Podcast appearances and mentions of harry hood

Here's an episode from our friends at HF Pod, where they each choose the top 4 versions of Harry Hood. Enjoy! -- We're ready to put the top 4 versions of Harry Hood on Mt. Rushmore! Thanks for joining us. Next episode, we're doing Light. To vote for your top four versions, go here: ⁠OsirisPod.com/Rushmore⁠ Please give us a call at (484) 416-0488 and leave us your thoughts and questions! And give us a review wherever you listen to podcasts.  The Helping Friendly Podcast is hosted and produced by Brian Brinkman, Megan Glionna, and RJ Bee. Original music by Amar Sastry. Brought to you by ⁠Osiris Media⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're ready to put the top 4 versions of Harry Hood on Mt. Rushmore! Thanks for joining us. Next episode, we're doing Light. To vote for your top four versions, go here: OsirisPod.com/Rushmore Please give us a call at (484) 416-0488 and leave us your thoughts and questions! And give us a review wherever you listen to podcasts.  The Helping Friendly Podcast is hosted and produced by Brian Brinkman, Megan Glionna, and RJ Bee. Original music by Amar Sastry. Brought to you by Osiris Media. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sharing an episode of our longest-running Phish podcast, HF Pod. Here's the first episode of a fun new series, Mt. Rushmore. -- Welcome to the first episode of our new series, Mt. Rushmore! Today we're talking about the four versions of Bathtub Gin that belong on that mountain. Thanks for listening! Next week we're tackling Harry Hood. To vote for your top four versions, go here: OsirisPod.com/Rushmore Please give us a call at (484) 416-0488 and leave us your thoughts and questions! And give us a review wherever you listen to podcasts.  The Helping Friendly Podcast is hosted and produced by Brian Brinkman, Megan Glionna, and RJ Bee. Original music by Amar Sastry. Brought to you by Osiris Media. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the first episode of our new series, Mt. Rushmore! Today we're talking about the four versions of Bathtub Gin that belong on that mountain. Thanks for listening! Next week we're tackling Harry Hood. To vote for your top four versions, go here: OsirisPod.com/Rushmore Please give us a call at (484) 416-0488 and leave us your thoughts and questions! And give us a review wherever you listen to podcasts.  The Helping Friendly Podcast is hosted and produced by Brian Brinkman, Megan Glionna, and RJ Bee. Original music by Amar Sastry. Brought to you by Osiris Media. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textHi everybody and welcome to this week's episode of Attendance Bias. I am your host, Brian Weinstein. Today, we welcome back guest Adam Jerugim. Adam previously told about seeing “Harry Hood” on April 18, 1992 at Stanford University, and after today, he seems to be the Attendance Bias resident expert on west coast Phish in the 90s. In today's episode, Adam and I expand our conversation to a full show, and that full show is Phish at the Warfield Theater in San Francisco on May 27, 1994. This was the third of three shows at the Warfield, and it came toward the last week of the 1994 spring tour. On Attendance Bias, we often talk about transitional years and signposts to major musical changes in the Phish evolution but when it comes to late spring and summer of 1994, it's okay to just sit back and show to love to a band at a major peak. This show, while maybe not a tentpole of a peak year, still has superlative versions of David Bowie, Harry Hood, Reba, plus some trademark Phish goofiness and oddity appearances. But we get into all that in a moment.One theme I loved talking about with Adam was Phish's growing popularity on the west coast at this time. While the band would make their debut at Madison Square Garden late in the year and celebrate New Year's Eve at Boston Garden, they were still reasonably in the middle of the pack when it came to the west coast. Selling out three nights at The Warfield seemed to send a signal that things were about to change, big time. Today's show, as classic as it is, still frames the band at a time when they were about to blow up big time up and down the Pacific coast. There's a lot going on.   So let's join Adam to talk about the Bay Bridge, opera singers, and whether shushing is better than wooing as we discuss May 27, 1994 at The Warfield Theater.

4:17:33 – Frank in Florida, plus the Other Side. Topics include: Arrived at Fort Lauderdale Airport, Harry Hood, Pura Vida Miami, at the hotel in Pompano Beach, UFO 50, reptiles, good morning, hotel coffee, police dream, puppet dream, farthest south I’ve ever been, jughandles, at a sports bar on the Intracoastal Waterway in Fort Lauderdale, Waterway tour, […]

4:17:33 – Frank in Florida, plus the Other Side. Topics include: Arrived at Fort Lauderdale Airport, Harry Hood, Pura Vida Miami, at the hotel in Pompano Beach, UFO 50, reptiles, good morning, hotel coffee, police dream, puppet dream, farthest south I’ve ever been, jughandles, at a sports bar on the Intracoastal Waterway in Fort Lauderdale, Waterway tour, […]

Discussion of the Great Went Hood from 8/17/97  and the Charlotte Hood from 7/25/03 is woven throughout our presentation of  the Six Transcendent Virtues.Support the show

This week's guest is Tim Bangert! After a few failed attempts by some friends to get Phish to stick in Tim's ears he finally took the plunge and went to The Great Went, and the rest is history! After The Great Went, the majority of Tim's Phish shows fell into the years of '98 & '99. We talked about Tim's First show experience, some of his favorite jams, the songs he is chasing, and what member of Phish he would most like to meet. To be featured on a future episode, shoot an email to sttf.weareeverywhere@gmail.com Tim summed up his trip to The Great Went in an essay that you can read below.   How did I end up in Limestone, Maine, in August of 1997 to see a band in which I had relatively little interest? I will start the tale of my first Phish show a few years prior to that. I did know a little of the band and had a few friends loan me their music telling me how great they were, but even with all the music I chased down in used music stores and played on a weekly college radio shows, Phish was a barely part of it. The first time I recall hearing the name of the band was in 1992 in a local radio ad for a Santana concert. Funny story there is that the announcer said, “with special guest Phish,” over Santana's “All I Ever Wanted.” I only knew the few Santana songs in K-SHE 95's rotation (“Black Magic Woman,” “Oye Como Va”), so my brain immediately associated “All I Ever Wanted” with Phish. Thinking about it, that might be a fun cover for Phish to play. Phish obviously wasn't getting played on local commercial stations in St. Louis, so that was that. The following winter in college a guy named Joe who lived across the hall from me told me I had to listen to Phish. He handed me a copy of A Picture of Nectar. I am not certain how much of it I listened to, but I think I thought it was too goofy and underproduced as it jumped from the manic “Llama” to gentle “Eliza” and so on. I still think it's goofy and underproduced but in a much more endearing way. A short while later my cousin came to visit me at school. She was a senior in high school and brought a copy of Junta along. I remember hearing “Fee” and once again thinking what a goofy band this was. Why were people recommending them to me? What was I missing here? Later that year she made me a mix tape that include The Mango Song. A strange one to hand anyone to say, hey, listen to this band! Somehow it wound its daft way into my brain with every listen. I think I thought the piano had a bit of Vince Guaraldi's sound from all the Charlie Brown specials. In the fall of 1994, a fellow RA named Matt asks me if I play any music by Phish on my weekly college radio show. I tell him I had heard a bit, but they never did it for me. He hands me a copy of the just-released Hoist and says to give it another shot. I immediately liked the opening track “Julius” and played it on my show. I recall liking “Down with Disease,” “Sample in a Jar,” and possibly “Wolfman's Brother” enough that I dubbed the whole thing and had it on a steady rotation in my car's cassette deck. There were a few songs I always skipped past. “Lifeboy,” “Dog Faced Boy,” and “Demand” come to mind. I'm still not big on them and oddly enough they are the three that I have never seen live (“Riker's Mailbox” and “Yerushalayim Shel Zahav” notwithstanding). Jump ahead to spring of 1996 and Andy Rosenhack, who worked in the dorms with me and showed me how to run the board and queue up songs at WRBU, returned to Peoria for Senior Walk (that's a whole different story). We were out to lunch with a group of friends and he starts telling me about going to see Phish and how great it was. His first show was the 12/7/95 Niagara Falls show. He was also talking a lot about seeing DMB and how great they were, which I think steered the conversation because by that point DMB was pretty big on the radio. I'm pretty sure I was evangelizing for Wilco around that point in time, which seemed pretty not-Phish. That summer I moved out to Colorado for a short time. Phish was in the news, as their four-night stand at Red Rocks was marred by the weird clashes taking place in Morrison by fans unable to get tickets to the shows. I was nowhere near it and Phish still was not really on my radar. I moved back to Illinois in early 1997, bounced around looking for work, and ended up with a contract job in the suburbs of Chicago. It was a pretty dreary time and I was looking for a way to get out of the rut that was surely forming in the 8-to-5 world of I.T. Andy contacts me and says I should come see Phish with him. Where are they playing? Why, in Maine! It's a festival! I tell him sure, why not. I've been at my job a few months and deserve some time off, right? He sent me two 90-minute cassettes to prep me for the show. The first was set 2 of the first night of the Clifford Ball 1. It's an interesting set covering a wide range of styles. The second tape was a doozy that probably made me say “What the hell is this?” It was the Bomb Factory Tweezerfest set. Really, is that what you hand somebody when you want them to listen to live Phish for the first time? It was out there. We wrangled another college friend Bill Korbecki to come along for the road trip. Bill lived near Chicago, so I had company for the drive to Rochester. If I recall correctly, we drove the northern route through Detroit and Niagara to get to Andy's place in Rochester, New York. Ah, for the days when crossing into and out of Canada didn't require a passport or a lot of suspicion. We didn't head straight up to the show, though. Andy was working as a day camp counselor that summer. Bill and I tagged along to help out, as they were making tie-dye t-shirts that day. I made mine out of a Sugar 1994 Tour shirt 2. That evening Bill and I hung out at Andy's place because he had tickets to take his girlfriend to see James Taylor. When he returned from the JT show we took off for Maine. It couldn't be that far, right? It's just getting to Massachusetts and then through a sliver of New Hampshire. Ha. Little did I realize how remote this concert would be. The route couldn't be easier. Take I-90 east until it hits I-95 outside Boston. Head north on I-95 until the final exit before New Brunswick. Hop off and go north on US-1 and follow the traffic jam to the decommissioned Loring Air Force Base. I remember hearing on the radio local kids in Arastook County were out of school for potato harvest. The residents in the area were curious about the parade of cars winding northward, but they were gracious nonetheless. Getting to the lot the morning of the show we were parked far back on the right side of the runway. The scale of it was overwhelming. Where the heck was the stage? Attempting to piece together the first day of music here. The walk to the concert grounds was far but did not feel that way. Too many interesting people and too much interesting merchandise being hawked. I don't remember much of the festival area. Andy did paint on one of the wooden planks flanking the area. Those planks would become part of the sculpture that evolved on the scaffolding to the right of the stage. I think Andy met Page in that time, too. I had no clue who any of the band were. 1 Split Open and Melt, Sparkle, Free, The Squirming Coil, Waste, Talk, Train Song, Strange Design, Hello My Baby, Mikes Song, Simple, Contact & Weekapaug Groove. 2 I can't believe I did that. My apologies to Bob Mould. The show started late that afternoon. “Makisupa Policeman” holds the honor of the first live song I saw Phish play. Keyword? “Goo balls.” Me being the neophyte I am, I thought Trey said “blue balls.” Ha. I had no idea the significance of the partial “Harpua” that followed. That day warped me for how long an opening set should be at around 100 minutes. I later learned listening to the tapes that the first few songs were a de facto soundcheck. Looking back it's strange to think I got a daytime YEM (it's hard to think of it without the lights) and a beautiful solo to end “Squirming Coil.” Page's words after his bow? “Stick around.” I knew only two songs they played that day. “Wolfman's Brother” to open the second set and “Julius” to close it out. That helped keep things familiar for me. I was worn out late in the third set and told the guys I would meet them back at the car, so I listened to the encore from afar. Not knowing much of anything, I obviously missed the late-night DJ set the band put on in the disco tent. The next morning was crisp and bright. Flyers had been circulating requesting participants for a mass photo shoot. The catch? It called for folks to doff their clothes. Anyone hearing this story would think I was the one who had to be dragged into such an event, but the opposite is the case. I told Bill and Andy that we should be in the photo. They thought I was bluffing and said if I was in, they'd be in, too. So sometime late that morning I led them to the staging area to sign waivers, drop our clothes near some bike racks, and parade out onto an empty stretch of runway in our birthday suits with 1,100 other people. It was not as nerve-wracking as I thought it might be. For our participation, we were supposed to be sent a copy of the photo, but unfortunately, I was bouncing between addresses at the time and mine never made it to me. Andy did receive his. The photo is rather morbid in my eyes. It's monochrome and looks like a thousand corpses lined up on pavement, which completely belies the festive atmosphere of the shoot. While I did not receive the poster, there is proof of me in one of the pictures in 1998's The Phish Book. Yep. My caveat for anyone seeing that page in the book is that northern Maine mornings are chilly. ;) We meandered about that day. I was amazed at all the vending taking place, though I was still too green to understand references to songs or other cultural touchstones. I did buy a lot shirt, though. It was tie-dye, had a Phish logo with Summer Tour 97 around it, and on the back a faux Maine license plate with GR8-WENT. It cost me $5 because it had some rips in the front and was the last of the vendor's lot. I don't think I ever wore it, but it's still stowed away too cherished to be thrown out. I remember much more of the second day of music. I loved the song “The Wedge” the moment they opened with it. Limestone blocks so large, indeed. After the set we wandered a bit for food and water. Getting back into the concert area we ended up about 20 to 25 rows back Page side. The place was buzzing as the night and cool air creeped in. One anomaly of this show that I did not realize was Fish not wearing his trademark donut dress. He was in jeans that weekend. For the second night he had on a fleece adorned winter hat. Trey also had on a warm striped beanie for the second set. They kicked off the set with “Down With Disease” which I knew from good old Hoist. The song raged on for twenty minutes and then dropped down to a simple little guitar and bass conversation between Trey and Mike, as Page and Fish stepped to two easels on the stage. We could see the two of them painting on shaped boards, similar to those Andy had painted on in the festival area. Trey played the chords of “Bathtub Gin” as Fish found his way back to the drum kit. The song was new to me, but it's so catchy. The cadence of lyrics at first reminded me of Bob Dylan's “Subterranean Homesick Blues” and of course was familiar with its Gershwin quotes throughout. Something clicked for me right then and there. Little did I know this would be one of the signature live jams of the band's career, but I did know something special was happening. It's a version that never loses steam and never grows stale on repeated listenings. There's a group on Facebook called “The Great Went Bathtub Gin Changed My Life.” I did not start the group, but I certainly understand why it was created. The song is 20 minutes of inspired playing and improvisation. As Gin wound down and melted into the quick bluegrass fix of “Uncle Pen,” we were only halfway through the set. The next 45 minutes would be just as inspired. The next song was just as familiar because Strauss' “Also Sprach Zarathustra” is embedded in the DNA of anyone alive after 2001: A Space Odyssey. More painting, this time Trey and Mike stepping to the easels while Fish and Page keep the jam going. What's up with all this painting, anyway? As 2001 fades into what becomes known as “Art Jam” on tapes, Trey tells us about creating art with the audience. The band's planks are crowd surfed over to the scaffolding where all the planks painted by festival-goers hang in one crazy pile. The spotlight is on the newly created sculpture as the band kicks into “Harry Hood.” Another new one for me, but it's a glorious swell. As “Hood” drops into the post “Thank you, Mr. Miner” jam, Trey asks Chris Kuroda to cut the lights because the moon is bright and the sculpture is growing in beauty with every passing second. With that, the air begins to fill with colored lights. A glowstick war breaks out. Without the usual concert lights to dampen things, the sticks take on an epic feel. The jam seems to rise and fall with the number in the air. It was exhilarating. I couldn't imagine being anywhere else. As “Hood” ended Trey tells the crowd to go get more of those things because they look amazing. 90 minutes had gone by in what seemed like 9. The crowd was floating. And we still had another set to go. Over the course of the second set the crowd grew more dense. We had nowhere to go between sets. I remember gallon jugs of water being passed around the crowd. I was so thankful for a few sips. It sustained me through the end of the show in an incredibly cramped space. The final set was not as epic, but introduced me to a few more facets of the band. I remember each song, but specifics of only a few. We were still pinned in with the crowd and hadn't had a chance to sit down in hours (maybe we did? I remember standing the whole time). I'm sure a lot of people took “Dirt” to be a chance to rest after the intricate “Guyute,” but it hit me just right. Combined with the cold air, Trey's whistling and the simple guitar line were an emotional high point for me. The same goes with the set closing “Prince Caspian.” I was thrilled hearing “When the Circus Comes” as the encore, since I am a big fan of the old Los Lobos tune. I didn't realize its lyric “the day I burn this whole place down” would soon become a reality as they tore into “Tweezer Reprise.” A huge timber dressed up as a match was lit and tipped against the sculpture that an hour or two earlier we had been admiring during “Harry Hood.” The whole thing went up in an intense blaze as the encore raged. The crowd was going crazy. Wow. Is this what every Phish show is like? Maybe so, maybe not. One of the great things about the fest were all the folks vending from their vehicles. I was famished after the nighttime sets. As we strolled back up the runway I hear a voice singing out “15 ingredient veggie burritos!” A burrito sounded like it would be perfect, so we stopped to grab one. As the woman is wrapping one up I can't resist asking, “So, what are the 15 ingredients in this burrito?” Here's how Andy recalls her reply: “Rice, 5 kinds of beans, cilantro, cheese, cilantro, rice, cilantro, 5 kinds of beans, cheese, rice, and cilantro.” Ha! Who am I to question that? It was delicious. We took time to rest at the car and headed out of the base the next morning. Traffic was heavy, but moved pretty well. When we hopped on I-95 again one of the strangest things I've ever seen happened. Troopers were pulling cars over en masse. We were not among those targeted by the state patrol, but it was weird. The only other Maine thing we really did when we were up that way was a stop at the L.L. Bean flagship store. I bought a wool plaid cap that I recently passed on to my daughter. The rest of the ride back to Rochester I remember mainly for Andy introducing us to the music of Ani Difranco. As the rest of the year went along, I got a bit more into Phish, but really sought out Ani's stuff. Two completely different sounds, but artists who completely do things their own way. The drive to Chicago is a bit of a blur to me now. I'm guessing exhaustion was setting in and we were looking forward to getting home.  

This week's guest is Garret Pugsley! After turning down a ticket to a show in '98, Garret's first live experience with Phish was at the iconic MSG run in '02. Along with hearing some amazing stories from the road, you will also learn why Pugsley's "converting fans" song is Harry Hood, why his all-time favorite jam is the 11/17/97 Tweezer, what it means to be a "Phish purist", and why he's okay with never hearing BDTNL again.  To be featured on a future episode shoot an email to sttf.weareeverywhere@gmail.com

Over a 7 year spell with the club between 1969 - 1976, Harry Hood has a phenomenal record with Celtic, appearing over 300 times and scoring 125 goals - one of only 29 players to ever score more than 100 goals for the club. During this time he also picked up no less than 6 Scottish League Championships, 3 Scottish Cups and 2 League Cups during one of the most successful periods in the club's history. Now Matt Corr - who previously authored "Invincible" and "The Bould Bhoys" - has taken up the story and is delighted this week to have released "Harry Hood - Twice As Good" - the official biography. We spent some time with Matt this week uncovering the story of how the book first came to be, hearing some of the many stories that are included, and discussing his hopes for this latest publication. Appearing in that post Lisbon Lions/pre Quality Street Gang period, Harry found himself surrounded by Celtic legends such as Jimmy Johnstone, Bobby Lennox, Kenny Dalglish and Danny McGrain and he was more than comfortable in this company as the records show. Describe as a "masterstroke" when Jock Stein signed him from Clyde for £40,000 in March 1969, Matt covers the tale of a figure who should rightfully take his place amongst the pantheon of Celtic greats of that era. "Harry Hood - Twice As Good" is available now at Celtic stores (online and in person), Amazon, and at www.thecelticstar.com *At the request of Matt and the The Hood Family, a percentage from all sales will go towards Marie Curie UK to support the amazing work they do.

Mention the name Harry Hood and it evokes memories of a wonderful footballer in a glorious era, most notably at Celtic, his boyhood club. The chants rang out as he scored vital goals against the giants of European football under those massive lights in Glasgow's east end, in the intensity of the city's fierce derbies or major cup finals before six-figure crowds. Moments which created history. Skillful, intelligent and classy, with 125 goals and over 300 games for Celtic in that post-Lisbon era, where the Lions and Quality Street Gang merged with Jock Stein's astute signings to keep the Hoops at the summit of European football. Hood was a key man in an incredible team. In this episode, Matt Corr discusses his new book - Harry Hood: Twice As Good - the official biography of Harry Hood. We discuss the great man's life, football career and business achievements, as well as reminiscing about the fantastic Celtic teams of the early 1970s. Matt shares some stories from Harry's former teammates, such as Kenny Dalglish, and gives us a fascinating preview of the publication. You can purchase a copy from celticstarbooks.com and keep up to date on the project by following @HarryHoodBook on Twitter. £1 from every sale will be donated to Marie Curie.

Hi everybody and welcome to this week's episode of Attendance Bias. I am your host, Brain Weinstein. This week's guest is the John Purcell, who I'll refer to as Purcy throughout the conversation. As you'll hear us explain during the episode, Percy and I went back and forth a few times about which show or jam to discuss.  As the host, I do my best to stay out of the decision making process, since the story and the Attendance Bias belongs to the guest. In this case, Purcy had a little trouble settling on one show, and so he came up with a good idea: he wanted to talk about how different shows reflected different points of his life. After some back-and-forth, he picked three different shows, years apart, and we would review highlights from each one. The three shows that Purcy chose for today's episode are: New Year's Eve 1994 at the Boston Garden, the Great Went, August 17, 1997 at Loring Air Force Base, and then December 28, 2019 at Madison Square Garden. Due to the back-and-forth decision making process, plus a typo here and there, you may hear me mistake the date of the Madison Square Garden show during our conversation. But, officially, it's December 28, 2019.So let's join Purcy to hear about what actually happened with the hot dog on New Year's 1994, the incredible Harry Hood from the Great Went, and how Phish can be there for you through good times and bad over the course of 25 years.

At the height of late 1.0 popularity, Phish heads to Japan in June 2000 to play clubs instead of arenas, amphitheaters, and swamps. 6-16-2000 in Osaka is my 3rd favorite of the 7 gigs they played, and illustrates the band's focus on quiet interplay, subtlety, and cooperative improvisation. Jams from Limb By Limb, Reba, Runaway Jim, Theme From the Bottom, Slave to the Traffic Light, and Harry Hood are included in this episode. Listen to the full show at phish.in and read the set list and reviews at Phish.net. The other big Japan 2000 jams I mention in this episode are the 6-9-2000 Tweezer, the 6-15-2000 Down With Disease, the 6-10-2000 Down With Disease and Piper, and literally all of 6-14-2000.

Joel is a founding member and the resident keyboard wizard for Umphrey's McGee AND a long-time Phish fan! Outside of the music world, Joel is a best-selling author, releasing “The Realist's Guide to a Successful Music Career,” which features an array of musical and music business advice and includes conversations with musical greats! We talk Harry Hood, Page's rig, how Joel approaches improvisation with Umphrey's, and more!Ryan's Pick: 11/1/18 VegasJoel's Pick: 12/5/95 Amherst

Welcome to Part 2 of my conversation with Dartmouth College professor David Lutz about Camp Oswego, day two, on 7/18/99. If you haven't listened to Part 1, please go back and listen to it as its own separate episode and as a prelude to this episode. Part 1 focused on Dave's history as a Phish fan, his background, and how he ended up at Camp Oswego as a teenager without a car. We got so deep into our nerdy Phish chatter that it took us over an hour just to get to set 1 of the show!We pick up here where we left off. Part 2 requires no introduction and we kick off with the set two opener, which happened to be a 24 minute Runaway Jim! In most shows, that Jim would be the highlight of the show. But Oswego was no ordinary show. Throughout this episode, we go over the mega-fast Piper, the Catapult/Icculus/Smoke of the Water insanity, and the legendary closing of Fluffhead and Harry Hood.If Part 1 was a deep dive into Phish geekery, theories, and history, then Part 2 is fully about the MUSIC. Both episodes add up to a comprehensive look back at what may be Phish's most under-appreciated festival.Audio for this episode: http://phish.in/1999-07-18

The last of my four part Japan series with Dave Calarco finishes with a beast. The second set opens with 45 minutes of boundary pushing Phish with "Runaway Jim->Theme->Dog Faced Boy". The soundcheck is one of the greats, with sick grooves based around Trey spitting hilarious improv comedy. This is also one of 6 shows ever to feature "Reba", "Slave To The Traffic Light", and "Harry Hood" all in the same show. Phish and Japan was something special. Hosted on Acast. See acast.com/privacy for more information.

Join Dawneebee and Baker for part 1 of a very interesting interview with Benjy Eisen! Benjy has been published in Rolling Stones, Relix and co-wrote Bill Kreutzmann’s biography entitled Deal~ My Three Decades Of Drumming, Dreams & Drugs with the Grateful Dead. In part 1, hear how Benjy got into the Phish scene, started the first Harry Hood chant, hooked up with Bill to write his biography and in turn formed a deep connection with him.We’re part of the Osiris podcast network. Osiris is creating a community that connects people like you with podcasts and live experiences about artists and topics you love. To stay up to date on what we’re up to, visit our site and sign up for our newsletter. Osiris works in partnership with JamBase, which connects music fans with the music they love and empowers them to go see live music. See acast.com/privacy for privacy and opt-out information.

Inside this small venue in the Northwest, Phish put together the best show thus far on this young tour.  Set one features a fantastic song selection with Gumbo, Mound, Possum and Antelope getting strong treatment.  The second set follows suit with no let-downs and a gotta hear Harry Hood.  Crisp as the air outside, settle in for an unheralded, four-star gem.

Join Dawneebee and Kristie for an intriguing interview with the one and only Carl Gerhard! Carl grew up with Page McConnell and has been playing trumpet with Giant Country Horns and as a guest for Phish since 1988! Listen in as Carl shares old stories including Page & Carl's battle of the bands in high school and how they got their pink tuxedos for the July 1991 shows. All the while, during Carl's 30 years of active military service, Lieutenant Commander Carl Gerhard was one of only 24 Band Officers in the US Navy, leading Navy Bands in the Far East, Europe and throughout the United States! Here about his up and coming projects as well!Carl also joins us in a round of everyone's favorite Phish game show Market Price!!Trey Anastasio announcing Carl Gerhard http://www.phishtracks.com/shows/2012-06-19/party-timeCurrent Projects of Carl's: Roomful of Blues https://roomful.com/Strange Design: Hampton Comes Alive: 20 Yr Anniversary ft Tom Marshall & Carl Gerhard https://www.cegpresents.com/event/tw-eventinfo/Strange+Design%3A+Hampton+Comes+Alive%3A++20+Yr+Anniversary+ft+Tom+Marshall+%26+Carl+Gerhard/8541635/Pink Talking Fish Announces 2018 Fall Tour Including Giant Country Horns Collaborations https://liveforlivemusic.com/news/pink-talking-fish-2018-fall-tour/We’re part of the Osiris podcasting family. Osiris is a growing community of music and culture podcasts, connecting music fans with conversation, commentary and music. Osiris works in partnership with Relix, check them out for music news and information: https://www.osirispod.com/Market Price - Thanks to PhishTracks.com:6/12/11........Buried Alive .....0:25-1:255/19/94.....Stash.....0:00-1:008/2/17......Sneakin Sall through the Alley......0:30-1:3011/28/98.........Tube.......3:25-4:317/9/03........Friday......2:50-3:504/15/94........Harry Hood......1:30-2:358/17/12.........First tube......0:00-1:0011/21/98.........sabotage.....0:25-1:2512/31/16.......sand.......2:15-3:15 See acast.com/privacy for privacy and opt-out information.

Episode 13 features "Poor Heart", a full version of "Paul and Silas" and then the band working through "Paul and Silas" and finishes with "Funky Bitch". I have included a killer "Possum" from this show as well. Make sure on your own time to check out the crazy "Harpua" and sweet "Harry Hood" from this show. Hosted on Acast. See acast.com/privacy for more information.

In Episode 12, I do my best to paint you a picture of a legendary venue 15 minutes from my house. I also try to sell on the fact that Buffalo is a cool place. Soundcheck is "Funky Bitch". Bonus tracks are "Big Black Furry Creature From Mars" and "Harry Hood". Also I play you the Buffalo Bills Shout song at the very end. Hosted on Acast. See acast.com/privacy for more information.

This week, we're happy to have Brando from CashorTrade on the podcast. We talk a lot about his Phish journey and about the great platform their team has built. We also play some music, tapping into the New Year's spirit. Set info is below (but the entire show is amazing to revisit, especially at this time of year). We're doing a live podcast on December 29! Come see us at American Beauty at 3pm. We'll be doing a live podcast, opening up for the great band Polyvamp. You can RSVP to our event on Facebook. Also, if you haven't yet, please take a moment to review us on iTunes. Thanks for your support! -- Phish, 12.31.93, Worcester Centrum, Worcester, MA Set 3: Auld Lang Syne > Down with Disease Jam > Split Open and Melt, The Lizards, Sparkle > Suzy Greenberg > Hold Your Head Up > Cracklin' Rosie > Hold Your Head Up, Harry Hood , Tweezer Reprise E: Golgi Apparatus, Amazing Grace See acast.com/privacy for privacy and opt-out information.

This week we'll be listening to and discussing 4.8.94, from State College, PA. It's just us this week, and we enjoyed reflecting on this show. We discuss and play both sets, and hope you enjoy! Here's our first episode, from 11.30.95, which we mention on this episode. And if you haven't yet, check out Brokedown Podcast and Beyond the Pond, two new music podcasts. Please subscribe and review us on iTunes and follow us on Twitter. Also like us on Facebook. And check out CashorTrade for face value tickets to shows across the country. If you are on Stitcher, give us a review. If you haven't yet, please check out HF Pod Plus. Thanks! -- Phish, 4.8.94, Recreation Hall, Penn State University, State College, PA Set 1: Maze, Glide, Foam, I Didn't Know, Punch You In the Eye, The Horse > Silent in the Morning > Down with Disease, If I Could, Lawn Boy, Llama Set 2: Split Open and Melt, McGrupp and the Watchful Hosemasters, It's Ice -> Digital Delay Loop Jam -> It's Ice > Sparkle > Harry Hood, Bouncing Around the Room, Big Ball Jam -> David Bowie, Suzy Greenberg E: Contact > Big Black Furry Creature From Mars Intro/Outro Music: Outkast, Crumblin' Herb See acast.com/privacy for privacy and opt-out information.

Episode 001 - January 2017 Set 1 Tube (2000-09-15)Divided Sky (1991-05-09)The Moma Dance (1998-07-08)Demand > Rift (1995-12-07)Buffalo Bill > NICU (1997-08-17)Gumbo (1990-11-30)Guelah Papyrus (1993-08-26)Reba (1994-07-06)Stash -> Ghost (1997-06-19)Maze (1997-02-23)Lizards (1991-07-21)Contact (1990-03-28)Harry Hood (1987-08-21)Dog Log (1989-10-21)David Bowie (1991-10-28)

We had the privilege of interviewing Marco Walsh, Board President of The Mockingbird Foundation and a prominent member of the Phish.Net community who's given countless hours of his time over the years. This interview gave us the chance to talk in depth about the history of the site and the Foundation, while hearing about the incredible work that all the volunteers have done for 20+ years. We of course also touch on the Phish Companion. Hey, it's the holidays! Pick one up for a friend or loved one. Also, there's a contest! The Mockingbird Foundation donated one copy of the book as well as a really cool poster. All you have to do is share this post with your friends on Facebook and/or Twitter using #MbirdHFPod and we'll pick two random winners (one for the book and one for the poster) on Monday, December 5. Marco also shares memories from his first show, 4.17.92 at the Warfield in San Francisco. We talk a bit about that tour and that show, and we play a few tracks from that night. A great memory for Marco and a good show to revisit. Hope you enjoy. Please subscribe and review us on iTunes and follow us on Twitter. Also like us on Facebook. And check out CashorTrade for face value tickets to shows across the country. If you are on Stitcher, give us a review. Intro/Outro Music: Phish, Harry Hood, 8.6.96 See acast.com/privacy for privacy and opt-out information.

As you may have seen, we put the topic of the last HF Pod episode of 2015 up to a vote. The topic that came out on top was highlights of Phish's Madison Square Garden shows through the years. We curated a list of tunes that spans across every year that Phish played at MSG. There are some absolutely incredible jams—which reminds us that Phish always delivers when they play The Garden, and that makes us even more excited to see what happens next week in New York. The track listing is below. We thank you for listening, and encourage you to send any feedback that you might have for us. And as always, we ask you to follow us on Twitter and review us on iTunes. And check out Cash or Trade for face value tickets. MSG Highlights Tracks Tube, 1/1/11 Tweezer, 12/30/94 Sneakin' Sally Through the Alley, 12/30/97 Piper, 12/30/11 2001, 12/29/98 Carini, 12/29/13 The Mango Song, 10/22/96 Ghost, 12/31/10 1999, 12/31/98 AC/DC Bag, 12/30/97 Walls of the Cave, 12/31/02 Tweezer, 12/28/12 Harry Hood, 12/30/95 Intro/Outro Music: Frank Sinatra, Theme from New York, New York See acast.com/privacy for privacy and opt-out information.

It’s been 20 years, folks, since the epic Fall 1995 tour. Everything changed for Phish in 1995 (as it did again in ’97, ’99, ’04, ’13 and ’15). But this signaled the beginning of a new era—bigger venues, bigger crowds, bigger expectations. And during this tour, Phish did what they do best. They delivered. Our friends Wade and Josh joined us for this equally epic 3-part episode, where we played and discussed some of the highlights from this Fall 1995 tour. In contrast to the Summer 1995 tour, these jams have an incredible level of focus and clarity. But they’re not jams to be taken lightly. They’re dense, heady. As Wade says, listening to Fall 1995 “is not a spectator sport.” Hope you’re geared up. The details for all 3 parts are below. As always, we ask you to follow us on Twitter and review us on iTunes. And check out Cash or Trade for face value tickets. Part 3 Chapters Chapter 1 0:00 Fall '95 Highlights Chapter 2 1:51:41 Music Discussion Part 3 Tracks Halley's Comet -> NICU -> Slave to the Traffic Light, 12.14.95 Tweezer, 12.28.95 Bathtub Gin -> The Real Me -> Bathtub Gin, 12.29.95 Harry Hood, 12.30.95 Runaway Jim, 12.31.95 Intro/Outro music: LCD Soundsystem, Losing My Edge See acast.com/privacy for privacy and opt-out information.

This week we're joined by our good friend Brian (@sufferingjuke). He was inspired to go back and listen to the entire Fall 1996 tour, and he pulled together a wonderful collection of highlights from that tour. Brian put a ton of thought into this, and the product makes that very clear. Really wonderful highlights, and some lesser-known jams that he's bringing back into the spotlight. We've split this one up into 2 parts, because there's just too much great stuff. We think you'll enjoy, and as Brian has said, "you'll never look at '96 the same again." The track details for Part 2 are below. Please review us on iTunes and follow us on Twitter. And check out CashorTrade.org for face value tickets to shows across the country. If you are on Stitcher, give us a review! Part 2 11/18 -- 2001 11/19 -- David Bowie 11/29 -- You Enjoy Myself 11/29 -- Harry Hood 12/01 -- Reba 12/28 -- Mike's Song -> Strange Design -> Weekapaug Groove Intro/Outro Music: TRAD+, Blind See acast.com/privacy for privacy and opt-out information.

8 - Gubbulidis Covers GubbulidisAll Along The WatchtowerSon's Gonna RiseGrey StreetThe Mountains Win AgainDid You Ever Look So NiceLittle Lion ManGlycerine/No Woman No Cry/Wagon Wheel/Farmhouse MedleyPressure DropToo Many PuppiesHeaven SentBBQ *Round Here #Country Roads $Harder They Fall %Harry Hood $Best Feeling &Wild Horses* with Lorne Blair and Wiley Griffin# with Kenny Brooks$ with Josh Dobbs% with Brook Jordan, Josh Dobbs, and Zach Nugent& with Lorne Blair

This week we have a long overdue guest, CJ, who is a longtime fan of the podcast and Mainer exiled in London. But we'll have him back for this Summer Tour, which we discuss on this show, along with lots of other things. The timing of this pick was stellar -- we'll be discussing and listening to the first day of the first Phish festival, the Clifford Ball, from 1996. This discussion comes just days after the latest festival announcement, Magnaball, coming in August 2015. This is part 3, featuring Set 3 of 8.16.96. And please review us on iTunes and send comments and feedback to helpingfriendlypodcast at gmail dot com, and follow us on Twitter. And check out CashorTrade.org for face value tickets to shows across the country. If you are on Stitcher, give us a review! Chapter 1 0:00 Chat w/CJ Chapter 2 7:05 Set 3 Phish 8.16.96 Chapter 3 1:04:50 Set 3 Breakdown -- Phish 8.16.96, The Clifford Ball, Plattsburgh, NY Set 3: Makisupa Policeman > Also Sprach Zarathustra > Down with Disease -> NICU, Life on Mars? > Harry Hood -> Jam Encore: Amazing Grace See acast.com/privacy for privacy and opt-out information.

This week we're excited to be joined by Jackson, a fellow Buckeye, and our guest host, Jonathan. We chat about and play Phish 6.4.11 -- this is Set 2. Chapter markers are below. Please continue to send us feedback about this experiment and let us know what you think. And please review us on iTunes and send comments and feedback to helpingfriendlypodcast at gmail dot com, and follow us on Twitter. And check out CashorTrade.org for face value tickets to shows across the country. If you are on Stitcher, give us a review! Chapter 1 0:00 Set 2 Phish 6.4.11 Chapter 2 1:33:14 Set 2 Breakdown -- Phish 6.4.11, Blossom Music Center, Cuyahoga Falls, OH Set 2: Birds of a Feather, Possum > Steam > Piper -> The Lizards, Sneakin' Sally Through the Alley > Harry Hood > Have Mercy -> Harry Hood > Character Zero Encore: Slave to the Traffic Light See acast.com/privacy for privacy and opt-out information.

This week we we're mixing things up, because were in the middle of Summer Tour. We have some quick conversations with some of our friends, who share their first-hand experiences from the road. And then we play one set from Summer Tour so far. Chapter markers and setlist below. Chapter 1 0:00 Intro w/Brad & RJ Chapter 2 4:24 Chat w/Pete Mason of PhanArt Chapter 3 17:48 Chat w/Josh (Mansfield) Chapter 4 30:48 Chat w/Brian (SPAC) Chapter 5 39:43 Chat w/Felicia (Mann) Chapter 6 49:24 Chat w/Craig (Mann) Chapter 7 1:03:44 Chat w/Stu (Randall's) Chapter 8 1:15:46 Chat w/George (Randall's) Chapter 9 1:23:56 Set 2 Phish 7.8.14 -- Phish, 7.8.14, The Mann Center, Philadelphia, PA Set 2: 46 Days > Fuego > The Line, Backwards Down the Number Line > Tweezer -> Ghost > 2001 > Harry Hood > Tweezer Reprise E: Possum See acast.com/privacy for privacy and opt-out information.

This week we we're thrilled to be joined by Justin Bolognino, to play and discuss a fantastic "mystery box" of a show, Set 2 of 8.15.11 in Chicago. Chapter markers and setlist below. As usual, we ask you to please review us on iTunes, and send comments and feedback to helpingfriendlypodcast at gmail dot com, and follow us on Twitter @hfpod. And check out CashorTrade.org for face value tickets to shows across the country. Chapter 1 0:00 Chat w/Justin Chapter 2 34:42 Set 2 Phish 8.15.11 Chapter 3 2:19:59 Set 2 Breakdown -- Phish, 8.15.11, UIC Pavilion, Chicago, IL Set 2: Set 2: Sand > Light > Dirt > Waves -> Undermind -> Steam > Fire Encore: Camel Walk, Guyute, The Horse > Silent in the Morning, Harry Hood See acast.com/privacy for privacy and opt-out information.

This week we were joined by guest Jake Sherman (@JakeSherman), and he chose a really fun show, 12.28.11, from the New Year’s Run of 2011, from the hallowed ground of Madison Square Garden. The setlist and chapter markers are below, and visit http://hfpod.blogspot.com/ for more information. Lastly, please take a moment and review us on iTunes! Chapter 1 0:00-17:13 Conversation with Jake Sherman Chapter 2 17:13-1:39:18 Set 1 Phish 12.28.11 Chapter 3 1:39:18-1:55:31 Set 1 Breakdown Chapter 4 1:55:31-3:26:28 Set 2 Phish 12.28.11 Chapter 5 3:26:28-End Set 2 Breakdown -- Phish 12.28.11, Madison Square Garden, New York, NY Set 1: Free, Glide > Possum, Cities, The Ballad of Curtis Loew, Stash, Contact > Sample in a Jar, Kill Devil Falls > Bathtub Gin Set 2: Birds of a Feather, Carini > Tweezer > My Friend My Friend, Rock and Roll > NICU, Bouncing Around the Room, Harry Hood > Bug E: Tube > Rocky Top > Tweezer Reprise See acast.com/privacy for privacy and opt-out information.

Happy Holidays everyone! For our last episode of 2013, we were approached by our friends Tom and Matt to play 12.31.93 from Worcester, Mass. It's funny because Brad and I actually discussed playing this show, and then we heard from these guys. Serendipity! It's a great 3 set show, of course, and we hope you enjoy. The show's setlist is below, and visit http://hfpod.blogspot.com/ for our Listener Notes and for more information. One quick appeal: Please review us on iTunes! -- Phish 12.31.93, Worcester Centrum Centre, Worcester, MA Set 1: Llama, Guelah Papyrus, Stash, Ginseng Sullivan, Reba, Peaches en Regalia, I Didn't Know, Run Like an Antelope Set 2: Tweezer > Halley's Comet > Poor Heart > It's Ice > Fee > Possum, Lawn Boy, You Enjoy Myself Set 3: Auld Lang Syne > Down with Disease Jam > Split Open and Melt, The Lizards, Sparkle > Suzy Greenberg > Hold Your Head Up > Cracklin' Rosie > Hold Your Head Up, Harry Hood, Tweezer Reprise E: Golgi Apparatus, Amazing Grace See acast.com/privacy for privacy and opt-out information.

Here’s the setlist for the show which contains performances I saw live in 2011: Push On Til The Day – Trey Anastasio Band (Stage AE, Pittsburgh, PA 2-25-11) Sneakin’ Sally Thu the Alley -> Harry Hood -> Have Mercy – Harry Hood – Phish (Blossom Music Center, Cuyahoga Falls, OH 6-4-11) Came Out Of A Lady – Rubblebucket (Rex […]