Podcasts about Pugsley

I stumbled into this camp idea, and I'm going to give it to you today! How I discovered it, what I've done that's worked, and how you can adapt it for your context. This is a great Winter Retreat, Summer Camp or D-Now game concept that runs in the background of your student ministry event! My Game Cheat Sheet: https://www.patreon.com/posts/object-hunt-146629811?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link SHOW NOTES Shownotes & Transcripts https://www.hybridministry.xyz/185 ❄️ WINTER SOCIAL MEDIA PACK https://www.patreon.com/posts/winter-seasonal-144943791?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link HYBRID HERO MEMBERS GET IT FREE! https://www.patreon.com/hybridministry DONUT BRACKET VIDEO: https://youtu.be/5ryhkIRyDb4?si=HGPeqL4k03WGceod

How can you build iconic characters that your readers want to keep coming back to? How can you be the kind of creator that readers trust, even without social media? With Claire Taylor In the intro, Dan Brown talks writing and publishing [Tetragrammaton]; Design Rules That Make or Break a Book [Self-Publishing Advice]; Amazon's DRM change [Kindlepreneur]; Show me the money [Rachael Herron]; AI bible translation [Wycliffe, Pope Leo tweet]. Plus, Business for Authors 24 Jan webinar, and Bones of the Deep. Today's show is sponsored by Bookfunnel, the essential tool for your author business. Whether it's delivering your reader magnet, sending out advanced copies of your book, handing out ebooks at a conference, or fulfilling your digital sales to readers, BookFunnel does it all. Check it out at bookfunnel.com/thecreativepenn This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Claire Taylor is a humour and mystery author, the owner of FFS Media, and a certified Enneagram coach. She teaches authors to write stronger stories and build sustainable careers at LiberatedWriter.com, and her book is Write Iconic Characters: Unlocking the Core Motivations that Fuel Unforgettable Stories. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Why Claire left social media and how she still markets her books and services What the Enneagram is and how core fears and desires shape character motivation Using Enneagram types (including Wednesday Addams as an example) to write iconic characters Creating rich conflict and relationships by pairing different Enneagram types on the page Coping with rapid change, AI, and fear in the author community in 2026 Building a trustworthy, human author brand through honesty, transparency, and vulnerability You can find Claire at LiberatedWriter.com, FFS.media, or on Substack as The Liberated Writer. Transcript of the interview with Claire Taylor Joanna: Claire Taylor is a humour and mystery author, the owner of FFS Media, and a certified Enneagram coach. She teaches authors to write stronger stories and build sustainable careers at LiberatedWriter.com, and her book is Write Iconic Characters: Unlocking the Core Motivations that Fuel Unforgettable Stories. So, welcome back to the show, Claire. Claire: Thank you so much for having me back. I'm excited to be here. Joanna: It's great to have you back on the show. It was March 2024 when you were last on, so almost two years now as this goes out. Give us a bit of an update. How has your writing craft and your author business changed in that time? Claire: One of the things I've been focusing on with my own fiction craft is deconstructing the rules of how a story “should” be. That's been a sort of hobby focus of mine. All the story structure books aren't law, right? That's why there are so many of them. They're all suggestions, frameworks. They're all trying to quantify humans' innate ability to understand a story. So I'm trying to remember more that I already know what a story is, deep down. My job as an author is to keep the reader's attention from start to finish and leave them feeling the way I hope they'll feel at the end. That's been my focus on the craft side. On the author business side, I've made some big shifts. I left social media earlier this year, and I've been looking more towards one-on-one coaching and networking. I did a craft-based Kickstarter, and I'd been focusing a lot on “career, career, career”—very business-minded—and now I'm creating more content again, especially around using the Enneagram for writing craft. So there's been a lot of transition since 2024 for me. Joanna: I think it's so important—and obviously we're going to get into your book in more detail—but I do think it's important for people to hear about our pivots and transitions. I haven't spoken to you for a while, but I actually started a master's degree a few months back. I'm doing a full-time master's alongside everything else I do. So I've kind of put down book writing for the moment, and I'm doing essay writing and academic writing instead. It's quite different, as you can imagine. It sounds like what you're doing is different too. One thing I know will have perked up people's ears is: “I left social media.” Tell us a bit more about that. Claire: This was a move that I could feel coming for a while. I didn't like what social media did to my attention. Even when I wasn't on it, there was almost a hangover from having been on it. My attention didn't feel as sharp and focused as it used to be, back before social media became what it is now. So I started asking myself some questions: What is lost if I leave? What is gained if I leave? And what is social media actually doing for me today? Because sometimes we hold on to what it used to do for us, and we keep trying to squeeze more and more of that out of it. But it has changed so much. There are almost no places with sufficient organic reach anymore. It's all pay-to-play, and the cost of pay-to-play keeps going up. I looked at the numbers for my business. My Kickstarter was a great place to analyse that because they track so many traffic sources so clearly. I could see exactly how much I was getting from social media when I advertised and promoted my projects there. Then I asked: can I let that go in order to get my attention back and make my life feel more settled? And I decided: yes, I can. That's worth more to me. Joanna: There are some things money can't buy. Sometimes it really isn't about the money. I like your question: what is lost and what is gained? You also said it's all pay-to-play and there's no organic reach. I do think there is some organic reach for some people who don't pay, but those people are very good at playing the game of whatever the platform wants. So, TikTok for example—you might not have to pay money yet, but you do have to play their game. You have to pay with your time instead of money. I agree with you. I don't think there's anywhere you can literally just post something and know it will reliably reach the people who follow you. Claire: Right. Exactly. TikTok currently, if you really play the game, will sometimes “pick” you, right? But that “pick me” energy is not really my jam. And we can see the trend—this “organic” thing doesn't last. It's organic for now. You can play the game for now, but TikTok would be crazy not to change things so they make more money. So eventually everything becomes pay-to-play. TikTok is fun, but for me it's addictive. I took it off my phone years ago because I would do the infinite scroll. There's so much candy there. Then I'd wake up the next morning and notice my mood just wasn't where I wanted it to be. My energy was low. I really saw a correlation between how much I scrolled and how flat I felt afterwards. So I realised: I'm not the person to pay-to-play or to play the game here. I'm not even convinced that the pay-to-play on certain social media networks is being tracked in a reliable, accountable way anymore. Who is holding them accountable for those numbers? You can sort of see correlation in your sales, but still, I just became more and more sceptical. In the end, it just wasn't for me. My life is so much better on a daily basis without it. That's definitely a decision I have not regretted for a second. Joanna: I'm sorry to keep on about this, but I think this is great because this is going out in January 2026, and there will be lots of people examining their relationship with social media. It's one of those things we all examine every year, pretty much. The other thing I'd add is that you are a very self-aware person. You spend a lot of time thinking about these things and noticing your own behaviour and energy. Stopping and thinking is such an important part of it. But let's tackle the big question: one of the reasons people don't want to come off social media is that they're afraid they don't know how else to market. How are you marketing if you're not using social media? Claire: I didn't leave social media overnight. Over time, I've been adjusting and transitioning, preparing my business and myself mentally and emotionally for probably about a year. I still market to my email list. That has always been important to my business. I've also started a Substack that fits how my brain works. Substack is interesting. Some people might consider it a form of social media—it has that new reading feed—but it feels much more like blogging to me. It's blogging where you can be discovered, which is lovely. I've been doing more long-form content there. You get access to all the emails of your subscribers, which is crucial to me. I don't want to build on something I can't take with me. So I've been doing more long-form content, and that seems to keep my core audience with me. I've got plenty of people subscribed; people continue to come back, work with me, and tell their friends. Word of mouth has always been the way my business markets best, because it's hard to describe the benefits of what I do in a quick, catchy way. It needs context. So I'm leaning even more on that. Then I'm also shifting my fiction book selling more local. Joanna: In person? Claire: Yes. In person and local. Networking and just telling more people that I'm an author. Connecting more deeply with my existing email lists and communities and selling that way. Joanna: I think at the end of the day it does come back to the email list. I think this is one of the benefits of selling direct to people through Shopify or Payhip or whatever, or locally, because you can build your email list. Every person you bring into your own ecosystem, you get their data and you can stay in touch. Whereas all the things we did for years to get people to go to Amazon, we didn't get their emails and details. It's so interesting where we are right now in the author business. Okay, we'll come back to some of these things, but let's get into the book and what you do. Obviously what underpins the book is the Enneagram. Just remind us what the Enneagram is, why you incorporate it into so much of your work, and why you find it resonates so much. Claire: The Enneagram is a framework that describes patterns of thoughts, feelings, and actions that tend to arise from nine different core motivations. Those core motivations are made up of a fear–desire pair. So, for instance, there's the fear of lacking worth and the desire to be worthy. That pair is the Type Three core motivation. If you're a Type Three, sometimes called “The Achiever,” that's your fundamental driver. What we fear and desire above all the other fears and desires determines where our attention goes. And attention is something authors benefit greatly from understanding. We have to keep people's attention, so we want to understand our own attention and how to cultivate it. The things our attention goes to build our understanding of ourselves and the world. Being intentional about that, and paying attention to what your characters pay attention to—and what your readers are paying attention to—is hugely beneficial. It can give you a real leg up. That's why I focus on the Enneagram. I find it very useful at that core level. You can build a lot of other things on top of it with your characters: their backstory, personal histories, little quirks—all of that can be built off the Enneagram foundation. Why I like the Enneagram more than other frameworks like MBTI or the Big Five is that it not only shows us how our fears are confining us—that's really what it's charting—but it also shows us a path towards liberation from those fears. That's where the Enneagram really shines: the growth path, the freedom from the confines of our own personality. It offers that to anyone who wants to study and discover it. A lot of the authors I work with say things like, “I'm just so sick of my own stuff.” And I get it. We all get sick of running into the same patterns over and over again. We can get sick of our personality! The Enneagram is a really good tool for figuring out what's going on and how to try something new, because often we can't even see that there are other options. We have this particular lens we're looking through. That's why I like to play with it, and why I find it so useful. Joanna: That's really interesting. It sounds like you have a lot of mature authors—and when I say “mature,” I mean authors with a lot of books under their belt, not necessarily age. There are different problems at different stages of the author career, and the problem you just described—“I'm getting sick of my stuff”—sounds like a mature author issue. What are some of the other issues you see in the community that are quite common amongst indie authors? Claire: One that comes up a lot, especially early on, is: “Am I doing this right?” That's a big question. People say, “I don't know if I'm doing this right. I'm going to mess it up. This person told me this was the way to do things, but I don't think I can do it this way. Am I doomed?” That's the fear. A lot of what I help people with is seeing that there isn't a single “right” way to do this. There's a way that's going to feel more aligned to you, and there are millions of ways to approach an author career because we're all constructing it as we go. You were there in the early days. We were all just making this up as we went along. Joanna: Exactly. There was a time when ebooks were PDFs, there wasn't even a Kindle, and there was no iPhone. We were literally just making it up. Claire: Right. Exactly. That spirit of “we're all making it up” is important. Some of us have come up with frameworks that work for us, and then we tell other people about them—“Here's a process; try this process”—but that doesn't mean it's the process. Understanding what motivates you—those core motivations—helps you see where you're going to bump into advice that's not right for you, and how to start making decisions that fit your attention, your life, your desires in this author role. Early on we do a lot of that work. Then there are the authors who started a while ago and have a bunch of books. They hit a point where they say, “I've changed so much since I started writing. I need to figure out how to adjust my career.” Joanna: Tell us more about that, because I think that's you and me. How do we deal with that? Claire: Well, crying helps. Joanna: That is true! There's always a bit of crying involved in reinvention. From my perspective, my brand has always been built around me. People are still here—I know some people listening who have been with the podcast since I started it in 2009—and I've always been me. Even though I've done loads of different things and changed along the way, at heart I'm still me. I'm really glad I built a personal brand around who I am, rather than around one genre or a single topic. How about you? How do you see it? Claire: I'm the same. I just can't stick with something that doesn't feel right for me anymore. I'll start to rebel against it. There's also that “good girl” part of me that wants to do things the way they're supposed to be done and keep everybody happy. I have to keep an eye on her, because she'll default to “this is the way it should be done,” and then I end up constricted. As we advance through our careers, positioning around what motivates us and what we love, and allowing ourselves to understand that it's okay to change—even though it's painful—is crucial. It's actually destructive not to change over time. We end up forfeiting so many things that make life worth living if we don't allow ourselves to grow and change. We end up in this tiny box. People sometimes say the Enneagram is very restrictive. “It's only nine types, you're putting me in a box.” It's like: no. These are the boxes we've put ourselves in. Then we use the Enneagram to figure out how to get out of the box. As we start to see the box we've put ourselves in with our personality—“that's me, that's not me”—we realise how much movement we actually have, how many options we have, while still being ourselves. Joanna: So many options. This kind of brings us into your book, because part of the personal brand thing is being real and having different facets. Your book is Write Iconic Characters, and presumably these are characters that people want to read more about. It uses the Enneagram to construct these better characters. So first up— What's your definition of an iconic character, as opposed to any old character? And how can we use the Enneagram to construct one? Claire: An iconic character, in my imagination, is one that really sticks with us after we've finished the story. They become a reference point. We'll say, “This person is kind of like that character,” or “This situation feels like that character would handle it this way.” It could be our friends, our enemies, someone we meet on the bus—whoever it is might remind us of this character. So they really get lodged in our psyche. An iconic character feels true to some fundamental part of the human condition, even if they're not strictly human. So, all the alien romance people listening, don't worry—you're still in! These characters take on a life of their own. With an iconic character, we may hear them talking to us after the book is done, because we've tapped into that essential part of them. They can become almost archetypal—something we go back to over and over again in our minds, both as writers and as readers. Joanna: How can we use the Enneagram to construct an iconic character? I'm asking this as a discovery writer who struggles to construct anything beforehand. It's more that I write stuff and then something emerges. But I have definitely not had a hit series with an iconic character, so I'm willing to give your approach a try. Claire: It works with whatever your process is. If you're a discovery writer, start with that spark of a character in your head. If there's a character who's just a glimmer—maybe you know a few things about them—just keep writing. At some point you'll probably recognise, “Okay, it's time to go deeper in understanding this character and create a cohesive thread to pull all of this together.” That's where the Enneagram becomes useful. You can put on your armchair psychologist hat and ask: which of the nine core fears seems like it might be driving the parts of their personality that are emerging? Thankfully, we intuitively recognise the nine types. When we start gathering bits for a new character, we tend to pull from essentially the same constellation of personality, even if we don't realise it. For instance, you might say, “This character is bold and adventurous,” and that's all you know. You're probably not going to also add, “and they're incredibly shy,” because “bold and adventurous” plus “incredibly shy” doesn't really fit our intuitive understanding of people. We know that instinctively. So, you've got “bold and adventurous.” You write that to a certain point, and then you get to a place where you think, “I don't really know them deeply.” That's when you can go back to the nine core fears and start ruling some out quite quickly. In the book, I have descriptions for each of them. You can read the character descriptions, read about the motivations, and start to say, “It's definitely not these five types. I can rule those out.” If they're bold and adventurous, maybe the core fear is being trapped in deprivation and pain, or being harmed and controlled. Those correspond to Type Seven (“The Enthusiast”) and Type Eight (“The Challenger”), respectively. So you might say, “Okay, maybe they're a Seven or an Eight.” From there, if you can pin down a type, you can read more about it and get ideas. You can understand the next big decision point. If they're a Type Seven, what's going to motivate them? They'll do whatever keeps them from being trapped in pain and deprivation, and they'll be seeking satisfaction or new experiences in some way, because that's the core desire that goes with that fear. So now, you're asking: “How do I get them to get on the spaceship and leave Earth?” Well, you could offer them some adventure, because they're bold and adventurous. I have a character who's a Seven, and she gets on a spaceship and takes off because her boyfriend just proposed—and the idea of being trapped in marriage feels like: “Nope. Whatever is on this spaceship, I'm out of here.” You can play with that once you identify a type. You can go as deep with that type as you want, or you can just work with the core fear and the basic desire. There's no “better or worse”—it's whatever you feel comfortable with and whatever you need for the story. Joanna: In the book, you go into all the Enneagram types in detail, but you also have a specific example: Wednesday Addams. She's one of my favourites. People listening have either seen the current series or they have something in mind from the old-school Addams Family. Can you talk about [Wednesday Addams] as an example? Claire: Doing those deep dives was some of the most fun research for this book. I told my husband, John, “Don't bother me. I need to sit and binge-watch Wednesday again—with my notebook this time.” Online, people were guessing: “Oh, she's maybe this type, maybe that type.” As soon as I started watching properly with the Enneagram in mind, I thought: “Oh, this is a Type Eight, this is the Challenger.” One of the first things we hear from her is that she considers emotions to be weakness. Immediately, you can cross out a bunch of types from that. When we're looking at weak/strong language—that lens of “strength” versus “weakness”—we tend to look towards Eights, because they often sort the world in those terms. They're concerned about being harmed or controlled, so they feel they need to be strong and powerful. That gave me a strong hint in that direction. If we look at the inciting incident—which is a great place to identify what really triggers a character, because it has to be powerful enough to launch the story—Wednesday finds her little brother Pugsley stuffed in a locker. She says, “Who did this?” because she believes she's the only one who gets to bully him. That's a very stereotypical Type Eight thing. The unhealthy Eight can dip into being a bit of a bully because they're focused on power and power dynamics. But the Eight also says, “These are my people. I protect them. If you're one of my people, you're under my protection.” So there's that protection/control paradox. Then she goes and—spoiler—throws a bag of piranhas into the pool to attack the boys who hurt him. That's like: okay, this is probably an Eight. Then she has control wrested from her when she's sent to the new school. That's a big trigger for an Eight: to not have autonomy, to not have control. She acts out pretty much immediately, tries to push people away, and establishes dominance. One of the first things she does is challenge the popular girl to a fencing match. That's very Eight behaviour: “I'm going to go in, figure out where I sit in this power structure, and try to get into a position of power straight away.” That's how the story starts, and in the book I go into a lot more analysis. At one point she's attacked by this mysterious thing and is narrowly saved from a monster. Her reaction afterwards is: “I would have rather saved myself.” That's another strong Eight moment. The Eight does not like to be saved by anyone else. It's: “No, I wanted to be strong enough to do that.” Her story arc is also very Eight-flavoured: she starts off walled-off, “I can do it myself,” which can sometimes look like the self-sufficiency of the Five, but for her it's about always being in a power position and in control of herself. She has to learn to rely more on other people if she wants to protect the people she cares about. Protecting the innocent and protecting “her people” is a big priority for the Eight. Joanna: Let's say we've identified our main character and protagonist. One of the important things in any book, especially in a series, is conflict—both internal and external. Can we use the Enneagram to work out what would be the best other character, or characters, to give us more conflict? Claire: The character dynamics are complex, and all types are going to have both commonalities and conflict between them. That works really well for fiction. But depending on how much conflict you need, there are certain type pairings that are especially good for it. If you have a protagonist who's an Eight, they're going to generate conflict everywhere because it doesn't really bother them. They're okay wading into conflict. If you ask an Eight, “Do you like conflict?” they'll often say, “Well, sometimes it's not great,” but to everyone else it looks like they come in like a wrecking ball. The Eight tends to go for what they want. They don't see the point in waiting. They think, “I want it, I'm going to go and get it.” That makes them feel strong and powerful. So it's easy to create external and internal conflict with an Eight and other types. But the nature of the conflict is going to be different depending on who you pair them with. Let's say you have this Eight and you pair them with a Type One, “The Reformer,” whose core fear is being bad or corrupt, and who wants to be good and have integrity. The Reformer wants morality. They can get a little preachy; they can become a bit of a zealot when they're more unhealthy. A One and an Eight will have a very particular kind of conflict because the One says, “Let's do what's right,” and the Eight says, “Let's do what gets me what I want and puts me in the power position.” They may absolutely get along if they're taking on injustice. Ones and Eights will team up if they both see the same thing as unjust. They'll both take it on together. But then they may reach a point in the story where the choice is between doing the thing that is “right”—maybe self-sacrificing or moral—versus doing the thing that will exact retribution or secure a power-up. That's where the conflict between a One and an Eight shows up. You can grab any two types and they'll have unique conflict. I'm actually working on a project on Kickstarter that's all about character dynamics and relationships—Write Iconic Relationships is the next project—and I go deeper into this there. Joanna: I was wondering about that, because I did a day-thing recently with colour palettes and interior design—which is not usually my thing—so I was really challenging myself. We did this colour wheel, and they were talking about how the opposite colour on the wheel is the one that goes with it in an interesting way. I thought— Maybe there's something in the Enneagram where it's like a wheel, and the type opposite is the one that clashes or fits in a certain way. Is that a thing? Claire: There is a lot of that kind of contrast. The Enneagram is usually depicted in a circle, one through nine, and there are strong contrasts between types that are right next to each other, as well as interesting lines that connect them. For example, we've been talking about the Eight, and right next to Eight is Nine, “The Peacemaker.” Eights and Nines can look like opposites in certain ways. The Nine is conflict-avoidant, and the Eight tends to think you get what you want by pushing into conflict if necessary. Then you've got Four, “The Individualist,” which is very emotional, artistic, heart-centred, and Five, “The Investigator,” which you're familiar with—very head-centred and analytical, thinking-based. The Four and the Five can clash a bit: the head and the heart. So, yes, there are interesting contrasts right next to each other on the wheel. Each type also has its own conflict style. We're going into the weeds a bit here, but it's fascinating to play with. There's one conflict style—the avoidant conflict style, sometimes called the “positive outlook” group—and it's actually hard to get those types into an enemies-to-lovers romance because they don't really want to be enemies. That's Types Two, Seven, and Nine. So depending on the trope you're writing, some type pairings are more frictional than others. There are all these different dynamics you can explore, and I can't wait to dig into them more for everyone in the relationships book. Joanna: The Enneagram is just one of many tools people can use to figure out themselves as well as their characters. Maybe that's something people want to look at this year. You've got this book, you've got other resources that go into it, and there's also a lot of information out there if people want to explore it more deeply. Let's pull back out to the bigger picture, because as this goes out in January 2026, I think there is a real fear of change in the community right now. Is that something you've seen? What are your thoughts for authors on how they can navigate the year ahead? Claire: Yes, there has been a lot of fear. The rate of change of things online has felt very rapid. The rate of change in the broader world—politically, socially—has also felt scary to a lot of people. It can be really helpful to look at your own personal life and anchor yourself in what hasn't changed and what feels universal. From there you can start to say, “Okay, I can do this. I'm safe enough to be creative. I can find creative ways to work within this new environment.” You can choose to engage with AI. You can choose to opt out. It's totally your choice, and there is no inherent virtue in either one. I think that's important to say. Sometimes people who are anti-AI—not just uninterested but actively antagonistic—go after people who like it. And sometimes people who like AI can be antagonistic towards people who don't want to use it. But actually, you get to choose what you're comfortable with. One of the things I see emerging for authors in 2026, regardless of what tools you're using or how you feel about them, is this question of trustworthiness. I think there's a big need for that. With the increased number of images and videos that are AI-generated—which a lot of people who've been on the internet for a while can still recognise as AI and say, “Yeah, that's AI”—but that may not be obvious for long. Right now some of us can tell, but a lot of people can't, and that's only going to get murkier. There's a rising mistrust of our own senses online lately. We're starting to wonder, “Can I believe what I'm seeing and hearing?” And I think that sense of mistrust will increase. As an author in that environment, it's really worth focusing on: how do I build trust with my readers? That doesn't mean you never use AI. It might simply mean you disclose, to whatever extent feels right for you, how you use it. There are things like authenticity, honesty, vulnerability, humility, integrity, transparency, reliability—all of those are ingredients in this recipe of trustworthiness that we need to look at for ourselves. If there's one piece of hard inner work authors can do for 2026, I think it's asking: “Where have I not been trustworthy to my readers?” Then taking that hard, sometimes painful look at what comes up, and asking how you can adjust. What do you need to change? What new practices do you need to create that will increase trustworthiness? I really think that's the thing that's starting to erode online. If you can work on it now, you can hold onto your readers through whatever comes next. Joanna: What's one concrete thing people could do in that direction [to increase trustworthiness]? Claire: I would say disclosing if you use AI is a really good start—or at least disclosing how you use it specifically. I know that can lead to drama when you do it because people have strong opinions, but trustworthiness comes at the cost of courage and honesty. Transparency is another ingredient we could all use more of. If transparency around AI is a hard “absolutely not” for you—if you're thinking, “Nope, Claire, you can get lost with that”—then authenticity is another route. Let your messy self be visible, because people still want some human in the mix. Being authentically messy and vulnerable with your audience helps. If you can't be reliable and put the book out on time, at least share what's going on in your life. Staying connected in that way builds trust. Readers will think, “Okay, I see why you didn't hit that deadline.” But if you're always promising books—“It's going to be out on this day,” and then, “Oh, I had to push it back,” and that happens again and again—that does erode the trustworthiness of your brand. So, looking at those things and asking, “How am I cultivating trust, and how am I breaking it?” is hard work. There are definitely ways I look at my own business and think, “That's not a very trustworthy thing I'm doing.” Then I need to sit down, get real with myself, and see how I can improve that. Joanna: Always improving is good. Coming back to the personal brand piece, and to being vulnerable and putting ourselves out there: you and I have both got used to that over years of doing it and practising. There are people listening who have never put their photo online, or their voice online, or done a video. They might not use their photo on the back of their book or on their website. They might use an avatar. They might use a pen name. They might be afraid of having anything about themselves online. That's where I think there is a concern, because as much as I love a lot of the AI stuff, I don't love the idea of everything being hidden behind anonymous pen names and faceless brands. As you said, being vulnerable in some way and being recognisably human really matters. I'd say: double down on being human. I think that's really important. Do you have any words of courage for people who feel, “I just can't. I don't want to put myself out there”? Claire: There are definitely legitimate reasons some people wouldn't want to be visible. There are safety reasons, cultural reasons, family reasons—all sorts of factors. There are also a lot of authors who simply haven't practised the muscle of vulnerability. You build that muscle a little bit at a time. It does open you up to criticism, and some people are just not at a phase of life where they can cope with that. That's okay. If fear is the main reason—if you're hiding because you're scared of being judged—I do encourage you to step out, gently. This may be my personal soapbox, but I don't think life is meant to be spent hiding. Things may happen. Not everyone will like you. That's part of being alive. When you invite in hiding, it doesn't just stay in one corner. That constricted feeling tends to spread into other areas of your life. A lot of the time, people I work with don't want to disclose their pen names because they're worried their parents won't approve, and then we have to unpack that. You don't have to do what your parents want you to do. You're an adult now, right? If the issue is, “They'll cut me out of the will,” we can talk about that too. That's a deeper, more practical conversation. But if it's just that they won't approve, you have more freedom than you think. You also don't have to plaster your picture everywhere. Even if you're not comfortable showing your face, you can still communicate who you are and what matters to you in other ways—through your stories, through your email list, through how you talk to readers. Let your authentic self be expressed in some way. It's scary, but the reward is freedom. Joanna: Absolutely. Lots to explore in 2026. Tell people where they can find you and your books and everything you do online. Claire: LiberatedWriter.com is where all of my stuff lives, except my fiction, which I don't think people here are necessarily as interested in. If you do want to find my fiction, FFS Media is where that lives. Then I'm on Substack as well. I write long pieces there. If you want to subscribe, it's The Liberated Writer on Substack. Joanna: Brilliant. Well, thanks so much for your time, Claire. That was great. Claire: Thanks so much for having me.The post Leaving Social Media, Writing Iconic Characters, and Building Trust With Claire Taylor first appeared on The Creative Penn.

We discuss Gold and Silver - particularly Silver, as a long-term investment to complement your portfolio. He explains the reason for the dramatic increase in value over the last year and gives a detailed explanation of the future of Silver investments.

Pat and Mags get a Clue this week and our chat includes upside down pineapples, Dwarf on Golf, Timmy and Tony, Frank's beans, is it $5,000?, Pugsley, Readit, Martin Mold and one HR report after anotherAunt Pat - Colleen DoyleAuntie Mags - Dana QuercioliArtwork - Jordan StaffordMauntras - Carol DoyleEditor - Colleen Doyle

In this episode, we cross examine Carolyn Pugsley, Christine Wong, and Peter Jones, Partners at Herbert Smith Freehills Kramer, and key members of our incident response team. We have all worked closely on some of the region's most significant cyber attacks. In this podcast we talk about the most critical legal issues confronting corporates in Australia, in light of the current cyber threat landscape. We discuss director duties, disclosure, the use of privilege, the rise of the cyber injunction and third party / supply chain management. It was a privilege to curate this discussion. Every time I speak with Carolyn, Christine and Peter…I learn more. I'm sure you'll get a lot out of this discussion. This is cross-examining Cazz, Christine and PJ. Here we go…

The popular TV show has a touring Broadway stage show and Logan Clinger, who plays Pugsley in the production, joined Tom Hauser for a preview of the fun stage show that runs through Sunday at The Ordway in St. Paul

The popular TV show has a touring Broadway stage show and Logan Clinger, who plays Pugsley in the production, joined Tom Hauser for a preview of the fun stage show that runs through Sunday at The Ordway in St. Paul

Watching Now: Wednesday is a Watching Now podcast from Couch Soup. Join us for reactions, reviews, and excitement about all things nerd. Join us for some laughs and ultra-nerdy discussion!

With Tyler on the loose, Wednesday readies for a risky Día de los Muertos showdown. Slurps growing hunger posing problems for Pugsley.

In this episode of the Profitable Christian Business Podcast, host Doug Greathouse is joined by Valerie Pugsley, a Success Mindset & Abundance Coach who equips growth-minded entrepreneurs to break through procrastination, perfectionism, and overwhelm. Valerie shares the power of intentional language, how our internal dialogue shapes our business success, and how faith intersects with self-talk, money beliefs, and purpose. From navigating pressure with grace to unlocking momentum through her RISE Framework, Valerie reveals how to shift your thoughts so you can operate from peace—not pressure. You'll hear: How perfectionism is a sneaky form of self-sabotage The neuroscience behind negative self-talk and how to rewire it Why stillness and listening for God's voice can change everything How to build relationships that actually drive business growth What it means to live into your future self starting today This episode is a heart-centered and mind-renewing conversation packed with practical and spiritual tools for entrepreneurs.

In this third chapter of Nerd Cave RetroQuest, our heroes battle gremlins in the basement of Uncle Fester's Castle. Will they succeed in freeing Wednesday & Pugsley? Will KayFabe turn heel twice? Will Friggin and Lucius make Gremlin Omelettes? Find out on this thrilling conclusion!--To get your very own ad free RSS feed to use in the podcatcher of your choice and early access to all extra monthly content: www.patreon.com/nerdcaveretro –Leave us a voice message at voicecast.app/ncr–Email us at nerdcaveretro@gmail.com--www.nerdcaveretro.com --Check out our merch: www.ncrmerch.com –Follow us on all social media platforms: @nerdcaveretro, @Derek_Diamond @JayFunktastic--Use our code "NCR" at checkout at www.brezcoffeeco.com for 10% off your order! -- To watch the archived videos or join in Live every Monday at 6 pm central: www.youtube.com/@jayfunktastic. Hosted on Acast. See acast.com/privacy for more information.

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next of his regular audio described theatre reviews. This time we have the musical comedy that is ‘The Addams Family' as the current tour visited the Birmingham Hippodrome with description by Professional Audio Describer Jonathan Nash. About ‘The Addams Family' Following two hugely successful UK tours, and sold-out concerts at The London Palladium last year, everyone's favourite kooky family are back on stage this summer in The Addams Family, starring Alexandra Burke (The X Factor, Sister Act, The Bodyguard) as Morticia, Lesley Joseph (Birds of a Feather, Young Frankenstein, Sister Act) as Grandma, Clive Rowe (The Prince of Egypt, Sister Act, A Christmas Carol) as Uncle Fester and Ricardo Afonso (Jesus Christ Superstar, Thriller Live, We Will Rock You) as Gomez. The Addams Family is the spectacular musical comedy from Marshall Brickman and Rick Elice (writers of the multi award-winning hit musical Jersey Boys), with music and lyrics by Tony Award-nominated Andrew Lippa, based on the characters created by Charles Addams. Wednesday Addams, the ultimate princess of darkness, is all grown up and has a shocking secret that only Gomez knows. She's fallen in love with a sweet, young man from a respectable family. With his cherished Morticia in the dark will Gomez manage to keep his daughter's secret until the two families meet for a fateful dinner with hilarious consequences Join them, plus Uncle Fester, Lurch, Pugsley, Grandma and more for a heart-warming story of love, family and friendship… with a twist! Featuring a live orchestra and extraordinary original score The Addams Family is sure to entertain whether you are 7 or 307! For more about the current tour of this vibrant gothic comedy musical that is The Adams Family along with details of performances near you do visit - https://theaddamsfamily.co.uk/uk-tour (Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font)

This week on the TV Gold podcast Andrew Mercado and James Manning review:The Family Next Door (ABC/iview, 6 episodes)The Hunting Wives (Stan, 8 episodes)Wednesday (Netflix, Season 2, 8 episodes) The Family Next Door (ABC/iview, 6 episodes)The mysterious Isabelle moves into a small seaside cul-de-sac where her obsessive drive to solve a mystery casts suspicion on four neighbouring families. Based on bestselling Australian author Sally Hepworth's novel.Features great performances from a stunning cast woking with a wonderful script. That cast includes Teresa Palmer, Bella Heathcote, Bob Morley, Catherine McClements, Jane Harber, Daniel Henshall, Ming-Zhu Hii and Philippa Northeast. The Hunting Wives (Stan, 8 episodes)Having recently moved from Boston to East Texas, Sophie and Graham O’Neil attend a party at the home of Graham’s boss, Jed Banks. Sophie has an unexpected bonding encounter with Jed’s wife, Margo, and is introduced to the hunting wives, Margo’s inner circle of affluent friends. A wild and saucy drama about what real housewives of Texas might get up to. Wednesday (Netflix, Season 2, 8 episodes)Season 2 of the Netflix hit series from director Tim Burton. This series sees Wednesday’s parents Morticia and Gomez spend more time at the Nevermore Academy, as does her brother Pugsley. Joining the cast this season in guest roles are Joanna Lumley and Lady Gaga.See omnystudio.com/listener for privacy information.

WEDNESDAY ADDAMS BECOMES AN ICON!! Addams Family Values Full Reaction Watch Along:   / thereelrejects   Become A Righteous Reject By Grabbing Our RR Apparel: https://www.rejectnationshop.com/ With Wednesday Season 2 releasing, it's time for The Addams Family 2 as Greg Alba & Aaron Alexander return with their full‑reaction review of Addams Family Values (1993), exploring standout scenes like the Thanksgiving camp chaos at Camp Chippewa, the iconic Debbie Jellinsky electric‑chair finale, the “A Turkey Named Brotherhood” play, and memorable quotes like Wednesday's “We will sell our bracelets…” Pilgrim monologue and Gomez's “To mirth, to merriment… to manslaughter” lines. Featuring the unforgettable performances of Anjelica Huston as Morticia Addams, Raúl Julia as Gomez Addams, Christopher Lloyd as Uncle Fester, Christina Ricci as Wednesday Addams, Jimmy Workman as Pugsley, Joan Cusack as Debbie Jellinsky, Carol Kane as Grandmama, Carel Struycken as Lurch, Kaitlyn & Kristen Hooper as Pubert, David Krumholtz as Joel Glicker and guest cameos by David Hyde Pierce, Nathan Lane, Tony Shalhoub & Cynthia Nixon. We break down how camp horror comedy, villainy, and darkness blend in this sequel and analyze why Addams Family Values ranks alongside The Addams Family as one of the most beloved 90s family films. If you love freaky families, dark camp humor, spooky quotes, and Rey‑overspoiled scenes, this reaction covers it all. Cast, iconic quotes, knockout scenes, spooky summer camp rebellion, Fester's drama and Debbie's poison plot—all discussed. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Before Wednesday Season 2 drops on Netflix, we're diving into everything you need to know about the hit series, from its Tim Burton-led TV debut to its deep roots in 'The Addams Family' legacy. We recap Season 1's plot, highlight standout moments, and break down why Nevermore Academy had us hooked from the jump. Plus, we share our first reactions to the newly released opening scene of Season 2 and discuss what we're most excited to see next, like the return of Pugsley, the arrival of Grandmama, and cameos from Christopher Lloyd and Lady Gaga. Whether you're a longtime Addams Family fan or new to the spooky world of Wednesday Addams, this episode has all the gothic goodness to get you ready for season 2! Season 2 of 'Wednesday' is dropping its first batch of episodes on Netflix August 6th, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 50th subject covered on Shelf Life, Kevin and Rachel go extra long to try and stop AI from destroying humanity by watching the probable future with James Cameron's 1984 film The Terminator. A documentary about the future of humanity.During the episode, they discuss future diets, the council or robots, our AI overlords, and what happened to Pugsley? Listen and enjoy to find out if The Terminator has shelf life.0:00:00 - Intro0:11:02 - Terminator backstory0:27:08 - Terminator Walkthrough1:14:06 - Terminator takes out a Sarah1:48:38 - Club Tech Noir2:24:47 - He'll be back3:04:05 - The conception of John Connor3:38:05 - Shelf Life VerdictBe sure to subscribe to the show, check out the website, and spread the word of the podcast. And if this is your first episode, check out the rest of the catalog, there may be something in it you'll like. And follow us on our social media pages, we'll announce volume and episode drops and maybe other stuff:@shelflifepod.bsky.social — Bluesky Shelf Life (@shelf_life_pod) on ThreadsShelf Life (@shelf_life_pod) • Instagram photos and videoshttps://shelflifepodcast.wixsite.com/shelflifeYou can stream or purchase today's episode subject by looking here for availability: The Terminator streaming: where to watch online?Have a story about the episodes or something to say, contact the podcast at shelflifethepodcast@gmail.comThe opinion, beliefs, and viewpoints expressed by the characters portrayed by those on the podcast are tongue and cheek meant for entertainment purposes only and very sarcastic. The impressions done on the show are out of love and done poorly. Any clips or music used within the show is used for review effect and is property of the owners. The viewpoints do not represent those of the hosts, people, institutions, and organizations who the creators may or may not be associated with in professional or personal capacity.

This week Tom and Julie let their intrusive thoughts take over as they rank the top 5 best crackers of all time, pitch a new hit TV show, and watch clips submitted by you, such as an unearthed 90s grunge radio station commercial, and the most Chicago individual that has ever lived. CLIPS FROM THIS WEEK'S EPISODE: -93.7 KEGE-FM “The Edge” in Minnesota Commercial https://www.instagram.com/grunge_bible/reel/DG6Ezr0RZJe/ -The most Chicago individual that has ever lived https://www.instagram.com/p/DIKqlCAuWJI/ -Lorena Parkour Wednesday https://www.instagram.com/p/DIUCTBixHmU/ -Fred Gwynne on lunch break https://www.instagram.com/p/DGimZUbxPLL/ WATCH VIDEO CLIPS OF DOUBLE THREAT ⁠⁠⁠https://www.youtube.com/@doublethreatpod⁠⁠⁠ JOIN THE DOUBLE THREAT FAN GROUPS *Discord⁠⁠⁠ https://discord.com/invite/PrcwsbuaJx⁠⁠⁠ *Reddit⁠⁠⁠ ⁠⁠⁠⁠⁠⁠https://www.reddit.com/r/doublethreatfriends/⁠⁠⁠ *Facebook⁠⁠⁠ https://www.facebook.com/groups/doublethreatfriends⁠⁠⁠ SEND SUBMISSIONS TO ⁠⁠⁠DoubleThreatPod@gmail.com⁠⁠⁠ FOLLOW DOUBLE THREAT ⁠⁠⁠https://twitter.com/doublethreatpod⁠⁠⁠ ⁠⁠⁠https://www.instagram.com/doublethreatpod⁠⁠⁠ DOUBLE THREAT IS A FOREVER DOG PODCAST ⁠⁠⁠https://foreverdogpodcasts.com/podcasts/double-threat⁠⁠⁠ Theme song by Mike Krol Artwork by Michael Kupperman 00:00 Intro 3:48 Top 5 crackers of all time 22:18 93.7 KEGE-FM “The Edge” in Minnesota Commercial 36:39 The Musters x Addams Family crossover show 48:43 The most Chicago individual that has ever lived 56:04 The Pugsley show pitch 1:15:18 Outro Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week Tom and Julie let their intrusive thoughts take over as they rank the top 5 best crackers of all time, pitch a new hit TV show, and watch clips submitted by you, such as an unearthed 90s grunge radio station commercial, and the most Chicago individual that has ever lived. CLIPS FROM THIS WEEK'S EPISODE: -93.7 KEGE-FM “The Edge” in Minnesota Commercial https://www.instagram.com/grunge_bible/reel/DG6Ezr0RZJe/ -The most Chicago individual that has ever lived https://www.instagram.com/p/DIKqlCAuWJI/ -Lorena Parkour Wednesday https://www.instagram.com/p/DIUCTBixHmU/ -Fred Gwynne on lunch break https://www.instagram.com/p/DGimZUbxPLL/ WATCH VIDEO CLIPS OF DOUBLE THREAT ⁠⁠⁠https://www.youtube.com/@doublethreatpod⁠⁠⁠ JOIN THE DOUBLE THREAT FAN GROUPS *Discord⁠⁠⁠ https://discord.com/invite/PrcwsbuaJx⁠⁠⁠ *Reddit⁠⁠⁠ ⁠⁠⁠⁠⁠⁠https://www.reddit.com/r/doublethreatfriends/⁠⁠⁠ *Facebook⁠⁠⁠ https://www.facebook.com/groups/doublethreatfriends⁠⁠⁠ SEND SUBMISSIONS TO ⁠⁠⁠DoubleThreatPod@gmail.com⁠⁠⁠ FOLLOW DOUBLE THREAT ⁠⁠⁠https://twitter.com/doublethreatpod⁠⁠⁠ ⁠⁠⁠https://www.instagram.com/doublethreatpod⁠⁠⁠ DOUBLE THREAT IS A FOREVER DOG PODCAST ⁠⁠⁠https://foreverdogpodcasts.com/podcasts/double-threat⁠⁠⁠ Theme song by Mike Krol Artwork by Michael Kupperman 00:00 Intro 3:48 Top 5 crackers of all time 22:18 93.7 KEGE-FM “The Edge” in Minnesota Commercial 36:39 The Musters x Addams Family crossover show 48:43 The most Chicago individual that has ever lived 56:04 The Pugsley show pitch 1:15:18 Outro Learn more about your ad choices. Visit megaphone.fm/adchoices

Steve Pugsley of Pugsley and Sons discusses holding Physical Gold or Silver in a Checkbook IRA LLC or Trust. He discusses holding the physical asset vs a certificate that is a promise to deliver. We also discuss the need for metals in your overall investment portfolio

CapeTalk's Clarence Ford speaks to Barbara Friedman, Digital Content Editor of Primedia Plus, about trending online stories. See omnystudio.com/listener for privacy information.

In this episode of Experts Unleashed, I sit down with Brandon Pugsley from BrandonPugsley.com to dive into advanced ad management and scaling strategies. We talk about how to turn data-driven decisions into successful ad campaigns, the nuances of scaling ad spend beyond $5,000 per month, and why using market language and native images is crucial for high engagement and ROI. I also share insights on maintaining campaign longevity and how top-of-funnel, low-budget content can help attract new audiences. Plus, we discuss the balance between creative and copy changes to keep campaigns profitable.  

Carson, Ivy, and Emma join the podcast to talk about the Bring Change to Mind group at MC! It is a group striving to help with the mental health of students at MC. Big things are happening with this group!

THE ULTIMATE GUEST FOLLOW UP BOX https://www.patreon.com/hybridministry/shop/ultimate-first-time-guest-box-579557?source=storefront DESCRIPTION New Visitor to your Youth Group? Yay! Now what? How do you follow-up in a way that doesn't feel weird or creepy? Good question! Let's explore it together! SHOWNOTES http://www.hybridministry.xyz/122 //THE ULTIMATE GUEST FOLLOW UP BOX https://www.patreon.com/hybridministry/shop/ultimate-first-time-guest-box-579557?source=storefront //OUR WELCOME VIDEO https://www.youtube.com/watch?v=neb34eYasCY //EPISODE 100 https://www.youtube.com/watch?v=q0L-Dxhs7cI

Send us a textFIN! Finally, your hosts Bre and Malachite are done reviewing the second and last season of Dead End. Justice for Pugsley! You can contact us at tmttspodcast@gmail.com Website: https://tmttspodcast.wixsite.com/home Follow us on social media: @tmttspodcast on Instagram and TikTok. Also on YOUTUBE! THERE'S MORE TO THE STORY IS A SPOILER-FILLED SHOW PLEASE LISTEN WITH CAUTION.

Today, we're flipping the usual zoo experience on its head, joining monkeys Pugsley & Trunks as they escape from their enclosure in Sydney's Taronga Zoo, and spend an evening gawking at the humans for a change. They think our way of living is pretty weird- and their time visiting the 'human zoo', or as we know it, Sydney, is a wild ride. Are you ready for it? Let's go!  Upgrade to Koala Shine Plus for full ad-free access to our collection of kids' shows, with bonus adventures and 8-hour episodes ⭐️ Subscribe via Apple Podcasts or visit https://koalashine.supercast.com/ Want to send in a note, joke, memo or monologue? Click here.

In this 75 minute commercial video digital exclusive, Sean "Pugsley" Martin and Goz talk college football, the Olympics, MLB and much more!

Sean "Pugsley" Martin fills in for Levack. Topics includes CDTA KickStarter Recapping Jets, Bills preseason game one Can the Chiefs repeat Top 4 at 4 includes Yankees and more

Join me for an enlightening conversation with Steve Pugsley of Pugsley and Sons, a trusted name in gold and silver investing. In this episode, Steve shares his expert insights on the current state of the precious metals market, strategies for investing in gold and silver, and how these timeless assets can be a cornerstone of financial stability. Whether you're a seasoned investor or just starting to explore the world of precious metals, Steve's knowledge and experience provide valuable guidance to help you make informed decisions. Don't miss this opportunity to learn from one of the industry's leading experts in gold and silver.  Plus, you can put your gold and silver in highly protected vaults that exist all over the planet! 

Join us for a chat with Lee Pugsley, actor in the award-winning film "Audio Description," director Luke Salewski, and documentary filmmaker Virtic Brown as they discuss the art of audio description in filmmaking.Discover how audio descriptions enhance viewing experiences, even in comedic scenes like the plastic sand in "Barbie." We explore the nuances and timing needed for effective audio descriptions and recognize audio describers like Liz Gutman and Tristan Snyder.Virtic shares her experiences working within the disabled community, while Lee and Luke discuss the unique storytelling and impactful use of audio description in their film. Tune in for personal stories and the impact of community efforts in inclusive filmmaking.Send us a Text Message.For our listeners, CFA's teamed up with We Make Movies to get you a discount on production management services, including access to comprehensive production insurance and workers' comp for your next shoot. Visit wemakemovies.org/insurance and use code CFA23 on your intake form for 10% off your quote.Calling all actors! Take 25% off your membership at WeAudition with code: CFA25 Website: www.cinematographyforactors.com Instagram: https://www.instagram.com/cinematographyforactors TikTok: https://www.tiktok.com/@cinematographyforactors Cinematography for Actors is a community aimed at bridging the gap between talent & crew through our weekly podcast & community events. Our weekly show supports the filmmaking community through transparent, honest & technically focused interviews with the goal of elevating the art of effective storytelling.

Previous guests win big awards; the high production costs for small presses; and we talk to writer and filmmaker Alex Pugsley about his new novel, The Education of Aubrey McKee.Galley Beggar Press- What does a book cost? Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksTheme music by Carlos Guajardo-Molina

Halifax's Alex Pugsley is a filmmaker, screenwriter and author. His latest book, The Education of Aubrey McKee, was released earlier this month. It follows his solo debut novel, Aubrey McKee. He joins host Jeff Douglas to talk about how the novel blends poetry and chemistry with romance.

This week, host Jason Jefferies welcomes award-winning author Alex Pugsley back to the program!  Alex discusses his new novel The Education of Aubrey McKee, which is published by our friends at Biblioasis.  Topics of conversation include novels about art and artists, worshipful beginners, people who are not active participants in their own lives, heartbreaking naïveté, comedy vs. horror, pirates, interesting problems, young adult love, loving someone as they become famous, and much more.  Copies of The Education of Aubrey McKee can be ordered here from Page 158 Books in Wake Forest, NC.  

For any seasoned marketing and BD professional, it can be tempting to make the move into the world of consulting and set up as a sole trader. While there are rewards to be reaped, there are also many factors to consider before you take the plunge. Today, Will Eke has the pleasure of sitting down with someone who has successfully made the leap.  Susanne Pugsley, Founder, Managing Director and Consultant at Pugsley Sidwell Business Development, joins the CMO Series Podcast to share the highs and the lows and what it really takes to become a successful Marketing & BD Consultant in the professional services industry. Susanne and Will discuss:  Susanne's career journey and how she came to be a Marketing and BD Consultant The main challenges faced when first set up as a sole trader The most interesting or enlightening aspects of being a consultant compared to being in-house in law firms How to go about setting a price structure and justifying your value The appetite for business development support The dos and don'ts when working with law firms  Advice for others looking to set up as a Marketing & BD Consultant

Tony chats with Jen Pugsley, VP of Customer Success at Goose Digital. Goose is Canada's leading marketing performance agency with a specialty in insurance serving both Canada and US insurance organizations.Jen Pugsley: https://www.linkedin.com/in/jennifer-pugsley-turcsanyi-4ba73234/Goose Digital: https://goosedigital.com/Practice Partnership: Monetizing Your Dental PracticeDoctors – are you interested in building long-term wealth and continuing on as an...Listen on: Apple Podcasts Spotify

ACOFAE Podcast Presents: Addams Family Values: "Don't I YEARN and ACHE and SHOP?" If you live in the USA and are wondering why ACOFAE is covering Addams Family Values in November then you are in for a treat. If you live outside the USA and are wondering why ACOFAE is covering AFV in November then you are in for an experience. Welcome to Camp Chippewa, the best camp for privileged young adults and Pugsley and Wednesday are just that, albeit a bit different. Fester is lonely and looking for love all while Morticia and Gomez have just brought home a new baby. Cue the search for a nanny and shenanigans begin! Celebrity cameos and a baby David Krumholz round out an amazing cast that deliver the funniest lines in a children's movie where someone is electrocuted in front of an infant for laughs. Amazing stuff. "But Debbie..Pastels?" TW / CW: domestic abuse, bullying For additional TW/CW information for your future reads, head to this site for more: https://triggerwarningdatabase.com/ Spoilers: The Addams Family and The Addams Family Values Mentions: Twilight, The Hunger Games, Buffy *Thank you for listening to us! Please subscribe and leave a 5 star review and follow us on Instagram (https://www.instagram.com/acofaepodcast/) at @ACOFAEpodcast and on our TikToks! TikTok: ACOFAELaura : Laura Marie (https://www.tiktok.com/@acofaelaura?) ( https://www.tiktok.com/@acofaelaura) ACOFAEJessica : Jessica Marie (https://www.tiktok.com/@acofaejessica?) (https://www.tiktok.com/@acofaejessica) Instagram: @ACOFAEpodcast (https://www.instagram.com/acofaepodcast/) https://www.instagram.com/acofaepodcast/ @ACOFAELaura (https://www.instagram.com/acofaelaura/) https://www.instagram.com/acofaelaura/

Listen to us as we discuss the 1993 Addams Family Values. If you would like to give us feedback on how were doing follow us at:⁠ https://beacons.ai/senornerdpodcast⁠⁠ https://www.instagram.com/senornerdpodcast/ ⁠@senornerdpod on Twitter Addams Family Values is a 1993 American supernatural black comedy film directed by Barry Sonnenfeld and written by Paul Rudnick, based on the characters created by Charles Addams. It is the sequel to The Addams Family (1991). The film features almost all the main cast members from the original film, including Anjelica Huston, Raul Julia, Christopher Lloyd, Christina Ricci, Carel Struycken, Jimmy Workman, and Christopher Hart. Joan Cusack plays Debbie Jellinsky, a serial killer who marries Fester Addams (Lloyd) intending to murder him for his inheritance, while teenagers Wednesday (Ricci) and Pugsley (Workman) are sent to summer camp. Compared to its predecessor, which retained something of the madcap approach of the 1960s sitcom, Addams Family Values is played more for very dark and macabre laughs.[3] The film was well received by critics, in contrast to its predecessor's mixed critical reception. It did not perform as well as the first film in its theatrical run with a box office gross of $111 million against a budget of $47 million. This would be Julia's final film released during his lifetime; he would appear posthumously in one more film, Street Fighter (1994). Gomez and Morticia Addams hire a nanny named Debbie Jellinsky to take care of their newborn son Pubert after a number of failed attempts by his siblings Wednesday and Pugsley to kill him, for which Gomez and Morticia gently rebuke them. Unbeknownst to them, Debbie is a serial killer who marries rich bachelors and murders them to collect their inheritances. After Debbie seduces Uncle Fester, Wednesday becomes suspicious of her intentions. To maintain her cover, Debbie tricks Gomez and Morticia into believing Wednesday and Pugsley want to go to summer camp. Wednesday and Pugsley are sent to Camp Chippewa, managed by the always cheerful and lively Gary and Becky Granger, where they are singled out by the counselors and popular and snobbish girl Amanda Buckman for their macabre appearance and behavior. Joel Glicker, a nerdy bookworm and fellow outcast, becomes attracted to Wednesday. Debbie and Fester become engaged. Plot[edit]

Diane and Sean discuss the modern day revival of our favorite ooky, spooky family with Barry Sonnenfeld's The Addams Family. Episode music is, "Addams Groove" by MC Hammer from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplantsSupport the show

Throughout the late 80s and 90s, Beginning with "Fester's Quest" in 1989, players guided Uncle Fester through a top-down action-adventure on the NES to thwart an alien invasion. This was followed by "The Addams Family" in 1992, a side-scrolling platformer across multiple systems where Gomez searches for his missing family inside their mansion, after an unfortunate bout with their lawyer. Its sequel, "The Addams Family: Pugsley's Scavenger Hunt" in 1993, pivots to Pugsley's perspective in another platformer, as he searches for presents for a scavenger hunt. That same year, "Addams Family Values" offered a top-down adventure, focusing on Uncle Fester saving baby Pubert. By 1994, and the arcade game "The New Addams Family Electric Shock Machine" offered a different kind of fun, where players literally got a mild electric shock. The video game adaptations served as quirky digital tributes to the beloved spooky family. Hosted on Acast. See acast.com/privacy for more information.

Diane and Sean discuss the delightfully kooky Addams Family Values. Episode music is, "Eat Us" by Marc Shaiman and Paul Rudnick, from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplantsSupport the show

The Addams are back, and the family is growing. With the introduction of their new sibling, Pubert, Wednesday and Pugsley both have a common enemy. But will they all recognize the real enemy in time to save Uncle Fester from a suspiciously short marriage? Watch the trailer: https://www.youtube.com/watch?v=Bb2FTulPpOA 

Hang out with Shawn (The Butcher) and Vertebrae33 as they discuss The Terminator. Join us as we dive deep into one of the most iconic science fiction films of all time. Who could have been The Terminator?? How cool is Pugsley? Sarah Connor? Yes. How much do you like headphones?Hear our love for this movie burst through your speakers and fill your brain with gnarly bits.Check out our Spotify playlist: https://open.spotify.com/playlist/71IoaCGS364P7ecmfnmcys?si=85fd524664784e3dFollow us on Instagram & Twitter at @inmadnesspod. Email us at: inmadnesspod@gmail.com - On YouTube: https://www.youtube.com/@inmadnesspodFollow Shawn on Twitter: https://twitter.com/shawnthebutcher - Instagram: https://www.instagram.com/shawnthebutcher/?hl=en -Follow Vertebrae33 on Twitter: https://twitter.com/vertebrae33 - Instagram: https://www.instagram.com/vertebrae33 - Grab some V33 merch at: https://store.vertebrae33.net/ Hosted on Acast. See acast.com/privacy for more information.

Are they really creepy and cooky? Where does Morticia's eye-light come from? Do Wednesday and Pugsley get along? All these questions, and more, are answered when we talk about The Addams Family! Follow the boys on social media: Facebook: ⁠https://www.facebook.com/letstalkaboutflix⁠ Twitter: ⁠https://twitter.com/talkaboutflix⁠ Instagram: ⁠https://www.instagram.com/letstalkaboutflix/⁠ YouTube: ⁠https://www.youtube.com/@letstalkaboutflix⁠ Website: ⁠https://podcasters.spotify.com/pod/show/letstalkaboutflix⁠ Support the show: ⁠https://www.patreon.com/talkaboutflix⁠

This Episode of the Fire Sprinkler Podcast is my conversation with Scott Pugsley from the Sprinkler Lab at Seneca College. I travelled to Seneca College in March 2023 for the Career fair and industry dinner, and spoke with Scott about the Fire Sprinkler Industry, what Seneca College offers its graduates, and the different courses available. Enjoy!

Uncle Fester, Morticia, Gomez and Pugsley Addams take the mics in this episode of Petey Podcast, coming to listeners today remotely from Elyria High School. When not in character, this accomplished group of student leaders can be found everywhere on the campus of Elyria High, and participating in any number of clubs and activities. In Drama Club, they are members of Elyria High's historic Thespian Troupe 946. Drama Teacher and Director Bobby Graves also took a seat at the Petey Podcast interview table. The troupe's production of "The Addams Family School Edition" takes place April 28-30 in the Elyria Performing Arts Center of Elyria High School. Show times are 7 p.m. on Friday and Saturday, April 28 and 29, and 2 p.m. on Sunday, April 30. Tickets can be purchased online at https://www.elyriaschools.org/performing_arts_center/purchase_event_tickets or at the door on the evening of each performance. Take a listen to our Addams Family guests today on Petey Podcast, and reserve your seats for the show. It's sure to be a scream!It's a great day to be a Pioneer! Thanks for listening. Find Elyria Schools on Facebook, Twitter, Instagram and YouTube!

on August 6, 1938 Charles Addams published the first cartoon featuring an unusual, macabre family that would become colloquially known by his name. Though they only represent a small part of his prolific career as cartoonist, they have become an enduring part of American culture to this day. The origins of the Addams family lies in the small colonial town of Westfield, NJ, where Addams spent his youth... wandering where else, but a cemetery.FacebookInstagram

They're creepy and they're kooky, mysterious and spooky, they're all together ooky, they're Toby, Goobz, and Jenny Bean! The gang wraps up RAGE-O-WEEN: TOON-TOBER by playing some Addams Family.. but will the squeaky shoes of doom drive them nuts before they finish it?They discuss the history, story, game play, fun facts and rate this game on a 1-10 scale at the end then let you know if the game is still worth playing!Join our Discord group!https://discord.gg/84T8khT Support the show and order a t-shirt! https://www.teepublic.com/user/secretlevels Join our Patreon!https://www.patreon.com/badsecretmediaFollow Secret Levels on all social media! Twitter: https://twitter.com/secretlevelspod Instagram: https://instagram.com/secretlevelspod Facebook Group Page: https://www.facebook.com/groups/285925218891464/Toby's Live Streams on Twitch:https://www.twitch.tv/tobyvondoomMORE INFO:https://www.badsecretmedia.comGoobz's other podcast! The DeRailers Podcast Twitter: https://twitter.com/TheDeRailers Toby's other podcast! Secret Transmission Podcast Twitter: https://twitter.com/secrettranspod ----------------------------------------------------------- Intro and segment music: https://gregoriofranco.bandcamp.com/musicRage Meter Song: https://www.youtube.com/watch?v=kuBO6aDLM_4 Super Mario Brothers - Bluegrass Style: https://www.youtube.com/watch?v=bsrVEbpvU2U Support the show (https://www.patreon.com/badsecretmedia)Support the show

On this special edition of Getting There With Goz, we feature Sean "Pugsley" Martin's interview with New York Times best selling author Jeff Pearlman. Pearlman discusses his career along with his recently released book "The Last Folk Hero: The Life and Myth of Bo Jackson"m and much more

There's something inherently queer about theme parks, especially haunted ones. This week, Leigh (@lshfoster) and Ellie (@elliebrigida) hang out with actor, comedian and public speaker Zach Barack (@zachbarack), who you might recognize from his featured role in Spiderman: Far from Home or Amazon's series Transparent. Zach is currently voicing Barney, a lead character in the Netflix animated series Dead End: Paranormal Park and we are so proud that we get to see a trans lead in children's animation. We can't think of another time when we have seen such an authentic representation of a trans character in an animated series or children's show. Zach discusses his experience with playing Barney in Dead End, and the responsibility of portraying a trans character on TV, especially in a kid's show. We love the show not only because it is a perfect example of how you can make horror and queer representation age appropriate but also because you know we're suckers for a musical episode! We discuss our opinions on Norma, Courtney and Pugsley, and the different types of representation each of them brings. And we learn how, much like Barney, Zach is not the right person to ask when it comes to approaching your crush. Listen in to hear which horror movie characters we were scared of as kids and which are our favorite theme park rides. Follow along on Twitter: Lez Hang Out (@lezhangoutpod) and answer our Q & Gay at the end of every episode. Leigh Holmes Foster (@lshfoster) and Ellie Brigida (@elliebrigida). You can also join us on Facebook.com/lezhangoutpod and follow along on Instagram (@lezhangoutpod).Support this show http://supporter.acast.com/lezhangoutpod. Hosted on Acast. See acast.com/privacy for more information.

00:00:00 Intro - Mark's movie reviews, TGI's new show, LoL news 00:28:35 David's take: this is the best regular LCS season since franchising 00:52:10 lazerfruit predicts 1 or 2 LCS teams will sell their spots and Misfits will buy 01:01:40 Parnell's take: TL and 100T missing Worlds would be the best thing for NA 01:11:45 Fez's take: TL is peaking at the right moment and won't drop a single game from now to the LCS Championship 01:21:13 KMart's take: C9 has shot themselves in the foot this year 01:33:00 Pugsley's take: EG's biggest weakness was exposed yesterday 01:41:59 Seth's take: IMT is trolling by not rebuilding 01:53:47 Max's take: LCS casters/narratives/viewercam can affect players' careers more than their actual performance 02:05:30 Outro