Podcasts about naschy

The Naschycast returns for a brief overview of the Paul Naschy Blu-Rays that are currently available in Region A. Troy and I decided to record this show to give our North American listeners an indication of the wealth of high-definition offerings still on retail shelves – as long as you search the right retailers! Consider this also a warning that these wonderful discs don't stay available forever and, in many cases, when they're gone they are gone for good. We tried and failed to do a chronological rundown of the Blu-Rays that have come out over the last eight years or so with nods toward some blank spots in Naschy's career we'd like to see filled with HD glory. The individual companies that have been releasing these Spanish horror classics have been doing us all a good service and let's hope the releases continue past next year's long awaited DR. JEKYLL AND THE WOLF MAN! If you have any comments naschycast@gmail.com is the place to send them. We hope that you have had a good 2023 and that 2024 will be even better! Thank you for listening.

Two years ago, we embarked on a journey into the world of Paul Naschy for the first "Naschy November." Now we're back with part two. This time, we take a deep dive into two of our favorites: The Werewolf vs. the Vampire Woman (1971) and Inquisition (1977.) We also get a little help from another Naschy fan, award-winning author Stephen D. Sullivan, who shares exclusive news with us about an upcoming project featuring Waldemar Daninsky, aka the werewolf. From full moons to Spanish/French inquisitions, it's an episode you don't want to miss!

¡Bienvenidos a un nuevo episodio de El Calabozo del Reverendo Wilson! Nueva entrega del Dossier SpanishHorror, dedicado al abordaje hacia el cine de terror español de todas las épocas, con el repaso y análisis de todo un clásico como "La Noche de Walpurgis". Hito del llamado Fantaterror con una sensacional dupla creativa aquí formada por el cineasta León Klimovsky y el mayor exponente de terror fecundado en España, Paul Naschy, nuevamente interpretando a su personaje más icónico, el hombre lobo Waldemar Daninsky. Una cinta repleta de hallazgos visuales y cuyo éxito ayudó a detonar toda una corriente de cine fantástico en España, y en la que el protagonismo de Naschy se verá secundado por la presencia de Patty Shepard, quien bajo la piel de la Condesa Wandesa Dárvula de Nadasdy, nos regala una de las estampas más inolvidables del Spanish Horror. Enjoy! Si te ha gustado el programa, recuerda que tienes la posibilidad de ayudar a El Calabozo del Reverendo Wilson dándole a "Me gusta". ¡Gracias y feed the cvlt!

This episode we are joined by Jon Kitley to talk about his love of and history with Paul Naschy! Readers of Horror Hound magazine are aware of his regular column ‘They Came from the Krypt' but he has also published the book ‘Discover The Horror' which is part genre exploration and part autobiography. Both Troy and I recommend it.   As you might expect from such a conversation, the three of us range all over the place touching on more topics than we could comfortably list. Suffice to say that we discuss horror conventions (where we all met), non-fiction horror genre books (which we all collect) and our shared fascination with movies and monstrous stories. Of course, we do finally get around to talking about Naschy with Jon falling squarely on my side of the critical Mummy divide! It is about time I had someone to stand with me on that hill!  HORROR RISES FROM THE TOMB was our guest's introduction to the great man's work and it becomes a big part of our chat. As a bonus, the legendary Spanish character actor Victor Israel gets more than a few minutes of glowing examination too. We had a great time talking Naschy and we hope you'll enjoy listening.  If you have any comments or question naschycast@gmail.com is the place to send your emails. Thank you for checking out the show and we'll be back soon. 

On this episode of Weirdhouse Cinema, Rob and Joe return to the world of Spanish horror with another Paul Naschy movie: 1981's “Night of the Werewolf.” This time, Naschy's tragic werewolf character Count Waldemar Daninsky goes up against vampire Countess Elizabeth Báthory!See omnystudio.com/listener for privacy information.

The crew join their dear friends at the Castle of Horror Podcast to chat about 1969's "Assignment Terror" , and have a blast!"The Naschy" CocktailIn a Highball glass filled with ice combine:2 oz Sangria1 oz Gin (maybe more)2 oz Tonic WaterGarnish with slice of Lime and an Orange TwistYou can listen to the Castle of Horror Podcast EVERYWHERE!https://www.spreaker.com/show/castle-of-horror-podcastChat with them on Facebook:https://www.facebook.com/castleofhorrorpodcastAnd on Twitter:https://twitter.com/CastleHorrorPodVisit OUR website:http://www.monstermoviehappyhour.com/Chat with us on Facebook:https://www.facebook.com/monstersndri...Our Twitter:https://twitter.com/monstersndrinksMusic created by Kevin MacLeod.You can hear more of his work at:https://incompetech.com/wordpress/author/kevin/

Marc McCloud drops by the show to discuss Naschy's tale of the Inquisition in France. Marc is the owner of Orbit DVD and a longtime friend of Troy and I, but this is the first time we've ever talked about our mutual love of the films of Paul Naschy. Our guest chose Naschy's directorial debut as the topic and we were happy to oblige.   Religious hypocrisy is a big part of our conversation and this gets us into the thorny area of what to call the subset of exploitation films of which this is a part. We note the influence of the Catholic Church on the nature of the fears that undergird the horrors of the film and wonder about the connections to the Nunsploitation genre. The villains of the story come under scrutiny with an eye toward how they use their relative places of power to extract their desires from those around them. And we speak a little about the ways that women had to work to accomplish things in the society ruled by male religious leaders. Join us for what I will refuse to call a ‘romp' through INQUSISTION.   We end the show with a short email from Kurt and if you'd like to send us your thoughts naschycast@gmail.com is the address. Thank you for listening!

This week we have a look at the 1969 film Assignment Terror. This is Episode #399!We're joined by our friends at the Monster Movie Happy Hour podcast, historical book illustrator David Geister, historian Mary Challman, and historian/raconteur/cocktail wizard Scott Chesebrouugh Los Monstruos del Terror (translation: The Monsters of Terror), also known as Dracula vs. Frankenstein and Assignment: Terror, is a 1969 Spanish-German-Italian horror film co-directed by Tulio Demicheli and Hugo Fregonese. It is the third in a series of 12 films that Paul Naschy wrote and starred in featuring the werewolf Waldemar Daninsky, a role that was always played by Naschy. It stars Paul Naschy, Michael Rennie (his last film), Craig Hill and Karin Dor.It was filmed in early Spring, 1969. The film was first released theatrically in Germany (as Dracula vs Frankenstein) on February 24, 1970, and in Spain (as The Monsters of Terror) on August 28, 1971. The film was also shown in France and in the U.K. as Dracula vs Frankenstein. In Belgium, it was shown as Dracula and the Wolf Man vs Frankenstein. In Mexico, it was released as Operation Terror, and in Denmark it was known as Frankenstein Og Blodsugerne/ Frankenstein vs The Bloodsucker. In the 1980s, the film was released on home video in France as Reincarnator.

We return to the Beyond Naschy series with guest Bob Sargent making the choice of film this time out. ORLOFF AND THE INVISIBLE MAN (1970) is not a movie that is often called out as a favorite of even the most hardened Euro-Cult horror fanatics. In the past it has been mistaken as a Jess Franco effort with the director's name, Pierre Chevalier, suspected of being another of the prolific filmmaker's many pseudonyms. This appears to not be factual but anyone stumbling across this movie unaware couldn't be blamed for making that assumption. It shares many of the standard tropes and oddities of one of Franco's color gothics from the period which makes it a good companion piece of Franco's EROTIC RITES OF FRANKENSTEIN (1973) and DRACULA, PRISONER OF FRANKENSTEIN (1972). It even sports Franco's original Orloff actor Howard Vernon as ‘Professor' Orloff who has somehow created an invisible man for the usual mad scientist reasons. The film's story is a mish-mash of prematurely buried daughters, accidental murders and greedy servants who are not above a bit of graverobbing. Add to that one of the strangest rape sequences in cinema history and some obviously missing story pieces and you have an entertaining if often confusing 76 minutes. We talk about the cast and crew, including their various Naschy connections. We discuss the missing scenes that can be glimpsed in the French trailer for the film and in the extras included on the old Image DVD. We find some moments of real beauty in the cinematography and some unintentionally funny scenes that just don't work. The English dialog causes quite a few laughs as we quote some standout circular conversations. Part of our discussion centers on the term ‘guilty pleasure' and how each of the three of us feel about applying that overused phrase to our love of Euro-Cult cinema. As you might expect, there are more than a few verbal trips down barely connected cinema paths with the final forty-five minute mailbag section becoming a memory lane remembrance of our late friend Craig Ledbetter. If you'd like to add you voice to the show naschycast@gmail.com is the place to send your thoughts and questions. Troy and I are very happy that Bob has joined us again and with a little luck we will have around for the rest of this year's shows! Thanks for listening

It's Giallo January once again and in this episode, we brought in some help because we're covering a Giallo starring one of the most prolific Spanish actors ever, Paul Naschy.  Joining us this episode to discuss not just this film but the career of Naschy is author Troy Howarth. So strap in for roller coaster rides, nude sleuthing, and lots of yellow (literally). A Dragonfly for Each Corpse is available to stream on Tubi at the time of this episode's release. It is also included on Shout Factory's Paul Naschy Collection vol 2 (with a commentary track from Troy). Buy Troy's book on Paul Naschy here: https://www.amazon.com/Human-Beasts-Films-Naschy-Standard/dp/1721010661/ref=sr_1_1?crid=4HYIUYW5BWBA&keywords=human+beasts+paul+naschy&qid=1672627950&sprefix=human+beasts+paul+naschy%2Caps%2C127&sr=8-1 All of Troy's books are available here: https://www.amazon.com/s?i=stripbooks&rh=p_27%3ATroy+Howarth&s=relevancerank&text=Troy+Howarth&ref=dp_byline_sr_book_1 Follow this podcast on Instagram and Facebook @unsunghorrors. Follow Lance on Instagram and Letterboxd @lschibi Lance's shop: https://lanceschibi.bigcartel.com/ Erica has an essay in this Vinegar Syndrome box set: https://vinegarsyndrome.com/collections/frontpage/products/made-in-hong-kong-volume-1 Follow Erica on Letterboxd or Instagram @hexmassacre or add on Discord HexMassacre #2790 Logo by Cody Schibi Part of the Prescribed Films Podcast network (www.thepfpn.com)

On this spooky season edition of Parallax Views, Troy Guinn and Rod Barnett of the Nashcycast joins us to discuss the overlooked cult movie career of Jacinto Molina, better known by his stage name Paul Naschy. For the uninitiated, Naschy has often been referred to as the Spanish Lon Chaney or Lon Chanery Jr. due to his playing such characters as the Mummy, Fu Manchu, Frankenstein's monster, the Hunchback of Notre Dame, and, most famously, the cursed werewolf Waldemar Daninsky. Naschy's take on horror and the gothic harkened back to the classic Universal Studios monster but with a 70s twist vis-a-vis the inclusion of sex and violence. However, when one delves deeper into these films it becomes apparent Naschy's films are more than just monster mashes, carrying with them their own distinct style and charms as well as highlighting Naschy's thematic obsessions. Among his more well-know titles are Howl of the Devil, Frankenstein's Bloody Terror, The Werewolf and the Yeti, Horror Rises from the Tomb, Dr. Jekyll and the Wolfman,  The Werewolf and the  Vampire Woman, The Beast and the Magic Sword, Night of the Werewolf, and many others. Over the years Naschy's cult following has grown with such directors as Joe Dante, John Landis, and Guillermo del Torro singing his praises. In this conversation we'll discuss the importance of Naschy, his bitter over the film industry in his latter years, Naschy's growing up under the dictatorship of General Francisco Franco in Spain and the influence of that on his work, censorship and Paul Naschy movies, and much, much more!

Troy and I once again welcome Bob Sargent to the Naschycast! This time we discuss one of our favorite Paul Naschy's horror tales, THE HUNCHBACK OF THE MORGUE (1973). This film's inspired madness is certainly worth talking about and we find some fresh areas to explore. The relative ease that Naschy's poor hunchback Gotho has kidnapping women for the mad doctor's experiments is a topic of some debate. Also, the fact that several characters have some knowledge of what is going on but they never compare notes well enough to raise the necessary alarm is something puzzled over. We notice that it doesn't help that the local cops can't seem to find a clue when it's sitting right in front of them lying straight to their faces! Seriously – how suspicious does Orla have to be before you follow that nutcase around just to check up on things? Bob brings up some interesting questions that we've never examined before including the presence of some very odd decorations in a certain apartment. I think I've solved one of them but the other is still a mystery. Maybe you can help us out. If you have any comments or suggestions or if you have a guess about what that strange hanging object in Rosanna Yanni's place might be naschycast@gmail.com is the place to send them. Thank you for listening!

Night of the Howling Beast (1975), Night of the Werewolf (1981), and The Beast and the Magic Sword (1983). In the annals of the Spanish horror genre, you can't go far without running into the name Paul Naschy, especially the werewolf films that he made, numbering over a dozen! In his 40+ year career, Naschy made over 100 films, many in the horror genre, even directing almost two dozen of them, and writing over fifty of them! In this episode, we cover 3 of Naschy's werewolf film, where he always re-invented the character of Waldemar Daninsky character, who always seems to be cursed to turn into a snarling beast. Tune in and take notes! Insta: https://www.instagram.com/discoverthehorror/ Facebook: https://www.facebook.com/DiscovertheHorror Web:  https://discoverthehorror.com/ In this episode, we mention these films: An American Werewolf in London (1981), Assignment Terror (1970), Beast and the Magic Sword (1983), Curse of the Devil (1973), Curse of the Werewolf (1961), The Devil's Possessed (1974), Dr. Jekyll vs the Wolfman (1972), Exorcismo (1975), Frankenstein's Bloody Terror (1967), Fury of the Wolfman (1972), Horror Rises from the Tomb (1973), The Howling (1981), Human Beasts (1980), Loreley's Grasp (1973), Night of the Howling Beast aka Werewolf vs the Yeti (1975), Night of the Seagulls (1975)  Night of the Werewolf (1981), The People Who Own the Dark (1976), The Return of the Vampire (1943), Tombs of the Blind Dead (1972), Werewolf Shadow aka Werewolf vs the Vampire Woman (1971), Werewolf (1956), Zombie (1979)

Bob Sargent returns to the show to discuss a very early Paul Naschy screen appearance. Rescued from Spanish language-only obscurity by the online fan-subbing community AGONIZANDO EN EL CRIMEN (1968) is a strange crime story centered on a serial killer obsessed with medical professionals - and their hands! This one is not easy to see but is it worth seeking out? Boy, do we have a lot to say.   Troy, Bob and I dig into the production of the film and how Naschy's original job on this project was behind the camera. We spot a few interesting locations including a very familiar set of steps that are a big part of Naschy's cinematic legacy. The film's writer/star comes under scrutiny with Naschy's pointed comments about fellow leaving no doubt about why these two men never worked together again. On the other hand, this movie's director, Enrique López Eguiluz, played a major role in making Jacinto Molina into the horror movie star we know and love to this day.   We take our time and really pull this one apart with occasional sideroads into the Hammer Dracula films and the on-set shenanigans of Klaus Kinski. It can't be helped! We have a lot to say about the Juan Logar's wide-eyed, maniacal but still somehow detached performance. We chuckle over the casual 1960's style of misogyny and the silly idea that a woman might become a surgeon. Madness! And it all circles round to an embarrassing discussion of how best to hide a murder boner. We are a strange trio.   We end the episode with a few new pieces of mail sent to naschycast@gmail.com and if you have anything you'd like to tell us, that is the place. Thank you for listening to the show and we'll be back soon. 

The NaschyCast returns with a long episode to reward your patience.   Bob Sargent was the man behind the excellent 1990's cult movie fanzine Videooze. His issue devoted to Paul Naschy was a major contributor to my early knowledge of the man's filmography and allowed for fans to have a roadmap to his career. Mr. Sargent is a huge fan of Naschy and reached out recently to gab about our shared fascination with the great Spanish Horror icon. Of course, Troy and I couldn't wait to get him in front of a Zoom mic and pick his brain about Euro-Horror in general and Naschy in specific. He was even kind enough to put together a list of his personal Top Ten favorite films by Senor Molina! This a is a lively conversation and it ranges over the decades and across a dozen different topics. You might even learn a little about how Videooze came about and who Mr. Sargent credits with pushing him into self-publishing.   If you have any comments or questions naschycast@gmail.com is still the address to send things to. We'll be back soon with a short episode focused on answering a few emails.

Troy and I (finally) return with a new episode! This time we dive back into the Franco pool of cool and look longingly at the luminous Soledad Miranda. SHE KILLED IN ECSTASY (1971) was the final collaboration between the young actress and Jess Franco before her untimely passing. While it is generally not considered their best film together it contains many scenes that display the brilliance that they could achieve. Soledad's skills are on full display in her role as a vengeful wife extracting blood from the people who hounded her husband into suicide. As the story plays out, she runs the gamut of human emotions from deep concern and grief-stricken to seductively aloof and finally filled with violent rage. Her performance is mesmerizing and is carried out so well that she could have embodied her character without dialog and still communicated every nuance necessary to engage the viewer. She was a powerhouse screen presence and her loss is only more deeply felt when watching her in this film. We dig into why we enjoy this film as much as we do with much attention paid to the strength of the central performance. We point to reoccurring plot elements within Franco's work and his love of a certain visual metaphor involving boats at sea. We discuss the movie's odd choice to rush past the possible mad scientist idea at the beginning to get to the righteous vengeance at the heart of things. We try to define what makes Soledad such a memorable screen actress even as this film refuses to even give her character a first name. Each of the murders is dissected as we try to understand what Franco might have had in mind as his story gains force, climaxing in a fascinating sequence in which the director is himself the victim. It certainly raises some questions about Jess' sexual desires and points toward what might have been included in future unrealized projects. We hope you enjoy the episode and if you have any comments naschycast@gmail.com is the show's address. Thank you for listening and we'll be back soon. I promise!

It's Naschy November as Jeff and Richard discuss the life and career of Paul Naschy, focusing on three specific movies: Vengeance of the Zombies (1973), The Mummy's Revenge (1975), and The Beast & the Magic Sword (1983.) They disagree on which one is their favorite, but not on the fact that, while Paul Naschy films may be an acquired taste, they're often a delicious Eurohorror feast. . Check out the video companion on our YouTube channel. It contains exclusive content not available in this month's podcast that you don't want to miss! . Call us at: (616) 649-2582 That's (616) 649-CLUB or email: classichorrorsclub@gmail.com, or... ...join us in our clubhouse at: https://www.facebook.com/groups/classichorrors.club/ We'd also appreciate if you'd give us an honest rating on Apple Podcasts or SoundCloud. Thank you! Songs: Dusty Ideas by Count Waldemar Daninsky, from the album, Into the Void. Glass Half Full of Hope by Count Waldemar Daninsky, from the album, Dreams. Both are available on Apple Music. Our Plugs: Find Jeff at Classic Horrors Club http://classichorrors.club or... DC Comics Guy https://www.dccomicsguy.com/ or... The Reaction Shot: https://www.thereactionshot.com/ Find Richard at Kansas City Cinephile: http://www.kccinephile.com/ or... Dread Media http://www.dread-media.com/ Monster Movie Kid: https://monstermoviekid.wordpress.com/ To purchase Troy Howarth's book: https://www.amazon.com/Human-Beasts-Films-Naschy-Color/dp/1718835892/ref=sr_1_2?keywords=human+beasts+the+films+of&qid=1636911713&s=books&sr=1-2 To listen to Rod Barnett and Troy Guinn on NaschyCast: https://naschycast.podbean.com/ To read Stephen D. Sullivan: https://stephendsullivan.com/ To listen to Bill Mize on Monsters by the Minute: http://billmakespodcasts.com/ To listen to Chris Franklin on The Fire & Water Podcast Network: http://fireandwaterpodcast.com/

It's S&A's Third Instalment of our Evil Dead Series.  Lindsay is joined by Cobwebs Podcast Host Daniel Epler for a Double Feature of Paul Naschy's & Carlos Aured's Horror Rises From the Tomb & Sam Raimi's Army of Darkness (1992).  This is a Double Feature of a little bit of everything.  Horror, Comedy, Adventure and Monsters.  Two people Naschy and Raimi just want to make a movie about the things they love.  So bring in the mini Ash's and Headless Warlocks. Listen to Cobwebs Podcast Here   Follow Cobwebs on Twitter @cobwebspod Follow Cobwebs on Instagram @cobwebspod/ Follow Daniel on Twitter @eplerdaniel   Follow Schlock & Awe on Twitter @schlockandawe1 Follow  Schlock & Awe on Instagram @schlockandawe1/ Follow Lindsay on Twitter @readandgeek   Say Hi on schlockandawemovies@gmail.com   Rate and Review Schlock & Awe on Apple Podcasts   Original Music Composed and Performed by Anthony King  

Hey everybody, I'm back with another recording and another awesome guest! This time around I'm joined by Euro-cinema aficionado, Rod Barnett (Naschycast, The Bloody Pit, Wild, Wild Podcast (with his cohost, Adrian Smith))! He has spent countless hours (with his partner Troy) dissecting, analyzing, and reviewing a ton of films, especially Spanish horror films, like Assignment Terror! This wild film stars Paul Naschy, Michael Rennie, and Karin Dor. In this one you'll get a real education about some of the intricacies of Naschy and his career, and of course, a discussion of this crazy film.  As usual, you can send any feedback to the show through email at Magazinesandmonsters@gmail.com, or on the FB page (Facebook.com/magsnmonsters). You can also find me on Twitter @Billyd_licious. Definitely take a look at Rod's website as well, as you can find everything he's involved in there (pitofrod.blogspot.com)

The Three-Who-Are-All Saga comes to a close as Jack's metamorphosis is completed, at the cost of the life of another. Praise voodoo! Nuff said. Plus: Our final Naschy film...La Bestia y la Espada Mágica!

Post-apocalyptic stories don't turn up in the Golden Age of Spanish Horror as frequently as I would like and until a listener asked us about REFUGE OF FEAR (1974) neither of us were aware of it being part of that sub-genre. Of course, once we learned about the cast, we immediately tracked down a copy and here we are!   Also known as CREATION OF THE DAMNED the film tells the story of a small group of survivors of a possible nuclear war. These five people live in a cramped underground complex while trying to wait out the effects of radiation on the world above. The teenage son of one couple is obsessed with trying to stay in contact with the outside by shortwave radio. He lives in the hope that his girlfriend is somehow still alive but is becoming less sure of that possibility while the pair of married couples are having problems of their own. The husbands are ex-military so are using their training to maintain order but as the film begins tensions are in evidence. One wife drinks and knits while the other tries to sleep away as many hours as she can. Soon, the cracks that begin to appear in the walls of their concrete bunker aren't the most dangerous breaks in their lives as mentally fragile people start to fracture.   REFUGE OF FEAR (1974) has a generally bad reputation which both Troy and I feel is a shame. We were drawn to see this film because it stars the wonderful Patty Shepard who, along with Craig Hill, appeared in a couple of Paul Naschy's films. She and Hill have he most screentime and are good in their roles with the script giving them some juicy dramatic meat to chew on. The interesting script comes under discussion even as we try to not spoil the turns things take in the final act. We both feel that the director lets the film down a bit and we dig into the possible reasons for that. And we once again find a film that is richly deserving of a quality Blu-Ray release. I think this could be considered a much better film if a good print was made available.  If you have any comments on the film or anything else naschycast@gmail.com is the address. Or we can be found lurking over at the show's FaceBook page as well. Thanks for listening! 

The Naschycast returns to the films of Amando De Ossorio for a romp through the jungle! THE NIGHT OF THE SORCERERS (1974) a.k.a. The Night of the Witches follows a small group of researchers seeking to document the endangered species of a fictional country in Africa. They make camp near a (miniature) village and then learn from a native about the supernatural history of the area. Of course, we have been made aware of the odd rituals of ‘Bumbasa' in a prologue showing the kidnapping, rape and beheading of a British lady in 1910 on an altar that seemingly transforms her into a leopard demon! Or, at least, a fanged disembodied head that can turn and snarl at the camera! It's a wild ride.  Troy and I hack our way through the jungle foliage to get a good look at this strange little film. As he had done with his Blind Dead movies Ossorio is clearly trying to create a new monster of his own design. But the leopard demons offer some technical hurdles that the writer/director's usual low budget is often unable to jump. We discuss the various forms in which we see the creatures onscreen trying to decide which of them is most effective. Since these three forms are simply leopard stock footage, fake leopard heads partially hidden by leaves and female members of the cast running in slow motion through the jungle night it can be difficult to make a conclusive choice. And Ossorio throws in enough sex and blood to keep an exploitation audience distracted from the inherent silliness of the pieces of his narrative that don't always work. But where does this film fall in the legacy of this legendary Spanish horror filmmaker? We share our opinions and hope to hear yours.  The podcast can be reached at naschycast@gmail.com where you can send your thoughts on this episode's film or Amando De Ossorio's career as a whole. We'd love to hear from you! Thank you for listening and we'll be back soon with more from the Golden Age of Spanish Horror. 

Re-upload of this episode! Originally released October, 2020.    Filmmaker Jaume Balagueró made the big time when he co-directed 2007's REC but he is a much more accomplished than a found footage zombie film would imply. His feature film debut THE NAMELESS (1999) managed to both brilliantly adapt a Ramsey Campbell horror novel and find a smart way to darken the wrenching finale of the tale. Over the last twenty years he has become one of Spain's hidden masters of taut thrillers and smart horror tales. The only complaint I have with his career is that I wish he had more completed films released but I continue to hope for more excellent cinema from him in the future.  SLEEP TIGHT (2011) is both a thriller and a character study of a deeply unhappy man named Cesar. As the concierge of a Barcelona apartment building, he presents a pleasant face to the upper middle-class residents but behind this mask he seethes with rage at their contented lives. Since he is incapable of being happy, he staves off his suicidal ideation by finding ways to make the people he serves in the building miserable. In both small ways and large he wages a one-man war to make them uncomfortable, embarrassed or inconvenienced in any way he can imagine. But he reserves his most vicious attention for Clara, a beautiful single woman of such sunny disposition as to seem angelic. She is the focal point of Cesar's most persistent activities aimed at making her life unbearable. His repeated failures to change her optimistic outlook seem to only enrage him further until he finally resolves to escalate things to violence. But will circumstances allow his plans to succeed?   Troy and I dig into this film and its themes but we do our best not to spoil the final act's shocks and surprises. Indeed, we begin the show with a discussion of several recent viewings to get the Halloween season off to the right start. We touch on THE GHOST AND MISTER CHICKEN, THE OPEN HOUSE, THE CHANGLING, the remake of THE BLOB and our plans for 2020's indoor October 31st. It's been a strange year, folks. We end the show with a listener email that prompts a series of interesting horror icon mash-ups.  We hope you enjoy the episode and if you have any comments naschycast@gmail.com is the show's address. Thank you for listening and we'll be back soon.

The busiest years of Paul Naschy’s career were the early 1970’s. Moving from one project to the next at incredible speed he often finished one film while still writing the final draft of another and negotiating a deal for a third. During this period, he produced some of his best work including a large percentage of the movies that still define his image as a Spanish horror icon. But a few of his films from the 1970’s were thrillers that, for various reasons, were rarely distributed outside of Spain or even dubbed into English. This has made it very difficult to see these movies and for non-Spanish speakers to comprehend them in the rare instances of locating a copy to watch. Thank the strs for the fun-subbing community out there on the internet!  Troy and I finally get a chance to see TODOS LOS GRITOS DEL SILENCIO (1975) and we are so happy that not even the crappy VHS sourced print can dull our enthusiasm. Yes, there are a few scenes that are a little too dark to be sure of what we’re supposed to be seeing but the fact that solid subtitles are onscreen means that we can follow the story anyway. And that turns out to be very important with this film because it is a twisty murder mystery that falls easily within the giallo genre even if it doesn’t have a few of the usual elements you might expect. ALL THE SCREAMS OF SILENCE has very little blood since the killer’s preferred method of dealing death is a silenced gun (hence the title) and the amount of flesh on display is low which might factor into this thriller being so underseen for the past forty plus years. No gore or nudity? What were they thinking? But the film does have a great performance from Naschy as a journalist chasing the bullet-slinging murderer while at the same time trying to locate his missing girlfriend. Are the two mysteries connected? With a script by Jacinto Molina you can bet some surprises are coming in the third act.   We begin the episode with some news about the upcoming Blu-Ray release of TOMBS OF THE BLIND DEAD and hint at a few more commentary tracks from the Naschycast down the road. Also, we mention a new podcast project coming soon from our buddy Adrian Smith that will be of interest to fans of European Cult cinema. And we end the show with several letters from listeners that put some fresh ideas in our head for possible YouTube projects too. If you have any comments on the podcast naschycast@gmail.com is the address and we’d love to hear from you. Thanks for listening to the show! 

Years ago I decided that, because I did not want to watch SHADOWS OF BLOOD (1988), we would not cover it on the Naschycast. I could simply see no upside to wallowing in what we knew was commonly considered the star’s worst film. I suspected that it would be a painful and depressing experience so I opted to avoid it and instead seek out less reviled fodder for the show. But then a friend pointed Troy and I toward a humorous Australian podcast called Finding Desperado. In that show the hosts conduct a hunt for a lost film that eventually finds them bemusedly watching SOB as part of their research. After listening to the eight hilarious episodes of this podcast I realized that these two funny men had pointed the way toward covering this movie – puzzled confusion. So, we decided to finally dive into what I’ll forever refer to as Naschy’s Nadir.  We dig into the genesis of this film starting with some details about the low career point that Naschy had come to by the mid-1980’s. We doubt that he would have participated in this shot on video ‘production’ if he had had anything better as an alternative but chance often leads the dance in movie making. We discuss Lord Sidney Ling who is the writer/director responsible for this film including his bizarre history as a fabulist of the highest order. Finding Desperado relates much more detail about this strange man and his self-aggrandizing nature but we concentrate on what might have influenced the poorly thought out ‘story’ he concocted for SHADOWS OF BLOOD. We trudge through the film trying to understand what might have been intended, occasionally getting lost in the dull sameness of the events onscreen. The sloppy narrative follows two escaped lunatics as they walk (and walk) around Amsterdam murdering random people in a competition to see who can kill the most victims. It is a mostly embarrassing exercise in senseless tedium that, even with its short running time, will test the most devoted Naschy fan. I’m just glad we finally have this one behind us!   We have a couple of emails at the end of the show including an amazing tale from listener Kurt that reads like a possible future noir film. His brief life story is well worth knowing. If you want to add your story to the podcast naschycast@gmail.com is the address where we can be reached. Let us know what’s on your mind! And thanks for listening to the show. 

It's episode 2 of our series on The Dark Universe! For 6 episodes we are taking a look at 6 different classic monster reboots from the 2000’s. Each episode will open with a discussion on an older horror film that pairs well with the reboot we’ve spotlighted, and here we are talking about two movies where a sympathetic werewolf fights another monster. Paul Naschy's Night of the Werewolf (1981) and the Universal Monsters remake The Wolfman (2010). Joining Daniel is YouTuber and Paul Naschy expert Aaron Pynn! Aaron gives many Naschy recommendations, and Daniel unpacks his complicated relationship with this remake.Email the show at cobwebspodcast@gmail.com to give feedback and/or request an episode!Cobwebs on Twitter: @cobwebspodCobwebs on Instagram: @cobwebspodcastDaniel on Twitter: @eplerdaniel  Aaron on Twitter: @MrCultofCinemaAaron on Youtube Daniel on Letterboxd: @Dan_Eplerwww.cobwebspodcast.comMusic Provided By: Mediacharger: https://www.youtube.com/user/MediaCha...Music Created By : Andrian Von ZieglerSong Title: NecromancyCredit link: https://www.youtube.com/user/Adrianvo...

We begin our eleventh year of the show by having a Satanic discussion!  Author and podcaster Samm Deighan returns to dig into two specific Paul Naschy films. In both EXORCISM (1975) and INQUISITION (1977) Naschy plays a man of God working to help his flock overcome the influence of The Evil One. In one he is a paragon of virtue and in the other he is definitely not. Both films feature women placed in horrible positions by outside forces that seem to be Satanic in origin. But in each case the question of the how or even if these terrible things are happening is central to story. Are these people possessed by the Devil or is there a more human quality to the awful events depicted?  Samm, Troy and I engage in a freewheeling discussion of these movies jumping from topic to topic as one point leads to another. The conversation assumes that you are familiar with both films and spoilers are certainly in the air. Religion is the main part of our talk but we also look at the obvious class commentary layered into the scripts. We talk about the movies that influenced these Naschy classics and how some later movies may have taken some ideas from them for sleazier effect. We drag in everything from HIGH PLAINS DRIFTER (1973), MALIBIMBA (1979) and ANGEL HEART (1987) as we look at different ways of portraying the Dark One onscreen. Of course, as with any such chat, we end up ranging off the main topic which is how we somehow end up in nipple territory again! I’m not sure how this happens but I’m going to blame Samm. Yeah! It’s her fault. I also make time for a short anecdote about subjecting my unsuspecting beloved to a Jess Franco directed Fu Manchu film. Give her your sympathy.  We end the show with an email that was sent to naschycast@gmail.com in which we are asked to make a terrible purchasing choice. It takes us a while to decide! You can ask similar question or tell us your favorite onscreen Satan at that same address. Thank you for listening and we’ll be back soon. 

Dr. Snuggles and friends - including guest Clare from Screaming Celluloid podcast - check out Don F. Glut's 2004 erotic horror Countess Dracula's Orgy of Blood, and talk about star Paul Naschy! Dr. Snuggles and friends return for episode 92 of your guide to the truly astonishing world of softcore films, and the world’s number one podcast on that subject! Various world events and viruses stopped us from doing Inga II as planned - it’s coming up next time! - so we’re back to the films of the great Don F. Glut! Texas Mike is here as always with our series projects, and we’re also joined by the very wonderful Clare of Screaming Celluloid podcast and also various delightful meme pages fame. This time, we’re back to vampires once again, with 2004’s Countess Dracula’s Orgy of Blood! Whoa, hope the film can live up to that title! Two vampire siblings war for the love of a mortal woman in 2004 LA, irritating the other vampires with the trail of destruction and murder they leave behind. Bonus: the movie also features original goth metal, goth rock, and goth folk music. The most notable thing about this film is the fact that it’s one of just two American films to star late Spanish horror legend Paul Naschy! We can’t pass up the opportunity to talk about the life and career of the Man Who Saw Frankenstein Cry, as well as discussing the truthiness of some of Naschy’s various anecdotes. He loved to tell a story. Sure, some of them probably weren’t true, but he told them well nonetheless. Please support our Patreon, if you can! Hey, why not call us on our hotline? (724) 246-4669! Or email us: mail@getsoftpodcast.com Check out the other Compañeros Radio Network shows: Movie Melt Songs on Trial Heavy Leather Horror Show Ballbusters In Search of the Perfect Podcast

Filmmaker Jaume Balagueró made the big time when he co-directed 2007’s REC but he is a much more accomplished than a found footage zombie film would imply. His feature film debut THE NAMELESS (1999) managed to both brilliantly adapt a Ramsey Campbell horror novel and find a smart way to darken the wrenching finale of the tale. Over the last twenty years he has become one of Spain’s hidden masters of taut thrillers and smart horror tales. The only complaint I have with his career is that I wish he had more completed films released but I continue to hope for more excellent cinema from him in the future.  SLEEP TIGHT (2001) is both a thriller and a character study of a deeply unhappy man named Cesar. As the concierge of a Barcelona apartment building, he presents a pleasant face to the upper middle-class residents but behind this mask he seethes with rage at their contented lives. Since he is incapable of being happy, he staves off his suicidal ideation by finding ways to make the people he serves in the building miserable. In both small ways and large he wages a one-man war to make them uncomfortable, embarrassed or inconvenienced in any way he can imagine. But he reserves his most vicious attention for Clara, a beautiful single woman of such sunny disposition as to seem angelic. She is the focal point of Cesar’s most persistent activities aimed at making her life unbearable. His repeated failures to change her optimistic outlook seem to only enrage him further until he finally resolves to escalate things to violence. But will circumstances allow his plans to succeed?  Troy and I dig into this film and its themes but we do our best not to spoil the final act’s shocks and surprises. Indeed, we begin the show with a discussion of several recent viewings to get the Halloween season off to the right start. We touch on THE GHOST AND MR, CHICKEN, THE OPEN HOUSE, THE CHANGLING, the remake of THE BLOB and our plans for 2020’s indoor October 31st. It’s been a strange year, folks. We end the show with a listener email that prompts a series of interesting horror icon mash-ups.  We hope you enjoy the episode and if you have any comments naschycast@gmail.com is the show’s address. Thank you for listening and we’ll be back soon. 

As 2020 rolls on we continue to bring new voices onto the show! This time Troy and I sit down with the amazing Samm Deighan to talk about the joys of Spanish horror. Miss Deighan is an associate editor of Diabolique Magazine and co-host of the Daughters of Darkness Podcast. She is also the editor of Lost Girls: The Phantasmagorical Cinema of Jean Rollin and her book on Fritz Lang’s M (1931) is a must read for those interested in movie serial killers. We are very lucky to have her on the show!  While the main subject of this episode is the brilliant and underseen A BELL FROM HELL (1973) there is no way to be a guest on the Naschycast without talking a (long) while about the hirsute icon of the genre – Paul Naschy! That means that at some point chest hair is brought up and hairpieces are discussed. It cannot be avoided.  Samm comes with a list of her favorite Naschy films and manages to gives us a fresh perspective on a couple of them. The repressed Spanish society is a major topic with the country’s rigid genre roles playing into the ways that these stories are told. A BELL FORM HELL is especially interesting when examining the skewed power dynamics of the story with the wheelchair bound aunt exerting her control over the only male in the family. Also, we dig into the often bizarre 1970’s film attitude toward rape as a plot point or harmless joke with the women sometimes seeming to long for the act or even encourage it. Repressive cultures shape psyches into twisted forms! The genre’s common scenes of animal cruelty get into the mix with Samm’s take on modern sensibilities bringing some unexpected laughs to Troy and I. But nothing can prepare you for the out-of-left-field discussion of Yeti nipples! You’ll just have to listen to understand. Plus, Troy and Samm briefly talk about their mutual love for the severely neglected folk horror film EYES OF FIRE (1983) and their wonder that it has yet to appear on any form of digital media. What is up with that?  If you have any comments or questions the show can be reached at naschycast@gmail.com or over on the podcast’s FaceBook page. Thank you for listening! 

THE BLANCHEVILLE MONSTER (1963) is a gothic horror film set in 1884 which has a small cast of characters wandering around a huge castle-like home searching for different things. At times the castle search is for the origin of a strange nighttime noise (Is that a man moaning in pain?) or for a missing companion (Did they go down to the dungeons for some reason?). Sound familiar? But, in the end, everyone is searching for both romance and the answer to a family mystery. Well, usually that’s what happens in these types of movies. Actually, this film throws us several curveballs by, at first, having a haunting mystery at its center (“Oh, you silly dear. You didn’t really see what you clearly saw.”) and then tossing it out for a darker plot involving disfigurement, madness and murderous intent. It all revolves around family curses so at least that aspect of gothic tales is kept all the way through! Troy and I step carefully through this film’s dark corridors holding our candelabras aloft searching for the meaning of it all. We discuss the Gothic Romance as a genre and I outline my newer understanding of it. We talk about the usual tropes of these tales and the ways in which this one adheres and deviates from them. I was actually shocked that there was no incest! The period setting and real castle locations work well to create a fair amount of atmosphere and the fact that we can almost always see the actor’s breath adds to the chilly mood. It is really a shame that this movie’s status as a Public Domain work continues to keep a good looking print available. The black and white photography cries out for sharp resolution without the dark, muddy smearing that obscures from view the efforts of the legendary cinematographer Alejandro Ulloa. I sincerely hope that we one day get a remastered version of this interesting film. I did I mention that Helga Line is in this? We must get a better print!  We end the show with a new instrumental song called Mystery Machine from Troy’s band The Exotic Ones. This tune is on their forthcoming EP and it drops in the next few days. Check it out! The podcasters can be reached at naschycast@gmail.com with any comments or suggestions. As is evidenced by this episode we do take advice from listeners, so add your voice to the proceedings. We’re always interested in what Naschy related films we could cover next! Thank you for listening.

Westerns are not the most frequent category of cinema covered on this podcast. In fact, this episode marks only the third one in the ten years we’ve been doing this! That might be considered strange when you know just how many fine examples of the genre were made in Spain employing Spanish actors and technicians. Because of the low costs of production many westerns were shot in the Spanish countryside and on the standing sets built for countless Italian movies including some American productions. The cleverest of filmmakers found ways to make those places look fresh and interesting. Such is true of THE MAN CALLED NOON (1973). We discovered this film while digging into the credit listings of one of Paul Naschy’s most impressive female co-stars. The sight of Patty Shepard aiming a six-gun while dressed in an all black cowboy ensemble encouraged our curiosity and the online plot synopsis grabbed our attention. Based on a Louis L’amour novel? Directed by the guy who made THE ITALIAN JOB (1969)? The lead is played by Rambo’s boss? And the luminous Rosanna Schiaffino is in it as well? How could we resist? The mystery at the heart of this twisty tale is unraveled slowly over the film’s running time so we do our best to keep spoilers out of our discussion. There are so many reveals and discoveries along the way that we thought it would be best to let new viewers find them as the story plays out. This is a movie with a lot of interesting characters and learning about them is more than half the fun. We don’t have any new emails or messages to respond to in this episode so if you have any comments for the show we can be reached at naschycast@gmail.com or over on the FaceBook page. We’d be thrilled to hear from you!

The year of new guests continues as the 10th anniversary year celebration rolls on! This time we have only two people visiting but we talk to them for quite a long time. Kat Ellinger has made a name for herself in film fanatic circles over the last several years as the editor-in-chief of Diabolique Magazine as well as writing for both that site and the British Film Institute among others. She is a prolific commentary track creator contributing to dozens of Blu-Rays ranging from classic Hollywood to arthouse cinema to Euro-Trash of the filthiest type! She’s even a podcaster, teaming with up with fellow female film fans to discuss cult movies in Daughters of Darkness and Helles Belles. And did I mention her book about the great Sergio Martino? Kat was nice enough to add her voice to this show and chose DOCTOR JEKYLL AND THE WEREWOLF (1972) to dig into. I had a blast talking with her and can’t wait to do it again! Robert Monell has been a guest on The Bloody Pit but never before on this show. His is the writer behind the amazing blog “I’m In a Jess Franco State of Mind” where he has reviewed and dissected the work of that Spanish filmmaker since 2006. He has since branched out into creating extras for various Franco Blu-Ray releases and moved into commentating on movies as well. He also runs the Cinemadrome film forum which hosts some of the most interesting discussions of cult cinema you’ll find on the web. For his visit to this show Mr. Monell chose one of the most problematic of Naschy’s werewolf films, FURY OF THE WOLFMAN (1970). He has some interesting things to say about it starting with digging into the probable origins of its basic plot. It is quite an interesting find! Troy and I end the show with an extended dive into the mailbag to finally catch up on our backlog. We answer a lot of questions and take notes on possible future episode subjects. We can be reached at naschycast@gmail.com or over on the FaceBook page for the show. Let us know what you think and we’ll be back soon with more Spanish Horror!

With this episode we cross the one decade mark! Neither Troy or I thought we’d still be making this podcast ten years after we began, but here we are! We realized that, although our enthusiasm for Paul Naschy’s work has only grown, it was time to actively seek out more new voices to include on the show. So, our goal for 2020 is to speak to a host of people who have never been on the podcast to get their perspectives on his movies. A diversity of opinion is always food for thought and we think this will be the perfect way to start new discussions about the long legacy of Jacinto Molina. These are great days for Senor Naschy as more and more of his films are available on Blu-Ray bringing a whole new generation of fans to his mad world of monsters and horror. That means people are discovering El Hombre Lobo and his other creations every day so its time to kick open the doors and see what his influence is a full decade after his passing. This giant-sized episode includes four new voices to the podcast. I asked each participant to talk about one of the Waldemar Daninsky films and they (luckily) jumped at the chance. Adrian Smith has podcasted with me over on The Bloody Pit discussing INSEMINOID and CANNIBAL HOLOCAUST but he steps up to discuss his first Naschy werewolf film - WEREWOLF SHADOW. Derek Koch is a podcasting O.G. with his incredibly popular Monster Kid Radio serving as a focal point for these kinds of classic (and not so classic) movies. He joins us to talk about the Naschy monster mash ASSIGNMENT TERROR. Author Steven Sullivan has been on the Bloody Pit in the past talking about the colorful Doctor Who films made in the 1960’s, but his love of all things Naschy bubbles over in our conversation about CURSE OF THE DEVIL. Matthew Kowalski is a longtime fan of the podcast and has often written in to give us his thoughts on the various Spanish horror topics we dig into on the show. He sat down to talk about his favorite of the Daninsky films – WEREWOLF SHADOW - giving us a different look at that iconic movie. Afterward, Troy and I tackle an email and makes plans to get to our backlogged correspondence over the next couple of shows. We promise! I’ve already got a couple more guests for future episodes lined up including some folks I’ve never spoken with before. So exciting! This is going to be a great year for the Naschycast even if I don’t think we’ll produce another four-and-a-half-hour episode! Seriously, I’ll try to break things up as we go forward. If you have any comments or suggestion please write us at naschycast@gmail.com or message us on the Facebook page. Thank you for listening and we’ll be back soon!

The Naschycast returns for October! Barely. And we work diligently to NOT spoil this film for newcomers!  THE CORRUPTION OF CHRIS MILLER (1973) is one of the most overlooked and least talked about of the Spanish horror films of the 1970’s. In a way this is good because its rarity leaves its many secrets and revelations unknown to modern viewers. There’s a good debate to be had about how the film should be labeled. Is it a thriller or a horror film? Often the line between those two symbiotic genres can be teased apart but I think this film straddles the fence right up until the mid-point farmhouse set-piece. That is a sequence that is sure to impress even the most jaded of horror fans! Mark this film down as another precursor of the slasher genre.    We start off this show with some news and a sad goodbye to a good friend and contributor to the podcast. As stated, Troy and I do our best to not spoil the many third act disclosures that twist this amazingly well written thriller into new and wholly unexpected shapes. We talk a little about the three actors at the center of this pressure cooker drama with some attention to the earlier careers of the two female leads. Jean Seberg is a screen legend with a dozen films on her resume that would be the highlight of any actor’s life. The lovely Marisol is great here but it’s fascinating to learn of her very successful music career as a young woman. And we speculate that Barry Stokes may have been asked by a British director to essentially play exactly the same role he does here in a later film. I’d love to find out how much this movie influenced that 1977 picture. We marvel over the fine direction and cinematography, the sharp dialog and nuanced characters as we strain to keep from discussing the end of the story. It is not easy!  If you have any thoughts about THE CORRUPTION OF CHRIS MILLER or anything else we discuss in this episode please drop us a line at naschycast@gmail.com and we’ll include them in the next episode. Thank you for listening and we’ll talk to you again soon.

Mistress and Dan Fisher recorded this episode for Horror Rises from Spain on Becquer, Dan read his poems beautifully. We are uploading this just as a little tribute to our beloved man in Ohio, who sadly passed away last week. We are missing him lots. He was so active, best fan ever, Naschy lover... Love him.

After nearly ten years of covering Paul Naschy films it is no secret that we have reached the final few movies that are available for us to see. Sure, we’ve stayed away from some later efforts with very small roles for our hero that might be worthy of attention. But, of the movies made during his most productive years, there are not many left to dig into and most of those are movies that were never released in the United States or, in some cases, outside of Spain. Luckily, the fan-subbing community once again comes to the rescue allowing us to finally check another rare one off our Naschy bucket list. The film’s cast also includes the excellent Aurora Bautista in a significant role as well as Eva León and Loreta Tovar so there are some familiar faces for Spanish Horror fans.   LOS PASAJEROS (1975) is a hard to find film for many reasons. It seems to have been barely released even in Spain and to have been the first of only two feature films directed by José Antonio Barrero. Mr. Barrero contributed the screen story for this effort as well so it seems logical to attribute the film’s quirks to his sensibilities. He appears to have been aiming this movie at the arthouse crowd couching his (supposedly) big statements in arch symbolic actions that often leave viewers scratching their heads. It may be that a Spanish filmgoer in the mid-1970’s would have been able to puzzle out the meaning of what happens onscreen but we might never know. Still, there are points of interest for the hardcore Naschy fan since Mr. Molina has a substantial role as the rich patron presiding over a house filled with subservient people. Naschy commands these visitors to his isolated home to act out scenes from plays while he watches. It’s all pretty weird!   At the end of the show we reply to a pair of recent emails to the podcast. If you have comments or questions the address is naschycast@gmail.com where we’ll be glad to hear from you. If you don’t want us to use your full name on the show please let us know. Thank you for listening to this episode and we’ll be back soon with another Beyond Naschy show!

It’s not often we get the opportunity to meet any of the friends we’ve made over the course of making the Naschycast. When we do (and I have enough lead-time) I try to record these fellow fans’ thoughts on our favorite Spanish Horror star. Such is the case with this mini-episode interview with longtime fan of the show and major fan of Paul Naschy – Mike Tutino! Mike has been a generous contributor to the podcast over the years with several letters of comment and observation as we’ve gone along. It was a joy to finally meet him at this summer’s Monster Bash in Pittsburgh and he is more than willing to give us a list of his favorite Naschy movies. There are a few surprises in our discussion with some affection lavished on films that Troy and I have possibly given less attention than we should. Food for further thought……..  Also, we mention the details of the upcoming releases of the new Naschy Blu-Rays coming out this year but – when talking about the exciting release of THE MUMMY’S REVENGE on Blu-Ray we neglected to tell listeners to go to the Ronin Flix website to purchase that disc. That is the only place you’ll be able to buy the film before it starts turning up on secondary sites for outrageous inflated prices. Don’t miss out!   If you have any comments or suggestions or if you want to let us know what your favorite lesser talked about Naschy film might be the email address is naschycast@gmail.com where we’ll be thrilled to hear from you. We’ll be back next month with a new, regular episode covering a really rare Naschy film from 1975. Thanks for listening!

Leon Klimovsky directed dozens of films of all genres but will forever be remembered for his substantial contributions to Spanish Horror. In collaboration with Paul Naschy he made some of the most successful and effective monster movies to come out of Europe in the 1970's. The horror tales he made without Naschy are often overlooked with THE DRACULA SAGA (1973) being a perfect example. Graced with a literate, intelligent script and the music of Bach, Klimovsky brings all of his impressive skill to making a smart and, in the end, surprising take on classic vampire mythology. This one doesn't end the way you might think it will!    Troy and I are clearly thrilled to be back in the Golden Age of Spanish Horror again. We marvel over the very strong cast that includes an actor who played Dracula multiple times over the years but is rarely talked about when discussing screen vampires. Working with the director again is the always wonderful Helga Liné as the matriarch of the cursed family, Maria Kosty as a young, dangerous part of the clan and Betsabé Ruiz as a local bar wench gone vamp. Add in Tony Isbert as a husband with a wandering eye and the talented Tina Sáinz in the lead role and you have a great group of actors giving this story their full attention. And how many Dracula films add the lamia myths to the mix?    If you have any comments or suggestions we can be reached at naschycast@gmail.com or on the show's FaceBook page. Thank you for listening and we'll be back soon with another very rare Naschy film! 

Jeffrey and Richard finally discuss a glaring omission in the Hello! This is the Doomed Show universe... Paul Naschy AKA Jacinto Molina. They talk about The Fury of the Wolfman from 1972. Richard gets confused about the Waldemar Daninsky film series and Jeffrey wishes he was on a better podcast. It's fun! http://doomedmoviethon.com http://cinemasomnambulist.com http://legionpodcasts.com Check out our pals, Naschycast: https://naschycast.podbean.com/

En este nuevo Gabinete el Reverendo se pone hardcore como George C. Scott en la película de Schrader y nos trae dos películas difíciles de ver pero que llevan por bandera el compromiso. La primera es la única incursión en el cine como protagonista de la estrella de shock rock Alice Cooper dirigida por il maestro de echarse el rollo Claudio Fragasso. Su título es Monster Dog o Leviatán, depende de lo que uno se quiera venir arriba. La otra película en discordia es el particular homenaje de Paul Naschy al cine de terror clásico y ya de paso a si mismo. Un viaje alucinante por las dos Españas, la de los heroimanos con muñequeras de tachuelas y la de "son todas unas putas" de la mano del carismático autor de cine patrio Paul "forzudo de los años veinte" Naschy a.k.a el Arnold Schwarzenegger Español. ¿Tenéis compromiso con el género? Esta es la prueba definitiva, y el Reverendo Wilson será juez, jurado y verdugo. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Our latest episode has us finally covering an under seen and not often spoken about horror classic. A BELL FROM HELL (1973) straddles the fence between the worlds of Art-House and Exploitation cinema taking elements from both to create an impressive fusion. It's easy to imagine this film playing to highbrow crowds seeking an intellectual vision of the fate of aristocratic families in rural Spain under the Franco regime. But it's even easier to think of it playing in grindhouse theaters for people looking for cheap horror thrills from a film about a well planned, well deserved revenge. Luckily, these dissimilar audiences get what they want here with enough intelligence and excitement for both types to feel satisfied with this darkly comic tale. It's a creepy tale of hate, greed and lust couched in clearly symbolic terms to make comment on life under a repressive government. It'll keep you guessing right up until the end credits!   Troy and I try not to spoil too much of this one as it is less well known than it should be. (Where is the Blu-Ray of this exceptional work?) Nevertheless, we talk about the obvious symbolic connection between the titular bell and the film's main character as we watch him released from an asylum to return home. His aunt and cousins welcome him back, with reservations, as we watch him begin a series of increasingly cruel practical jokes with a deadly endpoint in mind. We discuss the unfortunate fate of the film's talented director, the exceptional career of the screenwriter and explain that you certainly have seen some of the cast in other places. See if you can spot where I catch myself when delineating the possible symbolic nature of certain characters because I realize I might end up spoiling one of the film's nastier surprises. Sometimes my thoughts race ahead of my best intentions!   We end the show with a voicemail from a British listener which prompts us to talk a bit about Jess Franco films again. It's pretty easy to get us onto that topic, huh? If you have any comments or questions the email address is naschycast@gmail.com or we can be reached on the show's FaceBook page. Thank you for downloading and listening! Oh -and vote for us in the Rondo Awards! We'd love to win in the category BEST MULTIMEDIA SITE! 

The Naschycast returns with our ninth anniversary episode! We dive back into the films of beloved Spanish filmmaker Jess Franco with THE DIABOLICAL DR. Z (1966). This is one of the director's final black & white movies and is considered by many to be his most accomplished work. I'm not sure where I would rank it on Franco's long list of credits but it is certainly a fantastic and beautiful horror film that features several amazing performances. It also has one of the best revenge seeking female mad scientist characters in cinema history. The lovely and deadly Doctor Zimmer is not someone you want to antagonize! Especially not when she can bend to her will the incredible nightclub dancer Nadia (a.k.a. Miss Death) whose long fingernails are laced with poison! And did I mention the murderous, mind-controlled escaped convict willing to strangle anyone blocking the destructive path of this mad woman? Strap in or, more likely, be held down by scary robotic arms for this amazing film! Troy and I ramble our way through a discussion of this Spanish Horror classic marveling at the clarity and sharpness of the print available on the Kino Blu-Ray. The black & white  cinematography of Alejandro Ulloa is remarkable to see in high definition. As fans of his director of photography work for Naschy's lushly colorful EL CAMINATE (1979) and NIGHT OF THE WEREWOLF (1981) we're amazed by his ingenuity at presenting shades of light and darkness without losing detail. Even if the film was only half as good as it is Ulloa's skill would make this a must-see for curious cinema aficionados. We pick apart the plot, question the need for certain evil elements and gush about the intelligence of the script. Some time is spent on co-writer Jean-Claude Carrière's amazing career with me delighting in talking about his late 1950's Frankenstein sequel novels. The adult nature of the story is discussed as we make note of possible censored spots in the narrative. The amusing onscreen roles played by Franco and his longtime musical collaborator Daniel White are pointed out so that we can praise their acting talent. And we can't resist taking note of Franco's kitty co-star in one scene and his rather direct directorial touch with this wandering performer. Meow! Any comments or questions can be sent to naschycast@gmail.com or dropped on the Naschycast Facebook page. We read out a couple of missives in the final few minutes of this episode and they stir some unexpected conversation, as always. Thank you for downloading and listening to the show. We'll be back next month with more Spanish Horror!

In general, our shows focus on the Golden Age period of Spanish horror but the genre continues to flourish in Spain. Throughout the 90's and on up to today there have been some extraordinary horror movies produced in Naschy's home country including some efforts that were actually copied/remade here in the States. One of those genre films that we've been planning to view for a few years now finally gets our attention in this episode. You would think that a Spanish made werewolf film would be a natural given the Waldemar Daninsky series being such an iconic pert of horror cinema history. But the number of 21st century lycanthrope tales produced there - or, in Europe actually - can be counted on one hand. Luckily LOBOS DE ARGA (2012) found its way through the hell of modern film financing to the big screen. It must have been a hard sell because not only is it a werewolf story but it's also one of the most difficult genre combinations to attempt - a horror/comedy! That doesn't usually go very well. Indeed, the Naschycast's history with Spanish comedy is......... not good. So, what did Troy and I think of this modern monster wolf story that comes spiked with laughs? Listen and we promise not to spoil the film for you. Seriously. We have a couple of emails that we answer in the final segment of the show including a voicemail from Britain. You can send your comments and questions to naschycast@gmail.com and we'll spill our guts to you next time out. We can also be reached on the Facebook page where interesting links show up regularly. Thanks for downloading and listening. If you like the show let others know about it!

Welcome to this quarters episode of OCD. It’s Boz’s choice this week and there was much Wailing and Naschy of Teeth as he loses his hosting mojo ever so slightly. So come with us as we venture into the world of Spanish speaking Samurai and diminutive WereWuffs!   MOVIE: The Beast and the Magic Sword (1983) Details: In the 16th Century, the lycanthrope Waldemar Daninsky goes from his native Europe to Japan, seeking a way to cure himself of being a werewolf. Only a Japanese sorcerer named Kian and a magic silver sword can save him.   The post Obsessive Cinema Discourse: Season 01, Episode 09 – Wailing and Naschy of teeth appeared first on Legion.

While most films made in Spain during The Golden Age of Spanish Horror could be seen as comments about the repressive fascist government of that countrY, few films so blatantly addressed the clash of conservative ideas with modernity as A CANDLE FOR THE DEVIL. Set in a small country town outside of Madrid, the film casts two middle aged spinsters as hypocritical defenders of the old ways. These sisters make their living running an inn that seems to mostly attract young, sexually liberated women. When an accidental death is interpreted to have been divinely intended, the ladies dispose of the body and pretend nothing happened. Their rationalization is that if God wishes them punished, it is his will. But crime often has unexpected consequences so soon the duo's lies are piling up as well as more young corpses. Is there any horrible act for which these two deluded women can't find a religious justification? Time and the symbolic secrets in the cellar will eventually tell all.       The Golden Age of Spanish Horror is renowned for it's variations on classic monster movie tropes but there are other less well remembered sub-genres that got attention as well. Although this film could be easily seen as a proto-slasher it also fits nicely into the short lived Psycho-Biddy or Hag Horror genre best exemplified by WHATEVER HAPPENED TO BABY JANE (1962). We discuss this film's connections to that long dead type of scary movie noting the specific Catholic tone imparted by the influence of the Spanish government. This was director Eugenio Martín's second horror film after the exceptionally fun HORROR EXPRESS (1972) showing that he had the touch necessary for the genre. His marriage to Lone Fleming also explains her very sexy presence here. The entire very talented cast comes under discussion as we marvel at the female performances and wonder at Vic Winner's inability to survive a Spanish horror film. We can be reached at naschycast@gmail.com where we'll be happy to hear from you. Send along any comments, suggestions or questions and we'll try to answer them next month. If you subscribe to the show in iTunes we'd be thrilled if you could rate & review us there. it helps other people discover what we're doing. Thank you for downloading and listening!

On this episode! While “Hollywood Henderson” is taking late night conference calls and playing PUBG professionally, Sean and Stephanie dive into Scream Factory’s second Paul Naschy box set! HUNCHBACK OF THE MORGUE (EL JOROBADO DE LA MORGUE) THE DEVIL’S POSSESSED (EL MARISCAL DEL INFIERNO) THE WEREWOLF AND THE YETI (LA MALDICIÓN DE LA BESTIA) EXORCISM […]

On this episode! While “Hollywood Henderson” is taking late night conference calls and playing PUBG professionally, Sean and Stephanie dive into Scream Factory's second Paul Naschy box set! HUNCHBACK OF THE MORGUE (EL JOROBADO DE LA MORGUE) THE DEVIL'S POSSESSED (EL MARISCAL DEL INFIERNO) THE WEREWOLF AND THE YETI (LA MALDICIÓN DE LA BESTIA) EXORCISM […]

I thought it might be fun to make a list of favorite non-Naschy Spanish Horror films and also get Troy to make one of his own so we could argue the various qualities of the films we love. Then I realized how much fun it might be to get others to play along! So, Cort Psyops joins us again this time out to indulge in one of fandom's great games - the making and comparing of lists of favorites! No conversation about shared passions can go on for too long before people are arguing their favorites and explaining the reasons for rating one beloved thing over another. It is in these discussions that fans come to know each other. The communal exploration of Spanish Horror is something that we've tried to foster with the Naschycast and shows like this might be one of the best ways to bring more people to the party. I know we had a blast trying to name our three favorite of this very thin slice of the genre! Of course, only one of us was able stick the limit of three so the conversation ranges across the decades with many extra titles getting honorable mentions. And the sidetracks are numerous! Be warned - we digress from the topic more than once. We just hope that our ramblings are amusing enough keep your entertained. One note - when Troy and I return near the end to talk about the Lists left on the Naschycast Facebook page there is a strange crackling on the audio that I could not remove. It only lasts for the first few minutes but it is distracting. Sorry! Technical difficulties are sometimes unavoidable (and mysterious). If you've never heard Cort's excellent podcast Cinema Psyops you are cheating yourself out of a damned good time. Head on over there and give that show a listen. If you have any comments about this episode or just want to give us your list of favorite non-Naschy Spanish Horror films the email address is naschycast@gmail.com. We'd be glad to hear from you. The music this time comes from Jonathan Coulton, Piero Piccioni and The Decemberists.

Sorry for the break! We're back with a Mini-Episode - we'll not call it a .5 episode, I guess. This time out we bring a new voice to the show. Author Troy Howarth has just published a new book about Jacinto Molina entitled Human Beasts: The Films of Paul Naschy. He debuted this look at the career of our favorite Hombre Lobo at this year's Monster Bash in Pittsburgh, PA. I took the opportunity to sit down and ask Mr. Howarth about the book, his first encounter with these films and even his three favorite Naschy movies. We even make time to badmouth cover artist Mark Maddox just because we can!   So check out this brief conversation focused on a few aspects of Naschy's career and then pick up a copy of Troy's book and let us know what you think. With a little luck this will be the start of a wave of books published on the subject to match the flood of Blu-Rays we've been seeing lately. I could do with an entire shelf in my house dedicated to just this field of study! There are links to the book below.   We'll be back very soon with the next Beyond Naschy episode. If you have any comments the email address is naschycast@gmail.com - we'd love to hear from you.