Podcasts about afro european

Una nueva edición dedicada completamente a nuevos discos que nos llevan de África a Europa, con aires etíopes, nigerianos, malienses, sudafricanos y marroquíes, para después pasar a Francia, Italia, Escandinavia y Polonia. A new edition entirely dedicated to new records that take us from Africa to Europe, with Ethiopian, Nigerian, Malian, South African and Moroccan airs, before moving on to France, Italy, Scandinavia and Poland. – Atse Tewodros Project – Set nat – Maqeda – Beautiful Nubia and the Roots Renaissance Band – Egun nla – Ṣonṣo – Ballaké Sissoko & Derek Gripper – Ninkoy – Ballaké Sissoko & Derek Gripper – Abdel Benaddi – Bouriama – A dream in Essaouira – L’Étrangleuse – Le remède – Ambiance argile – Camilla Barbarito – Keckes / Tutti frutti / A megfogom az ordogod – Cargo sentimento popolare d’assalto – Mojna – Blixtlynt – Väntenätter – Maria Pomianowska & Friends – Oberek pandemiczny – Dance of suka – (Mojna – Ljusnar – Väntenätter) 📸 Ballaké Sissoko & Derek Gripper

Repaso libre a la Transglobal World Music Chart de este mes, confeccionada a través de la votación de un panel de divulgadores de las músicas del mundo de todos los continentes, del que los hacedores de Mundofonías somos cocreadores y coimpulsores. Este mes de junio del 2024, disfrutamos con músicas de Nigeria, España, Mali, Marruecos, Inglaterra y Anatolia, además de encuentros afroeuropeos y tuvanooccidentales. El número 1 es para el proyecto francomarroquí Bab L’ Bluz. A loose review of this month’s Transglobal World Music Chart, determined by a panel of world music specialists from all the continents, of which the Mundofonías‘ presenters are co-creators and co-promoters. This June 2024, we enjoy music from Nigeria, Spain, Mali, Morocco, England and Anatolia, as well as Afro-European and Tuvan-Western encounters. Number 1 goes to the French-Moroccan project Bab L’Bluz. – Atanda – Iwa – Ọ̀mọ̀nílẹ̀, Son of the soil – Alxaraf – Los guisados de la berenjena – Exodus – Adama Yalomba – Donsoke – Tanou – Huun-Huur-Tu, Carmen Rizzo & Dhani Harrison – Song of the caravan riders – Dreamers in the field – Avalanche Kaito – Shoya – Talitakum – Asmaa Hamzaoui & Bnat Timbouktou – Lalla mira & Mira chelha – L’bnat – Sam Lee – Aye walking oh – Songdreaming – Ali Doğan Gönültaş – Ak meleğim – Keyeyî – Bab L’ Bluz – Karma – Swaken 📸 Bab L’ Bluz (Samadoss Maitoul)

Founder of Merci Marie Clothing, Kwizela De Schryver on the story of Merci Marie Clothing, which is said to be an Afro-European inspired fairmade fashion with all items handmade locally.See omnystudio.com/listener for privacy information.

Lanzamos una operación de espionaje a escala global en busca de las más interesantes novedades musicales, que, en esta edición nos traen aires de Francia, Nueva York, Galicia, Grecia, Armenia, República Dominicana y conexiones afroeuropeas y afrocanadienses. We launch a global espionage operation in search of the most interesting musical new releases, which, in this edition, bring us airs from France, New York, Galicia, Greece, Armenia, Dominican Republic and Afro-European and Afro-Canadian connections. L'Attirail - L'opération Pacharan - Honorables correspondants Elho Chante L'Attirail - Sourires - Fat man's bar songs Frank London's Klezmer Brass Allstars - Sto(li)ner nigun - Chronika Susana Seivane - Non é non - Sete Tales from the Box - As if in a dream - Ciel The Gurdjieff Ensemble, Levon Eskenian - Ashkharhes me panjara e (The world Is a window) - Zartir Fefita La Grande - Caña brava - Merengue típico: Nueva generación [V.A.] Paamath & Jean-Paul Raffit - Ndoumbo Ndiaye - Mburu Adama Barry - La sécheresse - La sécheresse Okavango African Orchestra - Kairo - Migration Sidiki Camara - My time - Return to the traditions (Adama Barry - Waalde maabe - La sécheresse) 📸 Okavango African Orchestra

For the #37 episode of We Belong, we were in Luxembourg for a discussion with Aymeric Kabore, an activist and a Diversity & Inclusion professional. Aymeric shared his experience arriving to Luxembourg at a young age and how he found an armony in self-defining as an Afro-European. We also spoke about gender identity and how intersectionality make us unique in our lived experiences. This episode is part of a project in collaboration with Soul of Nations.

We're kicking off the first episode of 2023 with the inimitable @JaymieSilk. The Paris-based producer, vocalist and remixer has been churning out music with machine-like efficiency over the last two years.Jaymie weaves and bobs through a number of music personalities greatly influenced by his Afro-European roots. From club tracks to thrashing techno beats, you'll get a little taste of the rave and the diaspora in between when listening to the producer's music.Our host Shannon Dawson caught up with Mr. Silk as he was gearing up to release his most ambitious project to date– Rub Music Vol. 1, a six-track EP filled with AI-generated vocals from popular artists like Kendrick Lamar, The Weeknd and the late great Tupac. The EP is packed with driving dance floor bangers that are sure to set the club off at any given moment.Jaymie Silk chatted with Shannon about his early beginnings as a producer, the ups and downs of being independent in the industry, the power of AI and the potential dangers it could have on the music industry.TracklistTemptation - Jaymie SilkBlack is Beautiful - Jaymie SilkSupport the show

Contemporary Sweden is a country with a worldwide progressive reputation, despite an undeniable tradition of racism within its borders. In the face of this contradiction of culture and history, Afro-Swedes have emerged as a vibrant demographic presence, from generations of diasporic movement, migration, and homemaking. In Afro-Sweden: Becoming Black in a Color-Blind Country (U Minnesota Press, 2022), Ryan Thomas Skinner uses oral histories, archival research, ethnography, and textual analysis to explore the history and culture of this diverse and growing Afro-European community. Skinner employs the conceptual themes of "remembering" and "renaissance" to illuminate the history and culture of the Afro-Swedish community, drawing on the rich theoretical traditions of the African and Black diaspora. Remembering fosters a sustained meditation on Afro-Swedish social history, while Renaissance indexes a thriving Afro-Swedish public culture. Together, these concepts illuminate significant existential modes of Afro-Swedish being and becoming, invested in and contributing to the work of global Black studies. The first scholarly monograph in English to focus specifically on the African and Black diaspora in Sweden, Afro-Sweden emphasizes the voices, experiences, practices, knowledge, and ideas of these communities. Its rigorously interdisciplinary approach to understanding diasporic communities is essential to contemporary conversations around such issues as the status and identity of racialized populations in Europe and the international impact of Black Lives Matter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Contemporary Sweden is a country with a worldwide progressive reputation, despite an undeniable tradition of racism within its borders. In the face of this contradiction of culture and history, Afro-Swedes have emerged as a vibrant demographic presence, from generations of diasporic movement, migration, and homemaking. In Afro-Sweden: Becoming Black in a Color-Blind Country (U Minnesota Press, 2022), Ryan Thomas Skinner uses oral histories, archival research, ethnography, and textual analysis to explore the history and culture of this diverse and growing Afro-European community. Skinner employs the conceptual themes of "remembering" and "renaissance" to illuminate the history and culture of the Afro-Swedish community, drawing on the rich theoretical traditions of the African and Black diaspora. Remembering fosters a sustained meditation on Afro-Swedish social history, while Renaissance indexes a thriving Afro-Swedish public culture. Together, these concepts illuminate significant existential modes of Afro-Swedish being and becoming, invested in and contributing to the work of global Black studies. The first scholarly monograph in English to focus specifically on the African and Black diaspora in Sweden, Afro-Sweden emphasizes the voices, experiences, practices, knowledge, and ideas of these communities. Its rigorously interdisciplinary approach to understanding diasporic communities is essential to contemporary conversations around such issues as the status and identity of racialized populations in Europe and the international impact of Black Lives Matter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Contemporary Sweden is a country with a worldwide progressive reputation, despite an undeniable tradition of racism within its borders. In the face of this contradiction of culture and history, Afro-Swedes have emerged as a vibrant demographic presence, from generations of diasporic movement, migration, and homemaking. In Afro-Sweden: Becoming Black in a Color-Blind Country (U Minnesota Press, 2022), Ryan Thomas Skinner uses oral histories, archival research, ethnography, and textual analysis to explore the history and culture of this diverse and growing Afro-European community. Skinner employs the conceptual themes of "remembering" and "renaissance" to illuminate the history and culture of the Afro-Swedish community, drawing on the rich theoretical traditions of the African and Black diaspora. Remembering fosters a sustained meditation on Afro-Swedish social history, while Renaissance indexes a thriving Afro-Swedish public culture. Together, these concepts illuminate significant existential modes of Afro-Swedish being and becoming, invested in and contributing to the work of global Black studies. The first scholarly monograph in English to focus specifically on the African and Black diaspora in Sweden, Afro-Sweden emphasizes the voices, experiences, practices, knowledge, and ideas of these communities. Its rigorously interdisciplinary approach to understanding diasporic communities is essential to contemporary conversations around such issues as the status and identity of racialized populations in Europe and the international impact of Black Lives Matter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Contemporary Sweden is a country with a worldwide progressive reputation, despite an undeniable tradition of racism within its borders. In the face of this contradiction of culture and history, Afro-Swedes have emerged as a vibrant demographic presence, from generations of diasporic movement, migration, and homemaking. In Afro-Sweden: Becoming Black in a Color-Blind Country (U Minnesota Press, 2022), Ryan Thomas Skinner uses oral histories, archival research, ethnography, and textual analysis to explore the history and culture of this diverse and growing Afro-European community. Skinner employs the conceptual themes of "remembering" and "renaissance" to illuminate the history and culture of the Afro-Swedish community, drawing on the rich theoretical traditions of the African and Black diaspora. Remembering fosters a sustained meditation on Afro-Swedish social history, while Renaissance indexes a thriving Afro-Swedish public culture. Together, these concepts illuminate significant existential modes of Afro-Swedish being and becoming, invested in and contributing to the work of global Black studies. The first scholarly monograph in English to focus specifically on the African and Black diaspora in Sweden, Afro-Sweden emphasizes the voices, experiences, practices, knowledge, and ideas of these communities. Its rigorously interdisciplinary approach to understanding diasporic communities is essential to contemporary conversations around such issues as the status and identity of racialized populations in Europe and the international impact of Black Lives Matter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Contemporary Sweden is a country with a worldwide progressive reputation, despite an undeniable tradition of racism within its borders. In the face of this contradiction of culture and history, Afro-Swedes have emerged as a vibrant demographic presence, from generations of diasporic movement, migration, and homemaking. In Afro-Sweden: Becoming Black in a Color-Blind Country (U Minnesota Press, 2022), Ryan Thomas Skinner uses oral histories, archival research, ethnography, and textual analysis to explore the history and culture of this diverse and growing Afro-European community. Skinner employs the conceptual themes of "remembering" and "renaissance" to illuminate the history and culture of the Afro-Swedish community, drawing on the rich theoretical traditions of the African and Black diaspora. Remembering fosters a sustained meditation on Afro-Swedish social history, while Renaissance indexes a thriving Afro-Swedish public culture. Together, these concepts illuminate significant existential modes of Afro-Swedish being and becoming, invested in and contributing to the work of global Black studies. The first scholarly monograph in English to focus specifically on the African and Black diaspora in Sweden, Afro-Sweden emphasizes the voices, experiences, practices, knowledge, and ideas of these communities. Its rigorously interdisciplinary approach to understanding diasporic communities is essential to contemporary conversations around such issues as the status and identity of racialized populations in Europe and the international impact of Black Lives Matter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Contemporary Sweden is a country with a worldwide progressive reputation, despite an undeniable tradition of racism within its borders. In the face of this contradiction of culture and history, Afro-Swedes have emerged as a vibrant demographic presence, from generations of diasporic movement, migration, and homemaking. In Afro-Sweden: Becoming Black in a Color-Blind Country (U Minnesota Press, 2022), Ryan Thomas Skinner uses oral histories, archival research, ethnography, and textual analysis to explore the history and culture of this diverse and growing Afro-European community. Skinner employs the conceptual themes of "remembering" and "renaissance" to illuminate the history and culture of the Afro-Swedish community, drawing on the rich theoretical traditions of the African and Black diaspora. Remembering fosters a sustained meditation on Afro-Swedish social history, while Renaissance indexes a thriving Afro-Swedish public culture. Together, these concepts illuminate significant existential modes of Afro-Swedish being and becoming, invested in and contributing to the work of global Black studies. The first scholarly monograph in English to focus specifically on the African and Black diaspora in Sweden, Afro-Sweden emphasizes the voices, experiences, practices, knowledge, and ideas of these communities. Its rigorously interdisciplinary approach to understanding diasporic communities is essential to contemporary conversations around such issues as the status and identity of racialized populations in Europe and the international impact of Black Lives Matter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Jayme Callado, International Analyst comments on an article African Culture in Brazil, sharing his personal story and "DNA" his personal journey as an Afro / European decendant in Brazil. www.linkedin.com/in/jaymecalladoneto

In 1609 a free man of African and European ancestry, Juan Rodriguez, left the Dutch ship Jonge Tobias anchored off Manhattan Island with “eighty hatchets and some knives” to set himself up in trading with the local Indians. Ashore in coming years he fought off Dutch rivals, married an Indian woman, and started a family, all the while prospering by trading in bear and beaver pelts. His is one of the many stories presented by David Hackett Fischer in his new book African Founders: How Enslaved People Expanded American Ideals, which examines nine Afro-European regional cultures in North America. Following in the footsteps of his previous books Albion's Seed, Liberty and Freedom, and Champlain's Dream, in African Founders, Fischer seeks to determine in this case how individuals both free and enslaved within these cultures “acted with purpose and resolve to change the ways that free and open systems worked in what is now the United States.” David Hackett Fischer is University Professor and Warren Professor of History Emeritus at Brandeis University. Author of numerous books in addition to those already mentioned, his Washington's Crossing won the 2005 Pulitzer Prize in History.

Peter Mark (Emeritus, Art history, Wesleyan Univ.) on his personal and scholarly journeys through precolonial Mande worlds. He shares insights from decades of experience working with an eclectic range of primary sources and archives. He then discusses the history of a Portuguese Jewish diaspora in Senegal and Afro-European identities. The interview closes with Mark's preview of his late[…]

Peter Mark (Emeritus, Art history, Wesleyan Univ.) on his personal and scholarly journeys through precolonial Mande worlds. He shares insights from decades of experience working with an eclectic range of primary sources and archives. He then discusses the history of a Portuguese Jewish diaspora in Senegal and Afro-European identities. The interview closes with Mark's preview of his late[…]

Comenzamos con la música de Xurxo Fernandes en una pieza que conecta sus raíces gallegas nada menos que con las de la comunidad suajili de Pakistán. Charlamos después con Alkis Zopoglou, director artístico del festival Cosmopolis de Grecia, escuchando a algunos de los grupos que, si todo va bien, estarán allí presentes, con evocaciones polacas, tangueras y sefardíes. Los aires orientales nos llevan a Persia, pero, después, el viento da la vuelta y nos lleva a África, para escuchar sones amazig de Marruecos, de Mali y de encuentros panafroeuropeos en París. We begin with the music of Xurxo Fernandes in a piece that connects his Galician roots with those of Pakistan's Swahili community. We then chat with Alkis Zopoglou, artistic director of the Cosmopolis festival in Greece, listening to some of the groups that, if all goes well, will be there, with Polish, tango and Sephardic evocations. The oriental airs take us to Persia, but then the wind turns around and takes us to Africa, to listen to Amazigh sounds from Morocco, and others from Mali and pan-Afro-European meetings in Paris. · Xurxo Fernandes - Levaino! - Levaino! · Janusz Prusinowski Trio - Gdzie jest ta miłość - Po śladach · La Porteña Tango - La cumparsita - 10 años (en directo en Palma de Mallorca) · Yamma - Kondja mia - Rose of the winds · Atine - Atashé eshgh - Persiennes d'Iran · Hassan Wargui - Azmz - Tiddukla · Samba Touré - Adounya - Binga · Kacekode - Kiladon topoto - Exils · (Kacekode - Le renter dedans - Exils) + Entrevista: / Interview: Alkis Zopoglou (Cosmopolis Festival) Imagen : / Image: Xurxo Fernandes. Foto: / Photo: Ramón Feáns

In our latest episode of “On Human Rights” we spoke with Michael McEachrane and Morten Kjaerum about racism in Europe and Black Lives Matter. Michael McEachrane is a Visiting Researcher at the Raoul Wallenberg Institute. His current research focus is on postcolonial/decolonial perspectives on human rights, structural racial discrimination and reparatory justice. Michael McEachrane is a regular commentator on issues of race for international as well as Swedish media. Morten Kjaerum is the Director of the Raoul Wallenberg Institute. Prior to that, he was the first Director of the European Union Agency for Fundamental Rights (FRA) in Vienna from 2008 to 2015. He is currently also Chair of The Board of the European Council on Refugees and Exiles (ECRE). He was a member (2002-2008) of the United Nations Committee on the Elimination of Racial Discrimination (CERD) and its follow-up rapporteur from 2006-08. the first Independent Expert and Special Rapporteur on human rights and the environment appointed by the Human Rights Council. We discussed the relevance of human rights to the environment and the steps necessary to protect human rights in the era of worldwide climate change.

Traemos herencias de Chile, evocando a la gran cantora Violeta Parra y también zambulléndonos en las raíces de la cueca y otros estilos. Seguimos por el Pacífico, llegando al Cauca en Colombia, para saltar después a Europa, con encuentros afroeuropeos en Francia e intrigantes experimentaciones en Croacia y Lituania. We bring legacies from Chile, evoking the great singer Violeta Parra and also diving into the roots of the cueca and other styles. We continue through the Pacific, arriving in Cauca, Colombia. Then we jump to Europe, with Afro-European meetings in France and intriguing experiments in Croatia and Lithuania. Reproductor de audio · Claudia Stern – Ay, niña mía – Violeteras… herencia rebelde (VA) · Cecilia Astorga – Cantora de Ñuble – Violeteras… herencia rebelde (VA) · Kátya Teixeira – Violetas e margaridas – Violeteras… herencia rebelde (VA) · Alturas de Longaví – Adiós, hermoso clavel – Entre canto y tierra · El Baucha – Renació el copihue rojo – Yo nací pa’ cantar cueca · Álvaro Henríquez & Los Tricolores – La vida que yo he pasado – Música para los asados · Dinastía Torres – Adiós, mi Peregoyo – Los duendes de la marimba · Etienne de la Sayette – Safari kamer (+ Erik Aliana) – Kobugi · Sen Svaja – Sinoč sjala – Kraitis iš pelkės / Dowry from a swamp · Adam Semijalac – Tanac za crnega vraga – Kad te gledan · (Sen Svaja – Jenta – Kraitis iš pelkės / Dowry from a swamp) –Imagen / Image: El Baucha

Juno talks about their racial identity formation as a racially ambiguous person of Afro-European descent, the pain of being mixed race in mono-racial spaces, community building with white people and people of color, blackness, intergenerational racial trauma, colorism, and white privilege. Music: Intermezzo by [friendzoned]. CC Attribution-ShareAlike 3.0 Unported.

Repasamos los tres discos favoritos de Mundofonías de julio del 2019, con las conexiones afroeuropeas de Kongo Dia Ntotila y Azmari, así como la propuesta de las norteamericanas Allison de Groot & Tatiana Hargreaves. Continuamos el resto del programa con más músicas nos llegan sobre todo de tierras europeas. We revirew the three favorite Mundofonías' albums for July: the Afro-European connections of Kongo Dia Ntotila and Azmari, and also the project by Allison de Groot & Tatiana Hargreaves, from North America. We continue during the rest of the show with more tracks, most of them coming from European lands. Favoritos de julio /July favorites · Kongo Dia Ntotila - Mbongo - 360º · Azmari - Emnete - Ekera · Allison de Groot & Tatiana Hargreaves - Wabash blues - Allison de Groot & Tatiana Hargreaves La vuelta a Europa / Tour of Europe · Carlos Herrero - Yo tenía amores - Trashumante · Lenita - Travessa da Palha - Lenita · Ermanno Panta & Banda Zeitun - Tarantella moruna - Isla musa · Skrekk & Guro - Bestelanden - Folkemusikk 2.0 · Babra - Dunje ranke - Babra · Lucia Turini?ová [et al.] - Žitko, žitko - Spievajže si, ?jou?a... · Bjonko - Melancholia - Colours in motion · Yinon Muallem - Back home - Back home · (Bjonko - Delicately waved - Colours in motion) Imagen /Image: Kongo Dia Ntotila

When and where do African American religions begin? Sylvester Johnson, Associate Professor of African American Studies and Religious Studies at Northwestern University, disrupts the traditional temporal and geographical boundaries in the academic study of black religion in the Americas in his new book, African American Religions, 1500-2000: Colonialism, Democracy, and Freedom (Cambridge University Press, 2015). Johnson places the productive forces in African American religion at the intersection of empire and colonialism and within the constructs of notions of democratic freedom. His study requires this analytical reformulation in order to examine how Black religious history unfolds within changing social and political contexts over the longue duree. In our conversation we discussed Afro-European commercialism, European views on Indigenous African religious practices, Black Christianization, violent state regulation, nineteenth century political theologies, Black settler colonialism and the creation of Liberia, Garveyism, African American Muslims, anticolonial movements, the racialization of religion, FBI surveillance and repression of Black religious movements, the connection between the history of African American Religions and Muslims Americans after 9/11, and interdisciplinarity. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu.

When and where do African American religions begin? Sylvester Johnson, Associate Professor of African American Studies and Religious Studies at Northwestern University, disrupts the traditional temporal and geographical boundaries in the academic study of black religion in the Americas in his new book, African American Religions, 1500-2000: Colonialism, Democracy, and Freedom (Cambridge University Press, 2015). Johnson places the productive forces in African American religion at the intersection of empire and colonialism and within the constructs of notions of democratic freedom. His study requires this analytical reformulation in order to examine how Black religious history unfolds within changing social and political contexts over the longue duree. In our conversation we discussed Afro-European commercialism, European views on Indigenous African religious practices, Black Christianization, violent state regulation, nineteenth century political theologies, Black settler colonialism and the creation of Liberia, Garveyism, African American Muslims, anticolonial movements, the racialization of religion, FBI surveillance and repression of Black religious movements, the connection between the history of African American Religions and Muslims Americans after 9/11, and interdisciplinarity. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

When and where do African American religions begin? Sylvester Johnson, Associate Professor of African American Studies and Religious Studies at Northwestern University, disrupts the traditional temporal and geographical boundaries in the academic study of black religion in the Americas in his new book, African American Religions, 1500-2000: Colonialism, Democracy, and Freedom (Cambridge University Press, 2015). Johnson places the productive forces in African American religion at the intersection of empire and colonialism and within the constructs of notions of democratic freedom. His study requires this analytical reformulation in order to examine how Black religious history unfolds within changing social and political contexts over the longue duree. In our conversation we discussed Afro-European commercialism, European views on Indigenous African religious practices, Black Christianization, violent state regulation, nineteenth century political theologies, Black settler colonialism and the creation of Liberia, Garveyism, African American Muslims, anticolonial movements, the racialization of religion, FBI surveillance and repression of Black religious movements, the connection between the history of African American Religions and Muslims Americans after 9/11, and interdisciplinarity. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

When and where do African American religions begin? Sylvester Johnson, Associate Professor of African American Studies and Religious Studies at Northwestern University, disrupts the traditional temporal and geographical boundaries in the academic study of black religion in the Americas in his new book, African American Religions, 1500-2000: Colonialism, Democracy, and Freedom (Cambridge University Press, 2015). Johnson places the productive forces in African American religion at the intersection of empire and colonialism and within the constructs of notions of democratic freedom. His study requires this analytical reformulation in order to examine how Black religious history unfolds within changing social and political contexts over the longue duree. In our conversation we discussed Afro-European commercialism, European views on Indigenous African religious practices, Black Christianization, violent state regulation, nineteenth century political theologies, Black settler colonialism and the creation of Liberia, Garveyism, African American Muslims, anticolonial movements, the racialization of religion, FBI surveillance and repression of Black religious movements, the connection between the history of African American Religions and Muslims Americans after 9/11, and interdisciplinarity. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

When and where do African American religions begin? Sylvester Johnson, Associate Professor of African American Studies and Religious Studies at Northwestern University, disrupts the traditional temporal and geographical boundaries in the academic study of black religion in the Americas in his new book, African American Religions, 1500-2000: Colonialism, Democracy, and Freedom (Cambridge University Press, 2015). Johnson places the productive forces in African American religion at the intersection of empire and colonialism and within the constructs of notions of democratic freedom. His study requires this analytical reformulation in order to examine how Black religious history unfolds within changing social and political contexts over the longue duree. In our conversation we discussed Afro-European commercialism, European views on Indigenous African religious practices, Black Christianization, violent state regulation, nineteenth century political theologies, Black settler colonialism and the creation of Liberia, Garveyism, African American Muslims, anticolonial movements, the racialization of religion, FBI surveillance and repression of Black religious movements, the connection between the history of African American Religions and Muslims Americans after 9/11, and interdisciplinarity. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

When and where do African American religions begin? Sylvester Johnson, Associate Professor of African American Studies and Religious Studies at Northwestern University, disrupts the traditional temporal and geographical boundaries in the academic study of black religion in the Americas in his new book, African American Religions, 1500-2000: Colonialism, Democracy, and Freedom (Cambridge University Press, 2015). Johnson places the productive forces in African American religion at the intersection of empire and colonialism and within the constructs of notions of democratic freedom. His study requires this analytical reformulation in order to examine how Black religious history unfolds within changing social and political contexts over the longue duree. In our conversation we discussed Afro-European commercialism, European views on Indigenous African religious practices, Black Christianization, violent state regulation, nineteenth century political theologies, Black settler colonialism and the creation of Liberia, Garveyism, African American Muslims, anticolonial movements, the racialization of religion, FBI surveillance and repression of Black religious movements, the connection between the history of African American Religions and Muslims Americans after 9/11, and interdisciplinarity. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

When and where do African American religions begin? Sylvester Johnson, Associate Professor of African American Studies and Religious Studies at Northwestern University, disrupts the traditional temporal and geographical boundaries in the academic study of black religion in the Americas in his new book, African American Religions, 1500-2000: Colonialism, Democracy, and Freedom (Cambridge University Press, 2015). Johnson places the productive forces in African American religion at the intersection of empire and colonialism and within the constructs of notions of democratic freedom. His study requires this analytical reformulation in order to examine how Black religious history unfolds within changing social and political contexts over the longue duree. In our conversation we discussed Afro-European commercialism, European views on Indigenous African religious practices, Black Christianization, violent state regulation, nineteenth century political theologies, Black settler colonialism and the creation of Liberia, Garveyism, African American Muslims, anticolonial movements, the racialization of religion, FBI surveillance and repression of Black religious movements, the connection between the history of African American Religions and Muslims Americans after 9/11, and interdisciplinarity. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

- Ritmos gitanos, sones vascos y conexiones afroeuropeas - Gypsy rhythms, Basque tunes and Afro-European connections Programa nº 8 de noviembre, con novedades discográficas que nos traen ritmos gitanos de España e Italia, conexiones aforoeuropeas de alto nivel y una gratificante escala en el País Vasco. Show #8 of November, with some new releases that bring us Gipsy rhythms from Spain and Italy, hi level Afro-European connections and a pleasing stopover in the Basque Country. El Noy - Don Rilet - La bomba gitana Kanazoé Orkestra - Kélé - Miriya Zanzibar - Mutangire neza - Fiali in Chicago Acquaragia Drom - Pizzica paliakos - Rebelde Xabi Aburruzaga - (Des)berdinak gara - Keltik Bidaia - Bizi gara - Hitza Neighbor - Marnie Lock - Hau Becaye - Majjii (Lost) - Offroad Fanga - An kelen ye - Kaleidoscope Helsinki-Cotonou Ensemble - Agamafa na hèdé - The road is long (Kanazoé Orkestra - Nafolo - Miriya)

Lamont interviews the superstars of indie music to discuss upcoming projects, play their music and talk the "business" of Entertainment.JOIN US  TODAY WITH SPECIAL GUEST RIZ,On the forefront of pop in 2012, RIZ continually reinvents the generic formula of mainstream music by fusing styles within the realm of hip hop, R&B and house music, creating a unique Afro-European brand of surgical precision. His creative melodies and infectious hooks have brought forth numerous national and international opportunities while stirring up the underground DJ circuit. His current single 'Dance With Me' featuring his one time label mate Pitbull, has garnered over 20 million views on Youtube and counting. This has left a devoted fan base eager for whats to come from the hit dependable RIZ.   Born and raised in Nigeria then the Netherlands, RIZ strives to achieve the pinnacle of success in everything he embarks on. Through the years, the industry has seen RIZ grow and flourish as a singer, songwriter, dancer, and entertainer. Drawing inspiration from the past to revolutionize the present, Riz looks to the greats – Bob Marley, Luther Vandross, Marvin Gaye & Michael Jackson – to bring sound and substance to your ears. HTTP:WWW.WORLDMOVEMENT.COM OFFICE 323-9577322

Lamont interviews the superstars of indie music to discuss upcoming projects, play their music and talk the "business" of Entertainment.JOIN US  TODAY WITH SPECIAL GUEST RIZ,On the forefront of pop in 2012, RIZ continually reinvents the generic formula of mainstream music by fusing styles within the realm of hip hop, R&B and house music, creating a unique Afro-European brand of surgical precision. His creative melodies and infectious hooks have brought forth numerous national and international opportunities while stirring up the underground DJ circuit. His current single 'Dance With Me' featuring his one time label mate Pitbull, has garnered over 20 million views on Youtube and counting. This has left a devoted fan base eager for whats to come from the hit dependable RIZ.   Born and raised in Nigeria then the Netherlands, RIZ strives to achieve the pinnacle of success in everything he embarks on. Through the years, the industry has seen RIZ grow and flourish as a singer, songwriter, dancer, and entertainer. Drawing inspiration from the past to revolutionize the present, Riz looks to the greats – Bob Marley, Luther Vandross, Marvin Gaye & Michael Jackson – to bring sound and substance to your ears. HTTP:WWW.WORLDMOVEMENT.COM OFFICE 323-9577322Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-indi-entertainment-show--3433195/support.

This grounded theory study investigated the identity choices of highly achieving multiracial and multicultural Afro-European and Black immigrant women living in Germany and the role these choices played in their personal constructs of coping and self-empowerment. 10 open-ended narrative interviews, field observations formed the data base; whereby the field observations where used to affirm or disaffirm evolving hypothesis. The historical, social, and cultural context in which these women live is reviewed, and key terms such as racism and discrimination are clarified. The individual racial identity choice and coping strategies were analyzed, and a theoretical model was developed describing the a) causal conditions that influence and form racial identity choices, b) phenomena that resulted from these causal conditions, c) the contextual attributes that influenced type of strategy developed, d) intervening condition that have an impact on the type of strategy developed, e) the strategies themselves, and f) the consequences of those strategies. The components of the theoretical model are first described and then illustrated by narrative excerpts.