Podcast appearances and mentions of nathalie joachim

Tasha Warren  is an acclaimed clarinetist who has premiered over one hundred solo clarinet and chamber works. In this podcast you'll hear excerpts from her album “Ourself Behind Ourself, Concealed” a fantastic collaboration with cellist Dave Eggar of newly commissioned and premiered Bass Clarinet and Cello works, which earned two Grammy nominations. If you listened to my episode with Meg Okura last year, you heard a bit about this project, and Meg's episode is linked in the show notes if you missed it. Dr. Warren is Assistant Professor of Chamber Music at Michigan State University and the principal clarinet faculty of Mostly Modern Festival and you'll hear her valuable and candid perspectives on a life as an educator, concert presenter and also the challenges of balancing such a full professional life with that of being a mom. You'll also hear about her unique musical trip to India sponsored by Pitch Pipe organized by Jennifer Heemstra, among several inspiring projects in this wide-ranging episode. In this episode you'll be hearing music by Nathalie Joachim, Paquito D'rivera, Martha Redbone Pascal Le Boeuf and Cornelius Boots.  One of the wonderful surprises for me as a podcaster has been getting to know composers new to me and I encourage you to listen to Tasha and Dave's recording which is linked for you below. Like all my episodes, you can also watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I've also linked the transcript to my website Tasha Warren WebsiteOurself Behind Ourself Concealed albumIt's a joy to be able to bring these meaningful conversations to you, but this project costs me quite a bit of money and lots of time; please support this series through either my merchandise store or buy me a coffee on my Ko-fi page Newsletter sign-upSome other  episodes I've linked directly to this one, which I think may interest you, with: Meg Okura Katherine Needleman    Anthony Brandt   Naomi Moon Siegel     Sarah Jeffery of Team Recorder  Timestamps: (00:00) Intro(02:14) champion of new music, “Ourself Behind Ourself, Concealed” album with Dave Eggar(09:05) Pascal Le Boeuf(13:19) clip from Snapshots by Pascal Le Boeuf(15:00) process of choosing composers for this project, expanding styles(17:37) trip to India, Jennifer Heemstra(25:07) experiences presenting concerts in different contexts and communities(30:53) value of journaling, importance of self-awareness and practicing efficiently(36:25) Martha Redbone, about Black Mountain Calling Cherokee stomp dance(40:07) clip from Martha Redbone's Black Mountain Calling(41:19) Paquito D'Rivera, about African Tales(43:26) clip of African Tales by Paquito D'Rivera(44:37) embracing the risk of improv(46:06) other episodes you'll like and different ways to support this series(46:55)study abroad program in Israel, Klezmer improv (49:29) husband clarinetist Guy Yehuda, balancing family life with careers(52:08) dealing with gender bias as a mom and musician(58:34) Cornelius Boots(1:0:33) clip from Crow Cavern by Cornelius Boots(1:01:55) Cornelius Boots(1:02:35) Nathalie Joachim(1:05:03) clip of Lalin by Nathalie Joachim(1:06:25) the benefits of music competitions(1:09:54) solo album the Naked Clarinet, about Wings by Joan Tower, music as creativity prompt(1:13:55) engaging with different audiences

Loki chats with Grammy-nominated flutist, vocalist, and composer, Nathalie Joachim about Afromodernism, building community as an artist, and more. Loki responds to imagery that suggests that it's time for Black women to watch it all burn.NOLA Chamber FestLyrica BaroqueNathalie JoachimNathalie Joachim - Kouti yo (Live from Juilliard)Aware by Nathalie Joachim; Rachel Mellis, flute"I Can't Stop Thinking" by LokiConga Drum Accompaniment ★ Support this podcast ★

Nathalie Joachim, Obed Calvaire, Charles Goold, Dan Loomis, Noa Fort, Open Question, Ayumi Ishito, Stephen Gauci, Tevet Sela, OVK 3, Mark Kelso, Michael Sarian, Steph Richards, Alex Sipiagin and Jim RotondiPlaylist: Nathalie Joachim - Kouti yoObed Calvaire - Haiti's JourneyCharles Goold - Triptych Lespri I: Charles's VibeDan Loomis - DessalinesNoa Fort, featuring Sam Newsome and Sean Conly - Improvisation VIOpen Question, featuring Daniel Carter, Ayumi Ishito, Eric Plaks, Zach Swanson & Jon Panikkar - Improvisation IAyumi Ishito - Sugar High PeopleStephen Gauci, featuring Shinya Lin, Adam Lane & Kevin Shea - Improvisation IITevet Sela, featuring John Roney, Mike Downes & Mark Kelso - Better DaysOVK 3, featuring Roberto Occhipinti, Manuel Valera & Mark Kelso - ConvergenceMark Kelso's Mystic Isle Project - Tates Avenue BridgeMichael Sarian, featuring Camla Meza - Cinta MarinaSteph Richards - PreyAlex Sipiagin - Horizon IJim Rotondi - For Curtis

Today's Song of the Day is “Ki moun ou ye” from Nathalie Joachim's album Ki moun ou ye, out now.Nathalie Joachim will be performing at Berlin on Thursday, July 25.

The Brooklyn-born Haitian American flutist and composer continues to strengthen her bonds with Haiti on her latest record.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Mingjia, Dun-Dun Band, Josh Cole, Nicole Rampersaud, Kate Gentile, John Kameel Farah & Nick Fraser, Rob Clutton, Iris Trio, Jeremy Gignoux, Nathalie Joachim, Elsa Nilsson, Kari van der Kloot and ladyybirddPlaylist: Mingjia - Everything Looks Prettier From AfarDun-Dun Band - No. 20 (Once Raw: The Aging G)Josh Cole, featuring Karen Ng & Michael Davidson - red deerNicole Rampersaud - Nor ForesakingKate Gentile - recursive accessKate Gentile - dissolutionKate Gentile - clarion fluorescentJohn Kameel Farah and Nick Fraser - DirgeRob Clutton Trio, featuring Nick Fraser & Karen Ng - AsterballooIris Trio - Kinds of Blue: IV BerriesJeremy Gignoux, featuring Jiajia Li - QuimsieNathalie Joachim - Ki moun ou yeElsa Nilsson, featuring Santiago Leibson, Marty Kenney & Rodrigo Recabarren - Bruising DarknessKari van der Kloot, featuring Elsa Nilsson, Jamie Reynolds, Gary Wang & Nathan Ellman-Bell - Trust Exerciseladyybirdd, featuring Gina Izzo, Immanuel Wilkins & Nick Dunston - Into What Is Wanted

Nathalie Joachim is a Grammy-nominated flutist, vocalist, and composer whose creativity spans pop and electronic to classical music and beyond. Co-Founder of the critically acclaimed duo Flutronix, the Haitian-American musician discusses her debut solo album Fanm d'Ayiti (Women in Haiti) and how a girl's choir from her community's small church spurred her creativity. Nathalie tells David why she has become an early morning composer, how she was introduced to the flute in 4th grade and her rapid progression on the instrument that helped land her on the stage of Avery Fisher Hall (the current David Geffen Hall) at age 11, and when music became her first true love. As native New Yorkers, Nathalie and David share and compare their experiences shopping at Tower Records, attending Juilliard's Pre-College program, and what led David's mom to steal a piece of the iconic school's music stands as a keepsake. To close it out Nathalie shares why she is grateful to Beyoncé and reiterates her unbelievable connection to music. Check out Nathalie Joachim on Instagram, Facebook, Twitter, Spotify, Apple Music, YouTube, or the web and don't miss her duo Flutronix.Follow Speaking Soundly on Instagram.Follow David on Instagram.You can find out more about Artful Narratives Media on Instagram and the web.Photograph of Nathalie Joachim by Erin Patrice O'Brien.The Speaking Soundly theme song is composed by Joseph Saba/Stewart Winter and used by permission of Videohelper.Speaking Soundly was co-created by David Krauss and Jessica Handelman. This interview has been edited and condensed to fit the time format.Episode copyright © 2024 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

Haitian-American composer, flutist, vocalist, and educator Nathalie Joachim is half of the duo Flutronix, whose music blends classical flute playing with electronic sounds. She also played for a spell in the Grammy-winning contemporary classical music ensemble Eighth Blackbird. But in 2019 Nathalie began exploring her family's roots in Haiti with a striking album called Famn d'Ayiti, using flute, string quartet, electronics, field recordings and her own singing. Now, she's continued that exploration with a new album called Ki moun ou ye, or Who Are You / and the Kreyol meaning is Who Claims You? On it, her precisely assembled original songs and compositions explore ideas about family, ancestry, and identity using recorded voices of family members, along with her own flute riffs and voice, and percussive elements. Nathalie Joachim presents music from her latest album called Ki moun ou ye, or "Who Are You / Who Claims You?", in-studio.  Set list: 1. Kenbe m 2. Kouti Yo 3. Ki moun ou ye

Mujeres cantoras con las que celebraremos la edición de hoy, de Antía Muíño a la portuguesa Lina que inaugura la XVII Edición de Músiques Disperses en Lleida con su homenaje a la poesía del poeta Luís Vaz de Camões; Daniela Pes Premio Tenco a la Mejor Ópera Prima por su disco SPIRA, la americana de ascendencia haitiana, Nathalie Joachim, Leyla McCalla y Nina Simone.  O Paxaro    Antía Muíño      O PaxaroPois meus olhos não cansam de chorar + Desamor   + Amor É Um Fogo Que Arde Sem Se Ver      Lina Fado CamõesCarme       + Ca Mira + Arca        Daniela Pes        SPIRAKouti yo + Ki moun ou ye     Nathalie Joachim        Ki moun ou yeScaled to Survive         Leyla McCalla   Scaled to SurviveFour Women + See line woman Nina Simone Great women of songEscuchar audio

Full show: https://kNOwBETTERHIPHOP.com Artist Played: Mister J, conshus, Colette Chantel, Kay the Aquanaut, Factor Chandelier, Nathalie Joachim, Kool Keith, Lynx196.9, Arturo Banbini, The Sure Fire Soul Ensemble, Tom Caruana Remix Projects, DJ Moves, Funky DL, BLAND, SPELLLING, Midas the Jagaban, IDLES - Dancer, MyGrane McNastee, Erykah Badu, Cappo, Kong The Artisan, Ramisha Rafique, Ibibio Sound Machine, J57, Planet Asia, Bobby J from Rockaway, Skyzoo, Khujo Goodie, OutKast, GOODie MOb, IMAKEMADBEATS

... y más nuevas canciones de Jessie Reyez, Kelela, Leyla McCalla, Bolis Pupul, Khruangbin y Hermanos Gutiérrez.Escuchar audio

Grammy-nominated Haitian-American composer, singer and flutist Nathalie Joachim's work centers an authentic commitment to storytelling and human connectivity while advocating for social change and cultural awareness. Her latest album Ki moun ou ye, is out now on Nonesuch and New Amsterdam Records. The original songs on this album ponder its title's question: “Who are you?” Host Seth Boustead talks with Joachim about the new album and her musical journey.

NPR Music's Felix Contreras and WRTI's Nate Chinen run down new albums by Gaby Mareno, Les Amazones d'Afrique and more. Then, Nate Chinen is joined by NPR Music's Tom Huizenga to discuss the legacy and controversy around George Gershwin's masterpiece, "Rhapsody in Blue," which celebrated its centennial this week.Featured albums out Feb. 16:• Gaby Moreno, 'Dusk'• Mike McGinnis +9, 'Outing: Road Trip II'• Mike LeDonne and the Groover Quartet, 'Wonderful!'• Nathalie Joachim, 'Ki moun ou ye'• Les Amazones d'Afrique, 'Musow Danse'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Full show: https://kNOwBETTERHIPHOP.com Artist Played: Mugs and Pockets, conshus, Jazzy Soto, DJ Medmessiah, Miss A, H20 Klann, TORRES, The Jazz Defenders, Doc Brown, Nathalie Joachim, Butcher Brown, Logic1000, DJ Plead, MJ Nebrada, Barry Cant Swim, ElementalzMusic, Mister J, PnerOnlyUs, Ant Rants, Jeshi, Jawnino, Jayda G, Dumi Right, Chubb Rock, YZ, Chuck D, unselftitled, Ol Dirty Bastard, Kelis, Jay Prince, Jordan Mackampa, K-Rec, Kurious, Birdapres, OutKast, GOODie MOb, IMAKEMADBEATS

Hailed by The Guardian as “a cellist of power and grace,” Grammy Award-nominated cellist Seth Parker Woods announces the world premiere recording of his multimedia concert tour-de-force, Difficult Grace – featuring works by Fredrick Gifford, Coleridge-Taylor Perkinson, Monty Adkins, Nathalie Joachim, Alvin Singleton, and Ted Hearne.Difficult Grace Tracklist 1. Fredrick Gifford (b. 1972) – Difficult Grace* [6:24] 2. Coleridge-Taylor Perkinson (1932–2004) – ”Calvary Ostinato” from Lamentations: Black/Folk Song Suite [3:25] 3. Monty Adkins (b. 1972) – Winter Tendrils* [10:23] 4. Nathalie Joachim (b. 1983) – The Race: 1915* [7:07] 5. Alvin Singleton (b. 1940) – Argoru II [12:15] 6. Nathalie Joachim – Dam Mwen Yo [5:29]         Nathalie Joachim, voiceNote: only the first 6 tracks are played on this broadcast.  The remaining tracks are not played due to explicit language.     Ted Hearne (b. 1982) –   (edited for explicit language)          7.  free  (edited for explicit language (1) [1:45]          8. A Wedding, or What We Unlearned from Descartes [5:15]          9. free (edited for explicit language) (2) [2:59]          10. The Lion Tamer's Daughter vs. the Ledge [4:16]          11. After We Ruin [2:18]                Ted Hearne, voice and electronicsTT: 61:47Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Salomon representing Primo Artists.

L'organisation pour l'émancipation des femmes à travers l'éducation (OEFE) organise les 10, 11 et 12 août 2022, au Cap-Haïtien, la première édition du festival « Livres au féminin ». L'invitée d'honneur de cette première édition est l'écrivaine haïtienne Yanick Lahens. « Livres au féminin » indique Taïsha Exalus, membre de l'équipe organisatrice du festival, veut encourager la production littéraire féminine et permettre aux auteures de toucher d'autres publics. C'est une initiative qui s'inscrit en droite ligne de la Mission de l'Organisation pour l'émancipation des femmes à travers l'éducation (OEFE) qui consiste à promouvoir l'éducation et le respect des droits des femmes pour le progrès social et économique d'Haïti, tout en luttant contre les violences et les injustices.  La première édition de « Livre au féminin », du 10 au 12 août 2022, met à l'honneur l'écrivaine haïtienne Yanick Lahens qui aura à animer des ateliers en visioconférence. Le festival dispose d'un calendrier riche, constitué d'ateliers d'écriture, de conférences et de causeries, et d'une grande foire de livres qui réunira plusieurs jeunes auteures locales.  Programmation musicale : Nathalie Joachim – Fanm d'Ayiti (performance live au Kaufman Music Center du Merkin Hall) Digital Express – Week-end digital. 

Allison Loggins-Hull and Nathalie Joachim are distinguished flutists and composers, and Flutronix, the name of their duo, says it all. Known for their unique blend of classical, hip hop, electronic programming and soulful vocals, music and technology intersect constantly in their work and music. They're active in all of those genres and more, and yet somehow they found time to talk to Philip Rothman and David MacDonald about all of it. We first learn about how Allison and Nathalie met and began their collaboration, and the process of creating brand new repertoire for their unique combination of two flutes and electronica. They tell us about their influences and process of composition, and how, despite various labels being applied to their music, they aim to defy genre classification and instead simply create music that they want to play and hear. We then get into the tech, starting with, what else: music notation software. Allison and Nathalie use Sibelius and they talk about how it helps them visualize their music, both at a macro level as well as with respect to the finer details of harmony and chord structure. Their use of digital audio workstations as well as hardware and software synths play a crucial role in creating and developing their sounds, and we find our what they're currently using and how they use it with music notation software. Finally, we discuss the importance of music preparation and how essential well-prepared scores and parts are in rehearsal, especially when other elements like electronics are literally in the mix. Heard on this episode: Life Lines, by Nathalie Joachim Wander, by Nathalie Joachim Suite pou Dantan: III. Resevwa li, by Nathalie Joachim Homeland, by Allison Loggins-Hull Brown Squares, by Flutronix

[Please read the description.] This episode is legend-packed with the past ecommerce landscape! Nathalie Joachim from Follow the Rabbit Marketing shared her journey in the ecommerce and marketing field from 2003. From international distribution to brand awareness, this episode provides a whole range of crucial topics for running and growing an ecommerce business. So, sit back and relax. Because you are going to be on a long and wild ride with Nathalie and Jesse as your guide. This series is sponsored by KeepSpace, a 3PL located in Australia. We fulfil and connect with love and tech. (Hi! We hope you enjoyed this episode of YCTA! Also, sorry again for the irregular uploads. Jesse is currently working on expanding KeepSpace to Melbourne, so we won't be able to upload new episodes for a while... BUT! Once this project calms down a bit, we are planning to deliver fresh content from the east coast. Make sure you stay tuned and don't miss out! Until then, why not listen to some of our past episodes?)

Composer Nina Shekhar joins us to chat about her work exploring identity, vulnerability, love, and laughter in her work and her process for exploring such complex aspects of humanity in seemingly mundane experiences, such as the car horns on the streets of India. We talk about how she approaches the business side of a professional career in composition, and how her work as a flutist, saxophonist, and pianist has informed her comfort with a wide array of compositional styles. And we speak about how we can all be more mindful to empower and promote the agency of composers and performers from marginalized communities and avoid the risks of exploiting any individual's otherness. Nina Shekhar is a composer who explores the intersection of identity, vulnerability, love, and laughter to create bold and intensely personal works. Described as “tart and compelling” (New York Times), “vivid” (Washington Post), and “surprises and delights aplenty” (LA Times), her music has been commissioned and performed by leading artists including LA Philharmonic, Albany Symphony, Los Angeles Chamber Orchestra, New World Symphony, Civic Orchestra of Chicago, Eighth Blackbird, International Contemporary Ensemble, JACK Quartet, New York Youth Symphony, Alarm Will Sound, The Crossing, Chamber Music Society of Lincoln Center, ETHEL, violinist Jennifer Koh, saxophonist Timothy McAllister, Ensemble Échappé, Music from Copland House, soprano Tony Arnold, Third Angle New Music, The New York Virtuoso Singers, Left Coast Chamber Ensemble, Lyris Quartet, Ray-Kallay Duo, New Music Detroit, and Kaleidoscope Chamber Orchestra. Her work has been featured by Carnegie Hall, Metropolitan Museum of Art, Walt Disney Concert Hall (LA Phil's Noon to Midnight), Library of Congress, National Gallery of Art, National Sawdust, National Flute Association, North American Saxophone Alliance, I Care If You Listen, WNYC/New Sounds (New York), WFMT (Chicago), and KUSC and KPFK (Los Angeles) radio, ScoreFollower, and New Music Detroit's Strange Beautiful Music. Upcoming events include performances by the New York Philharmonic, LA Philharmonic (joined by soloists Nathalie Joachim and Pamela Z), Minnesota Orchestra, Seattle Symphony, and her Hollywood Bowl debut with the LA Philharmonic. Current projects include commissions for the Grand Rapids Symphony, 45th Parallel Universe Chamber Orchestra (sponsored by GLFCAM), and Youth Orchestra Los Angeles (YOLA) (sponsored by LA Phil and New Music USA). Nina is the recipient of the 2021 Rudolf Nissim Prize, two ASCAP Morton Gould Young Composer Awards (2015 and 2019), and the 2018 ASCAP Foundation Leonard Bernstein Award, funded by the Bernstein family. The transcript for this episode can be found here. For more information about Nina Shekhar, please visit her website, Facebook, and Instagram.

Last week, Jayme Alilaw joined Garrett to outline her journey to, away from, and back to opera. She returns this week to offer a break down of activism in opera spaces, advice on traversing tokenization, and a call to action for people not yet engaged by "classical" institutions. Garrett and Scott conclude Women's History Month with music performed by Leontyne Price and Nathalie Joachim, and the guys offer their opinions to the recent Oscar scandal. Playlist: Nina Simone - "To Be Young, Gifted and Black" Beyonce - "Be Alive" The Temptations - "My Girl" Antonín Dvořák - "Song to the Moon" (perf. Leontyne Price: https://www.youtube.com/watch?v=ibuMjbmNB0c) Nathalie Joachim & Spektral Quartet - "Papa Loko" Black Opera Alliance Gala Part I: https://www.youtube.com/watch?v=edkCLsu79JI Black Opera Alliance Gala Part II: https://www.youtube.com/watch?v=fIx64SF3mqY Maria Isa- "Lowrider Mamis" More: Respectability Politics: https://en.wikipedia.org/wiki/Respectability_politics Downbeat (Ted Cruz Questions Ketanji Brown Jackson): https://www.youtube.com/watch?v=R9lxFfOgFtM Older, Gifted and Black: https://www.theguardian.com/music/2022/mar/24/older-gifted-and-black-the-british-musicians-getting-better-with-age 2022 Oscar Winners: https://ew.com/awards/oscars/2022-oscars-winners-list/ Aesthetic Violence and Misogynoir Against Jada Pinkett Smith: https://htnewz.com/aesthetic-violence-and-misogynoir-against-jada-pinkett-smith/ Questlove Wins for "Summer of Soul": https://www.inquirer.com/news/ahmir-questlove-thompson-wins-best-documentary-feature-oscar-awards-2022-20220327.html

Today, it's Midday on the Arts.  A little later this hour, we'll check in with a playwright from Baltimore, R. Eric Thomas, who will premiere two new plays at two different theaters here in Baltimore this spring. Both Baltimore Center Stage and the Everyman Theater will be featuring his newest work. But first, Tom welcomes to the show an extraordinary, Grammy Award-nominated musical artist, Nathalie Joachim. She's a Haitian American flutist, composer and singer, and she'll be in Baltimore this Sunday afternoon performing a work that draws inspiration from her Haitian heritage, and other great Haitian women artists. It's called Fanm d'Ayiti, which means “Women of Haiti.” To hear a selection from the work, "Papa Loko (Interlude, September 24, 1918)," click here. Nathalie Joachim joins us on Zoom from Chicago. _______________________________________ Natalie performs Fanm D-Ayitiwith acclaimed string ensemble Spektral Quartet this Sunday, March 20th at 3:30pm, at Second Presbyterian Church, 4200 St. Paul St, Baltimore, MD 21218. It's part of the church's Community Concerts at Secondseries, presentedin partnership with Komite D'Ayiti. To register for this free event (and the LIVESTREAM), click here. See omnystudio.com/listener for privacy information.

Violinist and educator, Rachel Iba, explores the musical storytelling behind pieces by Angélica Negrón, Nathalie Joachim, Pamela Z, Allison Loggins-Hull and Nina Shekhar. This talk was given at the performance of Nathalie Joachim + Pamela Z at Walt Disney Concert Hall. Pieces discussed: Angélica NEGRÓN This Person Nathalie JOACHIM “Suite pou Dantan” from Fanm d'Ayiti Pamela Z The Schmetterling Allison LOGGINS-HULL The Pattern Pamela Z Silent H (world premiere, LA Phil commission with generous support from the Deborah Borda Women in the Arts Initiative) Nathalie JOACHIM In Between (world premiere, LA Phil commission) Nina SHEKHAR Dear Abby See this year's Upbeat Live schedule at: laphil.com/ubl. Join us in person for our 2021/22 season! Get tickets: laphil.com/calendar.

Composer Nathalie Joachim sees her childhood memories in May Flowers. The photograph also evokes the uniquely spiritual experience of recording a church choir in her family's Haitian village. Joachim has lovingly woven their song into her composition. Find full transcripts and more information about this episode at www.nga.gov/music-programs/podc…ms-may-flowers.html Subscribe directly to Sound Thoughts on Art from the National Gallery of Art on Apple Podcasts, Google Podcasts, Spotify, Stitcher, or your favorite podcast app https://feeds.megaphone.fm/NGAT6207729686.  Still haven't subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks ABOUT THE NATIONAL GALLERY OF ART The National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity. More National Gallery of Art Content: Facebook: https://www.facebook.com/nationalgalleryofart Twitter: https://twitter.com/ngadc Instagram: https://www.instagram.com/ngadc/ Pinterest: https://www.pinterest.com/ngadc/_created/ E-News: https://nga.us4.list-manage.com/subscribe/post?u=e894a1837aca4526f7e8a11b3&id=2085ff9475

In this SLSO Stories Podcast episode, Music Director Stéphane Denève talks about the music of today. Moderated by Tim Munro, SLSO Creative Partner, the discussion centers on how composers with close ties to the St. Louis Symphony Orchestra are telling the stories of today. Joining Stéphane are two composers who have relationships with the orchestra: Kevin Puts and Nathalie Joachim. This episode was originally a Lunch & Learn virtual event in October 2020.

Composer Nathalie Joachim sees her childhood memories in May Flowers. The photograph also evokes the uniquely spiritual experience of recording a church choir in her family's Haitian village. Joachim has lovingly woven their song into her composition. Find full transcripts and more information about this episode at https://www.nga.gov/music-programs/podcasts/nathalie-joachim-carrie-mae-weems-may-flowers.html.

Composer Nathalie Joachim sees her childhood memories in May Flowers. The photograph also evokes the uniquely spiritual experience of recording a church choir in her family’s Haitian village. Joachim has lovingly woven their song into her composition. Find full transcripts and more information about this episode at https://www.nga.gov/music-programs/podcasts/nathalie-joachim-carrie-mae-weems-may-flowers.html.Subscribe directly to Sound Thoughts on Art from the National Gallery of Art on Apple Podcasts, Google Podcasts, Spotify, Stitcher, or your favorite podcast app

Composer Nathalie Joachim sees her childhood memories in May Flowers. The photograph also evokes the uniquely spiritual experience of recording a church choir in her family's Haitian village. Joachim has lovingly woven their song into her composition. Find full transcripts and more information about this episode at https://www.nga.gov/music-programs/podcasts/nathalie-joachim-carrie-mae-weems-may-flowers.html.Subscribe directly to Sound Thoughts on Art from the National Gallery of Art on Apple Podcasts, Google Podcasts, Spotify, Stitcher, or your favorite podcast app

Composer Nathalie Joachim sees her childhood memories in May Flowers. The photograph also evokes the uniquely spiritual experience of recording a church choir in her family's Haitian village. Joachim has lovingly woven their song into her composition. Find full transcripts and more information about this episode at https://www.nga.gov/music-programs/podcasts/nathalie-joachim-carrie-mae-weems-may-flowers.html.Subscribe directly to Sound Thoughts on Art from the National Gallery of Art on Apple Podcasts, Google Podcasts, Spotify, Stitcher, or your favorite podcast app

Composer Nathalie Joachim sees her childhood memories in May Flowers. The photograph also evokes the uniquely spiritual experience of recording a church choir in her family’s Haitian village. Joachim has lovingly woven their song into her composition. Find full transcripts and more information about this episode at https://www.nga.gov/music-programs/podcasts/nathalie-joachim-carrie-mae-weems-may-flowers.html.Subscribe directly to Sound Thoughts on Art from the National Gallery of Art on Apple Podcasts, Google Podcasts, Spotify, Stitcher, or your favorite podcast app

Just like Dorothy said, there’s no place like home! This week the ladies interview composer and flutist, Nathalie Joachim, about the inspiration for her Grammy nominated album Fanm d'Ayiti and look at the psychological underpinnings of what makes a place “home”. Show sources:https://www.theatlantic.com/health/archive/2011/12/the-psychology-of-home-why-where-you-live-means-so-much/249800/https://www.psychologytoday.com/us/blog/out-the-ooze/201508/home-is-where-the-heart-is-where-is-homehttps://psychcentral.com/blog/the-psychology-behind-instilling-a-sense-of-home/https://venngage.net/p/74670/maslows-hierarchy-of-needs-housingSupport the show (https://www.patreon.com/morethanacrushpodcast)

This episode features the story of Nathalie Joachim, a Grammy-nominated flutist, composer and singer. Haitian-American with first-generation immigrant parents, she started playing flute at age seven and studying at the prestigious Juilliard School by age 10. For over a decade, Nathalie did all the right things to become a lauded musician, but that’s NOT what led to her Grammy-nomination. Her ground-breaking album, “Fanm d’Ayiti” came after a deep personal crisis and a total musical pivot that ultimately unleashed her unique genius and path to personal purpose. What happens when you finally break from all the rules and listen to your intuition? Listen to Nathalie’s story to find out. www.nathaliejoachim.comwww.flutronix.comSupport us on PatreonFollow Totem on Instagram Sign up for Totem’s newsletter at www.totemthepodcast.com Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

In today's episode of Sound Off I talk with composer, singer and instrumentalist Nathalie Joachim. She's a Julliard-trained flutist, half of the flute & electronics duo Flutronix and creator of the Grammy-nominated Fanm d’Ayiti featuring the Spektral Quartet, an album described by WNYC’s New Sounds host John Schaefer as "a kind of chamber folk electronic celebration of the voices of Haiti.” Learn about how a listening station at Tower Records informs her unclassifiable sounds as much as both her conservatory training and her Haitian grandmother have, as well as spend time with some of her music. Learn more about your ad choices. Visit megaphone.fm/adchoices

Allison Loggins-Hull is a composer and producer with roots in classical, urban art pop, hip-hop, electronic programming, and R&B.  The flute duo, Flutronix, she and collaborator Nathalie Joachim founded has been described as  “a unique blend of classical music, hip-hop, electronic programming, and soulful vocals reminiscent of neo-R&B stars like Erykah Badu.” Flutronix has collaborated with an impressive range of artists and ensembles including legendary hip-hop producer Ski Beatz, electronic music sensation Dan Deacon, and the International Contemporary Ensemble. Take a deep dive into Allison Loggins-Hull's fascinating music and genre defying career with Anna and Tarik.

1. Icli Zitella - Zona, for violin soloist and 10 string instrumentshttps://soundcloud.com/iclizitella/zona-for-violin-soloist-and-10-string-instruments2. Michael Abels - "Anthem," from the score to Jordan Peele's Ushttps://open.spotify.com/album/1gkLMuAnI8U5z2yhyhhRQk?si=4gDbAGb3Q2-m2eFUjGmcIw3.Nathalie Joachim - Suite pou Dantanhttps://open.spotify.com/playlist/1UfE5N84rXZzd8mWWqSwhG?si=VBC5-qKrQha3CJa2htJEigPanelists:Venezuelan violinist Natalie Calma, currently based in Boston, is an enthusiast of new music and improvisation. She is dedicated to promoting living, contemporary music in all of its forms. Natalie is a co-creator of Box Not Found, a violin and clarinet duo that seeks to build and cultivate the foundations for alternative streams of new music while also generating a positive impact on both the local and global communities. Natalie holds degrees from the Interlochen Arts Academy, The Boston Conservatory (BM), where she studied with Lynn Chang, and Boston University (MM), where she studied with Dana Mazurkevich. Natalie plays on a violin made by Venezuelan luthier Matias Herrera, and a bow made by Venezuelan luthier Eduardo “Guayo” Gonzales.Sugar Vendil is a composer, pianist, and interdisciplinary artist based in New York City. Her artistic practice is strongly rooted in rigorous discipline as a musician and gradually expanded into performance that integrates music, movement, and unconventional approaches to the piano. She is a proud second generation Filipinx American. Vendil was recently awarded an ACF | Create commission to write a work for Boston-based duo Box Not Found (May 2020) and was awarded with 2020 Fellowships at the National Arts Club and Sokoloff Arts. She was a 2019 Artist in Residence at High Concept Labs in Chicago and was awarded a 2019 Chamber Music America commission to write a new work for her ensemble, The Nouveau Classical Project, which she founded in 2008. Vendil was a finalist in National Sawdust’s 2019 Hildegard Competition. ETHEL premiered her new string quartet in December 2019 as part of their Homebaked commissioning program. She was a 2019 resident artist at Mabou Mines and an artist in residence at Target Margin Theater. In 2016, she was a Fellow in the Target Margin Institute for Collaborative Theater Making, which encouraged her to further pursue composition and performance making. She holds a Master of Music degree in piano performance.Amanda Cook is a Boston-based editor, writer, and arts administrator with a background in flute performance and higher education. She is the Editor-in-Chief of I CARE IF YOU LISTEN, an award-winning contemporary classical music magazine advocating for historically underrepresented artists and equitable programming. Her training as a performer coupled with her current work in music journalism and nonprofit administration provides a unique perspective from which to view the current state of classical music.More information at pauseandlisten.com. Pause and Listen was created by host John T.K. Scherch and co-creator/marketing manager Michele Mengel Scherch.

Narrative is an important aspect of both music and storytelling. Seth talks with composers Nathalie Joachim and David T. Little and writer J. Robert Lennon about how they structure their music and stories. We'll hear music performed by cellist Nicholas Photinos and pianist Yasuko Oura and chat with them about their perspectives on narrative structure in the works they're performing. Air Date: May 1, 2020 8:00 EDT This program was streamed live to Facebook and YouTube. Don't worry, we were all safe at home… MUSIC Dam Mwen Yo by Nathalie Joachim Whitespace by Seth Boustead Sonnets by Andrew Norman 1) with shifting change 2) to be so tickled 3) my tongue-tied muse 4) so far from variation 5) confounded to decay Song of Songs by Karen Tanaka and the sky was still there by David T. Little

Narrative is an important aspect of both music and storytelling. Seth talks with composers Nathalie Joachim and David T. Little and writer J. Robert Lennon about how they structure their music and stories. We'll hear music performed by cellist Nicholas Photinos and pianist Yasuko Oura and chat with them about their perspectives on narrative structure in the works they're performing. Air Date: May 1, 2020 8:00 EDT Location: The comfort of your couch (though we know you're probably sick of that by now) This program was streamed live to Facebook and YouTube. Don't worry, we were all safe at home… MUSIC Dam Mwen Yo by Nathalie Joachim Whitespace by Seth Boustead Sonnets by Andrew Norman with shifting change to be so tickled my tongue-tied muse so far from variation confounded to decay Song of Songs by Karen Tanaka and the sky was still there by David T. Little

Flutist and composer Nathalie Joachim first came up with the idea for her debut album in late 2015. She was in Haiti, exploring her Haitian heritage and wanted to know about female artists from the island. Together with her parents, she could only come up with a dozen or so."I was really inspired to make an album centered around the voices of female artist from Haiti largely because they're left out of Haiti's musical history.""I was really inspired to make an album centered around the voices of female artists from Haiti largely because they're left out of Haiti's musical history," she said.Some women on the list included singer Emerante de Pradines, Milena Sandler (daughter of Toto Bissainthe), and vodou revolutionary Carole Demesmin.Joachim's Grammy-nominated album, "Fanm d'Ayiti," sets out to correct some of the omissions of women underrepresented in Haitian history. She thinks this is "a beautiful way to represent the women of Haiti." "Fanm d'Ayiti" translates into "Women of Haiti." On the album, Joachim features new song arrangements and snippets from recorded interviews with some of the women. One voice heard is that of Joachim's own musical hero and maternal grandmother, Ipheta Bellegarde, because "her voice was one that was quite important to me throughout the course of her life." The song featuring Bellegarde's voice is also one her grandmother wrote. It's called "Madan Bellegarde." Bellegarde died in 2015. Joachim says her grandmother was "criticized her whole life because she became a widow when my mother was still an infant, quite young, and never remarried. She really chose to live a life independently of her own design."Joachim would often hear her grandmother share stories about what life was like as a single mom in Haiti in the late 1940s and early '50s. She says her grandmother wrote the song because she was being "judged by all of the sinners around her, people who committed much grander sins than being an unmarried woman, but that she knew at the end of the day she would not be judged by God. And so she wrote this song and would sing it." Now, Joachim sings it.  Video of "Madan Bellegarde" - An Excerpt from Nathalie Joachim's "Fanm d'Ayiti" Joachim also recorded with a girls' choir in her family's farming village Dantan. "[It's] a very small place with just one street that has a church and a school and that's it," she said. "And I hope that any one of them, if not all of them, are inspired by how we've been able to spread their voices from this small spot in Haiti across the world." Joachim says she hopes her album touches young women everywhere and that they will "take away the strength and the power and continue to lift each other up ... [and to] look to your elders and find strength in their stories and to be sure to leave a pathway for those coming up behind you. We're all connected." 

Flutist and composer Nathalie Joachim first came up with the idea for her debut album in late 2015. She was in Haiti, exploring her Haitian heritage and wanted to know about female artists from the island. Together with her parents, she could only come up with a dozen or so."I was really inspired to make an album centered around the voices of female artist from Haiti largely because they're left out of Haiti's musical history.""I was really inspired to make an album centered around the voices of female artists from Haiti largely because they're left out of Haiti's musical history," she said.Some women on the list included singer Emerante de Pradines, Milena Sandler (daughter of Toto Bissainthe), and vodou revolutionary Carole Demesmin.Joachim's Grammy-nominated album, "Fanm d'Ayiti," sets out to correct some of the omissions of women underrepresented in Haitian history. She thinks this is "a beautiful way to represent the women of Haiti." "Fanm d'Ayiti" translates into "Women of Haiti." On the album, Joachim features new song arrangements and snippets from recorded interviews with some of the women. One voice heard is that of Joachim's own musical hero and maternal grandmother, Ipheta Bellegarde, because "her voice was one that was quite important to me throughout the course of her life." The song featuring Bellegarde's voice is also one her grandmother wrote. It's called "Madan Bellegarde." Bellegarde died in 2015. Joachim says her grandmother was "criticized her whole life because she became a widow when my mother was still an infant, quite young, and never remarried. She really chose to live a life independently of her own design."Joachim would often hear her grandmother share stories about what life was like as a single mom in Haiti in the late 1940s and early '50s. She says her grandmother wrote the song because she was being "judged by all of the sinners around her, people who committed much grander sins than being an unmarried woman, but that she knew at the end of the day she would not be judged by God. And so she wrote this song and would sing it." Now, Joachim sings it.  Video of "Madan Bellegarde" - An Excerpt from Nathalie Joachim's "Fanm d'Ayiti" Joachim also recorded with a girls' choir in her family's farming village Dantan. "[It's] a very small place with just one street that has a church and a school and that's it," she said. "And I hope that any one of them, if not all of them, are inspired by how we've been able to spread their voices from this small spot in Haiti across the world." Joachim says she hopes her album touches young women everywhere and that they will "take away the strength and the power and continue to lift each other up ... [and to] look to your elders and find strength in their stories and to be sure to leave a pathway for those coming up behind you. We're all connected." 

Hear some of the best performances from the Soundcheck Podcast series from 2019, including spacey folky confessional electro-pop by Helado Negro and new hooky pop from British guitar band Bombay Bicycle Club. Also, hear joyous folklore-infused electro-chamber music using Haitian women's voices, flute, and strings, from Nathalie Joachim & Spektral Quartet. Listen to “Worthy,” a mostly acoustic, yet powerful assurance from Grammy-winning singer/songwriter/producer India.Arie. Plus, sweaty cosmic funky arena dance jazz by London trio The Comet Is Coming.   

This is an exciting time for composer, performer, and flutist Nathalie Joachim! She is touring and promoting her magnificent new album Fanm d’Ayiti, which just received a Grammy nomination for [...] Continue reading → The post MikeyPod 282 | Composer Nathalie Joachim appeared first on MikeyPod.

This is an exciting time for composer, performer, and flutist Nathalie Joachim! She is touring and promoting her magnificent new album Fanm d’Ayiti, which just received a Grammy nomination for [...] Continue reading → The post MikeyPod 282 | Composer Nathalie Joachim appeared first on MikeyPod.

Haitian-American composer Nathalie Joachim is the co-artistic director and flutist of the Grammy-winning contemporary chamber ensemble Eighth Blackbird, and one half of the art-pop duo, Flutronix. She's worked with Bryce Dessner, Bonnie “Prince” Billy, Richard Reed Parry, Miguel Zenón, and the International Contemporary Ensemble as well. Her latest, with Chicago-based string ensemble Spektral Quartet, is "Fanm d’Ayiti" (Women of Haiti), a joyous and magic-infused work celebrating Haitian song, and how women are "the driving force of life, of politics, and social change." (Joachim, in an interview with I Care If You Listen.) Joachim and the quartet play some of "Fanm d’Ayiti," in-studio. - Caryn Havlik Watch the session here:  

There are a lot of things that make Flutronix special. Allison Loggins-Hull and Nathalie Joachim are a flute duo changing the perception of what the flute can do and how it can sound through new compositions, exploration of genres, and use of electronic music. Together, Flutronix has released four albums, has collaborations and broadcasts around the world, and recently kicked off their two year residency at Carolina Performing Arts.

Nathalie Joachim is stylish. Nathalie talks to Kai about her upbringing in the Flatbush neighborhood of Brooklyn surrounded by a strong Haitian-American community, her love for Haiti, and her newest project Fanm d'Ayiti. She also shares her story of struggle at the Juilliard School and what she did about it that eventually lead to her being awarded the school's first InterArts Award, what she learned from her time in Paris, and Flutronix's compositional process.    

Flutist and vocalist Nathalie Joachim is a magnetic voice of one of the unexpected aspects of our globalized world — new generations reclaiming and falling in love anew with the places their parents left. In an odyssey through the songs of women, Nathalie Joachim is immersing in Haiti’s ecological and political traumas, as well as its beauty and its promise. She is co-founder of the urban art pop duo Flutronix and is based in Brooklyn. This interview is edited and produced with music and other features in the On Being episode “Nathalie Joachim — Song of Haiti’s Women.” Find more at onbeing.org.

Flutist and vocalist Nathalie Joachim is a magnetic voice of one of the unexpected aspects of our globalized world — new generations reclaiming and falling in love anew with the places their parents left. In an odyssey through songs of women, Nathalie Joachim is immersing in Haiti’s ecological and political traumas, as well as its beauty and its promise. She is co-founder of the urban art pop duo Flutronix and is based in Brooklyn.

Vocalist, composer, and flutist extraordinaire Nathalie Joachim talks about her upcoming set on Resonant Bodies Festival in Chicago on April 8, 2018 at Constellation. In addition to bringing her work as vocalist/composer/flutist on stage together, Nathalie’s project for ResBod, Fanm d’Aiti, is a deep exploration of her own identity as a Haitian women, and “an attempt to celebrate the women of Haitian song and to explore their individual stories as they relate to Afro-Caribbean culture, society, history and music, by giving them a long deserved international platform.” For more information about Nathalie and links to music and topics discussed on this episode, please visit our Show Notes!

Show Notes Link Here

Ahead of their first Melbourne performance, Sascha talks with Nathalie Joachim of Eighth Blackbird about their program, the value of music education and theatre in music performance.