Podcasts about birth of the cool

0:00⁠ Intro ⁠0:40⁠ Gizmo and Albert initial link up ⁠3:43⁠ Growing up in Korea ⁠7:08⁠ How Gizmo got into fashion ⁠9:54⁠ Searching for like-minded people to connect with in Japan ⁠15:26⁠ Connecting with J Balvin and other celebrities ⁠18:50⁠ Starting Cmmawear ⁠29:50⁠ Third collection “Birth of The Cool” ⁠35:51⁠ Difficulties when designing the newest collection “Birth of The Cool” ⁠38:07⁠ Positive response from consumers and growth of the brand ⁠41:39⁠ Travis Scott & Big Sean wearing Cmmawear ⁠46:00⁠ Future of Cmmawear ⁠47:07⁠ New emerging Korean fashion scene ______________________________________________________ LOCKED IN PODCAST ⁠https://linktr.ee/TheLockedInPodcast⁠ FOLLOW ALBERT HOUSTON ⁠https://instagram.com/albertghouston​​⁠ FOLLOW GIZMO ⁠https://www.instagram.com/gizmothegoatt⁠ FOLLOW CMMAWEAR ⁠https://www.instagram.com/cmmawear⁠ SHOP "BIRTH OF THE COOL" ⁠https://cmmawear.com⁠

A Jazz radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Lee's Summit, Missouri. Giving listeners a journey into one of America's finest inventions .. Jazz. Find a bridge between the old and modern worlds of jazz. The world of Jazz is our playground. BLOG:  https://theneonjazz.blogspot.com/ ITUNES:  https://podcasts.apple.com/us/podcast/neon-jazz-interviews/id546432639 SPOTIFY:  https://open.spotify.com/show/4gAltD2kVLq8uNkpSFtkm0?si=b52bae80dcf441db Miles Davis:  https://en.wikipedia.org/wiki/Birth_of_the_Cool Subscribe to SOMETHING came from Baltimore (It's a music interview podcast about Jazz/Blues/R&B and not really about Baltimore) Also, Subscribe to The Beatles Come To America (limited-run with Brooke Halpin, we review all the Beatles US Albums) To Subscribe go to:  Youtube, Itunes, Anchor, Spotify, Amazon Podcasts, Google Podcast, Overcast, Breaker, Castbox, Radio Public, Podbay, Stitcher....and more! Contacts: Email:  somethingcamefrombaltimore@gmail.com Twitter: something came from baltimore (@tom_gouker) / Twitter Instagram: Something Came From Baltimore (@something.came.from.baltimore) TheBocX.com - SOMETHING came from Baltimore THE SHOW INFO: Something came from Baltimore is a Podcast and a 30-minute radio show and can be heard weekly (Thursday's at 7pm EST) it's called, SOMETHING came from Baltimore THE SHOW.  Check out the Station: Jazz Music Radio - The BocX Streaming Jazzy Music Support SOMETHING came from Baltimore: TIPS! Tom Gouker's Cash App Account: $ThomasGouker Tom Gouker's Venmo Account:  Thomas-Gouker FRIENDS OF THIS PODCAST: Adult Music: https://adultmusic.podbean.com/ Neon Jazz: https://podcasts.apple.com/us/podcast/famous-interviews-neon-jazz/id546432639 The Same Difference 2 Jazz Fans - 1 Jazz Standard:  https://podcasts.apple.com/us/podcast/same-difference-2-jazz-fans-1-jazz-standard/id1456627254 The Top 60 Jazz Podcast List including SOMETHING came from Baltimore is right here:  https://blog.feedspot.com/jazz_podcasts/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/message Support this podcast: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/support

Now I know why the Irish from time-to-time would execute a king

There's only one explanation for why theJusticedept hasn't locked up all these f* January 6th traitors! They're f* pu$$ies that's why! Mother f** N@zi pig!

A review of “Miles Davis: Birth of the Cool”, a 2019 Stanley Nelson Jr. documentary about the life and career of the jazz legend.   Show notes are available at http://noirehistoir.com/blog/miles-davis-birth-of-the-cool-movie-review.    

We've made it nine years - four years more than Ziggy Stardust promised us, thank you very much - and to celebrate we're once again discussing ensembles the numerical size of which matches our anniversary.   That means, my friends, nonets, and of course we'll start with the most famous jazz nonet of all, that one that birthed a hundred West-Coast groups.  Miles Davis – BIRTH OF THE COOL; Lee Konitz – NONET; Andrew Hill – PASSING SHIPS; Rabih Abou-Khalil – THE SULTAN'S PICNIC.

Birth of cool - ist eine ungeschminkte Netflix Doku über Miles Davis. Benannt nach einem seiner bekanntesten Alben.

Vick Mickunas' 2001 interview with author Lewis MacAdams.

Welcome to the third episode of the New Plaza Cinema podcast, the podcast for the full spectrum of movie lovers. Film curator Gary Palmucci is joined by the Executive Director of the Institute of Jazz Studies at Rutgers University, Wayne Winborne, to moderate a conversation between the director of the 2019 documentary, MILES DAVIS: BIRTH OF THE COOL, the prolific Stanley Nelson, along with his wife, writer and producer Marcia Smith, and musician and the nephew of Miles Davis, Vince Wilburn Jr. Don't forget to subscribe to our show on your podcast app. Follow us on Twitter, Instagram, and Facebook, and subscribe to our YouTube channel. Watch the full, unedited conversation here: https://www.youtube.com/watch?v=1K6NPppkTng&t=3029s. To find out more about New Plaza Cinema, visit our website and subscribe to our newsletter here: https://newplazacinema.org/.

President Biden issues Executive Order to develop climate-related financial risk strategy. ARRC selects administrator for forward-looking term SOFR. SIFMA cautions SEC on limiting custody of digital asset securities. Deadlines set for FRB extension of PPP exception for bank insiders.

Cumplimos 100 episodios y apagamos una vela musical simbólica con una composición de Abe Rábade titulada "Amor ascensor". El piano de Abe está acompañado por el saxo de Jorge Pardo, la guitarra de Josemi Carmona, el contrabajo de Javier Colina, y la batería de Jeff Ballard. El resto del programa se lo hemos dedicado a Blossom Dearie, ya que con ella y otras voces aniñadas comenzamos nuestro primer episodio que titulamos "Cantar Bajito". Blossom es una de nuestras favoritas y queremos celebrarlo con ella. Revisamos sus primeros discos con el sello Verve, su paso por Les Blue Stars y algunas de sus composiciones en la voz de Carmen McRae y de Amy Cervini. Como Gerry Mulligan dejo escrito en las notas de Birth Of The Cool, "Blossom is Blossom".

One of the most popular lectures at Modernism Week 2020 was Birth of the Cool: California Art, Design, and Culture at Midcentury, looking at what influenced architecture, design, art, film, and West Coast jazz in the 1950s. These forms became shorthand for beauty, sophistication, and confident urban living. Today host George Smart interviews three of the five panelists from Birth of the Cool:  Elizabeth Armstrong, former Director of the Palm Springs Art Museum and co-author of the book Birth of the Cool; Michael Boyd, her co-author and furniture, landscape, and architectural designer; and past podcast guest Brad Dunning, interior designer and writer. Later on, two great friends of the show:  ace Palm Springs tour guide Trevor O’Donnell, who knows the story behind nearly every significant house in the valley, and frequent Modernism Week visitor, the Chief Curator of Philip Johnson's Glass House in New Canaan CT, Hilary Lewis.  

„Tode Mädchen lügen nicht“ geht in die finale Staffel. Außerdem gibt’s noch Miles Davis und einen Mann, der sich in „No Surrender“ mit der gesamten britischen Armee anlegt. >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-tote-maedchen-luegen-nicht-miles-davis-birth-of-the-cool-no-surrender

„Tode Mädchen lügen nicht“ geht in die finale Staffel. Außerdem gibt’s noch Miles Davis und einen Mann, der sich in „No Surrender“ mit der gesamten britischen Armee anlegt. Der Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-tote-maedchen-luegen-nicht-miles-davis-birth-of-the-cool-no-surrender

„Tode Mädchen lügen nicht“ geht in die finale Staffel. Außerdem gibt’s noch Miles Davis und einen Mann, der sich in „No Surrender“ mit der gesamten britischen Armee anlegt. Der Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-tote-maedchen-luegen-nicht-miles-davis-birth-of-the-cool-no-surrender

60 minuti di musica dedicati alla memoria di Lee Konitz, sassofonista statunitense con oltre settant'anni di carriera alle spalle, venuto a mancare giovedì 16 Aprile 2020 a New York...1. Intuition, Lennie Tristano Sextet, Crosscurrents, Capitol Records, 1949/1972..2. Digression, Lennie Tristano Sextet, Crosscurrents, Capitol Records, 1949/1972..3. Lover Man, Lennie Tristano Sextet, Crosscurrents, Capitol Records, 1949/1972..4. Rebecca, Lee Konitz, Subconscious-Lee, Prestige, 1950/1955..5. Subconscious-Lee, Lee Konitz, Subconscious-Lee, Prestige, 1950/1955..6. Move, Miles Davis, Birth Of The Cool, Capitol Records, 1949/1957..7. Venus De Milo, Miles Davis, Birth Of The Cool, Capitol Records, 1949/1957..8. Moon Dreams, Miles Davis, Birth Of The Cool, Capitol Records, 1949/1957..9. Ezz-Ethic, Miles Davis/Lee Konitz, Prestige, 1957..10. Meaning Of The Blues, Roup/Worth, Miles Ahead, Columbia Records, 1958..11. Lament, J.J. Johnson, Miles Ahead, Columbia Records, 1958..12. Bernie's Tune, Bernard Miller/Jerry Leiber/Mike Stoller, Lee Konitz Plays with the Gerry Mulligan Quartet, World Pacific, 1953/1957..13. Palo Alto, Lee Konitz, Lee Konitz Meets Jimmy Giuffre, Verve, 1959..14. Foolin' Myself, Jack Lawrence/Peter Tinturin, Motion, Verve, 1961..15. Evening Song, Jakob Bro, Balladeering, Loveland, 2009..16. Have Tuo Met Miss Jones, Rodgers/Hart, Lee Konitz/Franco D'Andrea Inside Rodgers, Philology, 2001 (prima parte)

This week on End Credits, it's all about the music. And real life. We're going to get into some smooth jazz with a biography of the late, great Miles Davis in Birth of the Cool, and before that we're going to talk about 10 documentaries with scary themes, you know, because there's not enough to worry about in these coronavirus afflicted days.  This Wednesday, April 15, at 2 pm, Adam A. Donaldson and Tim Phillips will discuss: Shock-umentaries. April is usually Hot Docs month in Toronto, the world's largest celebration of documentary films. And hey, this week we're reviewing a documentary, right in the middle of these scary times. Scary? Documentary? This week we're going to combine the two by talking about 10 great horror-based documentaries you can find easily, and not so easily. REVIEW: Miles Davis: Birth of the Cool (2019). In the 1940s, a young trumpet player came out of East St. Louis and changed everything about popular music. In his five-decade career, Davis reinvented jazz, and he reinvented himself, on almost a regular basis. It would be a wonder if any filmmaker could stuff all that life and music into a single two-hour documentary, but some how they did it with this one. This film is part of the PBS American Masters series and is available on Netflix. End Credits is on CFRU 93.3 fm and cfru.ca Wednesday at 2 pm.

60 minuti di musica dedicati alla memoria di Lee Konitz, sassofonista statunitense con oltre settant'anni di carriera alle spalle, venuto a mancare giovedì 16 Aprile 2020 a New York...1. Intuition, Lennie Tristano Sextet, Crosscurrents, Capitol Records, 1949/1972..2. Digression, Lennie Tristano Sextet, Crosscurrents, Capitol Records, 1949/1972..3. Lover Man, Lennie Tristano Sextet, Crosscurrents, Capitol Records, 1949/1972..4. Rebecca, Lee Konitz, Subconscious-Lee, Prestige, 1950/1955..5. Subconscious-Lee, Lee Konitz, Subconscious-Lee, Prestige, 1950/1955..6. Move, Miles Davis, Birth Of The Cool, Capitol Records, 1949/1957..7. Venus De Milo, Miles Davis, Birth Of The Cool, Capitol Records, 1949/1957..8. Moon Dreams, Miles Davis, Birth Of The Cool, Capitol Records, 1949/1957..9. Ezz-Ethic, Miles Davis/Lee Konitz, Prestige, 1957..10. Meaning Of The Blues, Roup/Worth, Miles Ahead, Columbia Records, 1958..11. Lament, J.J. Johnson, Miles Ahead, Columbia Records, 1958..12. Bernie's Tune, Bernard Miller/Jerry Leiber/Mike Stoller, Lee Konitz Plays with the Gerry Mulligan Quartet, World Pacific, 1953/1957..13. Palo Alto, Lee Konitz, Lee Konitz Meets Jimmy Giuffre, Verve, 1959..14. Foolin' Myself, Jack Lawrence/Peter Tinturin, Motion, Verve, 1961..15. Evening Song, Jakob Bro, Balladeering, Loveland, 2009..16. Have Tuo Met Miss Jones, Rodgers/Hart, Lee Konitz/Franco D'Andrea Inside Rodgers, Philology, 2001 (prima parte)

Lot of new home video releases to discuss this week...meet us in the Screening Room!

Coming up, we have some news from what's left of the world including some very early VOD releases, news from the Arrowverse and some terrifying news about Apple... but not as terrifying as the movie Rob watched this week.  Oh yeah... and Todd saw somethings, too.  You don't want to miss this one! www.cinemasavants.com

s08e16 - O Incrível Mundo de Gumball, Anne with an E, Miles Davis: Birth of the Cool by atlflix

After watching a PBS Documentary on Miles Davis(1926-1991), Eric shares his post-viewing Thoughts.

In conjunction with the broadcast premiere of American Masters’ presentation of Stanley Nelson’s film: “Miles Davis: Birth of the Cool,” WNET Up Next recently paid a visit to New York’s famed Apollo Theater.  During an Apollo Open House “Celebration of… The post WNET Up Next: “American Masters – Miles Davis: Birth of the Cool” – The Apollo Panel Discussion appeared first on THIRTEEN - New York Public Media.

Die erste Sendung des Jahres! Doch allzu viel hatte der Januar nicht zu bieten, oder? Obwohl der Januar etwas mau war, haben wir doch einiges geguckt. Justin bleibt bei seinen Leisten und hat neben der Anime-Ecke auch ein Netflix-Anime-Film parat. Rubens Deutscher Film des Monats ist der Beweis, dass man sich nicht anstrengen muss, um an den Kinokassen erfolgreich zu sein. Und Nina versteht nicht, warum der eine Film so gefloppt ist während ein anderer sogar eine Oscar-Nominierung kassieren konnte.00:00:00 – Anime-News-Ecke 00:13:17 – DREI ENGEL FÜR CHARLIE (Nina) 00:24:10 – Deutscher Film des Monats: DIE HOCHZEIT (Ruben) 00:35:00 – Justins Anime-Ecke: u.a. INTERSPIECIES REVIEWERS00:42:36 – KNIVES OUT (Nina) 00:51:45 – MILES DAVIS: THE BIRTH OF THE COOL 01:07:26 – NI NO KUNI (Justin)01:14:01 Hausaufgabe: PAPRIKA Hausaufgabe zum nächsten Mal: THE ACT OF KILLING

Filmkritiken zu "Queen & Slim", "Miles Davis - Birth Of The Cool" und "Mein Vater, Mein Sohn Und Der Kilimandscharo" Lockere Filmkritiken zum selbst mitmachen! Meldet euch via Mail (info@tele-stammtisch.de), Facebook, Twitter oder Instagram für den nächsten Podcast an! Haupt-RSS-Feed | Filmkritiken-RSS-Feed iTunes (Hauptfeed) | iTunes (Filmkritiken) Spotify (Hauptfeed) | Spotify (Filmkritiken) Website | Twitter | Facebook | Instagram Skype: dertelestammtisch@gmail.com Titel: Queen & Slim Startdatum: 09.01.2020 Länge (min): 132 FSK: ab 12 Regie: Melina Matsoukas Darsteller: Daniel Kaluuya, Jodie Turner-Smith, Bokeem Woodbine uvm. Verleih d. Universal Pictures International Germany Trailer Titel: Miles Davis: Birth Of The Cool Startdatum: 02.01.2020 Länge (min): 115 FSK: ohne Altersbeschränkung Regie: Stanley Nelson Darsteller: Carl Lumbly, Miles Davis, Reginald Petty uvm. Verleih d. Piece of Magic Entertainment Trailer Titel: Mein Vater, Mein Sohn Und Der Kilimandscharo Startdatum: 09.01.2020 Länge (min): 90 FSK: ohne Altersbeschränkung Regie: Aaron Moser Verleih d. Selbstverleih Trailer Gäste: Alex Twitter Christopher Facebook | Instagram Max Rauscher Website | Facebook | Instagram Paul Instagram Ruben Facebook | Twitter | Instagram Hertz 87,9 Website | Facebook | Twitter | Instagram i used the following sounds of freesound.org: Musical Snapshots by Columbia Orchestra Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0) Folge direkt herunterladen

Steve McQueen expert Marshall Terrill returns as we take listeners way back to the birth of Steve McQueen, explore his youth, and examine his life up until he lands a role in “The Blob”.

Stanley Nelson on Miles Davis movie "Birth Of The Cool."

Welcome to the Wednesday Show, the best show that has no Chadley. Today we recap the Calgary International Film Festival Documentaries. Well the 3 that I saw. 3 people I have immense respect for; Miles Davis, Danny Trejo and Agnes Varda. 

Este episodio incluye un repaso por el nacimiento del 'cool'. Los críticos consideran este disco como uno de los básicos en el jazz moderno, paradigma del cool, con fuerte influencia en el desarrollo del West Coast jazz y del bop.

On this week's episode: Rupert Goold's Judy, Stanley Nelson's Miles Davis: Birth of the Cool and Victor Kossakovsky's Aquarela. We also discuss our waning interest in a talented filmmaker, we accidentally discover a new sub-genre of film and our #CedarLee3 picks for great Comeback Films. New Films Judy Miles Davis: Birth of the Cool Aquarela #CedarLee3 This week’s list of films you should be watching was inspired by Rupert Goold's Judy.  We discuss our favorite Comeback Films. Tell us about your favorites @CedarLeeTheatre using #CedarLee3.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Illustrator Keith Henry Brown shares BIRTH OF THE COOL, which is written by Kathleen Cornell Berman. This picture book biography of the great jazz legend Miles Davis and his journey to find a sound that was beautifully and uniquely his own. That sound took him places. That sound was the birth of the cool. Keith’s depiction of Miles Davis is art that shouts music, and art that lives and breathes its subject matter. We follow Miles through childhood and into his formative years, through success to the threat of being forgotten to history and back out again on the stage of the Newport Jazz Festival. It’s a story rich with means and desire and the reminder that we all have to face something in this life. You can access even more information about this book and its author by visiting www.matthewcwinner.com/podcast. Thank you to this week's sponsors: Libro.fm And to the generous support from our Patrons. You can support The Children's Book Podcast through: PayPal (one time donation of support) Patreon (sustaining support)

Met trompettist Michael Varekamp praten Pieter en Maartje over de nieuwe documentaire Miles Davis: Birth of the cool.  De documentaire van Stanley Nelson behandelt niet alleen de muziek van de legende, maar ook zijn turbulente privéleven. Ook komt de Argentijnse film Rojo aan bod, over het leven van een malafide advocaat in de jaren zeventig. De film ademt de tijd waarin het zich afspeelt, voor de coupe.

Director Stanley Nelson leads a conversation about his new film MILES DAVIS: THE BIRTH OF THE COOL with legendary jazz musicians Herbie Hancock and Wayne Shorter, Miles Davis' nephew and bandmate Vince Wilburn Jr., Miles Davis' son Erin Davis, and voice actor Carl Lumbly. Recorded at the Landmark in Los Angeles on 8/30/19.

Acclaimed filmmaker and recipient of the MacArthur Program Fellow Fellowship  Stanley Nelson takes us on a journey through the life of a musical giant in his latest documentary film MILES DAVIS: BIRTH OF THE COOL. Miles Davis was many things including a horn player, bandleader, innovator. He was elegant, intellectual, vain, callous, conflicted, controversial, and mercurial. Miles Davis was also embodiment of cool. The man with a sound so beautiful it could break your heart. The central theme of Miles Davis's life was his restless determination to break boundaries and live life on his own terms. It made him a star. For the people who loved him most, it also made him incredibly difficult to live with. Again and again, in music and in life, Miles broke with convention—and when he thought his work came to represent a new convention, he changed it again. Miles's bold disregard for tradition, his clarity of vision, his relentless drive, and constant thirst for new experiences made him an inspiring collaborator to fellow musicians and a cultural icon to generations of listeners. It made him an innovator in music—from bebop to “cool jazz,” modern quintets, orchestral music, jazz fusion, rock ’n’ roll, and even hip-hop. Featuring never-before-seen archival footage, studio outtakes, and rare photos, MILES DAVIS: BIRTH OF THE COOL tells the story of a truly singular talent and unpacks the man behind the horn. Director and producer Stanley Nelson joins us to talk about the life and times of a music genius and the uncompromising life he led. For news, screenings and updates go to: milesdavismovie.com

声音预告片 wb: @预告片bot

声音预告片 wb: @预告片bot

声音预告片 wb: @预告片bot

"Lenta e strana, ma buona, molto buona" – sentenziò Count Basie a proposito della musica di Birth Of The Cool, il gruppo guidato da Davis che si esibì al Royal Roost di New York nel 1948

Shawn had the amazing privilege of sitting down with filmmaker Stanley Nelson, director of the new documentary Miles Davis: Birth of the Cool. They discuss Stanley's love of Miles Davis, the process of getting the film to the big screen and the importance of not shying away from Miles' more controversial personality traits. To learn more about this amazing film and to sign up for release updates, visit milesdavismovie.com.Follow Stanley Nelson on Twitter: @stanleynelson1Follow Firelight Media on Twitter: @firelightmediaFollow Miles Davis on Twitter: @milesdavisFILM SYNOPSISMiles Davis: Horn player, bandleader, innovator. Elegant, intellectual, vain. Callous, conflicted, controversial. Magnificent, mercurial. Genius. The very embodiment of cool. The man with a sound so beautiful it could break your heart. The central theme of Miles Davis's life was his restless determination to break boundaries and live life on his own terms. It made him a star—it also made him incredibly difficult to live with, for the people who loved him most. Again and again, in music and in life, Miles broke with convention—and when he thought his work came to represent a new convention, he changed it again. Miles's bold disregard for tradition, his clarity of vision, his relentless drive, and constant thirst for new experiences made him an inspiring collaborator to fellow musicians and a cultural icon to generations of listeners. It made him an innovator in music—from bebop to “cool jazz,” modern quintets, orchestral music, jazz fusion, rock ‘n’ roll, and even hip-hop. Featuring never-before-seen archival footage, studio outtakes, and rare photos, Miles Davis: Birth of the Cool tells the story of a truly singular talent and unpacks the man behind the horn.

Shawn had the amazing privilege of sitting down with filmmaker Stanley Nelson, director of the new documentary Miles Davis: Birth of the Cool. They discuss Stanley's love of Miles Davis, the process of getting the film to the big screen and the importance of not shying away from Miles' more controversial personality traits. To learn more about this amazing film and to sign up for release updates, visit milesdavismovie.com. Follow Stanley Nelson on Twitter: @stanleynelson1 Follow Firelight Media on Twitter: @firelightmedia Follow Miles Davis on Twitter: @milesdavis FILM SYNOPSIS Miles Davis: Horn player, bandleader, innovator. Elegant, intellectual, vain. Callous, conflicted, controversial. Magnificent, mercurial. Genius. The very embodiment of cool. The man with a sound so beautiful it could break your heart. The central theme of Miles Davis's life was his restless determination to break boundaries and live life on his own terms. It made him a star—it also made him incredibly difficult to live with, for the people who loved him most. Again and again, in music and in life, Miles broke with convention—and when he thought his work came to represent a new convention, he changed it again. Miles's bold disregard for tradition, his clarity of vision, his relentless drive, and constant thirst for new experiences made him an inspiring collaborator to fellow musicians and a cultural icon to generations of listeners. It made him an innovator in music—from bebop to “cool jazz,” modern quintets, orchestral music, jazz fusion, rock ‘n' roll, and even hip-hop. Featuring never-before-seen archival footage, studio outtakes, and rare photos, Miles Davis: Birth of the Cool tells the story of a truly singular talent and unpacks the man behind the horn.

On what makes New Orleans-- or parts of the city-- "cool," and how that's changed over the years.

Vi blev langt fra færdig med al den gode Jazzrap. I denne ombæring bliver der blandt andet spillet musik fra ordekvilibristen MF Doom, de utroligt velspillende drenge i BADBADNOTGOOD og sågar det danske kommer vi forbi. Dét og meget mere i dagens episode

Hvis du spørger Radiohead om de ser sig selv som et rockband, vil de overraskende nok svare, at de nærmere er beslægtet med jazzen. Hvis dette lyder mærkeligt, så lyt med og få en forklaring. Værter: Emil Øgaard og Mathias Nicolai Pedersen

We talk about this seminal jazz album that was before it's time and was recorded 7 years before it was before it's time. Also Grady and I muse about the song "Moon Dreams" .

Hosts Carl Trueman and Todd Pruitt discuss the evangelical fascination with being cool.  The problem with being cool is that it is the overarching culture or zeitgeist that determines what is cool and what is not. Christians are called to be conformed to the image of the Son and this implies some very uncool ramifications which come in for consideration during this interesting conversation. Mentioned on The Birth of the CoolGod's Words: Studies of Key Bible Themes by J. I. PackerYoung, Restless, Reformed: A Journalist's Journey with the New Calvinists by Collin HansenThe Lost Message of Jesus by Steve Chalke

Gil Evans place in Jazz history was essentially made alongside Miles Davis. Beginning with the famous Miles Davis nonet that recorded for Capital Records in 1949-50 as "The Birth Of The Cool" and then later in the 50's and 60's with a trio of albums recorded by Miles Davis with the Gil Evans Orchestra: "Miles Ahead", "Porgy and Bess" and "Sketches of Spain" and to a lesser extent "Quiet Nights". These collaborations brought fame to Gil Evans and in 1960 he decided to form his own band where he conducted and played piano and through a 6 week engagement at a New York club called The Jazz Gallery in Greenwich Village, he took the band into the studio to record for a new label called "Impulse Records" run at the time by producer extraordinaire, Creed Taylor. They produced this classic statement called "Out Of The Cool". Gil's hand picked band featured some great soloists like trumpeter Johnny Coles ('Little Johnny C'),bass trombonist Tony Studd and trombone great Jimmy Knepper, tenor saxophonist Budd Johnson, underrated guitarist Ray Crawford, powerhouse drummer Elvin Jones and Mr. Evans himself conducting and playing piano. Intricate ensemble passages abound with the use of bassoons, flutes, piccolos etc. Ron Carter is on bass and Charli Persip adds some effective percussion sounds. The tunes are by different composers but all have the Gil Evans touch as he arranged everything here. He wrote two tunes ("La Nevada" and "Sunken Treasure"), there is one by Weill and Brecht ("Bilbao Song"), two by Jazzers Horace Silver and George Russell ("Sister Sadie" and "Stratusphunk") and a beautiful obscure ballad called "Where Flamingos Fly" featuring Jimmy Knepper. All of this adds up to a truly classic album and one of the finest statements by the legendary Gil Evans. Incidentally, Mr Evans was born in Toronto, Canada on May 13,1912 and died in Cuernavaca, Mexico on March 13, 1988 at age 76.

Patrick Burke discusses the era of California cool jazz in relation to the Birth of the Cool exhibition. Student: Nicole Keller

Meredith Malone discusses the Kemper Art Museum's fall 2008 exhibition Birth of the Cool: California Art, Design, and Culture at Midcentury. Student: Kaitlin Lusch