Podcast appearances and mentions of denny zeitlin

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JEREMY STEIG “FLUTE FEVER” New York, 1963Oleo, Well you needn't, Willow, weep for meJeremy Steig (fl) Denny Zeitlin (p) Ben Tucker (b) Ben Riley (d) HELEN MERRILL “HELEN MERRILL” New York, December 22, 1954Don't explain, Born to be blueHelen Merrill (vcl) acc by Clifford Brown (tp) Danny Bank (fl) Jimmy Jones (p) Barry Galbraith (g) Milt Hinton (b) Osie Johnson (d) Quincy Jones (arr,cond) New York, December 24, 1954What's new ? Continue reading Puro Jazz 10 de septiembre, 2024 at PuroJazz.

JEREMY STEIG “FLUTE FEVER” New York, 1963Oleo, Well you needn't, Willow, weep for meJeremy Steig (fl) Denny Zeitlin (p) Ben Tucker (b) Ben Riley (d) HELEN MERRILL “HELEN MERRILL” New York, December 22, 1954Don't explain, Born to be blueHelen Merrill (vcl) acc by Clifford Brown (tp) Danny Bank (fl) Jimmy Jones (p) Barry Galbraith (g) Milt Hinton (b) Osie Johnson (d) Quincy Jones (arr,cond) New York, December 24, 1954What's new ? Continue reading Puro Jazz 10 de septiembre, 2024 at PuroJazz.

In this episode, we discuss recordings of “C.P.E. Bach: Wurttemberg Sonatas” (ECM) by Keith Jarrett, “Franck & Martin: Piano Quintets” (Avi Music) by Martin Klett & Armida Quartett, “Airat Ichmouratov: Piano Concerto, Viola Concerto No. 1” (Chandos) by Jean-Philippe Sylvestre, Elvira Misbakhova & London Symphony Orchestra / Airat Ichmouratov, “Crazy Rhythms: Exploring George Gershwin” (Sunnyside) by Denny Zeitlin, “Feathers of Ma'at” (Trrcollective) by the Ben Miller Trio, “Colour of Sound” (Manushi Records) by Zoe Rahman.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 123 Deezer Playlist   “C.P.E. Bach: Wurttemberg Sonatas” (ECM) Keith Jarrett https://open.spotify.com/album/3vKrhXuvRfjXs8iLZRbJ9j https://music.apple.com/us/album/carl-philipp-emanuel-bach/1684242130   “Franck & Martin: Piano Quintets” (Avi Music) Martin Klett & Armida Quartett https://open.spotify.com/album/0CGHKuDoCoTYXJMMlilUeI https://music.apple.com/us/album/franck-martin-piano-quintets/1677522280   “Airat Ichmouratov: Piano Concerto, Viola Concerto No. 1” (Chandos) Jean-Philippe Sylvestre, Elvira Misbakhova, London Symphony Orchestra / Airat Ichmouratov https://open.spotify.com/album/4G58Gm2ziXbKMvlIUVIUbS https://music.apple.com/us/album/ichmouratov-piano-concerto-viola-concerto-no-1/1682525509   “Crazy Rhythms: Exploring George Gershwin” (Sunnyside) piano, 6/30/2023 Denny Zeitlin https://open.spotify.com/album/1CTZp4Eil1pRfoVCnJAFh3 https://music.apple.com/us/album/crazy-rhythms-exploring-george-gershwin/1689855631   “Feathers of Ma'at” (Trrcollective)  Ben Miller Trio https://open.spotify.com/album/235Pl6O5vhuPiqmEpZfc3h https://music.apple.com/us/album/feathers-of-maat/1686789184   “Colour of Sound” (Manushi Records)  Zoe Rahman https://open.spotify.com/album/6UzXKdRElh4oQivnqEFS1P https://music.apple.com/us/search?term=Zoe%20Rahman   Be sure to check out: "Same Difference: 2 Jazz Fans, 1 Jazz Standard" Johnny Valenzuela and Tony Habra look at several versions of the same Jazz standard each week, play snippets from each version, discuss the history of the original and the different versions.    

De 'Midnight alvorada', primer disco del brasileño afincado en España Pedro Rosa, las canciones 'Mãe', 'Como vai você?', 'Mar adentro', 'Curio' y 'Samba de um balaio'. Del disco póstumo de Wilson das Neves, la canción que le da título 'Senzala e favela' -con Chico Buarque y Emicida-, 'Traço de giz' -con Maria Rita-, 'Sem porto' -con Zeca Pagodinho- y 'Transitória' -con Roberta Sá y Wilson das Neves-. También dos instrumentales, 'Maroto' y 'O vôo da libélula', del disco 'Choros e pianos' de André Mehmari. Abre la guitarra de Pat Metheny con 'Morning of the carnival', de Bonfá, y cierra el piano de Denny Zeitlin con 'My man´s gone now' de Gershwin. Escuchar audio

**It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Some Classic & Contemporary Jazz Crackers From Edson Machado, Richie Cole, Johannes Enders, 4Hero, Denny Zeitlin, Michael White, Hilario Duran, Lina Nyberg Quintet, Tania Maria, Shokazulu, Mistura Pura & More #Jazz #JazzClassics #ContemporaryJazz #JazzGroove #JazzSoul Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/original103.3 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Te ofrecemos, en viernes 13, un episodio que escapa de los estilos habituales del Sótano pero no de nuestros gustos y debilidades. Dedicamos nuestro tiempo de radio a recordar algunas de nuestras bandas sonoras favoritas del cine de terror. Playlist; (sintonía) HARRY MANFREDINI “Overlay of Evil / Main Title” (Viernes 13, 1980) BERNARD HERRMANN “Prelude” (Psicosis, 1960) JOHN WILLIAMS “Shark attack” (Tiburón, 1975) JERRY GOLDSMITH “Ave Satani” (La profecía, 1976) JERRY GOLDSMITH “Face hugger” (Alien, 1979) JOHN CARPENTER “Halloween theme” (Halloween, 1979) ENNIO MORRICONE and JOHN CARPENTER “Bestiality” (The thing, 1982) KRYSTOF KOMEDA con MIA FARROW “Rosemary’s Baby Main Theme” (La semilla del diablo, 1968) WALDO DE LOS RÍOS “Evelyn” (¿Quién puede matar un niño?, 1976) RIZ ORTOLANI “Cannibal holocaust (main theme)” (Holocausto Canibal, 1980) TOBE HOPPER and WAYNE BELL “A room of feathers and bones” (La matanza de Texas, 1974) HARRY SUKMAN “Salem’s lot main title” (El misterio de Salem’ Lot, 1979) DENNY ZEITLIN “The reckoning” (La invasión de los ultracuerpos, 1978) CHARLES BERNSTEIN “A Nightmare On Elm Street main title” (Pesadilla en Elm Street, 1984) POPOL VUH “Die nacht der himmel” (Nosferatu; Phantom der Nacht, 1979) GOBLIN “Suspiria (main theme)” (Suspiria, 1977) Escuchar audio

The task of defining the undefinable falls to a second group of improvisors. Bill Watrous, Jane Ira Bloom, Dr. Denny Zeitlin and Michael Weiss add their personal perspectives.

Tres legendarios saxofonistas de jazz tocando clásicos de la música brasileña: Lee Konitz ('Samba triste'. 'Menina moça', 'Triste'), Joe Henderson ('Triste', 'Happy madness', 'Portrait in black and white' aka 'Zingaro', 'Dreamer') y Phil Woods ('Nada será como antes', 'Dois pra lá, dois pra cá'). Despiden con 'The dolphin' el pianista Denny Zeitlin y el contrabajista Charlie Haden. Escuchar audio

Weapon Production. Why should we worry when we produce top grade fighter jets and aircraft carriers? We've got the largest defense budget in the world. Are we a healthy people? One in five people suffer from mental illness in America. We left 80 billion dollars worth of weapons in Afghanistan. That qualifies us as stupid or mentally ill. Ex-generals became rich helping to produce weapons during that 20 year war. Who are we really protecting? What do you want: More weapons or healthier people? A government can be held responsible for a failed economy. MUSIC Peter Gabriel, Santo & Johnny, Klimick & Tykwer, Bates & Richard, Denny Zeitlin.

Mike Stephen talks to local musician and music teacher Bill Brickey about why the Old Town School of Folk Music teachers have unionized and discovers the Secret History of cosmic jazz prodigy Denny Zeitlin.

"Patients may be bringing in harmonies that are tough to connect, fragments of life or things that cannot be integrated. And part of the improvisation in a way is to make sense, to create maybe a new improvisation that ties together different affects or maybe clusters of chords that feel unpleasant. Can we work with them musically to make sense of them at least? And maybe represent them not always in a pleasing way but through our improvisation, be able to create a new motif that now can be examined in different ways."   Episode Description: We begin by recognizing the well-known analytic challenge which is to learn the basic scales and then learn to improvise — both being essential tools for creating a dependable and creative analytic space. Rafael shares with us his early familial psychoanalytic influences and his search to find his own voice. We discuss the similarities between analytic free-association and musical improvisation. He demonstrates his clinical observations with three live musical renditions — first the melody and then two riffs off it with increasingly loose connections to the original theme. We discuss how this is similar to the deepening of an analytic process allowing for greater freedom of imagination and self-awareness. We consider the musical versions of countertransference as well as the termination capacity for improvised self-reflection.   Our Guest: Rafael Ornstein, MD is a psychiatrist and psychoanalyst with a private practice in Brookline Massachusetts. He is a graduate of and on the faculty at the Boston Psychoanalytic Society and Institute. He is an Instructor in Psychiatry at Harvard Medical School and he supervises psychiatry residents at Massachusetts General Hospital. He is a frequent contributor to the Harvard Medical School continuing education course on psychodynamic psychotherapy. He enjoys playing piano in the sextet Bluedog Jazz, a band with monthly gigs in local restaurants and clubs. You can find them on Spotify.   Recommended Reading and Listening:   Alev, Simeon, (2021), Jazz and Psychotherapy: Perspectives on the Complexity of Improvisation. Routledge.   Knoblach, Steven, (2000), The Musical Edge of the Therapeutic Dialogue. Routledge.   Lichtenstein, David, (1993), “The Rhetoric of Improvisation: Spontaneous Discourse in Jazz and Psychotherapy”. American Imago. 50:227-252   Markman, Henry, (2020), “Accompaniment in Jazz and Psychoanalysis”. Psychoanalytic Dialogues. 30 (4), 432-447   Dennyzeitlin.com. Denny Zeitlin, MD is a psychiatrist and a significant figure in Jazz, in both performance and composition. His website has a wealth of information on jazz and its intersections with psychology.   Selected Recordings   Oscar Peterson's Blues Etude   Fats and Monk: Lulu's Back In town. Comparing Fats Waller and Thelonious Monk. Fats improvising on the structure. Monk stretching the structure.   John Coltrane: A Love Supreme Improvisation and the Spiritual   Bill Evans: Alone Solo album, Evans creates very strong emotion and a sense of introspection in his approach.   Elaine Elias: Chega De Saudade Elaine sings it straight and then stretches out with an amazing piano solo, with striking group interactions, coming back to the melody.   Blue Dog Jazz on Spotify Rafael Ornstein piano tracks 1,2,5,6, and 8.  

Ageless Duo In Studio Live From Fairfax, CA March 2018

Puntata dedicata a Keith Jarrett con un brano inedito tratto da un suo concerto a Genova organizzato dall'Ellington club nel 1986. I nuovi album di Denny Zeitlin, Vincent Peirani & Emile Parisien e Dayna Stephens. Un piccolo focus sul clarinetto con Artemis, Mal Waldron, Eric Dolphy Aldo Romano, Henri Texier, Louis Sclavis (e Guy LeQuerrec), due brani per ricordare Barney Wilen, un piano trio di Duke Ellington. Buon Jazz a tutti da Danilo Di Termini

My guests are sound creators of the highest order. They both have been extrapolating off the grid for the last 50 years. One got noticed and appreciated by John Hammond which sparked a career on Columbia. The other was playing with JJ Johnson & an unknown Barbara Streisand @ Champagne Urbana. Both of my guests came to San Francisco in the middle part of the 1960s. They were established jazz musicians who could play funk or pop or blues or free music for a living. They were mentors for a whole crop of young pianists and percussionists who wanted to play outside the box. They played quite a bit together in a trio setting with the late great Mel Graves or in larger units with the venerable Ratzo Harris playing Syzygy @ The venerable Arch Studios. Like a scarf in the wind their music dances, at times frenetically like a manic patient seeking cognitive therapy my guests go deep inside the cranial membrane to extract new ideas and sequence them in free form music that is comprised of multiple keyboards, tom toms, synths, high hats, Cungas and grand stein ways. The music they play represents an amalgamation of their experiences traveling through Moab Utah or the City Winery or the spiritual holy lands of Australia. In this hosts mind my guests continue to collaborate because of love. One love that they feel in a sweaty pool of inspiration on those Sunday afternoons when they get to improvise for several hours and leave exhausted yet cleansed from their other worlds of academia and private practice. Still Riding The Moment Dr. Denny Zeitlin and George Marsh welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support

On my program the Bay Area has been a major focus of my journey to a land before my time. The heliport, Denny Zeitlin, Vovo, Sly Stone, Jacks on Sutter, Jimbo's Bop City, Wally Heider Studios and so much more. Yet, another part of the Golden Bay is San Jose which had it own regional music scene separate from San Francisco. East Side San Jose, the gospel and blues coming out of the church and night clubs churning notes that were Fixing to Die with Hamstrung Guitar and a Hammond Organ with the Leslie Speaker swirling goodness to the masses who could take in the music live and see the likes of John Lee Hooker, Mel Brown, Boz Scaggs, Steve Miller, Linda Tillery, B.B. King, John Turk, Cornelius Bumpus and Michael White. Floating between genres my guest has always tried to convey a spirit of oneness, inclusiveness and sophistication. This has been in different neighborhoods, in different towns, different cities all over the world. When you combine His mind creation and soul creation you get a heart that beats in polyrhythms determined to pump energy and love to all those he comes across. Clifford Coulter welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support

Scarf in the Wind, Arp Modulator, Mel Graves, John Hammond, George Marsh, SYGZY, Expanding Minds Jake Feinberg Show --- Support this podcast: https://anchor.fm/jake-feinberg/support

My guest today is an example of someone who was born in the right place at the right time. He was raised in San Francisco and during his formative years when arguably the greatest music cultivation was occurring. The core group of Brubeck, Desmond and Tjader and Guaraldi spawned a new era in melodic jazz, never removing the street element but conjoining swing elements with Latin rhythms, bossa rhythms and African percussion. At the same time Santana's Latin rock escapade was burgeoning as well as a bunch of Mavericks who were acclimating themselves to this fertile hotbed of cross music fertilization. My guest got sticks in his hand and became part of it all. Bola Sete, Noel Jewkes, Jon Hendricks, Dr. Denny Zeitlin, the airplane, GD, the aforementioned mentioned Guaraldi, Benny Velarde and countless other gigs @ Jimbo's Bop City, the Both And, the Workshop --- Support this podcast: https://anchor.fm/jake-feinberg/support

  The final episode of The Piano Files A-Z. The Z File Not too may surnames start with the letter Z but here we find 4 amazing piano players that give us a wide spectrum of style and content……the majority of tracks included here were recorded live, in front of an audience. Remember those days? Joe Zawinul, the former Miles Davis collaborator and founding member of Weather Report. Denny Zeitlin, professor of Clinical Psychiatry with over 30 jazz albums to his name. Aziza Mustafa Zadeh, classical student fusing jazz with Azerbajani Mugam. Peter Zak, prolific proponent of the Eternal Triangle - his phrase for the jazz piano trio.  

This content is for Members only. Come and join us by subscribing here In the meantime, here’s some more details about the show: It’s a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he’ll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 28th May 2020 Artist - Track - Album - Year Linley Hamilton Quintet    Split    For the Record    2019 Seth Weaver Big Band    Frost    Truth    2020 John Stein    Wally    Watershed    2020 Henry Robinett Quartet    Yellow Days (La Mentira)    Jazz Standards Then, Vol. 1    2020 The Jim Self/John Chiodini Duo    Brincadeiras    The Light Fantastic    2020 John Stein    The Hang    Watershed    2020 Brian Andres Trio Latino    Got A Match?    Mayan Suite    2020 Errol Garner    Mucho Gusto    Magician (Octave Remastered Series) (Original LP 1974)    2020 Pacific Mambo Orchestra    Fanfare for the Common Man    The III Side    2020 Brian Andres Trio Latino    Escucha    Mayan Suite    2020 The TNEK Jazz Quintet    O.P.    Plays the Music of Sam Jones    2020 Songs of Tales    Burning Bright    Life is a Gong Show    2020 James Carney Sextet    Throwing Shade    Pure Heart    2020 Peripheral Vision    Reconciliation Suite: I. Prayer for Reconciliation    Irrational Revelation    2020 Peripheral Vision    Reconciliation Suite: II. Reparations, or, how do you put down the mantle of privilege?    Irrational Revelation    2020 Peripheral Vision    Reconciliation Suite: III. Kadish for Missing or Murdered Indiginous Women and Children    Irrational Revelation    2020 Denny Zeitlin    Paraphernalia    Live at Mezzrow    2020 Andy Milne and Unison    The Call    The reMISSION    2020 Roscoe Mitchell with Ostravska Banda    Cutouts for Woodwind Quintet 8.8.88    Distant Radio Transmission    2020 The post The Creative Source (#CreativeSource) – 28th May 2020 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

Los ya legendarios saxofonistas de jazz Lee Konitz ('Samba triste', 'Menina moça', 'Triste'), Joe Henderson ('Triste', 'Happy madness', 'Portrait in black and white' aka 'Zingaro', 'Dreamer') y Phil Woods ('Nada será como antes', 'Dois pra lá, dois pra cá') en obras de Baden Powell, Tom Jobim o Milton Nascimento. Despedida con el pianista Denny Zeitlin y el contrabajista Charlie Haden tocando 'The dolphin' de Luiz Eça. Escuchar audio

Who's to bless and who's to blame when it comes to the chronicling the frontiersman of music. Blessings go to Wayne Henderson and Herb Wong both of whom we lost recently as cats who played and wrote their asses off when it came to melodic invention.Much of the hoopla surrounding dance music in the 40 and 50 was being done in ballrooms. Duke Ellington and Count Basie leading crusades of young rabbits into urban theaters like Trenton where my guest is from.He learned under the tutelage of his father who was himself a big band leader just like The Skipper Henry Franklins father. Charles Anthony Williams had rehearsals at his house where his son could learn up close the strength of individual sound, knowing your role, knowing when to step outside that role, be a contributor an accompanist with Denny Zeitlin and The Crusaders, filling in for Ray Brown or showing up with Joe Farrell, Dakota Staton and Jon Lucien. His musical legacy is unquantifiable. Over the past 50+ years he has been expanding the musical palettes of both his comrades like Herbie Hancock and stretching the ears of active audiences from Dubai to Europe to The It Club. He has gone bop to be-bop, post bop to free music, soul funk to blues to driving gulf coast pocket magic. He is a mind reader...in that once he locks in - there is no time, everything around him is still there but with just a little light in contrast with the bombs my guest drops. He shows no signs of slowing down, more active than ever before. Buster Williams welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support

Dans ce deuxième épisode, le trio Gravlax - PapaGubida - Casa se présente en ayant choisi chacun un film coup de cœur dans le domaine des films fantastiques et de science-fiction. Chacun a bien sûr vu ( ou revu ) les films proposés par les autres pour pouvoir en discuter. Voici les films traités dans l'épisode, et le timecode : - 2:10 Le film de Casa : « Blade Runner 2049 » de Denis Villeneuve ( 2017 )( à partir de 11:20, les scènes préférées sont évoquées, donc forte probabilité de SPOILERS ) http://www.allocine.fr/film/fichefilm_gen_cfilm=197686.html - 23:00 Le film de PapaGubida : « Hook ou la revanche du Capitaine Crochet » de Steven Spielberg (1991) ( à partir de 38:45, fort risque de SPOILERS )http://www.allocine.fr/film/fichefilm_gen_cfilm=7280.html - 42:45 Le film de Gravlax : « L’Invasion des Profanateurs » de Philip Kaufman (1978)( à partir de 55:30, fort risque de SPOILERS )http://www.allocine.fr/film/fichefilm_gen_cfilm=1139.html Recommandations ( à partir de 1 h 03 ) : - Casa : "The Crow" ( 1994 ) d'Alex Proyas http://www.allocine.fr/film/fichefilm_gen_cfilm=10474.html - PapaGubida : "Terminator 2" ( 1991 ) de James Cameron http://www.allocine.fr/film/fichefilm_gen_cfilm=7124.html - Gravlax : L'édition UHD 4K de "2001, Odyssée de l'Espace" de Stanley Kubrick (1968) https://www.fnac.com/a11612523/2001-L-Odyssee-de-l-espace-Blu-ray-4K-Ultra-HD-Keir-Dullea-Blu-ray-4K#omnsearchpos=1 Bonus : Pour la blague, la version "olé olé" de Terminator 2 avait été évoquée à la toute fin du podcast. Depuis l'enregistrement, une vidéo très intéressante sur la comparaison entre les 2 films est sortie sur YouTube, voici le lien : https://www.youtube.com/watch?v=cxmZnO4dQR8 Lien vers le film rapidement évoqué "Résurrection" avec Christophe Lambert, disponible en intégralité sur YouTube : https://www.youtube.com/watch?v=sFG1tVcSbcw NDLR : En cours d'épisode, le trio évoque "Docteur Sleep" de Mike Flanagan et ses possibilités narratives. Cet épisode a été enregistré fin août 2019 quand "Docteur Sleep" n'était pas encore sorti sur les écrans français et que le film n'avait donc pas encore été visionné. Morceaux diffusés durant l'épisode :- Générique "Loud Pop" ( Gravlax ) - Hans Zimmer et Benjamin Wallfisch "2049"- John Williams " The Arrival of Tink and the Flight to Neverland"- Denny Zeitlin "The Reckoning"- Graeme Revell "Inertia"- Brad Fiedel "Main Title of Terminator 2"- Richard Strauss "Ainsi parlait Zarathoustra" Lien Twitter du podcast : https://twitter.com/TLVPodcast Page Facebook du podcast : https://www.facebook.com/M.Gravlax/ Page du podcast : https://podcast.ausha.co/tu-l-as-vu

Audiodrome returns with its third season! Musician Simon Tornby has once again compiled a series of mixtapes, each one focusing on a single film composer. We kick off this third season with a 'best of'-mixtape of tracks from a range of composers – from Bobby Beausoleil to Denny Zeitlin – who haven't got a soundtrack catalog large enough to get their own episode, but still have written some really great film music. All for you, right here. Tracklist: 1. Libra - The Schock - Shock (Mario Bava, 1977) 2. Roberto Donati - NYC Main Title - Cannibal Ferox (Umberto Lenzi, 1981) 3. Jean Daniel Mercier - Après Noël - Au Revoir... À Lundi (Maurice Dugowson,1979) 4. Christophe - Sunny Road to Salina - Road to Salina (Georges Lautner, 1970) 5. Manfred Hubler & Siegfried Schwab, We Don't Care - She Killed in Ecstacy (Jess Franco,1971) 6. Claudio Gizzi - Old Age of Dracula - Blood For Dracula (Paul Morrisey, 1974) 7. The Cyrkle - Kites - The Minx (Raymond Jacobs, 1969) 8. Denny Zeitlin - Love Theme - Invasion of the Body Snatchers (Phillip Kaufman, 1978) 9. Bill Wyman & Terry Taylor - The Valley - Phenomena (Dario Argento, 1985) 10. Jimmy Page - Ice Cream - Death Wish 3 (Michael Winner, 1985) 11. Dave Richmond - Confunktion - The Opening of Misty Beethoven (Radley Metzger, 1974) 12. Delia Derbyshire & Brian Hodgson - The End - The Legend of Hell House (John Hough, 1973) 13. Robert McNaughton - Henry End Of Theme - Henry, Portrait of a Serial Killer (John McNaughton, 1986) 14. Sandro Brugnolini - Aggressione - L'uomo dagli occhiali a specchio (Mario Foglietti, 1975) 15. Acanthus - The Shiver of the Vampires, title - Shiver of the Vampires (Jean Rollin, 1971) 16. Bobby Beausoleil - Lucifer Rising 1 - Lucifer Rising (Kenneth Anger, 1972) 17. Don Gere - Main theme - Werewolves on Wheels (Michel Levesque, 1971) 18. Guy Pedersen - Chasse Á L'homme - Celeste - (Michel Gast, 1970) 19. Pierre Cavalli - Chasse A L'homme - Un Soir Chez Norris (Various, 1971) 20. I Marc 4 & Peppino De Luca - Corsa Mortale - The Man with Icy Eyes (Alberto de Martino, 1971) 21. David A. Hughes & Martin Cooper - Truck Burns, End Title - C.H.U.D. (Douglas Cheek, 1984) 22. Colin Towns - Full Circle, main theme - The Haunting of Julia (Richard Loncraine, 1977) 23. Trans Europa Express - Il Gatto Dagli Occhi Di Giada, Seq 1 - Watch Me When I Kill (Antonio Gido, 1977) 24. Franco Falsini - Cold Nose Part 2 - Naso Freddo (Filippo Milani, 1985) 25. Rick Ulfik - Viper Theme - Street Trash (J. Michael Muro, 1987) 26. Rick Wakeman - The Burning (End Title Theme) (Tony Maylam, 1981) 27. Maurizio Vandelli - Ipnosi - Madeline, Study of a Nightmare (Roberto Mauri, 1974) 28. Peter Ivers - In Heaven - Eraserhead (David Lynch, 1977)

Whether right or wrong we like being different and truly enjoy bringing you guests that challenge, enlighten, and entertain our listeners. This week certainly checks all those boxes. Our guest, George Marsh, is probably best known to our listeners as either the drummer from the David Grisman Quintet or as the author of “Inner Drumming” (one of our genres greatest methods). During my first chat with George he was excited to talk music and was very eager to share some of his favorite recordings of which he was a part. Throughout this episode as George describes the various musicians he’s worked with I thought it would be a nice change to mix in some of those artists’ mp3s as the interview progresses. It’s the first time we done that on the show. We hope you enjoy it and that it adds some context to the conversation. We caught up with George at his home in Santa Rosa, California. The long-time bay area resident is originally from the US Midwest where he grew up just outside of Saint Louis. His interest in music led him to gigs in Chicago and eventually to study with legendary educator, Tom Siwe at the University of Illinois at Urbana - Champaign. As the 1960s progressed it became clear to George that the weather, music, and culture of San Francisco had a magnetic appeal. Marsh relocated in 1968 and has remained in the bay area since that time. Partaking of the bay area’s fertile music scene George has played and recorded with artists as varied as the Jerry Hahn Brotherhood, Denny Zeitlin, John Abercrombie, Listen, and David Grisman. We discuss his teaching studios at Sonoma State University and the University of California at Santa Cruz. He details his nearly 40-year tenure at both schools and what he teaches there respectively. We finish having George describe the origin of “Inner Drumming”, the use of graphic notation, the nature of deliberate practice, and the myriad benefits of the method. Of course, we finish the show by taking George through the DWG Rorschach Test! Dr. Zeitlin would be delighted! Visit George at his web site: http://georgemarsh.com/ There you can view his media, purchase his book, and contact him for lessons. Here is the list of songs included in this episode: 1) “Time’s Caught Up with You” – The Jerry Hahn Brotherhood 2) “Aural Hallucination” – Listen 3) “This Ain’t Me” – Mose Allison 4) “Camel Walk” – Marsh, Abercrombie duo 5) “Geysers” – Zeitlin, Marsh 6) “Losing You” – Noam Limish 7) “After Hours” – Marsh, Wilsey, and Mathieu Please visit our website at: www.drummersweeklygroovecast.com There you can listen to our shows, interact with social media, email us, view our videos and more. If you are an Apple platform user please take a moment to review us the next time you are in iTunes. A 5-star rating would be greatly appreciated. New shows are published every Monday and can be found on iTunes, Google Play Podcasts, Spotify, Stitcher and everywhere you listen to your favorite podcasts. Subscribe today

11e émission de la 37e session... Cette semaine, départ funky-soul puis électro-jazz et ambient! En musique Leroy Houston sur la compilation Anthology 1972-84  (Acid Jazz, 2017); 30/70 Collective sur l'album Elevate  (Rhythm Section International, 2017); James Holden and the Animal Spirits sur l'album The Animal Spirits  (Border Community, 2017); The Kandinsky Effect sur l'album Pax 6  (Ropeadope, 2017); Girls in Airport sur l'album Live  (Edition, 2017); Denny Zeitlin and George Marsh sur l'album Expedition  (Sunnyside, 2017); TransMemories sur l'album The Sound History of the Earth  (Indépendant, 2017)...

11e émission de la 37e session... Cette semaine, départ funky-soul puis électro-jazz et ambient! En musique Leroy Houston sur la compilation Anthology 1972-84  (Acid Jazz, 2017); 30/70 Collective sur l'album Elevate  (Rhythm Section International, 2017); James Holden and the Animal Spirits sur l'album The Animal Spirits  (Border Community, 2017); The Kandinsky Effect sur l'album Pax 6  (Ropeadope, 2017); Girls in Airport sur l'album Live  (Edition, 2017); Denny Zeitlin and George Marsh sur l'album Expedition  (Sunnyside, 2017); TransMemories sur l'album The Sound History of the Earth  (Indépendant, 2017)...

This incredible album was the recording debut of one of the most unique voices on the flute, Jeremy Steig and it was also the debut of the awesome pianist Denny Zeitlin. It was done for Columbia records in 1963 and Steig and Zeitlin had never been in a recording studio before. They produced what is one of the most startling debuts in Jazz history and sadly this recording has been forgotten. Steig and Zeitlin are backed very ably by the well known bassist Ben Tucker and Thelonious Monk's drummer, Ben Riley. Steig is uses humming and singing into the flute at times to produce a hair-raising effect. Denny Zeiltin went on to an amazing career and he is still very active in the Bay Area where he works both as a pianist and as a psychiatrist. Dr.Denny Zeitlin!! The album consists of a nice mixture of standards from the Great American Singbook and some very well known Jazz standards by Miles, Monk and Sonny Rollins. "Flute Fever" is a classic and has lain fallow to too long...hear it here!

This month, The Poster Boys take a break by sitting down and having a chat with Mondo creative director Jay Shaw about the role of film art in the 21st century. Together they discuss some of Jay's favorite posters and title sequences, as well as the differences between the work done by Mondo and traditional one-sheets. They also dive into the process behind getting challenging art out to the public and whether or not it has a place in advertising blockbuster films, and close the episode out by opening the Flat File to compare key art from 1978's Invasion of the Body Snatchers. Also, Sam introduces a new segment! SHOW NOTES & LINKS Jay Shaw Mondo Bullitt title sequence Final Destination 5 title sequence Music selections: “Bass on Titles” opening theme, Hole In My Heart by Cyndi Lauper, INVASION OF THE BODY SNATCHERS original score by Denny Zeitlin. Follow Brandon Schaefer at @seekandspeak, and Sam Smith at @samsmyth. Special thanks to producer Adrian Cobb.

Pitos y aplausos, una pelea en toda regla de expresiones de aprobación y desaprobación acompañó los solos de John Coltrane como miembro del quinteto de Miles Davis en el concierto que dieron en París el 21 de marzo de 1960. Esas grabaciones forman parte de una caja cuádruple que recoge también un concierto de octubre de ese año ya con Sonny Stitt como saxofonista del quinteto de Miles. En este "Club de Jazz" del 7 de enero de 2015 escuchamos música de esos conciertos y también una grabación del mismo año, el encuentro de Coltrane con Don Cherry en "The Avant-Garde". Probamos el "Special Snack" del saxofonista Emile Parisien y nos acercamos a la "Belle Époque" que le reunió con el acordeonista Vincent Peirani. Escuchamos música de las dos grabaciones a nombre de la trombonista israelí Reut Regev y nos ponemos traje de etiqueta para nuestro "Stairway to the stars" de la mano del trío de Denny Zeitlin. En los "Ritmos Latinos" de Anxo escuchamos música del nuevo trabajo de Nacho Vegas y en el "Jazz Porteño" de Alberto Varela descontamos horas para el inicio del Festival de Jazz de Punta del Este (Uruguay) con la música de Paquito D'Rivera. Toda la información y derechos: http://www.elclubdejazz.com

Pitos y aplausos, una pelea en toda regla de expresiones de aprobación y desaprobación acompañó los solos de John Coltrane como miembro del quinteto de Miles Davis en el concierto que dieron en París el 21 de marzo de 1960. Esas grabaciones forman parte de una caja cuádruple que recoge también un concierto de octubre de ese año ya con Sonny Stitt como saxofonista del quinteto de Miles. En este "Club de Jazz" del 7 de enero de 2015 escuchamos música de esos conciertos y también una grabación del mismo año, el encuentro de Coltrane con Don Cherry en "The Avant-Garde". Probamos el "Special Snack" del saxofonista Emile Parisien y nos acercamos a la "Belle Époque" que le reunió con el acordeonista Vincent Peirani. Escuchamos música de las dos grabaciones a nombre de la trombonista israelí Reut Regev y nos ponemos traje de etiqueta para nuestro "Stairway to the stars" de la mano del trío de Denny Zeitlin. En los "Ritmos Latinos" de Anxo escuchamos música del nuevo trabajo de Nacho Vegas y en el "Jazz Porteño" de Alberto Varela descontamos horas para el inicio del Festival de Jazz de Punta del Este (Uruguay) con la música de Paquito D'Rivera. Toda la información y derechos: http://www.elclubdejazz.com

The Jazz Feature tonight is by a unique individual. A very accomplished human being by the name of Dr. Denny Zeitlin. Zeitlin is a practicing psychiatrist/author and teacher AND one of the most individual and accomplished pianists on the planet. He was able to pursue both careers with equal dedication. The Jazz Feature is by his working band that he put together when he moved from the east to the Bay Area. He had begun practicing and teaching in his field of psychiatry and working in festivals, clubs etc. with this working trio. The great Charlie Haden is here on bass and the innovative drummer, Jerry Granelli work hand in glove with Denny to provide a very different piano trio sound. The album consists of good quality standards interpreted with the Zeitlin style, and several wonderful original compositions created by Zeitlin. The album was issued in 1965 on Columbia Records and was the first documentation of the Denny Zeitlin Trio. The album was called "Carnival" and is a gem. Dr. Zeitlin is alive and well and living in the Bay Area and continues to pursue both of his professions. Long live Dr. Denny!

One of the most startling debuts in Jazz history was this album by Jeremy Steig. Steig, who is the son of the great cartoonist William Steig plays flute. He doesn't double on any other instrument and developed his own sound and concept on the flute. Jeremy didn't consider the flute a delicate instrument but one that could hold it's own with the saxophone or trumpet. Steig, who was born in New York on September 23,1942 is still alive and well and playing, entered the Jazz world with this album called "Flute Fever". It was produced by John Hammond and mysteriously has never been issued on CD. Steig was subject to a lot of criticism for his maverick approach to the instrument but he had many supporters including the great pianist, Bill Evans, who was a fine flute player himself. Marking his debut was Jeremy's pianist, Denny Zeitlin who did score a Columbia Records contract after his performance here. Denny is still alive and well and performs around the San Francisco Bay Area with his trio. Steig and Zeitlin are ably supported by two pros, bassist Ben Tucker and drummer Ben Riley. I'm sure you will be moved and occasionally startled by the outgoing playing of Steig and the ceativity of Denny Zeitlin on this great 1963 recording of "Flute Fever".

Denny Zeitlin is one of the great individual stylists of the piano. He was born in Chicago on April 10,1938 and studied with the great theorist/innovator, George Russell. Denny lists his influences as Russell, Billy Taylor and Bill Evans but you'll find that Zeitlin has absorbed these influences so well that what comes out is pure Zeitlin. This was his first recording under his own name and it was done in 1964 for Columbia and re-issued on this fine Mosaic set from www.mosaicrecords.com Denny picked two fine sidemen in the persons of virtuoso bassist, Cecil McBee and the late drummer,Freddie Waites. Both these gentlemen were from Detroit and worked together in many different bands and were the perfect sidemen. This album, called "Cathexis" was the first in a series of innovative trio recordings. Denny moved to the Bay area soon after this recording to play and also to begin his other career as a psychiatrist. He has continued in both professions and is still practicing and playing at age 71. This album was an auspicious beginning.

Here is my fourth ballad type.This song was made "famous" by Bill Evans (so to speak-it's not famous at all), but it is not his own composition. The composer is Denny Zeitlin.Amy has been a huge supporter of this complex ballad ever since I started working on it in high school. Thanks!And finally, last year at the Siena Hotel, I closed the night with this number, and André Watts tipped me $20 when I was done.Quiet Now