Podcast appearances and mentions of Edward S Curtis

Edward S. Curtis dedicó su vida a capturar la esencia de los pueblos nativos de Norteamérica antes de que su cultura se desvaneciera. Sus fotos no solo documentaron la historia, sino que la inmortalizaron.

Will Wilson (b. 1969), Will Wilson, Citizen of the Navajo Nation, Trans-customary Diné Artist, 2013, printed 2018, archival pigment print from wet plate collodion scan, 22 x 17 in. Art Bridges.(Will Wison / B&W photography)For 30 years, Edward S. Curtis photographed Native Americans living in the early 20th century.His pictures, which documented the daily lives and customs of many tribes, would later leave him with a complicated legacy: some claiming that his portrayal of Native American life reduced his subjects to a stereotype.Today, Diné photographer Will Wilson, who is a citizen of the Navajo Nation, is offering a new lens through which to view indigenous communities in an ongoing project known as the critical indigenous photographic exchange, which is currently on view at the Sun Valley Museum of Art.Wilson joined Idaho Matters to talk more.

Today's podcast is a little different because I went to the Western Spirit in Scottsdale and we filmed Dr. Larry Len Peterson give a lecture. He just released his new book, "Edward Curtis:Printing the Legends." It's a great book, and he took us through Curtis's life for over an hour. I would recommend watching this one so you can see the different slides and things that he's talking about on YouTube, but also you can just listen to it. He's got a great voice.It's very interesting and he has an encyclopedic knowledge on the West and not only about Edward S. Curtis, but how the people in his orbit all fit in. So it was wonderful to be able to watch it live and hear it and I wanted to share it with my audience.  Dr. Larry Len Peterson on Art Dealer Diaries Podcast episode 295.

Pour son dernier récit « Alaska, l'ultime frontière », la journaliste et autrice française Marie-Hélène Fraïssé continue d'arpenter ces sentiers amérindiens qu'elle aime tant partager. Direction, cette fois, la côte du grand Nord-Ouest américain, à la rencontre de communautés autochtones fascinantes et résistantes. (Rediffusion) Marie-Hélène Fraïssé ne découvre pas. Elle rencontre. Pendant des décennies, la reporter et productrice radio à France Culture, a sillonné l'Amérique du Nord et les recoins de son histoire coloniale, prenant à revers les mythes hollywoodiens de la conquête et donnant à entendre surtout, des voix autochtones longtemps silenciées. En creusant ce sillon amérindien profond, sensible, elle n'aura de cesse d'interroger cette fameuse rencontre entre Premières Nations et colons européens, d'inverser le miroir aussi. Pour son dernier voyage, Marie-Hélène Fraïssé, partie de Vancouver à Anchorage, a fait le choix du temps long et de la rencontre, sans filet ni ordre de mission. Au gré des rotations de ferry, elle se fait alors passagère dans cet « inside passage » ou passage de l'intérieur, de la côte canadienne à l'Alaska, parmi une myriade d'îles, de fjords, de glaciers et de chenaux, où la pureté et la grandeur des paysages lui offrent une certaine consolation, « alors qu'une perte récente [lui] déchirait le coeur ». Dans son récit qu'elle nous livre bien des années après ce voyage conçu comme « une entreprise de détachement, d'effacement, de déprise », l'échappée n'est pas tout à fait solitaire. On y croise en effet l'ombre des explorateurs européens James Cook ou Lapérouse, l'écrivain naturaliste américain John Muir ou le photographe Edward S. Curtis passés par là, des Russes chasseurs de loutre, des chercheurs d'or, prospecteurs d'hier et d'aujourd'hui ou encore l'anthropologue français Claude Lévi-Strauss… Avec au centre, des communautés autochtones résilientes et combatives, habitant ces terres du bout du monde depuis des millénaires, à l'ombre d'immenses totems sculptés en forme d'Aigle, de Corbeau ou d'Oiseau-Tonnerre, dans un jeu de masques où l'on comprend vite que l'Ancien et le Nouveau Monde ne sont pas ceux que l'on croit…Émission initialement diffusée le 21 mai 2023.Bibliographie :- Alaska, l'ultime frontière. Éditions Albin Michel, 2023- Western, une autre histoire. Éditions Bayard, 2022- L'Eldorado polaire de Martin Frobisher. Éditions Albin Michel, 2017- L'impensable rencontre. Éditions Albin Michel, 2014.

Pour son dernier récit « Alaska, l'ultime frontière », la journaliste et autrice française Marie-Hélène Fraïssé continue d'arpenter ces sentiers amérindiens qu'elle aime tant partager. Direction, cette fois, la côte du grand Nord-Ouest américain, à la rencontre de communautés autochtones fascinantes et résistantes. (Rediffusion) Marie-Hélène Fraïssé ne découvre pas. Elle rencontre. Pendant des décennies, la reporter et productrice radio à France Culture, a sillonné l'Amérique du Nord et les recoins de son histoire coloniale, prenant à revers les mythes hollywoodiens de la conquête et donnant à entendre surtout, des voix autochtones longtemps silenciées. En creusant ce sillon amérindien profond, sensible, elle n'aura de cesse d'interroger cette fameuse rencontre entre Premières Nations et colons européens, d'inverser le miroir aussi. Pour son dernier voyage, Marie-Hélène Fraïssé, partie de Vancouver à Anchorage, a fait le choix du temps long et de la rencontre, sans filet ni ordre de mission. Au gré des rotations de ferry, elle se fait alors passagère dans cet « inside passage » ou passage de l'intérieur, de la côte canadienne à l'Alaska, parmi une myriade d'îles, de fjords, de glaciers et de chenaux, où la pureté et la grandeur des paysages lui offrent une certaine consolation, « alors qu'une perte récente [lui] déchirait le coeur ». Dans son récit qu'elle nous livre bien des années après ce voyage conçu comme « une entreprise de détachement, d'effacement, de déprise », l'échappée n'est pas tout à fait solitaire. On y croise en effet l'ombre des explorateurs européens James Cook ou Lapérouse, l'écrivain naturaliste américain John Muir ou le photographe Edward S. Curtis passés par là, des Russes chasseurs de loutre, des chercheurs d'or, prospecteurs d'hier et d'aujourd'hui ou encore l'anthropologue français Claude Lévi-Strauss… Avec au centre, des communautés autochtones résilientes et combatives, habitant ces terres du bout du monde depuis des millénaires, à l'ombre d'immenses totems sculptés en forme d'Aigle, de Corbeau ou d'Oiseau-Tonnerre, dans un jeu de masques où l'on comprend vite que l'Ancien et le Nouveau Monde ne sont pas ceux que l'on croit…Émission initialement diffusée le 21 mai 2023.Bibliographie :- Alaska, l'ultime frontière. Éditions Albin Michel, 2023- Western, une autre histoire. Éditions Bayard, 2022- L'Eldorado polaire de Martin Frobisher. Éditions Albin Michel, 2017- L'impensable rencontre. Éditions Albin Michel, 2014.

On this episode of American Art Collective's First Look, we talk with Michael Clawson about the upcoming March issue for Western Art Collector magazine. Michael teases the features including Maeve Eichelberger, Edward S. Curtis and an idyllic collector's home. He also tells us about western landscapes and Cowgirl Up! Plus, get the latest on much anticipated shows and events and so much more! This episode is sponsored by Western Art Collector magazine.

I had Dr. Larry Len Peterson on today, and we're discussing his new book "Edward S. Curtis, Printing the Legends: Looking at Shadows in a West Lit Only by Fire" it's a terrific book. I read this whole book and I'm going to read it again. There's just so much information, not only about Edward Curtis, but about that whole time frame from 1860 to 1945. All the big players, whether it's J.P. Morgan or Buffalo Bill or Custer, and even the Indian boarding school systems.  If you're interested in Curtis, this podcast is a must-listen. The other component that makes this project so important is the array of beautiful reproductions within the book. Did I mention he only printed 1,000 copies? It's not going to be available for long and it's going to be one of those great collector items.Dr. Peterson is uniquely positioned to write a book like this. He's a great author. He's won dozens of awards and he is a former physician who has written and published many research papers in his previous area of expertise. He's just one of these polymath individuals that you're lucky you get to meet and have in your life.Fortunately, I was lucky enough to be able to meet Dr. Larry Len Peterson and have been working with him on occasion. I'm glad I had the opportunity to spend time with this book and delve into the subject of Edward Curtis with an expert. So I hope you enjoy. It's a two-parter. This is part two. Dr. Larry Len Peterson on Art Dealer Diaries Podcast episode 279.

I had Dr. Larry Len Peterson on today, and we're discussing his new book "Edward S. Curtis, Printing the Legends: Looking at Shadows in a West Lit Only by Fire" it's a terrific book. I read this whole book and I'm going to read it again. There's just so much information, not only about Edward Curtis, but about that whole time frame from 1860 to 1945. All the big players, whether it's J.P. Morgan or Buffalo Bill or Custer, and even the Indian boarding school systems.  If you're interested in Curtis, this podcast is a must-listen. The other component that makes this project so important is the array of beautiful reproductions within the book. Did I mention he only printed 1,000 copies? It's not going to be available for long and it's going to be one of those great collector items.Dr. Peterson is uniquely positioned to write a book like this. He's a great author. He's won dozens of awards and he is a former physician who has written and published many research papers in his previous area of expertise. He's just one of these polymath individuals that you're lucky you get to meet and have in your life.Fortunately, I was lucky enough to be able to meet Dr. Larry Len Peterson and have been working with him on occasion. I'm glad I had the opportunity to spend time with this book and delve into the subject of Edward Curtis with an expert. So I hope you enjoy. It's a two-parter. This is part one. Dr. Larry Len Peterson on Art Dealer Diaries Podcast episode 278.

This week on Listening to America, Clay Jenkinson interviews professional photographers John and Coleen Graybill of Buena Vista, Colorado, about the life and achievement of Edward S. Curtis. Curtis took 40,000 dry glass plate photographs of Native Americans between 1900 and 1935, and published 20 volumes of his portraits, landscape photographs, musical notations, and a gigantic amount of ethnographic prose. John is the great great grandson of Edward Curtis. The Graybills are traveling the West photographing descendants of individuals that Curtis photographed, and interviewing them on video about their lives and their heritage. They have released two books of previously unpublished Curtis photographs. It's an amazing story of love, integrity, and perseverance.

Ellen Mueller is an artist based in Minneapolis. She recommends “Im/perfect Slumbers,” on view in the window galleries and skyway entrance of the Minnesota Museum of American Art through August 20. “You can be walking down the street, and you will get the privilege of passing by several very cool artworks,” Mueller says. She especially likes the work of Peng Wu, “who has some really great vinyl installations.” Mueller also recommends Rachel Breen's recycled textiles and fiber creations and Katya Oicherman's work. According to Mueller, the theme of the show is sleep, and especially disrupted sleep, “which everybody can connect to.” Jenny Fogarty lives in Le Center, Minn. and attended an exhibition of photographs by Edward S. Curtis, who was raised partially in Le Sueur County and whose work often focused on Native American subjects. “I went to go see the exhibit, not really expecting much. And I walked in and I was floored,” Fogarty explains. She was especially struck by an early 20th century photograph of Nez Percé tribal leader Chief Joseph. “I did a drawing (of him) when I was in college,” she says. According to Fogarty, Curtis's images offer rich details from their subject's life, including “the arts, from the boats to the baskets … it's just a very awesome exhibit.” The exhibit will be on display through the rest of the year at 48 N Park Ave in Le Center, Minn. Full Circle Theater is doing a production called “Antigonick,” which is based on Sophocles' (spelled Sophokles in this production) “Antigone.” Twin Cities theatermaker, improviser and writer Shanan Custer says she is excited that the translation is “new and fresh.”  Custer is also a fan of Meskwaki actor Oogie_Push, who stars in the title role of Antigone. “I'm just excited for what looks like a lot of movement and a lot of really beautiful storytelling,” Custer says. The play runs through June 4 at the Mixed Blood Theatre in Minneapolis.

Pour son dernier récit « Alaska, l'ultime frontière », la journaliste et autrice française Marie-Hélène Fraïssé continue d'arpenter ces sentiers amérindiens qu'elle aime tant partager. Direction cette fois la côte du grand Nord-Ouest américain, à la rencontre de communautés autochtones fascinantes et résistantes.  Marie-Hélène Fraïssé ne découvre pas. Elle rencontre. Pendant des décennies, la reporter et productrice radio à France Culture, a sillonné l'Amérique du Nord et les recoins de son histoire coloniale, prenant à revers les mythes hollywoodiens de la conquête et donnant à entendre surtout, des voix autochtones longtemps silenciées. En creusant ce sillon amérindien profond, sensible, elle n'aura de cesse d'interroger cette fameuse rencontre entre Premières Nations et colons européens, d'inverser le miroir aussi. Pour son dernier voyage, Marie-Hélène Fraïssé, partie de Vancouver à Anchorage, a fait le choix du temps long et de la rencontre, sans filet ni ordre de mission. Au gré des rotations de ferry, elle se fait alors passagère dans cet « inside passage » ou passage de l'intérieur, de la côte canadienne à l'Alaska, parmi une myriade d'îles, de fjords, de glaciers et de chenaux, où la pureté et la grandeur des paysages lui offrent une certaine consolation, « alors qu'une perte récente [lui] déchirait le coeur ». Dans son récit qu'elle nous livre bien des années après ce voyage conçu comme « une entreprise de détachement, d'effacement, de déprise », l'échappée n'est pas tout à fait solitaire. On y croise en effet l'ombre des explorateurs européens James Cook ou Lapérouse, l'écrivain naturaliste américain John Muir ou le photographe Edward S. Curtis passés par là, des Russes chasseurs de loutre, des chercheurs d'or, prospecteurs d'hier et d'aujourd'hui ou encore l'anthropologue français Claude Lévi-Strauss… Avec au centre, des communautés autochtones résilientes et combatives, habitant ces terres du bout du monde depuis des millénaires, à l'ombre d'immenses totems sculptés en forme d'Aigle, de Corbeau ou d'Oiseau-Tonnerre, dans un jeu de masques où l'on comprend vite que l'Ancien et le Nouveau Monde ne sont pas ceux que l'on croit…Bibliographie :- Alaska, l'ultime frontière. Éditions Albin Michel, 2023- Western, une autre histoire. Éditions Bayard, 2022- L'Eldorado polaire de Martin Frobisher. Éditions Albin Michel, 2017- L'impensable rencontre. Éditions Albin Michel, 2014.

Welcome, Kyle DeCicco-Carey to In-Focus Podcast Number 146! Kyle is the Library Director at the Millicent Library in Fairhaven, Massachusetts, and will be speaking with us for the third time about Robert Swain Gifford, also known as R. Swain Gifford. Kyle's first visit was Episode 132 about William Bradford. His second was Episode 133 about Lemuel Eldred. This is a five-part series on celebrated Fairhaven artists from days gone by. It is supported in part by a grant from the Fairhaven Cultural Council, a local agency, which is supported by the Mass Cultural Council, a state agency. “Kyle DeCicco-Carey has nearly 20 years of professional library experience. He comes to the Millicent Library from Harvard University, where he was a senior reference archivist in the property information resource center. He has experience as an interim library director at the Mattapoisett Free Public Library, and is president of the Board of Directors of the Mattapoisett Historical Society.” [Fairhaven Neighborhood News] Kyle holds a master's degree in library and information science from Simmons University and, a digital archives specialist certification from the Society of American Archivists. He also holds certifications from the Academy of Certified Archivists and the Harvard Extension School in nonprofit management. He has over twenty years of library, archive, and museum experience. ROBERT SWAIN GIFFORD American Landscape Painter December 23, 1840 – January 15, 1905 Kyle tells us that, “at age two, Robert Swain Gifford came to Fairhaven with his family from Nonamesset Island where he was born in 1840. He had developed a love of art by the time he met Albertus Van Beest as a teen. He would study with Van Beest and William Bradford before opening his own studio in New Bedford, Boston, and later New York.” “His artwork consisted of etchings, oil paintings, and watercolors. His landscapes were influenced by the Barbizon School of Painting. Gifford traveled to the western US and overseas to England, France, Spain, and Egypt creating landscapes of the places he visited. He would later take part in the Harriman Expedition of Alaska and the Bering Straight along with George Bird Grinnell, John Muir, Edward S. Curtis, and others.” Gifford served on the National Academy of Design Council and taught at the Cooper Union School. He died in 1905 in New York and is buried at Rural Cemetery in New Bedford. Several works by Gifford are on display at the Millicent Library in Fairhaven. His work may be seen in Fairhaven Town Hall, The Millicent Library, the Peabody Essex Museum in Salem, Massachusetts, the New Bedford Whaling Museum, and the Kendall Whaling Museum. Listen in on this conversation as The Artist Index's Co-Founder/Host – Ron Fortier – delves more into Robert Swain Gifford's life, work, and legacy with Kyle DeCicci-Cary. The whole concept of The Artists Index and our journey is still in the making and very organic. If you would like to be a guest or, have a suggestion, please let us know! The In-Focus Podcasts are up close and personal conversations with the makers, performers, supporters, and cultural impresarios of the remarkable creative community of South Coast Massachusetts including New Bedford, Dartmouth, Fairhaven, Westport, and beyond.  

Western Art Collector Michael Clawson chats with us abot the October issue of the magazine. He delves into the legacy of photographer Edward S. Curtis, friends of the podcast Brian Cote and Marg Maggori, artists Brett Allan Johnson and more!    

Clay answers listener questions and discusses the photographer Edward Curtis, and David shares a bit of a poem sent to us by Jack Preston, a 94-year-old gardener. You can order Clay's new book at Amazon, Target, Barnes and Noble, or by contacting your independent bookstore. The Language of Cottonwoods is out now through Koehler Books. Mentioned on this episode: The North American Indian by Edward S. Curtis, Short Nights of the Shadow Catcher: The Epic Life and Immortal Photographs of Edward Curtis by Timothy Egan, A live performance with WGN Radio's John Williams (more details to come), Repairing Jefferson's America, 2021 TR Symposium, Karl Bodmer, Scattered Corn Find this episode, along with recommended reading, on the blog. Support the show by joining the 1776 Club or by donating to the Thomas Jefferson Hour, Inc. You can learn more about Clay's cultural tours and retreats at jeffersonhour.com/tours. Check out our new merch. You can find Clay's publications on our website, along with a list of his favorite books on Jefferson, Lewis and Clark, and other topics. Thomas Jefferson is interpreted by Clay S. Jenkinson.

May is Asian and Pacific Islander Heritage Month in the United States, and Sean and Mason are kicking it off with a conversation about San Francisco's Chinatown. It's an ugly history, but there's no shortage of lessons along the way. The California Society video about Arnold Genthe. *This episode has been corrected, because Mason got some names mixed up! Lewis Caroll was the author who photographed children, not CS Lewis. Meanwhile, Edward S. Curtis photographed American Indians, not TV personality Edward Sullivan. The audio should be fixed when you listen, but sometimes Libsyn and certain pod-catchers don’t cooperate.   We have a subscription program and Patreon in the works! Lots of bonus material in the works, so stay tuned, and follow us on Instagram and Twitter for the latest updates. ——— Meaning What is a product of it's no sam studios Created by Mason Hershenow Produced by Sean Ang and Christopher Scott McNeill Edited by David Cox and Mason Hershenow Mixed by Mason Hershenow Our theme music is "January: Brief" by Mason Hershenow   Advertising provided by Voxnest

In this episode, the life and work of photographer Edward S. Curtis (1868-1952), who was nicknamed the shadow catcher by Native Americans. His masterwork The North American Indian was monumental, but has also come under criticism for including staged, posed, and manipulated imagery. In this podcast, we learn about Curtis' life and work -- and the project that was his life's obsession. Sources: 1. Makepeace, Anne. Edward S. Curtis: Coming to Light. National Geographic Society, Washington, D.C. 2001. 2. Northwestern University, Curtis Library. Edward Sheriff Curtis. The North American Indian. 1907-1930. http://curtis.library.northwestern.edu 3. The Public Domain Review, "Edward Curtis' Photographs of Kwakwaka'wakw Ceremonial Dress and Masks (ca. 1914)" https://publicdomainreview.org/collection/edward-curtis-photographs-of-kwakwaka-wakw-ceremonial-dress-and-masks-ca-1914 4. Smithsonian Institution Libraries. "Frontier Photographer Edward S. Curtis." https://www.sil.si.edu/exhibitions/curtis/index.htm 5. Smithsonian Magazine, "Edward Curtis' Epic Project to Photograph Native Americans" https://www.smithsonianmag.com/history/edward-curtis-epic-project-to-photograph-native-americans-162523282/ 6. Wikipedia. "Edward S. Curtis." https://en.wikipedia.org/wiki/Edward_S._Curtis 7. YouTube. Makepeace Productions. "Edward Curtis "Dressing Up." https://www.youtube.com/watch?v=sZlqNOpfpLY&ab_channel=MakepeaceProductions --- Support this podcast: https://anchor.fm/keith-dotson/support

In this episode, the life and work of photographer Edward S. Curtis (1868-1952), who was nicknamed the shadow catcher by Native Americans. His masterwork The North American Indian was monumental, but has also come under criticism for including staged, posed, and manipulated imagery. In this podcast, we learn about Curtis' life and work -- and the project that was his life's obsession. Sources: 1. Makepeace, Anne. Edward S. Curtis: Coming to Light. National Geographic Society, Washington, D.C. 2001. 2. Northwestern University, Curtis Library. Edward Sheriff Curtis. The North American Indian. 1907-1930. http://curtis.library.northwestern.edu 3. The Public Domain Review, "Edward Curtis' Photographs of Kwakwaka'wakw Ceremonial Dress and Masks (ca. 1914)" https://publicdomainreview.org/collection/edward-curtis-photographs-of-kwakwaka-wakw-ceremonial-dress-and-masks-ca-1914 4. Smithsonian Institution Libraries. "Frontier Photographer Edward S. Curtis." https://www.sil.si.edu/exhibitions/curtis/index.htm 5. Smithsonian Magazine, "Edward Curtis’ Epic Project to Photograph Native Americans" https://www.smithsonianmag.com/history/edward-curtis-epic-project-to-photograph-native-americans-162523282/ 6. Wikipedia. "Edward S. Curtis." https://en.wikipedia.org/wiki/Edward_S._Curtis 7. YouTube. Makepeace Productions. "Edward Curtis "Dressing Up." https://www.youtube.com/watch?v=sZlqNOpfpLY&ab_channel=MakepeaceProductions --- Support this podcast: https://anchor.fm/keith-dotson/support

Native Americans not only influenced the founding fathers, they also inspired the ‘founding mothers': 19th century women like Elizabeth Cady Stanton, Lucretia Mott, and Matilda Gage. These women paid taxes but could not vote, could not run for office, had no right of divorce, and should they separate from their husband, were returned to them by police like runaway slaves. Native women, on the other hand, were fully equal in their society and played an integral role in political affairs and in keeping harmony with nature. Learn the true story from Congresswoman Deb Haaland, one of only two Native American women newly elected to the US Congress, and Sally Roesch Wagner, author of Sisters in Spirit: Haudenosaunee (Iroquois) Influence on Early American Feminists. _______________________________________________________________ Glenn Aparicio Parry, PhD, of Basque, Aragon Spanish, and Jewish descent, is the author of Original Politics: Making America Sacred Again (SelectBooks, 2020) and the Nautilus award-winning Original Thinking: A Radical Revisioning of Time, Humanity, and Nature (North Atlantic Books, 2015). Parry is an educator, ecopsychologist, and political philosopher whose passion is to reform thinking and society into a coherent, cohesive, whole. The founder and past president of the SEED Institute, Parry is currently the director of a grass-roots think tank, the Circle for Original Thinking and is debuting this podcast series of the same name in conjunction with Ecology Prime. He has lived in northern New Mexico since 1994. www.originalpolitics.us Congresswoman Deb Haaland serves New Mexico's First Congressional District and is one of the first Native American women serving in Congress. As a 35thgeneration New Mexican, single-mom, and organizer Haaland knows the struggles of New Mexico families, but she also knows how resilient and strong New Mexico communities are. In Congress she's a force fighting climate change and for renewable energy jobs as Vice Chair of the House Natural Resources Committee, a powerful supporter of military personnel, families, and veterans on the House Armed Services Committee, and continues to advocate for dignity, respect, and equality for all.  Sally Roesch Wagner is a feminist pioneer, speaker, activist, and the author of several books, including Sisters in Spirit: Haudenosaunee (Iroquois) Influence on Early American Feminists, and The Women's Suffrage Movement. Dr. Wagner was among the first persons ever to receive a PhD for work in Women's Studies from UC Santa Cruz and was the founder of one of the first college-level women's studies programs in the country. She is also the founding director of the Matilda Joslyn Gage Foundation and a faculty member of Syracuse University.  She is a member of the New York State Women's Suffrage Commission and a former consultant to the National Women's History Project. Sally appeared in the Ken Burns PBS documentary Not for Ourselves Alone: The Story of Elizabeth Cady Stanton and Susan B. Anthony, for which she wrote the accompanying faculty guide for PBS. She was also a historian in the PBS special One Woman, One Vote, and has been interviewed on NPR's All Things Considered and Democracy Now. _______________________________________________________________ Traditional native flute music by Orlando Secatero from Pathways CD.Liberty song by Ron Crowder, Jim Casey and Danny Casey _______________________________ Composite image credits: Chaco Cultural National Historic Park, New Mexico, Chris Huber, USGS, Public Domain; Young Wishham Woman, Edward S. Curtis, 1910, Public Domain. The post Native American Influence on the Founding Mothers appeared first on WebTalkRadio.net.

In this episode, the IRC team discussed the power of song in an Indigenous worldview. The discussion centers on the preservation of Love Songs by Edward S. Curtis and Claude Schaeffer and how these efforts allow us to examine these songs and context. Of interest is the spiritual power of songs in Indigenous worldview and how this they can be situated in a modern context. The question arises whether songs, as one of the most important parts of Indigenous spirituality and lifeway, can have a space in modern academics and research. How can Indigenous scholars and communities reclaim this knowledge authentically? Hosted by Aaron Brien, Kamiah Dumontier, Serra Hoagland, Brenda Shepard, Shandin PeteIndiana University Archive of Traditional Musichttps://libraries.indiana.edu/archives-traditional-musicNorthwestern University Digital Library Collection - The North American Indian by Edward S. Curtishttp://curtis.library.northwestern.edu/index.htmlSupport the show (https://www.patreon.com/TribalResearchSpecialist)

Bob Kapoun, the owner of the historic Shop of the Rainbow Man in Santa Fe New Mexico, discusses the factors that led him down the path of dealing in Native American art. His interest in taking pictures during the Vietnam war led to an appreciation of photography and cinema, ultimately leading to a degree from Southern Illinois University and connecting Bob to the world of renowned photographer Edward S. Curtis. Bob details his obsession with the culture and history of the Native Americans of the Southwest, the foundation lends to the authoring books on Trade blankets and Cochiti pottery. Bob's reputation for contemporary Native art and trade blankets makes for a and fascinating interview on this week's episode of the Art Dealer Diaries.

In this episode of Leading By History, Specialist Ma'asehyahu Isra-Ul discusses Primary sources and the importance of reviewing them within historical context. An image by Edward S. Curtis from the early 1900's is examined as well as online resources for K-12 teachers which will help them bring document examination into their classrooms. Special thanks to the Stanford Historical Education Group for the use of their "Case of the Clock" assessment found here: https://sheg.stanford.edu/history-assessments/case-clock. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/leadingbyhistory/support

Nationalmuseets seniorforsker Martin Appelt fortæller om sol- og månemaskerne, der er en del af Nationalmuseets samling af masker fra Nunivak øen, der ligger i Beringshavet på Alaskas vestkyst. Fortællingen handler om en bror og en søster, om månens vandring over nattehimlen, og om årstidernes kommen. Foto: Ceremoniel maske fra Nunivak / Edward S. Curtis, 1928-29 / Library Of Congress

Andrew Smith discusses growing up in Santa Fe and how his interest in anthropology lead to being fascinated with imagery and history of the Southwest photographs. Andrew explains how he goes about evaluating photographers and placing them to museum, libraries, and collectors. The history of how Edward S. Curtis collection ended up in Santa Fe and how Curtis's project 1904-1930 developed. A fascinating interview with one of the top photographic dealers with lots of early history of Santa Fe's gallery scene.

In this episode, All My Relations explores the topic of cultural appropriation—it’s become such a buzzword, but what is it, really? Adrienne and Matika care deeply about Native representation, and talk constantly about this subject. Here, you'll have the opportunity to listen into that conversation, as we reveal our feelings about the infamous white savior photographer Edward S. Curtis, Halloween, answer listener questions, and more. Appropriators beware. Resources: Adrienne’s blog: Nativeappropriations.com (300+ posts to help with the appropriation convos)“Why Tonto Matters”: https://nativeappropriations.com/2012/03/why-tonto-matters.htmlMatika’s Edward Curtis post: https://lrinspire.com/2018/05/08/edward-s-curtis-again-by-matika-wilbur/Send us a voicemail of how you say “All My Relations” in your language! https://www.allmyrelationspodcast.com/contactSupport the show (https://www.paypal.me/amrpodcast)

Humanities scholar and author Clay Jenkinson returns to Bainbridge April 10 to play renowned photographer Edward S. Curtis in a fundraiser for the Bainbridge Island Historical museum. Between 1900 and 1930, Edward Curtis traveled deep into the American West and lived among dozens of Native American tribes. He studied the ways of life of over 80 Native cultures, producing over 40,000 glass plate negatives, 10,000 wax cylinder recordings, 4,000 pages of anthropological text, and a feature-length film.  Listen here as Brianna Kosowitz, Executive Director of the Bainbridge Island Historical Museum, gives details about what to expect when Jenkinson presents Curtis at the event. She also shares some of the controversial issues around Curtis’s work, such as the use of props, cultural appropriation, and the divulging of cultural secrets. An Evening with Edward S. Curtis as portrayed by Clay Jenkinson will be held at the Bainbridge Island Museum of Art, Wednesday, April 10th.  The event starts at 7:30, preceded by cash bar.  Tickets are $125 per person, or $100 for members and their guests.  Purchase tickets here, or call the Historical Museum at 206 842-2773. Credits: BCB host: Sandy Schubach; audio editor and publisher: Diane Walker; Social media: Jen St. Louis.

Registro de la Federal Aviation Administration Fotógrafo Edward S. Curtis La Kodak retina, cámara legendaria. La primera fotografía de la Historia Arte y Fotografía

Registro de la Federal Aviation Administration Fotógrafo Edward S. Curtis La Kodak retina, cámara legendaria. La primera fotografía de la Historia Arte y Fotografía

“It’s such a big dream, I can’t see it all,” is what Edward S. Curtis said of his master work, The North American Indian, published between 1907 and 1930. This video provides an overview and highlights of the exhibt on display through January 18, 2019 at the University of Minnesota's Elmer L. Andersen Library.

William (Will) Wilson is a Diné photographer who spent his formative years living in the Navajo Nation. Born in San Francisco in 1969, Wilson studied photography at the University of New Mexico (Dissertation Tracked MFA in Photography, 2002) and Oberlin College (BA, Studio Art and Art History, 1993). In 2007, Wilson won the Native American Fine Art Fellowship from the Eiteljorg Museum, and in 2010 was awarded a prestigious grant from the Joan Mitchell Foundation. Wilson has held visiting professorships at the Institute of American Indian Arts (1999-2000), Oberlin College (2000-01), and the University of Arizona (2006-08). From 2009 to 2011, Wilson managed the National Vision Project, a Ford Foundation funded initiative at the Museum of Contemporary Native Arts in Santa Fe, and helped to coordinate the New Mexico Arts Temporary Installations Made for the Environment (TIME) program on the Navajo Nation. Wilson is part of the Science and Arts Research Collaborative (SARC) which brings together artists interested in using science and technology in their practice with collaborators from Los Alamos National Laboratory and Sandia Labs as part of the International Symposium on Electronic Arts, 2012 (ISEA). Currently, Wilson’s work can be seen at the Portland Art Museum in: Contemporary Native American Photographers and the Edward S. Curtis Legacy, Zig Jackson, Wendy Red Star and Will Wilson. He is the Photography Program Head at the Santa Fe Community College.

William (Will) Wilson is a Diné photographer who spent his formative years living in the Navajo Nation. In 2007, Wilson won the Native American Fine Art Fellowship from the Eiteljorg Museum, and in 2010 was awarded a prestigious grant from the Joan Mitchell Foundation. Wilson created The Critical Indigenous Exchange because he was impatient with the way that American culture remains enamored with photographer Edward S. Curtis’s portraits. For many people even today, Native people remain frozen in time in the Curtis photos. Wilson is resuming the documentary mission of Curtis from the standpoint of a 21st century indigenous photographer, building a contemporary vision of Native North America.

August 30, 2014. What is creative nonfiction? What makes it creative? How do writers of this genre approach their subject matter and tackle some of its inherent challenges? National Endowment for the Arts Literature Director Amy Stolls moderated a discussion with creative nonfiction writers Paisley Rekdal and Eula Biss about their work and experiences with such issues as research, sticking to the facts, points of view and marketability. Speaker Biography: Award-winning author Paisley Rekdal is a writer of diverse scope, publishing work in such genres as contemporary nonfiction and poetry. She has been the recipient of many accolades, including a Guggenheim fellowship, the Amy Lowell Poetry Traveling Fellowship, a Village Voice Writers on the Verge Award, a National Endowment for the Arts fellowship, two Pushcart Prizes and a Fulbright fellowship. The daughter of a Chinese-American mother and a Norwegian-American father, her latest work, "Intimate: An American Family Photo Album" (Tupelo Press), blends genres of photo album, personal essay, poetry, memoir and historical documentary to create an innovative literary product. Through lenses of race, family, identity and society, this hybrid memoir narrates the stories of Rekdal's parents, the photographer Edward S. Curtis and Curtis's murdered Apsaroke guide, Alexander Upshaw. Speaker Biography: Eula Biss is an award-winning nonfiction author. She has been the recipient of a fellowship from the National Endowment for the Arts, the Rona Jaffe Writers' Award, the Pushcart Prize, the Graywolf Press Nonfiction Prize, the National Book Critics Circle Award and a 21st Century Award from the Chicago Public Library. She is following up her award-winning title "Notes from No Man's Land" with a new contemporary nonfiction book, "On Immunity: An Inoculation" (Graywolf). Inspired by the experiences and fears that accompany new motherhood, this fascinating text analyzes the myth and metaphor of medicine and immunization. Biss investigates what vaccines mean for children and larger society, exploring both historic and present implications, and also extending the conversation to meditate on ideas presented in Voltaire's "Candide," Bram Stoker's "Dracula" and other notable works. In addition to writing books and articles, Biss is also the founder and editor of Essay Press and a professor at Northwestern University. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6384

Learn about the expansive documentary masterwork, The North American Indian, by photographer Edward S. Curtis through this discussion between Curatorial Assistant Ali Demorotski and Assistant Curator Dr. Manuela Well-Off-Man on Curtis’ historical photographic prints and texts which show his efforts to record the fading traditions and culture of more than 80 Native American tribes.