Song 9: Chicken Fried by Zac Brown Band (2008)Song 10: Angel in Blue by The J. Geils Band (1981)
In Episode #179 of The XS Noize Podcast, host Mark Millar speaks to legendary DJ/Producer Arthur Baker, credited as a leader, pioneer, and trailblazer in electronic music. Masterminding breakthrough experimentation with tape edits and sampling. He left Boston for New York at the start of the 1980s. Initially DJing and producing disco and soul, he was drafted in by Tommy Boy Records to produce for hip-hop crew Afrika Bambaataa and the Soul Sonic Force. Planet Rock, the seminal single — with vocals by MC G.L.O.B.E. — that came out of those sessions, unwittingly kick-starting a revolution: electro. Baker would go on to become an award-winning DJ and music and film producer, producing and mixing such artists as Bob Dylan, Hall & Oates, Al Green, Bruce Springsteen, The Rolling Stones, Tina Turner, Diana Ross, Cyndi Lauper, New Order, The Pet Shop Boys, Fleetwood Mac and Hurts. Fast-forward 40 years of hip-hop and electro street culture and Arthur is now a bona fide legendary music figure. Now he has teamed up with UK house rhythm master Steve Mac for the Sex Machine EP. In this interview, Arthur discusses the early days of hip hop, The Sun City album, the Sex Machine EP, remixing huge hit records and lots more. Previous XS Noize Podcast guests have been Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, John Lydon, Nick Heyward, Steven Wilson, Matt Goss, Billy Nomates, Tom Meighan, Toyah Wilcox, Midge Ure, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, The Brand New Heavies, Villagers. Listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here.
Today I'm talking with Ashley Sherlock from the Ashley Sherlock band.Ashley Sherlock is a gritty blues rock guitarist/vocalist from Manchester. Nominated for Young Blues Artist of the Year, his music creates a modern outlook on the sounds of the American deep south with his superb vocal range, catchy melodies and rock/ blues drenched guitar style.Treading the boards as tour support for international artists, The Kris Barras band, The Quireboys and Laurence Jones. The Ashley Sherlock Band has released two critically acclaimed EP's, that have found favour on popular radio stations including Planet Rock, which has ultimately led to his signing to the highly respected, Ruf Records label, where he joins the roster with hi calibre artists, Joanne Shaw Taylor, Walter Trout, Samantha Fish, Luther Allison and Robin Trower.to get your hands on THE TRIAD METHOD: https://thebluesguitarshow.com/product/the-triad-method/Become a Blues Guitar Show Member: https://www.buzzsprout.com/950998/subscribeHead over to www.thebluesguitarshow.com to subscribe to the mailing listIf you find this stuff useful leave me a review on Spotify or Apple PodcastsShoot me a question to cover in the upcoming episodes by emailing ben@thebluesguitarshow.comBecome a plus member now: https://www.buzzsprout.com/950998/subscribeBecome a plus member now: https://www.buzzsprout.com/950998/subscribe Download the Triad Method: https://thebluesguitarshow.com/the-triad-method/Roots Music RamblerHear great conversations with the artists behind the music you love, new music and more!Listen on: Apple Podcasts SpotifySupport the Show.
The 1980s was a pivotal era in the evolution of music, witnessing the emergence of various genres that would shape the sound of the decade and beyond. Among these, electro hip hop and funk stood out as vibrant expressions of urban culture, each with its own distinct origins and influences. The roots of 80s electro hip hop can be traced back to the streets of New York City, where DJs and musicians experimented with blending elements of funk, disco, and electronic music. One of the key figures in this movement was Afrika Bambaataa, who, along with his group the Soulsonic Force, released the seminal track "Planet Rock" in 1982. Characterized by its use of synthesizers, drum machines, and futuristic soundscapes, "Planet Rock" laid the foundation for electro hip hop and inspired countless artists to explore the possibilities of electronic instrumentation in hip hop music. Meanwhile, 80s funk experienced a resurgence fueled by artists such as Prince, Rick James, and George Clinton. Building on the foundations laid by pioneers like James Brown and Sly and the Family Stone, these artists infused funk with elements of rock, pop, and electronic music, creating a sound that was both innovative and infectious. Tracks like Prince's "Purple Rain" and Rick James' "Super Freak" became anthems of the era, blending irresistible grooves with bold experimentation. While electro hip hop and funk emerged from different musical traditions, they shared a common ethos rooted in innovation, rebellion, and self-expression. Both genres served as soundtracks to the vibrant culture of the 1980s, reflecting the energy and diversity of urban life. From the streets of New York City to the clubs of Los Angeles, electro hip hop and funk provided a voice for a generation, inspiring dance floors and sparking imaginations. As the 80s gave way to the 90s, the influence of electro hip hop and funk continued to reverberate throughout the music world, shaping the sounds of hip hop, R&B, and electronic dance music for decades to come. Yet, the spirit of innovation and creativity that defined these genres remains as vibrant today as it was in the heyday of the 1980s, a testament to the enduring power of music to unite, inspire, and transcend boundaries.
ABOUT SKINNY KNOWLEDGE:Skinny Knowledge is an exciting 4-piece alt-rock band bursting out from the UK south coast. The band's sound and high-energy live performances capture the vibrancy of the raw and raucous, early 90's grunge and pop-punk sound reminiscent of Foo Fighters, Green Day, Nirvana, and Sum 41.The brightly coloured 4-piece has earned praise and airplay from a plethora of high-profile platforms including Planet Rock, Kerrang!, Classic Rock Magazine ‘Tracks of The Week' inclusions on 7 occasions, BBC Introducing, Amazing Radio, and more. The cheeky-chappy lads have brought their effervescent live show to various venues and festivals gracing the stages of Teddy Rocks and the inaugural Maid of Stone in Kent to an emphatic ovation in a packed-out marquee stage. Following the release of their highly acclaimed debut album ‘Don't Turn Out The Lights', in 2023 the band released their incendiary sophomore album ‘twentytwo.'. The collection of raw-high energy and personal songs delighted fans, gained new ones, and garnered stellar reviews across the board with Classic Rock proclaiming “An enviable ability to turn out exhilarating and immediate tunes. 8/10” and Rock N' Load Magazine enthusing “A perfect slice of pop-punk-indie-rock pie! 9/10”Early 2024 sees them in their London debut as special guests to highly acclaimed blues rocker Jack J Hutchinson at O2 Academy 2 Islington, with the year set to be a busy breakthrough playing the Love Rocks and Wildfire festivals with more festival appearances and shows to be announced.CONNECT WITH SKINNY KNOWLEDGE:Facebook - Instagram - YouTube - Twitter - WebsiteSUPPORT THIS SHOWSUBSCRIBE TO YOUR LIFE THE MIXTAPE MAGAZINESUBSCRIBE TO DEAR DEAN MAGAZINE
Editor's note: Today's special episode comes to us from our friends at The Conduit, who operate under the Crewest Studio network of podcasts alongside NOT REAL ART. In the ‘90s, rock was rock, hip-hop was hip-hop, and never the twain did meet. Then, at the turn of the century, a 73-minute, genre-bending bomb exploded onto the music scene, shattering notions about the limits of creativity and collaboration. Uneasy Listening, Vol. I, a joint record from like-minded DJs P and Z-Trip, broke genre conventions by mixing rock ‘n' roll mainstays like Rush and Pat Benatar with dance and hip-hop cuts from Madonna, Redman, and The Pharcyde.Welcome to The Conduit, a podcast featuring candid conversations with professional musicians who give listeners the unvarnished truth about being an artist in the music industry. In today's episode, L.A.-based DJ, producer, and musician Dan Ubick (aka Constantine “Connie” Price) sits down with Zach Sciacca (better known as DJ Z-Trip) to discuss the musician's pioneering work as a key player in the mash-ups movement.“It wasn't like I set out to become a DJ,” says Z-Trip, whose Uneasy Listening arrived on the scene in 2001, just as samples, remixes, and mashups were gaining credibility as a valid form of self-expression. “It was very much about me having this music and wanting to share it,” he continues. “Once I realized that I could put it together and I could expose people to the things that I liked, the DJ thing came into play.” Widely known as both the godfather of mashups and “America's Best DJ,” an award he received in 2009 from the DJ Times, Z-Trip is also renowned for his technical abilities and production skills. Over the years, he's collaborated with innovative artists like Nas, Beck, Public Enemy, and DJ Shadow, remixing songs from artists as varied as Bob Marley and the Butthole Surfers. In his interview, Z-Trip shares the brightest pearls of wisdom he's pocketed along the way: “One thing I learned through the arc of my whole career is take chances,” he says. “Be risky, try to push boundaries. Don't always play it safe. There's a time to play it safe, there's a time to lock in.”Z-Trip also touches on his favorite genre-bending tracks (see Afrika Bambaataa's “Planet Rock”), why creative consistency trumps big milestones, and how to find like-minded artists traveling a similar career path. His advice to aspiring DJs? “Every gig, go into it like it's your first [and last],” he says, adding, “put your heart and fucking soul into it because you never know who's watching.” Key Points From This Episode:How the contrasting worlds of New York and Arizona influenced Zach's taste in music.The diverse collection of 12-inch singles that led him to become a DJ.Why ‘Rock the Bells' by LL Cool J epitomizes Zach's genre-bending style.Zach's belief in pushing boundaries rather than chasing money or trends.The unique sense of discovery that attracted him to hip-hop.Talent over appearance: the freaks, geeks, and outcasts that were also drawn to the genre.Insight into Zach's process of producing his own music; which started with pause tapes.The story of the ‘Rockstar' track on Return of the DJ that caught the attention of...
On this week's show, we... celebrate 50 years of hip-hop with a fistful of our fave old-school cuts spend quality time with the first record in 38 years from Rain Parade and the solo debut from Best Coast's Bethany Cosentino spin fresh tracks from Black Pumas, Low Cut Connie & Rhiannon Giddens All this & much, much less! Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.ys
This Thursday on Beyond The Vibe I'm joined by Rhiannon Hill of Kira Mac, we talk all about the whirlwind 18 month journey from appearing on The Voice UK, making a debut album independently, winning Planet Rock's Best New Band of 2023
#slash #nunobettencourt #classicrock BREAKING ROCK NEWS : What is going on with SLASH & Nuno Bettencourt ?The Extreme Feud: GnR Hired Guitarist Sparks Clash between Slash and Nuno BettencourtNUNO BETTENCOURT Responds Over SLASH Comments!Nuno Bettencourt, who has performed with pop superstar Rihanna for more than a decade, has clarified his recent comments in which he seemingly took a swipe at one of his colleagues, GUNS N' ROSES guitarist Slash.In a recent interview with Planet Rock, the EXTREME guitarist opined that many of the guitar players he looks up to, including Slash, would not be able handle the musical diversity of a Rihanna concert.➜Join this channel to get access to perks:https://www.youtube.com/channel/UCpDurwXKpDiXuGBdsklxigg/joinSupport the show
566 Afrika Bambaataa and the Soul Sonic Force - Planet Rock
Seine Beats kennt jeder, oft ohne es zu wissen. In den 1970er Jahren ist Afrika Bambaataa einer der treibenden Protagonisten, rund um die Entstehung der HipHop-Kultur in der New Yorker Bronx. Samplen heißt das Verfahren, das der DJ etabliert und stetig weiterentwickelt hat. Beim Sampling werden musikalische Schnipsel bereits bekannter Musik- oder Tonaufnahmen zu einem neuen Stück zusammengesetzt, oft mithilfe spezieller Computerprogramme. In „Planet Rock“, 1982 veröffentlicht, finden sich viele Beispiele großartiger Samples, u.a. von „Kraftwerk“. Noch mehr Wissen, rund um herausragende Songs der Popmusikgeschichte, gibt es in dem Podcast „Erklär mir Pop extra – mit MINE und Udo“. Die Berliner Sängerin MINE und Musikexperte Udo Dahmen von der Popakademie in Mannheim, bringen abwechselnd Lieblingshits mit und stellen sie, angereichert mit persönlichen Geschichten, vor. Zwei Generationen mit unterschiedlichem Musikgeschmack – aber eine Leidenschaft für Popmusik – unterhaltsam wie informativ zugleich. Immer am letzten Samstag im Monat – in der ARD Audiothek und überall dort, wo es Podcasts gibt sowie auf SWR2.de.
When Rivers Meet Interview - Now Spinning Magazine Podcast One of the most exciting new bands to emerge in recent years and their story is so inspirational on how they are making the current music business work for them. Meet Grace and Aaron Bond from When Rivers Meet Prepare to have your blues-rock world shaken and stirred by the phenomenal duo, When Rivers Meet. Hailing from Essex, this powerhouse of a band redefines the genre, marrying soul-stirring vocals with electrifying guitar riffs that will make even the most seasoned blues-rock fan sit up and take notice. Fronted by the mesmerizing Grace Bond and her jaw-dropping vocals, mandolin mastery, and fiery violin skills, she is accompanied by her equally talented husband, Aaron Bond, who enthralls listeners with his innovative guitar and cigar box playing, along with captivating vocal harmonies. Since their explosive debut in 2019 with their first EP, When Rivers Meet has continued to build a stunning discography, including a second EP and two chart-topping studio albums. Their 2020 release, We Fly Free, soared to #1 on iTunes Blues Album Charts, while their 2021 gem, Saving Grace, cemented their status as blues-rock royalty, charting at #2 UK Official Jazz & Blues Albums Chart, #5 UK Official Album Downloads Chart, and #6 UK Official Independent Albums Chart Top 50. Their hotly anticipated third studio album is set for pre-order in March, with a summer release in the works. When Rivers Meet's relentless rise to prominence was further confirmed by their history-making feat of being the first band to clinch four awards at the UK Blues Awards 2021, followed by another three in 2022, taking home Blues Band of the Year both times. Their accolades don't end there, with a Best New Band win at Planet Rock's The Rocks Awards in 2021 and a Blues Power Award and Album of the Year (Saving Grace) triumph in 2022. If you're a die-hard blues-rock fan who thought you've heard it all, let When Rivers Meet show you just how much more there is to discover. Their unrivaled passion, authenticity, and undeniable talent make them an irresistible force you simply can't ignore. Buy When Rivers Meet Albums here Phil Aston | Now Spinning Magazine
DJ Dean and The B-MAN take you back to the early 80s with the release of "Planet Rock" by Afrika Bambaataa. Learn about the history of this song the groups beginnings. All their hits in the mix!
These 80s hip hop songs are considered classics by many:"Rapper's Delight" by The Sugarhill Gang (1979)"The Message" by Grandmaster Flash and the Furious Five (1982)"Planet Rock" by Afrika Bambaataa & the Soulsonic Force (1982)"Rock Box" by Run-DMC (1984)"Sucker MC's" by Run-DMC (1983)"My Adidas" by Run-DMC (1986)"Paid in Full" by Eric B. & Rakim (1987)"Fight the Power" by Public Enemy (1989)"I Know You Got Soul" by Eric B. & Rakim (1987)"It Takes Two" by Rob Base and DJ E-Z Rock (1988)These songs played a significant role in shaping the hip hop genre and paved the way for future generations of hip hop artists.Support this podcast at — https://redcircle.com/we-create-the-vibes-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Here are some of the most popular and influential hip hop songs from the 1980s, based on critical and popular reception:"Rapper's Delight" by The Sugarhill Gang (1979)"The Message" by Grandmaster Flash and the Furious Five (1982)"Planet Rock" by Afrika Bambaataa & The Soulsonic Force (1982)"Rock Box" by Run-DMC (1984)"The Breaks" by Kurtis Blow (1980)"Sucker MC's" by Run-DMC (1983)"Paid in Full" by Eric B. & Rakim (1987)"Fight the Power" by Public Enemy (1989)"It Takes Two" by Rob Base and DJ E-Z Rock (1988)"Children's Story" by Slick Rick (1988)It's important to note that this list is not exhaustive and there were many other great hip hop songs released during the 1980s that contributed to the development and evolution of the genre.Support this podcast at — https://redcircle.com/we-create-the-vibes-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Many mokuhanga printmakers today touch on different mediums when they create their work. It could be sculpture, bookbinding, or installation. There is no limit as to what can be accomplished with mokuhanga. On this episode of The Unfinished Print I speak with mokuhanga printmaker and artist Katie Baldwin. Based in Alabama where she is an Assistant Professor at the University of Alabama, Huntsville. Katie has travelled the world, from Poland to Taiwan. She is involved in several collaborative groups, such as ShiftLab, wood+paper+box, and The Mokuhanga Sisters. Katie speaks on her early days of making mokuhanga, her time at Nagasawa Art Park, the influence of her artist father, studio space and what it does to her work. We also discuss the concept of "craft," and her evolution as an artist. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Katie Baldwin - website, Instagram Progress from the Two Stories Series (2013) - woodblock and letterpress Tornado Shelter (Practice Evacuation) [2021] Neighbourhood 2 from Things Left Behind Series (2010) portion from Multiple Discovery by Shift-Lab (2022) artists book Fire Drill (ca. 2020) Evergreen State College - is a state funded college located in Olympia, Washington, USA. It covers environmental justice, history, amongst other subjects. More info can be found, here. letterpress - is a type of relief printing by using a printing press. It was popular during Industrialization and the modernity of the West. By the mid twentieth century, letterpress began to become more of an art form, with artists using the medium for books, stationary, and greeting cards. woodblock printing in Europe - first starting in and around 1400, woodblock printing in Europe used the medium to represent Chirstian subjects. Albrecht Dührer (1471-1528) made detailed devotional works with woodcuts. Another famous style of woodcutting in Europe was using the chiaroscuro (light and dark) method of drawing within a woodcut as seen in the work of Louis Cranach the Elder (1472-1553). More info can be found, here. The Four Horseman of The Apocalypse (1496-1498) woodcut The Werewolf or the Cannibal (date unknown) woodcut Nagasawa Art Park (MI Lab) Awaji City - Nagasawa Art Park was an artist-in-residence program located in Awaji City, Hyōgo Prefecture, Japan. It was open for 12 years before evolving into MI Lab in 2012. More info, here. Awaji Island - is located in the Seto Inland Sea in Japan. It is famous for its Naruto whirlpools, the longest suspension bridge in the world in the Akashi Kaikyo Bridge. It is also a connection to both Shikoku Island, and the main land of Honshu. More info can be found, here. Vandercook Press - is a proof printing press manufactured by Vandercook & Sons, beginning in 1909. They made different types of presses, such as letterpress and offset. They are now a part of NA Graphics. shina - is a type of Japanese plywood used in mokuhanga. Not all shina is made equally, buyer beware. intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here. codex - is a type of book binding in the Western method and is a precursor to the modern book. Wells College - is a private college located in Aurora, New York, USA. The school provides various courses in the social sciences, science, and environmental studies. More info can be found, here. National Taiwan Normal University - was founded in 1922 and serves many different avenues of study. Their Department of Fine Arts, holds a Bienniel Print Exhibit, more info here and here. Taoyan International Print Exhibition 2021 - was a print exhibition showcasing international printmakers in the town of Taoyan, Taiwan. More info, here. aizuri-e - a late Edo Period (1603-1867) type of printmaking where the woodblock print is predominantly in blue, or shades of the color blue. The blue colour was usually a Prussian Blue imported into Japan around 1790. artelino have a great description of Prussian Blue and aizuri-e, here. Fullbright Scholarship - is a scholarship that covers various types of grants. Beginning in 1946, this particular scholarship provides grants and exchanges for many countries and for various students, scholars, and professionals. More info, here. Puli, Nantou, Taiwan (埔里鎮) - is a township located in the Nantou County, a mountainous and landlocked portion of Taiwan. Known for its nature, lakes, and national parks. More info, here. sizing paper - at times mokuhanga printmakers will size their paper. Size is made from water, animal glue (rabbit, horse), and alum. What the size does is keep the pigments the artist uses from “bleeding” into the outer edges of the paper. There are many recipes of size, here is one that artist Walter J. Phillips used. kozo paper - is paper made from mulberry bark and is commonly used in woodblock printmaking, and cloth. Art Taipei - is organized by the Taiwan Art Gallery Association (TAGA) and is an art fair which takes place once a year in October. More info can be found, here. Chiang Kai-shek Memorial Hall (國立中正紀念堂) - is a landmark located in Taipei, Taiwan. It is in memoriam to the leader of the Republic of China, Chiang Kai-shek (1887-1975), who lived in exile in Taiwan from 1949-1975. sumi - is a rich black stick, or liquid used by artists, calligraphers, and traditional Japanese horimono tattoo artists. It is made from the soot of burnt lamp oil. Used in key blocks predominantly in traditional mokuhanga, it can also be used to mix pigments. Pigment Tōkyō conducts a great interview with their chief of pigments, Kei Iwaizumi, about sumi ink, here. Shift-Lab - is an international artists collective which started in 2013. The collective is made up of Katie Baldwin, Denise Bookwalter, Sarah Bryant, Macy Chadwick, and Tricia Treacy. Their works are a blend of bookmaking, sculpture, mokuhanga, printmaking, and drawing. More info can be found, here. Below is work from Shift-Lab and each individual artist within the collective, other than Katie Baldwin, whose work can be found above. Info regarding the collective can be found, here. Click on the artists name for their respective website's. Tetrahedron (2011) by Denise Bookwalter - digital/dimensional print The pine cone is an object of veneration (2012) by Sarah Bryant - letterpress Observations on Listening (2012) by Macy Chadwick - letterpress, polymer plate SLOT (2018) by Tricia Treacy - one page from the SLOT piece. - risograph, hand binding, foil-stamping CODEX Book Fair and Symposium - is a biennaly held book fair and is hosted by CODEX, a foundation created in 2005 by Peter Rutledge Koch, and Susan Filter. Their aim is to promote the book form as art. The next book fair will take place in 2024. More info can be found, here. The Mokuhanga Sisters - are a mokuhanga collective consisting of Yoonmi Nam, Mariko Jesse, Lucy May Schofield, Melissa Schulenberg, Kate MacDonagh, Katie Baldwin, Mia-O, Patty Hudak, and Natasha Norman. website, Instagram wood+paper+box - is a collaborative art group made up of Katie Baldwin, Mariko Jesse, and Yoonmi Nam. It is based on their experiences at Nagasawa Art Park, the precursor of MI Lab. Yoonmi Nam (b. 1974) - is a contemporary mokuhanga printmaker, lithographer, sculptor, and teacher, based in Lawrence, Kansas. Her work can be found, here. Her interview with The Unfinished Print can be found, here. Cover of Kansas City Collection (2014-2015), catalogue Mariko Jesse - is an illustrator, and mokuhanga printmaker based in Tōkyō, London, and California. Her work can be found, here. Mariko is also a part of the collective, wood+paper+box, which can be found, here. Berry Flower (2020) The Group of Seven - were a group of landscape painters from Canada. The artists were, Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A.Y. Jackson 1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J.E.H MacDonald (1873–1932), and Frederick Varley (1881–1969). Later, A.J. Casson (1898–1992) was invited to join in 1926, Edwin Holdgate (1892–1977) became a member in 1930, and LeMoine FitzGerald (1890–1956) joined in 1932. While Tom Thomspon (1877–1917), and Emily Carr (1871–1945) were not "official" members it is generally accepted that they were a part of the group without being "officially" a part of the group because of the group relationship with the artists. More info can be found, here. Collaborative Mokuhanga Groups of the past - usually associated with the sōsaku hanga movement of the early 20th century, these collaborative mokuhanga groups shared and disseminated their work amongst themselves, teaching techniques and methods, strengthening the creative print movement in Japan. Some famous print groups were The First Thursday Society as founded by Onchi Kōshirō (1891-1955), and the Yoyogi Group founded by Un'ichi Hiratsuka (1895-1997). Printmaking during this time was predominantly male, so we see Japan and that time period through the eyes of men. There were female printmakers, such as Keiko Minami (1911-2007), although she lived abroad and not in Japan. In Japan you had the Joryū Hanga Kyōkai, the first woman's printmaking society who held their first show in Tōkyō. Artists such as Iwami Reika (1927-2020), and Kobayashi Donge from this group, made mokuhanga prints. Moon and Water (ca. 1972) - by Iwami Reika Eve In A Circus by Kobayashi Donge (date unknown) - etching on paper In Cahoots - is a residency program based in Petaluma, California, USA. It focuses on letterpress, relief printmaking, and artists books. It is run by Mary Chadwick. More info can be found, here. Mise-en-Scène - is an artists project by wood+paper+box, currently in progress. More info, here. © Popular Wheat Productions opening and closing musical credit - Planet Rock by Afrika Bambaataa (1982) logo designed and produced by Douglas Batchelor and André Zadorozny Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***
Check out this fun and powerful episode os Soul Stories starring Dr Randall and Princess Superstar! With two top 20's under her belt including “Bad Babysitter” and “Perfect Exceeder” (#3 on the UK charts), Princess has recorded 7 astonishing albums. She has had numerous collaborations with amazing musicians and producers of such musical variety that few can rival. To name a few: Armand Van Helden, Moby, Kool Keith, Prince Paul of De La Soul, Chilly Gonzales, DJ Hell, The Prodigy (she was featured on their album which went to #1 in the UK,) the legendary Arthur Baker (who made the groundbreaking “Planet Rock” with Afrika Baambata and “Blue Monday” with New Order,) Stuart Price (Madonna), and more. Princess has collaborated with famed comedian Margaret Cho; and she was also featured on Inside Amy Schumer Season 4, rapping on a hilarious skit called “Beautiful.” When Princess turned 50 she wrote “Gettin' Older (Pussy Still Pop)” which is a hilarious ode to aging, which she wrote to celebrate women as they get older and better! This year she also released the political satire “The 2 Party System is Broken” recorded with Ric Macrae (Dr. Dre/Azalea Banks/Kendrick Lamar) which is about the insanity of our country right now. You can also check her out on The Magical Adventures of Princess Superstar, a weekly radio show on Tastemaker Radio/Dash Radio every Thursday at 7 pm PST.Princess is also a homeschooling mother and married to her beloved husband Miguel, and they currently live in Santa Monica, CA. Dr Randall and Princess Superstar discuss aging, sobriety, eating consciously and healing the planet is this unique episode- don't miss it!
The guys are joined by DC Glenn of Tag Team to discuss his career. Plenty of discussion about the longevity of "Whoomp There It Is," the GEICO commercial, spinning records and mix tapes in Sacramento, the cautions of music publishing, Elf, mastering SEO, Planet Rock and Kraftwerk, embracing being a one hit wonder, and we discuss plenty of 80s hip hop like MC Shan & BDP & MC Lyte (and some songs that haven't held the test of time) including a teaser of an upcoming Run DMC episode. Check out Tag Team at: https://www.tagteambackagain.comCheck out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast
I talk to Susan Rogers again to about neuro acoustics but in the same way it's discussed in her new book “This Is What It Sounds Like”- by using song examples. Host Rudy picked SIX songs and we're talking about them. If you're listening on a paid Spotify account you'll be able to hear the full songs otherwise you get 30 seconds on a free Spotify account. If you're listening on a different podcast platform there you'll Get bubkus. But there are links below to hear the songs on YouTube. Susan Roger's book “This Is What It Sounds Like” Song 1: Planet Rock by Afrika Bambaataa and The Soulsonic Force Song 2: It Was A Very Good Year by Frank Sinatra Song 3: Funkier Than A Mosquito's Tweeter by Nina Simone Song 4: Teardrop by Jose Gonzalez Song 5: Lust For Life by Iggy Pop Song 6: When Doves Cry by Prince Follow Rudy on various social media: Twitter Instagram
In der 59. Folge von "Und was machst du am Wochenende?" ist die Film- und Fernsehschauspielerin Jasmin Gerat zu Gast, die noch ein Teenager war, als sie als Moderatorin von Bravo TV bekannt wurde. Gleich am Anfang verrät sie, dass dies ihre Podcast-Premiere ist: "Ich musste mich jetzt trauen." Die Stimmung ihrer beiden Töchter rettet sie am Wochenende mit Bob Marley. Freitag ist Pizza-Glotz-Abend mit der ganzen Familie, samstags und sonntags gilt die 9-Uhr-Regel: Die Mutter darf vorher nicht gestört werden. Dann kickt sie sich mit Matchatee auf ein "Wachheitsplateau", das sie durch den ganzen Tag trägt, verweigert sich dem Bügeln und verrät dem Podcast-Gastgeberteam Ilona Hartmann und Christoph Amend ihr Lieblingskochrezept für den Herbst. Am Samstagabend ist sie dann "völlig fertig vom Nichtstun". Sie erzählt, dass sie ihr ganzes Leben auf der Suche nach Balance ist, und sagt: "Mal sehen, ob ich sie finde." Sie erinnert sich, wie es war, mit 15 TV-Moderatorin zu werden – und wie es dazu kam, dass sie mit Anfang 20 bei ihren Eltern in ihrem alten Kinderzimmer lag, aus Erschöpfung durchweinen musste und mit dem Moderieren aufgehört hat: "Ich konnte nicht mehr." In dieser Folge empfehlen Jasmin, Christoph und Ilona: - Das Lied "Buffalo Soldier" von Bob Marley & The Wailers - Die Filme "E.T.", "Charlie und die Schokoladenfabrik" und "Flubber" - Die Lieder "Show Me Love" von Robin S., "The Time is Now" von Moloko, "3 Tage wach" von Tobias Lützenkirchen und "Planet Rock" von Afrika Bambaataa - Die Serien "Shameless", "This is Us" und "Kleo" - Den Podcast "Madame Moneypenny" - Die Bücher "Madame Moneypenny: Wie Frauen ihre Finanzen selbst in die Hand nehmen können" von Natascha Wegelin und "Chamäleon" von Annabel Wahba Außerdem Ilonas Tipps zum Thema "Macht doch mal wieder eine Party!" Und es gibt Rezeptempfehlungen: - Yotam Ottolenghis Süßkartoffel-Feigen-Rezept: Süßkartoffel vierteln, in Auflaufform geben, mit Olivenöl beträufeln und in den Backofen schieben. Währenddessen Chili und Frühlingszwiebel in der Pfanne glasieren, Feigen schneiden, ein bisschen Balsamico dazu, Ziegenkäse nach Bedarf zerbröseln. - Vegane Bolognese à la Jasmin Gerat: Möhren, Sellerie, Knoblauch, Oregano und Thymian, eine Tube Tomatenmark, passierte Tomaten, stückige Tomaten aus der Dose, Sojagranulat (muss kross wie Hackfleisch sein) mit Spaghetti oder Spaghettini Das Team erreichen Sie unter wochenende@zeit.de.
Jack J Hutchinson is a London based blues rock guitarist and songwriter. Described by Classic Rock Magazine as “a real rock contender”, he has toured internationally, sharing stages with acts such as ZZ Top, Bad Company, Kris Barras Band and Blackberry Smoke. Jack recently released his new 4 track ‘What Doesn't Kill You' EP mixed by legendary producer Kevin Shirley (Black Crowes, Iron Maiden, Led Zeppelin). The EP follows is his critically acclaimed album ‘The Hammer Falls' which was released earlier this year via Earache Records Digital Distribution, with Planet Rock saying “Jack's gritty, honest take on blues rock comes with a flourish of biker steel”. What the press have been saying… “Tough, immediate and rockin'. Hutchinson was born to sing soul and blues.” (Classic Rock Magazine) “Growling vocals combine with raunch ‘n' roll acoustic and electric guitars. It's a heck of a debut and definitely a name to watch out for.” (Guitarist Magazine) “One of the strongest debuts from a British artist this year.” (Planet Rock) This summer saw the heavy blues-rock axe slinger play his first USA solo shows at the world renowned NAMM festival in Southern California. In October he starts a run of UK dates in support of the EP, featuring new venues he has not played before. Always serving up an engaging live show, the tour will be a highlight of the year for gig-goers. --- Support this podcast: https://anchor.fm/tophillrecording/support
Few DJs have had as big an impact on music and culture as Zach Sciacca, nor do they work as hard. Whether in the studio, behind the decks, or behind the scenes, he is always pushing the boundaries and honing his craft. Better known as DJ Z-Trip, Zach is a genre-bending Los Angeles musician, the recipient of the 2009 America's Best DJ Award, and a pioneer of the mashup movement. As a producer, he has worked with incredible artists across genres, including the likes of LL Cool J, Public Enemy, Kasabian, and Dan the Automator. His love for all styles of music and how they can work together is groundbreaking and inspiring, and his innate funkiness and technical ability have led him to compose scores for video games like EA Skate, create mashups for Activision's DJ Hero, and score music for films such as Infamy, La Bare, and Bob Marley: Legend Remixed. In today's conversation, Zach shares some major pearls of wisdom about the importance of pushing the boundaries whenever you have the chance and investing your energy in constant evolution, not what sells or attracts the most followers. We also touch on how the pandemic helped him reconnect with his ‘why' and why he believes that true success is about the aggregate, not the benchmarks. Zach has a work ethic to be admired, as well as a deep love for music, an approachable demeanor, and a relentlessly positive attitude, and listeners will benefit greatly from hearing his story today. We hope you'll join us! Key Points From This Episode: How the contrasting worlds of New York and Arizona influenced Zach's taste in music. The story of how his collection of 12-inch singles led Zach to become a DJ. Some favorite examples of tracks that blend genres, like Afrika Bambaataa's ‘Planet Rock'. The boundary-pushing sampling and discovery that drew Zach to hip hop. Insight into Zach's process of producing his own music, which started with pause tapes. The ‘Rockstar' track on Return of the DJ that caught the attention of Zach's peers. Why he believes that the mashup requires a certain level of open-mindedness. The value of working with those on the same trajectory as you, rather than more established artists, and building the right team. Key lessons from Zach's career: be risky, push boundaries, and don't always play it safe! The work ethic and commitment to improvement that Zach demonstrates every day. What the pandemic taught him about reconnecting with his ‘why'. How live streaming and virtual raves influenced his practice and his mindset. Zach shares his belief in staying true to himself and allowing the universe to provide. Why he believes that success is about the aggregate, not about hitting benchmarks. His advice for DJs: play every gig like it's your first and your last! He cautions musicians against getting caught up in the numbers, likes, and followers. Links Mentioned in Today's Episode: https://djztrip.com/ (Z-Trip) https://twitter.com/ztrip (Z-Trip on Twitter) https://www.instagram.com/ztrip/ (Z-Trip on Instagram) https://www.youtube.com/user/djztrip1/ (Z-Trip on YouTube) http://www.bombhiphop.com/rotdj.html (Return of the DJ) https://youtu.be/GSd5xM-Es5Y (‘Space Funk' by LSDREAM and Z-Trip)
#40-36Intro/Outro: Never Let Me Down Again by Depeche Mode40. Take On Me by A-Ha39. Pour Some Sugar On Me by Def Leppard *38. Sweet Dreams (Are Made of This) by Eurythmics37. How Soon Is Now? by The Smiths36. Planet Rock by Afrika Bambaataa & the Soulsonic ForceVote on your favorite song from today's episodeVote on your favorite song from Week 2* - Previously played on the podcast
Welsh singer songwriter Laura Evans announces the release of her second single "Fire With Fire" from her debut album "State Of Mind" and is on an exciting roll with yet another big, perfectly crafted song which is sure to appeal to her ever-growing fanbase. The new single will be available to pre-save from Monday 16th May from Spotify, iTunes, and Apple Music.Laura is currently on a 12-date UK tour with Southern Californian blues rock band Robert Jon & The Wreck for 12 shows across the UK, from May 9th until May 20th. Tickets are available from www.alttickets.com and www.gigantic.com."Fire With Fire" follows the success of her first single "I'm Alright" which saw Laura getting huge support from Spotify and making her the face of the "Nu Blue" playlist, as well as continued support from Planet Rock and the BBC Radio Wales Welsh A List."Fire With Fire" is full of bluesy rocking guitars, a melody, and lyrics full of heart and soul that feels nostalgic and reminiscent of the Fleetwood Mac era. This track is the ultimate showcase for Laura's versatile and unique vocals. A taster of what's to come for fans eagerly awaiting the full-length album on July 1st. Pre-order the album from https://linktr.ee/Laura_evans. Laura explains she had the idea and wrote this song during lockdown 2020 co-written with her partner Rich Turner, Laura says "Rich started playing that verse riff on guitar and it reminded me of Fleetwood Mac, and I wanted to put a "spin off "on my usual heartbreak song, hence that's the first line of the verse, the lyrics were truly poignant for me at the time, they are simply about working on yourself and your peace of mind"Recorded and produced by long-time collaborator Josiah J Manning, at Momentum Studios (Kris Barras Band) who produced Laura's whole album, this creative dream team continues to push the boundaries across genres, appealing to the masses with a unique blues/rock sound that is making Laura stand out amongst the crowd.Born and raised in the valleys of South Wales, you may be wondering how this sweet demeanour, 5ft 3, pretty, blonde valleys girl is becoming one of the UK's most exciting singer songwriters to hit our airwaves since Stevie Nicks. Laura Evans is proving she is so much more than meets the eye with her powerhouse sweet and smoky vocals, and perfectly crafted anthemic hit songs that straddle the worlds of rock, blues, and Americana.In 2020, Laura first burst onto the music scene with the first single from her debut E.P. "Running Back To You" which impressively charted straight at number one on the UK blues chart and peaked at 43 on the US Blues chart as well as follow up singles "Drag Me Back In" and "Solo" were added to several Spotify and Apple Music playlists including Nu-Blue and Blues Drive curated by Heidi Shenk, alongside American artists including Larkin Poe and Dave Stewart Very Nearly Nashville and Apple Music's New In Country playlist alongside Taylor Swift and Eric Church. The E.P. racked up thousands of streams in the first week of release, resulting in the last single 'Take Me Back Home' distributed worldwide by U-NXT c/o Universal Music.It seemed Laura was an overnight success. On the contrary, this Valley girl has been honing her craft for quite some time. She has finally found and created a sound that is truly breaking through and finding the recognition it deserves. Laura grew up listening to an eclectic mix of music from artists including Bonnie Raitt, The Eagles, Fleetwood Mac, Dolly Parton and more. Even though these influences shine through on the album there is no doubt Laura with the help of producer Josiah J Manning, has found her unique sound. See acast.com/privacy for privacy and opt-out information.
Tracklist: Krafty Kuts - 'Intro' (Against The Grain) Suzanne Vega - 'Tom's Diner' [Accapella] (A&M) Evil 9 - 'Crooked' [Bassbin Twins Mix] (Marine Parade) Alter Ego - 'Rocker' [Stanton Warriors Mix] (Skint) Tim Deluxe & Krafty Kuts - 'Angry Dragons' (Against The Grain) Detroit Grand Pubahs - 'Sandwiches' [Accapella] (Jive) Prodigy - 'Spitfire' [Future Funk Squad Mix] (XL) Uptown Connection - 'System Senegal' [Koma & Bones Mix] (Inflight Entertainment) Atomic Hooligan - 'Just One More' (Botchit & Scarper) Doug Lazy - 'Let It Roll' [Accapella] (Atlantic) Krafty Kuts - 'Uptight' [Krafty Edit] (Deep Cut recordings) Tricknology 8 - 'Groove' (White) Unknown - 'Cassius Groove' (White) Test Tube Baby - 'Dismissed' [Paul Rincon Remix] (Tenor Recordings) Coloursound - 'Fly With Me' [Krafty Kuts Edit Mix] (City Rockers) Frantique - 'Strut Your Funky Stuff' [Krafty Kuts Vocal Edit] (Phillydelphia Int.) Brick - 'Living From The Mind' [Krafty Kuts Edit Loop] (Bang Records) Krafty Kuts & A.Skillz - 'Gimme The Breaks' [Accapella] (Finger Lickin') Afrika Bambaataa & The Soulfonic Force - 'Planet Rock' (Tommy Boy) Hijack - 'The Badman Is Robin' [Accapella] (Epic) Afrika Bambaataa & The Soulfonic Force - 'Looking For The Perfect Beat' (Tommy Boy) Jonzun Crew - 'Pac Jam' (Tommy Boy) Willesdon Dodgers - 'Jive Rhythm Tracks' (Jive) 2 Live Crew - 'Me So Horny' (Luke Skywalker) Miami Sound Machine - 'Dr. Beat' [Krafty Kuts Edit] (Epic) Junior Jack - 'E-Samba' [Accapella] (Deffected) Warp 9 - 'Light Years Away' (Island) Boricua All Stars - 'Boricua House Party' (Howlin Records) Michael Jackson - 'Billie Jean' [Instrumental] (Epic) D-Train - 'You're The One For Me' [Krafty Kuts Edit] (Epic) ETA - 'Ayia Napa' [Instrumental] (FX) Funkobots - 'Surely Shot' (CDR) Drumatic Twins - 'Sticky' (Fingerlickin) Mylo - 'Drop The Pressure' [Future Funk Squad Mix] (Breatsfed) Zed and Mr. B - 'It's About Time' (Streetwise) Atomic Hooligan - 'U Know U Feel This' (CDR) Afrika Bambaataa - 'Get Up And Dance' [Accapella] (S12.com) Alex Dolby - 'Hazy Way' [Evil 9 Remix] (Mantra Breaks) Artist Unknown - 'Hyper Luvs The Hives' (CDR) Rennie Pilgrem - 'Gladiator' [Rennie's Gonzo Mix] (TCR) Friendly - 'The Bump 'n' Grind' [Krafty Kuts Remix] (Fat Records) Plump DJs - 'Get Kinky' (Finger Lickin') Breakfastasz - 'Lift Me Up' (Against The Grain) Scam - 'Put Up Your Hands' (Deep Cut Recordings)
Helen and Gavin chat about Marry Me, Drive My Car, The Trojan Horse Affair, Sundown, and Uncharted, and it's Week 22 from the list of Rolling Stone's 500 Best Songs Ever, numbers 395 to 391; Planet Rock by Afrika Bambaataa and the Soulsonic Force, Grace by Jeff Buckley, Say It Loud (I'm Black and I'm Proud) by James Brown, Fix You by Coldplay, and Springsteen by Eric Church.
In radio news, Iheart media hires a replacement for Buck Sexton. Cox Media is hit with a ransomware attack. Finally we let you know what is happening on the street. This will be followed up by Jennifer's call letter and format changes. Bill will present a feature from Kaay Am from Littlerock Ak on June 5th 1968. This weeks classic aircheck takes us to portland Oregon and we get to hear Mike Phillips from KGW AM from June 1975. Finally our featured station takes us to the United Kingdom and we get to hear Planet Rock.
Skateboard Marketing Ltd. Company Overview: Skateboard Marketing Ltd. has been at the forefront of independent metal radio promotion for the past 30 years since forming in 1991. The company has worked with legendary rock and metal heavyweights such as Black Sabbath, Motorhead, Iron Maiden, Judas Priest, Metallica, Pantera, Soilwork, Testament, Morbid Angel, Black Label Society and Kid Rock, among countless others. Skateboard Marketing operates within North America and is located in New York. Their concept is to get radio airplay in any place that has metal or rock programming. They still believe in artist development and building a fan base for the unknown artist. Every band has their time to shine, but that takes artist development. Skateboard Marketing Ltd owner, Munsey Ricci, is a former PolyGram Records executive who was the Director of National Metal Promotion from 1989-1991 and created the first metal department for the label and all affiliated labels, including Mercury, Polydor, RooArt, and London Records. Ricci also worked for the famed Combat/In-Effect Records in Hollis, Queens. Ricci was also on the editorial staff and collated the magazine for CMJ Media and a former syndicated radio programmer prior to PolyGram Records. Ricci spent 5 years as MD/PD for his college station WQCC while attending college. Covering the entire spectrum of radio with syndicated, satellite, commercial, and college metal. Skateboard Marketing covers over 350 stations nationally for the US and Canada. This includes all the syndicated, commercial metal and rock specialty shows with college and public radio. "It's any outlet where a record can be heard" Artist development starts on the street, in someone's bedroom on their stereo, or even a fan listening to something new in their car. Today a new band will have 20 fans, tomorrow they will have 50. It's all a stepping stone to bring something cool to the masses. It all applies to heritage artists as well. The only difference is they sold 2 million records to go with it. It's about creating the new fan whether it's for Motorhead and Black Sabbath, or for new artists such as Misery Kills. The company's staple roster consists of, Overkill, Testament, Judas Priest, Black Sabbath, Exodus, Death Angel, Soilwork, Biohazard, Ozzy Osbourne, Doro Pesch, and Sepultura It's a huge pleasure to be graced by talent on all levels. There is nothing better than getting on the phones in the morning and "Making something from nothing" Music is in the blood of every band, industry executive and fan. The companies office is based 25 minutes east of Manhattan, in Neighboring Valley Stream. They have a staff of 2 people covering syndicated, commercial , and college radio, as well as social media on board. New York-based radio promotion powerhouse Skateboard Marketing Ltd., headed by music industry veteran Munsey Ricci, is celebrating its 30th anniversary of taking heavy metal and hard rock music to the airwaves. “It's been 30 years already,” Ricci says. “Time seems to fly when you're having fun. I've been blessed and graced to have the opportunity to work with the artist roster we have. Every morning I get up and still live to walk into the office and do this gig. I just don't get tired of it and need more!” Founded in 1991 by the former PolyGram Records executive, Skateboard Marketing Ltd. quickly established itself as the leader in radio and artist development with a focus on all formats of aggressive music for three decades. Love of music, longstanding relationships and profound respect from colleagues and artists have earned the company a reputation as the go-to company to for national radio promotion in North America. “Munsey and Skateboard Marketing do what they do because they LOVE IT,” says SiriusXM's Jose “Metal Ambassador” Mangin. “There's no one in the world that is as seasoned and dedicated to the art of metal promotion. I've been helping Munsey spread the good gospel of metal for 25 years, and we're both just getting started! Congrats on 30 f'in years of dominance!” Syndicated radio host and author Full Metal Jackie adds, “Munsey is integral to the heavy music scene. He carries the torch proudly and at this point he is basically a de facto member of most of your favorite metal bands. Cheers Munsey & Skateboard.” These sentiments are echoed by the artist's Skateboard Marketing Ltd. has represented, with many noting the integral part the company has played in their success. “Skateboard Marketing has been part of my team for 20 years now,” says Megadeth bassist David Ellefson. “They understand and connect with my fans and record buying customers which makes the business of music that much better and easier. Happy 30th Skateboard and thanks for all you do!” Says Overkill vocalist Bobby Blitz, “Congratulations to Munsey and Skateboard on 30 years of keeping the airwaves chock full of the heaviest metal! For decades now we call him the 6th member in the Overkill camp, as he has gone above and beyond to help bring our craft to those who crave it. Happy anniversary Skateboard, from Chaly and the boys!” Singerman Entertainment's Todd Singerman notes, “Skateboard Marketing, under the enthusiastic stewardship of Munsey Ricci, has helped consistently propel Motörhead's music to the ears and hearts of thousands upon thousands of ears for over three decades. Munsey remains that rare combination of class and action.” Add Wendy Dio, “Munsey Ricci and Skateboard Marketing have supported every Dio record throughout Ronnie's career and continue to support us.” While Director of National Metal Radio Promotion at PolyGram Records, Ricci created the first metal radio department for the label and all of its affiliates, including Mercury Records, Polydor Records, RooArt and London Records, where the artist roster included bands like Mortal Sin, Onslaught, Yngwie Malmsteen, Kiss, Doro Pesch, The Scorpions, Rush, Tony MacAlpine, and Vinny Moore. Ricci also previously worked for CMJ Media and Combat/In-Effect Records, and programmed radio for five years prior to his label stint, learning and working next to some of the most influential people in the radio promotion world and leading to the success of Skateboard Marketing Ltd. “I've had the pleasure of knowing Munsey for close to 25 years,” says Rob Rush, Program Director/PM Drive Jock 94.3 The Shark Long Island. “He is a consummate professional and has always gone above and beyond for the bands that he promotes, and the radio stations that play his bands. He is a true class act and I'm proud to call him one of my best friends! Here's to 30 more years of Munsey and Skateboard Marketing!!!” SiriusXM Volume's “TrunkNation” host Eddie Trunk conquers. “I've known and worked with Munsey for all 30 years of Skateboard Marketing and beyond,” he says. “He's always had a great passion for rock and metal music and all the projects he works. All the best for the next 30 to all at Skateboard!” Seeing a void for heavy music in the radio trades, Ricci launched Metal Contraband in 2016. Metal Contraband, in conjunction with Radio Contraband, fills that gap as a destination for labels, management and artists looking for accurate information, including a metal chart consisting of commercial, syndication as well as large college stations, a metal news section for up-to-date news on tours and festivals, ad dates and street dates. Also included is an overall release schedule for metal add dates at radio. Metal Contraband has become the most reliable source to gauge the success of a record at radio. Adds Joey Z of longtime Skateboard client Life Of Agony, “It's hard to believe that Munsey and the team at Skateboard Marketing have been grinding it out for all of us for 30 years. Life Of Agony is so grateful for all the help and support the team has given us throughout the years... We wish them continued success for at least another 30!!” “Munsey is the only metal radio game in town,” says Adrenaline PR's Maria Ferrero. “Period.” The company's roster has ranged from the smallest to the biggest heavy metal and hard rock bands. Its staple roster consists of Motörhead, Overkill, Testament, Judas Priest, Ronnie James Dio, Black Sabbath, Exodus, Death Angel, Soilwork, Parkway Drive, Ozzy Osbourne, Sepultura, Soulfly, and many labels including Napalm, Nuclear Blast, Century Media, E- One Entertainment, Warner Music, BMG, Sony, Pavement, Metalville, Spinefarm, Fearless and Universal. Skateboard Marketing Ltd. has also worked on radio campaigns with Iron Maiden, Monster Magnet, Crowbar, Metallica, Megadeth, Slayer, Doro Pesch, Veil Of Maya, At The Gates, Body Count, High On Fire and many others. “Rip Magazine and Skateboard Marketing rolled loud and proud together back in the day,” says Lonn M. Friend, author of Life on Planet Rock. “Congrats to Munsey on three decades of prosperous decadence.” SKATEBOARD MARKETING online: www.Skateboard-Marketing.com www.facebook.com/pages/Skateboard-Marketing-Ltd/102440986494312 www.instagram.com/skateboardmarketing https://twitter.com/Skateboardmkt www.pinterest.com/skateboardmkt http://skateboardmarketing.tumblr.com www.youtube.com/skateboardmarketing1 METAL CONTRABAND online: http://metalcontraband.com www.facebook.com/metalcontraband www.instagram.com/metalcontraband https://twitter.com/Metalcontraband For press inquiries and additional information, please contact Adrenaline PR: Maria Ferrero, 732-462-4262, maria@adrenalinepr.com Get your free 3 Keys to Freedom training at www.iFreedomHackNow.com
Today Nate and Ryan are joined by hip-hop ringer Steve Juon continue their discussion of “Last Night A DJ Saved My Life - The History of the Disc Jockey” by Bill Brewster and Frank Broughton. This week's episode focuses on hip hop's transition to records with the Sugarhill Gang, Afrika Bambaataa's epic “Planet Rock” and how hip hop morphed from music for dancing and parties into a new form of album and concert music.Let It Roll is proud to be part of Pantheon Podcasts.
Today Nate and Ryan are joined by hip-hop ringer Steve Juon continue their discussion of “Last Night A DJ Saved My Life - The History of the Disc Jockey” by Bill Brewster and Frank Broughton. This week's episode focuses on hip hop's transition to records with the Sugarhill Gang, Afrika Bambaataa's epic “Planet Rock” and how hip hop morphed from music for dancing and parties into a new form of album and concert music.Let It Roll is proud to be part of Pantheon Podcasts.
From producing Afrika Bambaataa's revolutionary song “Planet Rock” to introducing the 808 drum machine to hip hop and electro, to working with New Order, Hall & Oates and the Pet Shop Boys, Arthur Baker's imprint on 1980's dance music is enormous. He talks about growing up in Boston and shares anecdotes about the movie Beat Street and a rare Miles Davis studio session. See acast.com/privacy for privacy and opt-out information.
His band has been rocking for over 50 years, inspired Axl Rose, released what is seen as the first rock ballad and had one of the biggest selling singles in Norway's history! In this episode you'll hear an interview with charismatic Scottish rocker, PETE AGNEW from NAZARETH! He tells wonderful stories which include Deep Purple and Guns n Roses plus plans for a new album and his thoughts on retirement! Also on this episode you'll hear from the very talented IAN DANTER! Best known for presenting across the UK on talkSPORT and Planet Rock, Ian has been involved in the rock music industry for years playing in many bands and releasing two solo albums too. Hear how he gets on when he takes part in the Vintage Rock Pod Quiz! Learn more about your ad choices. Visit megaphone.fm/adchoices
What does hip hop mean to you? When did you realize that groups like Sugar Hill Gang, Grandmaster Flash and the Furious 5, Kurtis Blow with songe like Planet Rock and all the earlier hip hop music change your perception on what you listen to?
Host Nate Wilcox and his cohorts Alexei Auld and Eugene S. Robinson discuss the second episode of Hip Hop Evolution "From the Underground to the Mainstream."The episode covers the early New York rap battles caught on bootleg cassettes, Hip-Hop's move from the Bronx to Manhattan and alliance with punk as well as the first hit rap records, The Sugarhill Gang's "Rapper's Delight", and Afrika Bambaataa's “Planet Rock.”Let It Roll is Proud to be a part of the Pantheon Podcast Network.
Host Nate Wilcox and his cohorts Alexei Auld and Eugene S. Robinson discuss the second episode of Hip Hop Evolution "From the Underground to the Mainstream."The episode covers the early New York rap battles caught on bootleg cassettes, Hip-Hop's move from the Bronx to Manhattan and alliance with punk as well as the first hit rap records, The Sugarhill Gang's "Rapper's Delight", and Afrika Bambaataa's “Planet Rock.”Let It Roll is Proud to be a part of the Pantheon Podcast Network.
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