Podcasts about Spaced Out

It's Tuesday Drive with Nick and Rosetta! Today on the show, we chat menstrual cups, interstellar comets, and NASA with Josh for Spaced Out - and Rosetta has a kōrero with Geneva AM about her new waiata 'Toitū Te Tiriti'! Whakarongo mai nei! Thanks to The Beer Spot!

Another Rātu Drive with Nick and Rosetta in the bag! Today on the show, the duo catch up with Josh for your bi-weekly space news scoop on Spaced Out. There's also news, weather, surf, a recap of the ripping SRN Top 10, and plenty of music! Plus some yarns about what the texters are having for dinner, because who doesn't love a bit of kai inspo?  Thanks to The Beer Spot!

It's a stacked show today! Nick and Rosetta share their experience at Sanoi's album listening party at The Stardome, and chat with Josh for Spaced Out. Nick has a kōrero with Durand Jones & The Indications about their new album Flowers - out June 27. Troy Kingi phones in to chat about his AMA nominations ahead of the awards on Thursday, and DJ K-Swizz and Poppa Jax zoom in to chat about the Pulotu Underworld Road to Glastonbury Fundraiser Showcase this Friday May 30! Plus news, weather, surf, prizes, an SRN Top 10 recap, entertainment guide, and plenty of music! Thanks to The Beer Spot!

Today on the show, Nick and Rosetta chat with Josh for Spaced Out, thanks to the Stardome! Nick has a kōrero with Australian house DJ 1tbsp about his forthcoming EP and show at Neck Of The Woods on May 24, and Rosetta catches up with Liam K. Swiggs of The Big Fresh Collective to chat about FOOTMAHI 2025! Plus news, weather, surf, prizes, and plenty of good toooons :) Whakarongo mai nei! Thanks to The Beer Spot!

The team is joined by Josh from Stardome for Spaced Out. Rosetta talks to Yukimi about her new solo album 'For you'. And we listen to a pre-recorded greenroom interview from Revulva's recent Auckland show.  Thanks to The Beer Spot!

It's another stacked Tuesday Drive with Nick and Rosetta! Catch Nick's coverage of WOMAD, Spaced Out with Josh thanks to Stardome Observatory, a catch up with Chelsea Jade ahead of her show at Double Whammy on March 28, and a kōrero with Vera Ellen about her new track 'Sangria (demo)'! Plus news, weather, surf, a recap of the SRN Top 10, and plenty of good tunes. Thanks to the Beer Spot!

It's a beauty of a show this one, featuring extra-planetary news on Spaced Out with Josh thanks to the Stardome, plus Nick's kōrero with Marlon Williams about his forthcoming album Te Whare Tīwakawaka, tour of Aotearoa and documentary due out in May. Whakarongo mai nei! Thanks to The Beer Spot!

Featuring a guest interview with Horsegirl about their new abum "Phonetics On and On", Josh Aoraki returns for Spaced Out thanks to the Stardome, and Maddy Hakaraia de Young phones in to talk about the massive 2025 programme for the Māoriland Film Festival! Thanks to The Beer Spot!

Featuring a guest interview with Georgia Gets By, Josh Aoraki returns for Spaced Out thanks to the Stardome, and Simon Griggs phones in to talk about the history and impact of Harlequin Studios thanks to AudioCulture.  Thanks to The Beer Spot!

"Magenta Machine" by Brian Gibson from the soundtrack to Thrasher; The title track from Companion Rises (Twig Harper remix) by Six Organs of Admittance; "Another Space" by Earthen Sea from Recollection[ "Method Papers" by Hoo from III; "Ultravalid" by Oliver Coates from Throb, Shiver, Arrow Of Time; "Beyond the Raindrops" by Envy from Eunoia; "Love and Light (Larry Gus Panamix)" by Sandro Perri from Spaced Out; "Frisco Beaver" by the Goat from their self titles album; "Soft Strength" by White Poppy from Paradise Regained; "4U" by Klara Lewis from Thankful; "Phantom Brickworks VII" by Bibio from Phantom Brickworks LP II.

Welcome to this week's episode of Club Cozzo, where I bring you the freshest and finest tunes for your listening pleasure! This mix features new tracks from Soulfreq, East End Dubs, Jack District, and Paul Swell. The Track of the Week is the mesmerizing "Spaced Out" by Alex Caro & Sote De Lino—a true standout!

In this week episode, new music from Soulfreq, East end Dubs, Jack District, Paul Swell. The track of the week is Spaced Out by Alex Caro & Sote De Lino. Enjoy ! For more info and tracklisting, visit: https://thefaceradio.com/club-cozzo/Tune into new broadcasts of Club Cozzo, Saturdays from 10 PM - Midnight EST / 4 - 6 AM CET (Sunday).//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Today on the show Rosetta plays some of her fave kotahitanga anthems, chats with Josh for Spaced Out thanks to Stardome Observatory, and has a kōrero with Mousey about her upcoming album release show this weekend! Thanks to The Beer Spot Whakarongo mai nei!

Featuring Spaced Out with The Stardome and an interview with HINA about her new single Hinātore - whakarongo mai nei! Thanks to The Beer Spot!

Rosetta chats to Josh on Spaced Out about out-of-this-world news thanks to the Stardome. Greta O'Leary was in studio for a chat about her new single, and Allysha Joy zooms in from Naarm to yarn about her upcoming album! Thanks to The Beer Spot!

Who are some people you want to talk to? Full episode ⁠⁠⁠https://podcasters.spotify.com/pod/show/donnathon-dobson/episodes/Whatever-Talk-159-Spaced-Out-e1h9597/a-a7ovsf5⁠⁠⁠

Who are some people you want to talk to? Full episode ⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/donnathon-dobson/episodes/Whatever-Talk-159-Spaced-Out-e1h9597/a-a7ovsf5⁠⁠⁠⁠

We have programmed people birthing programs and reprogramming other programs. Full episode ⁠⁠https://podcasters.spotify.com/pod/show/donnathon-dobson/episodes/Whatever-Talk-159-Spaced-Out-e1h9597/a-a7ovsf5⁠⁠

We have programmed people birthing programs and reprogramming other programs. Full episode ⁠⁠⁠https://podcasters.spotify.com/pod/show/donnathon-dobson/episodes/Whatever-Talk-159-Spaced-Out-e1h9597/a-a7ovsf5⁠⁠⁠

Coke-Cola must have put that coke back in Coke ⁠https://podcasters.spotify.com/pod/show/donnathon-dobson/episodes/Whatever-Talk-159-Spaced-Out-e1h9597/a-a7ovsf5⁠ Whateve Talk Babble Drinking Space Pixels

Coke-Cola must have put that coke back in Coke  ⁠⁠https://podcasters.spotify.com/pod/show/donnathon-dobson/episodes/Whatever-Talk-159-Spaced-Out-e1h9597/a-a7ovsf5⁠⁠

Pourquoi sommes-nous si attirés par ces êtres effrayants ? Peut-être parce qu'ils réveillent en nous des peurs profondes tout en nous offrant un frisson d'excitation. Dans cet épisode, Sous la Seine, Damsel, Godzilla et Spaced Out se font tirer le portrait par Rudy Leonet et Hugues Dayez. Le thème du jour est Monsters Welcome, une invitation à découvrir ou redécouvrir ces monstres qui peuplent nos écrans et nos rêves. Préparez-vous à un voyage inoubliable au cœur de la terreur et du merveilleux. Excellente écoute ! Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Kalpana Pot is an actor, writer, host, and space communicator. Renowned for her vibrant online presence, particularly in space science, Kalpana has cultivated a platform with over 200K followers on Instagram and 4.4 million likes on TikTok.Importantly, she challenges the prevailing narratives about women in STEM, a perspective not often encountered. Furthermore, it's uncommon to find a woman in STEM with a substantial following, but Kalpana leverages her platform to educate people about space. Ultimately, she aims to combat the recent surge in anti-science sentiments by blending storytelling with scientific exploration.What do we talk about in this episode?The challenges she faces in Hollywood as a woman in science.How she seamlessly combines her acting career with her passion for science content creation.The importance of representation and normalizing women in STEM through mass media.The significant role of science communicators in addressing misinformation and conspiracy theories.Insights into her recent book, "Spaced Out."Music used in the podcast: Higher Up, Silverman Sound StudioYou can support my podcast on Patreon here: https://patreon.com/user?u=72701887ResourcesBook: Spaced Out: A Casual Approach to the CosmosConnect with Kalpana Pot on InstagramGeena Davis Institute: For 20 years, the Geena Davis Institute has been at the forefront of championing equitable representation in media. Our commitment to building a better world extends beyond gender, encompassing the interconnected identities often marginalized in the media. Through our ground-breaking research, we understand the life-changing impact of representation, and have devoted ourselves to pioneering new pathways within entertainment and media.(https://geenadavisinstitute.org)

Read along to practice your English and to learn the English terms SPACED OUT and SPACE CADETIn this English lesson, I wanted to help you learn the English term spaced out. Now you can have things spaced out. You can see these trees here are spaced out. When Jen and I planted those willow trees years ago, I think they're about three paces apart. We spaced them out. You can also see along my driveway here the little markers so people don't drive in the snow are spaced out. But when you say someone is spaced out, it means that they're not paying attention. It means that things are happening in the world and they are not aware of what's happening. They're kind of thinking about other things. They're a little bit spaced out. So two meanings. One meaning that things are set out in an orderly fashion the same distance from each other. When we put plates on the table, they're spaced out. And then it can also mean kind of daydreaming a lot and not really knowing what's going on.WANT FREE ENGLISH LESSONS? GO TO YOUTUBE AND SEARCH, "BOB THE CANADIAN"If you enjoy these lessons please consider supporting me at: http://www.patreon.com/bobthecanadianThe other phrase I wanted to teach you today is the term space cadet. This isn't used a lot anymore, but you might hear it in an older tv show or movie. When you say someone is a space cadet, it means that they again aren't really aware of what's happening around them. A student who's sitting at the back of class and doesn't know there's a test or quiz that day could be called a space cadet. Oh, that person's such a space cadet they never know what's going on.So to review, when things are spaced out, they're orderly. When a person is spaced out, they are not orderly. They're kind of disoriented and unaware of what's going on. And if you call someone a space cadet, it simply means that they don't... they're not really aware of what's happening around them.But hey, let's look at a comment from a previous video. This comment is from MRfisheri. Nice sunglasses, coach Bob. And then my reply. Thanks, I like them too. So these sunglasses have lasted a while. I'm quite happy that I haven't lost them. I haven't sat on them. Sometimes I leave sunglasses on the seat in my van. Again, as all of you know, I buy cheap sunglasses from the dollar store. So I'm just very happy that these have lasted so long and they work well on days like this.This would have been a great day for an eclipse. Unfortunately it was a little cloudy yesterday. Today it's just bright sun. It's a beautiful day. You can see I'm outside in my short sleeved shirt. So that is a big change from a few weeks ago. It's definitely... feels like we're jumping ahead to summer instead of having spring. So hopefully it cools off a bit now, but it is nice to feel the sun on my skin. It's nice to be outside and just enjoy the day. Jen is loving it because she's getting lots of work done on the flower farm and I will be helping her as well a little bit. Anyways, as I was mentioning in my other video, my busy time was last week and a little bit of this week. It's slowly coming to an end and hopefully life just goes back to normal.I did notice this though. One of my kids must have put extra weights on the basketball net. The basketball net fell over a few weeks ago, in the wind and it's not quite a circle anymore. I'll have to straighten that out when summer comes and it looks like in order to prevent that from happening, this bottom is filled with sand so it should be heavy enough to prevent it from falling over. But perhaps.... Well, it was really windy. I don't see any damage other than the bend like nothing's broken. So that's good. Yep. So I'll just have to straighten that out in the summer when I'm more in farm work mode. The basketball net counts as pSupport the show

Kalpana Pot is an actor, writer, host, and science communicator. She's appeared in numerous national commercials and TV shows like Grey's Anatomy, Hot in Cleveland, and Days of Our Lives to name a few, runs popular space-based social media pages, and is a published author. Her latest book, Spaced Out: A Casual Approach to the Cosmos is a general overview of all things space-related mixed with a sense of humour. Her ultimate goal in Hollywood is to help mitigate the recent rise in anti-science by bridging her two loves of storytelling and science.  OUTLINE: Here's approximate timestamps for the episode. 00:43 Into to Kalpana Pot 04:00 Things getting sweary and definitly not conspiratorial! 05:28 Debunking conspiracies 10:10 “Truth” on Social Media 11:33 Spaced Out: https://www.amazon.co.uk/Spaced-Out-Casual-Approach-Cosmos/dp/B0CPCKJ4PX?source=ps-sl-shoppingads-lpcontext&ref_=fplfs&psc=1&smid=A3P5ROKL5A1OLE 14:20 Hollywood telling Space Stories on Forgotten Women in STEM 18:00 How accurate is film making in explaining relativity? 20:45 The James Web Space Telescope - Importance of Imagery 23:42 Taxpayer Value 24:24 Big Bang age 27:00 The Screenplay! 31:50 Wrap Up and Socials Connect with Kalpana Pot on Socials Media: Instagram: https://www.instagram.com/kalpanapot/ TikTok: https://www.tiktok.com/@toknerdytome?_t=8hTcFAH803W&_r=1 IMDB: https://www.imdb.com/name/nm5305151/ Stay connected with us! Use #Astroben across various social media platforms to engage with us! Youtube: www.youtube.com/@astrobenpodcast Website: www.astroben.com Instagram: https://www.instagram.com/astrobenpodcast/ X: https://twitter.com/Gambleonit Tik Tok: https://www.tiktok.com/@astrobenpodcast LinkedIn: https://www.linkedin.com/company/astrobenpodcast/

Just the mood I'm in. 05 "Lose" - Boeckner 04 "Spaced Out" - Gouge Away 03 "Daydream Repeat" - Four Tet 02 "Emergence" - The Messthetics & James Brandon Lewis 01 ?!?

The Eric and Joe Show takes over the State Theater for THREE BIG nights November 17, 18 and 19. Eric and Joe stopped by Milby in the Morning on 101.5 WKMO during the 7am to talk about the show. Get your tickets for the Eric and Joe Show "Spaced Out" at www.theericandjoeshow.com

This week on Bottom of the Stream, we take a trip in the way back machine to  1979 to talk about British sex comedy movie Spaced Out, also known as Outer Touch in some territories. Directed by Norman J Warren; starring Barry Stokes; Glory Annen and Kate Ferguson. Listen on to hear what we made of this one, sexy romp or kinky catastrophe?    Bottom of the stream is a weekly podcast, hosted by film lovers Adam and Nick, exploring the parts of Netflix that most people don't go to in a bid to find out what hidden gems are lurking down there Every week we rank the films we watch against each other and place them in what we like to call THE STREAM TABLE which can be found on our website  www.bottomofthestream.com Follow us on Twitter, instagram and letterboxed at @bots_podcast  Please consider supporting the show on Patreon, If you do we will give you lots of bonus content including early access to the episodes. Check it out over at www.patreon.com/bottomofthestream   We also now have a discord so join us to hang out https://discord.gg/wJ3Bfqt  

Lee is back with part one of a two-part look at the soundtracks and scores of sex comedies, specifically those of the 1970s and 1980s, the raunchier the better! There was so much material to go through that he had to split each decade into its own super-sized episode of BotT, and even then he's barely scraping the surface. In part one we start off in the decade where the sex comedy really started to take off overseas at first: the 1970s! This was especially obvious in places like Great Britain and Italy, and this trend would seemingly influence North American sex comedies to push the envelope even further later in the decade, before they totally came to dominate in the 1980s. --Up Pompeii from "Up Pompeii" (1970) --Frankie Howerd --God's Children & Lola from "Percy" (1971) --The Kinks --Au Pair Girls 2 from "Au Pair Girls" (1972) --Roger Webb --Sessomatto from "How Funny Can Sex Be" (1973) --Armando Trovajoli --Alvin Purple from "Alvin Purple" (1973) --Brian Cadd --Lovin' Is from "Alice Goodbody" (1974) --Rick Harris, Candy & Mr. D --This is Your Life Timmy Lea from "Confessions of a Window Cleaner" (1974) --Su Cheyenne --Girl from Starship Venus from "The Girl from Starship Venus" (1975) --Don Lang --Confessions of Timmy Lee from "Confessions of a Pop Performer" (1975) --Three's a Crowd --Kipper; Accidents Will Happen; Oh Sha La La & The Clapham from "Confessions of a Pop Performer" (1975) --Kipper (Dominic Bugatti & Frank Musker) --Theme from "The Ups and Downs of a Handyman" (1975) --Vic Elms (vocals by Barry Stokes) --Sq. 1 - Titoli & Seq. 3 from "The Sensuous Nurse" (1975) --Gianfranco Plenizio --My Cruisin' Casanova from "Adventures of a Taxi Driver" (1976) --Adrienne Posta --The Love Bug from "What's Up Nurse!" (1977) --Tony Burrows --Private Eye from "Adventures of a Private Eye" (1977) --Christopher Neil --The New Carioca from "The Kentucky Fried Movie" (1977) --Jonathan & Darlene Edwards --Heavy Bopper from "The Kentucky Fried Movie" (1977) --Alan Moorhouse --Give Me England from "Confessions from a Holiday Camp" (1977) --The Wurzels --It's Great to Be Here from "Come Play with Me" (1977) --Peter Jeffries (vocals by Alfie Bass & George Harrison Marks) --Come Play with Me from "Come Play With Me" (1977) --Coming Shortly (Peter Jeffries) --Chevy Van; Country Lady & Early Morning Love from "The Van" (1977) --Sammy Johns --Animal House from "Animal House" (1978) --Stephen Bishop --Lollipop from "Lemon Popsicle" (1978) --The Chordettes --Hold On, I'm Coming from "What's Up Superdoc!" (1978) --Fingers (Paul Fishman) --I'm Flying from "Adventures of a Plumbers Mate" (1978) --Christopher Neil --Love Crazy from "Carry on Emmannuelle" (1978) --Masterplan (Kenny Lynch) --Lola Langusta from "Beneath the Valley of the Ultra-Vixens" (1979) --Paul Ruhland --Van Nuys Blvd. & Mama's Car from "Van Nuys Blvd." (1979) --Ron Wright & Ken Mansfield --All of My Friends from "Gas Pump Girls" (1979) --Kirsten Baker --Theme from "Spaced Out" (1979) --Emil Zoghby --You Got Me Up There from "Spaced Out" (1979) --Tommy Hunt Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

On this episode, we're going to start a miniseries that I've been dreading doing, not because of the films this company produced and/or released during the 1980s, but because it means shining any kind of light on a serial sexual assaulter and his enabling brother. But one cannot do a show like this, talking about the movies of the 1980s, and completely ignore Miramax Films. ----more---- TRANSCRIPT   From Los Angeles, California. The Entertainment Capital of the World. It's the 80s Movie Podcast. I am your host, Edward Havens/ Thank you for listening today.   On this episode, we're going to start a miniseries that I've been dreading doing, not because of the films this company produced and/or released during the 1980s, but because it means shining any kind of light on a serial sexual assaulter and his enabling brother. But one cannot do a show like this, talking about the movies of the 1980s, and completely ignore Miramax Films.   But I am not here to defend Harvey Weinstein. I am not here to make him look good. My focus for this series, however many they end up being, will focus on the films and the filmmakers. Because it's important to note that the Weinsteins did not have a hand in the production of any of the movies Miramax released in the 1980s, and the two that they did have a hand in making, one a horror film, the other a comedy that would be the only film the Weinsteins would ever direct themselves, were distributed by companies other than Miramax.   But before I do begin, I want to disclose my own personal history with the Weinsteins. As you may know, I was a movie theatre manager for Landmark Theatres in the mid 1990s, running their NuWilshire Theatre in Santa Monica. The theatre was acquired by Landmark from Mann Theatres in 1992, and quickly became a hot destination for arthouse films for those who didn't want to deal with the hassle of trying to get to the Laemmle Monica 4 about a mile away, situated in a very busy area right off the beach, full of tourists who don't know how to park properly and making a general nuisance of themselves to the locals. One of the first movies to play at the NuWilshire after Landmark acquired it was Quentin Tarantino's debut film, Reservoir Dogs, which was released by Miramax in the fall of 1992. The NuWilshire quickly became a sort of lucky charm to Harvey Weinstein, which I would learn when I left the Cineplex Beverly Center in June 1993 to take over the NuWilshire from my friend Will, the great-grandson of William Fox, the founder of Fox Films, who was being promoted to district manager and personally recommended me to replace him.   During my two plus years at the NuWilshire, I fielded a number of calls from Harvey Weinstein. Not his secretary. Not his marketing people.    Harvey himself.   Harvey took a great interest in the theatre, and regularly wanted feedback about how his films were performing at my theatre. I don't know if he had heard the stories about Stanley Kubrick doing the same thing years before, but I probably spoke to him at least once a month. I never met the man, and I didn't really enjoy speaking with him, because a phone call from him meant I wasn't doing the work I actually needed to do, but keeping Harvey would mean keeping to get his best films for my theatre, so I indulged him a bit more than I probably should have.   And that indulgence did occasionally have its perks. Although I was not the manager of the NuWilshire when Reservoir Dogs played there, Quentin Tarantino personally hand-delivered one of the first teaser posters for his second movie, Pulp Fiction, to me, asking me if I would put it up in our poster frame, even though we both knew we were never going to play the film with the cast he assembled and the reviews coming out of Cannes. He, like Harvey Weinstein, considered the theatre his lucky charm. I put the poster up, even though we never did play the film, and you probably know how well the film did. Maybe we were his lucky charm.   I also got to meet Kevin Smith and Scott Mosier weeks before their first film, Clerks, opened. We hosted a special screening sponsored by the Independent Feature Project, now known as Film Independent, whose work to help promote independent film goes far deeper than just handing out the Spirit Awards each year. Smith and Mosier were cool cats, and I was able to gift Smith something the following year when he screened Mallrats a few weeks before it opened.   And, thanks to Miramax, I was gifted something that ended up being one of the best nights of my life. An invitation to the Spirit Awards and after-party in 1995, the year Quentin Tarantino and Lawrence Bender won a number of awards for Pulp Fiction. At the after-party, my then-girlfriend and I ended up drinking tequila with Toni Collette, who was just making her mark on American movie screens that very weekend, thanks to Miramax's release of Muriel's Wedding, and then playing pool against Collette and Tarantino, while his Spirit Awards sat on a nearby table.   Twenty feet from stardom, indeed.   I left that job at the end of the summer in 1995, and I would not be involved with the Weinstein Brothers for a number of years, until after I had moved to New York City, started FilmJerk, and had become an established film critic. As a critic, I had been invited to an advance screening of Bad Santa at the AMC Empire 25, and on the way out, Bob Weinstein randomly stopped me in the lobby to ask me a few questions about my reaction to the film. Which was the one and only time I ever interacted with either brother face to face, and would be the last time I ever interacted with either of them in any capacity.   As a journalist, I felt it was necessary to disclose these things, although I don't believe these things have clouded my judgment about them. They were smart enough to acquire some good films early in their careers, built a successful distribution company with some very smart people who most likely knew about their boss's disgusting proclivities and neither said nor did anything about it, and would eventually succumb to the reckoning that was always going to come to them, one way or another. I'm saddened that so many women were hurt by these men, physically and emotionally, and I will not be satisfied that they got what was coming to them until they've answered for everything they did.   Okay, enough with the proselytizing.    I will only briefly go into the history of the Weinstein Brothers, and how they came to found Miramax, and I'm going to get that out of the way right now.   Harvey Weinstein and his younger brother Bob, were born in Queens, New York, and after Harvey went to college in Buffalo, the brothers would start up a rock concert promotion company in the area. After several successful years in the concert business, they would take their profits and start up an independent film distribution company which they named Miramax, after their parents, Miriam and Max. They would symbolically start the company up on December 31st, 1979.   Like the old joke goes, they may have been concert promoters, but they really wanted to be filmmakers. But they would need to build up the company first, and they would use their connections in the music industry to pick up the American distribution rights to Rockshow, the first concert movie featuring Paul McCartney and his post-Beatles band Wings, which had been filmed during their 1976 Wings Over the World tour. And even from the start, Harvey Weinstein would earn the derisive nickname many people would give him over the years, Harvey Scissorhands, as he would cut down what was originally a 125min movie down to 102mins.   Miramax would open Rockshow on nine screens in the New York City area on Wednesday, November 26th, 1980, including the prestigious Ziegfeld Theatre, for what was billed as a one-week only run. But the film would end up exceeding their wildest expectations, grossing $113k from those nine screens, including nearly $46k just from the Ziegfeld. The film would get its run extended a second week, the absolute final week, threatened the ads, but the film would continue to play, at least at the Ziegfeld, until Saturday December 13th, when the theatre was closed for five days to prepare for what the theatre expected to be their big hit of the Christmas season, Neil Diamond's first movie, The Jazz Singer. It would be a sad coincidence that Rockstar's run at the Ziegfeld had been extended, and was still playing the night McCartney's friend and former bandmate John Lennon was assassinated barely a mile away from the theatre.   But, strangely, instead of exploiting the death of Lennon and capitalize on the sudden, unexpected, tragic reemergence of Beatlemania, Miramax seems to have let the picture go. I cannot find any playdates for the film in any other city outside of The Big Apple after December 1980, and the film would be unseen in any form outside a brief home video release in 1982 until June 2013, when the restored 125min cut was released on DVD and Blu-Ray, after a one-night theatrical showing in cinemas worldwide.   As the Brothers Weinstein were in the process of gearing up Miramax, they would try their hand at writing and producing a movie themselves. Seeing that movies like Halloween and Friday the 13th were becoming hits, Harvey would write up a five-page treatment for a horror movie, based on an upstate New York boogeyman called Cropsey, which Harvey had first heard about during his school days at camp. Bob Weinstein would write the script for The Burning with steampunk author Peter Lawrence in six weeks, hire a British music documentary filmmaker, Tony Maylam, the brothers knew through their concert promoting days, and they would have the film in production in Buffalo, New York, in the summer of 1980, with makeup effects by Tom Savini.   Once the film was complete, they accepted a purchase deal from Filmways Pictures, covering most of the cost of the $1.5m production, which they would funnel right back into their fledgling distribution company. But when The Burning opened in and around the Florida area on May 15th, 1981, the market was already overloaded with horror films, from Oliver Stone's The Hand and Edward Bianchi's The Fan, to Lewis Teague's Alligator and J. Lee Thompson's Happy Birthday to Me, to Joe Dante's The Howling and the second installment of the Friday the 13th series. Outside of Buffalo, where the movie was shot, the film did not perform well, no matter how many times Filmways tried to sell it. After several months, The Burning would only gross about $300k, which would help drive Filmways into bankruptcy. As we talked about a couple years ago on our series about Orion Pictures, Orion would buy all the assets from Filmways, including The Burning, which they would re-release into theatres with new artwork, into the New York City metropolitan region on November 5th, 1982, to help promote the upcoming home video release of the film. In just seven days in 78 theatres, the film would gross $401k, more than it had earned over its entire run during the previous year. But the film would be gone from theatres the following week, as many exhibitors do not like playing movies that were also playing on cable and/or available on videotape. It is estimated the film's final gross was about $750k in the US, but the film would become a minor success on home video and repeated cable screenings.   Now, some sources on the inter webs will tell you the first movie Miramax released was Goodbye, Emmanuelle, based in part on a profile of the brothers and their company in a March 2000 issue of Fortune Magazine, in which writer Tim Carvell makes this claim. Whether this info nugget came from bad research, or a bad memory on the part of one or both of the brothers, it simply is not true. Goodbye, Emmanuelle, as released by Miramax in an edited and dubbed version, would be released more than a year after Rockshow, on December 5th, 1981. It would gross a cool $241k in 50 theatres in New York City, but lose 80% of its screens in its second week, mostly for Miramax's next film, a low budget, British-made sci-fi sex comedy called Spaced Out.   Or, at least, that's what the brothers thought would be a better title for a movie called Outer Touch in the UK.   Which I can't necessarily argue. Outer Touch is a pretty dumb title for a movie. Even the film's director, Normal Warren, agreed. But that's all he would agree with the brothers on. He hated everything else they did to his film to prepare it for American release. Harvey would edit the film down to just 77mins in length, had a new dub created to de-emphasize the British accents of the original actors, and changed the music score and the ending. And for his efforts, Weinstein would see some success when the film was released into 41 theatres in New York on December 11th, 1981. But whether or not it was because of the film itself, which was very poorly reviewed, or because it was paired with the first re-issue of The Groove Tube since Chevy Chase, one of the actors in that film, became a star, remains to be seen.   Miramax would only release one movie for all of 1982, but it would end up being their first relative hit film.   Between 1976 and 1981, there were four live shows of music and comedy in the United Kingdom for the benefit of Amnesty International. Inspired by former Monty Python star John Cleese, these shows would raise millions for the international non-governmental organization focused on human rights issues around the world. The third show, in 1979, was called The Secret Policeman's Ball, and would not only feature Cleese, who also directed the live show, performing with his fellow Pythons Terry Jones and Michael Palin, but would also be a major launching pad for two of the most iconic comedians of the 1980s, English comedian Rowan Atkinson and Scottish comedian Billy Connelly. But unlike the first two Amnesty benefit shows, Cleese decided to add some musical acts to the bill, including Pete Townshend of The Who.   The shows would be a big success in the United Kingdom, and the Weinsteins, once again using their connections in the music scene, would buy the American film rights to the show before they actually incorporated Miramax Films. That purchase would be the impetus for creating the company.   One slight problem, though.   The show was, naturally, very British. One bit from the show, featuring the legendary British comedian and actor Peter Cook, was a nine-minute bit summing up a recent bit of British history, the leader of the British Labour Party being tried on charges of conspiracy and incitement to murder his ex-boyfriend, would not make any sense to anyone who wasn't following the trial. All in all, even with the musical segments featuring Townshend, the Weinsteins felt there was only about forty minutes worth of material that could be used for a movie.   It also didn't help that the show was shot with 16mm film, which would be extremely grainy when blown up to 35mm.   But while they hemmed and hawed through trying to shape the film. Cleese and his show partners at Amnesty decided to do another set of benefit shows in 1981, this time called The Secret Policeman's Other Ball. Knowing that there might be interest in a film version of this show, the team would decide to shoot this show in 35mm. Cleese would co-direct the live show, while music video director Julien Temple would be in charge of filming. And judging from the success of an EP released in 1980 featuring Townshend's performance at the previous show, Cleese would arrange for more musical artists to perform, including Jeff Beck, Eric Clapton, Phil Collins, Donovan, Bob Geldof, Sting, and Midge Ure of Ultraviolet. In fact, it would be because of their participation in these shows that would lead Geldof and Ure to form Band Aid in 1984, which would raise $24m for famine relief in Ethiopia in just three months, and the subsequent Live Aid shows in July 1985 would raise another $126m worldwide.   The 1981 Amnesty benefit shows were a success, especially the one-time-only performance of a supergroup called The Secret Police, comprising of Beck, Clapton, Geldof and Sting performing Bob Dylan's I Shall Be Released at the show's closing, and the Weinsteins would make another deal to buy the American movie rights to these shows. While Temple's version of the 1981 shows would show as intended for UK audiences in 1982, the co-creator of the series, British producer Martin Lewis, would spend three months in New York City with Harvey Weinstein at the end of 1981 and start of 1982, working to turn the 1979 and 1981 shows into one cohesive movie geared towards American audiences. After premiering at the Los Angeles International Film Exposition in March 1982, The Secret Policeman's Other Ball would open on nine screens in the greater New York City metropolitan area on May 21st, but only on one screen in all of Manhattan. And in its first three days, the movie would gross an amazing $116k, including $36,750 at the Sutton theatre in the Midtown East part of New York City. Even more astounding is that, in its second weekend at the same nine theaters, the film would actually increase its gross to $121k, when most movies in their second week were seeing their grosses drop 30-50% because of the opening of Rocky III. And after just four weeks in just New York City, on just nine or ten screens each week, The Secret Policeman's Other Ball would gross more than $400k. The film would already be profitable for Miramax.   But the Weinsteins were still cautious. It wouldn't be until July 16th when they'd start to send the film out to other markets like Los Angeles, where they could only get five theatres to show the film, including the brand new Cineplex Beverly Center, itself opening the same day, which, as the first Cineplex in America, was as desperate to show any movie it could as Miramax was to show the movie at any theatre it could.   When all was said and done, The Secret Policeman's Other Ball would gross nearly $4m in American theatres.   So, you'd think now they had a hit film under their belts, Miramax would gear up and start acquiring more films and establishing themselves as a true up and coming independent distributor.   Right?   You'd think.   Now, I already said The Secret Policeman's Other Ball was their only release in 1982.   So, naturally, you'd think their first of like ten or twelve releases for 1983 would come in January.   Right?   You'd think.   In fact, Miramax's next theatrical release, the first theatrical release of D.A. Pennebaker's Ziggy Stardust and the Spiders from Mars concert film from the legendary final Ziggy show at the Hammersmith Odeon in London on July 3, 1973, would not come until December 23rd, 1983. And, for the third time in three years, it would be their music connections that would help the Weinsteins acquire a film.   Although the Ziggy Stardust movie had been kicking around for years, mostly one-night-only 16mm screenings on college campuses and a heavily edited 44min version that aired once on American television network ABC in October 1974, this would be the first time a full-length 90min version of the movie would be seen. And the timing for it couldn't have come at a better time. 1983 had been a banner year for the musician and occasional actor. His album Let's Dance had sold more than five million copies worldwide and spawned three hit singles. His Serious Moonlight tour, his first concert tour in five years, was the biggest tour of the year. And he won critical praise for his role as  a British prisoner of war in Nagisa Ōshima's powerful Japanese World War II film Merry Christmas, Mr. Lawrence.   The Weinsteins would enlist the help of 20th Century Fox to get the film into theatres during a very competitive Christmas moviegoing season. But despite their best efforts, Fox and Miramax could only nab one theatre in all of New York City, the 8th Street Playhouse in lower Manhattan, and five in Los Angeles, including two screens at the Cineplex Beverly Center. And for the weekend, its $58,500 gross would be quite decent, with a per screen average above such films as Scarface, Sudden Impact and Yentl. But in its second weekend, the all-important Christmas week, the gross would fall nearly 50% when the vast majority of movies improve their grosses with kids out of school and wage earners getting time off for the holidays. Fox and Miramax would stay committed to the film through the early part of 1984, but they'd keep costs down by rotating the six prints made for New York and Los Angeles to other cities as those playdates wound down, and only buying eighth-page display ads in local newspapers' entertainment section when it arrived in a new city. The final gross would fall short of half a million dollars, but the film would find its audience on home video later in the year. And while the Weinsteins are no longer involved with the handling of the film, Ziggy Stardust and the Spiders from Mars will be getting a theatrical release across the planet the first week of July 2023, to coincide with the 50th anniversary of the concert.   So, here were are, four years into the formation of Miramax Films, and they only released five films into theatres, plus wrote and produced another released by Filmways. One minor hit, four disappointments, and we're still four years away from them becoming the distributor they'd become. But we're going to stop here today because I like to keep these episodes short.   Thank you for joining us. We'll talk again next week, when we continue with story of Miramax Films, from 1984 to 1987.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

We had the pleasure of interviewing Sam Tinnesz over Zoom video!Nashville hitmaker Sam Tinnesz has recently released his pop rock project There Goes The Neighborhood.The single, “Spaced Out” featuring Nick Wheeler of the All-American Rejects is an anthem for all those who are tired of having an on-and-off again, complicated relationship status. Swirled with pop-punk guitar-driven melodies in signature Wheeler fashion, “Spaced Out” perfectly embodies the 2000s alternative foundation in Sam Tinnesz' fourth studio album There Goes The Neighborhood. Produced by Seth Mosley (Dashboard Confessional, Real Friends, Filter), “Spaced Out” was co-written with Nick Bailey, whose songwriting credits include Machine Gun Kelly, Demi Lovato, Marshmello, and jxdn. Nashville RIAA gold selling artist Sam Tinnesz has had viral hits like “Play With Fire” which has amassed over 385 million streams, and “Legends Are Made” which has gotten over 1 billion views on TikTok. He has seen stratospheric success in TV/Film and has featured on gold-selling records like Kygo's Golden Hour. As a songwriter, Sam has made notable contributions for upcoming releases from Sum 41 and Filter as well as distinguished collaborations with Dashboard Confessional, Royal & the Serpent, Banners, Ruelle, etc. Press highlights include Billboard, Forbes, SPIN, Rolling Stone, American Songwriter.We want to hear from you! Please email Hello@BringinitBackwards.com. www.BringinitBackwards.com#podcast #interview #bringinbackpod #SamTinnesz #ThereGoesTheNeighborhood #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

On Fri.'s No Dunks, the guys talk with The Athletic's Mike Prada about his new book, "Spaced Out: How The NBA's Three-Point Revolution Changed Everything …, " what's behind the NBA's wild scoring explosion, and NBA midseason award frontrunners for MVP, Most Improved, etc. That, plus Worst of the Week nominees, the biggest takeaways from the second All-Star returns, tonight's record-breaking 'Return to the Alamadome' game, drinking water, and more.

On Fri.'s No Dunks, the guys talk with The Athletic's Mike Prada about his new book, "Spaced Out: How The NBA's Three-Point Revolution Changed Everything …, " what's behind the NBA's wild scoring explosion, and NBA midseason award frontrunners for MVP, Most Improved, etc. That, plus Worst of the Week nominees, the biggest takeaways from the second All-Star returns, tonight's record-breaking 'Return to the Alamadome' game, drinking water, and more.

The author of Spaced Out talks about his new book examining the NBA's 3-point revolution and the radical changes that have trickled down to every aspect of how we play, watch, and talk about basketball.See omnystudio.com/listener for privacy information.

Mike Prada from the Athletic discusses his new book “Spaced Out” about the NBA's 3-point revolution. We discuss some major themes of the book that define 2023 (and perhaps future) basketball, including the shift from an individual focus to a collective focus, why we're in a Golden Age of Passing, “positionless basketball,” the tactical arms race of innovation and more. Follow Mike @MikePradaNBA. Support at www.patreon.com/thinkingbasketball --- Support this podcast: https://anchor.fm/thinking-basketball/support

The NBA has evolved from Pace-and-Space to the Spaced Out era. SB Nation alum and current NBA Editor at The Athletic, Mike Prada, has a new book titled, "Spaced Out: How the NBA's Three-Point Revolution Changed Everything You Thought You Knew About Basketball." Mike sat down with Jay to discuss how the Raptors are leading the defensive charge in this new age of basketball, the importance of Giannis and the dunker's spot, and the Holy War that was Warriors-Rockets. This episode is a tiny sliver of the illuminating information contained in Mike's book, which is available to purchase now. Don't forget to subscribe, rate and review our podcast on Apple Podcast. Leaving a 5 star review really helps us move up the ranks! #Raptors #WeTheNorth #WeTheChamps #Podcasts #Basketball #RTZ #NBA #Playoffs Twitter: @ThatsARapPod & @RaptorsHQ Email: thatsarappodcast@gmail.com Website: https://www.raptorshq.com/ Hosts: Jason Leung @JayLeung20, Andreas Babiolakis @andreasbabs, Jay Rosales @Rosalesaurus Guest: Mike Prada @MikePradaNBA Producer/Editor: Jason Leung Intro/Outro Music: Omar Samuels Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sam and Andy discuss the Warriors disappointing games in Charlotte and Detroit. (2:25) Is it the two timelines or are they currently just sucking? What else can they do to get back on track? Later (27:58) we are joined by Mike Prada to discuss his new book Spaced Out, on how the NBA has changed. Host: Sam Esfandiari and Andy Liu Guest: Mike Prada Producer: Tim Angan Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sam is joined by Mike Prada, an editor at The Athletic, formerly of SB Nation, and the author of a new book, Spaced Out, which discusses in-depth how the NBA's 3-point revolution has changed basketball, and how the rest of the game has adjusted around it. In that vein, Mike and I will discuss some interesting theories he discusses within the book, and then we do a little experiment trying to determine which NBA teams and rosters have the most "modern" construction and are set up for the best success long-term because of it. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transmissions from the Underground Show Episode 90Transmissions from the Underground Show" Live from Melbourne Australia with Topher Denman, Christine Ries and company Thursdays at 4:00 AM USA EST - 8:00 PM AEDT Best artist around the world playing #heavyblues #stonerrock & #psychedelicrock #TransmissionsfromtheUnderground AND it's ONLY on Cowboy's Juke Joint Radio #cowboysjukejointMutautu - Heat Them Coming - Graveyards Of Giants (2022) Wood Witch – The Witch's Bell – Eyes of Darkness (2022) Warcoe - Pyramid of Despair - single (2022) Slugg - Yonder - Single (2022) Pythian - Understanding in Light - Understanding in Light (2022) Flying Fuzz – Spaced Out '22 – Spaced Out '22 - Single (2022) Whalebone - Elder Stories - Mauhtia (2022) King Tarkus - Cygnus - Desert Song/Cygnus (2022) Robot God - Ready to Launch - Worlds Collide (2022) The Narcissists – Rattle This Cage – Conflict (2021) Goatsnake - Breakfast with the King - Breakfast with the King b/w Deathwish (2020) Cockblockers - Carpet Burn - Cockblockers (2018) 

Samson Folk brings on Mike Prada to preview the Raptors & Wizards.Mike is an editor for The Athletic and has a book "Spaced Out" coming out on November 1st. Stay tuned for that.Timestamps may be affected by 30 seconds or 1 minute depending on implemented ads.1:03 - Mike's Big takeaways on the Raptors, the basketball laboratory3:57 - The un-disruptive defense of the Wizards5:05 - Project 6'9"13:10 - The dilemma of OG's role/touches24:49 - Are the Wizards destined to disappoint?35:05 - The Wizards want to be the Raptors36:42 - Pascal and Fred have raised the floor, Scottie has to raise the ceiling39:20 - Fred and Kuzma as the avatars for their teams43:15 - The Raptors purposeful overlap, and the Wizards clumsy overlap44:10 - Khris Middleton as something for Gary Trent Jr. to strive for46:40 - Edwin Diaz's intro music47:36 - Back to Gary54:39 - Back to the Raptors logjam56:44 - Basketball is a rhythm game Learn more about your ad choices. Visit megaphone.fm/adchoices Hosted on Acast. See acast.com/privacy for more information.

Samson Folk brings on Mike Prada to preview the Raptors & Wizards. Mike is an editor for The Athletic and has a book "Spaced Out" coming out on November 1st. Stay tuned for that. Timestamps may be affected by 30 seconds or 1 minute depending on implemented ads. 1:03 - Mike's Big takeaways on the Raptors, the basketball laboratory 3:57 - The un-disruptive defense of the Wizards 5:05 - Project 6'9" 13:10 - The dilemma of OG's role/touches 24:49 - Are the Wizards destined to disappoint? 35:05 - The Wizards want to be the Raptors 36:42 - Pascal and Fred have raised the floor, Scottie has to raise the ceiling 39:20 - Fred and Kuzma as the avatars for their teams 43:15 - The Raptors purposeful overlap, and the Wizards clumsy overlap 44:10 - Khris Middleton as something for Gary Trent Jr. to strive for 46:40 - Edwin Diaz's intro music 47:36 - Back to Gary 54:39 - Back to the Raptors logjam 56:44 - Basketball is a rhythm game Learn more about your ad choices. Visit podcastchoices.com/adchoices

We read your emails and give shout outs!Always feel free to send us an email and let us know if you want us to share it or not on a Spaced Out or Fangasms episode.Have a show topic you want us to cover, do you know an artist or guest you would like to have on the show, or do you just want to chat? Shoot us an email at talktothemuzzle@gmail.comJoin Our Telegram Group: https://t.me/StraightFromTheMuzzleFollow Us on Twitter: https://twitter.com/FromTheMuzzleMore About Us:https://linktr.ee/FromTheMuzzle-Episode was written by: Sparrow & Space-Episode Editing done by: Skithiryx

Spaced Out has been invaded by Cult DAO! Join me as I sit with MetaJedi to discuss Cult DAO, Revolt 2 Earn, and his upcoming road trip to spread awareness about both projects

Mr. Roberts, Jervais with our musical & special guest Modern Day Stoner (M.D.S) with his song "Spaced Out", discuss how important is juneteenth. --- Send in a voice message: https://anchor.fm/mr-roberts-community/message Support this podcast: https://anchor.fm/mr-roberts-community/support

Kirk is joined by high-performance coaches Jason Jaggard (Founding Partner, CEO), Janet Breitenbach (Partner, Director, Coach), and Dan Leffelaar (Partner, Sr. Director, Coach), who school the host in all things related to reaching his full potential. Learn about your intuitive fence, asking for permission, showing up as you're needed, and holding the tension between empathy and improvement. This talk is an illuminating conversation that will make even the most passive listener reconsider their life goals. Original song "Spaced Out" by Kirk Ross (under the Manabu music project). NOVUS GLOBALATTIC LINKS

This week, Josh and Corey recap the fifth episode of “Halo,” called “Spaced Out.” The post Halo Season 1 Episode 5 Recap, ‘Reckoning' appeared first on PostShowRecaps.com.

An audio clip for full https://anchor.fm/donnathon-dobson/episodes/Whatever-Talk-159-Spaced-Out-e1h9597

This week, Josh and Corey recap the fifth episode of “Halo,” called “Spaced Out.” The post Halo Season 1 Episode 5 Recap, ‘Reckoning' appeared first on PostShowRecaps.com.

An audio clip for full https://anchor.fm/donnathon-dobson/episodes/Whatever-Talk-159-Spaced-Out-e1h9597

Mike Prada joins to discuss the NBA playin, Playoffs and his forthcoming book “Spaced Out” covering the NBA's three-point revolution. Download the Callin app for iOS and Android to listen to this podcast live, call in, and more! Also available at callin.com