Podcasts about Red Garland

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THELONIOS MONK TRIO “THE COMPLETE BLUE NOTE RECORDINGS OF THELONIOUS MONK”: New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) New York, November 21, 1947In walked Bud, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) DUKE ELLINGTON AND HIS ORCHESTRA “MASTERPIECES BY ELLINGTON” New York, December 18, 1950Mood indigo (yl vcl)Nelson Williams, Andrew “Fats” Ford Harold Baker, Ray Nance William Anderson (tp) Mercer Ellington (flugelhorn) Lawrence Brown, Quentin Jackson (tb) Tyree Glenn (tb,vib) Jimmy Hamilton (cl,ts) Johnny Hodges (as) Russell Procope (as,cl) Paul Gonsalves (ts) Duke Ellington Billy Strayhorn (p) Wendell Marshall (b) Sonny Greer (d) Yvonne Lanauze (vcl) MILES DAVIS QUINTET “THE COMPLETE COLUMBIA RECORDINGS: MILES DAVIS & JOHN COLTRANE”: ‘Round About Midnight, New York, October 26, 1955 Ah-leu-chaMiles Davis (tp) John Coltrane (ts) Cannonball Adderley (sa) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Milestones, New York, February 4, 1958 MilestonesMiles Davis (tp) Cannonball Adderley (as) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Kind of Blue – New York, March 2, 1959 Blue in greenMiles Davis (tp) John Coltrane (ts) Bill Evans (p) Paul Chambers (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de junio, 2024 (Repetición) at PuroJazz.

THELONIOS MONK TRIO “THE COMPLETE BLUE NOTE RECORDINGS OF THELONIOUS MONK”: New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) New York, November 21, 1947In walked Bud, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) DUKE ELLINGTON AND HIS ORCHESTRA “MASTERPIECES BY ELLINGTON” New York, December 18, 1950Mood indigo (yl vcl)Nelson Williams, Andrew “Fats” Ford Harold Baker, Ray Nance William Anderson (tp) Mercer Ellington (flugelhorn) Lawrence Brown, Quentin Jackson (tb) Tyree Glenn (tb,vib) Jimmy Hamilton (cl,ts) Johnny Hodges (as) Russell Procope (as,cl) Paul Gonsalves (ts) Duke Ellington Billy Strayhorn (p) Wendell Marshall (b) Sonny Greer (d) Yvonne Lanauze (vcl) MILES DAVIS QUINTET “THE COMPLETE COLUMBIA RECORDINGS: MILES DAVIS & JOHN COLTRANE”: ‘Round About Midnight, New York, October 26, 1955 Ah-leu-chaMiles Davis (tp) John Coltrane (ts) Cannonball Adderley (sa) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Milestones, New York, February 4, 1958 MilestonesMiles Davis (tp) Cannonball Adderley (as) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Kind of Blue – New York, March 2, 1959 Blue in greenMiles Davis (tp) John Coltrane (ts) Bill Evans (p) Paul Chambers (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de junio, 2024 (Repetición) at PuroJazz.

durée : 00:59:18 - Banzzaï du jeudi 27 mars 2025 : rediffusion Organ Power - par : Nathalie Piolé - Ce soir, les orgues nous feront chavirer...

NICOLE MCCABE “LIVE AT JAMBOREE” Barcelona, February 24, 2023Instinct, I mean youNicole McCabe (as) Iannis Obiols (p) Logan Kane (b) Ramon Prats (d) JOHN SCOFIELD “UNCLE JOHN'S BAND” Rhinebeck, NY, August, 2022Budo, The girlfriend cord, Stairway to the stars, Ray's ideaJohn Scofield (g) Vicente Archer (b) Bill Stewart (d) RED GARLAND “THE BEST OF THE RED GARLAND QUINTETS” Hackensack, NJ, December 13, 1957Billie's bounceDonald Byrd (tp) John Coltrane (ts) Red Garland (p) Jamil Nasser (b) Art Taylor (d) New York, March 16, 1961On Green Dolphin StreetRichard Williams (tp) Oliver Nelson (as,ts) Red Garland (p) Peck Morrison (b) Charli Persip (d) Continue reading Puro Jazz 19 de marzo, 2025 at PuroJazz.

NICOLE MCCABE “LIVE AT JAMBOREE” Barcelona, February 24, 2023Instinct, I mean youNicole McCabe (as) Iannis Obiols (p) Logan Kane (b) Ramon Prats (d) JOHN SCOFIELD “UNCLE JOHN'S BAND” Rhinebeck, NY, August, 2022Budo, The girlfriend cord, Stairway to the stars, Ray's ideaJohn Scofield (g) Vicente Archer (b) Bill Stewart (d) RED GARLAND “THE BEST OF THE RED GARLAND QUINTETS” Hackensack, NJ, December 13, 1957Billie's bounceDonald Byrd (tp) John Coltrane (ts) Red Garland (p) Jamil Nasser (b) Art Taylor (d) New York, March 16, 1961On Green Dolphin StreetRichard Williams (tp) Oliver Nelson (as,ts) Red Garland (p) Peck Morrison (b) Charli Persip (d) Continue reading Puro Jazz 19 de marzo, 2025 at PuroJazz.

durée : 00:59:48 - Hello, My Darlings - par : Nathalie Piolé -

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Tal cual reza el título del podcast, nos metemos en una de las obras maestras del jazz firmada por el primer sexteto de Miles Davis. Milestones (1958) fue proyecto consolidado en tiempos de cambio; en el estudio del sello Columbia, por primera y única vez, iban a coincidir estos seis maestros en distintos puntos de sus trayectorias, el bebop dejaba de ser el estilo predominante y llegaba el jazz modal. Miles al frente con su trompeta, John Coltrane al saxo tenor, Julian Cannonball Adderley al saxo alto, Red Garland al piano, Paul Chambers al contrabajo y Philly Joe Jones a la batería. Esto es lo que os ofrezco, un repaso a un disco que aun sigue muy vigente. Gracias por escuchar con cariño y dejar tu corazón en el audio, aunque no lo parezca, esta chorradita es importante. Apoya este proyecto desde 1,49€ al mes. Tan solo tienes que pulsar el botón azul que tienes en la cabecera de este canal Y gracias infinitas, ya que tu aportación nos permite mejorar cada programa. Este programa, como siempre, está dedicado especialmente a nuestros patrocinadores: Joao Sampaio, RLP, Iñaki Del Olmo, Mechimariani, L Ibiricu Traba, Nachoigs, Alfonso Ladrón, Nacho Ruíz, Javier Carmona, Ana López, Raúl Espinosa, La Última Frontera Radio, Gustavo, Ruth, Carmen Neke, Manuel García, Rebeca Tatiana, Michel y nuestros queridos anónimos.

Michael Stipe, visual artist and former REM lead singer, discusses his new exhibition, “Even the Birds Gave Pause,” which is on view at Jackson Fine Art through January 18. Plus, Lauren Doriahna takes the spotlight for our series, “Speaking of Poetry,” H Johnson shares stories about jazz pianist Red Garland, and Team City Lights gathers to detail some of the many upcoming Atlanta holiday concerts.See omnystudio.com/listener for privacy information.

CHARLIE PARKERV.O.A. BROADCAST “CARNEGIE HALL” Los Angeles, August 29, 1952New York, December 25, 1949OrnithologyRed Rodney (tp) Charlie Parker (as) Al Haig (p) Tommy Potter (b) Roy Haynes (d) STORYVILLE CLUB – 1953OrnithologyCharlie Parker Charlie Parker (as) Red Garland (p) Bernie Griggs (b) Roy Haynes (d) MILES DAVIS “SEXTET” New York, January 17, 1951Down, The blue room (bg,sr out)Miles Davis (tp) Bennie Green (tb) Sonny Rollins (ts) John Lewis (p) Percy Heath (b) Roy Haynes (d) SARAH VAUGHAN WITH CLIFFORD BROWN” New York, December 16, 1954Lullaby of BirdlandSarah Vaughan (vcl) acc by Clifford Brown (tp) Herbie Mann (fl) Paul Quinichette (ts) Jimmy Jones (p) Joe Benjamin (b) Roy Haynes (d) THELONIOUS MONK LIVE “FIVE SPOT CAFE” New York, September 11, 1958EpistrophyJohn Coltrane (ts) Thelonious Monk (p) Ahmed Abdul-Malik (b) Roy Haynes (d) ERIC DOLPHY “OUTWARD BOUND” New York, April 1, 1960G.W. Continue reading Puro Jazz 3 de diciembre, 2024 at PuroJazz.

CHARLIE PARKERV.O.A. BROADCAST “CARNEGIE HALL” Los Angeles, August 29, 1952New York, December 25, 1949OrnithologyRed Rodney (tp) Charlie Parker (as) Al Haig (p) Tommy Potter (b) Roy Haynes (d) STORYVILLE CLUB – 1953OrnithologyCharlie Parker Charlie Parker (as) Red Garland (p) Bernie Griggs (b) Roy Haynes (d) MILES DAVIS “SEXTET” New York, January 17, 1951Down, The blue room (bg,sr out)Miles Davis (tp) Bennie Green (tb) Sonny Rollins (ts) John Lewis (p) Percy Heath (b) Roy Haynes (d) SARAH VAUGHAN WITH CLIFFORD BROWN” New York, December 16, 1954Lullaby of BirdlandSarah Vaughan (vcl) acc by Clifford Brown (tp) Herbie Mann (fl) Paul Quinichette (ts) Jimmy Jones (p) Joe Benjamin (b) Roy Haynes (d) THELONIOUS MONK LIVE “FIVE SPOT CAFE” New York, September 11, 1958EpistrophyJohn Coltrane (ts) Thelonious Monk (p) Ahmed Abdul-Malik (b) Roy Haynes (d) ERIC DOLPHY “OUTWARD BOUND” New York, April 1, 1960G.W. Continue reading Puro Jazz 3 de diciembre, 2024 at PuroJazz.

durée : 00:59:17 - Est-ce l'amour ? - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé.

MILES DAVIS QUINTET “MILES” Hackensack, NJ, November 16, 1955Just squeeze me, How am I to know ?, S'posin'Miles Davis (tp) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) “THE INCREDIBLE JAZZ GUITAR OF WES MONTGOMERY” New York, January 26, 1960D natural blues, West Coast blues, Four on sixTommy Flanagan (p) Wes Montgomery (g) Percy Heath (b) Albert “Tootie” Heath (d) JAMES MOODY “THE MOODY STORY” New York October 1951 Margie, Moody's home, Wiggle waggleJohnny Grimes (tp) Bob Range (tb) James Moody (as,ts) Cecil Payne (bar) Johnny Acea (p) Larry Goins (b) Chink Williams (d) May 21, 1952 Until the real thing comes alongDave Burns (tp) Donald Cole (tb) James Moody (as,ts) Pee Wee Moore (bar) Sadik Hakim (p) [aka Argonne Thornton (p) ] unknown (b) Teddy Stewart (d) June 15, 1953 Wail baitDave Burns (tp) Donald Cole, (tb) James Moody (as,ts) Pee Wee Moore (bar) Sadik Hakim (p) unknown (b) Teddy Stewart (d) January 8, 1954 Keepin' up with Jonesy (1)Dave Burns (tp) William Shepherd (tb) James Moody (as,ts-1) Pee Wee Moore (bar) Sadik Hakim (p) John Latham (b) Joe Harris (d) Continue reading Puro Jazz 17 de septiembre, 2024 at PuroJazz.

MILES DAVIS QUINTET “MILES” Hackensack, NJ, November 16, 1955Just squeeze me, How am I to know ?, S'posin'Miles Davis (tp) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) “THE INCREDIBLE JAZZ GUITAR OF WES MONTGOMERY” New York, January 26, 1960D natural blues, West Coast blues, Four on sixTommy Flanagan (p) Wes Montgomery (g) Percy Heath (b) Albert “Tootie” Heath (d) JAMES MOODY “THE MOODY STORY” New York October 1951 Margie, Moody's home, Wiggle waggleJohnny Grimes (tp) Bob Range (tb) James Moody (as,ts) Cecil Payne (bar) Johnny Acea (p) Larry Goins (b) Chink Williams (d) May 21, 1952 Until the real thing comes alongDave Burns (tp) Donald Cole (tb) James Moody (as,ts) Pee Wee Moore (bar) Sadik Hakim (p) [aka Argonne Thornton (p) ] unknown (b) Teddy Stewart (d) June 15, 1953 Wail baitDave Burns (tp) Donald Cole, (tb) James Moody (as,ts) Pee Wee Moore (bar) Sadik Hakim (p) unknown (b) Teddy Stewart (d) January 8, 1954 Keepin' up with Jonesy (1)Dave Burns (tp) William Shepherd (tb) James Moody (as,ts-1) Pee Wee Moore (bar) Sadik Hakim (p) John Latham (b) Joe Harris (d) Continue reading Puro Jazz 17 de septiembre, 2024 at PuroJazz.

Pallbearer [00:34] "An Offering of Grief" Sorrow and Extinction 20 Buck Spin SPIN048 2012 Full-length debut from this heavy doomy band from Little Rock AR. Easily one of the best records of 2012. Ray Charles & Milt Jackson [09:06] "Soul Meeting" Soul Meeting Atlantic SD 1360 1962 Two great tastes that vibe great together. Featuring Ray on piano, Milt on vibes, Kenny Burrell on guitar, Percy Heath on bass, and Art Taylor on drums. This one was written by Jackson, with illuminating parts from both Milt Jackson and Kenny Burrell. Curtis Harding [16:08] "Freedom" Soul Power Burger Records BRGR600 2014 Debut outing from this Atlanta musician. Describing his sound as "slop 'n soul", this one track has a definite Arthur Lee feel. Lou Rawls [18:49] "A Whole Lotta Woman" Soulin' Capitol Records T 2566 1966 Not a whole lotta love, not a whole lotta Rosie, but a whole lotta woman. John Coltrane with Red Garland [21:27] "Theme for Ernie" Soultrane Prestige 7142 1958 One of Coltrane's showcases for his distinctive sheets of sound style. Joined here by Red Garland on piano, Paul Chambers on bass, and again Art Taylor on drums. Les and Larry Elgart and their Orchestra [26:24] "You're My Thrill" Sound Ideas Columbia CL 1123 1958 Hailing from Pompton, New Jersey, these brothers developed their "Elgart Sound" in 1952 and released over half a dozen albums before parting after this album to pursue their musical interests. Mary Martin et al [30:02] "The Lonely Goatherd" The Sound of Music (Original Broadway Cast) Columbia Masterworks KOL 5450 1959 Now that's what I call yodeling! Pre-Julie Andrews obviously. Mary Martin was perhaps best known as playing the title role in the Broadway production of Peter Pan. Not sure how I knew this, but maybe it was due to living in New York for 20 years naking Broadway trivia inescapable. The Sinceros [33:23] "Take Me to Your Leader" The Sound of Sunbathing Epic EPC 83632 1979 The sticker on the cover says that this track is their featured single, so that's what I'm going with. Power pop-y new wave-y. Herb Alpert & the Tijuana Brass [37:10] "Casino Royale" Sounds Like... Herb Alpert & the Tijuana Brass A&M LP124 1967 You know I love a good shaggy dog of a film, and Casino Royale is definitely that. Well, the Daniel Craig version is too, but I'm talking about the 1967 comedy version with David Niven as Sir James Bond. Ravi Shankar [39:47] "An Introduction to Indian Music" The Sounds of India Columbia CS 9296 1968 (originally released in 1958) Re-released to tap into the growing interest thanks to the Beatles' interest in Indian music (specifically George Harrison). Relax! Simon & Garfunkel [43:56] "We've Got a Groovey Thing Goin'" The Sounds of Silence Columbia CS 9269 1966 Helped out here by The Wrecking Crew, including Glen Campbell and Joe South on guitar, Hal Blaine on drums, and Larry Knechtel on the Ray Charles-esque electric piano. Scott Walker + Sunn O))) [47:22] "Brando (Dweller on the Bluff)" Soused 4AD CAD 3428 2014 On the surface, it's an odd pairing, but as the music that fills this album suggests, it's a perfect pairing. Sunn O)))'s Greg Anderson and Stephen O'Malley had originally reached out to Walker about contributing to their 2009 album Monoliths and Dimensions but were unable to coordinate. Walker subsequently contacted about contributing drones to fill in the silence between his lyrics while working on his epic 2012 release Bish Bosch. Evidently, Sunn O))) brought their full stage equipment to Walker's studio for recording. If you are unfamiliar, it's a wall of Ampeg, Marshall, and HiWatt speakers with Ampeg SVT and Sunn Model T heads. Herb Alpert's Tijuana Brass [56:06] "The Girl from Ipanema" South of the Border A&M SP-108 1964 South of the border, down Rio de Janiero way. Music behind the DJ: "If I Fell" by Perry Botkin Jr and his Orchestra

Joe Alterman is a jazz pianist who's performed at such prestigious venues as the Kennedy Center, Lincoln Center, Birdland, and Blue Note with his own trio and alongside legends like Houston Person, Les McCann, Dick Gregory, and Ramsey Lewis. Downbeat describes his sound as “rooted in the blues, and with a touch reminiscent of the great pianists of the 1950s—Red Garland, Ahmad Jamal, Bill Evans.” Co-hosts: Jonathan Friedmann & Joey Angel-Field Producer-engineer: Mike Tomren Joe's websitehttps://www.joealtermanmusic.com/ Joe's YouTube channelhttps://www.youtube.com/channel/UChq5mhnUt3EePioDpWuYalg Amusing Jews Merch Storehttps://www.amusingjews.com/merch#!/ Subscribe to the Amusing Jews Podcasthttps://www.spreaker.com/show/amusing-jews Adat Chaverim – Congregation for Humanistic Judaism, Los Angeleshttps://www.humanisticjudaismla.org/ Jewish Museum of the American Westhttps://www.jmaw.org/ Atheists United Studioshttps://www.atheistsunited.org/au-studios

Six longer sets tonight: Red Garland, Soul Junction Jimmy Smith, Midnight Special Art Pepper, You Go to My Head WDR Big Band Köln & Joe Williams, Milt Jackson, Since I Fell For You Art Blakey & the Jazz Messengers, One By One Wynton Marsalis, Doin' Your Thing

THE COMPLETE BLUE NOTE RECORDINGS OF THELONIOUS MONK: New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) New York, November 21, 1947In walked Bud, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) MASTERPIECES BY ELLINGTON New York, December 18, 1950Mood indigo (yl vcl)Nelson Williams, Andrew “Fats” Ford Harold Baker, Ray Nance William Anderson (tp) Mercer Ellington (flugelhorn) Lawrence Brown, Quentin Jackson (tb) Tyree Glenn (tb,vib) Jimmy Hamilton (cl,ts) Johnny Hodges (as) Russell Procope (as,cl) Paul Gonsalves (ts) Duke Ellington Billy Strayhorn (p) Wendell Marshall (b) Sonny Greer (d) Yvonne Lanauze (vcl) THE COMPLETE COLUMBIA RECORDINGS: MILES DAVIS & JOHN COLTRANE ‘Round About Midnight, New York, October 26, 1955 Ah-leu-chaMiles Davis (tp) John Coltrane (ts) Cannonball Adderley (sa) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Milestones, New York, February 4, 1958 MilestonesMiles Davis (tp) Cannonball Adderley (as) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Kind of Blue – New York, March 2, 1959 Blue in greenMiles Davis (tp) John Coltrane (ts) Bill Evans (p) Paul Chambers (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de junio, 2024 at PuroJazz.

THE COMPLETE BLUE NOTE RECORDINGS OF THELONIOUS MONK: New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) New York, November 21, 1947In walked Bud, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) MASTERPIECES BY ELLINGTON New York, December 18, 1950Mood indigo (yl vcl)Nelson Williams, Andrew “Fats” Ford Harold Baker, Ray Nance William Anderson (tp) Mercer Ellington (flugelhorn) Lawrence Brown, Quentin Jackson (tb) Tyree Glenn (tb,vib) Jimmy Hamilton (cl,ts) Johnny Hodges (as) Russell Procope (as,cl) Paul Gonsalves (ts) Duke Ellington Billy Strayhorn (p) Wendell Marshall (b) Sonny Greer (d) Yvonne Lanauze (vcl) THE COMPLETE COLUMBIA RECORDINGS: MILES DAVIS & JOHN COLTRANE ‘Round About Midnight, New York, October 26, 1955 Ah-leu-chaMiles Davis (tp) John Coltrane (ts) Cannonball Adderley (sa) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Milestones, New York, February 4, 1958 MilestonesMiles Davis (tp) Cannonball Adderley (as) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Kind of Blue – New York, March 2, 1959 Blue in greenMiles Davis (tp) John Coltrane (ts) Bill Evans (p) Paul Chambers (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de junio, 2024 at PuroJazz.

COLTRANE Hackensack, NJ, May 31, 1957Straight Street (1,2,3) Johnny Splawn (tp-1) John Coltrane (ts) Sahib Shihab (bar-2) Mal Waldron (p-3) Red Garland (p-4) Paul Chambers (b) Albert “Tootie” Heath (d) THE INCREDIBLE JAZZ GUITAR OF WES MONTGOMERY New York, January 26, 1960AireginTommy Flanagan (p) Wes Montgomery (g) Percy Heath (b) Albert “Tootie” Heath (d) “ART FARMER/BENNY GOLSON THE JAZZTET & JOHN LEWIS” New York, December 20-21, 1960 & January 9, 1961DjangoArt Farmer (tp) Tom McIntosh (tb) Benny Golson (ts) Cedar Walton (p) Tommy Williams (b) Albert “Tootie” Heath (d) John Lewis (arr) “THE BOBBY TIMMONS TRIO IN PERSON AT THE VILLAGE VANGUARD” New York, October 1, 1961PopsyBobby Timmons (p) Ron Carter (b) Albert “Tootie” Heath (d) “KAWAIDA” Don Cherry (tp) Jimmy Heath (ts,sop) Billy Bonner (fl-1,perc-1) Herbie Hancock (p) Buster Williams (b) Albert “Tootie” Heath (d) Ed Blackwell (bells,perc) Mtume (cga) New York, December 11, 1969 ALBERT “TOOTIE” HEATH KWANZA New York, June 4, 1973MaimounCurtis Fuller (tb) Jimmy Heath (ts,sop,fl) Kenny Barron (p,el-p) Ted Dunbar (g) Percy Heath (b) Albert “Tootie” Heath (d,tymp,chimes) THE HEATH BROTHERS BROTHERS MARCHIN' ON Oslo, Norway, October 22, 1975The Watergate bluesJimmy Heath (sop,ts,fl) Stanley Cowell (p,mbira) Percy Heath (b) Albert “Tootie” Heath (d,fl,african-reed) ETHAN IVERSON TOOTIE'S TEMPO Rhinebeck, NY, December, 2012Cute, Tootie's tempoEthan Iverson (p) Ben Street (b) Albert “Tootie” Heath (d) ETHAN IVERSON PHILADELPHIA BEAT Philadelphia, PA, October 5 & 7, 2014Bags' groove, Reets and IEthan Iverson (p) Ben Street (b) Albert “Tootie” Heath (d) Continue reading Puro Jazz 26 abril 2025 at PuroJazz.

COLTRANE Hackensack, NJ, May 31, 1957Straight Street (1,2,3) Johnny Splawn (tp-1) John Coltrane (ts) Sahib Shihab (bar-2) Mal Waldron (p-3) Red Garland (p-4) Paul Chambers (b) Albert “Tootie” Heath (d) THE INCREDIBLE JAZZ GUITAR OF WES MONTGOMERY New York, January 26, 1960AireginTommy Flanagan (p) Wes Montgomery (g) Percy Heath (b) Albert “Tootie” Heath (d) “ART FARMER/BENNY GOLSON THE JAZZTET & JOHN LEWIS” New York, December 20-21, 1960 & January 9, 1961DjangoArt Farmer (tp) Tom McIntosh (tb) Benny Golson (ts) Cedar Walton (p) Tommy Williams (b) Albert “Tootie” Heath (d) John Lewis (arr) “THE BOBBY TIMMONS TRIO IN PERSON AT THE VILLAGE VANGUARD” New York, October 1, 1961PopsyBobby Timmons (p) Ron Carter (b) Albert “Tootie” Heath (d) “KAWAIDA” Don Cherry (tp) Jimmy Heath (ts,sop) Billy Bonner (fl-1,perc-1) Herbie Hancock (p) Buster Williams (b) Albert “Tootie” Heath (d) Ed Blackwell (bells,perc) Mtume (cga) New York, December 11, 1969 ALBERT “TOOTIE” HEATH KWANZA New York, June 4, 1973MaimounCurtis Fuller (tb) Jimmy Heath (ts,sop,fl) Kenny Barron (p,el-p) Ted Dunbar (g) Percy Heath (b) Albert “Tootie” Heath (d,tymp,chimes) THE HEATH BROTHERS BROTHERS MARCHIN' ON Oslo, Norway, October 22, 1975The Watergate bluesJimmy Heath (sop,ts,fl) Stanley Cowell (p,mbira) Percy Heath (b) Albert “Tootie” Heath (d,fl,african-reed) ETHAN IVERSON TOOTIE'S TEMPO Rhinebeck, NY, December, 2012Cute, Tootie's tempoEthan Iverson (p) Ben Street (b) Albert “Tootie” Heath (d) ETHAN IVERSON PHILADELPHIA BEAT Philadelphia, PA, October 5 & 7, 2014Bags' groove, Reets and IEthan Iverson (p) Ben Street (b) Albert “Tootie” Heath (d) Continue reading Puro Jazz 26 abril 2025 at PuroJazz.

J.J. JOHNSON BLUE TROMBONE New York, April 26, May 3, 1957Hello young lovers, Blue tromboneJ.J. Johnson (tb) Tommy Flanagan (p) Paul Chambers (b) Max Roach (d) DUKE ELLINGTON AND HIS ORCHESTRA BLUES IN ORBIT New York, Midnight to 4:30 a.m., December 2, 1959Three J's blues, Pie Eye's blues, Sweet and pungent, C jam blues, In a mellow toneRay Nance (tp,vln) Britt Woodman, Booty Wood, Matthew Gee (tb) Jimmy Hamilton (cl,ts) Russell Procope (cl,as) Johnny Hodges (as) Paul Gonsalves (ts) Harry Carney (bar,b-cl,cl) Duke Ellington (p) Jimmy Woode (b) Jimmy Johnson (d) MILES DAVIS QUINTET COOKIN' Hackensack, NJ, October 26, 1956My funny Valentine (jc out), Blues by five, AireginMiles Davis (tp) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Continue reading Puro Jazz 24 abril 2025 at PuroJazz.

J.J. JOHNSON BLUE TROMBONE New York, April 26, May 3, 1957Hello young lovers, Blue tromboneJ.J. Johnson (tb) Tommy Flanagan (p) Paul Chambers (b) Max Roach (d) DUKE ELLINGTON AND HIS ORCHESTRA BLUES IN ORBIT New York, Midnight to 4:30 a.m., December 2, 1959Three J's blues, Pie Eye's blues, Sweet and pungent, C jam blues, In a mellow toneRay Nance (tp,vln) Britt Woodman, Booty Wood, Matthew Gee (tb) Jimmy Hamilton (cl,ts) Russell Procope (cl,as) Johnny Hodges (as) Paul Gonsalves (ts) Harry Carney (bar,b-cl,cl) Duke Ellington (p) Jimmy Woode (b) Jimmy Johnson (d) MILES DAVIS QUINTET COOKIN' Hackensack, NJ, October 26, 1956My funny Valentine (jc out), Blues by five, AireginMiles Davis (tp) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Continue reading Puro Jazz 24 abril 2025 at PuroJazz.

Diese Sendung hat Joachim Böskens zusammengestellt. Das LIVE - Anspiel ist : „Satin Doll” – 1953 komponiert vom „Duke“ & Billy Strayhorn. Folgende Titel sind zu hören: 1. Skokiaan – Ray Anthony & his Orchestra 2:22 2. Makin' Whoopee – Red Garland Trio 4:16 3. Have you met Miss Jones – Klaus Ignatzek 3:28 4. Papa Da-De Da _Pa-pa-De-Da-Da – Peter Petrel & Dreamland Orchestra 3:14 5. Cherry golden waters – De-Phazz 4:15 6. Self-portrait in three colors – Charles Mingus Septet 3:10 7. Singing in the rain – Gene Kelly 4:45 8. Ever been changed (by someone) – Cara Rose 3:35 9. Satin Doll – Earl Hines 3:34 Bei Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

NICOLE MCCABE LIVE “JAMBOREE” Barcelona, February 24, 2023Instinct, I mean youNicole McCabe (as) Iannis Obiols (p) Logan Kane (b) Ramon Prats (d) JOHN SCOFIELD UNCLE JOHN'S BAND Rhinebeck, NY, August, 2022Budo, The girlfriend cord, Stairway to the stars, Ray's ideaJohn Scofield (g) Vicente Archer (b) Bill Stewart (d) RED GARLAND THE BEST OF THE RED GARLAND QUINTETS Hackensack, NJ, December 13, 1957Billie's bounce DonaldByrd (tp) John Coltrane (ts) Red Garland (p) Jamil Nasser (b) Art Taylor (d) New York, March 16, 1961On Green Dolphin StreetRichard Williams (tp) Oliver Nelson (as,ts) Red Garland (p) Peck Morrison (b) Charlie Persip (d) Continue reading Puro Jazz 03 abril 2024 at PuroJazz.

NICOLE MCCABE LIVE “JAMBOREE” Barcelona, February 24, 2023Instinct, I mean youNicole McCabe (as) Iannis Obiols (p) Logan Kane (b) Ramon Prats (d) JOHN SCOFIELD UNCLE JOHN'S BAND Rhinebeck, NY, August, 2022Budo, The girlfriend cord, Stairway to the stars, Ray's ideaJohn Scofield (g) Vicente Archer (b) Bill Stewart (d) RED GARLAND THE BEST OF THE RED GARLAND QUINTETS Hackensack, NJ, December 13, 1957Billie's bounce DonaldByrd (tp) John Coltrane (ts) Red Garland (p) Jamil Nasser (b) Art Taylor (d) New York, March 16, 1961On Green Dolphin StreetRichard Williams (tp) Oliver Nelson (as,ts) Red Garland (p) Peck Morrison (b) Charlie Persip (d) Continue reading Puro Jazz 03 abril 2024 at PuroJazz.

RED GARLAND – ALL MORNIN' LONG Hackensack, NJ, November 15, 1957All mornin' longDonald Byrd (tp) John Coltrane (ts) Red Garland (p) Jamil Nasser (b) Art Taylor (d) PETER BERNSTEIN – SIGNS LIVE ! – “JAZZ AT LINCOLN CENTER” New York, January 4, 2015 Lincoln Centre, New York, January 4, 2015Blues for BulgariaBrad Mehldau (p) Peter Bernstein (g) Christian McBride (b) Gregory Hutchinson (d) ROBERT HURST – BOB: A PALINDROME Brooklyn, NY, October, 20013 for Lawrence, Big queen, Middle passage suite: Part I – For those of us who made itMarcus Belgrave (tp,flhrn) Bennie Maupin (alto-fl,b-cl,ts,sop) Branford Marsalis (ts,sop) Robert Glasper (p,el-p) Robert Hurst (b) Jeff “Tain” Watts (d) Adam Rudolph (perc) Continue reading Puro Jazz 19 enero 2024 at PuroJazz.

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As an anthem to angst, George and Ira Gershwin's bittersweet counter-love song “But Not For Me” was well ahead of its time.The brothers penned the song in 1930 for the stage musical “Girl Crazy,” in which it was premiered by Ginger Rogers, who was appearing in the role that led to her film career. Since then, the tune has been recorded many times, though many leading vocalists like Tony Bennett don't seem to have ever given it a try, even though it is, as musician Jed Scott notes, “It's a gem of a song, and a welcome change from the AABA song form.”Waiting for JazzThe number initially failed to achieve significant pop success, charting only once. And that was a dozen years after its composition, when Harry James and His Orchestra brought it out with vocalist Helen Forrest.However, a decade after that, the song had a rebirth in the jazz world, which appreciated its kinky chord changes. As Scott noted in an online post, instead of the usual AABA of most pop standards, this 32-bar Gershwin melody is ABAB.Best of all, that second B section “has a brilliant compositional moment,” Scott observes. “In the first B, it leaps upwards to the tonic, but in the second it leaps a step higher, before climbing back down to the low tonic over the next four measures.”The result, says Scott, is “unexpected, beautiful and typical of Gershwin's clever compositional approach.”The Cool KidsThe world of 1950s cool jazz loved those leaps. A particularly beautiful understated rendering was done in 1956 by a 26-year-old superstar of the day. Trumpeter Chet Baker made it a centerpiece on his Chet Baker Sings album, achieving a perfect balance between George's upbeat melody and Ira's darker lyric.Other ‘50s jazz vocals of the tune included great ones by Ella Fitzgerald, Billie Holiday and Sarah Vaughn. Meanwhile, instrumental versions were released in the same decade by Miles Davis, Buddy De Franco, the Modern Jazz Quarter, Kenny Burrell, Ahmad Jamal and Red Garland.Since then the song has been recorded by various crooners, from Harry Connick Jr. and Barry Manilow to Linda Ronstadt and Diana Krall.Movie Time“But Not for Me” has made occasional cameo appearances in movies too, starting out as the title tune for a 1959 Clark Gable-Carroll Baker comedy. After that, Woody Allen added it to his 1979 Manhattan, a Jackie Gleason arrangement made it into L.A. Confidential in the same year, and 15 years later, Elton John performed it in Four Weddings and a Funeral.Our Take on the TuneLast week was The Flood's first fling with the tune. See what you think.We also expect to have the song in the repertoire for our big New Year's Eve do at Huntington's beloved Alchemy Theatre. Hope you've got us on your calendar. If you missed the earlier announcement, click this link:But Wait, There's More!If swinging along on these great old standards is what you need today, be sure to check out the Great American Songbook playlist in our all-free Radio Floodango music streaming service. The link below tells you all you need to know. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

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This is my transcription and analysis of the beautiful solo by Red Garland on What is this Thing Called Love, from A Garland In Red (Prestige). It is a very hard swingin' be-bop informative solo played by Garland, with many insights on transforming a simple melody with no swing into a swinging machine! Garland also makes an extensive and state of the art use the enclosures technique. Complete transcription in pdf in Bb, Eb and C are available on my website:https://mirkoguerrini.com/transcripti... A small donation (if you can) would be much appreciated. 00:00 Introduction 00:48 Introducing Red Garland 02:42 Whole transcription 04:36 Analysis starts - Head in A1 - A2 10:58 Head in B - A3 13:42 Solo - 1st Chorus 18:57 Solo 2nd Chorus 21:23 Whole solo ======================== Subscribe to my Channel

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Bienvenidos amantes de la música, hoy nos convoca un pianista de sonido muy elegante y a la vez un compositor radical y creativo, Ahmad Jamal. Fallecido hace unos días a los 92 años ha tenido una carrera muy exitosa y productiva con más de 60 discos a su haber. Ya desde pequeño llamó la atención de Art Tatum quien destacó su "gran futuro" en el instrumento. Seguidor de la estructura de trío de Nat King Cole, potenció el formato haciendo dialogar a la sección rítmica con el pianista y no simplemente acompañando. Ese punto fue una gran inspiración para una generación de pianistas, como Bill Evans, Paul Bley o Keith Jarret quienes explotaron eso en sus tríos. Fue del gusto de Miles Davis al punto que este le pedía a su pianista Red Garland, que hiciera acordes como Jamal. "Si estás buscando arte placentero y a la vez un estatus radical, Ahmad Jamal es la persona". Eso dijo un crítico del New York Times acerca de él. John Hammond el productor de Benny Goodman lo reclutó para el sello Okeh y Epic, de donde escucharemos un selección de grabaciones de sus primeros tríos. Que lo disfruten! Los temas son: 1. Ahmad's Blues 2. Love for Sale 3. Autumm Leaves 4. Poinciana *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos) patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.

Red Garland was one of the greatest jazz pianists to ever live. This transcription analysis covers the tune, "A Foggy Day", and is off the album, "A Garland of Red". This analysis is taken from directly inside my brand new Improvisation Mastery Specialty course which is now available for purchase at a discount by going to the link below. Click the link below for more info. https://jazzpianoschool.com/improv

durée : 00:54:29 - Centenaires 2023 (4/5) : Johnny Hartman, Fats Navarro, Red Garland - par : Alex Dutilh - Quand on observe la liste des jazzmen dont on pourra célébrer le centenaire de la naissance en 2023, on tombe sur un florilège de ceux qui ont contribué à basculer le jazz dans la modernité !

durée : 00:54:29 - Centenaires 2023 (4/5) : Johnny Hartman, Fats Navarro, Red Garland - par : Alex Dutilh - Quand on observe la liste des jazzmen dont on pourra célébrer le centenaire de la naissance en 2023, on tombe sur un florilège de ceux qui ont contribué à basculer le jazz dans la modernité !

William "Red" Garland leads this classic quintet tonight on The Jazz Show's Jazz Feature. In the Fall of 1957 Red had some time off as Miles Davis' regular pianist because Miles was on a tour of Europe and involved in making the soundtrack from the French noir film "Elevator to the Scaffold". Red secured some gigs in and around New York with this band which included tenor giant John Coltrane, trumpeter Donald Byrd, drum ace Arthur Taylor and a newcomer on bass from Memphis named George Joyner who soon later became Jamil Nasser. The band gelled instantly with minimal arrangements and fuss and sounded like a long standing working band. Red was contacted by Prestige Records and the band did two marathon recording sessions. One in November and the other in December of 1957. The results from these sessions were issued on a variety of Lps and later Cds as was Prestige's policy. The three extended tunes come from an album called "All Mornin' Long". It came from the first session on Nov.15,1957. The playing is on an extremely high level and demonstrates you can make high quality music with the minimum of complex arrangements and such from these five master players. "All Mornin' Long" is tonight's Jazz feature....sit back and enjoy!

Grandes pianistas del jazz moderno ocupan este episodio. Lenny Tristano y su escuela tan singular, Toshiko Akiyoshi, Cedar Walton, Red Garland, Horace Silver, Duke Jordan, Kenny Drew, Tommy Flanagan entre otros. Hosted on Acast. See acast.com/privacy for more information.

When I told my good buddy in Maine that I was preparing to do a Badass Records Podcast episode with Adam Wilke, he asked me to let him know when it dropped as he'd always considered today's guest as something of an "exotic mystery," and when I heard that, I thought he'd nailed it. Or at least I could see how someone who'd only met him once would say that.Now, though...things're different.Now, I've had Adam Wilke in the chair, and -- I gotta tell ya' -- I consider myself a lucky dude for having had this opportunity.I've always wondered if and when jazz would work its way into my life, and were it to, would it stay. I still swim around in that same lake of curiosity, but I feel closer to it now. Its depths seem less unknown, its waters once murkier. I feel compelled to depart from the single-Sonos-in-the-kitchen situation, to return to the exploration of a household sound system. The notion of filling multiple rooms with jazz rattles around in my brain, suggests the added perk of education.Anyway, Episode #33 -- or as I like to call it, The Zdeno Chara episode -- was really fun.Adam's had a fascinating go of things, and once you've had a listen, I think you'll agree: We gotta get this guy giggin' again!But before I get ahead of myself, it's important to own the fuck-ups, first. Long story short, a camera crapped out on me (again), and I skipped one of my guest's records (again). And I had to figure out a way to be okay with it so that the show could -- as they say -- go on. So, that's what I'm doing.I hope I've figured out a way to avoid SD cards frying out on me for now, and I need to be a little more careful with my preparation approach, but even if I iron out those wrinkles, I'm certain to make errors in other ways down the road. It's an imperfect thing, this process, when you're the one doing it all. And none of those goofs or gaffes make the thing any less fun or cool (to me), so...gotta roll with it.Adam and I examined the following records, though:Ellington at Newport (1956)Monk Plays Ellington (1956)Full House (1962) by Wes MontgomeryGrant Green's Idle Moments (1965)Sinatra at the Sands featuring The Count Basie Orchestra (1966)Miles by the Miles Davis Quintet (1956)Cookin' with the Miles Davis Quintet (1957)Relaxin' with the Miles Davis Quintet (1958)Workin' with the Miles Davis Quintet (1960)Miles Smiles, the Miles Davis Quintet (1967)B.B. King's Live at the Regal (1965) was part of the gig, too, but I accidentally overlooked it in transferring Adam's list from one place to another to another. I'm checkin' it out now, though, and you should, too. He also said he'd been into anything by Charlie Parker, Red Garland, McCoy Tyner, and Tito Puente, so I dug in to Jam Session (1952), Feelin' Red (1979), The Real McCoy (1967), and 1957's Night Beat, respectively, so that we could chew the fat on those cats for a second or two.This was such good fun, though. I hope you find it enjoyable, too. If you'd like to join for an episode or you know someone that'd be a good fit, please reach out via comment, e-mail, D.M., text, phone call. Whatever works. Whether you acknowledge it or not, the world deserves to hear your story. And theirs, too.Thank you.copyright disclaimer: I do not own the rights to the intro/outro audio. They are samples from a tune called, "The Browns at Home" by The Greyboy Allstars from their 1994 record called West Coast Boogaloo (c/o Knowledge Room Recordings).

Red Garland was one of the big beasts of the 1950s New York jazz scene recording  many albums as leader with  his  trio, he was also part of the first great Miles Davis quartet and with Paul Chambers and Philly Joe Jones  they collectively became known as " The Rhythm Section"In this episode Nick and Simon discuss and demonstrate Red Garlands pugilistic block chord playing style 

Tift Merritt "Broken"Drive-By Truckers "Guns Of Umpqua"Paul Weller "You Do Something to Me"John Coltrane Quartet "Lonnie's Lament"R.E.M. "Driver 8"Centro-Matic "Twenty-Four"William Bell "Share What You Got (But Keep What You Need)"Tom Petty And The Heartbreakers "Southern Accents"Anaïs Mitchell "Young Man in America"Bob Dylan "Lonesome Day Blues"Bruce Springsteen "Lonesome Day"Miles Davis Quintet "In Your Own Sweet Way"Grateful Dead "Althea (Live at Nassau Coliseum, Uniondale, NY 5/16/80) [2017 Remaster]"James McMurtry "If It Don't Bleed"Whiskeytown "Drank Like A River"Aretha Franklin "Going Down Slow (2018 Mono Remaster)"Counting Crows "Mr. Jones"Tom Waits "Blue Valentines"Wilco "Box Full of Letters"Son Volt "Loose String (2015 Remaster)"Greg Graffin "Lincoln's Funeral Train"Billy Bragg "Days Like These"Red Garland "St. James Infirmary"Otis Redding "Ole Man Trouble"Ryan Adams "The Rescue Blues"Midnight Oil "Home (Album Version)"Emmylou Harris "Where Will I Be"Willie Nelson "Energy Follows Thought"The Gaslight Anthem "The '59 Sound"Tom Petty & The Heartbreakers "Straight Into Darkness (Live)"Nina Simone "O-o-h Child (Remastered)"Bruce Springsteen "Ghosts"

From the 1930s and '40s, we'll hear Lester Young & The Kansas City Six, Louis Armstrong, The RCA All-Stars: Tommy Dorsey, Bunny Berigan, Fats Waller, Dick McDonough, and "Georgia" Wettling. Then Doris Day, Red Garland, and Dinah Washington, followed by a bossa nova set with Nara Leão, Charlie Rouse, and Ella Fitzgerald. From the 1970s, we'll hear Gerry Mulligan and Earl Hines, and then take it out with Waverly Seven.

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Jazz from 1952 – 1962 tonight. Benny Goodman, Benny Carter & Oscar Peterson Trio, Miles Davis, Ray Anthony, Duke Ellington, Bob Scobey's Frisco Band, Lennie Tristano & Warne Marsh, Roy Eldridge & Benny Carter, Ella Fitzgerald & Louis Armstrong, Billy Taylor Trio, Red Garland, Betty Roché, Barney Bigard with Claude Luter, Luiz Bonfá, David Benoit.

Tonight on Jazz After Dark: Benny Goodman, Don Byas Quartet, Thelonious Monk Quintet, Erroll Garner, Nat "King" Cole, Dinah Washington, Gerry Mulligan, Dave Pike, Duke Pearson, Ella Fitzgerald, Pete Candoli, Art Blakey & the Jazz Messengers, and Red Garland.

Un día nublado (en Londres) es un clásico de George y Ira Gershwin de 1937.  Nos deleitamos hoy con Billie Holiday, Ella, Satchmo, los pianos de Erroll Garner, Art Tatum y Red Garland, los altos de Cannonball y P. Desmond, Chet Baker y más.

现在拿到一张专辑，我们都能看到幕后工作人员的名字。这些人代表了在音乐制作过程中所会涉及到的工种——而当中有一种叫做「音乐企划」。他们默默孕育了一张张精彩唱片，尽管不为人所知，但作为隐身在幕后的推手，却是一张唱片中不可或缺的一部分。正因为他们，我们这些听众才能听到那么多唱片和美妙的音乐。这期节目，邀请到了来自「看看月亮」的两位合伙人，一起聊聊——到底音乐企划都在干些什么？和音乐人、听众之间的关系是什么样的？除此之外，我们也会分享从「企划」角度上来说做的特别好的专辑。欢迎收听。:)

This pivotal album was really the first of Coltrane's great recordings and the beginning of his ascent. This recording done in August of 1957 while Coltrane was part of Thelonious Monk's great quartet show his immense improvement over his recordings in 1956. Coltrane had settled his demons (alcohol and drugs) and had been inspired by Monk to practice and improve what he started out to be. Coltrane by this recording had become a major influence and along with Sonny Rollins, the most important voice of the tenor saxophone. Here he is with a perfect rhythm section with Red Garland on piano, Paul Chambers on bass and the always swinging Arthur Taylor on drums. The true beginning of Coltrane's greatness right here.