Podcast appearances and mentions of george marsh

Episode 170 Chapter 29, Buchla Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 29, Buchla Analog Synthesizers from my book Electronic and Experimental music.   Playlist: MUSIC MADE WITH BUCHLA ANALOG SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1.     Morton Subotnick, “Prelude No. 4” (1966). Early work for piano and electronic tape using sounds created on the Buchla 100. Pianist, Richard Bunger, recorded in 1973 (Buchla tape from 1966). 05:15 01:40 2.     Morton Subotnick, “Silver Apples of the Moon” (Part 1) (1966). First commissioned work of electronic music from Nonesuch Records. 04:23 08:32 3.     Gerry Olds, “4/3 + 1” (1967). Jazz mixed with electronics created on the Buchla 100 at a San Francisco Tape Music Center Concert. 11:19 12:58 4.     Buffy Sainte- Marie, “Better To Find Out For Yourself” and “The Vampire” (1969). Electronic “settings,” processing of Sainte-Marie's voice and guitar done on Buchla 100 modular systems (3 units) used by Michael Czajkowski at the electronic music studio of NYU. 04:39 24:16 5.     Douglas Leedy, “Entropical Paradise” (1970). Sonic environments created by the Moog and Buchla modular synthesizers. 20:09 28:52 6.     George Marsh, “Wind Borne” (1973). Prepared Buchla 200 Synthesizer with sequencing, George Marsh. 08:28 49:06 7.     David Rosenboom and Donald Buchla, “How Much Better If Plymouth Rock Had Landed On The Pilgrims, Section V” (1978). Buchla modular synthesizers by composer Rosenboom and the inventor himself, Donald Buchla. 22:47 57:34 8.     Morton Subotnick, “The Last Dream of the Beast” (1978, 1982, 1984). Featured the Buchla 400. 14:47 01:20:20 9.     Mel Powell, “Three Synthesizer Settings” (1981). Moog and Buchla synthesizers. 08:47 01:35:06 10.   Morton Subotnick, “A Sky of Cloudless Sulphur, Opening” (1980). Buchla 200 and Subotnick's “ghost shadow electronics.” 11:15 01:43:51   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

How did Noam Lemish's experience living in Bhutan influence his outlook? A lot of Noam's creative life is inspired by bridging cultures and being open to possibility, and you'll be hearing some music from some of his many projects as well as hear his reflections on teaching and learning. It was fascinating to learn about his mentors including George Marsh and W.A. Mathieu, and how he started collaborating with so many incredible artists including the oud player and guitarist Amos Hoffman. I really wanted to shine a light as well on his fantastic Juno-nominated album Twelve, which is comprised of six original compositions for chamber jazz orchestra, and all the music you'll be hearing is linked in the show notes. Dr. Lemish is a Professor at York University in Toronto, Canada and you can learn more about him on his website.Like all my episodes, you can watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I've also linked the transcript to my website Noam Lemish WebsiteBuy me a coffee? Merch NewsletterOther episodes you'll like: Tal Yahalom, Rachel Eckroth and John Hadfield, Peter Hum and Steve Boudreau, and Ariel Bart(00:00) Intro(02:30) album Twelve(06:38) clip from Song for Lia(08:01) Bhutan(20:08) album Twelve(23:58) clip from Rebirth, recording process(27:05) W.A. Mathieu(35:07) Transcultural Jazz(37:56) Amos Hoffman, album Pardes(40:53) Ishal Elohay(43:37) Noam's music education in Israel(46:27) other episodes, ways to support this project(47:19) York University, Jewish Music series(41:34 )Soveit Jewry, Anna Shternshis(56:07) clip from Between Utopia and Destruction(58:04) access to emotions through music, improvisation(01:01:59) Erlebnis 16(01:04:55) George Marsh(01:11:16) about Beethoven 7th Visit to Romania with clip, Lemish Klezmer historyphoto: Dahlia Katz

Rudiments are key and experience is key but learning how to dance on your instrument is true liberation.

The guys meet up in Baltimore this week to hang with one of the best chefs that the charm city has to offer. Friend and dope-ass chef, George Marsh has invited the boys into his restaurant, Heritage Smokehouse, to talk some shit about coming up in the food industry, his style of butchery, and all things meat-related. George happens to be curious about the art of cheesesteak so we set his ass straight. Please leave a rating and a review down below if you like the content! Text us or leave a voicemail for us at (215)-360-3451 We could play it or mention it on an episode! Watch the episodes on our Youtube: https://www.youtube.com/channel/UCgBhxjL5aqqkx6bfDiBjM7Q Website: https://letmecallyouback.podbean.com/ Facebook: Let Me Call You Back Podcast Facebook Instagrams: @555letmecallyouback @declanlovesmeatballs @ray_broox @heritagesmokehouse

George Marsh is a collector at heart. Recently, he's begun hunting for and collecting chain saws. Why? “Why not?!” he says. But because this is a podcast about construction, George's most obvious (and precious) collection is the armada of heavy equipment that he and his father have accumulated over the years. According to George, a self-proclaimed “old iron enthusiast,” they have something like 70 pieces on their property… and most of them still run! But in addition to the old equipment, he's also quite the Dirt World historian and an old soul, especially when it comes to being a dragline operator. This week on Dirt Talk, host Aaron Witt and George Marsh dig into why George believes in the power and education that operating only old equipment can provide. George also shares the history of earthmoving in his own family before laying out what drew him to draglines and why it's such a good fit for the work he wants to do right now. Later, he and Aaron discuss some of the downsides of using and relying on GPS and the pride and level of expertise that can be gained by learning operator skills on older equipment. The guys also discuss the lack of tolerance for mistakes in the industry, the shortage of entry-level positions, and the fulfilling nature of manual labor.  If you want to learn more about the equipment that George collects, he's @oldschoolgeorge on IG. Stay Dirty!

A rogue journalist and two master musicians in dialogue about raising consciousness through melodic invention.

Groove drummer from Malo talks about learning from teachers like George Marsh and applying those skills with Jorge Santana.

The truth reveals itself.....it's revealed in the body of work that you put out there to the masses. For musicians Before interconnection this was done via vinyl records, regional radio and lots of late night jam sessions with musicians who thrived on individuality, unique sound and authentic presentation. Their bodies weren't decorated with Company logos nor was there much discussion of monies. If music is to be played then play it with unabashed power and glory with an emphasis on being yourself and knowing that the cream always rises to the top. If your not a doer you judge and there's not much worse in this world then judgement being rendered by those who are not doers. Their vantage point is flawed from the beginning because they themselves are just insecure, afraid to put themselves out there and lead for the sake of swinging the band....their sitting on their balls critiquing those who chose to stand up and stir the drink of music and magic. My guest today is a doer, always has been, collaborating with the likes of Llew Mathews, Bobby Christian, Phil Upchurch, Cleveland Eaton, George Marsh and Mel Graves. He might be playing a ghost opera by day and then a big band gig at night. Blowing ideas in a sequence that borrows from Coleman and Bird and Getz but has the inner light of a prophet guided by sight unseen or heard. His career has encompassed the last 1/2 century with stints in the hottest beds of regional American Music. He has played in front of 5 people 500 people, 5000 people and now he gets to talk to Jake Feinberg. Welcome Rich Fudoli...

Ageless Duo In Studio Live From Fairfax, CA March 2018

While this segment is technically solved, we still have questions. Like WHO WAS MISS MARSH? Join us on this journey into the mysterious life of George Marsh. https://dnadoeproject.org/ http://www.doenetwork.org/ Music by Raven Sources: "Season 1 Episode 1." Unsolved Mysteries, NBC, 1989 https://unsolvedmysteries.fandom.com/wiki/Heirs_of_George_Marsh https://www.findagrave.com/memorial/69593937/josef-zelenka https://www.findagrave.com/memorial/33152188/james-peter-zelenka https://www.findagrave.com/memorial/76872689/vaclav-zelenka https://www.findagrave.com/memorial/76872688/eleonora-zelenka https://www.newspapers.com/image/139709462 https://www.newspapers.com/image/680461243/?terms=josef%20zelenka&match=1

George Marsh has worked in multiple Italian tailoring houses including Liverano & Liverano, and is tailor, cutter and co-founder of Speciale along with Bert Hamilton Stubber. Speciale is a "tailors and shop for the makers we love" nestled into Notting Hill in London.   

Patrick Talesfore, Jr. is a drum set artist from Sunnyvale, CA. His playing has been described by master drummer Kenwood Dennard as '...cognizant, deliberate, musical...like facing a life or death moment. Passion personified.' Since 2011, Patrick has performed solo and with Cerce, Space Devil Rest in Peace, infant, Nishad George, Dylan Ewen, Sam Morrison, Piotr Lato, Matt Hull, David Lechuga-Espadas, Tom Weeks, gabby fluke-mogul, Eliot Burk, Zac Suskevich, Zach Weeks, Becca Cadalzo, Tim Altieri and even got to jam with Ernie Isley once...Patrick studied with Wally Schnalle, Jason Wall, Anthony Cirone, George Marsh, Sergio Bellotti, Henrique De Almeida, Tony “Thunders” Smith, and Kenwood Dennard. Check out his website: https://.patricktalesforejr.com/His YouTube Channels: OFFICIAL YOUTUBE DRUM COVERS https://www.youtube.com/channel/UCmFfE6tbXPZWHGEATJZdfiQNot Cercehttps://www.youtube.com/channel/UCSKDsISVOTwPYiiIdtfB04A OFFICIAL BLINK 182 DRUM COVERS https://www.youtube.com/channel/UCbrLYbl_XZqHiMA8BOoUkGQ

My guests are sound creators of the highest order. They both have been extrapolating off the grid for the last 50 years. One got noticed and appreciated by John Hammond which sparked a career on Columbia. The other was playing with JJ Johnson & an unknown Barbara Streisand @ Champagne Urbana. Both of my guests came to San Francisco in the middle part of the 1960s. They were established jazz musicians who could play funk or pop or blues or free music for a living. They were mentors for a whole crop of young pianists and percussionists who wanted to play outside the box. They played quite a bit together in a trio setting with the late great Mel Graves or in larger units with the venerable Ratzo Harris playing Syzygy @ The venerable Arch Studios. Like a scarf in the wind their music dances, at times frenetically like a manic patient seeking cognitive therapy my guests go deep inside the cranial membrane to extract new ideas and sequence them in free form music that is comprised of multiple keyboards, tom toms, synths, high hats, Cungas and grand stein ways. The music they play represents an amalgamation of their experiences traveling through Moab Utah or the City Winery or the spiritual holy lands of Australia. In this hosts mind my guests continue to collaborate because of love. One love that they feel in a sweaty pool of inspiration on those Sunday afternoons when they get to improvise for several hours and leave exhausted yet cleansed from their other worlds of academia and private practice. Still Riding The Moment Dr. Denny Zeitlin and George Marsh welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support

Last time I spoke with my guest he hipped me to Herbie Nicholas, Village Music and the album Bass Ball which I still haven't found. Since that time I Have been Woodshedding in many different regions of the country. Talking to Charlie Daniels about his bluegrass upbringings in Appalachia, or maybe Bill Keith who is a master of the banjo. It Could have been talking with Peter Rowan before a concert I promoted for him in Sahuarita where he talked about why the outlaws migrated from Texas to Stinson Beach. Dawg Music is dawg grass, dawg jazz, fluid improvisational melodic invention it's not a bastion of hard bop like Horace Silver or Art Blakey but it has the swing element thanks to the drumming of George Marsh at City Winery not the Jabberwocky, where Richard Greene almost dislodged Herb Pedersons eye ball with an up bow. My guest has forged relationships with so many artists from so many spectrums that there is no label to define his music. Acousticity is a big part of it, the plucking of the strings playing a Milt Jackson tune or Klezmer music with Hal Blaine at the Tucson Jewish Community Center. That lifestyle catches up with some, the road can eat you up so you have to constantly retool, reinvent and look towards the light. He's a grandfather now with incentive to teach his grand kids about good rhythm, good syncopation and letting the music breath. When he was winning the Union Grove Fiddlers Convention in 1964 the original masters of bluegrass were still thriving Father Bill, Vassar, Chubby, Lamar, Tex. The same way it was in jazz with Dizzy and Duke, Trane and Miles, the same in soul with Ray Charles and Sam Cooke. Those cats have long since left the bandstand and the baton has been handed off to people like my guest. He knows he is a link in the chain for future generations of musicians and music enthusiasts. He thumbed his nose at the record business and has made a living playing music that is true to him with the trusty Bob Schumaker at the helm @ 1750 Arch Records. Back at it again David Grisman welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support

My guest today is the drummer for one of the most recognized psychedelic rock bands in our countries history. The band was already intact when a young woman named Janice Joplin came aboard from Texas with an unpretentious style in the same mold as Ron McKernan, Jorma Kaukonen and David Bromberg. Her style was unique and she gravitated to the Bay Area where the folk rock scene was burgeoning with open minded musicians who were drinking bathtubs full of LSD. The whole vibe was less uptight than the New York Folk scene that reeked of uniformity and hierarchy starting with Van Ronk, Von Schmidt and a certain way to play the music. My guest came from the east coast and was already expressing himself through painting. He was steeped in spiritual Native American drumming that focused on rhythm patterns of transcendence as the peyote soaked their veins while Jim Pepper played Whitchy-Tai-Toe. My guest was also a first rate jazz drummer idolizing the work of Larry Bunker, Hal Blaine, Emil Richards and Milt Holland. He brought these chops into the Holding Company who's instrumental sound became a progressive mix of folk, psych, Rock and soul. His painting remained as he used his brushes the way Elvin Jones or Philly Joe might use them. Swing the band like David Garibaldi or Greg Errico, Billy Kreutzmann, Michael Shrieve, Lenny White, George Marsh, Mike Clark, Jerry Granelli and Gaylord Birch. Just another whistle stop Dave Getz welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support

I am where I am today as a broadcaster because of the music created by my guest. Free form music with constant creation in the same vein as Sonship Woody Theus, George Marsh, Wilton Felder, Jim Keltner and Phil Upchurch. His gravitational pull has been towards cosmic sources of energy with reams of sequential patterns asking why are you written your brothers off man? When we were lovers, Eruptions from Wolfgang Meltz or polyrhythmic drum duos with Carl Burnett. I am climbing a mountain getting lifelines from my guest and centrifugal forces of pulse, feeling, magic and movement. It started in Chicago with John Lee Hooker and Oscar Brashear. Cutting albums under the guidance of Leonard Chess and putting melodic invention in alternative clubs like The Ash Grove where Victor Feldman plays the cuica and some chick is moaning into the microphone while my guest peppers the audience with echoplex variations of Stan Getz and Charlie Parker and I begin to realize that this whole journey has been an open door that leads to 4 doors to 12 to 24 in prisms of light and love which is really what allows you to get blood from the sun. John Klemmer welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support

In the great lexicon of drummers some are often equipped with a lot to say. They know their primary job is to accompany and swing the band but it hard when they have their own thing to say. Mose Allison once said that producers and A&R guys wanted drummers to play backbeat in order to make a hit song or record. While there is nothing wrong with backbeat it has in some ways has stilted what drummers think they can say with their trap set. Of coarse drummers can overplay and get in the way of free form improvisation but like the late great George Muribus said a about my guest he is never stepping on his toes. Born in Alabama my guest today has the New Orleans stomp and strut mentality. Instruments can be made from many objects and the transformative sounds they make fuel spiritual swinging melodic percussive sound. Just look @ the kinds of people he has played with. Ellis Marsalis, Tom Donlinger, George Marsh, Mike Nock, Mel Graves, Len Lasher, Richard Waters, the aforementioned Allison and Muribus and the celebrated Aussie Bryce Rhode. He continues to gig in the Bay Area. Playing to people of all ages and all parts of the world. In many ways the music he contributed to some 40 years ago holds up well if not better in today's overly produced, machine reliant music landscape. Always with something to say Lee Charlton welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support

Oh the whispering pines.....the Appalachian trail carving out a pathway towards the Mississippi Delta. The old hickory BBQ and the bourbon and the blending of gospel, blues, Bayou boogie and Jayhawkin' through the cornfields. My guest hails from the great state of Kansas. He has done and seen it all in music. Played at the Grand Ole Opry, local watering holes, Medicine Shows, Mafia laden clubs and lesbian joints. That's before during and after being a swing man on the Kansas Men's Basketball team taking a page out of Pistol Pete Maravich's play book. But my guests career runs thick, with a fearlessness and security that still holds up today. He has played with Jimi Hendrix, Jerry Hahn, Richard Manuel, Mac Rebenack, George Marsh, Maria Muldaur and Mel Graves. He has awed people over the years with his propensity to lean on that Hammond B-3 and illicit the sounds of the church and the bay, and sittin on a dock in muscle schoals Alabama with a cowboy hat and a maverick attitude. He has made albums as a leader and been a prolific sideman. He has always wanted to reflect in his music a genuine sense of originality and playing music- not the type that can be labeled, just music. That will be on full display today at the Early Bird Cafe. Mike Finnegan welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support

Scarf in the Wind, Arp Modulator, Mel Graves, John Hammond, George Marsh, SYGZY, Expanding Minds Jake Feinberg Show --- Support this podcast: https://anchor.fm/jake-feinberg/support

Inner Drumming and Swing. Here's the all the mavericks out there! JF --- Support this podcast: https://anchor.fm/jake-feinberg/support

In this episode Kim and Mark discuss Season 1, Episode 1 of Unsolved Mysteries. Wanted: Dave Davis Update: George Marsh Unexplained Death: Aeileen Conway Mysterious Legends: Honeymoon Bones Missing Persons: Dottie Caylor Join us this week as we discuss the premier episode of Unsolved Mysteries… on Amazon Prime, that is! We talk about ‘Victim of Love’ Shannon Mohr, George Marsh’s heirs, and benevolent housewife Aeileen Conway. We also leave our life jackets behind for a trip to the Grand Canyon, and end with a murder suspect who is currently VERY active on Facebook! As always, thank you to Mat Graham from Artificial Fear for allowing us to use his amazing cover of the Unsolved Mysteries Theme Song! Check out his YouTube Channel here: https://www.youtube.com/channel/UCoQNyGGSIl_ZbEDq-teZDWQ And thank you to Ryan Hughes from Planet H for lending us his spot-on “Stack Voice” and working with us to have such a cool intro and outro! Check out his YouTube Channel here: https://www.youtube.com/channel/UCYrlNAFRMlWQN1rhWboZh2g  

In this episode Kim and Mark discuss Season 1, Episode 1 of Unsolved Mysteries. Wanted: Dave Davis Update: George Marsh Unexplained Death: Aeileen Conway Mysterious Legends: Honeymoon Bones Missing Persons: Dottie Caylor Join us this week as we discuss the premier episode of Unsolved Mysteries… on Amazon Prime, that is! We talk about ‘Victim of Love’ Shannon Mohr, George Marsh’s heirs, and benevolent housewife Aeileen Conway. We also leave our life jackets behind for a trip to the Grand Canyon, and end with a murder suspect who is currently VERY active on Facebook! As always, thank you to Mat Graham from Artificial Fear for allowing us to use his amazing cover of the Unsolved Mysteries Theme Song! Check out his YouTube Channel here: https://www.youtube.com/channel/UCoQNyGGSIl_ZbEDq-teZDWQ And thank you to Ryan Hughes from Planet H for lending us his spot-on “Stack Voice” and working with us to have such a cool intro and outro! Check out his YouTube Channel here: https://www.youtube.com/channel/UCYrlNAFRMlWQN1rhWboZh2g

John Wilson Owner/Broker with Coldwell Banker Traditions sits down with Kathy Chambers, a successful and seasoned Real Estate agent. Kathy outlines the process of a real estate transaction and provides an idea of what funds you will need throughout the real estate transaction. Whether you are a buyer or seller you will learn something from this podcast. Produced by George Marsh for Coldwell Banker Traditions

John Wilson Owner/Broker with Coldwell Banker Traditions sits down with George Marsh, a landscape & nature photographer georgemarshphotography.com as well as Real Estate Photography with Top Shelf Real Estate Marketing. They discuss the importance of professional photography & Video when putting your home on the market. As well as tips and suggestions for preparing the interior and exterior of your home to be professionally photographed. Produced by George Marsh for Coldwell Banker Traditions.

John Wilson Owner/Broker with Coldwell Banker Traditions sits down with a successful home inspector, Mark Masengale with All Property Evaluations Home Inspection Company . They discuss tips and advice on how to AVOID the BIG BiTE! Produced by George Marsh for Coldwell Banker Traditions.

John Wilson Owner/Broker with Coldwell Banker Traditions sits down with Cathie Upton, Director of the Williamsburg Meals on Wheels. They discuss the upcoming virtual fundraiser with Live Stream music provided by Good Shot Judy, Live Signature Cocktail Preparation Demonstration and a Live Cooking Demonstration by Chef Sowell from the Hounds Tale. Produced by George Marsh for Coldwell Banker Traditions.   Please consider participating and donating visit wmbgmealsonwheels.com for all the details!

For quite some time half a century ago only two schools in this country had jazz programs. One was N. Texas State and the other was the Berkeley School of Music in Boston. My guest today is one of the earliest alumni's of a school that has produced the likes of Alan Broadbent, Ernie Watts, Gene Perla and Dick Berk and TOSHIKO Akiyoshi. When my guest went there it was a brotherhood of 300 men and woman who studied under the masters like Herb Pomeroy, Ray Santizzi, Alan Dawson and Jaki Byard and had opportunities to play live and get loose at venues like The Jazz Workshop, Lennie's on the Turnpike and Latin Salsa Dance Halls. In fact even if you didn't go to Berklee you could still sit in on lectures and jams. My guest today is a guitar player who is prolific in melodic sequencing and ferocious output. He plays the electric guitar, mandolin and piano strumming his way to sublimation with Jack Dejohnette, Billy Cobham, Colin Walcott and George Marsh, Joe Beck, Tom Knific, Dave Holland Jan Hammer and Johnny Hammond Smith. He plays music without regard to barriers. His generation makes music that feels good because they understand the balance between mathematics and soul. They also played live for weeks at a time at the same venue performing complex Gil Evans tunes developing their own sound and individuality that created their identities. Still blazing new trails with his axe, JAbercrombie --- Support this podcast: https://anchor.fm/jake-feinberg/support

John Wilson Owner/Broker with Coldwell Banker Traditions sits down with a local Landscape Designer, Peggy Krapf with Heart's Ease Landscape & Garden Design. They discuss tips & advice on how to prepare your homes landscaping and "Curb Appeal" when you are considering putting your home on the market. Produced by George Marsh for Coldwell Banker Traditions.

John Wilson Owner/Broker with Coldwell Banker Traditions sits down with local Termite/Moisture professional, Adam Brown with Tidewater Pest Control. They discuss tips & advice on how to AVOID THE BIG BITE! When it comes to your home and doing preventative maintenance with moisture/termite, especially if you are considering putting your home on the market. Produced by George Marsh for Coldwell Banker Traditions.

John Wilson Owner/Broker with Coldwell Banker Traditions sits down with a local HVAC Professional, Alan Owens with Owens Heating & Air-conditioning. They discuss tips & advice on how to AVOID THE BIG BITE! When comes to your HVAC system when putting your home on the market! Produced by George Marsh for Coldwell Banker Traditions.

John Wilson Owner/Broker with Coldwell Banker Traditions sits down with a professional home stager, Yvonne Roberts with Bland to Grand Staging here in Williamsburg, Virginia. They discuss tips and advice on why staging your home for market increases your success rate of a home sale! Produced by George Marsh for Coldwell Banker Traditions.

John Wilson Owner/Broker with Coldwell Banker Traditions sits down with Top Agent, Ted Evans an Associate Broker with Coldwell Banker Traditions. They discuss tips and advice on how to prepare your home for market! Produced by George Marsh for Coldwell Banker Traditions.

John Wilson Owner/Broker with Coldwell Banker Traditions sits down with a local general contractor Ken Dodd. They discuss tips and advice on how to AVOID the BIG BiTE! Produced by George Marsh for Coldwell Banker Traditions.

After a rather lengthy absence, we present to you the reemergence of the Drummer’s Weekly Groovecast Advisory Board. The board is back after skipping season three and we’re welcoming several new members to this season’s show. Our in-studio co-host is Justin Chesarek. Justin is an Atlanta based performer and educator who holds positions at three major metro Atlanta colleges: Emory University, Kennesaw State University, and Morehouse College. For the remote participants we welcome back long-time board members Joel Rosenblatt and Rod Morgenstein. New for season four we have added esteemed drummer/educators, Carter McLean, George Marsh, and Steve Smith. The question that we will address is: “What mistake (or questionable choice) do you most commonly see and hear your students or other drummers commit?” We listen and comment on the various answers given by our board members. When listening to the answers it’s worth noting that almost everything mentioned relates to basic techniques and thoughtful musicianship. In the current and popular social media world of practicing ear candy and chops it’s completely refreshing to hear some of the world’s best drummers teaching the basics of our craft. We discuss listening, dynamics, musical choices, phrasing, basic drumming technique, listening to recordings, and getting stuck in the routine of the ‘medium phenomenon’. Tune in for a great discussion! Join us each week for brand new shows. We can be found on iTunes, Google Play Podcasts, Stitcher, Spotify and anywhere you access your favorite music and shows. If you are an Apple subscriber, the next time you are in iTunes please take a moment to leave us a 5-star review. We’d greatly appreciate it. Lastly, go by our website at www.drummersweeklygroovecast.com There you can listen to all of our shows, visit our social media, and contact us via email.

Whether right or wrong we like being different and truly enjoy bringing you guests that challenge, enlighten, and entertain our listeners. This week certainly checks all those boxes. Our guest, George Marsh, is probably best known to our listeners as either the drummer from the David Grisman Quintet or as the author of “Inner Drumming” (one of our genres greatest methods). During my first chat with George he was excited to talk music and was very eager to share some of his favorite recordings of which he was a part. Throughout this episode as George describes the various musicians he’s worked with I thought it would be a nice change to mix in some of those artists’ mp3s as the interview progresses. It’s the first time we done that on the show. We hope you enjoy it and that it adds some context to the conversation. We caught up with George at his home in Santa Rosa, California. The long-time bay area resident is originally from the US Midwest where he grew up just outside of Saint Louis. His interest in music led him to gigs in Chicago and eventually to study with legendary educator, Tom Siwe at the University of Illinois at Urbana - Champaign. As the 1960s progressed it became clear to George that the weather, music, and culture of San Francisco had a magnetic appeal. Marsh relocated in 1968 and has remained in the bay area since that time. Partaking of the bay area’s fertile music scene George has played and recorded with artists as varied as the Jerry Hahn Brotherhood, Denny Zeitlin, John Abercrombie, Listen, and David Grisman. We discuss his teaching studios at Sonoma State University and the University of California at Santa Cruz. He details his nearly 40-year tenure at both schools and what he teaches there respectively. We finish having George describe the origin of “Inner Drumming”, the use of graphic notation, the nature of deliberate practice, and the myriad benefits of the method. Of course, we finish the show by taking George through the DWG Rorschach Test! Dr. Zeitlin would be delighted! Visit George at his web site: http://georgemarsh.com/ There you can view his media, purchase his book, and contact him for lessons. Here is the list of songs included in this episode: 1) “Time’s Caught Up with You” – The Jerry Hahn Brotherhood 2) “Aural Hallucination” – Listen 3) “This Ain’t Me” – Mose Allison 4) “Camel Walk” – Marsh, Abercrombie duo 5) “Geysers” – Zeitlin, Marsh 6) “Losing You” – Noam Limish 7) “After Hours” – Marsh, Wilsey, and Mathieu Please visit our website at: www.drummersweeklygroovecast.com There you can listen to our shows, interact with social media, email us, view our videos and more. If you are an Apple platform user please take a moment to review us the next time you are in iTunes. A 5-star rating would be greatly appreciated. New shows are published every Monday and can be found on iTunes, Google Play Podcasts, Spotify, Stitcher and everywhere you listen to your favorite podcasts. Subscribe today

11e émission de la 37e session... Cette semaine, départ funky-soul puis électro-jazz et ambient! En musique Leroy Houston sur la compilation Anthology 1972-84  (Acid Jazz, 2017); 30/70 Collective sur l'album Elevate  (Rhythm Section International, 2017); James Holden and the Animal Spirits sur l'album The Animal Spirits  (Border Community, 2017); The Kandinsky Effect sur l'album Pax 6  (Ropeadope, 2017); Girls in Airport sur l'album Live  (Edition, 2017); Denny Zeitlin and George Marsh sur l'album Expedition  (Sunnyside, 2017); TransMemories sur l'album The Sound History of the Earth  (Indépendant, 2017)...

11e émission de la 37e session... Cette semaine, départ funky-soul puis électro-jazz et ambient! En musique Leroy Houston sur la compilation Anthology 1972-84  (Acid Jazz, 2017); 30/70 Collective sur l'album Elevate  (Rhythm Section International, 2017); James Holden and the Animal Spirits sur l'album The Animal Spirits  (Border Community, 2017); The Kandinsky Effect sur l'album Pax 6  (Ropeadope, 2017); Girls in Airport sur l'album Live  (Edition, 2017); Denny Zeitlin and George Marsh sur l'album Expedition  (Sunnyside, 2017); TransMemories sur l'album The Sound History of the Earth  (Indépendant, 2017)...