Podcasts about luneburg

SONGS in this podcast episode: M1 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) M2 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20). M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40). M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55). M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06). M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (2:56) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) PROGRAM NOTES Johann Sebastian Bach was a German composer and organist from the late Baroque period. He was born in Eisenach, in what is now central Germany. Bach lived from 1685 to 1750, The Baroque period was a 150-year period in music, dating from 1600 to 1750. Baroque music is Western Classical Music that followed the Renaissance period. Baroque music features drama, ornamentation, major and minor tones, and was presented in new ways – – like the Opera, Concerto, and Sonata, Baroque composers included BACH, HANDEL, VIVALDI. M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27). Bach probably used the CLAVICHORD to compose most of his music. The Clavichord is small, lightweight and would not disturb people. The clavichord was very temperamental, because it required tuning before each play, just like a violin or guitar.  The keyboard instruments of the day were referred to as a general category: the “KLAVIER”….these included HARPSICHORD, CLAVICHORD, ORGAN and PIANOFORTE. Bach's favorite KLAVIER instrument was the LAUTENWERK or LUTE HARPSICHORD with animal gut strings.  The writing of music was in support of GOD and KINGS. Over time, Baroque Music evolved into what is today known as the modern Orchestra. Bach was a prolific composer, writing hundreds of pieces for solo instruments, particularly the organ. He also wrote pieces for orchestra and choir. Bach is MOST known for writing two or more  melodies or voices against each other. Also called point against point, or, Counterpoint. Bit Bucket A BWV catalog number is a unique identifier for musical works composed by Johann Sebastian Bach, standing for Bach-Werke-Verzeichnis (Bach Works Catalogue).  Today I will present 9 compositions, dating from 1710 to 1731, during the time Bach was about age 25 to 45. M1 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20) Our first piece — TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). an ORGAN COMPOSITION.     It is taken from a 1959 album of BACH ORGAN WORKS   . The movement is called ADAGIO ….which indicates “At Ease”, or “Slow and Stately”. Tempo is only 66-76 BPM. like the resting heart rate for many people. Great liner notes. HERE IS AN  excerpt from the liner notes on that album – – QUOTE “OUR BACH” said the obituary notice, “was the greatest organ and clavier player that ever lived”. Though it may seem strange to us now, Bach's genius during his life was recognized only as a master of the organ—not as a composer. It was actually over a hundred years after his death that his works revealed him as a unique and mighty composer. His reputation as an organist brought many invitations to test new organs and advise on the construction of them.  UNQUOTE As with most of his organ works , there is no autograph or manuscript score from Bach, his organ work manuscript copies are lost.  This song has a CONCERTO style and rhythm.  We will hear the 2nd or ADAGIO movement. . It is all very calm and beautiful and pastoral and serene…until Bach pulls out all the stops in the last minute of this ADAGIO movement. He is really rocking the walls and windows of that church. Without any further adieu, here is TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). PLAY M2 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M2 MUSICAL CREDIT: This Bach organ work  was recorded on the Luneburg Organ at St. Johanniskirche, in the town of Luneburg, in northern Germany, the organist is Professor Michael Schneider. This LP was produced and released on the SOMERSET label here in the US in 1959 The album title is BACH The Majesty of the Luneburger Organ. M2 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) Our next piece is the most famous church cantata written in 1714 for THE FIRST SUNDAY IN ADVENT. NUN KOMM DER HEIDEN HEILAND or in English “NOW COME, SAVIOR OF THE HEATHANS” A HEATHAN is a person with no religion, i.e., a PAGAN. In this chorale, Jesus is asked to …  come and save the pagans.  In 1714, Bach would have been 29 years of age. It turns out that this song goes back almost two centuries before BACH's time.  It's based on a LUTERAN CHORALE with words written by Martin Luther for the 1523 first Advent Sunday.  For centuries, this was the first hymn for the first Sunday of ADVENT.  What I will play next is an arrangement for as modern symphony orchestra (the Philadelphia Orchestra) and it is definitely JS BACH heard in those phrases. But it is a large orchestra – – Conducted by Leopold Stokowski.  This is an extremely restrained, demure, and understated interpretation of a Bach piece the most restrained I have ever heard. The recording you will hear next is performed by the Philadelphia Orchestra, with conductor   Leopold Stokowski. This recording is on a Vinyl LP titled THE SOUND OF GENIUS, produced by COLUMBIA MASTERWORKS, in 1960. It was one of many records that were shipped by mail to members of the Columbia Record Club. My parents were enthusiastic members. A new disc would arrive in the mail every month, such as this LP of classical music. Without further delay here is NOW COME, SAVIOR OF THE HEATHANS PLAY M1 SHOW PLUG – SHOW PLUG – DON'T TOUCH THAT DIAL ! ! That was…M1 NOW COME, SAVIOR OF THE HEATHANS” MUSICAL CREDIT: Arranger and Composer JS Bach, sometime between the years 1708-1717 Performance: Philadelphia Orchestra, conducted by Leopold Stokowski. Album: The Sound of Genius Limited Edition LP (1960) Members Only ! Label: Columbia Master Works BIT BUCKET This piece also is based on a song listed in the ZAHN Lutheran chorales catalog. ZAHN 1174 M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40) The next three pieces are called TWO PART INVENTIONS, composed by JS Bach around 1720   The inventions were composed for use in instruction of Bach's oldest son WILHELM FRIEDEMANN BACH who was 12 years old. Today, these inventions are introduced to music students in school grades 4-7. Learning the Two-Part Invention requires ROTE learning, practicing over and over until the two hands work completely independently of one another. The inventions teach, among other things, the use of COUNTERPOINT. Bach is MOST known for writing two melodies against each other. Also called point against point, or, Counterpoint. That is the feature of these inventions, in each one there are TWO PARTS, left and right hand parts. COUNTERPOINT is found mostly in Bach's FUGUES and in his INVENTIONS. Perhaps a brief demonstration is in order. Here is an excerpt from one of Bach's inventions. FIRST the right-hand part or first point – the melody SECOND the left-hand part or second point – the bass line LAST both parts played in counterpoint. In some of Bach works, the roles reverse, The left hand plays the first point – the melody And the right hand plays the second point – the bass line Could you do this by crossing hands on the keyboard – yes, but, the roles are reversed, so no cross-hand playing. I will now play  WENDY CARLOS's rendition of three BACH TWO-PART INVENTIONS from her 1969 recording titled “SWITCHED ON BACH” .. I will play all three, back-to-back. Each one is short – – average length ONE MINUTE EACH! PLAY M3 PLAY M4 PLAY M5 Credits: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) And now….. PLAY M4 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M4 MUSICAL CREDIT: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55) PLAY M5 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M5 We heard three inventions – – Bach's 2-PART INVENTION in F MAJOR And the 2-PART INVENTION in B-FLAT MAJOR And the 2-PART INVENTION IN D MINOR Each invention is very different than the other. Not just a key change like the work title would suggest ! Bach stated that he wrote his inventions “to be models of composition” in other words, to enable the student to form ways of developing musical ideas and “acquire a strong taste of composition” Bach wrote the inventions, one for of the notes A to G and one for each minor and major key. Today these inventions are over 300 years old ! MUSICAL CREDIT: Composer JS Bach Estimated dates between 1720-1723 Performer – Wendy Carlos – early prototype Moog Synthesizer Arranger and Recording Engineer – Wendy Carlos on MOOG SYNTHESIZER in 1968. Record and label:  Switched-On Bach, Columbia/CBS BIT BUCKET M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06) Next is Bach's “The Well-Tempered Clavier” written in 1722. He was 37. The title page to the Well-tempered Clavier song book reads : “The well-tempered Clavier, or Preludes and Fugues, through all the tones and semitones, both the [major] and [minor]. For the profit and use of the studious musical young…” Bach wrote these preludes and fugues in all keys in the chromatic scale … 12 major and 12 minor keys I have the version in D MAJOR. It's two sections – the prelude, and the fugue The Prelude is the introduction. LISTEN FOR the Stride Piano on the left hand !! It's a short 1:10. The Fugue is the second section. It's slower but with a more Bold left hand. Also short at 1:54. And now….PRELUDE & FUGUE No. 5 D-Major fromThe Well-Tempered Clavier PLAY M6 SHOW PLUG – DON'T TOUCH THAT DIAL !  That was…M6  PRELUDE & FUGUE No. 5 D-Major from The Well-Tempered Clavier MUSICAL CREDIT: Composer JS Bach and the autograph date is 1722 Pianist: Vasso Devetzi Label Festival Classique (1978) M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (3:22) Our next song is Jesu, Joy of Man's Desiring This song was also composed by JS Bach in that same year of 1723 – – prolific at age 38. This was written for the Christian Feast of the Visitation- celebrated at the end of May in Western Christianity. The song is a Lutheran hymn. … a CANTATA and it has a CHORALE or chorus piece repeated twice within this cantata. There are many arrangements and versions because this song is one of Bach's most beautiful, well-known, and popular. The version we will hear next is arranged for SOLO PIANO. the pianist is Leon Fleisher. And Now, Here is Jesu, Joy of Man's Desiring – Bach       1723 PLAY M7 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M7  Jesu, Joy of Man's Desiring MUSICAL CREDIT: JS Bach composer 1723 Performance: Leon Fleisher – Pianist    (courtesy of EPIC records) Album  THE SOUND OF GENIUS VOLUME 3   Label Columbia, 1962   (3:22) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) Here is another Chorale recording titled Chorale Prelude VACKET OFF “Wachet Auf”, which translates to SLEEPERS, WAKE! This hymn was transcribed from a Lutheran hymn written in 1599 by written by Phillippe Nicolai. This Cantata is truly a work from the middle ages. In 1731, Bach took this hymn and created a 7-movement cantata, we will hear the first movement or PRELUDE”.  This cantata is sung in church on the Trinity Sunday. Today this piece is very popular piece in general…it is POPULAR CLASSICAL MUSIC.    J.S. Bach wrote 46 of these cantatas for church, in all. ODD FACT  about this song… it was performed only once by Bach, in Leipzig that year. And now the FIRST MOVEMENT  from  VACKET OFF …the Prelude PLAY M8 SHOW PLUG – DON'T TOUCH THAT DIAL ! that was M4    The Chorale Prelude “Wachet Auf”, also known as SLEEPERS, WAKE! Song credits M4 Credits: Hymn by Phillippe Nicolai in 1599 Transcribed by JS Bach in 1731 Performance: Wendy Carlos – on an early prototype Moog Synthesizer Wendy Carlos arranger and recording engineer Album:  Switched-On Bach Label: Columbia/CBS, 1968 M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27) Our next AND LAST piece is from the Switched-On Bach album and s titled AIR ON A G-STRING. This title comes from Johann Sebastian Bach's Orchestral Suite No. 3 in D major,  written almost 300 years ago.   So what is the meaning of the song title Air on a G-String? Well, Bach composed this as an orchestral suite in 1730. 141 years later, August Wilhelm arranged the second movement for SOLO VIOLIN and he did something unique. He transposed the song down from D so that the entire piece could be played on one string of the violin, the G-String, which is the lowest register on that instrument. Here is an example of what this sounds like on the Violin G-String, thjs example with piano accompaniment—pardon the scratchy sound, is from an old 78 RPM disc in 1935. Play example  – Jacques Dumont (Violin) Bach Air On The G String with Andre Collard (piano) We went from Bach's orchestral piece, to Wilhelm's transcription for solo violin, to Wendy Carlos modern interpretation with her MOOG Synthesizer. Now here is Wendy Carlos' arrangement of Air on a G String, from her debut album, SWITCHED-ON BACH, in 1968. PLAY M9 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M9  MUSICAL CREDIT: Composer JS Bach 1730 Performance Wendy Carlos on early prototype MOOG SYNTHESIZER Arranger and Recording Engineer: Wendy Carlos  Album:  Switched-On Bach Label: Columbia/CBS, 1968 END OF PROGRAM VV-031

Ruszają europejskie puchary - czy polski zespół znów zobaczymy w finale? Do rozgrywek wraca Trentino i Lube, do tego wzmocnione ekipy tureckie i o jedna więcej drużyna z PlusLigi - czy to zwiastuje najmocniejsze rozgrywki od lat? W Pucharze CEV i Pucharze Challenge znów szanse na triumf będą miały polskie zespoły, ale co najmniej jeden rywal z pewnością może się mocno postawić i to już na etapie ćwierćfinału. W PlusLidze blamaż Resovii, która wciąż jest bezradna wobec Jastrzębskiego Węgla, Olsztyn zatrzymany przez Lublin, a w tle wiele rozstrzygnięć w grze o Puchar Polski. Możesz wesprzeć podcast w serwisie Patronite: https://patronite.pl/Szostyset Za każdą złotówkę dziękujemy i obiecujemy, że wykorzystamy ją dobrze! ❌Obserwuj nas Twitterze: https://twitter.com/SzostySet

Bogdanka LUK Lublin ze świetnym wynikiem przed rewanżem z Cucine Lube Civitanova w finale Pucharu Challenge. Asseco Resovia ograła Tours VB w bardzo trudnym meczu i ma szansę na finał nawet bez grania złotego seta we Francji. Pierwsze porażki w Europie Jastrzębia i Warszawy skomplikowały ich sytuację przed rewanżami i o ile wydaje się wysoce prawdopodobne, że JSW Jastrzębski Węgiel domknie kwestię awansu w swojej hali, to PGE Projekt Warszawa jest w arcytrudnym położeniu, by wyeliminować Halkbank Ankara. Teoretycznie najłatwiejsza wydaje się być sprawa przystemplowania awansu przez Aluron CMC Wartę Zawiercie, która łatwo i bez straty seta uporała się z SVG Luneburg w pierwszym spotkaniu. W PlusLidze najgorętsze wydarzenie, to zbliżający się czwartkowy meczu pomiędzy Barkomem Każany Lwów a PSG Stalą Nysa, który zadecyduje o tym, która z ekip będzie musiała opuścić PlusLigę!

Ćwierćfinał siatkarskiej Ligi Mistrzów, półfinał Pucharu CEV i finał Pucharu Challenge - wracamy do grania w Europie! W Lidze Mistrzów najtrudniejsze zadanie wydaje się być przed PGE Projektem Warszawa, gdzie rywalem będzie turecki Halkbank Ankara. Mocnymi faworytami będą JSW Jastrzębski Węgiel z Olympiakosem Pireus oraz Aluron CMC Warta Zawiercie z SVG Luneburgiem. Asseco Resovia ma okazję zrewanżować się Tours VB za zeszłoroczne porażki i awansować do finału Pucharu CEV, a Bogdanka LUK Lublin już w swojej debiutanckiej przygodzie w Europie wystąpi w finale, rywalem Cucine Lube Civitanova. To właśnie ta ostatnia ekipa wydaje się najtrudniejszym przeciwnikiem z wszystkich, ale lublinianie z pewnością nie stoją na straconej pozycji. W odcinku analizujemy szanse i grę wszystkich rywali polskich ekip! Omawiamy też najnowsze rozstrzygnięcia w PlusLidze, wśród nich chociażby pierwszy w historii awans Norwidu Częstochowa do fazy play-off!

Ruszają europejskie puchary - czy polski zespół znów zobaczymy w finale? Wydaje się, że największe szanse na złoto mają ekipy z PlusLigi oraz Perugia z Kamilem Semeniukiem. Czy zapowiadają się najsłabsze rozgrywki od lat? W Pucharze CEV i Pucharze Challenge znów szanse na triumf będą miały polskie zespoły, ale kilku rywali z pewnością może się mocno postawić. W PlusLidze kolejna seria ciekawych wyników, Częstochowa znów ograła faworyta, a ZAKSA okazała się lepsza od Jastrzębskiego Węgla. Naszym gościem jest Jakub Balcerzak.

In this episode of the podcast, you will learn about the story of Liza Yakimova from Ukraine, who came to Germany to study for a bachelor's degree in International Business Administration and Entrepreneurship. Discover the journey she undertook, the obstacles she overcame, and the key successes and lessons learned along the way. Episode timeline 00:01 Intro 01:05 Liza's introduction 01:33 Liza's educational journey 02:55 Liza's decision to move to Germany 03:50 Meeting new people in Germany 05:50 Cultural differences between Ukraine and Germany 07:40 Internationa Business Administration and Entrepreneurship programme: structure, modules, and her favorite parts about it 10:05 Liza's future study and life plans 14:40 Favorite Things About Living in Germany 16:20 Advice for Liza from the past 18:30 Luneburg city 17:45 Her advice to other international students 19:50 Outro

Jastrzębski Węgiel kontra Ziraat Bankasi Ankara o finał siatkarskiej Ligi Mistrzów oraz Asseco Resovia kontra SVG Luneburg w finale Pucharu CEV - czy tacy rywale mogą zagrozić polskim ekipom? W PlusLidze jeszcze kilka kolejek do końca rundy zasadniczej - kto jeszcze o coś gra?

Step into the vibrant world of Cielo from Peru! As a student of Economics, Cielo's journey echoes with the harmonies of diverse disciplines and a quest for knowledge. Join us in uncovering the chapters of her educational tale, painted with passion, curiosity, and the pursuit of wisdom. Episode timeline 00:01 Intro 00:40 Cielo's introduction 01:00 Why Germany? 01:30 Her educational journey 04:20 Multilingualism 08:00 Creating meaningful connections 09:10 Luneburg and Berlin 10:00 Advice on moving abroad 12:30 Cielo's future aspirations 14:25 Expectations vs. reality 15:40 Outro

From Warsaw in Poland to Lüneburg in Northern Germany, Mark Lubelski, a Digital Media student at Leuphana University in Lüneburg and Hamburg Media School, shares his unique perspective on what it's really like to move to a new country and study in Germany and how it differs from his past experiences in Poland and England. He talks about the challenges he faced in adapting to a new culture and language, but also the opportunities he gained from studying in a diverse and international environment. In this episode, Mark reveals his top tips for adjusting to life in Germany, navigating the university system, and making the most of student life. From exploring the local culture to getting involved in student activities. Tune in now to hear Mark's story and learn more about the opportunities available at Leuphana University. Episode timeline 00:01 Intro 00:45 Mark's introduction 01:30 The story of how he ended up in Germany 03:30 What it's like to study both in Luneburg and Hamburg 6:30 Mark's impressions of both cities 9:00 Comparision of his past studying experiences to studying in Germany 13:00 What's special about Leuphana? 16:00 Looking for accommodation 18:45 Application process through UniAssist 21:37 Does lack of German affect his life? 23:25 Culture shocks 26:30 Outro

From Barcelona in sunny Spain to Lüneburg in Northern Germany, Marta tells us about her journey in the latest episode of the podcast “How to study in Germany”. She is a third-semester student of Psychology studies at Leuphana University. Listen to find out more about her study programme, what made her move to Germany, the challenges of living abroad, the cultural shocks that she experienced, and also student life and activities! Episode timeline 00:01 Intro 01:15 Marta's introduction 02:00 Why Germany? 03:20 Marta's study programme 9:40 What Marta misses about her home country? 11:20 Challenges of living abroad 14:00 Advice for prospective international students 20:00 Marta's future plans 21:10 Culture shocks 27:10 Luneburg as a student city 28:57 Outro

Alena Tkacheva, a student in the third semester of Studium Individuale at the Leuphana university, tells us in the latest episode of the podcast ” How to study in Germany” how to meet and make friends with fellow international students, thanks to the opportunities offered by I:SI – International Students Initiative. In addition, she shares a story of her own journey from Saint Petersburg in Russia to Luneburg in Germany. Moreover, in this episode you'll be able to find valuable info about tips on finding a job as a student, extracurricular activities, settling in, some cultural differences, and what she misses the most from her mother country!

Episode 165 Show Notes   Topic of the show: This week, we will share our thoughts on maximizing the use of air traffic control while flying in and around Class Bravo airspace.  We also discuss using airports at night without runway lights and our tips on how to be a successful air traffic trainee.  Thanks to Patrons DCW and EH for the great questions.   Timely Feedback: 1. PATRON MZ shares some information about the stealth planes seen during the Super Bowl. Links below. 2. PATRON JS shares his thoughts on landing on an unlit field. 3. PATRON KW shares some interesting facts about early model Bonanzas and flares. 4. PATRON MK shares his thoughts on using unlit fields.   Feedback PATRON MSS works in a different world of managing traffic. Mike Sierra is control in training and asks for our advice on being a successful trainee. Tango Victor recently soloed! PATRON DCW wants to know if there is standard phraseology for getting flight following and a code starting on the ground at a Class D airport.   Mentioned on the show: https://en.wikipedia.org/wiki/1999_F-117A_shootdown, https://en.wikipedia.org/wiki/Luneburg_lens, Have a great week and thanks for listening!  Visit our website at OpposingBases.com You can support our show using Patreon or visiting our support page on the website.  Keep the feedback coming, it drives the show! Don’t be shy, use the “Send Audio to AG and RH” button on the website and record an audio message. Or you can send us comments or questions to feedback@opposingbases.com. Find us on twitter @opposing_bases.  Music by audionautix.com.  Third party audio provided by liveatc.net.  Friends of the show and maker of bags to protect your ATC headset from dust and germs: ATCSaks.com. Keep the gunk and funk away from your most valuable pilot gear: https://pilotsaks.com/. Legal Notice  The hosts of Opposing Bases Air Traffic Talk podcast are speaking on behalf of Opposing Bases, LLC.  Opposing Bases, LLC does not represent the Federal Aviation Administration, Department of Transportation, or the National Air Traffic Controllers Association.  All opinions expressed in the show are for entertainment purposes only.  There is no nexus between Opposing Bases, LLC and the FAA or NATCA.  All episodes are the property of Opposing Bases, LLC and shall not be recorded or transcribed without express written consent.  For official guidance on laws and regulations, refer to your local Flight Standards District Office or Certified Flight Instructor.  Opposing Bases, LLC offers this podcast to promote aviation safety and enhance the knowledge of its listeners but makes no guarantees to listeners regarding accuracy or legal applications.

Radio Orson - Storie di LibriNei nostri podcast raccontiamo storie di libri, case editrici, scrittori e personaggi dell'editoria per riscoprire quel passato che non si può dimenticare. In una rubrica speciale raccontiamo spaccati di Vita vissuta, da noi e da chi lavora con noi.Sei in cerca di un libro da leggere? Raffaella in questo episodio ci consiglia il romanzo di Paolo Maurensig "La variante di Lüneburg"

EVERY LAST WEDNESDAY OF THE MONTH HONEYHUSH PRESENTS PRINCERADIO! Tonight   Prince & THE NEW POWER GENERATION / ROCK OVER GERMANY- SOUNDBOARD LIVE IN LUENEBURG, GERMANY 1993    "ROCK OVER GERMANY" in Luneburg, Germany on September 3, which appeared as part of the New Power Generation 1993 European Tour. Prince (vox, guitar), Michael B. (drums), Sonny T. (bass), Levi Seacer, Jr. (guitar), Morris Hayes (keyboards), Michael Nelson (trombone), Brian Gallagher (tenor saxophone), Kathy J. (baritone saxophone), Dave Jensen (trumpet), Steve Strand (trumpet)    

Oggi parliamo della relazione tra scacchi e donne partendo dal libro della settimana: La variante di Lüneburg di Paolo Maurensig. Mi trovare anche su Instagram: https://www.instagram.com/chiara_sui_libri/Buon ascolto!

Hear from Noah, who is studying abroad in Luneburg, Germany, about his adventures in language learning, his yearlong program overseas, and his apartment and homestay experience.

Electronic music in all sorts of variations is the order of the day in this brand new edition of Via Berlin. There will be house music made in Iran by Blade&Beard, smooth relaxing dub tunes made by Luneburg based duo Session Victim, straight Berlin techno by Daniel Steinberg and a charming Viennese “schmankerl” by ‘eagle sessions’ host, podcaster and producer AlBird– to name a few. Enjoy your 60 minutes of electronic refreshments! Al Bird – Parrot EP Blade&Beard – The Waves Are Coming Aroma Pitch-Vertical Gardens 00:00 - DJ Katia 01:07 - Gagagei - AlBird 05:19 - Sleepover Dub - Session Victim 09:19 - DJ Katia 10:17 - Mandarine Dreams - Aroma Pitch 15:49 - Friends - Daniel Steinberg 22:27 - The Stick - Up -Soulphiction 27:49 - Moonchild - Marcel Vogel 31:03 - DJ Katia 32:18 - Holland In My Dreams - Blade&Beard 38:42 - Amadou - Acid Pauli 42:45 - Love - Kaiser Souzai 49:44 - All Or Nothing - Chrome Sparks 53:53 - DJ Katia 54:29 - Acid - Boris Brejcha feat. Ann Clue 61:48 - Finish

Nuovo appuntamento con Pagine sommesse. Oggi parliamo del gioco. Al tavolo insieme a noi Arrigo Boito, Fedor Dostoevskij, Paolo Maurensig, Etienne de La Boétie e Nick Hornby. Pronti, partenza, via!   LETTURE DELLA PUNTATA: Etienne de La Boétie – Discorso sulla servitù volontaria Fedor Dostoevskij – Il giocatore Paolo Maurensig – La variante di Luneburg […]

Elevators - a cultural history. Before skyscrapers transformed the urban landscape a new conveyance made them possible. The elevator, invented in New York in the 1850s, became a factor of metropolitan modernity on both sides of the Atlantic - forever in motion and reflecting the intimacy, as well as the anonymity, of capitalist cities. Laurie Taylor talks to Andreas Bernard, Visiting Professor of Cultural Studies at Leuphana University of Luneburg, and author a of new book which explores the origins & meaning of the 'lift'. Also, Hugo Gorringe, Senior Lecturer in Sociology at the University of Edinburgh, discusses his study of political militants in India who move into mainstream electoral politics. Producer: Jayne Egerton.