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3 episodes with hammond b
Hammond B-3 player talks about developing his chops during the resurgent Acid Jazz period of the 1990's and the blues circuit that saved him in the Hudson Valley.
Jazz88's Peter Solomon spoke with organist Pat Bianchi about his relationship to the Hammond B-3 organ and the influence of the late organist Joey DeFrancesco. Bianchi will perform at the Crooners Main Stage Thursday, November 14th with drummer Byron Landham and guitarist Paul Bollenback, who served as DeFrancesco's rhythm section for many years.
Jazz88's Peter Solomon spoke with organist Pat Bianchi about his relationship to the Hammond B-3 organ and the influence of the late organist Joey DeFrancesco. Bianchi will perform at the Crooners Main Stage Thursday, November 14th with drummer Byron Landham and guitarist Paul Bollenback, who served as DeFrancesco's rhythm section for many years.
Sintonía: "Candlelight" - Brother Jack McDuff"A Kettle Of Fish", "Put On A Happy Face", "Mean To Me", "Carry Me Home", "Easy Living", "Oh, Look At Me Now" y "Dig Uncle Will", extraídas del álbum "Prelude" (Prestige, 1964)"Grease Monkey", "The Breeze And I" y "Nica´s Dream", extraídas de "Crash!" (Prestige, 1963) de Jack McDuff featuring Kenny BurrellTodas las músicas interpretadas al órgano Hammond B-3 por Jack McDuff y a la guitarra eléctrica por Kenny Burrell Relación de fechas de emisión de los 2 anteriores programas de este coleccionable:1. "The Honeydripper" (1961) y "Good Night, It´s Time To Go" (1961) emitido el 16/09/20242. "Screamin´" (1963) y "Somethin´ Slick" (1963) emitido el 08/10/2024Escuchar audio
"He´s A Real Gone Guy! - "Screamin´" - "One O´Clock Jump", extraídas del álbum "Screamin´" (Prestige, 1963)"Somethin´ Slick" - "Smut" - "How High The Moon" - "It´s a Wonderful World", extraídas de "Somethin´ Slick" (Prestige, 1963)"After Hours" extraída de "Screamin´"Todas las músicas interpretadas al órgano Hammond B-3 por Brother Jack McDuffEscuchar audio
Sintonía: "Whap!" - Jack McDuff"I Want A Little Girl", "Mr. Lucky" y "Blues And Tonic", extraídas del álbum "The Honeydripper" (Prestige, 1961) del teclista Jack McDuff"Goodnight, It's Time To Go", "Sanctified Waltz", "McDuff Speaking" y "I´ll Be Seeing You", extraídas del álbum "Good Night, It's Time To Go" (Prestige, 1961)Todas las músicas interpretadas al órgano Hammond B-3 por Brother Jack McDuffEscuchar audio
Send us a textFind out who was a Hammond B-3 Bad Boy who could also sing a mean tune!The Vinyl Tour Bus Makes all The Stops:Tales Of A Rock-A-RollaMusical History ToursRock Music TriviaGeneral MayhemTune In, Turn On & Rock Out
“DEEP WATERS” There is a common thread that is woven between everything that Michelle McKinney Hammond does. Freedom! Known as the queen of reinvention, she leads audiences on a journey through what it means to be empowered to live to their fullest potential, be significant, acquire spiritual completion, and experience fulfilling love. This Chicagoian/Ghanaian phenomenon brings a refreshing perspective to age-old scriptural principles and transformational truths via profound lessons, laced with humor and practicality. Are you ready? Get on board! Follow Michelle: @mckinneyhammond (Instagram/Twitter) Michelle McKinney Hammond(FB) www.michellehammond.com Follow B. Lifted Up! Radio: @bliftedupradio (Twitter/Instagram/Facebook) www.bliftedupradio.com | www.mochapodcastsnetwork.com/bliftedup (Websites) Alfred Edmond Jr. - @alfrededmondjr (Twitter) Dr. Michelle: "Dr. BT" (Link'd In) | Purchase Dr. Michell's Book: https://bit.ly/3M6cOBx Learn more about your ad choices. Visit megaphone.fm/adchoices
Laurens Hammond Rev. Clarence Cobbs & the 1st Church of Deliverance Laurens Hammond filed for a patent on his musical machine. After Laurens got the company up and running, Hammond's Serial Number One went to a dealer in Kansas City, where it was used for years as a traveling demonstrator. The Hammond Organ was an immediate success, and before long, Churches, Theatres and Concert halls were humming to the Model “A”‘s sound. Rev. Clarence "Preacher" Cobbs, Pastor of 1st Church of Deliverance in Chicago, Illinois wanted something different, and procured a Hammond Organ to replace the piano at the request of Kenneth Morris. Rev. Cobbs was also one of the first African-American pastors to have his own radio show. He immediately began to use the Hammond Organ on his broadcasts, and it was a hit! In 1954, Hammond introduced the organ that secured the legend, the Model B-3. Its Chorus-Vibrato and Touch-Response Percussion™ made sounds that were totally new and fresh. Gospel churches embraced the Hammond B-3 like no one else. The Ministers of Music elevated Hammond playing to a level leaving even the most proficient artists shaking their heads in disbelief. •Please send Let's Talk: Gospel Music Gold an email sharing your thoughts about this show segment also if you have any suggestions of future guests you would like to hear on the show. Send the email to letstalk2gmg@gmail.com •You may Subscribe to be alerted when the newest episode is published. Subscribe on Spotify and we will know you are a regular listener. All 4 Seasons of guests are still live; check out some other Podcast Episodes •LET'S TALK: GOSPEL MUSIC GOLD RADIO SHOW AIRS SATURDAY MORNING 9:00 AM CST / 10:00 AM EST ON INTERNET RADIO STATION WMRM-DB Aired on iHeart Radio & Live365 •Both Podcast and Radio show are heard anywhere in the World! •NEW BOOK RELEASE! •Legacy of James C. Chambers And his Contributions to Gospel Music History •Available for purchase on Amazon.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/letstalk2gmg-ansonia/message
Grammy Lifetime Achievement Award recipient and legendary gospel artist Twinkie Clark talked about her musical journey and performed music from her catalog of over 350 songs. Scholars Charrise Barron, Assistant Professor of Music at Harvard University, and Damien Sneed, Associate Professor in the Department of Music at Howard University, facilitated the conversation with Twinkie Clark which illuminated the motivations and milestones of her music career and explored key elements of her signature sound. The evening culminated in a recital in which Twinkie Clark, a Hammond Organ Hall of Fame member, performed on the Hammond B-3 organ. This event took place April 10, 2024. Learn more: https://hds.harvard.edu/ Full transcript: https://hds.harvard.edu/news/2024/04/22/video-evening-twinkie-clark
DAVID GIBSON FELLOWSHIP New York ca. 2023Meek's Wrath, Chief Distortion, FellowshipDavid Gibson (tbn) Davis Whitfield (p) Joseph Lepore (b) Kush Abadey (dr). SULLIVAN FORTNER SOLO WORK ca.2023I Didn't Know What Time It Was, Snakes and Ladders, This Is NewSullivan Fortner, piano, Fender Rhodes, Hammond B-3 organ, vibes, celeste, chime tree, Moog, vocoder, hand percussion, egg shaker, triangle, vocals, hand claps, shakers, Canopus bass drum, Mongolian gong; Kyle Poole, hand claps (11); Cécile McLorin Salvant, vocals (12). Continue reading Puro Jazz 15 marzo 2024 at PuroJazz.
DAVID GIBSON FELLOWSHIP New York ca. 2023Meek's Wrath, Chief Distortion, FellowshipDavid Gibson (tbn) Davis Whitfield (p) Joseph Lepore (b) Kush Abadey (dr). SULLIVAN FORTNER SOLO WORK ca.2023I Didn't Know What Time It Was, Snakes and Ladders, This Is NewSullivan Fortner, piano, Fender Rhodes, Hammond B-3 organ, vibes, celeste, chime tree, Moog, vocoder, hand percussion, egg shaker, triangle, vocals, hand claps, shakers, Canopus bass drum, Mongolian gong; Kyle Poole, hand claps (11); Cécile McLorin Salvant, vocals (12). Continue reading Puro Jazz 15 marzo 2024 at PuroJazz.
Elder Nick Hightower's old-school Hammond B-3 stylings are the highlight of this rare gospel instrumental, “Let Everybody March.”
Billy Valentine é vocalista e compositor de Soul, Jazz e Blues. Mora em Los Angeles. Seu vocal, inconfundível, tem alcance de múltiplas oitavas que se encaixam diretamente entre Curtis Mayfield e Marvin Gaye. Billy Valentine nasceu William Denham na Virgínia Ocidental, mas foi criado em Columbus, Ohio. Seus pais eram donos de uma boate onde todos os seus 12 irmãos trabalhavam. Suas sete irmãs se revezavam no comando da caixa registradora e da bilheteria e seus cinco irmãos atuavam como ajudantes de palco, roadies e na banda da casa liderada por seu irmão mais velho, Alvin, um mestre do Hammond B-3. Ele foi quem mostrou ao jovem as melhores músicas de soul e jazz das décadas de 1960 e 1970. Profundamente influenciado por Otis Redding, Nat King Cole e Carmen McCrae, Valentine foi atraído e absorveu aprendendo a cantar com disciplina. Fundou com seu irmão a Valentine Brothers Durante a década de 1980, ele contribuiu com os vocais principais na trilha de Champions Forever, um documentário sobre Muhammad Ali, Joe Frazier e George Foreman. Também produziu o single "Crazay" para Jesse Johnson e Sly Stone. No início da década de 1990, Valentine participou no longa-metragem de Robert Townsend, The Five Heartbeats. Em parceria de composição com Bob Thiele Jr. e Phil Roy co-escreveu "My World" para Ray Charles. Com Will Jennings, escreveu três canções do Neville Bros. do Álbum Family Groove. Em 2004, Valentine gravou a música tema de sucesso da série de TV Boston Legal, estrelada por William Shatner e James Spader. Em 2006, após mais de 30 anos no mundo da música, Valentine lançou Travelin' Light, seu primeiro álbum solo. Co-produzido pelo pianista Stuart Elster, o set contou com a participação do cantor com um trio de piano que tocava jazz nos padrões do Great American Songbook. Em 2007, ele revelou seu alcance estilístico com No Better Than This, um conjunto de músicas soul modernas compostas por originais e covers. Valentine já era um nome conhecido entre músicos, produtores, compositores, agentes e habitantes da vida noturna de Los Angeles. Em 2014, ele cantou "All along the Watchtower" de Bob Dylan em um episódio da série Sons of Anarchy de Kurt Sutter Em 2017, lançou o provocativo Brit Eyed Soul, cobrindo uma dúzia de músicas originadas no Reino Unido. A lista de faixas incluía revisões maravilhosamente estilizadas de sucessos de bandas como Rolling Stones, Beatles, Bee Gees, Culture Club, The Clash e mais. Em outubro, Valentine gravou a maravilhosa obra de arte "We Are the People Who Are Darker Than Blue", de Curtis Mayfield que está na playlist. Imperdível. O álbum ofereceu uma coleção diversificada de oito músicas clássicas de "protesto" soul de Stevie Wonder, Gaye, Scott-Heron, Prince, oferecidas no inimitável estilo emotivo de Valentine e apoiadas por um elenco de músicos de primeira, incluindo tenor saxophonist Immanuel Wilkins, trumpeter Theo Croker, a bassist Linda May Han Oh, guitarist Jeff Parker, vibraphonist Joel Ross, percussionist Alex Acuña, pianist/keyboardist Larry Goldings, bassist Pino Palladino, and drummer James Gadsen Valentine homenageia Scott-Heron e o legado da gravadora Flying Dutchman com sua abordagem assustadora de “Home Is Where The Hatred Is”, um testamento comovente sobre as lutas para abandonar o abuso de substâncias. O rico legado continua com o fascinante cover de Valentine da canção de assinatura do saxofonista Pharaoh Sanders, “The Creator Has A Master Plan”, que originalmente apresentava o vocalista Leon Thomas. O álbum continua com a leitura comovente da obra-prima sócio-política de Prince de 1987, “Sign O' The Times”, seguida por uma versão mordaz do hit sarcástico de Stevie Wonder de 1974, “You Haven't Done Nothin'”. Valentine então se baseia em seu próprio passado com sua versão de “Wade In The Water”, uma música gospel do jubileu negro americano que foi regravada por muitos músicos. Uma música com assinatura do War de 1972, “The World Is a Ghetto” dá sequencia. --- Send in a voice message: https://podcasters.spotify.com/pod/show/garimpandobolachas/message
Felix Cavaliere co-founded The Young Rascals in 1965. As singer/songwriter/keyboardist, they had nine Top 20 hits from 1966-1968. Throughout the years, Felix has released several solo albums, launched a band called Treasure, and recorded several releases with Steve Cropper. You'll find him in the Rock and Roll Hall of Fame, Songwriters Hall of Fame and tapped for numerous other awards, too. Multi-award winning program director Ray White caught up with Felix in September 2023 to talk about the early years with The Young Rascals, playing the Hammond B-3, a highlight of touring with the Rascals, his most cherished music award and insights on his new album - Then and Now. In our showcase segment we continue our "Back from the 60's" theme featuring the lastest from The Beatles, Paul McCartney -whose most recent album is McCartney III, Ringo Starr - who just released his Rewind Forward EP and Dolly Parton, a 2022 inductee in the Rock and Roll Hall of Fame whose brand new album is Rockstar. Featuring the lastest from many of your favorite legendary bands and performers on Classic Artists Today!
Adam Holt's life would never be the same after, at nine years old, he saw Aerosmith's Joe Perry play a Silver Sparkle Gretsch Duo Jet on cable TV. Flash forward: Adam is a musical renaissance man - a performing songwriter focusing on contemporary Southern rock and blues. He lives near Gulf Shores, Alabama and has been a staple of the live music scene in the region for well over two decades. He's got three albums under his belt along with freestanding singles and other recording projects - and operates his own analog (two-inch tape) recording studio. The twins enjoy a conversation with Adam about all of this and much more, including two original tracks - one of which has garnered more than a million streams on Spotify. SHOW NOTES: 0:00 - "The End" by Adam Holt - from the album, Kind of Blues 4:23 - Greetings and about the song / About Adam Holt 6:16 - Welcome, Adam / Admiring his studio on Zoom / Road trip to Memphis / Adam visits The Crossroads in Clarksdale, Miss. / B.B. King Museuum / Robert Johnson gravesite / Muddy Waters birthsite 7:51 - Spin Doctors in Tunica, Miss. / Gold Strike Casino Resort 8:22 - Joe Perry's influence on nine-year-old Adam / Aerosmith "Dude Looks Like a Lady" / Gretsch Duo Jet Silver Sparkle 9:00 - More about "The End" / Recording studio locations and history / Live recording versus multitracking / Recording Kind of Blues / Players on "The End" - Greg DeLuca, bass / Pierre Robinson, drums / Donnie Sundall, Hammond B-3 10:49 - Adam Holt on Spotify / Other projects / Recording at Sun Studio in Memphis / Curry Webber / More about Sun Studio Experience 13:37 - "The End" racked up 1.3 million streams on Spotify so far / Dutch magazine cover feature / Streaming and compensation / Concert ticket pricing / Touring and merch 17:02 - Early music experiences, instruments and education / First guitar at 14: Yamaha electric 18:18 - Goals for next album 18:37 - Highlights from more than two decades in music / Bayfest / Lynyrd Skynrd / Drivin and Cryin 19:43 - 20 years as a performer at Lucy Buffett's LuLu's 21:34 - Booking talent at LuLu's 22:40 - Producing other artists / More about Adam's recording studio / 1964 Gibson Hummingbird / 3M M79 two-inch Tape Machine / Producing Richard Douglas Jensen 29:46 - GAS - Gear Acquisition Syndrome / Gibson SJ 200 / Picker's Paradise / Gigs at Hard Rock Casino, Biloxi / Slot wins / Cash is king 33:30 - Family life / The Dad club 34:43 - Co-writing "Don't Give Up on Me Baby" with wife Jillian. 36:05 - Get your copy of Kind of Blues on limited run 180-gram blue vinyl by visiting www.adamholtmusic.com 39:03 - "Don't Give Up on Me Baby" by Adam Holt (Songwriters: Adam W. Holt / Jillian J. Holt)
Проект возрождения Mary Lou Williams, часть первая - название альбома вибрафонистки Cecilia Smith. Куда вошли два ее оригинала и семь аранжировок, как дань уважения новаторской пианистке, композитору, аранжировщику, акушерке движения бибоп и не только. А так же душевную декламацию ветерана радио Sheila Anderson рассказ Spiritual 2 - Кем была Мэри Лу Уильямс (1910-1981). Сицилии было восемь лет, когда она начала брать уроки игры на фортепиано. В двенадцать она училась играть на ударных инструментах, а в четырнадцать на вибрафоне. Затем училась в музыкальном колледже Беркли в Бостоне, а позже была там преподавателем. Обучалась у вибрафониста Gary Burton и импровизации у Charlie Banocas. После переезда в Нью-Йорк продолжила учиться у Cecil Bridgewater и Billy Pierce. За 30 лет Сесилия, в качестве композитора/аранжировщика и педагога, сделала многогранную музыкальную карьеру в концертных залах, ночных клубах, фестивалях по всей Северной и Южной Америке, Европе, Азии и Западной Африке. ©️ 2023 Innova Cecilia Smith • - vibraphone Lafayette Harris Jr. - piano, Hammond B-3 Carlton Holmes - piano, Hammond B-3 Kenny Davis - acoustic bass Ron Savage - drums Carla Cook - vocalist Sheila Anderson - voice-over (On Air Host WBGO Jazz 88) Producers: Cecil Bridgewater, Lafayette Harris Jr. & Cecilia Smith Recorded at the Powerstation (Berklee) NYC, Studio A & Studio C July 18, 2022, September 13, 2022, September 23, 2022 & October 8, 2022. LIVE (Tracks 9&10) were recorded during a concert at the Powerstation (Berklee) NYC, Black Box Theater September 13, 2022. СЛУШАТЬ АЛЬБОМ - https://album.link/i/1679810185 LAFAYETTE HARRIS JR. - https://t.me/discor/6744 T.S. MONK LIVE - https://t.me/discor/6447 Лучший трек альбома в плейлисте JAZZ по-русски 6 на AppleMusic и Spotify Поставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor #jazz --- Send in a voice message: https://podcasters.spotify.com/pod/show/konstantins/message
First Time I heard Singer songwriter Bill Sprouse and his band Road Home. First time in Calvary Chapel's tent there was ever a Hammond B 3 on stage.
Harvey Brownstone conducts an in-depth interview with Rock and Roll Legend, Felix Cavaliere, Founding Member, “The Rascals” About Harvey's guest: Today's special guest, Felix Cavaliere, is a legendary musician and singer-songwriter whose illustrious 5-decade career began as a backup musician for Joey Dee and the Starliters, but very quickly evolved into the creation of one of the greatest rock and roll bands of all time: The Rascals. His pioneering musicianship on the keys of the Hammond B-3 electric organ, together with his rich, powerful R & B vocals gave the Rascals their signature sound, which was pure magic, in a long string of hits including “Good Lovin”, “I've Been Lonely Too Long”, “Groovin”, “How Can I Be Sure”, “A Girl Like You”, “A Beautiful Morning”, and “People Got to be Free”. Our guest, together with his bandmates Dino Danelli, Eddie Brigati and Gene Cornish – better known as The Rascals - are widely considered to be the very first REAL Rock & Roll band, and they were without question the best “blue eyed soul” group to emerge in the 60's. Their song “Good Lovin”, originally recorded by “The Olympics”, is listed by the Rock & Roll Hall of Fame as one of the top 500 songs that shaped Rock & Roll. And Rolling Stone included it on their list of the Greatest Songs of All Time. And the song “Groovin” was inducted into the Grammy Hall of Fame in 1999. Since the Rascals broke up in 1972, our guest has had a hugely successful solo career, with 7 albums including his self-titled album “Felix Cavaliere”, “Destiny”, “Treasure”, “Castles in the Air”, “Dreams in Motion”, “Nudge it up a Notch”, which got a Grammy nomination, and “Midnight Flyer”. He continues to perform across the country and around the world for sell-out crowds with his band “Felix Cavaliere's Rascals”. And last year, he released a highly compelling, deeply personal and very moving book entitled, “Memoir of a Rascal”, which is truly one of the most poignant and spiritually uplifting memoirs I've ever read. The list of accolades this man has received is staggering. As a member of the Rascals, he's been inducted into the Rock & Roll Hall of Fame, the Hit Parade Hall of Fame and the Vocal Group Hall of Fame. And as an individual, he's also been inducted into the Musicians Hall of Fame, the Songwriters Hall of Fame, and the Hammond Organ Hall of Fame. And of equal importance, in 2015 he received the Harry Chapin Humanitarian Award from the World Hunger Association, in recognition of his well-known efforts to make the world better, kinder and more generous. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ https://www.felixcavalieremusic.com/https://www.facebook.com/felixcavalieresrascals/https://twitter.com/FelixCavalierehttps://itunes.apple.com/us/artist/felix-cavaliere/id1156746https://www.youtube.com/channel/UCvLNn2Gwu8mJaWWvjScjR6w #FelixCavaliere #harveybrownstoneinterviews
Sax player Marcus Strickland has worked with many notable jazzers, including Roy Haynes, McCoy Tyner, Wynton Marsalis, Jeff "Tain" Watts, Dave Douglas, and Keyon Harrold. He also leads his own band Twi-Life, which inhabits an Afro-futuristic space at the crossroads of Hip Hop, Soul, and Jazz. Twi-Life's album, The Universe's Wildest Dream, conceptualized into being during the lockdown times, urges an awareness of how precious and miraculous and random and delicate our existence is here on Planet Earth, the vast universe, (and everything.) On the album, Marcus Strickland & Charles Haynes stretch out into beat-makers and producers, fleshing out layered studio creations with found sound, guest artists, overdubs and electronics, and ultimately extend the Afro-Futurist tradition to far-out places. Strickland and Twi-Life bring a Hammond B-3 organ with hypnotic Leslie speakers into the studio to play some of the tunes, ahead of the record release, and shows in New York at the Blue Note on Jan. 17 & 18. Set list: “Dust Ball Fantasy” “Bird Call” “You and I, an Anomaly”
En este programa vamos a hablar de uno de los grupos más importantes del rock progresivo y sinfónico que se hacía en la piel de toro. Módulos se formó en Madrid en el año 1969. Sus miembros originales eran Pepe Robles (Guitarra y voz), Tomás Bohórquez (Órgano Hammond y piano), Juan Antonio García Reyzabal (Batería) y Emilio Bueno (Bajo). Editaron cinco álbumes de estudio y varios sencillos, para acabar disolviéndose en 1979. Para ilustrar este programa, traemos su primer álbum de estudio, Realidad, editado en 1970 y algunos singles anteriores. Sus influencias musicales eran muy diversas, Beatles, Vanilla Fudge, The Young Rascals, Bach o Keith Emerson. Módulos quiso perfilarse como un grupo diferente, algo que se vio reflejado en la búsqueda de profesionalidad Este álbum debut destaca por sus pasajes románticos y melancólicos, su cadencia, sus cambios de ritmo, la interacción de todos los instrumentos, los escalofríos que producen algunas notas del Hammond B-3 de Bohórquez y, en general, por esa sensación de que Módulos habían conseguido construir una contundente "muralla de sonido". Desde un primer momento, Módulos quiso perfilarse como un grupo diferente, algo que se vio reflejado en la búsqueda de profesionalidad. Aseguraban ensayar 8 horas diarias. Supieron aprovechar la onda del pop, su gran referencia The Beatles, de los cuales hicieron dos versiones en su primer trabajo, Yesterday y Hello Goodbye, amén de dedicarles un tema propio de nombre 'Beatles', en su último disco de 1979, de nombre Módulos y editado por el sello Mercurio. En 1978, graban para la modesta compañía Mercurio un álbum homónimo, con mayor libertad compositiva, con nueva temática en las letras y algunos pasajes ciertamente experimentales. Tras algunas galas actuando con el nombre de TAO, Módulos comprobaron que su carrera no tendría ya mucha continuidad y se separaron en 1979. En 1999, todos menos Robles (con Pibe Iglesias en su lugar), deciden unirse de nuevo para regrabar temas, hacer algunas galas y aprovechar la ola nostálgica editando el disco Pensado y hecho... en la intimidad (2000), el cual incluye nuevas versiones de viejos éxitos, y 6 temas nuevos. Tras abandonar Módulos, Robles en los 80 montó un efímero dúo con Teddy Bautista, dejando registrado un único disco que vio la luz en 1981, Radioactivo, donde solo hay que destacar su single 'Beatriz', que alcanzó cierta popularidad en las listas de ese año.
We're so stoked to have Nick Millevoi of Grassy Sound as our guest on No Simple Road this week!For guitarist Nick Millevoi, all manner of music can be a source of inspiration, including bachelor-pad “exotica” albums of the 1950s, surf-rock records of the '60s or even old Hollywood cowboy tunes – at least if those influences are put into a modernist compositional and improvisational blender. Millevoi's usual outfit, the Crazy Horse-meets-Coltrane band Desertion Trio, has released four ultra-potent albums since 2016. But he was inspired by his nostalgic sonic fascinations to compose a fun set of tunes to perform with frequent keyboard partner Ron Stabinsky, dubbing their duo project Grassy Sound. The pair's debut album of those songs – The Sounds of Grassy Sound – will be released, digitally and on vinyl, via Destiny Records on April 22, 2022. The disc features such Millevoi-penned highlights as the groovy album-opener “Skylark” and the melody-rich “Lu Fran,” both of which showcase his gritty electric-guitar lyricism and Stabinsky's Hammond B-3 swirl. Then there's “Flitzer,” an essay in bent surf guitar that has a noisy improv section with a Twilight Zone air. The first video from the album is rocking live take on “Flitzer.We talk with Nick about creating noise as music, playing shows creating the most in your face music as possible, life altering music moments, how he had no choice but to be a musician, how he balances his musical career with a day job, and a whole lot more!Check out the new album 'The Sound Of Grassy Sound' on Bandcamp and everywhere music streams!No Simple Road Intro Music Created By ESCAPERFREE SHIPPING from Shop Tour Bus Use The PROMO CODE: nosimpleroadFor 20% off Sunset Lake CBD PROMO CODE: NSR20Make Sure to visit our friends at Fire On The Mountain for some amazing food at one of the 3 locations in the Portland area or one of the 2 locations in the Denver area!Check out the exclusive, limited edition SMARTWOOL / GRATEFUL DEAD collaboration HERE!!! Just in time for the holidaze!MUSIC IN THE COMMERCIALS BY AND USED WITH PERMISSION OF:LAMPOUTRO MUSIC BY AND USED WITH PERMISSION OF:CHILLDREN OF INDIGONo Simple Road is part of OSIRIS MEDIA. Osiris Media is the leading storyteller in music, combining the intimacy of podcasts with the power of music.We inform and delight music fans by creating shows with leading artists, telling untold stories, and working with brands to craft compelling narratives that bring music to life.Support this show http://supporter.acast.com/nosimpleroad. Hosted on Acast. See acast.com/privacy for more information.
Born: Panama Canal Zone 1956 Hometown: Sierra Vista, AZ Occupation: Career Musician, Organ/keyboards, Entertainer, Composer, Recording Artist, Studio Engineer Experience: 40 years Self Taught Lamont Arthur has been playing, composing and teaching jazz in Tucson for the last three decades. Born in Panama, the son of an army soldier, Lamont found himself growing up at Ft. Huachuca in Southern Arizona. At the age of 12 he became aware of his passion for music. He learned to play the Glockenspiel from his 6th grade music teacher Mrs. Smith. He turned his musical attention to the Hammond B-3 organ and played in mixed-ethnic rock and country groups at places like the Blue Room and Carr Canyon Corral in Sierra Vista. By the late seventies he had moved to Tucson and began playing with groups like Street Pajama, Rapid Transit, Bloolyte, Bondavi and legendary blues-man Sam Taylor to name just a few. He began playing gigs at many of the clubs in Tucson; the Pirates Den, Fun Factory, Bobby McGee's, The Doubletree, Nino's, Gentle Ben's and Merlin's. The scene was very open and loose at that time and his ability to play the Hammond B-3 allowed him to crossover as well and play blues, reggae, latin and gospel. His love for jazz music prompted him to take the jazz improvisation class at Pima Community College under the tutelage of sax man Mike Kuhn and he was asked to assist him with some of the more novice musicians. This, was the turning point for what would become his passion to be a mentor and a better jazz musician. Not only as a keyboardist but as a jazz scat vocalist as well.. For a 7 year stint ('93-2000) he played in a keyboard/guitar duo with Phil Davis named L.A.P.D. at Sakura Japanese Restaurant. They reached a cult status with their penchant for playing standards and uptempo barn-burners then turning things right around to play cumbias or R&B dance tunes. Legions of Tucson-ans flocked to Sakura for their performances. During his career Lamont has tried to give back to the community through his gift of music. He has performed for the Tucson Jazz Society, the Oro Valley Jazz Festival, the Jazz Guild of Tucson, and the Rising Star Baptist Church.. He has collaborated with Tucson Jazz fixtures such as pianist Dan "Sly" Slipetsky, trumpeter Tony Frank, trombonist Rob Boone, bassist Elliot "Kirk" Kuykendal and drummer Gil Rodriguez. He has also been involved in many recording endeavors and has a gospel/Christian CD of all original songs on itunes entitled: "It's Time For Knowing". Over the last several years he has been mentoring a stable of young musicians. One is currently enrolled at the Arizona Jazz Academy. Often he will get a student who is classically trained and Lamont puts it on himself to get them to "get off the sheet" and use their hearts and ears to bring out the music that dwells within them. He has also mentored many musicians within the church. Having not been mentored himself as a young music- ian he feels that being a mentor is a great way to give the younger musicians a head start and leave a continuing musical legacy especially for the future "serious jazz musicians". Lamont had to move back to Sierra Vista to be closer to his mother. He has been an unsung hero in the Tucson Jazz Community and the JJA for 2012 would be a fitting way to acknowledge his humble persona and love of music. Beyond the Music; Jake
Jul 8, 2019 Joey DeFrancesco has been recording since 16, now 48 he is one of the hardest working man/ in his prime /creating his own path/trailblazer. Just in the last couple of years, he has been on a tear. In 2017, Joey DeFrancesco recording the “Project Freedom with the People”, which was nominate for the 2018 Grammy Award for the Best Jazz Instrumental. In April 2018, he collaborated with Van Morrison with “You Are Driving Me Crazy”. A following promotional tour Then, December 2018 the second recording with Van Morrison called “The Prophet's Speaks”. In 2019 he releases “In the Key of the Universe” with a special guest Pharaoh Sanders He is touring like a mad man. I just caught him at the new venue in Bmore called, “The Keystone Corner” Joey DeFrancesco has a long-standing show called, “Organized” Friday's at 7pm each week on SirusXM Real Jazz Channel 67. Where is talking about jazz and the Hammond B – highlighting the hero's -Shirley Scott, jimmy McGriff, and Dr. Lonnie Smith. A couple days later, he is playing at the Lincoln Center in DC streamed on Facebook, his plate is full. Tonight, on Something came from Baltimore…we have the amazing Joey DeFrancesco. --- Send in a voice message: https://anchor.fm/somethingcame-from-baltim/message Support this podcast: https://anchor.fm/somethingcame-from-baltim/support
An Hammond B-3onanza! Ronnie Foster is back, with a reissue of "Two-Headed Freap" and the first new album in almost four decades, "Reboot", and so is the Gentle Giant of Danish jazz drummer-turned-Hammond player Kresten Osgood. A compare and contrast between Gerald Clayton and Melissa Stylianou, Gene Bartoncini and Ike Sturm, as well the new gems by Ghost Horse and Liquid Saloon complete a playlist that is all killer, no filler! The detailed playlist is at https://spinitron.com/RFB/pl/16060706/Mondo-Jazz (up to "London Pride"). Happy listening!
The Waterfront Blues Festival is right around the corner…the Fourth of July weekend, as you know. Over the years, OMN has given you inside looks at how it runs, besides keeping you informed about the musicians. Today Louis Pain is here, or King Louie as he likes to be known. We all know he's a master of the Hammond B-3, but did you know he has a thriving business renting them…including at the Blues Festival. You'll see two of them this year. He'll be playing, of course, but so will any other musician who needs one. We'll take a medium deep dive into those strange creatures, the organs not the organists and hear about the time another musician messed with one that Booker T was going to play. Here's Louis Pain.
Dedicated to Southern Miss sports! Weekdays 1 - 2 p.m. on select SuperTalk Mississippi stations. This show is a production of SuperTalk Mississippi Media. Learn more at SuperTalk.FM
In the late 1960s, Lowell George was playing rhythm guitar in Frank Zappa's Mothers of Invention when Zappa suggested George leave the band. There are conflicting versions as to why: Zappa believed George was too talented to be a backing player, he did not like the drug references in George's song “Willin',” or Zappa didn't appreciate George's fondness for pot. Regardless, George left. He connected with Roy Estrada, who had played bass in the Mothers of Invention, drummer Richie Hayward and keyboardist Bill Payne. The foursome became Little Feat, one of the most distinctive and influential bands in rock history; while “Willin'” would become one of Little Feat's most recognizable songs. As bands often do, that Little Feat lineup evolved and expanded, lasting about a decade and producing a series of critically acclaimed albums. In 1979, George dissolved Little Feat due to artistic differences with Payne and then died of a heart attack later that year at age 34. “I never quite understood Lowell's reticence to jazz,” Payne told me on the most recent episode of The Load Out Music Podcast. “I don't know, maybe he was ahead of us or we were behind.” Payne relishes all that was, and remains, of Little Feat – Lowell George included. He loves that people of all stripes still pack into music venues to see the band play, grooving side-by-side to the sounds of Little Feat songs like “Dixie Chicken” or “Fat Man in the Bathtub.” Yet, he's deeply concerned with what's occurring in American culture. “When you walk outside the concert hall, I find it tougher to hold a conversation with people that don't appreciate voting rights,” he said. “What's happening with this country and the world is beyond frightening.” Payne feels like when Little Feat plays music, however, “all those lines disappear.” Like Jeff Beck on guitar or Freddie Mercury's vocals, Payne is revered for what he can do on the keys. His work on the barrelhouse blues piano and Hammond B3 organ is legendary – considered one of the definitive rock-and-roll piano greats along with Leon Russell, Elton John and several others. Payne is so respected, in fact, that he has worked with a who's who of music elite including The Doobie Brothers, Phil Lesh, Emmylou Harris, Linda Ronstadt, Jackson Brown, Carly Simon, James Taylor, Robert Palmer and the list goes on and on. About a decade after George dissolved Little Feat, Payne reformed the band with holdovers Paul Barrere, Sam Clayton, Kenny Gradney and Hayward. Craig Fuller seamlessly slid into the lead vocal role and the band released Let It Roll in 1987. The album went on to become an instant success, earning Little Feat its first No. 1 hit on the Mainstream Rock Tracks chart, becoming certified gold and reviving interest in the band's early works. Payne said Little Feat has always an “elastic” idea and its success – from 1969 to this day – remains a product of the band's musicianship. “I think it's a direct correlation to the music,” said Payne. “It connects because of the music. Yes, we miss Lowell. Lowell was a defining and distinct voice…When it works, it works because people can grasp what the idea of what that music was and is.” More than five decades after starting Little Feat, Payne is also the last man standing. He is the only original band member still with the band. During our conversation on The Load Out, we cover a lot of ground over about an hour. Payne and I discuss his astonishing career in-and-out of Little Feat, reflections on George dissolving the band, the various incarnations of the group, Payne's love for making music and sadness for those who've passed, as well as his concerns regarding race and politics. We also zero-in on perhaps the only missing piece from Little Feat's 50-year resume: Sitting on the outside looking in at the Rock and Roll Hall of Fame – a remarkable hole for the group Led Zeppelin's Jimmy Page calls his favorite American band. “Yeah, I'd like to see that for Little Feat,” Payne said. “I think it's well deserved. I think that if Little Feat can't get it, who the hell should?” For any concerns he may have, Payne still finds solace in the “community” that is Little Feat. Over a half-century, it's been a revolving yet consistently diverse collection of players with varied beliefs and backgrounds that has endures even now. “Music is about community,” he told me. “Art is about community.” The legendary Bill Payne has a lot to say, so sit back, enjoy and have a listen to the most recent episode of The Load Out Music Podcast.
We check in from the backyard of LA with Musician Carlos Murguia! He is hot right now because he not only has a new album out called Wake Up but he also sang on the #1 Billboard song "We don't talk about Bruno" in the Disney movie Encanto! Not only that but he also has a background singing part on the song Bam Bam from Camilla Cabello and Ed Sheeran! A professional career spanning up to 4 decades of full time touring & studio work with major recording artists has added a huge array of colors and diversity to Carlos Murguía's experience.Striving to achieve nothing but the best results at all times is always the goal as a composer, Hammond B-3 player, vocal producer, background vocal arranger, or singing for records and TV/Radio commercials. "My job is never boring, there's always something new going on....one of the beauties of music." Songwriting includes placing many songs with Latin artists such as Camila, Cristian Castro, Yuri, Flans, Greta, to name a few • Live performances and touring throughout the years, include playing Hammond B-3 with Chuck Negron, formerly of Three Dog Night, Blood Sweat and Tears, Ellis Hall (Tower of Power), Ricky Lee Jones, Bobby Kimball (Toto) and Jack Mack & The Heart Attack.For more on Carlos Murguia log onto his website! https://www.c4carlos.com/
This week's episode is sponsored by Jupiter Condenser Co., Amplified Parts and Grez Guitars. You can also use the discount code FRET10 to save 10% off your Izotope purchase and, if you head over to BED|STÜ shoes and use the discount code FRETXBS, you'll save 20% off your BED|STÜ order and help support the FJ. Support us on Patreon.com for added content and the occasional surprise. Some of the topics discussed this week: 2:30 Putting the old Astron Minimite capacitors back inside a Vibrolux... in Thailand 6:22 Special guest Max Hart: Melissa Etheridge, touring through COVID-times, Hammond B-3 variations, Max's pedal board, Leslie 147s vs. 122s, touring with a vintage Fender Deluxe Reverb, in-ear monitors, Eric Gardner, living in Woodland, CA, his guitars of choice, Klon clones, Boss RV-6 reverb pedal, click tracks, Gruene Hall 45:00 Too flippant about chokes: Skip revisits last week's chokes question. 46:28 Baffer: A Chris Stapleton model Princeton with a tube rectifier that won't work 50:40 Skip's #1 Retropolitan amp for sale (sold, Instagram link) 53:51 Testing the pulled / bad caps on a serviced Fender 1962 6G4A 55:57 Quick and easy crispy corndogs; bacon bourbon; did Tool's Adam Jones really freeze his amplifiers? 59:41 A Bogen Challenger 35A making demonic sounds with no speaker hooked up 1:05:13 A heartwarming tale: Milling old Sacramento trees 1:08:28 Portobello mushrooms and a blown-up Orange OR15 1:14:40 The rectifier tube in a '50s Magnatone 213, fixing a rotten cabinet 1:16:43 A modified tone stack on a Weber Deluxe Reverb kit 1:23:02 Old business: Preferred Gibson Falcon reverb tank (4FB3D1B) 1:25:04 Farmers Brewing; Secret Trail Brewing Co. 1:25:20 Skip gets a package for Russell Simmons 1:26:57 A Silverface Champ with a 250k pot instead of a 1mg pot 1:27:59 A Magnatone Varsity project for sale
We lost one of the most diverse musicians on June 20, 2021. Ike Stubblefield was a master of the Hammond B-3 organ, Grammy award winner, and a driving force in the Atlanta music scene. The number of people Ike performed with during his career is mind-blowing: Marvin Gaye, Stevie Wonder, The Four Tops, Eric Clapton, BB King, The Temptations, Quincy Jones, Rod Stewart, Jerry Garcia, Greg Allman, Colonel Bruce Hampton, Derek Trucks, Warren Haynes, and the list goes on! Before the pandemic, our host, Tom Hartridge, had a rare opportunity to sit down with Ike and discuss his amazing career. Hear this never released interview.
Born in Jesup, Georgia, United States, Bramblett studied religion and psychology at the University of North Carolina, with the objective of entering the seminary. However, finding inspiration in the music of James Taylor, Carole King, and Bob Dylan, he abandoned his theological studies and pursued songwriting, soon moving to Athens, Georgia.After establishing himself as a session musician in the early 1970s, recording with artists like Gregg Allman and Elvin Bishop, Bramblett toured with bands such as the Gregg Allman Band, Sea Level, Widespread Panic, and Traffic. Bramblett, along with Chuck Leavell, has been credited with giving Sea Level, described as "a jazz-influenced spinoff from the Allman Brothers Band," a new, unique direction. Bramblett has been described as an outstanding lyricist and vocalist. The songs he wrote during his time with Sea Level have been described as "philosophical, despairing soul and funk tunes and rockers.As of 2017, Bramblett has recorded a total of fourteen albums, with the first two, That Other Mile and Light of the Night, issued by Polydor in the 1975 and 1976, and multiple albums in each succeeding decade. Bramblett's 2001 album, No More Mr. Lucky, features Bramblett playing the Hammond B-3 and saxes. Tracks on that album has been described as rich, funky, hip, and raw.In 2015, Bramblett released Devil Music. The title track was inspired by the story of Howlin' Wolf trying to reunite with his estranged mother, who had abandoned him for "playing the devil's music
Welcome to a new edition of the Neon Jazz interview series remembering the legacy of the great Everette DeVan He left us on July 3, 2021 after decades of being a skilled musician, mentor and friend .. During this collection of interviews – We try to pay homage to his life and preserve the voices of those that were moved by his life .. We hear from Kansas City Hammond B-3 Player Chris Hazelton, Drummer Danny Rojas, Singer Eboni Fondren and Guitarist Matt Hopper .. We also hear from the great New York City Drummer with deep KC roots in Matt Kane .. Enjoy .. Click to listen.Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Listen to each show at https://www.mixcloud.com/neonjazzkc. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/If you like what you hear, please let us know. You can contribute a few bucks to keep Neon Jazz going strong into the future. https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4
Hammond B-3 organist talks about life on the bandstand and stretching out with luminaries and peers alike.
“It's hard to know how people are gonna react,” Chris Knight says of Almost Daylight, his ninth album and first new recording in over seven years. “I've written songs about a lot of different things going all the way back to my first record, and some folks still think ‘somebody kills somebody' is all I write about. Maybe that's why I was bound and determined to get these particular songs on this album. If people like them, then we'll be fine. But I wasn't gonna do it any other way.”For the past 20 years, Chris Knight has only made music his own way. He's released eight acclaimed albums, played thousands of electrifying live shows and built generations of fervent fans from Texas honky-tonks to Manhattan rock clubs. He's been hailed as “the last of a dying breed...a taciturn loner with an acoustic guitar and a college degree” (The New York Times) and “a storyteller in the best traditions of Mellencamp and Springsteen” (USA Today). Bottom line, he's hard-earned his reputation as one of America's most uncompromising and respected singer/songwriters. And now with Almost Daylight, Knight delivers the most powerful – and unexpected – music of his career.Almost Daylight is very much a Chris Knight album, familiarly featuring vivid pictures of rural characters, desperate men and hardscrabble survivors. At the same time it's unlike anything Knight has done before, with formidable testaments to compassion, redemption and even straight-up love. It's an album both tough and tender, as bare-knuckled as it is open-hearted. “I do think there's a cohesiveness to this album,” Knight explains in his thick Kentucky rasp.“The title is key, I suppose. Through all these songs, you could find a theme about seeking shelter.”Produced, mixed and mastered by Grammy-winner Ray Kennedy – best-known for his 30+ year creative partnership with Steve Earle as well as producing Chris' Enough Rope (2006),Trailer II (2009) and Little Victories (2012) albums – Almost Daylight also sounds like no other Knight record, with scorching guitars by Georgia Satellites founder and two-time Knight album producer Dan Baird, rich background vocals by Chris Clark, Siobhan Kennedy and Lee Ann Womack, and deeper instrumentation than ever before. “Chris had been playing some of these songs on the road and started developing ideas before we got to the studio,” Kennedy says. “He and I talked about keeping the Appalachian factor with banjo, fiddle, harmonica and mandolin where it felt right. It was significant that Dan was involved, as he's the man who can play guitar with the right feeling for Chris. The background vocals really brought the fire, and this lead to ideas for piano, Hammond B-3, accordion and Wurlitzer electric piano. Everything evolved from the performance of each song and I let the songs dictate what they needed in order to evolve into an album.”“I was determined not to do any acoustic songs on this album,” Chris explains. “I wanted it all to sound edgy and raw, but to feel big at the same time. We kept trying different approaches until I felt we landed on what worked. The thing is, some of my songs might take a year of writing before I even think they're ready for recording and I fretted about every one of these. I've never put a cover song on any of my records before, but there are two covers on this one. And I think it all fits together pretty good.”The album opens with “I'm William Callahan”, a defiant roar fueled by equal parts pride, memories and searing guitar. “Crooked Mile” is classic Knight, a piercing take on outsiders bound by love, while the poignant “Send It On Down” is a plaintive plea for salvation. There are tales of small-town despair (“I Won't Look Back”), ominous rural menace (“Trouble Up Ahead”) and melancholic break-ups (“Everybody's Lonely Now”). Chris' cover of Johnny Cash's “Flesh And Blood” – which originally appeared on the Dualtone 2002 (Read more at http://www.chrisknight.net)
“It's hard to know how people are gonna react,” Chris Knight says of Almost Daylight, his ninth album and first new recording in over seven years. “I've written songs about a lot of different things going all the way back to my first record, and some folks still think ‘somebody kills somebody' is all I write about. Maybe that's why I was bound and determined to get these particular songs on this album. If people like them, then we'll be fine. But I wasn't gonna do it any other way.”For the past 20 years, Chris Knight has only made music his own way. He's released eight acclaimed albums, played thousands of electrifying live shows and built generations of fervent fans from Texas honky-tonks to Manhattan rock clubs. He's been hailed as “the last of a dying breed...a taciturn loner with an acoustic guitar and a college degree” (The New York Times) and “a storyteller in the best traditions of Mellencamp and Springsteen” (USA Today). Bottom line, he's hard-earned his reputation as one of America's most uncompromising and respected singer/songwriters. And now with Almost Daylight, Knight delivers the most powerful – and unexpected – music of his career.Almost Daylight is very much a Chris Knight album, familiarly featuring vivid pictures of rural characters, desperate men and hardscrabble survivors. At the same time it's unlike anything Knight has done before, with formidable testaments to compassion, redemption and even straight-up love. It's an album both tough and tender, as bare-knuckled as it is open-hearted. “I do think there's a cohesiveness to this album,” Knight explains in his thick Kentucky rasp.“The title is key, I suppose. Through all these songs, you could find a theme about seeking shelter.”Produced, mixed and mastered by Grammy-winner Ray Kennedy – best-known for his 30+ year creative partnership with Steve Earle as well as producing Chris' Enough Rope (2006),Trailer II (2009) and Little Victories (2012) albums – Almost Daylight also sounds like no other Knight record, with scorching guitars by Georgia Satellites founder and two-time Knight album producer Dan Baird, rich background vocals by Chris Clark, Siobhan Kennedy and Lee Ann Womack, and deeper instrumentation than ever before. “Chris had been playing some of these songs on the road and started developing ideas before we got to the studio,” Kennedy says. “He and I talked about keeping the Appalachian factor with banjo, fiddle, harmonica and mandolin where it felt right. It was significant that Dan was involved, as he's the man who can play guitar with the right feeling for Chris. The background vocals really brought the fire, and this lead to ideas for piano, Hammond B-3, accordion and Wurlitzer electric piano. Everything evolved from the performance of each song and I let the songs dictate what they needed in order to evolve into an album.”“I was determined not to do any acoustic songs on this album,” Chris explains. “I wanted it all to sound edgy and raw, but to feel big at the same time. We kept trying different approaches until I felt we landed on what worked. The thing is, some of my songs might take a year of writing before I even think they're ready for recording and I fretted about every one of these. I've never put a cover song on any of my records before, but there are two covers on this one. And I think it all fits together pretty good.”The album opens with “I'm William Callahan”, a defiant roar fueled by equal parts pride, memories and searing guitar. “Crooked Mile” is classic Knight, a piercing take on outsiders bound by love, while the poignant “Send It On Down” is a plaintive plea for salvation. There are tales of small-town despair (“I Won't Look Back”), ominous rural menace (“Trouble Up Ahead”) and melancholic break-ups (“Everybody Read more at www.chrisknight.net
Welcome to a new edition of the Neon Jazz interview series with Veteran NYC Jazz Guitarist Greg Skaff .. We talked to him about his latest 2021 CD Polaris featuring a masterful trio with bassist Ron Carter and drummer Albert "Tootie" Health. Originally from Wichita, Kansas, he is well-known for his work with soul jazz legends and with groups based around the Hammond B-3 .. He has five feature albums have been well-received by jazz fans everywhere. It’s a great tale .. Enjoy .. Click to listen.Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-With-Joe-Dimino-p381685/. You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/If you like what you hear, please let us know. You can contribute a few bucks to keep Neon Jazz going strong into the future. The combined venture of radio show and interviews is done void of sponsorship or financial backers. We are adopting the Bandcamp philosophy of letting listeners choose their own price to keep content moving forward. Anything helps and as always .. we love you madly. https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4
Welcome to a new edition of the Neon Jazz interview series with Veteran Kansas City Hammond B-3 Musician Ken Lovern .. We talked to him on March 18, 2021 about quite a bit .. We got into how the Kansas City jazz community is doing during the COVID pandemic, the re-awakening of the Green Lady and Black Dolphin, the strength of the jazz world and most importantly the lasting legacy of the long-time Saxophonist, Pianist & Educator Joe Miquelon .. Enjoy .. Click here to listen.Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-With-Joe-Dimino-p381685/. You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/If you like what you hear, please let us know. You can contribute a few bucks to keep Neon Jazz going strong into the future. https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4
En Música de Contrabando, revista diaria de música en Onda Regional de Murcia, estrenamos nuevo formato con la incorporación de Terminal Pop, y aumentamos la duración a dos horas (orm.es; 00'00h) para que puedas disfrutar de toda la actualidad musical de la jornada. Bunny Wailer, cantante de reggae y cofundador del grupo The Wailers, murió ayer, 2 demarzo, en un hospital de Kingston, Jamaica, a los 73 años. Rough Trade aprovecha el 20º aniversario de Any other city, el primer y único disco de Life Without Buildings, para reeditarlo en vinilo. Mushroom Pillow va a editar por primera vez en vinilo los que fueran los dos últimos discos de La Buena Vida, publicados en 2003 y 2006, antes del abandono de Iranzu Valencia primero, y la muerte de Pedro San Martín. Iggy Pop ha unido fuerzas con el legendario organista del Hammond B-3 Dr. Lonnie Smith para presentar una versión del hit de 1966 “Sunshine Superman” de Donovan. La canción formará parte del próximo disco de Lonnie Smith, “Breathe”.. Feroe, Nightcars y Tu Suerte han sido las bandas elegidas (de entre las 1.200 inscritas) como finalistas del Vodafone Yu Music Talent 2020. 29 grupos y solistas han sido selecionados para grabar en un estudio profesional dentro del programa 'Estudio abierto' (Copper Age). «A volar», último adelanto de “La sangre del mundo”, el nuevo disco de Muerdo.“Combate de cosechadoras” es el single de adelanto de “Pensamiento Mágico”, el nuevo álbum de Disciplina Atlántico, que se publicará el 12 de marzo. Teo Cardalda (Cómplices, Golpes Bajos) musicaliza nueve poemas del escritor, dramaturgo y poeta, Ramón María del Valle-Inclán. Arde Bogotá presenta ‘MILLENNIAL’ el segundo single de su primer album ‘LA NOCHE.. Future Islands estrenan un pensativo vídeo para "glada", tema de As long as you are, su último disco. Elephant Micah sigue sumergido en tradición folk americana más cálida en "eastern callers", nuevo adelanto de Vague tidings, su disco sobre Alaska.Marianne Faithfull y Warren Ellis presentan el vídeo con letra de “She walks in beauty”, la canción que da nombre al disco que han grabado juntos, en el que ponen musica textos de poetas románticos ingleses y que será publicado el 30 de abril. “She walks in beauty” es un poema de Lord Byron musicado por Warren Ellis.Le Ren y Buck Meek reivindican la belleza de la sencillez en su versión a dúo del "early morning rain'" de Gordon Lightfoot. La portuguesa Erika de Casier sigue expandiendo la emoción de su r&b minimal en "drama", Damien Jurado inaugura sello propio, anuncia nuevo disco, gira que pasará por España y estrena "Helena". L Kan presentan “ Esta ciudad no existía” , una canción que fue escrita a mediados de marzo de 2020, durante la primera semana del confinamiento estricto en Madrid por la pandemia del Covid19. Habla de la sensación de irrealidad que produjo el impacto del encierro, de la sensación de que fuera nunca existió nada y la única realidad verdadera siempre fue tu habitación.Japanese Breakfast, el proyecto musical de Michelle Zauner, anuncia Jubilee, la esperada continuación del aclamado álbum de 2017 Soft Sounds From Another Planet. Stahl Inc lanza nuevo single “Fin de una Era”. Hablamos con el dúo murciano de hip hop formado por Tere Staldean y Zerry, Stahl Inc, que nos anuncia su participación en el evento Unidas In Rock, evento Internacional con motivo del Día de la Mujer, que organizan entre productoras de España, Brasil, México, Argentina y Perú y que se podrá disfrutar de forma online.
This week, Oteil & Mike welcome brothers Alan and Neal Evans, primarily known as founding members of the Jazz-Funk trio Soulive along with guitar player Eric Krasno. Oteil first met Alan & Neal over 20 years ago, when the two were only 18 and 20 years old. Neal shares the details of his studio setup, the plethora of projects he's been working on this year, including his own YouTube channel. He also recalls an emotional moment backstage in 2000 with Oteil, a mentor to him, which propels the group to discuss the driving desire to share their knowledge as musicians. Alan & Neal also tell the strange story of having the power shut off in the middle of their Berkfest performance, a blasphemy Oteil dubs “Soulive Interruptus,” and the four discuss festivals and performances aplenty throughout the years. Brothers Alan and Neal Evans, on drums and Hammond B-3 organ, respectively, form two-thirds of the band Soulive. Rounding out the group is Eric Krasno on guitar. A funky instrumental trio, Soulive are all about danceable, organ-driven groove jazz. Their sound is a result of fusing the soul-jazz of the past with a modern hip-hop feel. The band was formed in Buffalo, New York, in the late '90s when all three members were under age 25. However, each already had a substantial background in the jam band scene. Alan and Neal are former members of Moon Boot Lover, and Alan also played with the Greyboy Allstars. Soulive toured with and opened for a number of notables (including John Scofield, Maceo Parker, Los Lobos, Derek Trucks, and Robben Ford) before headlining their own shows and releasing their introductory EP, Get Down, in 1999. More recently, Alan Evans runs his own studio Iron Wax in Western Massachusetts, while touring with Matador! Soul Sounds, a band that he formed with guitarist Eddie Roberts from The New Mastersounds. Neal Evans has worked on film and television scores, as well as being an in-demand keyboardist both in the studio and on the road for a number of high profile artists. This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. Please leave us a rating or review on iTunes! Comes A Time is brought to you by Osiris Media. Hosted and Produced by Oteil Burbridge and Mike Finoia. Executive Producers are Christina Collins, RJ Bee and Kirsten Cluthe. Production, Editing and Mixing by Eric Limarenko and Matt Dwyer. Theme music by Oteil Burbridge. To discover more podcasts that connect you more deeply to the music you love, check out osirispod.com -------- Save 10% on soothing throat spray for singers and talkers at Clyor.com with the promo code TIME Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Oteil & Mike welcome brothers Alan and Neal Evans, primarily known as founding members of the Jazz-Funk trio Soulive along with guitar player Eric Krasno. Oteil first met Alan & Neal over 20 years ago, when the two were only 18 and 20 years old. Neal shares the details of his studio setup, the plethora of projects he’s been working on this year, including his own YouTube channel. He also recalls an emotional moment backstage in 2000 with Oteil, a mentor to him, which propels the group to discuss the driving desire to share their knowledge as musicians. Alan & Neal also tell the strange story of having the power shut off in the middle of their Berkfest performance, a blasphemy Oteil dubs “Soulive Interruptus,” and the four discuss festivals and performances aplenty throughout the years. Brothers Alan and Neal Evans, on drums and Hammond B-3 organ, respectively, form two-thirds of the band Soulive. Rounding out the group is Eric Krasno on guitar. A funky instrumental trio, Soulive are all about danceable, organ-driven groove jazz. Their sound is a result of fusing the soul-jazz of the past with a modern hip-hop feel. The band was formed in Buffalo, New York, in the late '90s when all three members were under age 25. However, each already had a substantial background in the jam band scene. Alan and Neal are former members of Moon Boot Lover, and Alan also played with the Greyboy Allstars. Soulive toured with and opened for a number of notables (including John Scofield, Maceo Parker, Los Lobos, Derek Trucks, and Robben Ford) before headlining their own shows and releasing their introductory EP, Get Down, in 1999.More recently, Alan Evans runs his own studio Iron Wax in Western Massachusetts, while touring with Matador! Soul Sounds, a band that he formed with guitarist Eddie Roberts from The New Mastersounds. Neal Evans has worked on film and television scores, as well as being an in-demand keyboardist both in the studio and on the road for a number of high profile artists. This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. Please leave us a rating or review on iTunes!Comes A Time is brought to you by Osiris Media. Hosted and Produced by Oteil Burbridge and Mike Finoia. Executive Producers are Christina Collins, RJ Bee and Kirsten Cluthe. Production, Editing and Mixing by Eric Limarenko and Matt Dwyer. Theme music by Oteil Burbridge. To discover more podcasts that connect you more deeply to the music you love, check out osirispod.com--------Save 10% on soothing throat spray for singers and talkers at Clyor.com with the promo code TIME See acast.com/privacy for privacy and opt-out information.
This week, Oteil & Mike welcome brothers Alan and Neal Evans, primarily known as founding members of the Jazz-Funk trio Soulive along with guitar player Eric Krasno. Oteil first met Alan & Neal over 20 years ago, when the two were only 18 and 20 years old. Neal shares the details of his studio setup, the plethora of projects he’s been working on this year, including his own YouTube channel. He also recalls an emotional moment backstage in 2000 with Oteil, a mentor to him, which propels the group to discuss the driving desire to share their knowledge as musicians. Alan & Neal also tell the strange story of having the power shut off in the middle of their Berkfest performance, a blasphemy Oteil dubs “Soulive Interruptus,” and the four discuss festivals and performances aplenty throughout the years. Brothers Alan and Neal Evans, on drums and Hammond B-3 organ, respectively, form two-thirds of the band Soulive. Rounding out the group is Eric Krasno on guitar. A funky instrumental trio, Soulive are all about danceable, organ-driven groove jazz. Their sound is a result of fusing the soul-jazz of the past with a modern hip-hop feel. The band was formed in Buffalo, New York, in the late '90s when all three members were under age 25. However, each already had a substantial background in the jam band scene. Alan and Neal are former members of Moon Boot Lover, and Alan also played with the Greyboy Allstars. Soulive toured with and opened for a number of notables (including John Scofield, Maceo Parker, Los Lobos, Derek Trucks, and Robben Ford) before headlining their own shows and releasing their introductory EP, Get Down, in 1999.More recently, Alan Evans runs his own studio Iron Wax in Western Massachusetts, while touring with Matador! Soul Sounds, a band that he formed with guitarist Eddie Roberts from The New Mastersounds. Neal Evans has worked on film and television scores, as well as being an in-demand keyboardist both in the studio and on the road for a number of high profile artists. This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. Please leave us a rating or review on iTunes!Comes A Time is brought to you by Osiris Media. Hosted and Produced by Oteil Burbridge and Mike Finoia. Executive Producers are Christina Collins, RJ Bee and Kirsten Cluthe. Production, Editing and Mixing by Eric Limarenko and Matt Dwyer. Theme music by Oteil Burbridge. To discover more podcasts that connect you more deeply to the music you love, check out osirispod.com--------Save 10% on soothing throat spray for singers and talkers at Clyor.com with the promo code TIME See acast.com/privacy for privacy and opt-out information.
In this edition of Jazz Cruise Conversations Live, the noted organist (and multi-instrumentalist) Joey DeFrancesco talks with comedian Alonzo Bodden about his lifelong love of the Hammond B-3, as well as about how he was "discovered" by Miles Davis with whom he would play when he was a teenager.
In the decades following its invention, the Hammond B-3 organ changed the sound of music. Join host Blake Hargreaves as he uncovers the history of this versatile instrument and the impact it's had on both the world of music and on one of our favourite organists — Alcée Chriss III.
Guest, Founder/Co-Director of the Human Connection Institute, and Research Partner with the Consciousness Quotient Institute, Sperry Andrews; and Musical Guest, Pianist, Hammond B-3ist/Multi-Keyboardist, Clavinetist, Wah-Wah-ist, Singer Brooke Lizotte, on The LIFE CHANGES Show #605
SOMETHING came from Baltimore the Podcast" is now has it's own show called, "Something came from Baltimore THE SHOW!" You can hear the show on exclusively on "TheBocX.com" Thursday's at 7:00pm EST. I recommend that you check out this radio station, it has a sound that I really love. There is something special going on. I am a big fan of Joey DeFrancesco I used to watch him when he was a young guy in Philadelphia with his Dad at the Orltibz Jazzhaus. It was in Northern Liberties which was totally run down at the time and down right scary, but you would hear the music a block away and when you opened the doors, there really was not a stage, but the band was basically in your face it was a long room and you had to walk around the band to get to a seat. Papa John and Joey D had duel Hammond B, it was pretty awesome. What did not make the interview was that I saw Joey in a Soul Food Restaurant in Atlantic City and he said that was one of the worst sets up ever and they still talk about it. It was a mess, I paid $25 to sit behind the band. "In the Key of the Universe" was my favorite album of 2019, I will always be a fan of Joey D's. Buy the Album: https://www.joydefrancesco.com/music LISTEN TO THE STATION: "TheBocX.com Remember to subscribe to SOMETHING came from Baltimore! Listen and share with your friends. Youtube: https://www.youtube.com/channel/UCj7HKmMrFB4vAQm3SKzvftA Facebook: https://www.facebook.com/tomfunproductions Itunes: https://podcasts.apple.com/us/podcast/something-came-from-baltimore/id1400504427 Anchor: https://anchor.fm/somethingcame-from-baltim Check out my "best of" songs from last decade 2010-2019 on Spotify...I think you will be surprised. https://open.spotify.com/playlist/3HW55xTnilg2m73Vb5l7Jn?si=NSQ6fm8FRJOAiiZB1y_O6g&fbclid=IwAR3D3pu-FhoumTMm_qvOlg4WDXVz41N0lafmuR675fGJj2txW1ylYusrXZ0 Tom Gouker's Little Bio: Fast forward, I worked at 88.9 FM WXPN, Philadelphia PA, home of the NPR Radio Show called, "Live@the World Cafe" for 14 years. I also worked in the Broadcasting Department at "QVC" for 5 years. I DJ under the name DJ Normal in the bar circuit in Baltimore, MD for 4 years. I had radio show at Morgan State Radio 88.1 FM, Baltimore MD, called, "Jazz 101". "Jazz 101" had interviews with musicians to explain why jazz is so special. The "Cool Jazz" format of the station changed and I lost my show and I continued with interviews with musicians on my on podcast called, "SOMETHING came from Baltimore". SCFB is now over 150 episodes strong with interviews with John Doe, Swingadelic, Gerald Albright, Samite, Bokante, Kat Edmonson, Al Di Meola, Auntie Hammy, The Beatles Guru, Bodega, The Homeless Gospel Choir, Orrin Evans, GoGo Penguin, Warren Wolf, Joey Alexander, and so much more! The podcast keeps growing as "SOMETHING came from Baltimore". Thank you France and Germany! Future Projects: Film - Script for "I'm Falling to Pieces". Podcast, "Why Is It Good?" and a limited episode podcast "Beatles Come to America" with co-host The Beatles Guru Brooke Halpin. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/somethingcame-from-baltim/message Support this podcast: https://anchor.fm/somethingcame-from-baltim/support
Guest, Founder/Co-Director of the Human Connection Institute, and Research Partner with the Consciousness Quotient Institute, Sperry Andrews; and Musical Guest, Pianist, Hammond B-3ist/Multi-Keyboardist, Clavinetist, Wah-Wah-ist, Singer Brooke Lizotte, on The LIFE CHANGES Show #605 Guest: SPERRY ANDREWS: and Musical Guest: BROOKE LIZOTTE SPERRY ANDREWS Sperry Andrews had an NDE at age four. Without a body, heart, mind, […]
"Do you ever notice yourself picking up fragments of ideas from the most disconnected and unexpected places? Like listening to an artist talk about how she likes songs that repeat, reading about a Disco star, or going down a YouTube wormhole. Episode 69 paints the most unlikely of pictures from Joe Marcinek, Giant Panda, The Motet and Twin Peaks. 00:00 - Show Opening 00:54 - Episode Intro 02:53 - Bernie - Joe Marcinek Band 08:17 - New Mexico - Mike Montrey Band 12:39 - Troubles Come In Threes - Joey Stuckey Trio 16:08 - Mic Break 17:30 - War Machine - Giant Panda Guerilla Dub Squad 20:41 - Fox and Toad - Pigeons Playing Ping Pong 26:14 - Mic Break 28:10 - Well I Guess - Doug Tuttle 29:59 - Falling Up - Mike Montrey Band 35:53 - Mic Break 38:09 - Extraordinary High - The Motet 44:30 - Fool No More - The Motet 49:24 - Mic Break 50:30 - Eastbound - Burnell Pines 54:49 - Look Out Low - Twin Peaks 58:45 - Luigi - Kind Country 62:03 - Episode Outro 62:28 - Finish "
Master of the Hammond B-3 organ, Cory Henry gathers The Funk Apostles to sing “…We all need to look at history / What we’ll find is, that it’s repeating uh huh / It won’t change ‘til, we all come together….” That’s the call on “Rise” a song that binds gospel to a universal truth; it’s time to come together for a better world.
Oh the whispering pines.....the Appalachian trail carving out a pathway towards the Mississippi Delta. The old hickory BBQ and the bourbon and the blending of gospel, blues, Bayou boogie and Jayhawkin' through the cornfields. My guest hails from the great state of Kansas. He has done and seen it all in music. Played at the Grand Ole Opry, local watering holes, Medicine Shows, Mafia laden clubs and lesbian joints. That's before during and after being a swing man on the Kansas Men's Basketball team taking a page out of Pistol Pete Maravich's play book. But my guests career runs thick, with a fearlessness and security that still holds up today. He has played with Jimi Hendrix, Jerry Hahn, Richard Manuel, Mac Rebenack, George Marsh, Maria Muldaur and Mel Graves. He has awed people over the years with his propensity to lean on that Hammond B-3 and illicit the sounds of the church and the bay, and sittin on a dock in muscle schoals Alabama with a cowboy hat and a maverick attitude. He has made albums as a leader and been a prolific sideman. He has always wanted to reflect in his music a genuine sense of originality and playing music- not the type that can be labeled, just music. That will be on full display today at the Early Bird Cafe. Mike Finnegan welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support
My guest today was rooted in his gospel upbringing. Yet in a different period in our history when church music overlapped with soul and rnb my guest was in the right place with the right sound. Originally discovered by Elvin Bishop my guest generated interest in the bay area as a Hammond B-3 specialist that could enhance the sound in country, acid rock, swing, jazz vocals. Still it was the gospel organ that drew John Kahn to my guest. The Jerry Garcia Band was at a point musically where they had burned through a bevy of keyboardists and were looking for a sound that could bridge Roots Music with Motown and boogie woogie. The swirling organ, the female vocals, the reggae pulsed rhythms. It was love in the afternoon for many years to come for all JGB fans. Melvin Seals welcome to the JFS. --- Support this podcast: https://anchor.fm/jake-feinberg/support
How far is it to the end of the Universe? Maybe you'll get their by the Marakesh Express or swung into Oblivion. The Universe is mind expanding and so is pure jazz which mixes all musics in an improvisational fire storm that incorporates European Classical and The only art form this country has ever had- African Swing Music. My guest today is one of the heaviest keyboardists of all time. He took all the influences of soul music, rhythm and blues, James Brown modal chromatic chordal configurations of sound on album after album after album. You'll know when you get their when you no longer have to figure out why you were put on this earth. When that purpose becomes evident then you follow that path like my guest did like a steam locomotive coming down the track. Laying on his Hammond B-3 playing great jazz tunes and uptempo positive karma rhythms with cats from London where the Trinity and gigs with John McLaughlin. Being a leader coming up with a melody, swinging the band seeking to expand universal consciousness one ear drum at a time. Whenever Your Ready Brian Auger welcome to the Jake Feinberg Show... --- Support this podcast: https://anchor.fm/jake-feinberg/support
Episode 6 of "Pivoted" features Hammond B-3 organist and previous on-air announcer Caesar Frazier. He talks about his life as an artist, being in no rush to produce content without quality behind it, and what people can do to pivot in a positive way.
Hammond B-3 organist talks about sitting in front of Chester Thompson's Leslie Speaker, his affinity for gospel music and the soul element of music. --- Support this podcast: https://anchor.fm/jake-feinberg/support
Hammond B-3 master talks of his days playing for Carol Doda in North Beach (SF), forming Common Ground, and getting high with Neal Cassady --- Support this podcast: https://anchor.fm/jake-feinberg/support
*Irene reid the Queen of the party Durante los años 60, grabó dos álbumes de grandes bandas para Verve Records, Room for One More en 1965 y It's Too Late in 1966. Su trabajo más visible en los años posteriores a Basie fue en Broadway, donde se unió al elenco de El mago. A finales de los años 80, ella estaba saliendo de un período de atención y actuó en una transmisión remota desde el Citicorp Center en Manhattan para la estación de jazz de Newark, WBGO-FM. Este fue el comienzo de su renacimiento profesional, que disfrutó a finales de los 90 con el sello Savant Records con sede en Manhattan. Million Dollar Secret Reid falleció el 4 de enero de 2008, pero cualquiera de sus seis álbumes para Savant Records demuestra cuán ingeniosamente mezcló blues y jazz en sus shows en vivo y en el disco. Incluyen Million Dollar Secret (1997), I Ain't Doin 'Too Bad (1999), Movin' Out (1999), Uptown Lowdown (2000), One Monkey Don't Stop No Show (2002) y Gracias a ti (2004) En Savant, grabó con dos organistas / productores de Hammond B-3 muy hábiles, Bobby Forrester, que a menudo actuaba con la cantante Ruth Brown y Charles "The Mighty Burner" Earland .*
Irene reid the Queen of the partyDurante los años 60, grabó dos álbumes de grandes bandas para Verve Records, Room for One More en 1965 y It's Too Late in 1966. Su trabajo más visible en los años posteriores a Basie fue en Broadway, donde se unió al elenco de El mago. A finales de los años 80, ella estaba saliendo de un período de atención y actuó en una transmisión remota desde el Citicorp Center en Manhattan para la estación de jazz de Newark, WBGO-FM. Este fue el comienzo de su renacimiento profesional, que disfrutó a finales de los 90 con el sello Savant Records con sede en Manhattan.Million Dollar SecretReid falleció el 4 de enero de 2008, pero cualquiera de sus seis álbumes para Savant Records demuestra cuán ingeniosamente mezcló blues y jazz en sus shows en vivo y en el disco. Incluyen Million Dollar Secret (1997), I Ain't Doin 'Too Bad (1999), Movin' Out (1999), Uptown Lowdown (2000), One Monkey Don't Stop No Show (2002) y Gracias a ti (2004) En Savant, grabó con dos organistas / productores de Hammond B-3 muy hábiles, Bobby Forrester, que a menudo actuaba con la cantante Ruth Brown y Charles "The Mighty Burner" Earland .
*Irene reid the Queen of the party Durante los años 60, grabó dos álbumes de grandes bandas para Verve Records, Room for One More en 1965 y It's Too Late in 1966. Su trabajo más visible en los años posteriores a Basie fue en Broadway, donde se unió al elenco de El mago. A finales de los años 80, ella estaba saliendo de un período de atención y actuó en una transmisión remota desde el Citicorp Center en Manhattan para la estación de jazz de Newark, WBGO-FM. Este fue el comienzo de su renacimiento profesional, que disfrutó a finales de los 90 con el sello Savant Records con sede en Manhattan. Million Dollar Secret Reid falleció el 4 de enero de 2008, pero cualquiera de sus seis álbumes para Savant Records demuestra cuán ingeniosamente mezcló blues y jazz en sus shows en vivo y en el disco. Incluyen Million Dollar Secret (1997), I Ain't Doin 'Too Bad (1999), Movin' Out (1999), Uptown Lowdown (2000), One Monkey Don't Stop No Show (2002) y Gracias a ti (2004) En Savant, grabó con dos organistas / productores de Hammond B-3 muy hábiles, Bobby Forrester, que a menudo actuaba con la cantante Ruth Brown y Charles "The Mighty Burner" Earland .*
*Irene reid the Queen of the party Durante los años 60, grabó dos álbumes de grandes bandas para Verve Records, Room for One More en 1965 y It's Too Late in 1966. Su trabajo más visible en los años posteriores a Basie fue en Broadway, donde se unió al elenco de El mago. A finales de los años 80, ella estaba saliendo de un período de atención y actuó en una transmisión remota desde el Citicorp Center en Manhattan para la estación de jazz de Newark, WBGO-FM. Este fue el comienzo de su renacimiento profesional, que disfrutó a finales de los 90 con el sello Savant Records con sede en Manhattan. Million Dollar Secret Reid falleció el 4 de enero de 2008, pero cualquiera de sus seis álbumes para Savant Records demuestra cuán ingeniosamente mezcló blues y jazz en sus shows en vivo y en el disco. Incluyen Million Dollar Secret (1997), I Ain't Doin 'Too Bad (1999), Movin' Out (1999), Uptown Lowdown (2000), One Monkey Don't Stop No Show (2002) y Gracias a ti (2004) En Savant, grabó con dos organistas / productores de Hammond B-3 muy hábiles, Bobby Forrester, que a menudo actuaba con la cantante Ruth Brown y Charles "The Mighty Burner" Earland .*
*Irene reid the Queen of the party Durante los años 60, grabó dos álbumes de grandes bandas para Verve Records, Room for One More en 1965 y It's Too Late in 1966. Su trabajo más visible en los años posteriores a Basie fue en Broadway, donde se unió al elenco de El mago. A finales de los años 80, ella estaba saliendo de un período de atención y actuó en una transmisión remota desde el Citicorp Center en Manhattan para la estación de jazz de Newark, WBGO-FM. Este fue el comienzo de su renacimiento profesional, que disfrutó a finales de los 90 con el sello Savant Records con sede en Manhattan. Million Dollar Secret Reid falleció el 4 de enero de 2008, pero cualquiera de sus seis álbumes para Savant Records demuestra cuán ingeniosamente mezcló blues y jazz en sus shows en vivo y en el disco. Incluyen Million Dollar Secret (1997), I Ain't Doin 'Too Bad (1999), Movin' Out (1999), Uptown Lowdown (2000), One Monkey Don't Stop No Show (2002) y Gracias a ti (2004) En Savant, grabó con dos organistas / productores de Hammond B-3 muy hábiles, Bobby Forrester, que a menudo actuaba con la cantante Ruth Brown y Charles "The Mighty Burner" Earland .*
Today we are featuring the award winning pianist and composer, Emmet Cohen. The National YoungArts Foundation recently featured Emmet for his weekly live stream concert series called Live from Emmets place. Emmet does this with his trio every Monday night at 7:30PM Eastern and you can tune in and watch via Emmet’s facebook page (https://www.facebook.com/heyemmet/). In this episode, I talk to Emmet about his experience with live streaming and some of the unique challenges that can come up during the process. We also talk about Emmet’s exclusive website membership and what you get when you sign up (https://emmetcohen.com/exclusive), as well as Emmet’s upcoming debut release on Mack Avenue Records. More on Emmet: Emmet Cohen is the winner of the 2019 American Pianists Awards and the Cole Porter Fellow of the American Pianists Association, and Artist-in-Residence at the University of Indianapolis. He placed first in both the 2014 American Jazz Pianists Competition and the 2011 Phillips Piano Competition at the University of West Florida and, as a finalist in the 2011 Thelonious Monk International Piano Competition, he was received in the Oval Office by President Obama. Cohen has appeared in varied international jazz events, including the Newport, Monterey, Detroit, North Sea, Bern, Edinburgh, and Jerusalem jazz festivals, as well as the New Orleans Jazz and Heritage Festival and the 2014 Sochi Winter Olympics in Russia. He has also performed at the Village Vanguard, the Blue Note, Dizzy's Club Coca-Cola, Birdland, Jazz Standard, London's Ronnie Scott's, Jazzhaus Montmartre in Copenhagen, Lincoln Center's Rose Hall, the Cotton Club in Tokyo, and Washington's Kennedy Center. He is Hammond B-3 organist-in-residence at Harlem's SMOKE jazz club.
Hammond B-3 monster talks about his humble beginnings in Buffalo and the difference between a soul drummer and jazz drummer. --- Support this podcast: https://anchor.fm/jake-feinberg/support
[caption id="attachment_3497" align="alignright" width="129"] (http://bettereachday.me/wp-content/uploads/2020/02/download-3.jpg) Merrilee Rush.[/caption] Harborena Roller Skating Rink Inc. is a roller skating rink that is family owned and has been around since 1953. Located at the foot of the Hoquiam River Bridge in Hoquiam, WA, it’s been there for birthday parties, private events, family fun and entertainment, business events, holiday parties, and when we were local teenagers, dances. Unless your momma wouldn’t let you go. Listen to this show and I’ll explain why this is more important than any 2020 political events, global warming and even the coronavirus. The previous five shows have been about my own experiences with friends I either grew up with or met along the way. And there are more of those shows to come, but for now, I’m going to share a story, a tragic story about a teenage girl that wants more than anything to slap on some makeup, a tight pair of jeans and go to the Saturday night dance at the Harborena. My old man's drunker than a barrel full of monkeys And my old lady she don't care My sister looks cute in her braces and boots A handful of grease in her hair Those are words by Bernie Taupin in Elton John’s Saturday Night’s Alright. Now don’t get me wrong, in no way am I comparing my song Momma Won’t Let You Go to anything Elton John. Both songs are about Saturday night madness but my song is based on not being allowed to go out on Saturday night. Momma says hell to the no. The innocent victim gets all dressed up in her 70s bell bottoms, checks herself in the mirror as she walks by, does her best Marilyn Monroe...and her momma won’t let her go. All dressed up and nowhere to go, That’s life’s worst buzz kill for a teen. You know your friends are going. You know there’s loud music and everything that’s good. [caption id="attachment_2772" align="alignleft" width="170"] (http://bettereachday.me/wp-content/uploads/2019/01/download.jpeg) Heart's bassist Steve Fossen.[/caption] Ya know, I didn’t go there to dance. I would stand in front of the band and try to absorb everything they were doing...especially the lead guitar player. It’s rare but sometimes I’ll run into a musician that played at the Harb. Steve Fossen, one of the cofounders of Heart played there. His recollection was “oh, that skating rink that was hard to find...kinda under a bridge.” There were the Lemon Pipers, Fragile Lime, Merrilee Rush...pretty much anyone with a 45 (that’s a single for you non-boomers). Throw in a teenage hormonal imbalance and yes, there were fights. So, maybe Momma had a point. [caption id="attachment_3498" align="alignright" width="220"] (http://bettereachday.me/wp-content/uploads/2020/02/download-2.jpg) Everett Washington's Fragile Lime.[/caption] When my very dear friend told me about this inhumane treatment, yes, it happened to her...and others that are just now coming out, I quickly grabbed a guitar and envisioned what it was like to play that dance with a band of vocals, guitars, a Hammond B-3 organ with a lesle furniture setup that was one couch away from being a living room, and a drummer from the Muppet Show. Stick them on the makeshift stage that towers about one foot above the dance floor, turn it up to eleven and there ya go, A Saturday night in teenage paradise. Here’s my latest creation, Your Momma Won’t Let You Go. I think everyone had a Harborena. A place to go as a teenager to find out what the older kids had been talking about for all of those years when the best you could get away with was staying up after midnight watching super low budget monster movies. This was fun, and was in response to Alyson’s FB request to do a rock song. I just took a step into the time machine, into those 70s nostalgic Wonder Years. Well that’s it for this week. Please leave comments on the newsletter, on the Better Each Day...
[caption id="attachment_3497" align="alignright" width="129"] (http://bettereachday.me/wp-content/uploads/2020/02/download-3.jpg) Merrilee Rush.[/caption] Harborena Roller Skating Rink Inc. is a roller skating rink that is family owned and has been around since 1953. Located at the foot of the Hoquiam River Bridge in Hoquiam, WA, it’s been there for birthday parties, private events, family fun and entertainment, business events, holiday parties, and when we were local teenagers, dances. Unless your momma wouldn’t let you go. Listen to this show and I’ll explain why this is more important than any 2020 political events, global warming and even the coronavirus. The previous five shows have been about my own experiences with friends I either grew up with or met along the way. And there are more of those shows to come, but for now, I’m going to share a story, a tragic story about a teenage girl that wants more than anything to slap on some makeup, a tight pair of jeans and go to the Saturday night dance at the Harborena. My old man's drunker than a barrel full of monkeys And my old lady she don't care My sister looks cute in her braces and boots A handful of grease in her hair Those are words by Bernie Taupin in Elton John’s Saturday Night’s Alright. Now don’t get me wrong, in no way am I comparing my song Momma Won’t Let You Go to anything Elton John. Both songs are about Saturday night madness but my song is based on not being allowed to go out on Saturday night. Momma says hell to the no. The innocent victim gets all dressed up in her 70s bell bottoms, checks herself in the mirror as she walks by, does her best Marilyn Monroe...and her momma won’t let her go. All dressed up and nowhere to go, That’s life’s worst buzz kill for a teen. You know your friends are going. You know there’s loud music and everything that’s good. [caption id="attachment_2772" align="alignleft" width="170"] (http://bettereachday.me/wp-content/uploads/2019/01/download.jpeg) Heart's bassist Steve Fossen.[/caption] Ya know, I didn’t go there to dance. I would stand in front of the band and try to absorb everything they were doing...especially the lead guitar player. It’s rare but sometimes I’ll run into a musician that played at the Harb. Steve Fossen, one of the cofounders of Heart played there. His recollection was “oh, that skating rink that was hard to find...kinda under a bridge.” There were the Lemon Pipers, Fragile Lime, Merrilee Rush...pretty much anyone with a 45 (that’s a single for you non-boomers). Throw in a teenage hormonal imbalance and yes, there were fights. So, maybe Momma had a point. [caption id="attachment_3498" align="alignright" width="220"] (http://bettereachday.me/wp-content/uploads/2020/02/download-2.jpg) Everett Washington's Fragile Lime.[/caption] When my very dear friend told me about this inhumane treatment, yes, it happened to her...and others that are just now coming out, I quickly grabbed a guitar and envisioned what it was like to play that dance with a band of vocals, guitars, a Hammond B-3 organ with a lesle furniture setup that was one couch away from being a living room, and a drummer from the Muppet Show. Stick them on the makeshift stage that towers about one foot above the dance floor, turn it up to eleven and there ya go, A Saturday night in teenage paradise. Here’s my latest creation, Your Momma Won’t Let You Go. I think everyone had a Harborena. A place to go as a teenager to find out what the older kids had been talking about for all of those years when the best you could get away with was staying up after midnight watching super low budget monster movies. This was fun, and was in response to Alyson’s FB request to do a rock song. I just took a step into the time machine, into those 70s nostalgic Wonder Years. Well that’s it for this week. Please leave comments on the newsletter, on the Better Each Day...
It’s a Hammond B-3 kind of show! Bob and Nick discuss where the music for the show comes from, and it’s a little melancholy and sweet.
We get a chance to sit down with a man whose sound is synonymous with the Hammond B-3, Grammy award winner, Billy Earheart! Intro music composed by Ken, Outro music by Richard.
We get a chance to sit down with a man whose sound is synonymous with the Hammond B-3, Grammy award winner, Billy Earheart! Intro music composed by Ken, Outro music by Richard.
The Hammond B-3 organ gets some big love in this episode. First up is the Delvon LaMarr Organ Trio and their debut album Close But No Cigar, a Billboard #1 in the jazz charts. The band takes the well honed sound and constructs an incredibly funky outing that comes off like a live mixtape. It harkens the spirit and quotes from the titans of B-3 like Booker T. and the MG's, the Incredible Jimmy Smith, and Brother Jack McDuff. Speaking of which, The Major Scale has been waxing on for a long time about the need to spread the word on Brother Jack McDuff's overlooked spaced-out jams of the late '60s and early '70s. We take a look at a trio of albums he cut for Blue Note during this period: Moon Rappin', To Seek A New Home, and Who Knows What Tomorrow's Gonna Bring? Unlike his other work, these albums don't turn up often on playlists, but when they do they dazzle and delight with their surreal soul and hard driving funk. Crate-diggers and producers have looked to these records since the dawn of hip-hop; just ask, J Dilla, Nas (who's father plays on one of the albums) A Tribe Called Quest, or Black Moon.
New Podcast New Year S2E1 2-5-19 Tracy Morgan- (born November 10, 1968)[1] is an American actor and comedian best known for his seven seasons as a cast member on Saturday Night Live (1996–2003) and 30 Rock (2006–2013). He was nominated for an Emmy Award in 2009 for his work on 30 Rock. He has appeared in numerous films as an actor and voice actor. 30 Rock-”Liz Lemon, head writer of the sketch comedy show "TGS with Tracy Jordan", must deal with an arrogant new boss and a crazy new star, all while trying to run a successful television show without losing her mind.” Judah Friedlander-American actor and comedian, known for playing the role of writer Frank Rossitano on the NBC sitcom 30 Rock. The Truth About Santa Claus: Movie The Last O.G.-How Tracy Morgan’s Near-Death Experience Inspired His New Comedy, The Last O.G. Spine Health for Musicians-Could the Alexander Technique Relieve Your Chronic Back and Neck Pain? Concussion-2015 American biographical sports drama film directed and written by Peter Landesman, based on the exposé "Game Brain" by Jeanne Marie Laskas, published in 2009 by GQ magazine. The Matrix-A computer hacker learns from mysterious rebels about the true nature of his reality and his role in the war against its controllers. Malcolm Gladwell: Outliers-In this stunning new book, Malcolm Gladwell takes us on an intellectual journey through the world of "outliers"--the best and the brightest, the most famous and the most successful. He asks the question: What makes high-achievers different? Supple-compliant often to the point of obsequiousness Oberlin-Oberlin College is a private liberal arts college in Oberlin, Ohio. Founded as the Oberlin Collegiate Institute in 1833 by John Jay Shipherd and Philo Stewart, it is the oldest coeducational liberal arts college in the United States and the second oldest continuously operating co-educational institute of higher learning in the world. J.J. Johnson-James Louis Johnson (January 22, 1924 – February 4, 2001) was an American jazz trombonist, composer and arranger. Johnson was one of the earliest trombonists to embrace bebop. Jack Teagarden-Weldon Leo "Jack" Teagarden (August 20, 1905 – January 15, 1964) was a jazz trombonist and singer. According to critic Scott Yannow of Allmusic, Teagarden was the preeminent American jazz trombone player before the bebop era of the 1940s and "one of the best jazz singers too". Teagarden's early career was as a sideman with the likes of Tommy Dorsey, Paul Whiteman and lifelong friend Louis Armstrong before branching out as a bandleader in 1939 and specializing in New Orleans Jazz-style jazz until his death. Slide Hampton-Locksley Wellington "Slide" Hampton (born April 21, 1932) is an American jazz trombonist, composer and arranger. Described by critics as a master composer, arranger and uniquely gifted trombone player, Hampton's career is among the most distinguished in jazz. As his nickname implies, Hampton's main instrument is slide trombone, but he also occasionally plays tuba and flugelhorn. John Coltrane-John Coltrane departed this mortal plane more than fifty years ago; today he remains among us, more alive than ever. His sound continues to grab the ears of an ever-widening circle of fans. His legend is stone solid: planted firmly in our culture as that of any 20th century musical giant. His saxophone sound—brooding, searching, dark—is still one of the most recognizable in modern jazz. His influence stretches over styles and genres, and transcends cultural boundaries. The modern ideal of music serving a deeply spiritual, connective purpose? A defining facet of John Coltrane. Eddie Palmieri-Known as one of the finest pianists of the past 60 years, Eddie Palmieri is a bandleader, arranger and composer of salsa and Latin jazz. Conrad Herwig-New York-based jazz trombonist Conrad Herwig is considered one of the world’s complete jazz musicians, atop both the performing and jazz educational fields with an abundance of composer and arranger credits, as well. To date, he has released 20 recordings as a leader in addition to contributing to nearly 200 other recording sessions with some of the most notable artists in jazz. He has performed and recorded with Miles Davis, Joe Henderson, Eddie Palmieri, Tito Puente, Frank Sinatra, Joe Lovano and Tom Harrell, among many others. The Latin Side of John Coltrane-John Coltrane's music has been interpreted many ways since his death in 1967 but rarely in a Latin jazz setting. Trombonist Conrad Herwig, in putting together this project, wisely avoided using any other tenor or soprano saxophonists, instead gathering together several trumpeters, either Ronnie Cuber or Gary Smulyan on baritone, flutist Dave Valentin and a crack Latin rhythm section. By varying the instrumentation and personnel on each selection, Herwig has succeeded in continually casting Coltrane's music in a new light. The opening and closing versions of "Blessing" have Milton Cardona vocalizing a brief prayer. All of the other music (with the exception of Mongo Santamaria's "Afro Blue") are 'Trane compositions. Herwig is well showcased, as is trumpeter Brian Lynch and most of the sidemen. The results are quite fresh, often infectious and unpredictable. A fine tribute to the flexibility of John Coltrane's 1960-64 music. Iridium NY-The Iridium Jazz Club is a jazz club located on Broadway in New York City. The club hosts weekly performances by John Colianni, and also featured weekly performances by Les Paul for nearly fifteen years. FEZ UNDER TIME CAFE: 1992 - 2005-The Fez under Time Cafe, known as the Fez, was a nightclub and restaurant on Lafayette Street and Great Jones Street in New York City's NoHo District. The club closed in February 2005. It hosted numerous musicians and comedians, including Rufus Wainwright, Stella, Richard Barone, Carly Simon and Jeff Buckley. Mingus Big Band-The Mingus Big Band celebrates the music of composer/bassist Charles Mingus, who died in 1979. Under the artistic direction of Sue Mingus, this 14-piece band performed Thursday MBB nights from 1991 to 2004 at Fez under Time Cafe in New York City. It maintained weekly residencies in the city from May 2004 until October 2008, when it began “Mingus Mondays” at Jazz Standard where it alternates with the Mingus Orchestra and Mingus Dynasty. Bishop Nathaniel Townsley-Listen on Spotify Gospel Jubilee-Facebook page Nathaniel Townsley Jr.-Discogs Jimmy “Preacher” Robins- Jimmy Robins In terms of gruff intensity and roaring power few singers could match Jimmy Robbins. In my view he never made a bad record although his career was so fragmented - he recorded for several labels and under a couple of names - he's never really gotten either the visibility or success his wonderful voice deserved. Robins may just have been the best "underground" artist of them all and fully warranted his "Preacher" tag. In addition he wrote most of the songs he recorded and was a fine keyboard player, specialising in the Hammond B3 organ. Robins Nest Harlem-Photo Sugar Shack Harlem-”It is sadly the end of an era. After months of speculation The Sugar Shack has closed it’s doors for good. The site of impromptu gatherings, first dates, comedy shows, poetry readings and down and dirty dancing has gone from being The Sugar Shack to Striver’s Cafe and back to The Sugar Shack. In the late ’90s and early ’00 (when it was selected the Village Voice Best of 2000) you could drop into the Shack any night of the week and find something fun going on inside behind the velvet curtain. Whether it was fight night, a live band or a dj spinning the turntables, neighborhood patrons will certainly miss the good memories created at The Sugar Shack over the years. Londell’s Harlem-”Located on the threshold of Striver's Row, a historical section of Harlem, Londel's is rich in cuisine, entertainment, and social life. Known to original patrons as ''Striver's Row'', Londel's has expanded steadily and has maintained its traditional flavor in Southern, Creole, and American Comfort Cuisine.” Showman’s-”This soulful haunt of Harlem's old guard has been home to the greats (e.g. Sara Vaughan, Lionel Hampton, Duke Ellington, Pearl Bailey) since 1942, having moved to its current location in August,1998. A Hammond B-3 organ graces the stage, and is put to good use by Danny Mixon, Seleno Clarke, Nathan Lucas and Preacher Robins among others. Hammond Organ-”The Hammond organ is an electric organ, invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Various models have been produced, most of which use sliding drawbars to specify a variety of sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier so it can drive a speaker cabinet. Around two million Hammond organs have been manufactured. The organ is commonly used with, and associated with, the Leslie speaker.” Jack McDuff- Eugene McDuff (September 17, 1926 – January 23, 2001), known professionally as "Brother" Jack McDuff or "Captain" Jack McDuff, was an American jazz organist and organ trio bandleader who was most prominent during the hard bop and soul jazz era of the 1960s, often performing with an organ trio. He is also credited with giving guitarist George Benson his first break. Stanley Turrentine- Stanley William Turrentine (April 5, 1934 – September 12, 2000) was an American jazz tenor saxophonist. He began his career playing R&B for Earl Bostic and later soul jazz recording for the Blue Note label from 1960, touched on jazz fusion during a stint on CTI in the 1970s. He was described by critic Steve Huey as "renowned for his distinctively thick, rippling tone [and] earthy grounding in the blues." Turrentine was married to organist Shirley Scott in the 1960s, with whom he frequently recorded, and was the younger brother of trumpeter Tommy Turrentine. Joey Defrancesco- Joey DeFrancesco (born April 10, 1971) is an American jazz organist, trumpeter, and vocalist. He has released more than 30 albums, including recordings with Miles Davis and Jimmy Smith. DeFrancesco signed his first record deal at the age of 16 and has played internationally with musicians that include David Sanborn, Arturo Sandoval, Larry Coryell, Frank Wess, John McLaughlin, Benny Golson, James Moody, Steve Gadd, Danny Gatton, Elvin Jones, Jimmy Cobb, George Benson, Pat Martino, John Scofield, Joe Lovano, and recorded with musicians that included Ray Charles, Bette Midler and Van Morrison. LinkedIn-LinkedIn is the top online site for professional, social and career networking. The site functions as an online directory of individual professionals and organizations, and facilitates the process of professional networking without having to leave your office. Should Musicians Use Linkedin? Surround yourself with the right people- Do the people around you drag you down? Do they make you doubt your abilities? Or do they always agree with your ideas... and never seem to have new ones? Then it's possible you're surrounded by people who will not help you become successful. Love Monkey-A music scout gets fired from his corporate job and gets a job at a smaller indie label. Sync Summit- Sync Summits are high-level, focused networking events held in New York, Hollywood and Paris where top music supervisors, heads of music in visual and interactive media (TV, Film, Video Games, Advertising, the Internet and Mobile), label executives, publishers, music libraries, composers, artists, technologists, legal, accounting, brand managers and service providers gather for two days of discussion, networking and dealmaking. Happy Humpday with Jon -Jon Arons dancing his heart out with a trombone. Delayed Gratification-Delayed gratification, or deferred gratification, describes the process that the subject undergoes when the subject resists the temptation of an immediate reward in preference for a later reward. Generally, delayed gratification is associated with resisting a smaller but more immediate reward in order to receive a larger or more enduring reward later.[1] A growing body of literature has linked the ability to delay gratification to a host of other positive outcomes, including academic success, physical health, psychological health, and social competence. Ralph Rolle-Drummer Gas, Ass or Grass-What some people consider the rules of hitchhiking, where the hitchhiker, upon pickup or throughout the trip, must either provide: 1)Gas for the car, 2)Some type of sexual satisfaction, or 3)Some type of drug, usually marijuana. Kinky Boots-Kinky Boots is a Broadway musical with music and lyrics by Cyndi Lauper and a book by Harvey Fierstein. Based on the 2005 British film Kinky Boots, written by Geoff Deane and Tim Firth and mostly inspired by true events, the musical tells the story of Charlie Price. Having inherited a shoe factory from his father, Charlie forms an unlikely partnership with cabaret performer and drag queen Lola to produce a line of high-heeled boots and save the business. In the process, Charlie and Lola discover that they are not so different after all. Gender norms-Our society has a set of ideas about how we expect men and women to dress, behave, and present themselves. LGBTQ-LGBTQ is the more commonly used term in the community; possibly because it is more user friendly! Limbic System-The limbic system is the part of the brain involved in our behavioural and emotional responses. Black holes and baby Universes-This book is a collection of essays and lectures written by Hawking, mainly about the makeup of black holes, and why they might be nodes from which other universes grow. Hawking discusses black hole thermodynamics, special relativity, general relativity, and quantum mechanics. Hawking also describes his life when he was young, and his later experience of motor neurone disease. The book also includes an interview with Professor Hawking. Naturalism Philosophy-In philosophy, naturalism is the "idea or belief that only natural (as opposed to supernatural or spiritual) laws and forces operate in the world."[1] Adherents of naturalism (i.e., naturalists) assert that natural laws are the rules that govern the structure and behavior of the natural universe, that the changing universe at every stage is a product of these laws. Adversity Is the Fuel of Greatness-Adversity is one of the most powerful forces in life. It can bring out your best or your worst. Ultimately, it is up to you. Kevin Hart Philanthropy-Kevin Hart: Actor's charity starts $600,000 student fund Jamie Kilstein-Jamie Alexander Kilstein (born May 17, 1982) is an American writer, radio host, and stand-up comic. 3 Ways to Differentiate Yourself: Artist Identity, Vision, and Intention | Music Business-In this interview, Berklee Online course author and renowned music producer Stephen Webber breaks down his definition of a musical artist’s identity, vision, and intention, which he calls your “I.V.I.” Support Foxes and Hedgehogs by donating to their Tip Jar: https://tips.pinecast.com/jar/foxes-and-hedgehogsThis podcast is powered by Pinecast.
Alison chats with award-winning jazz pianist Walter Kemp III about his career and his roots in gospel and classical music. Walter's father inspired him to follow a musical path. Alison and Walt discuss famed "master and guru of the Hammond B-3 organ" Dr. Lonnie Smith, who has performed and collaborated with the greatest names of the jazz, blues, and R&B. Learn more about Walter Kemp III: https://www.walterkemp3.com/ Learn more about Dr. Lonnie Smith: http://www.drlonniesmith.com/bio/
Greg Hatza’s musical instincts came to him as early and as naturally as the ability to walk, and he was picking out blues and boogie woogie tunes on the piano around age four. The Hammond B-3 became Greg’s obsession as … More ... The post Greg Hatza: Musician, Composer, Jazz and Blues B3 Hammond appeared first on Paradigms Podcast.
Larry Goldings can surprise you with his Hammond B-3 organ virtuosity. He's equally adept at playing a bluesy tune and a jazz standard not usually played on organ. JazzCorner.com's Jazz Perspectives producer Reese Erlich caught up with Goldings after a performance at Yoshi's in Oakland.
Morley Bartnoff(Cosmo Topper) born in 1959, is a Los Angeles, California-born keyboardist, guitarist, songwriter, and composer who has been performing and recording for the past 30 years. Formerly with the Los Angeles rock band Burning Sensations, Morley now leads alternative rock band Cosmo Topper,[1] and whenever possible serves as the “secret weapon” on keyboards for Dramarama, an enduring power pop band best known for its hits "Anything, Anything (I'll Give You)" and "Last Cigarette". For the last few years Morley has been playing keys for the reunited group Dramarama and will be featured on the New Dramarama recording, playing Baby Grand Piano and a Hammond B 3, with a Leslie to be released in 2011. His talents have also appeared on their previous 2005 CD, 'Everybody Dies'. In addition, Morley's songs have been appearing in motion pictures. His original track "For... The Time Being," from the Cosmo Topper CD Pure Fast Vibration, is heard during the end credits of Mayor of the Sunset Strip, a rock documentary examining the life and career of legendary KROQ-FM DJ Rodney "On the 'ROQ" Bingenheimer, produced by Dramarama's Chris Carter. A few additional bands Bartnoff's talents have been a part of are Pasteurized Ashtray, Waterfall, Who's The Father?, Joe Thomas, The Sluff Bros., Cantaloupe Without a Ladder, Franny and Zowie, Playing Cards, Bugs Tomorrow, Andy and the Rattlesnakes, Burning Sensations, The Rugz With Ike Willis, Nick Varoom's Tomb, Mesuganah Soul Review, Talkback, Push-Start Jungle, Daisychain, The Negro Problem,The Stew Ensemble, and of course his own band Cosmo Topper, whose song “For The Time Being” closes the Rock Documentary “Mayor of the Sunset Strip”
Cadillac Jones invites us to THEIR Studio! That's right, this is our first mobile podcast, and our first FULL band to play on the show. Atlanta's own Cadillac Jones is a seven piece jazz/funk instrumental band featuring Hammond B-3 organ and a horn section. Everything they play, whether it's fast or slow, grooves hard! They've been playing to packed venues around Atlanta and the Southeast for almost a decade, and they have just released their 4th album, "Rhythm Method", this summer. Check them out FRIDAY, OCT. 23rd at The 5 Spot in Atlanta. This show will also feature Bryan's band "East Ponce Soul Faction" Enjoy! www.cadillacjones.com Cadillac Jones Facebook Page Two Faces Radio Facebook Page Subscribe to Two Faces Radio on iTunes here! It's free!
From the swamps of southeast Georgia, born in Waycross, and raised on Southern Rock and Blues. Josh Kirkland still calls his Mother "Mama" and speaks with a cool softness, not only is he a southern gentleman, he is one intense guitarist. Josh became fascinated with the guitar at an early age, after receiving his first guitar for his 13th birthday, he began cutting his teeth on the popular rock music of the 80's but soon found himself being drawn toward the blues. Josh's father who played Hammond B-3 organ in several local bands during the 70's not only wanted his son Josh to learn the music of his own generation, but to also learn the southern rock and blues based music that he himself came up playing. Josh was soon hooked on Duane Allman's slide guitar playing, he then discovered the music of Stevie Ray Vaughan which led him to all of the blues masters and the innovative Jimi Hendrix, the rest is history. Josh Kirkland's debut cd release is a six string odyssey, full of searing guitar riffs & soulful deep southern rooted vocals. You hear all of the influences, but there is more. Josh has evolved his own distinctive style. The Josh Kirkland Band's music is a mix of Blues, Southern Rock, Jazz, Funk, R&B/Soul, Country etc. A typical Josh Kirkland Band show features songs for everyone, including original songs and covers ranging from a twangy Johnny Cash song to a jammin' Allman Brothers tune to a hard driving Jimi Hendrix cover complete with Kirkland playing screaming guitar solos with his teeth and behind his back. Truly, Kirkland is the type of player that has to be seen. Over the years Josh has supported such acts as Rick Derringer, Pat Travers, Jerry Reed, and the Marshall Tucker Band. In 2005 Josh Kirkland was selected as one of the top ten blues artists worldwide in the "Blues Idol" competition. Most recently, the Josh Kirkland Band performed at the 2006 Wanee Festival in Live Oak FL, supporting the Derek Trucks Band, Robert Randolf, the North Mississippi Allstars, Gov't Mule, the Allman Brothers Band etc.
From the swamps of southeast Georgia, born in Waycross, and raised on Southern Rock and Blues. Josh Kirkland still calls his Mother "Mama" and speaks with a cool softness, not only is he a southern gentleman, he is one intense guitarist. Josh became fascinated with the guitar at an early age, after receiving his first guitar for his 13th birthday, he began cutting his teeth on the popular rock music of the 80's but soon found himself being drawn toward the blues. Josh's father who played Hammond B-3 organ in several local bands during the 70's not only wanted his son Josh to learn the music of his own generation, but to also learn the southern rock and blues based music that he himself came up playing. Josh was soon hooked on Duane Allman's slide guitar playing, he then discovered the music of Stevie Ray Vaughan which led him to all of the blues masters and the innovative Jimi Hendrix, the rest is history. Josh Kirkland's debut cd release is a six string odyssey, full of searing guitar riffs & soulful deep southern rooted vocals. You hear all of the influences, but there is more. Josh has evolved his own distinctive style. The Josh Kirkland Band's music is a mix of Blues, Southern Rock, Jazz, Funk, R&B/Soul, Country etc. A typical Josh Kirkland Band show features songs for everyone, including original songs and covers ranging from a twangy Johnny Cash song to a jammin' Allman Brothers tune to a hard driving Jimi Hendrix cover complete with Kirkland playing screaming guitar solos with his teeth and behind his back. Truly, Kirkland is the type of player that has to be seen. Over the years Josh has supported such acts as Rick Derringer, Pat Travers, Jerry Reed, and the Marshall Tucker Band. In 2005 Josh Kirkland was selected as one of the top ten blues artists worldwide in the "Blues Idol" competition. Most recently, the Josh Kirkland Band performed at the 2006 Wanee Festival in Live Oak FL, supporting the Derek Trucks Band, Robert Randolf, the North Mississippi Allstars, Gov't Mule, the Allman Brothers Band etc. http://joshkirklandband.com/
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