Podcasts about Round Midnight

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Author : Sheree Renée Thomas Narrator : Premee Mohamed Host : Alasdair Stuart Audio Producer : Chelsea Davis “Tree of the Forest Seven Bells Turns the World Round Midnight” originally appeared in Sleeping Under the Tree of Life and was reprinted in Sycorax's Daughters Hounds of Tindalos Strange Things Happen at the 1-2 Point Sarah […]

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durée : 00:03:46 - Thelonious Monk autour de 'Round Midnight - par : Max Dozolme - En hommage à Thelonious Monk disparu il y a 40 ans aujourd'hui, Max Dozolme nous invite ce matin à retenir un peu la nuit en nous promenant autour de 'Round Midnight.

Can you believe it's our second anniversary episode? And our fiftieth? We're celebrating both, and we have a very special guest who makes an appearance. We're discussing our namesake movie, TapeHeads, a fairly obscure 1988 cult classic film starring John Cusack and Tim Robbins as two guys who want to get into the business of making rock music videos. It also stars Sam Moore and Junior Walker as their musical idols the Swanky Modes. The soundtrack is fantastic (Todd owns it on vinyl, CD, and cassette), and the score is by Fishbone, who appear in a scene as a country band. Comparatively few people have seen this underdog of a movie, and we're thrilled to be able to share it with you. Am I crying? Well, it wouldn't surprise me if I was. Let's get into trouble, baby! (TapeHeads fact checker here: Bird is the movie about Charlie Park, obviously. The Dexter Gordon movie is 'Round Midnight.) Connect with us a tapeheadspod.com RELATED LINKS: TapeHeads, at IMDB The excellent TapeHeads soundtrack, on YouTube

Blind Mango Chutney takes you on a journey around the jazz world, from Ramsey Lewis's take on South American classic 'Concerto de Aranjuez,' through the Head Hunters' brand of jazz-funk, to a Jessica Williams study of the Monk/Cootie Williams standard 'Round Midnight.' Top stuff as always.

A message from Beavis and Butthead, texting sucks, my dad holding court on the phone, my mom and her mysterious machine, horoscoping, don't say sui generis, the legendary Colonel Sanders, a funny James Franco skit, carpets and more, my life as Jack Nicholson, a rumination situation, dogs versus cats, this world can be harsh, a touching moment at work, alcohol is verboten in the movie theater, a great new thriller, the genius of Thelonious Monk and Charlie Parker, the great Ella Fitzgerald, and a song I came up with around midnight. Stuff mentioned: Colonel Sanders Voiceover (https://www.youtube.com/watch?v=1c7k2zyLn6I), James Franco: Gucci Commercials Outtakes (https://www.youtube.com/watch?v=lUtkQ1lp_Yo), Rush (1991), Strange Darling (2023), Z Berg "Better the Devil", Thelonious Monk "'Round Midnight" (1943), Thelonious Monk: Straight, No Chaser (1988), Round Midnight (1986), Bird (1988), Heat (1995), Ella Fitzgerald "'Round Midnight" (1962), Ella Fitzgerald and Dinah Shore "Memphis Blues" (1963 https://www.youtube.com/watch?v=Skth17Ky-HA), and Ella Fitzgerald "You'll Have to Swing It/Mr. Paganini" (1936).

1. Gingerbread Boy (13.50) 2. It's You or No One (14.03) 3. Round Midnight (13.12) 4. Fried Bananas (14.33) 5. Body and Soul (13.10)

Join Ben, Sam, and Paul as they explore the parallels between the medical specialty of anesthesiology and various musical genres!Mentions in the episode:-Modular synthesizer-Wendy Carlos -Keith Emerson plays Bach backwards on his Hammond!-Kaitlyn Aurelia Smith Buchla Music Easel-Moog synthesizer-John Cage: 4'33'' / Petrenko · Berliner Philharmoniker-Mitch Hedberg-The White Stripes - Seven Nation Army (Live at Bonnaroo 2007)-Metallica: ...And Justice for All (original vs remastered)-L.S. Dunes vs Thursday-Tajbakhsh A, Salimi S, Daftarian N, Abtahi D. Effect of Music During General Anesthesia on Anesthetic Consumption During Vitrectomy Surgery. Adv Biomed Res. 2023;12:59. Published 2023 Mar 21. doi:10.4103/abr.abr_444_22-J. S. Bach: Brandenburg Concertos-Deliberate practice-Designing a Hospital for Innovation-Google's '20% rule' shows exactly how much time you should spend learning new skills—and why it works-When David Crosby Heard John Coltrane Play Saxophone in a Bathroom-Thelonious Monk Quartet - 'Round Midnight

It's a double-feature this week as we riff on two movies about musicians: Bertrand Tavernier's Round Midnight and Alex Cox's Sid and Nancy.Plus: burned-out cars, slow television, and the unhelpful advice Robert Redford used to get.LINKS:Trailer for Sid & NancyTrailer for Round MidnightSiskel & Ebert on Round Midnight"Slow Television": the train in Norway

Acts 27:27-44 (WHERE HE LEADS US pt. 4)BE STILL MY SOUL performed by Renee RippeCover Art by Dani Nettleton

George Russell was one of the foremost composer/arrangers in Modern Jazz and always a forward thinker. He recorded under his own name in the mid-50's but didn't form an actual working band until 1960 when he put together his Sextet. He recorded for Decca and the independent label, Riverside Records and until he left the US for Europe in the mid-60's. it was a golden and productive period for Russell. This is a very special album and the only one where the great Eric Dolphy who is heard here on alto saxophone and bass clarinet, was a member of Russell's Sextet. The album was recorded on May 8,1961 in New York for Riverside and titled "Ezz-Thetics". The personnel of the band includes Don Ellis on trumpet, Dave Baker on trombone, Dolphy, bassist Steve Swallow, drummer Joe Hunt and Russell on piano. George Russell arranged all the tunes and composed 4 of the 7 tunes here. Two unique interpretations are included here and scored by Russell they are: Miles Davis' "Nardis" and Thelonious Monk's "'Round Midnight". This is a special album as are all of Russell's recordings with the Sextet but the presence of Eric Dolphy makes this one extra special. "Ezz-Thetics" is the Jazz Feature tonight.

Jazz is not only a second language for vocalist, composer and SiriusXM radio personality, Andromeda Turre — it's her mother tongue. She grew up in a world raised by two of the finest Jazz OGs, world-renowned cellist Akua Dixon and legendary trombonist Steve Turre, and formed formative relationships with Dizzy Gillespie, Max Roach and Wynton Marsalis (a.k.a. the Jazz Pilgrims). Formal piano instruction with the phenomenal Sonelius Smith began at age four. Next emerged Andromeda's training as a dancer in the cultural renaissance of Harlem (or Washington Heights), before she shifted to the medium of theater (The Boston Conservatory) and later, vocal performance, at Berklee College of Music. While at Berklee, Andromeda performed at the 2003 commencement concert with Dianne Reeves and Steven Tyler of Aerosmith, and recorded on Michael Justiz's film Cafe and Tobacco." Soonafter, Ray Charles hired Andromeda to be the last Raelette, and she toured with him until his untimely passing. In 2007, Andromeda starred in the acclaimed Off-Broadway musical based on Woody Allen vignettes, “Murder Mystery Blues." She reigned as the "Queen of the Blues," at Tokyo Disney and headlined a plethora of music festivals before releasing her debut album, Introducing Andromeda Turre, in 2008, which featured an array of jazz standards, latin flavors, Japanese tributes and originals “Let Me” and “Lonely Holiday.” Shine followed in 2018 which opened with her cover of the seminal Monk standard, ‘Round Midnight. She started Growing Up Jazz, a powerful keynote that teaches Black history through the lens of Jazz, for which she was awarded the 2022 Women of Distinction Award from New York State Senate. Andromeda latest album, “From The Earth,” will be released on July 19, 2024 and aims to shed light on the disproportionate impact of climate change on BIPOC and connect communities. Andromeda hosts her own show on SiriusXM on Real Jazz every Saturday and Sunday from 12pm-5pm EST. In our conversation, we discussed the chaotic underpinnings of Shine; Billie Holiday; her SNL daycare; and the recent trip to Iceland which inspired her latest work.Opening Credits: Thomas Paul - The Name Of The Star I CC BY-NC 4.0 DEED; Jangwa - Wigs I CC BY-NC 4.0 DEED. Closing Credits: Giacomo Forte - Country fields (Ispiration, Emotional, Sentimental, Folk, Acustic, Soft, Calm) I CC BY-NC 4.0 DEED.

Tenor saxophonist Dexter Gordon was one of the most quintessential performers on that instrument for over 40 years. Born in Los Angeles on February 27, 1923, he was initially heavily influenced by Lester Young, but soon developed his own bebop vocabulary and a room filling sound befitting his 6'6” frame, his playing heavily influenced Sonny Rollins and John Coltrane. He was one of a number of American jazz musicians to become an expatriate, spending 14 years in Copenhagen and Paris. His bravura performance in the film Round Midnight earned him a best actor nomination, in 1986. On Sunday, the Jazz Evensong Quintet will perform a selection of his compositions from his over 90 recordings as a leader.

El jazz, desde la fusión jazz-bossa nova hasta interpretaciones contemporáneas, emotivas y colaboraciones efervescentes. A pesar de las variaciones estilísticas y artistas, comparten el compromiso con la evolución del género y la rica tradición del jazz.  O Grande Amor  Stan Getz, João Gilberto Quintet, Antônio Carlos Jobim   Getz/Gilberto   Mal Du Pays     Harold López-Nussa     Timba a la Americana I Have the Feeling I've Been Here Before Orrin Evans      The Red Door Owl Song 1      Ambrose Akinmusire, Bill Frisell, Herlin Riley      Owl Song 1  Where Are You? Joshua Redman, Gabrielle Cavassa        where are we 'Round Midnight  Bill Evans Trío  The Penthouse Session (Live Seattle '66) Basin Street Blues Wynton Marsalis Louis Armstrong's Hot Fives and Hot Sevens Stardust  Sant Andreu Jazz Band, Joan Chamorro  Jazzing 12 (Vol.1) Escuchar audio

In Episode 447 of For All You Kids Out There, Jeffrey and Jarrett don not discuss the Mets prospect list. That's next week. There is not 15 minutes of audio on Christian Scott and Jeremy Rodriguez before we delve into the Mets missing out on Yoshinobu Yamamoto.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3387387/advertisement

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"Continuance" Don't feel bad if Joey Alexander's resume' makes you feel inferior about your childhood achievements. We all feel that way. The Indonesian born pianist taught himself to play at age 6 and was flawlessly covering Thelonious Monk before he was in 1st grade. Because of the paucity of jazz opportunities at home, Alexander sat in with the top jazz players in Bali and Jakarta. At 8 he played for Herbie Hancock, at 9 he won the Grand Prix at the 2013 Master Jam Fest in Odessa and by 10 his family had moved to New York City so Alexander could have more playing opportunities. After catching the attention of Wynton Marsalis, Alexander made his U.S. debut at Marsalis' annual gala playing Monk's Round Midnight and the next day, nothing was the same. Hailed as a genius by the New York Times and Downbeat Magazine, from there Alexander's career took off. He's played for ex Presidents Bill Clinton and Barack Obama, snagged a Grammy nomination, put out six perfect albums, including his new one Continuance, played shows all over the world from Copenhagen to Montreal to the Apollo Theatre in Harlem, and he was nominated as Music Scholar by the T. Washington Scholars Program. Bear in mind, this is just a partial list. At 20, Alexander is now more than just a prodigy--he's a bandleader. And Continuance is a perfect example of his maturity as a player. Filled with arrangements that are windswept, jaunty and achingly precise, Alexander's talent is one of those rare and expansive things. He's commanding, he's elegant and he's got the kind of rhythmic finesse that comes from the Cosmos, so it's no surprise that Continuance rolls with majesty and grace. www.joeyalexandermusic.net www.bombshellradio.com www.stereoembersmagazine.com www.embersarts.com www.alexgreenbooks.com Twitter: @emberseditor IG: @emberspodcast Email: editor@stereoembersmagazine.com

Our Halloween special is over and done with, but this week Graham faces his most terrifying challenge yet - enjoying a film about jazz. If you're going to watch one film about jazz, though, Bertrand Tavernier's 'Round Midnight is the one to watch. Its bona fides are impeccable: named after a Thelonious Monk song, starring Dexter Gordon, with a score by Herbie Hancock and inspired by the lives of Lester Young and Bud Powell. That's a lot of jazz, and fortunately Aidan is back on the show to help Graham navigate it. But there's more to Tavernier's film than its music. It's a profoundly cinephilic film as well, with a memorable late appearance by notable Letterboxd user Martin Scorsese. Graham also gets to venture his classification system for 1980s French cinema, which won't be approved by Cahiers du Cinema any time soon but eh, it just about works. If you want to help us manage our tormented yet strangely stylish alcohol addictions, you can donate to our Patreon where we're about to drop an exclusive episode of this very podcast about Taylor Swift's Eras tour movie. We've got a lot of content that isn't available anywhere else, including reviews of underrated Asian genre films in Fantastic Asia, From the Video Aisle's new series on the V/H/S franchise, our end-of-month miscellany podcast Last Night... and weekly reviews of Red Dwarf, Doctor Who and The X-Files. Follow us on Twitter, Instagram and Facebook for more. www.patreon.com/thegeekshow --- Send in a voice message: https://podcasters.spotify.com/pod/show/pop-screen/message

Maori talks with multi-talented musician, composer, and artist Jason Moran. Jason shares his early influences growing up as a young musician in Houston—the John T. Biggers' painting hanging in his parent's home, Public Enemy on the radio, and Thelonious Monk's hit song “‘Round Midnight”. We learn why he prefers to call what he does Soul Music rather than Jazz and how the destruction of Black cultural spaces pushed him to preserve that history through his art installations. Plus, Maori and Jason discuss what “mid-life” means to them.You're invited to the 2023 BlackStar Luminary Gala and Awards, taking place December 4 at the W Hotel in Philadelphia, in support of our work to uplift Black, Brown, and Indigenous artists. Tickets, sponsorship, and more info at blackstarfest.org/gala. Subscribe to Many Lumens wherever you listen to your podcasts and follow us on Instagram and Twitter @manylumens for the latest.All episode transcripts and show notes are available at manylumens.com.Many Lumens is brought to you by the Open Society Foundations.

SynopsisAmerican jazz composer and pianist Thelonious Sphere Monk was born on today's date in 1917. Largely self-taught, he began playing piano at 6. At 17, he dropped out of New York's esteemed Stuyvesant High School for gifted students to serve as organist for a touring evangelist. In his 20s, he became the house pianist at Minton's, a Manhattan jazz nightclub.Monk's original compositions, marked by dissonances and angular twists of melody, became jazz standards. They also had great titles: ‘Round Midnight; Straight, No Chaser; Ruby, My Dear; and Well, You Needn't.Monk made the cover of Time magazine and is credited with being the second-most-recorded jazz composer after Duke Ellington.Monk's biographer Robin D.G. Kelly, who spent 14 years researching Monk's life and music, said, “He was Janus-faced [looking backward and forward]. … Monk pulled as much from his roots, the old-style [stride] piano traditions he never left, as from the really futuristic musical territory he was the first to visit. He's always going to be associated with the founding of Bebop, with Charlie Parker and Dizzy Gillespie. I don't place him on the Bebop school, though — I place him in his own school. “Music Played in Today's ProgramThelonious Monk (1917 – 1982) Ruby, My Dear - Thelonious Monk, piano Columbia Legacy CK-63533

Born in Rocky Mount, North Carolina, Thelonious Monk would go on to become a pivotal figure in the world of jazz, known for his innovative approach to music.  Monk's distinctive compositions, marked by their intricate melodies and unconventional harmonies, remain beloved classics in the jazz canon. Songs like "Round Midnight" and "Blue Monk" have become timeless standards, and his unorthodox piano style continues to influence generations of musicians. Monk's legacy as an innovator and trailblazer in jazz endures, reminding us of the enduring power of creativity and individuality in the world of music. Thelonious Monk passed away on February 17, 1982, but his contributions to the world of music continue to inspire and captivate audiences to this day. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es 'Round Midnight, es una película de drama musical de 1986 dirigida por Bertrand Tavernier y escrita por Tavernier y David Rayfiel. Plot: Un músico con problemas pero con talento huye de los Estados Unidos para escapar de sus problemas y encuentra refugio y apoyo en París. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Facebook: https://www.facebook.com/fnpod Discord: https://discord.gg/ukWHr4NK6c

“Jazz was the first music that I ever heard. It was introduced to me by my Dad who always played jazz around the house. He regularly sat me down and told me to listen closely to the music, that jazz was life.” Her beloved father passed away when she was 11. “The last time I saw him, he was at the hospital, had me driven in, and he told me that he wanted me to promise him something. He wanted me to promise him that I would sing jazz after I became a woman. Years passed, life went on, and I became involved in performing and recording r&b. But when I was completing the second CD in 2013, I kept on thinking about my last conversation with my Dad. It was as if he was reminding me about my promise. I decided that I would see if I had what it took to sing jazz.” Douye' has since worked very hard at finding her own place in the jazz world. Rather than doing it halfway or merely copying the great jazz singers of the past, she was determined to study hard, learn a countless number of songs, and sing jazz in her own way. She paid close attention to the reactions of the audience and the musicians when she appeared at jazz jams at the World Stage in Los Angeles. “If I did not sound any good, they would certainly tell me! I gained the courage to give it a real try after getting some confirmation from the jazz crowd that I could do this.” Daddy Said So features Douye' singing a set of classic jazz standards. Her voice is attractive, warm, and quietly emotional, has a solid sense of swing, and she clearly has a deep understanding of the lyrics. It is an awe-inspiring jazz debut for the up-and-coming singer. Rather than utilize the same group of musicians on each selection, a wide variety of brilliant jazz artists make memorable appearances throughout the release. Douye' originally made demos of the songs that she planned to record, sent them to many of her favorite musicians, and happily discovered that every artist was interested in being on her project. Douye' recorded “Nature Boy” as a duet with the immortal bassist Ron Carter. “It was funny. He suggested that we meet for the session at 11. I said, ‘Alright but I would be there at 10:30.' Ron Carter replied that he would make it by 10:30 too. I arrived at the studio at 10:17 and he was already there! I think we were finished with ‘Nature Boy' before 11.” “Mood Indigo” and “I Loves You Porgy” were recorded with veteran pianist Kenny Barron's trio. “But Beautiful” and “All The Things You Are” feature a talented Nigerian tenor-saxophonist Zem Audu and pianist Benito Gonzalez. Douye' originally recorded “Lush Life” and “Sophisticated Lady” as duets with her friend the late pianist Joel Scott. Later, tasteful bass and drum parts were added but Douye' kept Scott's beautiful accompaniment intact. “Round Midnight” and “In A Sentimental Mood” was performed with pianist-arranger John Beasley and a few of Los Angeles' top jazz players (saxophonist Bob Sheppard, bassist John Clayton, and drummer Roy McCurdy). Check out Douye's deep-toned vocal on “' Round Midnight” and Beasley's emulation of Duke Ellington's piano playing on “In A Sentimental Mood” from Duke's famous collaboration with John Coltrane. Every performance has its special moments. The great guitarist Russell Malone not only arranged “Body And Soul” but organized a group that included trumpeter Jeremy Pelt and drummer Willie Jones III. “Autumn Leaves” (arranged by Angelo Metz as was “Besame Mucho”)) and “Someone To Watch Over Me” (arranged by Phil Small and produced by Metz) find Douye' joined by the Kim Richmond Orchestra while the warm tenor-sax of Justo Almario co-stars on “Besame Mucho.” Also included on Daddy Said So is a very spirited rendition of “Summertime” that was recorded in New York with a band of young Cuban Americans led by drummer-arranger Zack O'Farrill (the 21-year-old son of Arturo O'Farrill). “I'm so grateful,” says Douye'. “While it took time to coordinate everyone's schedules, each session came together very quickly. It was so enjoyable that it confirmed my decision to sing jazz.” Douye' was born in Lagos, Nigeria, and regularly spent her summers in England. She was in a church choir in Africa when she was quite young and often sang along with recordings from her father's record collection. Douye also wrote poems and songs as she grew up. Early on she knew that singing was going to be her lifelong love. In her pursuit of singing, she moved to Los Angeles to attend the Musicians Institute as a vocal major. While attending school, she met songwriter Terry Shaddick who had composed the giant hit “Physical” for Olivia-Newton John. Shaddick and Douye' soon formed a musical partnership, writing all of the fresh new music for her first two albums Journey and So Much Love. During this era, Douye' performed classic r&b inspired by Anita Baker, Sam Cooke, Sade, Regina Belle, Rachelle Ferrell, and other major soul singers. In this episode, Douye shares her background, education, and musical journey.

  Have you ever noticed that there is no traffic until you need to make a left turn. www.cocktailnation.net Peter Paulsen-Slowpoke Melody Gardot -Your heart Is As Black As Night Lauren White- Small Day Tomorrow Dave Stryker- Love Dance  Alvare- Once I Loved  Doug McDonald Duo -These Foolish Things Tony Bennett and KD Lang-Exactly Like You Tiffany Monique-Called Love  Angie Hubbard- Black Coffee The Blue Martinis- Something Cool  Aaron Diehl quartet- Round Midnight

This week: Geoff plays selections from Fine and Mellow (1974), the second studio album that Ella Fitzgerald made for Pablo Records, and one of the best albums that she ever recorded. Tracks include I'm In The Mood For Love, Fine and Mellow, [I Don't Stand] A Ghost Of A Chance With You, I Can't Give You Anything But Love, 'Round Midnight, The Man I Love, Polka Dots and Moonbeams, Rockin' In Rhythm. GPE is produced by Ed Robertson  Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from Fine and Mellow (1974), the second studio album that Ella Fitzgerald made for Pablo Records, and one of the best albums that she ever recorded. Tracks include I'm In The Mood For Love, Fine and Mellow, [I Don't Stand] A Ghost Of A Chance With You, I Can't Give You Anything But Love, 'Round Midnight, The Man I Love, Polka Dots and Moonbeams, Rockin' In Rhythm. GPE is produced by Ed Robertson  Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from Fine and Mellow (1974), the second studio album that Ella Fitzgerald made for Pablo Records, and one of the best albums that she ever recorded. Tracks include I'm In The Mood For Love, Fine and Mellow, [I Don't Stand] A Ghost Of A Chance With You, I Can't Give You Anything But Love, 'Round Midnight, The Man I Love, Polka Dots and Moonbeams, Rockin' In Rhythm. GPE is produced by Ed Robertson  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Another in our new series of jazz film reviews. The Bertrand Tavernier jazz movie that refreshed Dexter Gordon's career late in his life. 

On this episode I caught up with musician Noah Engh about his latest project Round Midnight in Edmond. Noah and Ben Nockels of Common Place Books have opened up a Jazz bar in the heart of Edmond. Today we talk about why? As well as the local music scene in Oklahoma surrounding Jazz music.  Follow Noah here: www.instagram.com/noahengh www.instagram.com/vintagevinylokc www.instagram.com/blueloungepresents www.instagram.com/roundmidnightbar Mid Bin - www.instagram.com/mid_binokc Hat Guy - www.instagram.com/john_gang_millinery Donate here for Childrens Health Foundation Our Goal $10,000 https://donorbox.org/this-is-oklahoma-thurman-lynch-allstate?fbclid=IwAR2plmv0TnGw3XRrQ-zYkdtLXQsrQgIQ7vIsZc5h2NcYDcGaX2DiecXupkw Thanks to our sponsors. The Oklahoma Hall of Fame at the Gaylord-Pickens Museum telling Oklahoma's story through its people since 1927. For more information go to www.oklahomahof.com and for daily updates go to https://lnkd.in/g_gsxQM The Chickasaw Nation is economically strong, culturally vibrant and full of energetic people dedicated to the preservation of family, community and heritage. www.chickasaw.net Diffee Ford Lincoln. Third generation Oklahoma business, the Diffee family continues to do business the right way, the family way. Go to www.diffeeford.net for all your new and used car needs and follow them on instagram https://lnkd.in/drq7RMu2 The Choctaw people have a rich history and a bright future. At the Choctaw Cultural Center, you can take part in a story 14,000 years in the making. The Choctaw Cultural Center is more than a museum. It's a living, breathing experience. Visit www.choctawculturalcenter.com to plan your visit.

资深DJ有待介绍爵士乐发展史上各流派和代表人物，深入浅出，雅俗共赏。

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For the month of February, the podcast has been given to black voices. Today's episode starts out with some revolutionaries; those who took on the world. Februrary 21st also marks the anniversary of Malcolm X's assasination. Spike Lee's Masterpiece Malcolm X seems appropriate to include this month, and is streaming on HBO. Also on HBO, we have the story of Fred Hampton, a Black Messiah whose voice was snuffed out far too early. On Amazon Prime exists a beautiful film about Malcolm X, Jim Brown, Cassius Clay (right before he became Ali), and Sam Cooke. One Night in Miami is an excellent watch that I think everyone should see. These 3 films are each powerful stories about people who gave their lives to shape our modern culture.  Also covered on this episode:  Eyimofe- HBO Max 'Round Midnight- Rental Claudine- Physical Copy Only  Email the show- AndrewWatchesFilm@Gmail.com Follow Andrew on Letterboxd- https://letterboxd.com/andrewmartin/  

Scott returns to TWiV to explain the development of an experimental mRNA vaccine that encodes hemagglutinin antigens against all known influenza A virus subtypes and influenza B virus lineages, and why he is worried about avian H5N1 influenza virus. Hosts: Vincent Racaniello, Dickson Despommier, and Brianne Barker Guest: Scott Hensley Subscribe (free): Apple Podcasts, Google Podcasts, RSS, email Become a patron of TWiV! Links for this episode •Research assistant position at FDA (pdf) •Register for ASV 2023 •MicrobeTV Discord Server •Multivalent influenza mRNA vaccine (Science) •Influenza virus mRNA vaccines circumvent egg adaptation problems (J Virol) •Letters read on TWiV 983 •Timestamps by Jolene. Thanks! Weekly Picks Dickson – Jazz Project:  Guitar. Django Reinhardt; Pat Metheny. Signature album: Still Life Talking. Signature song: Last Train Home; Joe Pass (Ella Fitzgerald's favorite guitar accompanist). Signature album: Virtuoso. Signature song: Round Midnight. Brianne – HHMI Virus Explorer Vincent – Chris Luno Listener Picks John – White-tail deer density and SARS-CoV-2 in white-tail deer Jessica – Classic cases revisited: Oscar the cat and predicting death Intro music is by Ronald Jenkees Send your virology questions and comments to twiv@microbe.tv

Thelonious Monk 在爵士乐领域是一个怪咖。在很长一段时间当中，他不被人所欣赏，甚至不被人所理解。然而他的作品对于爵士乐来说，具有着划时代的意义。Monk 在英文中的意思是僧侣，这似乎暗合了 Thelonious 对于爵士乐的信仰。Y4 致力于为都市生活提供陪伴与参考，欢迎大家光临我们位于**上海市黄浦区成都南路128号的街头酒吧 - 饮料 Beverage**。同时，Y4旗下摇摆舞组织 **Why For Swing** 持续为大家带来摇摆舞课程，具体可关注公众号 “Why For Swing”。Why for Jazz 开通了微信听友群。我会对进群的朋友一次性收取199元的入群费，作为对本节目的支持。想要进群的朋友可以添加微信号Y4JZXZS，在确认群规及转账成功之后，我会将你拉进本节目的微信群。爵士乐的现场性导致了单纯的音频没办法表现它的全部魅力，因此 Why for Jazz 在小红书和B站开通了视频号。我会在上面分享一些非常哇塞的爵士乐现场，也会发一些自己的视频，欢迎大家点赞关注 Why for Jazz 视频号，作为播客伴侣，配合使用。---------------------------------------------------Playlist of the show:[00:00:00] Blue Monk[00:07:47] Drifting on a Reed (ft. Coleman Hawkins)[00:12:43] 'Round Midnight[00:20:52] The Man I Love[00:28:21] Well You Needn't[00:34:52] Monk's Dream[00:57:20] Ask Me Now

In the first epitope of 2023, TWiV reviews our coverage of virology in 2022, including favorite story arcs, episodes, show titles, and much more. Hosts: Vincent Racaniello, Dickson Despommier, Rich Condit, Kathy Spindler, and Brianne Barker Subscribe (free): Apple Podcasts, Google Podcasts, RSS, email Become a patron of TWiV! Links for this episode Our favorite 2022 virology stories: •Vincent: Paul Offit on bivalent boosters (TWiV 917, 942, Special) •Dickson: Interviews with Paul Offit and Andy Slavitt •Rich: TWiV 948: Breathless with David Quammen •Kathy: TWiV 915: Mouse mouth to mouse mom •Brianne: Spillovers (TWiV 923 and 876) •Vincent: Giant viruses (TWiV 873, 906, 968) •Dickson: TWiV 960 – Getting Funky with Dan Wilson •Rich: TWiV 927: Merchlinsky vs monkeypox •Kathy: TWiV 958: Pass the RNA and have some venison pi •Brianne: TWiV 869: Epstein-Barr virus and MS, a perfect storm •Twiverse •Letters read on TWiV 968 •Timestamps by Jolene. Thanks! Weekly Picks Dickson – Jazz Project: Tenor saxophone: John Coltrane/Dexter Gordon/Stan Getz: John Coltrane: Signature album: Giant Steps: Signature song: Blue Train; Dexter Gordon: Signature album: The Other Side Of Round Midnight. Signature song: Round Midnight; Stan Getz (with Charlie Byrd on guitar): Signature Album: Jazz Samba; Signature song: Desafinado Brianne – A Full Circle Rainbow over Norway Kathy – Frozen soap bubbles Rich – It's Turtles All the Way Down in the Fossil Record by Asher Elbein Vincent – Vincent's Top Ten Music Listener Picks Charles – Wayne Bergeron and Vince DiMartino MacArthur Park Intro music is by Ronald Jenkees Send your virology questions and comments to twiv@microbe.tv

Today's show takes a look at the classic 1986 French drama about jazz, Bertrand Tavernier's Round Midnight.

durée : 00:24:33 - Le Feuilleton - Novembre 1961. La nuit de mon troisième meurtre. Mon vieil ami, Pork Chop, m'avait retrouvé au Cathouse : la maison de la baronne Pannonica de Koenigswater.

durée : 00:24:33 - Le Feuilleton - Novembre 1961. La nuit de mon troisième meurtre. Mon vieil ami, Pork Chop, m'avait retrouvé au Cathouse : la maison de la baronne Pannonica de Koenigswater.

The story of Bison Dele, his turbulent NBA career, and the tragic end to his life. Plus: Celtics coach Ime Udoka is likely to be suspended for the entire 2022-23 season and may resign. --- An NBA history podcast about bad teams, bad luck, and bad decisions. Hosted by Lew @L0GICMASTER Please follow the show on Twitter, Instagram, and TikTok @backfiredNBApod Stats from Basketball Reference and NBA.com. Transaction info from prosportstransactions.com and Basketball Reference. Intro music: “Milestones” by Miles Davis. ℗ Originally released 1958. All rights reserved by Columbia Records, a division of Sony Music Entertainment. Outro music: “‘Round Midnight” by Miles Davis. Copyright SME (on behalf of Legacy/Columbia) Sources: Baltimore Sun, Detroit Free Press, Grand Junction Daily Sentinel, Greensboro News & Record, Los Angeles Times, New York Times, Orlando Sentinel, Rocky Mountain News, Sports Illustrated, Tampa Bay Times SI article: https://www.si.com/longform/bison-dele/index.html

‘Round Midnight - Acts 16:16-36 - from Sunday, May 29, 2022

This week we're bending the rules of our New York style season slightly, by interviewing fellow Brit, Jason Jules. Regardless, his new book Black Ivy: A Revolt in Style is extremely pertinent to this season's theme, given its concern with mid-century American style. Aleks and Jason explore Black Ivy in this episode, of course, but we also hear about Jason's fascination for cultural trend-spotting, his passion for jazz music and his admiration for progressive rap culture. It's a fascinating conversation, this. We hope you enjoy it.---HandCut Radio is produced by Birch, the London based creative office of James Allen. Our theme music is by Joe Boyd.HandCut Radio is proud to be sponsored by Thomas Mason, an historic mill that's been supplying famous designers, shirtmakers and tailors with world class shirting fabrics since 1796.---Show Notes:Jason Jules — Instagram[05:28] Duffer of St. George[07:58] Lynne Franks[10:12] Honey (magazine, defunct)[15:36] John Coltrane, Giant Steps[16:02] Dizzy Gillespie [18:06] Fred Astaire [19:08] Al Capone [20:16] David Bowie[25:19] The Limelight (club)[26:15] Round Midnight (film)[31:22] Jazzie B[31:26] Norman Jay MBE[31:39] Trevor Nelson[32:52] Stem Player[32:54] Donda 2[33:40] Frank Ocean[33:42] Tyler, The Creator[33:45] Pharrell Williams[33:47] Nigo[33:47] ‘I know NIGO!' (album)[36:16] Virgil Abloh[37:10] Black Ivy: A Revolt in Style (book)[39:00] Steve Urkel[43:13] Summer of Love[43:47] Long, hot summer of 1967[51:28] ‘The Black Ivy Edit' by Drake's & Jason Jules[52:08] Teal Madder Silk Fully Lined Bridle Leather Club Belt

This week: Geoff plays selections from the album that Ella recorded live with Count Basie and his orchestra at the Montreux Jazz Festival in 1979. Not only was this Ella's last great concert, but it was the first album ever to be recorded digitally. Tracks include live performances of Please Don't Talk About Me When I'm Gone, Some Other Spring, Make Me Rainbows, After You've Gone, 'Round Midnight, Honeysuckle Rose, and St. Louis Blues, plus I Don't Stand A Ghost Of A Chance With You and Flying Home. This edition of GPE was produced by Ed Robertson.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff plays selections from the album that Ella recorded live with Count Basie and his orchestra at the Montreux Jazz Festival in 1979. Not only was this Ella's last great concert, but it was the first album ever to be recorded digitally. Tracks include live performances of Please Don't Talk About Me When I'm Gone, Some Other Spring, Make Me Rainbows, After You've Gone, 'Round Midnight, Honeysuckle Rose, and St. Louis Blues, plus I Don't Stand A Ghost Of A Chance With You and Flying Home. This edition of GPE was produced by Ed Robertson.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff plays selections from the album that Ella recorded live with Count Basie and his orchestra at the Montreux Jazz Festival in 1979. Not only was this Ella's last great concert, but it was the first album ever to be recorded digitally. Tracks include live performances of Please Don't Talk About Me When I'm Gone, Some Other Spring, Make Me Rainbows, After You've Gone, 'Round Midnight, Honeysuckle Rose, and St. Louis Blues, plus I Don't Stand A Ghost Of A Chance With You and Flying Home. This edition of GPE was produced by Ed Robertson.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff plays selections from the album that Ella recorded live with Count Basie and his orchestra at the Montreux Jazz Festival in 1979. Not only was this Ella's last great concert, but it was the first album ever to be recorded digitally. Tracks include live performances of Please Don't Talk About Me When I'm Gone, Some Other Spring, Make Me Rainbows, After You've Gone, 'Round Midnight, Honeysuckle Rose, and St. Louis Blues, plus I Don't Stand A Ghost Of A Chance With You and Flying Home. This edition of GPE was produced by Ed Robertson.  Learn more about your ad choices. Visit megaphone.fm/adchoices

One for those who choose to drive slow in the fast lane. www.cocktailnation.net Peter Paulsen-Slowpoke Melody Gardot -Your heart Is As Black As Night Lauren White- Small Day Tomorrow Dave Stryker- Love Dance  Alvare- Once I Loved  Doug McDonald Duo -These Foolish Things Tony Bennett and KD Lang-Exactly Like You Tiffany Monique-Called Love  Angie Hubbard- Black Coffee The Blue Martinis- Something Cool  Aaron Diehl quartet- Round Midnight