American musician
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4 episodes with Alan Dawson
3 episodes with Alan Dawson
4 episodes with Alan Dawson
3 episodes with Alan Dawson
2 episodes with Alan Dawson
2 episodes with Alan Dawson
2 episodes with Alan Dawson
2 episodes with Alan Dawson
2 episodes with Alan Dawson
Do The Talking Heads, the quinessential art school band of the East Village scene of the 1970's, still matter? Very much so. At least according to the band's biographer, Jonathan Gould, who believes that The Talking Heads remain "the archetype of what we now think of as the alternative rock group" - a band prioritizing aesthetic evolution over commercial success. Born from New York's affordable cultural moment when rent cost $275 and abandoned industrial spaces fostered creativity, Talking Heads, Gould argues in Burning the House Down, emerged as agnostic questioners of rock conventions. They rejected "rock hair, rock lights, and singing like a black man," creating minimalist performances under stark white lighting. Their 1984 film "Stop Making Sense" appears utterly modern today, Gould says, suggesting their systematic deconstruction of musical expectations continues influencing artists four decades later. Five Key Takeaways 1. The Agnostic Approach Talking Heads were "agnostic about everything" - not just religion, but romantic love, rock conventions, and musical preconceptions. This systematic questioning of accepted norms became their defining creative principle.2. Class and Ambition Shaped Their Art Unlike working-class rock predecessors, they were privileged art school graduates who grew up expecting to "be something." This background fostered artistic ambition over simple commercial success, making them prototypes of the alternative rock ethos.3. New York's Economic Crisis Created Cultural Opportunity The city's 1970s near-bankruptcy made it affordable ($275/month rent) for young artists. The exodus of residents and businesses left vast industrial spaces available, enabling an unprecedented downtown cultural scene.4. Minimalism as Rebellion Their aesthetic rebellion involved subtraction, not addition - "no rock hair, no rock lights, no long guitar solos." Working with Brian Eno, they removed rather than added tracks, creating space through restraint.5. Timeless Modernity "Stop Making Sense" appears contemporary today because they focused on modernity rather than trends. Their systematic rejection of rock clichés created work that transcends its 1980s origins, explaining their continued influence on alternative music.Jonathan Gould is a writer and a former professional musician. Born and raised in New York City, he began playing drums in high school and became serious about it while attending Cornell University, which led him to move to Boston in 1975 to study with the eminent jazz drummer Alan Dawson. He went on to spend many years working in bands and recording studios in Boston, Woodstock, and New York City before turning his full attention to writing about music in the early 1990s under the mentorship of the retired New Yorker editor William Shawn. In addition to his playing and writing about music, Jonathan also raised a family, served in local politics, and took an active role in the life of the upstate New York community where he lived for twenty-five years. He currently divides his time between Williamsburg, Brooklyn, and Livingston, NY.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
For this episode we're joined – all the way from Brooklyn – by acclaimed author and sometime drummer Jonathan Gould. The native New Yorker recalls his early musical epiphanies, his introduction to the drums and his studying under famed jazz drummer Alan Dawson in mid-'70s Boston. He also reminisces about his years in Woodstock, N.Y., and his association with The Band's Richard Manuel. Our very personable guest explains his conversion to writing about music and the long gestation of his epic Beatles book Can't Buy Me Love (2007). From there we jump to 2017's equally praised Otis Redding: An Unfinished Life, an excuse not just to talk about The Big O but to hear clips from audio interviews with Stax Records/Booker T. & the M.G.'s legends Duck Dunn and Steve Cropper. Finally, we get to the subjects of his latest enormo-tome Burning Down the House: Talking Heads. Jonathan talks about his experience of writing the book, the band's unique brilliance and internal frictions, and their complicated relationship with producer/"collaborator" Brian Eno. After we've paid our respects to beloved EMAP Metro writer-publisher Barry McIlheney and to fomrer McCoy/Johnny and Edgar Winter sideman/All-American Boy Rick(y) Derringer, Jasper talks us out with his thoughts on pop's most misunderstood songs.
El disco 'Further ahead - Live in Finland 1964-1969' recoge grabaciones inéditas de tres conciertos del pianista Bill Evans en Finlandia. En Helsinki, con Chuck Israels y Larry Bunker, 'My heart sings', 'Come rain or come shine', 'Nardis', 'Autumn leaves' y 'Five', en agosto de 1964, y, en noviembre de 1965, con Niels-Henning Orsted Pedersen y Alan Dawson, 'Detour ahead' y 'My melancholy baby -con Lee Konitz al saxo alto-. En la ciudad de Tampere, octubre de 1969, con Eddie Gómez y Marty Morell, 'Very early', 'Who can I turn to?', 'Round midnight' y 'Turn out the stars'. Escuchar audio
This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode of Broadway Drumming 101, we chat with touring legend Paul Hannah, whose career spans over four decades and countless genres—from orchestras to biker bars and Broadway pits to jazz trios.Paul began playing professionally at just 16, growing up in Las Vegas during a time when the mob ran the city and every hotel had a full orchestra. He learned firsthand from giants like Jerry Gilgor, Tommy Check, Leo Camera, Roger Rampton, and Walfredo de los Reyes. Later, he studied with titans like Vic Firth, Alan Dawson, and Alexander Lepak, preparing him for a career that's taken him across the U.S., Canada, Japan, and China.
Episode 71: Harvey Mason Sr. You've heard Harvey Mason Sr., whether you realize it or not. From the iconic grooves of Herbie Hancock's Head Hunters to the GRAMMY-winning “Kiss From A Rose” by Seal, Harvey's drumming has shaped music history across genres, decades, and mediums — albums, film scores, and TV alike. He's not only a musical powerhouse, but a dear friend, and in this episode, we finally sat down to dig into his legendary run — especially his work with Herbie Hancock and the Head Hunters album. Harvey shares the story of how that band came together, the sessions behind Chameleon and Watermelon Man, and why he chose not to tour with them at the height of their success. We also dive into his solo career — how it started, how it evolved, and the surprising role Clive Davis played in making it all happen. Harvey opens up about his long-standing friendships and collaborations with Quincy Jones and Chick Corea, his approach to fatherhood (including raising his sons Harvey Mason Jr., CEO of the Recording Academy, and Max Mason, former VP of Quincy Jones Productions), and how he built a legacy both on and off the kit. Fun fact: Vic Firth was Harvey's teacher — and Harvey still receives royalties from the early days of Vic Firth drumsticks! We also get into his stunning new album Changing Partners: Trios 2, featuring the likes of Chick Corea, Gonzalo Rubalcaba, James Genus, Dave Grusin, Stanley Clarke. This conversation is a masterclass in musicianship, legacy, and love for the craft. Enjoy my sit-down with the incomparable Harvey Mason Sr. ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (0:00:00) Intro (0:02:35) Harvey's New Album (0:05:26) Head Hunters (0:06:29) Getting the Call from Herbie Hancock (0:09:20) Making the Head Hunters Album (0:10:59) Studio vs. Touring Musician, Harvey's Background (0:14:06) Berklee, Studying with Alan Dawson (0:15:33) Vic Firth taught Harvey (0:17:55) Moving to L.A., Lucille Ball Show (0:19:41) Session Work in the 1970's (0:21:24) Working with Quincy Jones on the Bill Cosby Show (0:22:51) Instrument Collection, Harvey's Foundation (0:24:23) Session Work, Touring (0:28:00) “Chameleon” Session (0:30:56) Herbie's Hollywood Bowl Show (0:32:55) What Herbie was like in the 70's (0:33:47) “Watermelon Man” (0:35:15) The “4 A.M.” Session, Jaco Pastorius (0:36:41) Jaco Stories (0:38:22) The “4 A.M.” Session Continued (0:38:45) Focusing on Goals, Family Life (0:41:18) Harvey Mason Jr. (0:41:59) Max Mason (0:44:18) Learning from Clive Davis, Quincy, and others (0:48:22) Biggie, T.I., and Lupe Fiasco Sampled Harvey's Music (0:49:05) Funk in a Mason Jar (0:49:39) “Till You Take My Love,” David Foster, David Paich (0:51:40) Clive Davis (0:55:59) Touring with Carole King (0:57:30) Chick Corea (0:58:55) Losing Chick and Quincy (1:00:44) What Harvey is Doing Now (1:02:05) How to Keep Creativity Going (1:02:54) Playing Piano in Church (1:06:42) Playing with Duke Ellington (1:08:07) The Quincy Jones JammJam (1:09:12) Advice (1:10:47) “Changing Partners Trios II” (1:11:49) Vic Firth Stories (1:18:55) Residuals, Pension, Royalties, and Sessions (1:21:31) Sharing Stories Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Harvey: https://www.instagram.com/harveymasonsr/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano
Tonight's Jazz Feature is one of the most individual and passionate voices of the alto saxophone William "Sonny" Criss. The album is his second for Prestige Records called "Portrait of Sonny Criss". He recorded for Prestige from 1966 to 1969 and these albums remain his best known. Sonny here is accompanied by the great under rated Walter Davis Jr. on piano, Paul Chambers on bass and Alan Dawson on drums and was done on March 23, 1967 at Rudy Van Gelder's Studio. The album mixes standard tunes and a couple of Jazz favorites but each track demonstrates Sonny's passionate sound and intensity. A musical portrait indeed of an unsung great: Sonny Criss.
CAL TJADER GÓZAME ! PERO YA… San Francisco, CA, June, 1980Shoshana, Bye bye blues, Roger's sambaRoger Glenn (fl,perc) Cal Tjader (vib) Mark Levine (p,el-p) Mundell Lowe (g) Robb Fisher (b) Vince Lateano (d,timb) Poncho Sanchez (timb,bgo,cga,perc) SONNY CRISS THIS IS CRISS ! Englewood Cliffs, NJ, October 21, 1966Steve's blues, Skylark, Love for saleSonny Criss (as) Walter Davis, Jr. (p) Paul Chambers (b) Alan Dawson (d) CLIFFORD BROWN / MAX ROACH QUINTET STUDY IN BROWN New York, February 23, 24, 1955Cherokee, Swingin', George's Dilemma, Take The A TrainClifford Brown (tp) Harold Land (ts) Richie Powell (p,arr) George Morrow (b) Max Roach (d) Continue reading Puro Jazz 10 de febrero, 2025 at PuroJazz.
CAL TJADER GÓZAME ! PERO YA… San Francisco, CA, June, 1980Shoshana, Bye bye blues, Roger's sambaRoger Glenn (fl,perc) Cal Tjader (vib) Mark Levine (p,el-p) Mundell Lowe (g) Robb Fisher (b) Vince Lateano (d,timb) Poncho Sanchez (timb,bgo,cga,perc) SONNY CRISS THIS IS CRISS ! Englewood Cliffs, NJ, October 21, 1966Steve's blues, Skylark, Love for saleSonny Criss (as) Walter Davis, Jr. (p) Paul Chambers (b) Alan Dawson (d) CLIFFORD BROWN / MAX ROACH QUINTET STUDY IN BROWN New York, February 23, 24, 1955Cherokee, Swingin', George's Dilemma, Take The A TrainClifford Brown (tp) Harold Land (ts) Richie Powell (p,arr) George Morrow (b) Max Roach (d) Continue reading Puro Jazz 10 de febrero, 2025 at PuroJazz.
**It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Some Classic & Contemporary/Neo Jazz/Samba/ Be Bop/ Jazz Crackers From Tito Puente, Alan Dawson, Mike Campbell, Namaz, Charlie Sepulveda, Bobby Lyle, Mamond, S-Tone, Hendrik Meurkens & More #originalpirates #JazzMusic #jazzfunk #jazzclub #jazzdance #neojazz #sambajazz #bebop Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**
When you subscribe for only $10 a month, you will receive behind-the-scenes access to the life of a musician who makes a living on Broadway through YouTube videos, podcasts, and articles on what you need to know. We also have merchandise! https://merchandise.broadwaydrumming101.comIn this episode of Broadway Drumming 101, we are thrilled to welcome the incredibly talented Bill Hayes. With an illustrious career that has spanned decades, Bill shares his journey from a young music enthusiast to a celebrated Broadway musician. Tune in as we delve into:* Broadway Career: Bill Hayes discusses his extensive Broadway career, maintaining a balance while working with renowned artists like Liza Minnelli, Barbra Streisand, and Frank Sinatra.* Early Music Interests: Starting with piano lessons in kindergarten, Bill's passion for music grew as he got interested in drums during junior high. He formed his first band, "Barcelona Brass," inspired by Herb Alpert and the Tijuana Brass.* High School and Beyond: Bill studied under Alan Dawson in Boston during high school and later attended Hart School of Music, where he learned from notable musicians like Gary Burton and Al Lipak.* Transition to Broadway: Bill describes his move to New York, initially facing uncertainty but soon finding opportunities to sub in Broadway pits, eventually leading to his own chairs.* Challenges and Adaptations: Hear about Bill's experiences adapting to technological changes in Broadway pits, from acoustic settings to using in-ear monitors and flat screens.* Diverse Musical Styles: Bill emphasizes the importance of versatility in Broadway, switching between various musical styles quickly, and how this skill is valuable when playing with different artists.* Networking and Subbing: Bill advises aspiring Broadway musicians to start by subbing, meeting established players, and building a network as crucial steps for getting and maintaining work on Broadway.* Maintaining Musicianship: Learn about the importance of staying in shape, both musically and physically, to avoid injuries and maintain high performance levels throughout a long career.* Career Longevity and Flexibility: Bill reflects on the unpredictability of Broadway careers, the importance of staying flexible, taking opportunities as they come, and continuously learning and adapting.Bill Hayes' career has taken him around the globe, performing with legends like Barbra Streisand, Liza Minnelli, Frank Sinatra, and Audra McDonald. His international tours have included destinations from Paris to Uruguay to Tokyo. Bill has recorded three albums with Streisand, six with Minnelli, and collaborated on projects with Sinatra, Rufus Wainwright, Brian Stokes Mitchell, Meredith Monk, Maria Schneider, Gerry Niewood, and Lea DeLaria.His musical versatility is a hallmark of his career, demonstrated by his diverse collaborations. From sharing the stage with KORN on MTV Unplugged to performing with Spiritualized at Radio City Music Hall, Bill has worked with musical icons like Aretha Franklin, Kenny Rogers, Ray Charles, Marvin Hamlisch, and Art Garfunkel. Bill's Broadway contributions are equally impressive, with chairs in over 60 Broadway shows and recordings of numerous cast albums. His television appearances span five continents, showcasing his global influence.Bill Hayes proudly endorses Innovative Percussion and Paiste Cymbals.Don't miss this insightful conversation with one of Broadway's finest musicians!Clayton Craddock is the founder of Broadway Drumming 101, a comprehensive online platform dedicated to providing specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include: tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.comCONNECT WITH ME ON MEETHOOK! Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
It's mostly blues, funk, and soul jazz tonight. Dave Brubeck Quintet, Alan Dawson's drum solo from Take Five Art Tatum, Blues In C Lou Donaldson, Grits And Gravy Benny Carter, Cotton Tail Horace Silver, The Skunky Funky Blues Horace Silver Quintet, The Preacher James Rivers, Smokey the Funky Soprano Chico O'Farrill, Guaguasi Benny Golson Funky Quintet, Blues March Houston Person, Please Send Me Someone to Love
Show notes: One of the most highly regarded jazz drummers today, Joe is known for his blazing speed, precision, musical, and melodic playing. Born in South Hadley, Massachusetts, in 1968, Joe grew up in a musical family; his father was a music educator, and he has four older brothers, two of whom became professional musicians. He studied with Alan Dawson and Arthur Taylor prior to attending and graduating from William Patterson College in New Jersey in 1994, where he began playing with saxophonist Eric Alexander and guitarist Peter Bernstein. Upon moving to New York City, he led the weekend jazz combos at Augie's (now Smoke Jazz & Supper Club). He performed with Junior Cook, Cecil Payne, John Ore, Big John Patton, Harold Mabern, Eddie Henderson, John Jenkins, and his brothers, John and James. Joseph's career includes recording over 100 CDs as leader and side-man, jazz festivals, and world tours with Pharaoh Sanders, Horace Silver, Harold Mabern, McCoy Tyner, Cedar Walton, Diana Krall, Benny Golson, George Coleman, Johnny Griffin, Lou Donaldson, Benny Green, Barry Harris, Curtis Fuller to name a few. He was the drummer for the late McCoy Tyner, a member of the late Pharaoh Sanders Quartet, and the late Harold Mabern Trio, and is a founding member of the renowned One for All Quintet. My recordings as a leader include Drumspeak and Beautiful Friendship feats. Cedar Walton and Curtis Fuller, Prime Time, Super Prime Time, and Make Someone Happy. Sarah Hanahan is an up-and-coming jazz saxophonist in New York City. Sarah is a graduate of the Jackie McLean Institute of Jazz at the Hartt School of Music, where she received her Bachelor's degree in 2019, as well as The Juilliard School, where she received her master's degree in 2022. She has had the privilege of studying with some of the greats of our time, including Abraham Burton, Nat Reeves, Steve Davis, Billy Drummond, and Marc Cary. --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagejazz/message
This week on The Last Round Podcast, the team reviews Anthony Joshua's victory and Deontay Wilder's loss to Joe Parker, Future of Heavyweight division, Vergil Ortiz's return in Las Vegas, His time at 154-160, Naoya Inoue's 122 Undisputed victory, boxing manager Cameron Dunkin passes away, Manny Pacquiao says he's fighting Floyd Mayweather in Japan in 2024, PBC-Amazon Deal update, and much more. https://linktr.ee/TheLastRound
Reporter and Writer, Alan Dawson, of Pro Box TV, joins The Last Round Podcast for the Annual End of Year Boxing Quiz for 2023. Listen to see how big of a boxing fan YOU ARE and how many questions you could get RIGHT! https://linktr.ee/TheLastRound
One of the most highly regarded jazz drummers on the scene today, Joe is known for his blazing speed, precision, musical, and melodic playing. Born in South Hadley, Massachusetts in 1968, Joe grew up in a musical family; his father was a music educator and he has four older brothers, two of whom became professional musicians. He studied with Alan Dawson and Arthur Taylor prior to attending and graduating from William Patterson College in New Jersey in 1994. Upon moving to New York City, he led the weekend jazz combos at Augie's (now Smoke Jazz & Supper Club). He performed with Junior Cook, Cecil Payne, John Ore, Big John Patton, Harold Mabern, Eddie Henderson, John Jenkins and his brothers, John and James. Joseph's career includes recording over 100 CD's as leader and side-man, jazz festivals and world tours with Pharaoh Sanders, Horace Silver, Harold Mabern, McCoy Tyner, Cedar Walton, Diana Krall, Benny Golson, George Coleman, Johnny Griffin, Lou Donaldson, Benny Green, Curtis Fuller to name a few. In this episode, Joe talks about: Studying with Alan Dawson How he arrived at his "just play time" identity as a jazz drummer the centrality of the ride cymbal in all jazz drumming The difference between playing with someone and playing for them Why he chooses to almost always perform in a suit and tie
John's guest is the incomparable Cindy Blackman Santana! Cindy talks about her formative years as a drummer and hearing Max Roach for the first time, and shortly after, the great Tony Williams and the influence Tony has on her playing. Attending Berklee College of Music and later studying with the legendary Alan Dawson. Moving from Boston to New York and establishing herself in the New York jazz scene. Auditioning for Lenny Kravitz in 1993 and playing with Lenny for 17 years. Being the drummer in her husband's band, the legendary Carlos Santana, since 2016, as well as leading her own band The Cindy Blackman Santana Quartet, and much more! Check out Cindy's website for 2023 Carlos Santana and Cindy Blackman Santana Quartet tour dates! https://cindyblackmansantana.com/ Check out John's new podcast “TrackTalk” and subscribe! @livefrommydrumroom https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom
On episode 430 of Morning Kombat BC is in Vegas to cover Gervonta Davis vs. Ryan Garcia. Brian is first joined by Eric Raskin and Kieran Mulvaney to break down the biggest storylines for Davis vs. Garcia. Next up BC brings in Alan Dawson of the Insider to preview UFC Vegas 71, Bellator 294 and Bellator 295. You won't want to miss this episode.Morning Kombat is available for free on the Audacy app as well as Apple Podcasts, Spotify, Google Podcasts, Stitcher and wherever else you listen to podcasts. For more Combat Sports coverage subscribe here: youtube.com/MorningKombat Follow our hosts on Twitter: @BCampbellCBS, @lthomasnews, @MorningKombat For Morning Kombat gear visit:morning kombat.store Follow our hosts on Instagram: @BrianCampbell, @lukethomasnews, @MorningKombat Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.
On episode 430 of Morning Kombat BC is in Vegas to cover Gervonta Davis vs. Ryan Garcia. Brian is first joined by Eric Raskin and Kieran Mulvaney to break down the biggest storylines for Davis vs. Garcia. Next up BC brings in Alan Dawson of the Insider to preview UFC Vegas 71, Bellator 294 and Bellator 295. You won't want to miss this episode. Morning Kombat is available for free on the Audacy app as well as Apple Podcasts, Spotify, Google Podcasts, Stitcher and wherever else you listen to podcasts. For more Combat Sports coverage subscribe here: youtube.com/MorningKombat Follow our hosts on Twitter: @BCampbellCBS, @lthomasnews, @MorningKombat For Morning Kombat gear visit:morning kombat.store Follow our hosts on Instagram: @BrianCampbell, @lukethomasnews, @MorningKombat To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Angelo and Lex welcome on Alan Dawson of Insider.com to break down his reporting over the last several months on the upcoming super fight between Gervonta Davis and Ryan Garcia. Alan was first to report that the deal was close and he details how he got the scoop and why he never lost faith. Plus, notes from Alan's recent conversation with Stephen Espinoza, a discussion on the current state of British boxing, Saudi sports washing, covering topics no one else is talking about, and much more. Support the show and get access to more podcasts over at patreon.com/sundaypuncher
John's guest this week is legendary studio drummer John JR Robinson. In this episode, JR talks about attending Berklee College in Boston in the early/mid 1970s where his classmates included Vinnie Colaiuta, Steve Smith, Casey Scheuerell and Kenwood Dennard, and studying with Alan Dawson and Gary Chaffee. Going on the road with his show band and meeting and joining Rufus and Chaka Khan and moving to Los Angeles, which was a pivotal point in his career. After meeting Quincy Jones, JR became one of the busiest and most in-demand studio drummers in LA. John and JR do a deep dive into some of the biggest hits he recorded, and JR shares stories about working with Michael Jackson, Madonna, John Fogerty, Barbra Streisand, Steve Winwood, Lionel Richie, David Lee Roth, as well as his latest project “SRT,” who will be releasing their full record soon. This was only the tip of the iceberg so stay tuned for Part 2! Please subscribe to Live From My Drum Room: https://www.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom
John's guest this week is legendary studio drummer John JR Robinson. In this episode, JR talks about attending Berklee College in Boston in the early/mid 1970s where his classmates included Vinnie Colaiuta, Steve Smith, Casey Scheuerell and Kenwood Dennard, and studying with Alan Dawson and Gary Chaffee. Going on the road with his show band and meeting and joining Rufus and Chaka Khan and moving to Los Angeles, which was a pivotal point in his career. After meeting Quincy Jones, JR became one of the busiest and most in-demand studio drummers in LA. John and JR do a deep dive into some of the biggest hits he recorded, and JR shares stories about working with Michael Jackson, Madonna, John Fogerty, Barbra Streisand, Steve Winwood, Lionel Richie, David Lee Roth, as well as his latest project “SRT,” who will be releasing their full record soon. This was only the tip of the iceberg so stay tuned for Part 2! https://linktr.ee/live_from_my_drum_room
Support the Show: Use promo code TLRBOXINGat Manscaped.com for 20% off Keep up with the show: https://linktr.ee/TheLastRound
Hearing Max Roach for the first time changed Cindy Blackman Santana's outlook. Studying under jazz greats such as Art Blakey, Alan Dawson and Jackie Mclean – she got to know jazz at its roots. This would prove both helpful and useful when it came to auditions and gigs down the line. Whether it was playing onstage every night with Lenny Kravitz or Santana – her connection to music surpasses the physical sense.
The Insider's Alan Dawson joined Eoin and Ger on #OTBAM to preview Saturday's world heavyweight boxing title rematch between Oleksandr Usyk and Anthony Joshua in Saudi Arabia on Saturday. Catch OTB's sports breakfast show LIVE weekday mornings from 7:30am or just search for OTB AM and get the podcast on the OTB Sports app or wherever you listen to yours. SUBSCRIBE and FOLLOW the OTB AM podcast. #OTBAM is live weekday mornings from 7:30am across Off The Ball, in association with Gillette | #EffortlessFlow
Welcome to Thursday's #OTBAM podcast - Ger & Eoin are in studio, bringing you your sports breakfast fix. Rhasidat Adeleke is live on the line after breaking her own 400m record. Niamh Briggs and Gregor Paul talk rugby. Alan Dawson previews the Joshua fight and Jim White & Phil McNulty on the history and rivalry of Liverpool v United. Timestamps and topics below. (01:00) – Kickoff with Ger & Eoin (27:20) – Rugby w/Niamh Briggs (45:30) – Rugby w/Gregor Paul (01:07:50) – Sports News (01:10:40) - Virtual Insanity (01:22:20) – Boxing w/Alan Dawson (01:42:30) – Football w/Jim White & Phil McNulty (01:58:20) – Rhasidat Adeleke Catch OTB's sports breakfast show LIVE weekday mornings from 7:30am or just search for OTB AM and get the podcast on the OTB Sports app or wherever you listen to yours. SUBSCRIBE and FOLLOW the OTB AM podcast. #OTBAM is live weekday mornings from 7:30am across Off The Ball, in association with Gillette | #EffortlessFlow
With all the "Sonnys" in Jazz, especially those who are saxophone players, one who seems always to be forgotten is William "Sonny" Criss. He is tonight's Jazz feature artist. Sonny had been around for a few years but his career was rather spotty but in 1965 he sent a demo tape to Prestige Record's producer Don Schlitten and Sonny was signed to a contract and recorded seven superb albums for Prestige from 1966 to 1969. We hear his initial date tonight recorded in RVG Studio on October 21,1966, 2 days before Sonny's 39th Birthday. Sonny appears with Walter Davis Jr. on piano, Paul Chambers on bass and the magnificent Alan Dawson on drums. The repertoire of 8 tunes is mostly standards but Walter Davis composed one and Sonny composed one also. As the cover of the album states "here is an alto saxophonist whose consummate artistry approaches perfection". That quote is no exaggeration and I'm sure you'll agree. "This is Criss!" tonight's Jazz Feature.
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http://www.vitalinformation.com/ Steve Smith's drumming, while decidedly modern, can best be described as a style that embodies the history of U.S. music. Steve is active as a band leader (Steve Smith and Vital Information) as a featured sideman (Mike Stern Group, Zakir Hussain's Masters of Percussion, Steps Ahead, Hiromi-The Trio Project) and as an educator/clinician. Steve Smith grew up in the Boston area and started playing drums at the age of nine in 1963. He studied music at the Berklee College of Music from 1972 to 1976 with Alan Dawson and Gary Chaffee as his private instructors. Over the past 45 years he has toured and recorded with some of the biggest names in jazz and rock - appearing on recordings that have sold over 100 million copies worldwide - including Journey, Bryan Adams, Mariah Carey, Zucchero and Jean-Luc Ponty. Other notable jazz artists Smith has played with include Zakir Hussain, Buddy DeFranco, Benny Golson, Ahmad Jamal, Dave Liebman, Randy Brecker, Michael Brecker, Bill Evans and Hiromi. Smith produced and played on a series of sixteen jazz albums for the Tone Center label featuring players such as Frank Gambale, Stu Hamm, Oteil Burbridge, Larry Coryell, Jerry Goodman, Howard Levy, Steve Marcus, Scott Henderson and Victor Wooten. His release The Best Of Steve Smith – The Tone Center Collection is a sample of some of his favorite tracks from those collaborations. Smith is currently touring with his own all-star band Vital Information featuring Manuel Valera (keyboards) and Janek Gwizdala (bass). The lastest Vital Information release is titled Heart Of The City. Vital Information is approaching its 40th Anniversary, as the first Vital Information album was released in 1983. Wounded Bird Records is starting the celebration with the 2022 release of The Complete Columbia Recordings, a four CD set of the first four Vital Information albums. From 2016-2019 Steve Smith toured with the iconic rock band Journey, the group in which he recorded nine albums with massive hits. In 2017 Smith was inducted into the Rock and Roll Hall of Fame. Contact Counterparts through the website: www.counterpartsshow.com
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http://www.vitalinformation.com/ Steve Smith's drumming, while decidedly modern, can best be described as a style that embodies the history of U.S. music. Steve is active as a band leader (Steve Smith and Vital Information) as a featured sideman (Mike Stern Group, Zakir Hussain's Masters of Percussion, Steps Ahead, Hiromi-The Trio Project) and as an educator/clinician. Steve Smith grew up in the Boston area and started playing drums at the age of nine in 1963. He studied music at the Berklee College of Music from 1972 to 1976 with Alan Dawson and Gary Chaffee as his private instructors. Over the past 45 years he has toured and recorded with some of the biggest names in jazz and rock - appearing on recordings that have sold over 100 million copies worldwide - including Journey, Bryan Adams, Mariah Carey, Zucchero and Jean-Luc Ponty. Other notable jazz artists Smith has played with include Zakir Hussain, Buddy DeFranco, Benny Golson, Ahmad Jamal, Dave Liebman, Randy Brecker, Michael Brecker, Bill Evans and Hiromi. Smith produced and played on a series of sixteen jazz albums for the Tone Center label featuring players such as Frank Gambale, Stu Hamm, Oteil Burbridge, Larry Coryell, Jerry Goodman, Howard Levy, Steve Marcus, Scott Henderson and Victor Wooten. His release The Best Of Steve Smith – The Tone Center Collection is a sample of some of his favorite tracks from those collaborations. Smith is currently touring with his own all-star band Vital Information featuring Manuel Valera (keyboards) and Janek Gwizdala (bass). The lastest Vital Information release is titled Heart Of The City. Vital Information is approaching its 40th Anniversary, as the first Vital Information album was released in 1983. Wounded Bird Records is starting the celebration with the 2022 release of The Complete Columbia Recordings, a four CD set of the first four Vital Information albums. From 2016-2019 Steve Smith toured with the iconic rock band Journey, the group in which he recorded nine albums with massive hits. In 2017 Smith was inducted into the Rock and Roll Hall of Fame. Contact Counterparts through the website: www.counterpartsshow.com
http://www.vitalinformation.com/ Steve Smith's drumming, while decidedly modern, can best be described as a style that embodies the history of U.S. music. Steve is active as a band leader (Steve Smith and Vital Information) as a featured sideman (Mike Stern Group, Zakir Hussain's Masters of Percussion, Steps Ahead, Hiromi-The Trio Project) and as an educator/clinician. Steve Smith grew up in the Boston area and started playing drums at the age of nine in 1963. He studied music at the Berklee College of Music from 1972 to 1976 with Alan Dawson and Gary Chaffee as his private instructors. Over the past 45 years he has toured and recorded with some of the biggest names in jazz and rock - appearing on recordings that have sold over 100 million copies worldwide - including Journey, Bryan Adams, Mariah Carey, Zucchero and Jean-Luc Ponty. Other notable jazz artists Smith has played with include Zakir Hussain, Buddy DeFranco, Benny Golson, Ahmad Jamal, Dave Liebman, Randy Brecker, Michael Brecker, Bill Evans and Hiromi. Smith produced and played on a series of sixteen jazz albums for the Tone Center label featuring players such as Frank Gambale, Stu Hamm, Oteil Burbridge, Larry Coryell, Jerry Goodman, Howard Levy, Steve Marcus, Scott Henderson and Victor Wooten. His release The Best Of Steve Smith – The Tone Center Collection is a sample of some of his favorite tracks from those collaborations. Smith is currently touring with his own all-star band Vital Information featuring Manuel Valera (keyboards) and Janek Gwizdala (bass). The lastest Vital Information release is titled Heart Of The City. Vital Information is approaching its 40th Anniversary, as the first Vital Information album was released in 1983. Wounded Bird Records is starting the celebration with the 2022 release of The Complete Columbia Recordings, a four CD set of the first four Vital Information albums. From 2016-2019 Steve Smith toured with the iconic rock band Journey, the group in which he recorded nine albums with massive hits. In 2017 Smith was inducted into the Rock and Roll Hall of Fame. Contact Counterparts through the website: www.counterpartsshow.com
This week on Comes A Time Oteil and Mike talk with jazz drummer Joe Corsello. Joe tells the guys what it was like to play with Benny Goodman, watch Miles Davis and Bill Evans play from a few feet away (for $2 dollars), and perform a high-pressure audition for Sonny Rollins. You'll also hear Joe detail his experience climbing the ladder of musicianship, talk about how the music business has changed since the pandemic, and recall a life-altering Dave Brubeck concert that he saw when he was 11 years old. Without even hearing him play, Joe's wisdom makes it clear why he was chosen to lead the rhythm section of so many great bands.Joe Corsello is a drummer born and raised in Stamford, Connecticut. Joe has made a lifetime commitment to playing drums and continually striving to reach new highs in the drumming world. He studied under the watchful eye of drum legend Alan Dawson at Berklee College of Music, and later enlisted in the U.S. Army band. He would go on to tour with the Glenn Miller Orchestra, and form the jazz/rock band, New York Mary (Arista Records). The band recorded two successful records and toured with the B52′s, Patti Smith, Stevie Wonder and Tony Williams Lifetime band. Joe can be heard on recordings with Sonny Rollins, Marian McPartland, Benny Goodman, Steve Marcus, Ralph Lalama, Mike Moore, Sal Salvadore, Gene Bertoncini, Mike Mainari and many more legendary artists.-----------*DISCLAIMER: This podcast does NOT provide medical advice. The information contained in this podcast is for informational and entertainment purposes only. No material in this podcast is intended to be a substitute for professional medical advice, diagnosis or treatment. Always seek the advice of your physician or other qualified healthcare provider with any questions you may have regarding a medical condition or treatment and before undertaking a new health care regimen*-----------This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. Please leave us a rating or review on iTunes!Comes A Time is brought to you by Osiris Media. Hosted and Produced by Oteil Burbridge and Mike Finoia. Executive Producers are Christina Collins and RJ Bee. Production, Editing and Mixing by Eric Limarenko and Matt Dwyer. Theme music by Oteil Burbridge. Production assistance by Matt Bavuso. To discover more podcasts that connect you more deeply to the music you love, check out osirispod.com-------Visit SunsetlakeCBD.com and use the promo code TIME for 20% off premium CBD products See acast.com/privacy for privacy and opt-out information.
This week on Comes A Time Oteil and Mike talk with jazz drummer Joe Corsello. Joe tells the guys what it was like to play with Benny Goodman, watch Miles Davis and Bill Evans play from a few feet away (for $2 dollars), and perform a high-pressure audition for Sonny Rollins. You'll also hear Joe detail his experience climbing the ladder of musicianship, talk about how the music business has changed since the pandemic, and recall a life-altering Dave Brubeck concert that he saw when he was 11 years old. Without even hearing him play, Joe's wisdom makes it clear why he was chosen to lead the rhythm section of so many great bands. Joe Corsello is a drummer born and raised in Stamford, Connecticut. Joe has made a lifetime commitment to playing drums and continually striving to reach new highs in the drumming world. He studied under the watchful eye of drum legend Alan Dawson at Berklee College of Music, and later enlisted in the U.S. Army band. He would go on to tour with the Glenn Miller Orchestra, and form the jazz/rock band, New York Mary (Arista Records). The band recorded two successful records and toured with the B52′s, Patti Smith, Stevie Wonder and Tony Williams Lifetime band. Joe can be heard on recordings with Sonny Rollins, Marian McPartland, Benny Goodman, Steve Marcus, Ralph Lalama, Mike Moore, Sal Salvadore, Gene Bertoncini, Mike Mainari and many more legendary artists. ----------- *DISCLAIMER: This podcast does NOT provide medical advice. The information contained in this podcast is for informational and entertainment purposes only. No material in this podcast is intended to be a substitute for professional medical advice, diagnosis or treatment. Always seek the advice of your physician or other qualified healthcare provider with any questions you may have regarding a medical condition or treatment and before undertaking a new health care regimen* ----------- Visit SunsetlakeCBD.com and use the promo code TIME for 20% off premium CBD products Learn more about your ad choices. Visit megaphone.fm/adchoices
(0:00) We start with a recap of Inoue's KO win of Nonito Donaire, Edgar Berlanga's win over Roamer Alexis Angulo, Josue Vargas losing again, and Jaime Munguia's KO win on DAZN with Jack Kelly, (39:53) We bring in the newest member of ITRBoxing.com Nibs to preview Artur Beterbiev vs. Joe Smith Jr., Alan Dawson of Insider comes on to talk about his story he wrote about Errol Spence vs. Terence Crawford and what might stop the fight, and finally (01:57:00) Matt Andrzejewski talks about Hall-of-Fame Weekend and what people should know about it -----------Want to support the show visit companies that support us Save 125% on bets made up to $2,500 at BETUS when you use the promo code"ITR"link to the site hereYou can subscribe to ProBoxTV here for $1.99 a month or $18 a year to get live boxing monthly.ITRBOXING LINKS FOR MORE CONTENTThe websiteLukie's newsletterYouTube channel
Alan Dawson from Insider joined this morning's OTB AM. With Gillette | #EffortlessFlow
Welcome to Friday's #OTBAM podcast - Adrian and Eoin are in the studio, bringing you your sports breakfast fix. Looking ahead to the Merseyside derby, GAA championship quick-picks, Quinny, Kinahan latest and the return of the Crappy Quiz Timestamps and topics below. (01:00) – Kickoff with Adrain and Eoin (16:10) – Kinahan w/Alan Dawson (42:10) – Football w/ Caoimhe O'Neill (01:04:20) – Sports Pages (01:16:00) – GAA Quick Picks (01:34:00) – Rugby w/ Quinny (01:52:40) – Crappy Quiz Catch OTB's sports breakfast show LIVE weekday mornings from 7:30am or just search for OTB AM and get the podcast on the OTB Sports app or wherever you listen to yours. SUBSCRIBE and FOLLOW the OTB AM podcast. #OTBAM is live weekday mornings from 7:30am across Off The Ball, in association with Gillette | #EffortlessFlow
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Kenny Aronoff is one of the most influential and in-demand drummers and percussionists in the world. He has entertained millions of people with his drumming, has played on thousands of records, and has been the “go-to” drummer for the biggest stars in music while providing the beat of American culture over four decades! https://kennyaronoff.com/ Kenny grew up in a big country farmhouse in a small town of 3,000 people in the hills of western Massachusetts. He was a self-taught drummer who at the young age of 16 decided to learn how to play timpani, mallets, and legit snare drum. He studied and played with members of the Boston Symphony Orchestra, including world-renowned timpanist Vic Firth. He went on to study for one year at the university of Massachusetts and four years at Indiana University School of Music in Bloomington, Indiana, where among other honors, he was awarded the school's prestigious performer's certificate. During summer breaks, when he wasn't studying timpani with Vic Firth, he played in symphony orchestras at the Aspen Music Festival (run by the Juilliard School of Music) and the Tanglewood Music Festival (run by the Boston Symphony Orchestra). After graduating, Kenny was offered timpani positions in several symphony orchestras, but instead said “no” because he still wanted to be in a rock ‘n' roll band and be part of a team of musicians that recorded music and toured the world, just like The Beatles did. Kenny spent one year studying drum set with Alan Dawson in Boston and Gary Chester in New York before moving back to Bloomington to start his own band, “Streamwinner“. About Counterparts: Join them for conversations about film, music, health, and life. Two cousins from the Bronx are bringing you entertainment through great conversations. Nothing complicated. Just good talk and some funny commentary. :) It's LIVE so bring your questions and commentary too! Join them LIVE every Tuesday at 8 pm EST 7PM Central https://lnkd.in/eRbxWUB To further support and become part of our Counterparts Crew, Please visit our merch store! https://lnkd.in/egMwAmT You may also email them at counterpartspodcast@gmail.com. They love to hear from viewers!
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Kenny Aronoff is one of the most influential and in-demand drummers and percussionists in the world. He has entertained millions of people with his drumming, has played on thousands of records, and has been the “go-to” drummer for the biggest stars in music while providing the beat of American culture over four decades! https://kennyaronoff.com/ Kenny grew up in a big country farmhouse in a small town of 3,000 people in the hills of western Massachusetts. He was a self-taught drummer who at the young age of 16 decided to learn how to play timpani, mallets, and legit snare drum. He studied and played with members of the Boston Symphony Orchestra, including world-renowned timpanist Vic Firth. He went on to study for one year at the university of Massachusetts and four years at Indiana University School of Music in Bloomington, Indiana, where among other honors, he was awarded the school's prestigious performer's certificate. During summer breaks, when he wasn't studying timpani with Vic Firth, he played in symphony orchestras at the Aspen Music Festival (run by the Juilliard School of Music) and the Tanglewood Music Festival (run by the Boston Symphony Orchestra). After graduating, Kenny was offered timpani positions in several symphony orchestras, but instead said “no” because he still wanted to be in a rock ‘n' roll band and be part of a team of musicians that recorded music and toured the world, just like The Beatles did. Kenny spent one year studying drum set with Alan Dawson in Boston and Gary Chester in New York before moving back to Bloomington to start his own band, “Streamwinner“. About Counterparts: Join them for conversations about film, music, health, and life. Two cousins from the Bronx are bringing you entertainment through great conversations. Nothing complicated. Just good talk and some funny commentary. :) It's LIVE so bring your questions and commentary too! Join them LIVE every Tuesday at 8 pm EST 7PM Central https://lnkd.in/eRbxWUB To further support and become part of our Counterparts Crew, Please visit our merch store! https://lnkd.in/egMwAmT You may also email them at counterpartspodcast@gmail.com. They love to hear from viewers!
Kenny Aronoff is one of the most influential and in-demand drummers and percussionists in the world. He has entertained millions of people with his drumming, has played on thousands of records, and has been the “go-to” drummer for the biggest stars in music while providing the beat of American culture over four decades! https://kennyaronoff.com/ Kenny grew up in a big country farmhouse in a small town of 3,000 people in the hills of western Massachusetts. He was a self-taught drummer who at the young age of 16 decided to learn how to play timpani, mallets, and legit snare drum. He studied and played with members of the Boston Symphony Orchestra, including world-renowned timpanist Vic Firth. He went on to study for one year at the university of Massachusetts and four years at Indiana University School of Music in Bloomington, Indiana, where among other honors, he was awarded the school's prestigious performer's certificate. During summer breaks, when he wasn't studying timpani with Vic Firth, he played in symphony orchestras at the Aspen Music Festival (run by the Juilliard School of Music) and the Tanglewood Music Festival (run by the Boston Symphony Orchestra). After graduating, Kenny was offered timpani positions in several symphony orchestras, but instead said “no” because he still wanted to be in a rock ‘n' roll band and be part of a team of musicians that recorded music and toured the world, just like The Beatles did. Kenny spent one year studying drum set with Alan Dawson in Boston and Gary Chester in New York before moving back to Bloomington to start his own band, “Streamwinner“. About Counterparts: Join us for conversations about film, music, health, and life. Two cousins from the Bronx are bringing you entertainment through great conversations. Nothing complicated. Just good talk and some funny commentary. It's LIVE so bring your questions and commentary too! Join us LIVE every Tuesday at 8 pm EST 7PM Central https://lnkd.in/eRbxWUB Thank you for watching and supporting our channel! To further support and become part of our Counterparts Crew, Please visit our merch store! https://lnkd.in/egMwAmT You may also email us at counterpartspodcast@gmail.com. We love to hear from our viewers!
"Pack Up, Coming For You" Tomas Fujiwara's Triple Double: March (Firehouse 12 Records, 2022) Tomas Fujiwara, Gerald Cleaver, Mary Halvorson, Brandon Seabrook, Ralph Alessi, Taylor Ho Bynum. El tema es una composición de Tomas Fujiwara. Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? La formación de March es un trío de pares de instrumentistas, o un doble trío de figuras de primer nivel y con una configuración no muy habitual: Tomas Fujiwara y Gerald Cleaver tocan la batería; Mary Halvorson y Brandon Seabrook la guitarra; Ralph Alessi y Taylor Ho Bynum la corneta, y el primero también la trompeta. Todos los temas del disco son en formación de doble trío, salvo el extenso "For Alan, Part II" que es un tema a dúo de los bateristas en homenaje a Alan Dawson, que llega casi a los dieciocho minutos de duración. El disco se grabó en 2019 en En Firehouse 12. En este local hay además de un estudio de grabación, un bar y un local de conciertos. También tienen un sello discográfico. La portada es obra de Megan Craig. Este tema va con una dedicatoria a Jorge: ¡recupérate pronto y a seguir haciendo mucho ruido! En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… https://www.tomajazz.com/web/?p=46217 Más información sobre Tomas Fujiwara y Firehouse 12 https://www.tomasfujiwara.com/ http://firehouse12.com/ Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
Tomas Fujiwara is a Brooklyn-based drummer and composer. Described as “a ubiquitous presence in the New York scene…an artist whose urbane writing is equal to his impressively nuanced drumming” (Troy Collins, Point of Departure), Tomas is an active player in some of the most exciting music of the current generation, with his bands Triple Double (with Gerald Cleaver, Mary Halvorson, Brandon Seabrook, Ralph Alessi, and Taylor Ho Bynum), Tomas Fujiwara & The Hook Up (with Jonathan Finlayson, Brian Settles, Halvorson, and Michael Formanek) and The Tomas Fujiwara Trio (with Alessi and Seabrook); his collaborative duo with cornetist Taylor Ho Bynum; the collective trio Thumbscrew (with Halvorson and Formanek); and a diversity of creative sideman work with forward-thinking peers like Tomeka Reid and Matana Roberts. In The New York Times, Nate Chinen writes, “Drummer Tomas Fujiwara works with rhythm as a pliable substance, solid but ever-shifting. His style is forward-driving but rarely blunt or aggressive, and never random. He has a way of spreading out the center of a pulse while setting up a rigorous scaffolding of restraint...A conception of the drum set as a full-canvas instrument, almost orchestral in its scope.” Born and raised in Boston, MA, Tomas studied with legendary drummer and teacher Alan Dawson for eight years before moving to New York at the age of 17. He is currently a member of ensembles led by Taylor Ho Bynum, Mary Halvorson, Matana Roberts, Nicole Mitchell, Matt Bauder, and Tomeka Reid, in addition to projects with artists such as Anthony Braxton, John Zorn, Michael Formanek, Ben Goldberg, and Benoit Delbecq, and has performed at festivals and venues across North America, Europe, Asia, Australia, and the Middle East. He also has many experiences outside the jazz realm, including a five-year run with the Off-Broadway show Stomp and performances with the Tony Award-winning Broadway musical Fela!, featuring Patti Labelle and members of Antibalas. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com
**It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Some Classic & Contemporary Jazz Crackers From Carla Drimeberry, Alfredo Armenteros, Train Up, Jazzinvaders, Nanette Natal, Alan Dawson, Middlewood Sessions, Jazz On The Latin Side All Stars, Maestro Garofalo & More #Jazz #JazzClassics #ContemporaryJazz #JazzGroove #JazzSoul Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/original103.3 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Tune In Radio : tunein.com/radio/Trax-FM-s225176 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**
In this episode we recap Tyson Fury's historic heavyweight KO win over Deontay Wilder in their PPV trilogy bout. (0:00) Alan Dawson recaps one of the best heavyweight boxing bouts in history, (01:04:00) Patrick Connor, a well-respected boxing historian adds context to Tyson Fury's place in heavyweight history, (01:44:00) Jay Chaudhry talks boxing viewership and the future of the sport in streaming and (02:04:00) Giovani Santillan, who is the co-main event against Angel Ruiz this Friday, October 15th on a Top Rank card, in San Diego, streamed on ESPN+
In Episode 25 of the Boxing Social Podcast, Rob Tebbutt is joined once again by an esteemed panel of guests as we look ahead to this weekend's WBC heavyweight title trilogy bout between Tyson Fury and Deontay Wilder. Featuring Sky Sports' Andy Clarke, former WBO super-featherweight champion Barry Jones and Business Insider journalist Alan Dawson, our panel reflect on the second fight in February 2020 and debate whether we will finally get a conclusive ending to one of the great heavyweight rivalries of the 21st century...
Explosive and highly inventive guitarist talks about his philosophies as they relate to playing improvisational music and what he learned from gigging with cats like Alan Dawson and Miles Davis
Steve talks about growing up in Whitman, Mass, attending Berklee College, studying with Gary Chaffee and Alan Dawson, Jean Luc-Ponty, Journey, Vital Information, Buddy Rich, Charlie Watts, Danny Seraphine and more. Watch all the episodes on my YouTube channel and please subscribe! https://www.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom
John was a student of Alan Dawson for many years and shares many of his experiences with Alan and a great spotlight on the life of this truly legendary teacher. We hear what it was like to walk into the room and learn from Alan Dawson using his extremely musical and innovative techniques. Alan would squeeze the absolute most out of books such as Syncopation and Stick Control, along with countless other ways that teaching Alan became the icon he is today. John Ramsay is the former chair of the percussion department at Berklee College of Music and a veteran performer with groups such as Art Blakeys Jazz Messengers and many more. He is also an author and educator with a deep appreciation and respect for his former teacher, Alan Dawson! Enoy this episode and be sure to check out Johns Patreon bonus episode by supporting the show at www.patreon.com/drumhistorypodcast
John was a student of Alan Dawson for many years and shares many of his experiences with Alan and a great spotlight on the life of this truly legendary teacher. We hear what it was like to walk into the room and learn from Alan Dawson using his extremely musical and innovative techniques. Alan would squeeze the absolute most out of books such as Syncopation and Stick Control, along with countless other ways that teaching Alan became the icon he is today. John Ramsay is the former chair of the percussion department at Berklee College of Music and a veteran performer with groups such as Art Blakeys Jazz Messengers and many more. He is also an author and educator with a deep appreciation and respect for his former teacher, Alan Dawson! Enoy this episode and be sure to check out Johns Patreon bonus episode by supporting the show at www.patreon.com/drumhistorypodcast
The G. Love & Special Sauce drummer discovered singer and guitarist G. Love in an empty Irish bar in his hometown of Boston. As a duo expanding to a trio, the hip hop/blues group hit with “Cold Beverage” on their first release, and it’s been a wild ride of world tours, records, and TV ever since. A New Orleans residency leading rock steady group 007 and Nashville session work with Dan Auerbach of the Black Keys round out his stellar resume. Jeffrey currently hosts the weekly Atomic Cocktail Hour. Tonight he endures the radioactive fallout with the Troubled Men. Topics include a vaccine, a birthday, the Mars landing, Mt. Rushmore, a sold out gig, dog walkers, Certs, Ramones shows, lessons with Alan Dawson, a bar mitzvah band, Boston rock, Mark Sandman, Sony records, an acoustic approach, space, moving to N.O., Keith Keller, Chez Flames, Katrina flooding, a trio with Kenny Vaughn and Dave Roe, touring plans, a COVID case, a Letterman story, and much more. Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or almost any podcast aggregator. Follow on social media, share with friends, and spread the Troubled Word. Intro music: Styler/Coman Break and outro music: “Cold Beverage” and “Baby’s Got Sauce” from the self-titled album by G. Love & Special Sauce
The G. Love & Special Sauce drummer discovered singer and guitarist G. Love in an empty Irish bar in his hometown of Boston. As a duo expanding to a trio, the hip hop/blues group hit with “Cold Beverage” on their first release, and it's been a wild ride of world tours, records, and TV ever since. A New Orleans residency leading rock steady group 007 and Nashville session work with Dan Auerbach of the Black Keys round out his stellar resume. Jeffrey currently hosts the weekly Atomic Cocktail Hour. Tonight he endures the radioactive fallout with the Troubled Men. Topics include a vaccine, a birthday, the Mars landing, Mt. Rushmore, a sold out gig, dog walkers, Certs, Ramones shows, lessons with Alan Dawson, a bar mitzvah band, Boston rock, Mark Sandman, Sony records, an acoustic approach, space, moving to N.O., Keith Keller, Chez Flames, Katrina flooding, a trio with Kenny Vaughn and Dave Roe, touring plans, a COVID case, a Letterman story, and much more. Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or almost any podcast aggregator. Follow on social media, share with friends, and spread the Troubled Word. Intro music: Styler/Coman Break and outro music: “Cold Beverage” and “Baby's Got Sauce” from the self-titled album by G. Love & Special Sauce
The G. Love & Special Sauce drummer discovered singer and guitarist G. Love in an empty Irish bar in his hometown of Boston. As a duo expanding to a trio, the hip hop/blues group hit with “Cold Beverage” on their first release, and it’s been a wild ride of world tours, records, and TV ever since. A New Orleans residency leading rock steady group 007 and Nashville session work with Dan Auerbach of the Black Keys round out his stellar resume. Jeffrey currently hosts the weekly Atomic Cocktail Hour. Tonight he endures the radioactive fallout with the Troubled Men. Topics include a vaccine, a birthday, the Mars landing, Mt. Rushmore, a sold out gig, dog walkers, Certs, Ramones shows, lessons with Alan Dawson, a bar mitzvah band, Boston rock, Mark Sandman, Sony records, an acoustic approach, space, moving to N.O., Keith Keller, Chez Flames, Katrina flooding, a trio with Kenny Vaughn and Dave Roe, touring plans, a COVID case, a Letterman story, and much more. Support the podcast here. Join the Patreon page here. Shop for Troubled Men’s Wear here. Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or almost any podcast aggregator. Follow on social media, share with friends, and spread the Troubled Word. Intro music: Styler/Coman Break and outro music: “Cold Beverage” and “Baby’s Got Sauce” from the self-titled album by G. Love & Special Sauce
Tony Williams began playing professionally at the young age of 13, but he gained international attention when he joined the Miles Davis Quintet at age 17. My guest, Dave Goodman, wrote his 100,000 word doctoral thesis on Tony and we have condensed all that great information into an hour long episode that covers Tony's early life, lessons with Alan Dawson, rise to fame, evolution of his equipment, and everything you would want to know about the great Tony Williams. Dave Goodman is located in Sydney Australia and is a professional drummer, educator and clinician. You can find Dave at his home on the web - www.davegoodman.com.au You can download Daves full doctoral thesis here: https://ses.library.usyd.edu.au/handle/2123/7797 Enjoy this episode!
Tony Williams began playing professionally at the young age of 13, but he gained international attention when he joined the Miles Davis Quintet at age 17. My guest, Dave Goodman, wrote his 100,000 word doctoral thesis on Tony and we have condensed all that great information into an hour long episode that covers Tony's early life, lessons with Alan Dawson, rise to fame, evolution of his equipment, and everything you would want to know about the great Tony Williams. Dave Goodman is located in Sydney Australia and is a professional drummer, educator and clinician. You can find Dave at his home on the web - www.davegoodman.com.au You can download Daves full doctoral thesis here: https://ses.library.usyd.edu.au/handle/2123/7797 Enjoy this episode!
Optagelse fra sommeren 2020. Anders besøgte mig i haven og vi får os en sludder om Jazz, Corona, Holstebro Musikskole, Berklee College of Music, Alan Dawson, Bob Moses, Elvin Jones..og meget mere.
Miles and the Chain Gang formed in the UK in 2018. Their original songs are a spirited hybrid of Americana, New Wave, Soul and 80's pop. They listen to everything from pop, soul, jazz and blues. There's a real mixture of influences which is a strength for them. Let's meet the members of the group: Miles Salter (voice, guitar, somgwriter) Tim Bruce (bass) Billy Hickling (drums) Alan Dawson (lead guitar) All the members have 30+ years playing. Miles says "We've got a lot of experience between us."
John Ramsay's interest in playing drums began at the age of ten. He went on to study with jazz greats Joe Morrello, Max Roach, and Alan Dawson, leading to a two-year stint as the second drummer for Art Blakey and the Jazz Messengers. He was one of the first teachers at the renowned Berklee College of Music, where he developed a holistic teaching philosophy which presents music as an avenue for students to discover their own humanity and form a happy life. After 38 years of teaching, John recently retired from Berklee. He’s authored several method books and continues to be active on the jazz scene. Website Newsletter Become a Patron
John Ramsay's interest in playing drums began at the age of ten. He went on to study with jazz greats Joe Morrello, Max Roach, and Alan Dawson, leading to a two-year stint as the second drummer for Art Blakey and the Jazz Messengers. He was one of the first teachers at the renowned Berklee College of Music, where he developed a holistic teaching philosophy which presents music as an avenue for students to discover their own humanity and form a happy life. After 38 years of teaching, John recently retired from Berklee. He’s authored several method books and continues to be active on the jazz scene.
Jack Johnson drummer/percussionist Adam Topol shares his eclectic influences, with beginnings in Classic Rock to Jazz studies at Berklee and his eventual love for Cuban folkloric music. Studies with masters like Alan Dawson to Changuito gave him the depth and range which he expresses in his compositions. We discuss his love for Gon Bops instruments and hear selections from his various albums including Blue Painted Walls in Faraway Places, Ritmo Y Canto, Regardless of the Dark and his latest, Cuando.
Welcome to a new edition of the Neon Jazz interview series with Legendary Jazz Drummer Joe Farnsworth .. He opened up during this odd time on earth with a pandemic and social unrest rampant to talk about his latest 2020 CD Time to Swing with Wynton Marsalis, Kenny Barron and Peter Washington .. This musician from South Hadley, Massachusetts has been revered for years for his blazing speed, precision, musical, and melodic playing. He grew up in a musical family and studied with Alan Dawson and Arthur Taylor. From there, it was on to New York City and eventually recording over 100 CD’s as leader and side-man with the likes of Pharaoh Sanders, Horace Silver, Harold Mabern, McCoy Tyner, Cedar Walton, Diana Krall, Benny Golson, George Coleman, Johnny Griffin, Lou Donaldson, Benny Green, Barry Harris and Curtis Fuller .. his story is amazing. Enjoy…Click here to listen.Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-With-Joe-Dimino-p381685/. You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/
Q/A con Tony Arco sulla ricapitolazione delle metodologie di insegnamento dei quattro guru americani: Gary Chaffee, Alan Dawson, Freddie Gruber e Bob Moses.
Q/A con Tony sul SISTEMA di Alan Dawson e Bruce Becker, altri due grandissimi insegnanti con cui Tony ha studiato a Boston
For quite some time half a century ago only two schools in this country had jazz programs. One was N. Texas State and the other was the Berkeley School of Music in Boston. My guest today is one of the earliest alumni's of a school that has produced the likes of Alan Broadbent, Ernie Watts, Gene Perla and Dick Berk and TOSHIKO Akiyoshi. When my guest went there it was a brotherhood of 300 men and woman who studied under the masters like Herb Pomeroy, Ray Santizzi, Alan Dawson and Jaki Byard and had opportunities to play live and get loose at venues like The Jazz Workshop, Lennie's on the Turnpike and Latin Salsa Dance Halls. In fact even if you didn't go to Berklee you could still sit in on lectures and jams. My guest today is a guitar player who is prolific in melodic sequencing and ferocious output. He plays the electric guitar, mandolin and piano strumming his way to sublimation with Jack Dejohnette, Billy Cobham, Colin Walcott and George Marsh, Joe Beck, Tom Knific, Dave Holland Jan Hammer and Johnny Hammond Smith. He plays music without regard to barriers. His generation makes music that feels good because they understand the balance between mathematics and soul. They also played live for weeks at a time at the same venue performing complex Gil Evans tunes developing their own sound and individuality that created their identities. Still blazing new trails with his axe, JAbercrombie --- Support this podcast: https://anchor.fm/jake-feinberg/support
In episode 14 of Hooked on Creek, Korre Johnson interviews Greg DeGuglielmo. Greg played drums in Max Creek from 1985 to 1991. In this interview, Greg talks about:His introduction to Max Creek and how he became a member of the bandHis musical background, including studying with Alan DawsonHow Phish influenced his perspective of Max CreekDeveloping a friendship and jamming with Mike GordonPerforming and improvising with Max Creek, including his memories of playing with Rob FriedRecording studio albums Windows and MCMXC with Max CreekHis love and appreciation for the fans of Max CreekIf you are interested in private drum lessons or connecting with Greg, visit his website:http://www.gregdegug.comOr connect with Greg on Twitter:https://twitter.com/GregDeGugThis episode features the song Stormy Monday, performed live by Max Creek at the West Hartford Music Hall in West Hartford, Connecticut, on October 10, 1988. Stream or download here:https://archive.org/details/mc1988-10-08.flac16/mc1988-10-08d1t04.flacIf you have feedback or suggestions for he podcast, send a message via the contact link located on the Hooked on Creek website:https://hookedoncreek.comRead a transcript of episode 14 of Hooked on Creek:https://hookedoncreek.com/2019/12/episode-14-greg-deguglielmo-talks-about-playing-drums-in-max-creek
On the Schmooze Podcast: Leadership | Strategic Networking | Relationship Building
Today’s guest has dedicated his life to the idea that escapism is one of the single most important elements of what makes us human. As an award-winning veteran of the music industry, his expertise ranges from being a drummer and producer to an artist development and label founder. In his ground-breaking music tech consulting business, he worked with Aerosmith, the Stones, Ringo Starr, Elton John, and Sting. He is the author of three books, the Founder of Audio One, and the CEO of Frangioni Media and All Access IDA. He recently became the Publisher of Modern Drummer Magazine, the world’s number one drumming publication. Please join me in welcoming David Frangioni. Would you leave an honest rating and review on Apple Podcast? Or Stitcher? They are extremely helpful and I read each and every one of them. Thanks for the inspiration! In this episode we discuss: his thoughts on leadership: “The definition of leadership is taking charge, taking responsibility for all of the steps and being what you want to see in the rest of the team.” how having supportive, giving, and hard-working parents helped him not only go through some traumatic experiences but also inspired him into success. his journey into building Audio One, which began with him learning how to drum at 8 years old. his methods for staying in touch with people through a myriad of ways, but always focusing on serving others. where his business is now, including mentoring people. how he has taken over as publisher for Modern Drumming and what he expects to accomplish over the next year. Links David Frangioni on LinkedIn and Twitter. www.davidjfrangioni.com Books mentioned in this episode: “CRASH: The World's Greatest Drum Kits From Appice to Peart to Van Halen” by David Frangioni “Clint Eastwood Icon: The Essential Film Art Collection” by David Frangioni Other Resources: Learn more about Jonah Rocks. Learn more about Joe Morello. Learn more about Alan Dawson. Learn more about Louis Bellson. Learn more about training at Dale Carnegie. Learn more about Modern Drummer Magazine. About Robbie: Robbie Samuels is a keynote speaker and relationship-based business strategist who has been recognized as a “networking expert” by both Inc. and Lifehacker. He helps associations inspire life-long membership by creating welcoming and inclusive first-timer experiences. He is the author of the best-selling business book Croissants vs. Bagels: Strategic, Effective, and Inclusive Networking at Conferences and has been profiled in the Harvard Business Review, Forbes, and Fast Company. He writes for Harvard Business Review Ascend. His clients include associations and corporations including Marriott, AmeriCorps, Hostelling International, and General Assembly. He has been featured in several books including Stand Out: How to Find Your Breakthrough Idea and Build a Following Around It by Dorie Clark and The Connector’s Advantage: 7 Mindsets to Grow Your Influence and Impact by Michelle Tillis Lederman. He has guest lectured at many leading educational institutions including Harvard University, Brown University, Cornell University, Brandeis University, and Northeastern University. Robbie is the host of On the Schmooze podcast which features his networking strategies and talented professionals sharing untold stories of leadership and networking. Keynote Speaker Interested in booking Robbie to speak? At www.robbiesamuels.com/speaking you'll find video clips and a description of his signature session, Art of the Schmooze. Call 617-600-8240 to speak directly with Robbie. Relationship-Based Business Strategist Are you ready to create a Relationship-Based Business Plan that will help you achieve greater impact (and income)? You want to have a greater impact and increased income. The problem is that there are so many options for how to build your business that you can feel stuck,
This week we welcome legendary drummer, Steve Smith, to the Groovecast for the first interview of the fourth season. Steve was gracious enough to speak with us just before a series of dates with Journey that culminates in a three-week residency at Caesar’s Palace in Las Vegas, Nevada. Steve will also be showing his artwork (at Carnavale Gallery at Caesar’s Palace) during this residency. If you are in Las Vegas and would like to see Steve’s art work and meet him in person please RSVP using the form found on Steve’s web site (link below). During this show we discuss many things including: the differences between playing with Journey today vs. 40 years ago, the difference in touring with Journey vs. Vital Information, his legendary practice routine, his orthopedic hand issues leading to his development of matched grip and the creation of ‘Pathways of Motion’, his yoga practice and how it helps with touring and performing, his Berklee experience with Gary Chaffee and Alan Dawson, meeting Vinnie Colaiuta at Berklee and their long relationship, the abundance of talent at Berklee and enjoying the classroom experience, and finally the requisite sashay through the maze that is the Drummer’s Weekly Groovecast, Rorschach Test! As mentioned during the show if you’d like to visit Steve online his personal website is: http://www.vitalinformation.com/ You can also visit Journey’s web site and view their tour itinerary to see Steve when he’s in your town: http://www.journeymusic.com/ Lastly, in the spirit of transparency, I would like to mention that this episode was fraught with technical audio issues. I discuss, in detail, what happened the day of the interview but if you’re reading this prior to listening, do yourself a favor and use headphones for this show. We pride ourselves on great audio quality but due to circumstances beyond our control our normal standards of fidelity are not up to par on this episode. That being said, I believe you’ll find the quality of the content to be very good. Join us each week for brand new shows. We can be found on iTunes, Google Play Podcasts, Stitcher, Spotify and anywhere you access your favorite music and shows. If you are an Apple subscriber, the next time you are in iTunes please take a moment to leave us a 5-star review. We’d greatly appreciate it. Lastly, go by our website at www.drummersweeklygroovecast.com There you can listen to all of our shows, visit our social media, and contact us via email.
Sonny Stitt was one of the true masters of the saxophone and a favorite of just about every other saxophonist and yet he remains underrated. His flow and his ideas and both alto and tenor saxophones is unparalleled. Stitt recorded prolifically and mostly in a quartet setting with piano bass and drums or with organ, guitar and drums. Here he is on one of his finest outings done a few days after his birthday on Feb. 8,1972. Stitt is backed by a "Cadillac" rhythm section of Barry Harris on piano, Sam Jones on bass and Alan Dawson on drums. Our Jazz Feature album is called "Tune Up" and Stitt offers us his interpretations of some good standards and some Jazz originals. As always he is masterful and one can hear on this recording why he was everyone's favorite. Sonny Stitt...Jazz mastery!
Originally from Connecticut, drummer/drum educator Craig Pilo graduated from the University of North Texas in 1995 and began life as a working musician in LA a year later. One of his earliest gigs was with trumpeter Maynard Ferguson! He’s also worked with Pat Boone, Edgar Winter and was on tour for several years with rock and roll Hall of Fame’s Frankie Valli. Craig continues to work with the group Little Fish, as well as Player, which became famous for the song "Baby, Come Back." He also keeps a busy schedule recording and teaching, including a faculty position with the California School of Music. Having studied with Alan Dawson, Ed Soph, Dave Weckl and Jeff Hamilton, to name just a few, Craig’s professional work and lifelong teaching and learning makes for a wonderful interview for Contraption’s new and returning drummers.
The Berklee College of Music is ubiquitous with musicians worldwide. When we think of the great institutions of education along with the world’s greatest musicians Berklee is routinely mentioned in both instances. However, with any topic of conversation that conjures legendary tales there are as many negative connotations as positive. In this episode we cover everything you’d want to know about the school from a gentleman who has been a part of the faculty for 36 years, John Ramsay. Ramsay, a Massachusetts native, was a self-taught drummer who soon realized that if he was going to make a living as a musician he’d have to seriously learn his craft. Through meeting Max Roach at the University of Massachusetts, Amherst he was ultimately steered toward private lessons with master drummer/instructor, Alan Dawson. With Dawson he learned the legendary methods associated with Ted Reed’s ‘Syncopation’, soloing with Stone’s ‘Stick Control’, and Alan’s creation of the ‘Rudimental Ritual’. After several years Ramsay became the second drummer and tour manager in Art Blakey’s big band. Between this experience along with side-man duties with many other legendary jazz artists Ramsay bolstered his resume leading to his hiring at the Berklee College of Music in 1982. John’s list of Berklee credentials includes copious classroom and applied teaching along with an administrative stint as chair of the percussion department. In our chat he describes exactly what the aspiring student should prepare themselves with including knowing the 26 American rudiments, chart reading, styles, and more. He then details what the audition process is like. We also spend a good amount of time discussing the acceptance process and the different types of scholarships and financial aid that is available. We then talk about the many different degree paths that are available including the new graduate programs. Applied lessons, the celebrity teachers, and how students can request them are then covered. John then talks about the required classes, labs, etc. Then we finish with a discussion about the state-of-the-art facilities (recording studios, practice rooms, performance venues, media center, and more). After the Berklee talk has concluded we conclude the show by running John through the maze that is the DWG Rorschach Test. As mentioned during the show you can keep up with John and Henrique de Almeida are doing by visiting the web site: www.thedrumsetcoach.com You can buy John’s books by visiting Amazon: Art Blakey’s Jazz Messages: https://www.amazon.com/Art-Blakeys-Jazz-Messages-Publications/dp/0760400091/ref=sr_1_1?ie=UTF8&qid=1543503787&sr=8-1&keywords=john+ramsay The Drummer’s Complete Vocabulary as taught by Alan Dawson: https://www.amazon.com/Drummers-Complete-Vocabulary-Taught-Dawson/dp/0769265243/ref=sr_1_2?ie=UTF8&qid=1543503787&sr=8-2&keywords=john+ramsay If you haven’t been to our website recently please go to www.drummersweeklygroovecast.com and see what new content we have to offer. Aside from access to all of our episodes we’ve posted ‘Host Spotlight 3” on our video page. Feel free to send us a message through our email form or manage your social media accounts from our site. We try to personally answer all emails and questions. New shows are available every Monday. You can subscribe through Itunes, Google Play Podcasts, Stitcher, Podbean, and everywhere you listen to your favorite podcasts. If you are an Apple Itunes user please click 5 stars and leave us a short review. We greatly appreciate your support!
Show notes at: https://www.leanmusician.com/podcast/terri-lyne-carrington When the first musician you ever sit in with is Rahsaan Roland Kirk, your first gig is when your 10 and names like Max Roach, Clark Terry, Dizzy Gillespie, Roy Haynes, Alan Dawson and Jack Dejohnette are really interested in your development... you know you're off to a good start. Terri Lyne-Carrington is a GRAMMY® award-winning drummer, composer and bandleader with decades of experience. Over the course of her career, she's played with the likes of Herbie Hancock, Quincy Jones, Wayne Shorter, Esperanza Spalding, Dianne Reeves, Dee Dee Bridgewater, John Schofield, Lizz Wright, Terence Blanchard and the list of her amazing musical collaborations goes on and on... During this interview we get into talking about how this all came about. We talk about the different styles of band leaders she's worked with & how she herself works with others. It was a true honour to speak to Terri - she's a really great person - very real and super chilled. On the day that we spoke Terri was actually doing numerous other interview for names like Jazzwise Magazine - so I'm really grateful for the time she took to speak to us. Show notes at: https://www.leanmusician.com/podcast/terri-lyne-carrington
David Stanoch is a drummer and educator based in Minneapolis, MN. A student of masters Elliot Fine, Alan Dawson, Max Roach, Jeff Hamilton, Chad Wackerman, he has built an eclectic musical reputation performing with artists from the worlds of jazz, rock, R&B, Broadway, motion picture and television including the Airmen of Note, Jackson Browne, Hiram Bullock, Charo, George Clinton, Sheryl Crow, Richard Davis, Herb Ellis, Robert Goulet, Colonel Bruce Hampton, Scott Henderson, Freedy Johnston, Shirley Jones, Stanley Jordan, Shari Lewis, Jack McDuff, the Minnesota Orchestra, Keb’ Mo, New Kids On The Block, Bernard Purdie, Bonnie Raitt, Walfredo de Los Reyes, Don Rickles, Joan Rivers, Danny Seraphine, Doc Severinsen, Ed Shaughnessy, Martin Short, Ben Sidran, Jab’o Starks, Clyde Stubblefield, Butch Vig, Fred Wesley, and The Supremes’ Mary Wilson. He is currently musical director for Emmy-winner, Shaun Johnson’s Big Band Experience. David served on the faculty of McNally Smith College of Music for 27 years, serves on the Percussive Arts Society Drum set Committee and is a member of the Modern Drummer, Remo, and Vic Firth Educational Teams. David has authored Mastering the Tables of Time (“#1 Edu Book,” Modern Drummer 2009 Readers Poll), co-authored The 2 in 1 Drummer (2014 Modern Drummer & DRUM! Magazine Edu Book Nominee), both available from Alfred Music Publishing, and was “Drumming History and Analysis Consultant” for Jim Berkenstadt’s book, The Beatle Who Vanished~The Unsolved Mystery of Jimmie Nicol, currently being made into a major motion picture. David’s latest veture is the new David Stanoch School of Drumming where learners from all over the world can get live one-to-one drumming lessons directly from David. Website: www.davidstanochschoolofdrumming.com Facebook: https://www.facebook.com/david.stanoch Instagram: https://www.instagram.com/drummindaddydave/ Twitter: https://twitter.com/DavidStanoch Paul Jennings (Host) Instagram: www.instagram.com/playcajon
(Part 2 of 2)Drummer Joe Corsello was born and raised in Stamford, Connecticut. Joe studied at Berklee under drum legend Alan Dawson and later, with Joe Hunt. As the house drummer for Michael’s Pub in New York, Joe backed jazz greats Red Norvo, Hank Jones, Zoot Simms, and pianist, Marian McPartland, and toured with Benny Goodman and Peggy Lee. Joe is a co-founder of the jazz/rock band, New York Mary. The band recorded two successful records and toured with the B52′s, Patti Smith, Stevie Wonder and Tony Williams Lifetime band. Joe currently travels with saxophonist Sonny Rollins and can be heard on recordings with Rollins, Marian McPartland, Benny Goodman, Mike Mainari, and the list goes on…………www.joecorsello.com Website Newsletter Become a Patron
Drummer Joe Corsello was born and raised in Stamford, Connecticut. Joe studied at Berklee under drum legend Alan Dawson and later, with Joe Hunt. As the house drummer for Michael’s Pub in New York, Joe backed jazz greats Red Norvo, Hank Jones, Zoot Simms, and pianist, Marian McPartland, and toured with Benny Goodman and Peggy Lee. Joe is a co-founder of the jazz/rock band, New York Mary. The band recorded two successful records and toured with the B52′s, Patti Smith, Stevie Wonder and Tony Williams Lifetime band. Joe currently travels with saxophonist Sonny Rollins and can be heard on recordings with Rollins, Marian McPartland, Benny Goodman, Mike Mainari, and the list goes on…… www.joecorsello.com Website Newsletter Become a Patron
On episode 021, Jamie catches up with legendary jazz drummer Jeff Williams from his home in England to discuss his 50-year career behind the kit. Jeff has played with jazz greats such as Stan Getz, Dave Liebman, Richie Beirach, and Lee Konitz among others. Jeff talks about his formative years as a player, studying with the great Alan Dawson and landing some of his early gigs. Jamie and Jeff also discuss his group's new album, Lifelike, that was recorded live in London highlighting Jeff's abilities as a drummer, composer and bandleader. Jeff also offers loads of fantastic advice and insights on "letting go of thought" while playing.
Sky News Sports Editor Nick Powell, Sports Business Journalist Alan Dawson and Richard Millington, Partner at Shoosmiths join Chris for the second episode of Article 50. In this edition, they discuss freedom of movement, and how restrictions could impact some of our most popular stars; explore how we might establish our own legal processes for governing the sport industry; and debate the likelihood of a Brexit-induced recession, and how it might affect access to sport for the poorest in our society.
John Ramsay could qualify as a person who has lived many different lives. Having started off as an underachieving student, John Ramsay got serious about his playing and created quite the career for himself in multiple capacities. He started as a student of the legendary Alan Dawson, landed a gig playing with Art Blakey (he later […] The post 254 – John Ramsay talks: Alan Dawson, Art Blakey and approaching music as a lifelong endeavor appeared first on Drummer's Resource: Conversations with the world's greatest drummers and music industry pros..
For today’s show, I talk with Alan Dawson from the UK, he’s an artist blacksmith who has worked in art and architectural metalwork for over 35 years. Alan Dawson Associates have produced innovative, high quality, bespoke metalworks for all types of projects and he’s one of the founding members of BABA, the British Artist Blacksmith Association. He’s also one of the core group of members that is organizing the Ypres 2016 International event in Belgium. The event is a 100-year memorial commemorating all who have been affected by WW1, a 23 ft tall cenotaph surrounded by 2016 poppies and 25 panels depicting the trenches will be erected next to a German war cemetery in Belgium. The 25 panels will be made onsite over a 6 day period by 25 Masters who will have a team of six blacksmiths each. Alan has designed a panel in memory of a particular story from WW1 which is about the Jones brothers and he’s also made 40 poppies for the event. We talk about the logistics it takes to pull off such a large event and about the panel competition review and winners. What We Talked About The event takes place in September 2016 to arrange the meeting of 300 to 400 blacksmiths and farriers from around the world. They will erect a 22-foot cenotaph surrounded by 2016 poppies and 25 panels to form a lasting memorial for all who were affected by WW1. There is a core group that is organizing this large international event, there are 8 in the group. The group also has help from country representatives, a group of blacksmiths in the UK and Hereford College students are also helping. The idea started in 2009 when a group of UK blacksmiths collaborated on a large sculpture called the “Pillar of Friendship” in Liverpool UK. Luc Vandacasteele, a Belgian smith, started thinking about doing another collaborative blacksmith event in Ypres, Belgium because of the importance of the Menin Gate, a memorial built in 1927 for soldiers that were never found. Luc brought the idea to the BABA Association to see if they would like to help with the organization of the event. Luc has done a tremendous amount of work in the way of organization of donated materials for the sculpture. He has coordinated the donation of services and materials for local businesses. The companies that have donated their services and materials are: A German steel supplier donated the material for the cenotaph. The raw material for the cenotaph alone costs just over 10,000 euros, its 23 ft tall, 6 ft wide, 4 inches thick and 12.5 tons. A Belgian engineering company donated their cutting services to plasma cut the positive and negative part of the poppy in the cenotaph. Another Belgian company donated their services to making the steel frame that will mount the cenotaph. A Belgian concrete company has donated the pre-cast concrete mound that will hold the 2016 poppies. Transportation of materials, structural engineering calculations, and many other services have been done free of charge. The core group is still working on raising the remaining money needed, about 80,000 pounds to cover the setup of the market with tents, forges, anvils, swage blocks, etc all in one day, also to reimburse the 25 Masters will incur for traveling to the event. A crowd funding campaign has been started to raise the funds, you can see and donate here, https://www.indiegogo.com/projects/ypres-2016-blacksmith-farrier-cenotaph#/ This blacksmith event is one of many in the town of Ypres happening for the centennial commemoration of the great war. Luc applied to the Ypres mayor years ago to have access to the center market for a week long blacksmith event. For the last 90 years, every night at 8 o’clock the local fire brigade provides buglers who play the last post at Menin Gate. The building is always full to capacity and for those who have applied ahead of time, there is a chance to lay a wreath in memory of a loved one. The core group has arranged for a blacksmith ceremony at Menin Gate one of the nights, it will include laying a wreath of poppies forged from children around the world. Alan recommends for us to read about the Jones Brothers, the article is on the Ypres 2016 website, http://www.ypres2016.com/category/the-great-war-stories/. A sample panel has been forged in honor of the Jones boys. The 25 panels that will surround the cenotaph will have interpretive information about each design so the half a million visitors per year can connect to WW1 and the memorial. 10 masters were invited and have accepted to design and make a panel each. 16 more blacksmiths have been chosen through a competition that was held internationally. Seven members of the core group reviewed 104 designs that were submitted for the competition. The 25 Masters that have been chosen are: SHONA JOHNSON - SCOTLAND KHEIR AKER - ISREAL TAKAYOSHI KOMINE - JAPAN PETER DE BEUS - BELGUIM WILL MAGUIRE - AUSTRALIA FRANSISCO GAZITUA - CHILI ACHIM KUHN - GERMANY VLADAMIR SOKHONEVICH - RUSSIA JEFFRY FUNK – AMERICA SANDRA DUNN - CANADA STEVEN LAURIJS – NETHERLANDS JIM WHITSON - SCOTLAND EGOR BAVYKIN - RUSSIA ONDREJ GELA – CZECHLOSLOVAKIA AMBROSE BURNE – UNITED KINGDOM IVAN KADOCHNIKOV - RUSSIA ROBERTO GIORDANI - ITALY ALEXANDER SUSHNIKOV - RUSSIA GIOVANNI SARTORI - ITALY JAMES MAKELY - AMERICA BENJAMIN KJELLMAN-CHAPIN - NORWAY JACOB HAGGERTY – UNITED KINGDOM PATRICK PELGROMS - BELGIUM PHILIP VERCAMMEN - BELGIUM PAUL MIKULA – SOUTH AFRICA There is an opportunity to register as a delegate to have the opportunity to forge with the master’s teams. The registration sign up is on the website here, http://www.ypres2016.com/delegate-registration/ An exhibition of curated forged work will also be set up next to the event called “Transitions”. Delyth Done is in charge of curating and organizing the exhibition. The exhibition will continue to tour around Europe after the Ypres event. Guest Links Ypres 2016 website – ypres2016.com Alan Dawson’s website - http://www.adaptahaus.co.uk/artmetal.php A Big Thank You to today’s sponsor – Ypres 2016 International Blacksmith event, www.Ypres2016.com If you enjoyed this episode, I would love it if you would support the show by: telling your friends. sharing this episode using the social sharing buttons below. subscribing to the show and leaving a rating and review in iTunes. Not sure how? Just follow these simple steps here or watch the short video tutorial, http://youtu.be/rq4OCyRGjHc?list=UUH3MfNZLXlKgionAs6kMT_Q subscribing to the show in Stitcher, http://www.stitcher.com/s?fid=54499&refid=stpr Thanks so much for your support!
Blonde Redhead's Simone Pace tells Joe about his mischievous childhood in Italy and Canada, studying with the legendary Alan Dawson in Boston, founding Blonde Redhead in NY, and managing his insecurities as an artist.
Two great musicians here that were frequent musical partners on what was their last recorded appearance. It is also a fine way to celebrate the Birthday of pianist extraordinaire, Jaki Byard. Jaki would have been 93 today (June 15). Sadly he left us in 1999 the victim of a shooting. This great album also features the legendary Rahsaan Roland Kirk on a variety of horns, the tenor saxophone, the manzello (a straight alto saxophone), the clarinet and some small instruments. These two met when they were with Mingus in 1961 and formed a musical friendship. Two great surrealists of music. The album has Byard and Kirk backed by the great Richard Davis on bass and Alan Dawson on drums.The Jaki Byard Experience indeed! HAPPY BIRTHDAY Mr. Byard.
Drummer Tomas Fujiwara has assembled some of the most in-demand improvisers on the creative music scene today for his debut album, Actionspeak (482 Music). In this interview, Fujiwara talks about how he met the members of his band, The Hook Up; his first experience as a band leader in a recording session; and his early years in Boston and how he ended up studying with drummer Alan Dawson. Learn more at tomasfujiwara.com.
Pianist Jaki (John) Byard was a genius who played every instrument in the band more than well but we'll always remember him as a great piano player whose style covered the history of Jazz from stride and ragtime to the avant-guard and all the stops in between. Jaki was born in Worcester, MA on June 15,1922 and died in New York on February 11,1999. He was murdered and the case is still one of the NYPD's unsolved mysteries. Jaki recorded prolifically under his own name and as a sideman but he made some of his most significant statements as part of the volatile Charles Mingus Jazz Workshop. Byard composed and arranged as well and Mingus valued his association with Jaki. The Feature tonight was recorded about a year after a fabled tour of Europe with Mingus and he was about to return to the Workshop but he assembled this quartet for some engagements and they were recorded at a little club in West Peabody MA called "Lennie's on the Turnpike" The band was hot that night in April and with the great bassist George Tucker, drum master Alan Dawson and tenor and soprano saxophonist and flutist Joe Farrell, Jaki couldn't go wrong. Byard leads from the piano with cues and shouts to the guys and the music is loose, swinging and inspired and reaches some of the same creative intensity as a Mingus set. Jaki Byard "LIVE!" is an exciting experience....have a good time with this music.
We’re featuring something a bit unusual for this week’s Contrabass Conversations episode. Ball State University bass professor and International Society of Bassists president Hans Sturm has been featured several times on the podcast in video episodes, and this week we’re featuring Hans discussing the fundamentals of the Rabbath technique left hand positioning system.This dialogue was featured in some of our previous video episodes, but it was broken up into bite-sized chunks, so I think you’ll enjoy the opportunity to hear the entire segment uninterrupted!After the segment, we feature some bass news and listener feedback. Enjoy! About Hans: Double bassist Hans Sturm has performed as soloist, chamber, orchestral, jazz and improvisational musician throughout Europe, Asia, South America, Africa and the United States. Sturm received his doctorate from Northwestern University and is currently a Professor and Chair of the String Department at Ball State University.Sturm has appeared with a variety of artists across the spectrum of jazz music including Eddie Daniels, Phil Woods, Randy Brecker, Dick Hyman, Roscoe Mitchell, Joseph Jarman, Eddie Higgins, David Baker, Stanley Jordan, Peter Erskine, Joe LaBarbera, Alan Dawson, Bela Fleck, Howard Levy and many others. A frequent performer of chamber music, Sturm has toured with ‘Fireflight’ (soprano, Japanese koto and bass koto, double bass, and percussion) and ‘Trinkle, Burkett, and Sturm’ (trumpet, marimba and double bass) for more than fifteen years. He has worked in the electronic medium with composers such as Cleveland Scott and Joan Wildman. As an orchestral bassist, he has served as principal bassist of numerous regional orchestras including the Muncie Symphony, Quad Cities Symphony, Wisconsin Chamber Orchestra, Madison Symphony, Dubuque Symphony, Dorian Opera, Rockford Symphony, and Racine Symphony and toured Europe as a member of the American Sinfonietta Chamber Orchestra.Recently Hans Sturm has appeared at the Beijing Music Festival; the Association of Brazilian Contrabassists International Conventions in Goiania and Pirenopolus, Brazil; the Scottish Bass Trust’s International Convention and the Fringe Festival in Edinburgh Scotland; the College Music Society International Conference in Kyoto, Japan; Encontro de instrumentistas in Joao Pessoa and Belo Horizonte, Brazil; the Biennial International Symposium on Arts and Technology in New London, Connecticut; a State Department tour of Morocco; various International Society of Bassists Conventions in Bloomington, Houston, Indianapolis, Iowa City and Richmond; and jazz fest ivals in Chicago, New York, Detroit, Madison, Milwaukee, and Minneapolis. Sturm has contributed performances and compositions to more than thirty recordings with artists including the Pro Arte String Quartet, soprano Mimmi Fulmer, vocalist Jackie Allen, synthesist/composer Joan Wildman, guitarists Scott Fields, Rolf Sturm, Dave Baney, Jeff Parker, and Jack Grassel, trumpeters Bob Levy and David Young, and pianists Jane Reynolds, and Marilyn Crispell. He has recorded for A440, Innova, Red Mark, Music and Arts, CRI, Big Chicago, and Cadence labels among others.Hans Sturm is currently the President-Elect of the International Society of Bassists and served as the New Music Editor for the organization’s journal ‘Bass World’ for six years. He is on the summer faculty of the National High School Music Institute at Northwestern University and his works for bass are published by Liben Music (U.S.) and Klaus Schruff (Europe). His major teachers have included Northwestern University Professor Jeff Bradetich, Pittsburgh Symphony Principal Bass Emeritus Anthony Bianco, Philadelphia Orchestra bassist Ferdinand Maresh, and international soloist and pedagogue François Rabbath.
The G. Love & Special Sauce drummer discovered singer and guitarist G. Love in an empty Irish bar in his hometown of Boston. As a duo expanding to a trio, the hip hop/blues group hit with “Cold Beverage” on their first release, and it's been a wild ride of world tours, records, and TV ever since. A New Orleans residency leading rock steady group 007 and Nashville session work with Dan Auerbach of the Black Keys round out his stellar resume. Jeffrey currently hosts the weekly Atomic Cocktail Hour. Tonight he endures the radioactive fallout with the Troubled Men. Topics include a vaccine, a birthday, the Mars landing, Mt. Rushmore, a sold out gig, dog walkers, Certs, Ramones shows, lessons with Alan Dawson, a bar mitzvah band, Boston rock, Mark Sandman, Sony records, an acoustic approach, space, moving to N.O., Keith Keller, Chez Flames, Katrina flooding, a trio with Kenny Vaughn and Dave Roe, touring plans, a COVID case, a Letterman story, and much more. Support the podcast [here.](https://www.paypal.me/troubledmenpodcast) Shop for Troubled Men's Wear [here.](https://www.bonfire.com/troubled-mens-wear/) Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or almost any podcast aggregator. Follow on social media, share with friends, and spread the Troubled Word. Intro music: Styler/Coman Break and outro music: “Cold Beverage” and “Baby's Got Sauce” from the self-titled album by G. Love & Special Sauce
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