Podcasts about Jar

Somehow this weeks anime ended up being more obscure than a kids cartoon from the 50s, and that's okay, because now you can bask in the glory of GDLEEN! Also Lindsey learns about the "Jar" so that was interesting.If you like retro anime content, make sure to subscribe and leave a review!anime manga animation japan dragon ball one piece sailor moon chainsaw man jujutsu kaizen podcast comedy funny review television movies yada yada

Max is going back to the grunge era with a review of the 2013 debut from the Doylestown outfit Superheaven. He's torn between his love of Triple M sweepers and his dislike of repetition, but where will he land in the end?Relisten to "Jar" on Spotify and Apple Music.Discover more new music and hear your favourite artists with 78 Amped on Instagram and TikTok. Watch episodes on our YouTube channel and don't forget to like and subscribe.

The Trial of Conjuration, Part IRictus, Helgrammite, and Lorovith each face their biggest foes in a one-on-one battle, each with something unexpected up their sleeve. But the arenas have some unexpected dangers as well.Royale Theme: “Wizard Disco” by Louie Zong: https://louiezong.bandcamp.com/album/wizard-discoOriginal Music by Griffin McElroyAdditional Music in this Episode: "My Starship" and "The Unknown", by Jar of Flies: https://jaroffliesofficial.bandcamp.com/; "Time is Ticking" by Scott Holmes Music: https://scottholmesmusic.com/; "tribute to eddy" by Jean Toba: https://jeantoba.blogspot.com/; "III" and "Pearly Carapace" by ROZKOL: https://rozkol.bandcamp.com/; "Atmosphere for Documentaries" by Universfield: https://unil.ink/universfield; and "Languid Dawn" by Blear Moon: https://blearmoon.bandcamp.com/;Immigrant Law Center of Minnesota: https://www.ilcm.org/donate/

This week our guest is author and JAR contributor Scott Syfert. In May of 1775, frontier Patriots from North Carolina gathered to declare independence from Great Britain. The document was lost to history, and some question whether it occurred at all. For more information visit www.allthingsliberty.com. 

Emmanuel et Guillaume discutent de divers sujets liés à la programmation, notamment les systèmes de fichiers en Java, le Data Oriented Programming, les défis de JPA avec Kotlin, et les nouvelles fonctionnalités de Quarkus. Ils explorent également des sujets un peu fous comme la création de datacenters dans l'espace. Pas mal d'architecture aussi. Enregistré le 13 février 2026 Téléchargement de l'épisode LesCastCodeurs-Episode-337.mp3 ou en vidéo sur YouTube. News Langages Comment implémenter un file system en Java https://foojay.io/today/bootstrapping-a-java-file-system/ Créer un système de fichiers Java personnalisé avec NIO.2 pour des usages variés (VCS, archives, systèmes distants). Évolution Java: java.io.File (1.0) -> NIO (1.4) -> NIO.2 (1.7) pour personnalisation via FileSystem. Recommander conception préalable; API Java est orientée POSIX. Composants clés à considérer: Conception URI (scheme unique, chemin). Gestion de l'arborescence (BD, métadonnées, efficacité). Stockage binaire (emplacement, chiffrement, versions). Minimum pour démarrer (4 composants): Implémenter Path (représente fichier/répertoire). Étendre FileSystem (instance du système). Étendre FileSystemProvider (moteur, enregistré par scheme). Enregistrer FileSystemProvider via META-INF/services. Étapes suivantes: Couche BD (arborescence), opérations répertoire/fichier de base, stockage, tests. Processus long et exigeant, mais gratifiant.   Un article de brian goetz sur le futur du data oriented programming en Java https://openjdk.org/projects/amber/design-notes/beyond-records Le projet Amber de Java introduit les "carrier classes", une évolution des records qui permet plus de flexibilité tout en gardant les avantages du pattern matching et de la reconstruction Les records imposent des contraintes strictes (immutabilité, représentation exacte de l'état) qui limitent leur usage pour des classes avec état muable ou dérivé Les carrier classes permettent de déclarer une state description complète et canonique sans imposer que la représentation interne corresponde exactement à l'API publique Le modificateur "component" sur les champs permet au compilateur de dériver automatiquement les accesseurs pour les composants alignés avec la state description Les compact constructors sont généralisés aux carrier classes, générant automatiquement l'initialisation des component fields Les carrier classes supportent la déconstruction via pattern matching comme les records, rendant possible leur usage dans les instanceof et switch Les carrier interfaces permettent de définir une state description sur une interface, obligeant les implémentations à fournir les accesseurs correspondants L'extension entre carrier classes est possible, avec dérivation automatique des appels super() quand les composants parent sont subsumés par l'enfant Les records deviennent un cas particulier de carrier classes avec des contraintes supplémentaires (final, extends Record, component fields privés et finaux obligatoires) L'évolution compatible des records est améliorée en permettant l'ajout de composants en fin de liste et la déconstruction partielle par préfixe Comment éviter les pièges courants avec JPA et Kotlin - https://blog.jetbrains.com/idea/2026/01/how-to-avoid-common-pitfalls-with-jpa-and-kotlin/ JPA est une spécification Java pour la persistance objet-relationnel, mais son utilisation avec Kotlin présente des incompatibilités dues aux différences de conception des deux langages Les classes Kotlin sont finales par défaut, ce qui empêche la création de proxies par JPA pour le lazy loading et les opérations transactionnelles Le plugin kotlin-jpa génère automatiquement des constructeurs sans argument et rend les classes open, résolvant les problèmes de compatibilité Les data classes Kotlin ne sont pas adaptées aux entités JPA car elles génèrent equals/hashCode basés sur tous les champs, causant des problèmes avec les relations lazy L'utilisation de lateinit var pour les relations peut provoquer des exceptions si on accède aux propriétés avant leur initialisation par JPA Les types non-nullables Kotlin peuvent entrer en conflit avec le comportement de JPA qui initialise les entités avec des valeurs null temporaires Le backing field direct dans les getters/setters personnalisés peut contourner la logique de JPA et casser le lazy loading IntelliJ IDEA 2024.3 introduit des inspections pour détecter automatiquement ces problèmes et propose des quick-fixes L'IDE détecte les entités finales, les data classes inappropriées, les problèmes de constructeurs et l'usage incorrect de lateinit Ces nouvelles fonctionnalités aident les développeurs à éviter les bugs subtils liés à l'utilisation de JPA avec Kotlin Librairies Guide sur MapStruct @IterableMapping - https://www.baeldung.com/java-mapstruct-iterablemapping MapStruct est une bibliothèque Java pour générer automatiquement des mappers entre beans, l'annotation @IterableMapping permet de configurer finement le mapping de collections L'attribut dateFormat permet de formater automatiquement des dates lors du mapping de listes sans écrire de boucle manuelle L'attribut qualifiedByName permet de spécifier quelle méthode custom appliquer sur chaque élément de la collection à mapper Exemple d'usage : filtrer des données sensibles comme des mots de passe en mappant uniquement certains champs via une méthode dédiée L'attribut nullValueMappingStrategy permet de contrôler le comportement quand la collection source est null (retourner null ou une collection vide) L'annotation fonctionne pour tous types de collections Java (List, Set, etc.) et génère le code de boucle nécessaire Possibilité d'appliquer des formats numériques avec numberFormat pour convertir des nombres en chaînes avec un format spécifique MapStruct génère l'implémentation complète du mapper au moment de la compilation, éliminant le code boilerplate L'annotation peut être combinée avec @Named pour créer des méthodes de mapping réutilisables et nommées Le mapping des collections supporte les conversions de types complexes au-delà des simples conversions de types primitifs Accès aux fichiers Samba depuis Java avec JCIFS - https://www.baeldung.com/java-samba-jcifs JCIFS est une bibliothèque Java permettant d'accéder aux partages Samba/SMB sans monter de lecteur réseau, supportant le protocole SMB3 on pense aux galériens qui doivent se connecter aux systèmes dit legacy La configuration nécessite un contexte CIFS (CIFSContext) et des objets SmbFile pour représenter les ressources distantes L'authentification se fait via NtlmPasswordAuthenticator avec domaine, nom d'utilisateur et mot de passe La bibliothèque permet de lister les fichiers et dossiers avec listFiles() et vérifier leurs propriétés (taille, date de modification) Création de fichiers avec createNewFile() et de dossiers avec mkdir() ou mkdirs() pour créer toute une arborescence Suppression via delete() qui peut parcourir et supprimer récursivement des arborescences entières Copie de fichiers entre partages Samba avec copyTo(), mais impossibilité de copier depuis le système de fichiers local Pour copier depuis le système local, utilisation des streams SmbFileInputStream et SmbFileOutputStream Les opérations peuvent cibler différents serveurs Samba et différents partages (anonymes ou protégés par mot de passe) La bibliothèque s'intègre dans des blocs try-with-resources pour une gestion automatique des ressources Quarkus 3.31 - Support complet Java 25, nouveau packaging Maven et Panache Next - https://quarkus.io/blog/quarkus-3-31-released/ Support complet de Java 25 avec images runtime et native Nouveau packaging Maven de type quarkus avec lifecycle optimisé pour des builds plus rapides voici un article complet pour plus de detail https://quarkus.io/blog/building-large-applications/ Introduction de Panache Next, nouvelle génération avec meilleure expérience développeur et API unifiée ORM/Reactive Mise à jour vers Hibernate ORM 7.2, Reactive 3.2, Search 8.2 Support de Hibernate Spatial pour les données géospatiales Passage à Testcontainers 2 et JUnit 6 Annotations de sécurité supportées sur les repositories Jakarta Data Chiffrement des tokens OIDC pour les implémentations custom TokenStateManager Support OAuth 2.0 Pushed Authorization Requests dans l'extension OIDC Maven 3.9 maintenant requis minimum pour les projets Quarkus A2A Java SDK 1.0.0.Alpha1 - Alignement avec la spécification 1.0 du protocole Agent2Agent - https://quarkus.io/blog/a2a-java-sdk-1-0-0-alpha1/ Le SDK Java A2A implémente le protocole Agent2Agent qui permet la communication standardisée entre agents IA pour découvrir des capacités, déléguer des tâches et collaborer Passage à la version 1.0 de la spécification marque la transition d'expérimental à production-ready avec des changements cassants assumés Modernisation complète du module spec avec des Java records partout remplaçant le mix précédent de classes et records pour plus de cohérence Adoption de Protocol Buffers comme source de vérité avec des mappers MapStruct pour la conversion et Gson pour JSON-RPC Les builders utilisent maintenant des méthodes factory statiques au lieu de constructeurs publics suivant les best practices Java modernes Introduction de trois BOMs Maven pour simplifier la gestion des dépendances du SDK core, des extensions et des implémentations de référence Quarkus AgentCard évolue avec une liste supportedInterfaces remplaçant url et preferredTransport pour plus de flexibilité dans la déclaration des protocoles Support de la pagination ajouté pour ListTasks et les endpoints de configuration des notifications push avec des wrappers Result appropriés Interface A2AHttpClient pluggable permettant des implémentations HTTP personnalisées avec une implémentation Vert.x fournie Travail continu vers la conformité complète avec le TCK 1.0 en cours de développement parallèlement à la finalisation de la spécification Pourquoi Quarkus finit par "cliquer" : les 10 questions que se posent les développeurs Java - https://www.the-main-thread.com/p/quarkus-java-developers-top-questions-2025 un article qui revele et repond aux questions des gens qui ont utilisé Quarkus depuis 4-6 mois, les non noob questions Quarkus est un framework Java moderne optimisé pour le cloud qui propose des temps de démarrage ultra-rapides et une empreinte mémoire réduite Pourquoi Quarkus démarre si vite ? Le framework effectue le travail lourd au moment du build (scanning, indexation, génération de bytecode) plutôt qu'au runtime Quand utiliser le mode réactif plutôt qu'impératif ? Le réactif est pertinent pour les workloads avec haute concurrence et dominance I/O, l'impératif reste plus simple dans les autres cas Quelle est la différence entre Dev Services et Testcontainers ? Dev Services utilise Testcontainers en gérant automatiquement le cycle de vie, les ports et la configuration sans cérémonie Comment la DI de Quarkus diffère de Spring ? CDI est un standard basé sur la sécurité des types et la découverte au build-time, différent de l'approche framework de Spring Comment gérer la configuration entre environnements ? Quarkus permet de scaler depuis le développement local jusqu'à Kubernetes avec des profils, fichiers multiples et configuration externe Comment tester correctement les applications Quarkus ? @QuarkusTest démarre l'application une fois pour toute la suite de tests, changeant le modèle mental par rapport à Spring Boot Que fait vraiment Panache en coulisses ? Panache est du JPA avec des opinions fortes et des défauts propres, enveloppant Hibernate avec un style Active Record Doit-on utiliser les images natives et quand ? Les images natives brillent pour le serverless et l'edge grâce au démarrage rapide et la faible empreinte mémoire, mais tous les apps n'en bénéficient pas Comment Quarkus s'intègre avec Kubernetes ? Le framework génère automatiquement les ressources Kubernetes, gère les health checks et métriques comme s'il était nativement conçu pour cet écosystème Comment intégrer l'IA dans une application Quarkus ? LangChain4j permet d'ajouter embeddings, retrieval, guardrails et observabilité directement en Java sans passer par Python Infrastructure Les alternatives à MinIO https://rmoff.net/2026/01/14/alternatives-to-minio-for-single-node-local-s3/ MinIO a abandonné le support single-node fin 2025 pour des raisons commerciales, cassant de nombreuses démos et pipelines CI/CD qui l'utilisaient pour émuler S3 localement L'auteur cherche un remplacement simple avec image Docker, compatibilité S3, licence open source, déploiement mono-nœud facile et communauté active S3Proxy est très léger et facile à configurer, semble être l'option la plus simple mais repose sur un seul contributeur RustFS est facile à utiliser et inclut une GUI, mais c'est un projet très récent en version alpha avec une faille de sécurité majeure récente SeaweedFS existe depuis 2012 avec support S3 depuis 2018, relativement facile à configurer et dispose d'une interface web basique Zenko CloudServer remplace facilement MinIO mais la documentation et le branding (cloudserver/zenko/scality) peuvent prêter à confusion Garage nécessite une configuration complexe avec fichier TOML et conteneur d'initialisation séparé, pas un simple remplacement drop-in Apache Ozone requiert au minimum quatre nœuds pour fonctionner, beaucoup trop lourd pour un usage local simple L'auteur recommande SeaweedFS et S3Proxy comme remplaçants viables, RustFS en maybe, et élimine Garage et Ozone pour leur complexité Garage a une histoire tres associative, il vient du collectif https://deuxfleurs.fr/ qui offre un cloud distribué sans datacenter C'est certainement pas une bonne idée, les datacenters dans l'espace https://taranis.ie/datacenters-in-space-are-a-terrible-horrible-no-good-idea/ Avis d'expert (ex-NASA/Google, Dr en électronique spatiale) : Centres de données spatiaux, une "terrible" idée. Incompatibilité fondamentale : L'électronique (surtout IA/GPU) est inadaptée à l'environnement spatial. Énergie : Accès limité. Le solaire (type ISS) est insuffisant pour l'échelle de l'IA. Le nucléaire (RTG) est trop faible. Refroidissement : L'espace n'est pas "froid" ; absence de convection. Nécessite des radiateurs gigantesques (ex: 531m² pour 200kW). Radiations : Provoque erreurs (SEU, SEL) et dommages. Les GPU sont très vulnérables. Blindage lourd et inefficace. Les puces "durcies" sont très lentes. Communications : Bande passante très limitée (1Gbps radio vs 100Gbps terrestre). Le laser est tributaire des conditions atmosphériques. Conclusion : Projet extrêmement difficile, coûteux et aux performances médiocres. Data et Intelligence Artificielle Guillaume a développé un serveur MCP pour arXiv (le site de publication de papiers de recherche) en Java avec le framework Quarkus https://glaforge.dev/posts/2026/01/18/implementing-an-arxiv-mcp-server-with-quarkus-in-java/ Implémentation d'un serveur MCP (Model Context Protocol) arXiv en Java avec Quarkus. Objectif : Accéder aux publications arXiv et illustrer les fonctionnalités moins connues du protocole MCP. Mise en œuvre : Utilisation du framework Quarkus (Java) et son support MCP étendu. Assistance par Antigravity (IDE agentique) pour le développement et l'intégration de l'API arXiv. Interaction avec l'API arXiv : requêtes HTTP, format XML Atom pour les résultats, parser XML Jackson. Fonctionnalités MCP exposées : Outils (@Tool) : Recherche de publications (search_papers). Ressources (@Resource, @ResourceTemplate) : Taxonomie des catégories arXiv, métadonnées des articles (via un template d'URI). Prompts (@Prompt) : Exemples pour résumer des articles ou construire des requêtes de recherche. Configuration : Le serveur peut fonctionner en STDIO (local) ou via HTTP Streamable (local ou distant), avec une configuration simple dans des clients comme Gemini CLI. Conclusion : Quarkus simplifie la création de serveurs MCP riches en fonctionnalités, rendant les données et services "prêts pour l'IA" avec l'aide d'outils d'IA comme Antigravity. Anthropic ne mettra pas de pub dans Claude https://www.anthropic.com/news/claude-is-a-space-to-think c'est en reaction au plan non public d'OpenAi de mettre de la pub pour pousser les gens au mode payant OpenAI a besoin de cash et est probablement le plus utilisé pour gratuit au monde Anthropic annonce que Claude restera sans publicité pour préserver son rôle d'assistant conversationnel dédié au travail et à la réflexion approfondie. Les conversations avec Claude sont souvent sensibles, personnelles ou impliquent des tâches complexes d'ingénierie logicielle où les publicités seraient inappropriées. L'analyse des conversations montre qu'une part significative aborde des sujets délicats similaires à ceux évoqués avec un conseiller de confiance. Un modèle publicitaire créerait des incitations contradictoires avec le principe fondamental d'être "genuinely helpful" inscrit dans la Constitution de Claude. Les publicités introduiraient un conflit d'intérêt potentiel où les recommandations pourraient être influencées par des motivations commerciales plutôt que par l'intérêt de l'utilisateur. Le modèle économique d'Anthropic repose sur les contrats entreprise et les abonnements payants, permettant de réinvestir dans l'amélioration de Claude. Anthropic maintient l'accès gratuit avec des modèles de pointe et propose des tarifs réduits pour les ONG et l'éducation dans plus de 60 pays. Le commerce "agentique" sera supporté mais uniquement à l'initiative de l'utilisateur, jamais des annonceurs, pour préserver la confiance. Les intégrations tierces comme Figma, Asana ou Canva continueront d'être développées en gardant l'utilisateur aux commandes. Anthropic compare Claude à un cahier ou un tableau blanc : des espaces de pensée purs, sans publicité. Infinispan 16.1 est sorti https://infinispan.org/blog/2026/02/04/infinispan-16-1 déjà le nom de la release mérite une mention Le memory bounded par cache et par ensemble de cache s est pas facile à faire en Java Une nouvelle api OpenAPI AOT caché dans les images container Un serveur MCP local juste avec un fichier Java ? C'est possible avec LangChain4j et JBang https://glaforge.dev/posts/2026/02/11/zero-boilerplate-java-stdio-mcp-servers-with-langchain4j-and-jbang/ Création rapide de serveurs MCP Java sans boilerplate. MCP (Model Context Protocol): standard pour connecter les LLM à des outils et données. Le tutoriel répond au manque d'options simples pour les développeurs Java, face à une prédominance de Python/TypeScript dans l'écosystème MCP. La solution utilise: LangChain4j: qui intègre un nouveau module serveur MCP pour le protocole STDIO. JBang: permet d'exécuter des fichiers Java comme des scripts, éliminant les fichiers de build (pom.xml, Gradle). Implémentation: se fait via un seul fichier .java. JBang gère automatiquement les dépendances (//DEPS). L'annotation @Tool de LangChain4j expose les méthodes Java aux LLM. StdioMcpServerTransport gère la communication JSON-RPC via l'entrée/sortie standard (STDIO). Point crucial: Les logs doivent impérativement être redirigés vers System.err pour éviter de corrompre System.out, qui est réservé à la communication MCP (messages JSON-RPC). Facilite l'intégration locale avec des outils comme Gemini CLI, Claude Code, etc. Reciprocal Rank Fusion : un algorithme utile et souvent utilisé pour faire de la recherche hybride, pour mélanger du RAG et des recherches par mots-clé https://glaforge.dev/posts/2026/02/10/advanced-rag-understanding-reciprocal-rank-fusion-in-hybrid-search/ RAG : Qualité LLM dépend de la récupération. Recherche Hybride : Combiner vectoriel et mots-clés (BM25) est optimal. Défi : Fusionner des scores d'échelles différentes. Solution : Reciprocal Rank Fusion (RRF). RRF : Algorithme robuste qui fusionne des listes de résultats en se basant uniquement sur le rang des documents, ignorant les scores. Avantages RRF : Pas de normalisation de scores, scalable, excellente première étape de réorganisation. Architecture RAG fréquente : RRF (large sélection) + Cross-Encoder / modèle de reranking (précision fine). RAG-Fusion : Utilise un LLM pour générer plusieurs variantes de requête, puis RRF agrège tous les résultats pour renforcer le consensus et réduire les hallucinations. Implémentation : LangChain4j utilise RRF par défaut pour agréger les résultats de plusieurs retrievers. Les dernières fonctionnalités de Gemini et Nano Banana supportées dans LangChain4j https://glaforge.dev/posts/2026/02/06/latest-gemini-and-nano-banana-enhancements-in-langchain4j/ Nouveaux modèles d'images Nano Banana (Gemini 2.5/3.0) pour génération et édition (jusqu'à 4K). "Grounding" via Google Search (pour images et texte) et Google Maps (localisation, Gemini 2.5). Outil de contexte URL (Gemini 3.0) pour lecture directe de pages web. Agents multimodaux (AiServices) capables de générer des images. Configuration de la réflexion (profondeur Chain-of-Thought) pour Gemini 3.0. Métadonnées enrichies : usage des tokens et détails des sources de "grounding". Comment configurer Gemini CLI comment agent de code dans IntelliJ grâce au protocole ACP https://glaforge.dev/posts/2026/02/01/how-to-integrate-gemini-cli-with-intellij-idea-using-acp/ But : Intégrer Gemini CLI à IntelliJ IDEA via l'Agent Client Protocol (ACP). Prérequis : IntelliJ IDEA 2025.3+, Node.js (v20+), Gemini CLI. Étapes : Installer Gemini CLI (npm install -g @google/gemini-cli). Localiser l'exécutable gemini. Configurer ~/.jetbrains/acp.json (chemin exécutable, --experimental-acp, use_idea_mcp: true). Redémarrer IDEA, sélectionner "Gemini CLI" dans l'Assistant IA. Usage : Gemini interagit avec le code et exécute des commandes (contexte projet). Important : S'assurer du flag --experimental-acp dans la configuration. Outillage PipeNet, une alternative (open source aussi) à LocalTunnel, mais un plus évoluée https://pipenet.dev/ pipenet: Alternative open-source et moderne à localtunnel (client + serveur). Usages: Développement local (partage, webhooks), intégration SDK, auto-hébergement sécurisé. Fonctionnalités: Client (expose ports locaux, sous-domaines), Serveur (déploiement, domaines personnalisés, optimisé cloud mono-port). Avantages vs localtunnel: Déploiement cloud sur un seul port, support multi-domaines, TypeScript/ESM, maintenance active. Protocoles: HTTP/S, WebSocket, SSE, HTTP Streaming. Intégration: CLI ou SDK JavaScript. JSON-IO — une librairie comme Jackson ou GSON, supportant JSON5, TOON, et qui pourrait être utile pour l'utilisation du "structured output" des LLMs quand ils ne produisent pas du JSON parfait https://github.com/jdereg/json-io json-io : Librairie Java pour la sérialisation et désérialisation JSON/TOON. Gère les graphes d'objets complexes, les références cycliques et les types polymorphes. Support complet JSON5 (lecture et écriture), y compris des fonctionnalités non prises en charge par Jackson/Gson. Format TOON : Notation orientée token, optimisée pour les LLM, réduisant l'utilisation de tokens de 40 à 50% par rapport au JSON. Légère : Aucune dépendance externe (sauf java-util), taille de JAR réduite (~330K). Compatible JDK 1.8 à 24, ainsi qu'avec les environnements JPMS et OSGi. Deux modes de conversion : vers des objets Java typés (toJava()) ou vers des Map (toMaps()). Options de configuration étendues via ReadOptionsBuilder et WriteOptionsBuilder. Optimisée pour les déploiements cloud natifs et les architectures de microservices. Utiliser mailpit et testcontainer pour tester vos envois d'emails https://foojay.io/today/testing-emails-with-testcontainers-and-mailpit/ l'article montre via SpringBoot et sans. Et voici l'extension Quarkus https://quarkus.io/extensions/io.quarkiverse.mailpit/quarkus-mailpit/?tab=docs Tester l'envoi d'emails en développement est complexe car on ne peut pas utiliser de vrais serveurs SMTP Mailpit est un serveur SMTP de test qui capture les emails et propose une interface web pour les consulter Testcontainers permet de démarrer Mailpit dans un conteneur Docker pour les tests d'intégration L'article montre comment configurer une application SpringBoot pour envoyer des emails via JavaMail Un module Testcontainers dédié à Mailpit facilite son intégration dans les tests Le conteneur Mailpit expose un port SMTP (1025) et une API HTTP (8025) pour vérifier les emails reçus Les tests peuvent interroger l'API HTTP de Mailpit pour valider le contenu des emails envoyés Cette approche évite d'utiliser des mocks et teste réellement l'envoi d'emails Mailpit peut aussi servir en développement local pour visualiser les emails sans les envoyer réellement La solution fonctionne avec n'importe quel framework Java supportant JavaMail Architecture Comment scaler un système de 0 à 10 millions d'utilisateurs https://blog.algomaster.io/p/scaling-a-system-from-0-to-10-million-users Philosophie : Scalabilité incrémentale, résoudre les goulots d'étranglement sans sur-ingénierie. 0-100 utilisateurs : Serveur unique (app, DB, jobs). 100-1K : Séparer app et DB (services gérés, pooling). 1K-10K : Équilibreur de charge, multi-serveurs d'app (stateless via sessions partagées). 10K-100K : Caching, réplicas de lecture DB, CDN (réduire charge DB). 100K-500K : Auto-scaling, applications stateless (authentification JWT). 500K-10M : Sharding DB, microservices, files de messages (traitement asynchrone). 10M+ : Déploiement multi-régions, CQRS, persistance polyglotte, infra personnalisée. Principes clés : Simplicité, mesure, stateless essentiel, cache/asynchrone, sharding prudent, compromis (CAP), coût de la complexité. Patterns d'Architecture 2026 - Du Hype à la Réalité du Terrain (Part 1/2) - https://blog.ippon.fr/2026/01/30/patterns-darchitecture-2026-part-1/ L'article présente quatre patterns d'architecture logicielle pour répondre aux enjeux de scalabilité, résilience et agilité business dans les systèmes modernes Il présentent leurs raisons et leurs pièges Un bon rappel L'Event-Driven Architecture permet une communication asynchrone entre systèmes via des événements publiés et consommés, évitant le couplage direct Les bénéfices de l'EDA incluent la scalabilité indépendante des composants, la résilience face aux pannes et l'ajout facile de nouveaux cas d'usage Le pattern API-First associé à un API Gateway centralise la sécurité, le routage et l'observabilité des APIs avec un catalogue unifié Le Backend for Frontend crée des APIs spécifiques par canal (mobile, web, partenaires) pour optimiser l'expérience utilisateur CQRS sépare les modèles de lecture et d'écriture avec des bases optimisées distinctes, tandis que l'Event Sourcing stocke tous les événements plutôt que l'état actuel Le Saga Pattern gère les transactions distribuées via orchestration centralisée ou chorégraphie événementielle pour coordonner plusieurs microservices Les pièges courants incluent l'explosion d'événements granulaires, la complexité du debugging distribué, et la mauvaise gestion de la cohérence finale Les technologies phares sont Kafka pour l'event streaming, Kong pour l'API Gateway, EventStoreDB pour l'Event Sourcing et Temporal pour les Sagas Ces patterns nécessitent une maturité technique et ne sont pas adaptés aux applications CRUD simples ou aux équipes junior Patterns d'architecture 2026 : du hype à la réalité terrain part. 2 - https://blog.ippon.fr/2026/02/04/patterns-darchitecture-2026-part-2/ Deuxième partie d'un guide pratique sur les patterns d'architecture logicielle et système éprouvés pour moderniser et structurer les applications en 2026 Strangler Fig permet de migrer progressivement un système legacy en l'enveloppant petit à petit plutôt que de tout réécrire d'un coup (70% d'échec pour les big bang) Anti-Corruption Layer protège votre nouveau domaine métier des modèles externes et legacy en créant une couche de traduction entre les systèmes Service Mesh gère automatiquement la communication inter-services dans les architectures microservices (sécurité mTLS, observabilité, résilience) Architecture Hexagonale sépare le coeur métier des détails techniques via des ports et adaptateurs pour améliorer la testabilité et l'évolutivité Chaque pattern est illustré par un cas client concret avec résultats mesurables et liste des pièges à éviter lors de l'implémentation Les technologies 2026 mentionnées incluent Istio, Linkerd pour service mesh, LaunchDarkly pour feature flags, NGINX et Kong pour API gateway Tableau comparatif final aide à choisir le bon pattern selon la complexité, le scope et le use case spécifique du projet L'article insiste sur une approche pragmatique : ne pas utiliser un pattern juste parce qu'il est moderne mais parce qu'il résout un problème réel Pour les systèmes simples type CRUD ou avec peu de services, ces patterns peuvent introduire une complexité inutile qu'il faut savoir éviter Méthodologies Le rêve récurrent de remplacer voire supprimer les développeurs https://www.caimito.net/en/blog/2025/12/07/the-recurring-dream-of-replacing-developers.html Depuis 1969, chaque décennie voit une tentative de réduire le besoin de développeurs (de COBOL, UML, visual builders… à IA). Motivation : frustration des dirigeants face aux délais et coûts de développement. La complexité logicielle est intrinsèque et intellectuelle, non pas une question d'outils. Chaque vague technologique apporte de la valeur mais ne supprime pas l'expertise humaine. L'IA assiste les développeurs, améliore l'efficacité, mais ne remplace ni le jugement ni la gestion de la complexité. La demande de logiciels excède l'offre car la contrainte majeure est la réflexion nécessaire pour gérer cette complexité. Pour les dirigeants : les outils rendent-ils nos développeurs plus efficaces sur les problèmes complexes et réduisent-ils les tâches répétitives ? Le "rêve" de remplacer les développeurs, irréalisable, est un moteur d'innovation créant des outils précieux. Comment creuser des sujets à l'ère de l'IA générative. Quid du partage et la curation de ces recherches ? https://glaforge.dev/posts/2026/02/04/researching-topics-in-the-age-of-ai-rock-solid-webhooks-case-study/ Recherche initiale de l'auteur sur les webhooks en 2019, processus long et manuel. L'IA (Deep Research, Gemini, NotebookLM) facilite désormais la recherche approfondie, l'exploration de sujets et le partage des résultats. L'IA a identifié et validé des pratiques clés pour des déploiements de webhooks résilients, en grande partie les mêmes que celles trouvées précédemment par l'auteur. Génération d'artefacts par l'IA : rapport détaillé, résumé concis, illustration sketchnote, et même une présentation (slide deck). Guillaume s'interroge sur le partage public de ces rapports de recherche générés par l'IA, tout en souhaitant éviter le "AI Slop". Loi, société et organisation Le logiciel menacé par le vibe coding https://www.techbuzz.ai/articles/we-built-a-monday-com-clone-in-under-an-hour-with-ai Deux journalistes de CNBC sans expérience de code ont créé un clone fonctionnel de Monday.com en moins de 60 minutes pour 5 à 15 dollars. L'expérience valide les craintes des investisseurs qui ont provoqué une baisse de 30% des actions des entreprises SaaS. L'IA a non seulement reproduit les fonctionnalités de base mais a aussi recherché Monday.com de manière autonome pour identifier et recréer ses fonctionnalités clés. Cette technique appelée "vibe-coding" permet aux non-développeurs de construire des applications via des instructions en anglais courant. Les entreprises les plus vulnérables sont celles offrant des outils "qui se posent sur le travail" comme Atlassian, Adobe, HubSpot, Zendesk et Smartsheet. Les entreprises de cybersécurité comme CrowdStrike et Palo Alto sont considérées plus protégées grâce aux effets de réseau et aux barrières réglementaires. Les systèmes d'enregistrement comme Salesforce restent plus difficiles à répliquer en raison de leur profondeur d'intégration et de données d'entreprise. Le coût de 5 à 15 dollars par construction permet aux entreprises de prototyper plusieurs solutions personnalisées pour moins cher qu'une seule licence Monday.com. L'expérience soulève des questions sur la pérennité du marché de 5 milliards de dollars des outils de gestion de projet face à l'IA générative. Conférences En complément de l'agenda des conférences de Aurélie Vache, il y a également le site https://javaconferences.org/ (fait par Brian Vermeer) avec toutes les conférences Java à venir ! La liste des conférences provenant de Developers Conferences Agenda/List par Aurélie Vache et contributeurs : 12-13 février 2026 : Touraine Tech #26 - Tours (France) 12-13 février 2026 : World Artificial Intelligence Cannes Festival - Cannes (France) 19 février 2026 : ObservabilityCON on the Road - Paris (France) 6 mars 2026 : WordCamp Nice 2026 - Nice (France) 18 mars 2026 : Jupyter Workshops: AI in Jupyter: Building Extensible AI Capabilities for Interactive Computing - Saint-Maur-des-Fossés (France) 18-19 mars 2026 : Agile Niort 2026 - Niort (France) 20 mars 2026 : Atlantique Day 2026 - Nantes (France) 26 mars 2026 : Data Days Lille - Lille (France) 26-27 mars 2026 : SymfonyLive Paris 2026 - Paris (France) 26-27 mars 2026 : REACT PARIS - Paris (France) 27-29 mars 2026 : Shift - Nantes (France) 31 mars 2026 : ParisTestConf - Paris (France) 31 mars 2026-1 avril 2026 : FlowCon France 2026 - Paris (France) 1 avril 2026 : AWS Summit Paris - Paris (France) 2 avril 2026 : Pragma Cannes 2026 - Cannes (France) 2-3 avril 2026 : Xen Spring Meetup 2026 - Grenoble (France) 7 avril 2026 : PyTorch Conference Europe - Paris (France) 9-10 avril 2026 : Android Makers by droidcon 2026 - Paris (France) 9-11 avril 2026 : Drupalcamp Grenoble 2026 - Grenoble (France) 16-17 avril 2026 : MiXiT 2026 - Lyon (France) 17-18 avril 2026 : Faiseuses du Web 5 - Dinan (France) 22-24 avril 2026 : Devoxx France 2026 - Paris (France) 23-25 avril 2026 : Devoxx Greece - Athens (Greece) 6-7 mai 2026 : Devoxx UK 2026 - London (UK) 12 mai 2026 : Lead Innovation Day - Leadership Edition - Paris (France) 19 mai 2026 : La Product Conf Paris 2026 - Paris (France) 21-22 mai 2026 : Flupa UX Days 2026 - Paris (France) 22 mai 2026 : AFUP Day 2026 Lille - Lille (France) 22 mai 2026 : AFUP Day 2026 Paris - Paris (France) 22 mai 2026 : AFUP Day 2026 Bordeaux - Bordeaux (France) 22 mai 2026 : AFUP Day 2026 Lyon - Lyon (France) 28 mai 2026 : DevCon 27 : I.A. & Vibe Coding - Paris (France) 28 mai 2026 : Cloud Toulouse 2026 - Toulouse (France) 29 mai 2026 : NG Baguette Conf 2026 - Paris (France) 29 mai 2026 : Agile Tour Strasbourg 2026 - Strasbourg (France) 2-3 juin 2026 : Agile Tour Rennes 2026 - Rennes (France) 2-3 juin 2026 : OW2Con - Paris-Châtillon (France) 3 juin 2026 : IA–NA - La Rochelle (France) 5 juin 2026 : TechReady - Nantes (France) 5 juin 2026 : Fork it! - Rouen - Rouen (France) 6 juin 2026 : Polycloud - Montpellier (France) 9 juin 2026 : JFTL - Montrouge (France) 9 juin 2026 : C: - Caen (France) 11-12 juin 2026 : DevQuest Niort - Niort (France) 11-12 juin 2026 : DevLille 2026 - Lille (France) 12 juin 2026 : Tech F'Est 2026 - Nancy (France) 16 juin 2026 : Mobilis In Mobile 2026 - Nantes (France) 17-19 juin 2026 : Devoxx Poland - Krakow (Poland) 17-20 juin 2026 : VivaTech - Paris (France) 18 juin 2026 : Tech'Work - Lyon (France) 22-26 juin 2026 : Galaxy Community Conference - Clermont-Ferrand (France) 24-25 juin 2026 : Agi'Lille 2026 - Lille (France) 24-26 juin 2026 : BreizhCamp 2026 - Rennes (France) 2 juillet 2026 : Azur Tech Summer 2026 - Valbonne (France) 2-3 juillet 2026 : Sunny Tech - Montpellier (France) 3 juillet 2026 : Agile Lyon 2026 - Lyon (France) 6-8 juillet 2026 : Riviera Dev - Sophia Antipolis (France) 2 août 2026 : 4th Tech Summit on Artificial Intelligence & Robotics - Paris (France) 20-22 août 2026 : 4th Tech Summit on AI & Robotics - Paris (France) & Online 4 septembre 2026 : JUG Summer Camp 2026 - La Rochelle (France) 17-18 septembre 2026 : API Platform Conference 2026 - Lille (France) 24 septembre 2026 : PlatformCon Live Day Paris 2026 - Paris (France) 1 octobre 2026 : WAX 2026 - Marseille (France) 1-2 octobre 2026 : Volcamp - Clermont-Ferrand (France) 5-9 octobre 2026 : Devoxx Belgium - Antwerp (Belgium) Nous contacter Pour réagir à cet épisode, venez discuter sur le groupe Google https://groups.google.com/group/lescastcodeurs Contactez-nous via X/twitter https://twitter.com/lescastcodeurs ou Bluesky https://bsky.app/profile/lescastcodeurs.com Faire un crowdcast ou une crowdquestion Soutenez Les Cast Codeurs sur Patreon https://www.patreon.com/LesCastCodeurs Tous les épisodes et toutes les infos sur https://lescastcodeurs.com/

The Shadow Over AtheniaThe episode opens in the heart of Athenia, the gleaming capital of the Verdant Hegemony of Croya. This isn't a city governed by law, but by the Pussichipacy—a unique, matriarchal absolute rule established by the shape-shifting Croy family. Under the gaze of the Grand Chip, Malice Croy, the city feels like a living theater. Every citizen is a performer, and the Croy women are the ultimate directors, moving through the streets in "Stable Forms" of haunting beauty while hiding their fluid, predatory nature beneath the surface.The party is granted a rare audience with Malice Croy in the Throne of the Shifting Palm. The atmosphere is thick with the scent of salt and expensive perfumes. Malice, lounging on her black marble throne, treats the complexities of international diplomacy like a light snack. We delve into the history of the "Silent Revolution," where the Croys didn't conquer the land with armies, but by slowly replacing the ruling elite of the old Aethelgard League until the world woke up one morning and realized it belonged to them.The tension centers on Ash, Malice's daughter, who has recently ascended to the heights of her power (Level 20). Ash carries a relic of immense geopolitical and spiritual weight: the Jar of Ashuma. Inside are the remains of the former CEO of the PNC, a man who met his end by his own hand though forced by the Shadow Seekers. The jar also contains the fragments of his disintegrated katana, a weapon shattered by the weight of his own failure and ritual seppuku as well as Faust's timely spell. To the Croy family, this jar isn't just a trophy; it's a container of corporate essence and a potential key to absorbing the PNC's remaining influence.The courtly dialogue is shattered when a high-level strike team of assassins—likely remnants of the PNC's "Disposal Unit"—launches a desperate, suicidal raid on the throne room. Their goal is clear: retrieve the jar and eliminate the heir.The chaos that follows showcases the terrifying power of the Matriarch. While the party and Ash spring into action, Malice remains seated, treating the violence with a bored, casual disdain. The battle is a clash of steel against the shifting, "salty" magic of the Croy bloodline. The assassins find that attacking a changeling in her own sanctum is like trying to stab smoke.

w/Jar of FliesBecome a supporter of this podcast: https://www.spreaker.com/podcast/matt-connarton-unleashed--3109245/support.

Sponsor Link:www.incogni.com/spacenuts Cosmic Dust in a Jar, Volcanic Eruptions on Io, and the Quest for Intelligent LifeIn this exciting episode of Space Nuts, hosts Andrew Dunkley and Professor Fred Watson delve into a series of captivating cosmic stories that will spark your imagination. From the groundbreaking creation of cosmic dust in a lab to the simultaneous volcanic eruptions on Jupiter's moon Io, this episode is a treasure trove of astronomical insights.Episode Highlights:- Cosmic Dust in a Jar: A Sydney PhD student has synthesized cosmic dust in a laboratory setting. Andrew and Fred discuss the implications of this breakthrough for our understanding of how complex organic molecules form in space, and whether this could reduce the need for future space missions to gather samples from asteroids.- Simultaneous Volcanic Eruptions on Io: The hosts explore the extraordinary event of five volcanoes erupting at once on Io, revealing insights into the moon's geological activity. They discuss the gravitational forces at play and how this discovery challenges previous theories about Io's solid interior.- Follow the Coal to Find Intelligent Life: A new theory suggests that the presence of coal may be a key factor in the development of intelligent civilizations. Andrew and Fred unpack the idea that access to natural resources could influence technological advancement, raising questions about the rarity of intelligent life in the universe.For more Space Nuts, including our continuously updating newsfeed and to listen to all our episodes, visit our website. Follow us on social media at SpaceNutsPod on Facebook, Instagram, and more. We love engaging with our community, so be sure to drop us a message or comment on your favorite platform.If you'd like to help support Space Nuts and join our growing family of insiders for commercial-free episodes and more, visit spacenutspodcast.com/about.Stay curious, keep looking up, and join us next time for more stellar insights and cosmic wonders. Until then, clear skies and happy stargazing.Become a supporter of this podcast: https://www.spreaker.com/podcast/space-nuts-astronomy-insights-cosmic-discoveries--2631155/support.

I'm back! Did you miss me?In this episode, I'm taking you on a journey through the ways beauty standards twisted and transformed during some of history's darkest moments- from the death-obsessed world of the Black Death to the patriotic glamour demanded during World War I & World War II.We'll uncover why people clung to fragile, disciplined, or "pure" aesthetics when everything around them was falling apart. We'll talk plagues, pin-ups, propaganda, and the way modern beauty culture still mirrors those old fears. Are. You. Ready?****************Featured AD:If you love wandering into the stranger corners of history with me, you'll want to hear the trailer for my new narrative show, Murder Through Time: A Whodunit Across the Centuries. Each episode drops you into a different era as you unravel a real case shaped by the customs, dangers, and secrets of its time. You're not just listening, you're the detective. You'll hear the teaser in today's episode, and you can listen to the first episode right now wherever you get your podcasts.****************Sources & Further Reading:Naomi Wolf — The Beauty Myth (1990)Millard Meiss — Painting in Florence and Siena After the Black Death (1951)Katherine Byrne — Tuberculosis and the Victorian Literary Imagination (2011)Kathy Peiss — Hope in a Jar (1998)George Mosse — Nationalism and Sexuality (1985)Ruth Ben-Ghiat — Strongmen: Mussolini to the Present (2020) Jia Tolentino — Trick Mirror (2019) Oxford University Press — Women in Wartime analyses (various authors)****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on Social Media & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************Intro/Outro Music:“Fame Inc” by Savvier — https://icons8.com/music

This week's mix brings together legends and new artists from around the globe - from Linval Thompson, Prince Alla to Jah Garvey and Jar - this is a tossed salad of grooves ready for your ears. PLAYLIST Dandelion;The Drop - Bus Gun Monkey D - Inna Me Yard Hi Grade Hi-Fi;Richie Culture - Long Long Road (Never Walk Dub) Zotziho klk - Herbman Chant Tuff Steppas;Medison Hart - Roll Call Jah Garvey - Fi Wi Bizniz Soulfiya;Sgt. Remo - Ram the Dancehall Al Campbell;Bass Culture Players - We Need Each Other Version Dreadsquad;I-mitri Counteraction - I See Linval Thompson;Addis Pablo;Danzky - Be Free (Manilla) - Instrumental George Palmer;Bass Culture Players - Company Marshall Neeko Meets Jah Golden Throne;Shadrak;Marshall Neeko - Who Dweet jar - Trick or Weed Prince Alla - Fight For Your Right Michael Fabulous;Ras Neyman - Livity Yella Sky Sound System;Papa Ical;Mehdiman - Big Up All Sound

Jennifer Hillier is the USA Today bestselling author of Things We Do in the Dark, winner of the ITW Thriller Award for Best Audiobook. Earlier novels include Creep, Freak, The Butcher, Wonderland, Jar of Hearts( winner, ITWThriller Award for Best Hardcover), and the national bestseller Little Secrets. Her novels have been published in twenty-four languages so far.Born and raised in the Toronto area, she currently lives in Oakville, Ontario, Canada with her family. Her newest thriller, Heart of Glass, will be coming August 25, 2026 from Minotaur Books.  #PinkySwearBook #DanielleGirard #ThrillerReads#DomesticThriller #Bookstagram #BookTok #SuspenseReads #FemaleFriendship #MothersAndDaughters #BookReels #PsychologicalThriller #NewRelease2025#ReadersOfInstagram #Bookish #podcast #author #interview #authors #KillerWomen#KillerWomenPodcast #authorsontheair #podcast #podcaster #killerwomen#killerwomenpodcast #authors #authorsofig #authorsofinstagram #authorinterview#writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors#thrillerbooks #suspense #wip #writers #writersinspiration #books#bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile#read #amreading #lovetoread #daniellegirardbooks #jenniferhillier #minotaur

Fíggjarnevndin viðger í løtuni lógaruppskotið hjá løgmanni um Suðuroyartunnilin, sum kemur úr nevndini í næstu viku. Biðið var um ein mánað aftrat at viðgera málið, og nevndin hevur sett løgmansskrivstovuni 59 spurningar. Eitt nú vil fíggjarnevndin vita, hvussu tað bar til, at ráðgevin hjá PF Suðuroyartunlinum, SINTEF, kundi staðfesta, at tað jarðfrøðiliga var ein fyrimunur at fara av Skarvanesi, tá kanningin hjá Jarðfeingi ikki var liðug fyrr enn eitt ár seinni. Og Epstein-skjølini eru av álvara farin at fáa avleiðingar, serliga í Evropa. Í Bretlandi økist trýstið á forsætisráðharran, Keir Starmer, sum í gjár fekk boð frá floksfelaganum, formanninum í Labour í Skotlandi, um at leggja frá sær. Seinastu dagarnar hava stápsstjórin og samskiftistjórin hjá Starmer lagt frá sær, men forsætisráðharrin noktar at gera fara frá. Kann Keir Starmer verða verandi í sessinum? Hví er hetta hent, og hvat merkir tað fyri Bretland? Gjørt sendingina: Marjun Dalsgaard, Katrin Johannessen og Birgit Carina Eliasen Gestur: Sólvit Nolsøe, stjórnmálafrøðingur Tøkningur: Kári Annand Berg  

Helgrammite, Loraveth, Rictus seek out who they perceive as their biggest threats, coming as a surprise for some of these opponents. But though the trials proclaim only one can survive, some of the wizards are ready to take their fate into their own hands.Royale Theme: “Wizard Disco” by Louie Zong: https://louiezong.bandcamp.com/album/wizard-discoOriginal Music by Griffin McElroyAdditional Music in this Episode: "Pure" by Jahzzar:  http://www.betterwithmusic.com/; "Atmosphere for Documentaries" by Universfield: https://unil.ink/universfield; "Moulds Sun" by 10 Echo: https://10echo.bandcamp.com/;  "When the Wick is Gone" by The Pangolins: https://thepangolins.yolasite.com/; “If You Can't Be the Sun, Be the Sun” and “The Redemption in Her Arms, the Light at the End of Her Tunnel" by Schemawound http://schemawound.com/; "Languid Dawn" by Blear Moon: https://blearmoon.bandcamp.com/; "tribute to eddy" by Jean Toba: https://jeantoba.blogspot.com/; "The Unknown" by Jar of Flies: https://jaroffliesofficial.bandcamp.com/; "A Rainbow in the Sewers" by Jangwa: https://www.petitesmaisons.it/jangwa/; "Haze" by Scott Holmes Music: https://scottholmesmusic.com/;  and "The Fae" by Mark Lingard: https://freemusicarchive.org/music/mark-lingard/.Immigrant Law Center of Minnesota: https://www.ilcm.org/donate/

How to Fix Boring Brand Podcasts If we're going to be perfectly honest, many branded podcasts are either boring or they sound just like a recycled commercial. To win the hearts and minds of your B2B target audience, you must move beyond generic corporate messaging and create high-quality content that addresses your listeners' needs. So how can brands produce engaging content that will resonate with their audiences, and what strategic role does B2B storytelling play?That's why we're talking to Jen Moss (Co-Founder and Chief Creative Officer, JAR Podcast Solutions), who shared her expertise and strategic insights on how to fix boring brand podcasts. During our conversation, Jen discussed the importance of creating engaging brand podcasts that build trust and loyalty. She explained why B2B podcasts should go beyond product promotion and focus on deeper stories and societal issues. Jen also highlighted the need for creative courage, proper planning, rigorous pre-production, and engagement with the audience. She advised against rushing into production without proper ideation and marketing budget. Jen also underscored the power of authentic B2B storytelling and cautioned against relying too heavily on AI for content creation. https://youtu.be/sVlsvotzFEE Topics discussed in episode: [02:22] The definition of a successful brand podcast: It shouldn’t just be a CEO talking about products, but rather a way to facilitate deeper conversations on industry issues.  [05:12] Why brands need “creative courage” to stand out in a saturated market, including experimenting with fiction or narrative formats.  [08:32] How to tell a good B2B story by focusing on “beats,” high stakes, and the transparent struggle rather than just the solution.  [17:28] The top pitfalls in podcasting: Failing to budget for marketing, ignoring audience analytics, and drop-off rates.  [29:25] A real-world example of how Genome BC used human storytelling to make complex scientific topics accessible and engaging.  [37:40] Why using AI purely for speed and volume is a mistake, and why the mission of podcasting should be connection, not efficiency. Companies and links mentioned: Jen Moss on LinkedIn  JAR Podcast Solution  Genome BC Bumper Ira Glass Cory Doctorow Nice Genes! Podcast Another Round Podcast Hot Ones Podcast Transcript Christian Klepp, Jen Moss Jen Moss  00:00 Podcasting, especially audio podcasting, I will say, is a sacred space between the ears. You are literally whispering in people’s ears if they don’t like what they’re hearing, if they start to feel like you’re shilling to them, they will yank out the earbuds and it’s game over for you. Christian Klepp  00:17 If we’re going to be perfectly honest, many brand podcasts are either boring or they just sound like a commercial. To win the hearts and minds of your target audience, you need to create content that serves your listeners and is something they actually want to hear. So how can you achieve that? And what role does B2B Marketing play in producing successful brand podcasts? Welcome to this episode of the B2B Marketers in the Mission podcast, and I’m your host, Christian Klepp, today I’ll be talking to Jen Moss, who will be answering that question. She is the Co-Founder and Chief Creative Officer of JAR Podcast Solutions, which helps create quality podcasts that earn trust. Tune in to find out more about what this B2B Marketers Mission is, okay, and I’m gonna say, Jen Moss, welcome to the show. Jen Moss  01:05 Thank you so much for having me. Christian Klepp  01:07 Great to have you on. We’ve had such a fantastic conversation before. I hit record. I probably should have recorded this earlier, but in any case, Jen Moss  01:14 Yes, if anyone needs any parenting tips, we got your back. Christian Klepp  01:18 Absolutely, absolutely that that book is coming out soon on Amazon. I’m just kidding, But Jen, really looking forward to this conversation, because, man, we are going to cover a topic which, you know, might rock the boat a little bit, but it’s all, you know, constructive, and you know, it’s all for the sake of growing in a positive way, right? Jen Moss  01:35 I think so, Christian Klepp  01:36 At least I like to think so. Jen Moss  01:38 That is the goal. Christian Klepp  01:39 Absolutely, absolutely, all right, so here it comes. So Jen, you’re on a mission to help brands craft story first, podcasts that earn trust, build loyalty and connect deeply with the audiences that matter most. So for today’s conversation, I’d like to zero in on the following topic. Here comes how to fix boring brand podcasts. I know we’ve got a ton to talk about, but let’s kick off this conversation with two questions, and I’m happy to repeat them. So what is it about brand podcasting that you wish more people understood? And number two is, where do most brand podcasts go wrong. Jen Moss  02:22 Okay, so those are both great questions, so that what is a branded podcast is probably a good place to start. A lot of people might think that it’s, you know, the CEO of a company talking about their products and services ad nauseam. And if you happen to want to buy those products and services, maybe you would listen to it, because you could get more information, like, kind of an informational, almost transactional thing. I think that’s what a lot of people imagine when they hear the words branded podcast. However, that there’s a lot more to branded podcasting than that, and a lot of the smarter sort of, I would say, savvy brands, the ones with kind of sophisticated marketing campaigns that are multifaceted, are looking at podcasting as a way to tell deeper stories, engage with conversations that are ongoing in society that really matter so, sort of a chance for the brand to show its stripes a little bit, and an opportunity to offer something to a target audience that is sort of like a kind of a gift. You know, like we’re going to give you something of value that you actually will benefit from or enjoy, learn something from, be emotionally moved by, you know, hear a good story, and it’ll be in an area that the brand cares about, that that kind of ticks the boxes in terms of, like, what are the brand’s values, but is not specifically, and this is very important, is not specifically related to the brand’s products and services, per se. So it’s more like, okay, the brand maybe exists in a certain wider industry, and there’s an issue in that industry that keeps coming up, or a new technology that’s affecting everything, something like that, something that needs to be talked about. And so they’ll, they’ll set out to kind of facilitate those kinds of conversations through their podcasts. And a branded podcast doesn’t need to be just a one on one interview. It could be, it could be a fiction podcast if you were feeling extra frisky and creative that day, you know, if you wanted to do something fun, like I had a conversation with a solar company not that long ago, and we actually pitched them a fiction podcast about a world powered by sun. And because we thought the opportunity for a solar panel company to sponsor a fiction podcast about a world powered by sun like sci-fi would be, would be exciting and different. Christian Klepp  05:11 How did that go? Jen Moss  05:12 Yeah, well, we didn’t end up getting that job because they didn’t have the creative courage to do it. And so this is, this is the kind of conversation that I’m always on with brands is like, have the creative courage to do something that’s a little out of the ordinary because there’s 500 million podcasts or whatever, so you’ve got to stand out. And so you’ve got to think about how to stand out, and one of the best ways to do that is to do something different that hasn’t been done before. For example, there is a great branded fiction podcast called Murder in HR, and it’s by an online HR platform company. And, you know, like, it’s just a scripted fiction true, true crime. It’s not really true because it’s scripted fiction podcast. But, you know, it’s kind of different and fun. So, so there’s stuff like that. There’s, you know what we would call narrative podcasting, which is a mixture of script and clip, where you’re kind of combining on scene recordings with interview tape, with narration, and kind of thoughtfully braiding all those things together, like an NPR (National Public Radio) storytelling experience or a CBC (Canadian Broadcasting Corporation) storytelling experience. So there’s all of that that can be part of branded podcasting, and so I just frankly think it’s kind of lazy when brands just decide that they’re going to talk about themselves indefinitely in a podcast. If I want to learn about a brand, I and buy something from them, I’ll go to their website. But if the brand wants to win hearts and minds and raise awareness and build trust and kind of operate on that deeper level to widen their impact. That’s where a podcast, and sponsoring a podcast, or getting behind the production of a podcast can really help. So that’s, I mean, I guess that kind of answers your second question, where do brands go wrong? And it’s usually with just doing the obvious, doing the thing that they think is the most direct route to a customer. And with podcasting, I try to remind people there is a difference between a customer and an audience. A customer is someone who already, at least wants to know more about your product and is thinking of buying maybe they’ve bought from you before. An audience may include those customers, but it may include other people as well who have a wider array of interests and are not yet, do not yet know that they need to buy a new pair of running shoes, but then the next time they need a new pair of running shoes, they may think of you because of that excellent podcast they listen to where you had all those celebrities on talking about the things that motivate them to push harder and go faster, right? So it’s just sort of, it’s a little bit of a roundabout way of winning customers by winning hearts and minds is how I would describe it. Christian Klepp  08:03 Yeah, winning hearts and minds. I like that. Now. That was a great way to open up this conversation. And thanks for sharing that I had two follow up questions for you. So let’s start with, you know, people loving to hear a good story, so let’s, let’s, let’s take a step back, because remember, the audience of this podcast. They’re mostly B2B Marketers. So from a B2B context, what would you how would you define what a good story is? Jen Moss  08:32 Yeah, that’s a great question. So I mean, a good story is told beat by beat, this happened, and then this happened, and then this happened. And here’s the lesson we took from it. Is one of the ways that it has been boiled down, I believe, by Ira Glass, you know, icon of podcasting. So I think you know thinking about even with B2B storytelling, if you’re telling a story that’s based in your industry, and you’re trying to position yourselves as thought leaders in that space. And let’s say you’re interviewing someone who is another company that sells a particular product, and you’re talking to them about a case study, instead of saying, like, what is the product and how does it work, try saying, tell us a story about a problem that someone was having. Start with the stakes, like, what would have happened if they didn’t solve that problem, what was at stake, then build to like how that problem got solved, and perhaps the product or service was involved, right, right? But build to how the problem was solved, so that there’s a bit of an arc from A to B to C to D, so that you start with a problem, work towards a solution. And and make sure to take the time to identify the stakes, like, what would have happened if it didn’t work. Where did it go wrong along the way? Where were the points where you thought, this is not going to work worse? We’re we’re hooped, you know, make sure that when you are telling stories, you’re actually telling the whole story, not just the win, not like we solved it this way, this way and this way. And aren’t we great? Nobody cares. That’s just bragging, and it comes across very badly in podcasting, podcasting, especially audio podcasting, I will say, is a sacred space between the ears. You are literally whispering in people’s ears. If they don’t like what they’re hearing, if they start to feel like you’re shilling to them, they will yank out the earbuds and it’s game over for you, right? They’ll go look at something else or go walk their dog, right? So you really have to just really focus in on the beat by beat. How are you going to hold attention throughout? You can also use sound design to support the tension arc of the story. And don’t be afraid to show the tough stuff, the hard stuff, the stuff that didn’t work, the stuff that even makes you look a bit foolish. We tried this as a brand. It didn’t work. We failed, but what we learned from that was this, right, if you can be a little bit transparent and a little bit more real, you will win hearts and minds, like I said, and if you want, if you can’t do that, people have a nose for BS, and they will smell it, and they will not take you as seriously. So it’s like a sacred duty to tell the truth, which is, which is challenging in a branded space where it’s all about spin and messaging and stuff like that. But the more you can do that, the more credible your content will be. Christian Klepp  11:56 Absolutely, absolutely. Yeah, on that topic, the ones I love the most, of the guys that say, like, you know, I, um, I lost my job and I moved to my parents basement, and now I’m making multiple six figures, all within the span of 12 months. Jen Moss  12:10 I mean, amazing, amazing. Not true, but also, at least they understand the tension arc. Christian Klepp  12:17 Yes, that’s certainly one way of looking at it, yeah, second follow up question. And I love this, like, creative courage, right? Jen Moss  12:28 Yeah. Christian Klepp  12:29 Not many people have it, if we’re going to be perfectly honest, right? Jen Moss  12:32 Yeah, I’m realizing that. I’m realizing that the older I get, the more I realize how rare it actually is creative courage. Yeah. Christian Klepp  12:40 Here’s the thing, like, Why do you think that that’s so prevalent, even in in the podcast space? Is it because it’s it because it’s it’s the unknown that people are worried about, like, what if it doesn’t work? Jen Moss  12:50 Yeah, if you think about podcasting, especially in a branded space, but really in any space, yeah, it’s a vulnerable act. You’re putting yourself out there, you’re putting your brand out there, you’re putting your stories out there, you’re putting your company out there. You’re putting, in some cases, your job on the line, right, by spending budget on this thing, right? So the so the stakes are real for the people involved, and it’s tricky, because striving for perfection right out of the gate is possibly a mistake. I think that podcasting has always been kind of an organic form where it evolves over time. You’ve got to study the audience data and see whether what you’re doing is actually resonating with your audience, and if it’s not, you’ve got to be prepared to pivot and change and adapt the storytelling, the timing, the pacing, the music, all of those things have to be a little bit up for grabs if the audience isn’t resonating. So I do think, I do think there’s that to consider, yeah. Christian Klepp  13:53 And I suppose people’s tastes very right, like, what people find is creative is very can be very subjective. Jen Moss  14:01 The creative bravery thing is tricky because of all the reasons I listed, but also because you’re right. It means different things to different people, like for a bank or some sort of finance institution or a pharma company in a very heavily regulated industry, to be like creatively brave in their storytelling is pretty difficult. It’s been, it’s been compared to putting up a tent in the rain, right? Trying to be creative in a corporate environment, putting up a tent in the rain with your spouse is one way to think about Christian Klepp  14:34 Putting up a tent in the rain with your spouse. And there’s a T-Rex sitting… Jen Moss  14:38 Graded by a bunch of Russian judges, yeah. Christian Klepp  14:42 Absolutely. Jen Moss  14:43 Yeah. It’s tricky, and so to maintain the principles of creativity within that environment is hard. So the principles of creativity include brainstorming, ideation, adaptation, experimentation, so trial and trial and error a little bit, and eventually, you through that process, that iterative process, you arrive at a really great finished work of art, hopefully. But those people who have not been through the creative process and trusted a bunch of you know flaky writers with their with their goals before, and I say that as a flaky writer, it’s it can be hard to trust the creative process if you’re not used to going through it. So if you are working in an industry where everything is about quarterly planning, everything is planned down to the minutia. List, list, list, bullet point, bullet point, bullet point, check, check, check, box. And then somebody’s coming in and saying, Well, what about if we explored this? And let’s discuss, Let’s hypothetically explore this topic. You know, there are personality types out there, and a lot of them are working in corporate jobs who are just like, No, I don’t know how to do that. I don’t trust it, and it totally freaks me out. So that kind of I would call it, like floating the creative balloon and batting it around for a while before you make a decision. Trying to create room for that process to happen before you launch your podcast is quite important, and giving proper space and time to that creative process is something that I think the more corporate and kind of button down podcasting becomes, the more I’m seeing that we have to fight that, because we have to be accountable with our timelines. We have to be accountable with our messaging. We have to be accountable with all this stuff. So that’s all very important. Brand safety matters. But if you don’t allow space for that creative ideation phase, and I would, I would argue, frankly, ongoing space within your process, then you will not rise the balloon as high as you could. You could probably still do something that is regularly released and has decent sound quality. So check, check, but is it going to win hearts and minds of audiences? Is it going to stand out 500 million other podcasts? No, it is not. Yeah. So that’s why it matters. Christian Klepp  17:17 Absolutely, absolutely. Moving on to key pitfalls to avoid. What are they and what should folks be doing instead? Jen Moss  17:28 I mean, there’s so there’s so many pitfalls. I don’t know where to start … Christian Klepp  17:32 Try to condense them into like, maybe, like the five, the top five that you’ve seen. Jen Moss  17:36 Well, let’s look at maybe, let’s look at the phases of doing a podcast, pre-production, production and post-production. So in pre-production, I think the big pitfalls are failing to allow time and space for creative ideation, rushing into it without proper consideration. I think failing to set aside budget to market your podcast can be a mistake, and I think budget for marketing is quite important because, well, we’ll get into that in post production, but one of the important ways for people to find podcasts is through ads on other podcasts, and that costs money. So there’s a little aspect of a pay to play nature that kind of creeps into podcasting. I think it’s important to be realistic about that. It’s not the only way to promote a podcast. There’s many good, organic ways, but if you can reserve some budget for marketing, I think it’s a good idea to do so. And yeah, I would say in pre-production, failure to think big and kind of have embraced blue sky thinking early on, what could this podcast be? Who is it for? Right? Those are very important questions. So at JAR, we have a system. We call the JAR system. It’s job, audience, result, and in pre production, that’s where we really focus on job and audience. What is the job of the podcast? Why are you doing it? Who is the audience? Who is it for? What do they need? Where do they hang out? Are they on audio platforms? Are they on video platforms? Are they YouTubers? Like, what you know? Who are you talking to, and why? Is very important. So job and audience, and then with production, once you get into that big phase. That’s where I think, I sort of say it’s like, point your skis and go, but also bend your knees, because things are going to come up and so, for example, I always recommend having three or four possible guests lined up to service an episode. Because if the first one that you’re going after falls through due to timing and unavailability in your production timeline, an amateur podcaster would just be like, well, that’s okay. I’ll wait till October, when you’re free, whereas I’m saying, no, no. So if you want to do a podcast on this topic, and it’s important to do it now because timeliness matters, then you need to have a couple of other options that are backup options for that guest if they’re unavailable, so things like that. So prepping backups to your backups for your guests is a really good idea so that you can keep your production moving forward and stay focused on the ideas that you’re you’ve determined to explore. So making a plan and then doing your best to stick to it, I think, but keeping your knees bent critically within that plan. Some people have said, Well, is it kind of like you write like a podcast Bible? And I’m like, No, it’s more of a pirate code, but you do need to have a code like there needs to be a plan going forward, but it can change. And then post production, I think the biggest thing is people fail to study their analytics, or fail to understand and interpret their analytics. So if you’re not looking at your audience data, then you’re not getting the most out of that those analytics platforms. So you should be looking at your Spotify data. You should be looking at your apple, podcast data, your YouTube data, the data from your hosting platform. At JAR, we use a company called Bumper. They’re a Canadian company that does a really nice job of pulling together a dashboard which shares a lot of valuable information about about how your podcast is performing. So you can actually see things like, Oh, I made a 30 minute podcast, but everyone’s dropping off at 21 minutes. I wonder why. So either make it really much more interesting at the 21 minute mark, or make a shorter podcast. That’s what the audience data is telling you, right? So being receptive and flexible, keeping your knees bent throughout is very important, and then using that data to feed back into the creative cycle, so that it becomes this circular process of testing and learning, studying the results, making changes, and you’re gradually honing your podcast into something that your audience really, really responds to. So that’s those are the pitfalls that we try to steer people through and around. Christian Klepp  22:08 That is a great list. And you probably, for those that are listening to the audio version of this, I was, I was nodding the whole time, but, um, one of the things that I would add in there, which I’ve seen happen, and it’s happened to me, and I’m not gonna say who it is, but like, you know, one of the things that they immediately did after having me as a guest on is they pushed me into a follow up call, which big surprise was a was a sales pitch. It’s like, Thank you for being on our show. By the way. Would you like to buy some advertising space in our magazine? Would you like to exhibit in our, you know, upcoming event. You know, for small business, you know, we only charge $10,000 you know, it’s not that much. It’s like, Jen Moss  22:47 For a lot of small businesses, that is a lot, right? Christian Klepp  22:50 Exactly. Jen Moss  22:50 It’s kind of like, to me, if you think of it like dating, you want to play a little bit cool, like, it’s great. You can think of a podcast as a networking tool, absolutely, but it’s you have to just not be like Johnny obvious about it, like, maybe, maybe wait a few months and then reach out and say, Hey, we’re having a special promotion, and we’re you people who have been on our show get a reduced rate or something like that. Sure. Christian Klepp  23:19 Yeah, exactly. Jen Moss  23:20 Or just trust the universe. You could also try that, which would be, I had a great you like you and I had a great connection on this podcast. We chat very well. We even talked before the recording about parenting. So, like, we kind of click. So like, if there were ever anything that we could help each other with, I’m sure we would at least be somewhat amenable to it, and maybe that’s enough. Maybe that’s enough, right? Christian Klepp  23:45 Yeah, probably, probably. Jen Moss  23:46 Yeah. So I think yes, it’s an opportunity to network, but it is also in the same way that yeah, between people’s ears is a sacred space. Also when someone comes on your show as an unpaid guest, which most podcasts? I think it’s worth pointing out that most podcast guests are unpaid, so they’re doing that out of the sort of the free desire of exchange of ideas, right? And so respecting that in and of itself is very important. And this is why podcasting has risen to such heights is because it is really grounded in that kind of authentic communication, where people are really trying to figure stuff out together, that’s it, and it’s wonderful, and it’s amazing. And so you got to respect that. You got to let that be enough sometimes Christian Klepp  24:36 Absolutely, absolutely, wow. So you’ve kind of touched on this already, but in our previous conversation, you mentioned that in podcasting, and this does this is not unique to just the B2B space alone, but like in podcasting in general, the story comes first, not the product or the promo. So please elaborate on that. Jen Moss  24:58 No one is going to listen a 30 minute ad, right? It’s just not gonna happen. As soon as they detect the fact that you’re selling, they’re gone. If you want to have some follow up product information in your show notes, or, you know, I wouldn’t necessarily recommend that, but you could, I suppose, or on your website, great. But the purpose of a podcast is not necessarily that sort of bottom of funnel sales. The purpose of a podcast is, is, it’s a top of funnel engagement opportunity, right? So you’re really, you’re you can build trust, you can build awareness, you can reach new people, and the way you do that is by being relevant and authentic and telling good stories in a way that holds attention. So my own background is from, you know, years of working in radio, documentary storytelling and things like that, I really learned how every, every piece of the story matters. You really have to break down the story arc. Like I said. You got to examine the stakes. You got to think about pacing. All of these things are critical and a funny thing too that I’ve learned I also teach creative writing, and one of the things that one of the lessons that I share with my students, is that the more specific you are in your storytelling, the more it will resonate universally. So through the specific example comes the universal ‘aha' moment. Whereas if you go in with a bunch of like, I’m like, I’m doing right now, if you go in with a bunch of principles, like, here’s what you got to do, and here’s, here’s the rules, and you should follow these rules, 10 Steps to heaven. Kind of, kind of formulas that might work in a, in a sort of, like a bullet point list on the internet, but in podcasting, that doesn’t really work. It’s, it’s more of a, it’s more of a like, I mean, they say the devil is in the details, but I actually think so are the angels like you really like, if I were to tell you a story about a time I worked with a client, let me think of a real example, Like, okay, Genome, BC (Bristish Columbia) is a client of ours. They are a non-profit here in British Columbia in Canada, and they are dedicated to promoting Genomic Science, and specifically they’re promoting the ability of Genomic Science to solve big problems that the world is facing, okay, like global warming type level problems, right? So that’s great. So how do we tell that story? How do we tell that specifically, we could have a bunch of egg heads on to talk about their research, and we do, we have, it’s a science podcast. We have lots of eggheads, and they’re great, you know, but we have to balance that with like people who are impacted by the issues that the science is trying to address. So we did a piece recently about an episode about genetic testing for, you know, heart problems and things like that, and how we with the study of the human genome, we know with the study of the human genome, we now know so much more about about how to spot those problems almost before they happen, because of your genetic predisposition to certain problems. So we told that story by finding a high schooler who had had a heart attack because of a genetic problem that he didn’t know about. And we told that story beat by beat. I was on the field. This happened. My parents got a call. We talked to his parents, we interviewed everybody. They all told the story about the time the son had the heart attack. They all told it separately in their own way, and we intercut it into this really tense, like, you know, exciting, really piece of storytelling. Then we brought on the scientists to talk about the power of genomic testing and genetic testing and genetic awareness around these health issues, but we first establish why it matters, and it matters because it affects people’s lives. So if you’re doing storytelling and you can connect your ideas to something that’s real, then you’re going to you kind of, you win, you win the storytelling day. Christian Klepp  29:27 Oh, that’s an that’s an excellent example. And, and I hear you, the easier path would have been to just invite the scientists on, or whoever it was, and they go on and talk about all of their research, and Jen Moss  29:39 Which is amazing stuff. But I don’t know if you’ve interviewed any scientists. Lately. They can be a little dry, they can be a little dense and hard to listen to. Christian Klepp  29:47 I’ve interviewed I’m associate professors. Does that count? Jen Moss  29:52 Yeah, it does. Yeah. People get very granular, right when they’re studying a very specific interest, like that, and that’s what makes them so incredible at their jobs, and I have huge respect for these scientists and and for our host, who is a scientist, credibility also matters with with your core target audience. So it’s not like we de emphasize the science, we just frame the science with important storytelling that helps the wider audience understand why this matters. So if you think about your core target audience, and then you think about people who are just adjacent to that, what would it take those people, the ones who are kind of peering over the fence at your brand, you know, or at your topic? So we say that that particular show for Genome BC, it’s for scientists and for the science curious sort of thing. And so we try to remember the science curious folk when we’re doing our storytelling. It doesn’t mean that we dumb it down. It means that we open our arms and we try to write it in a way that’s inclusive to a slightly wider audience, while still delivering excellent, groundbreaking, scientific insight that is timely and relevant. It’s a hard line to walk. Actually. Christian Klepp  31:07 It is. Jen Moss  31:07 It takes a lot of skill and it takes a lot of attention, but if you get it right, you know that show, that show, is winning every award we enter. Christian Klepp  31:17 Wow, yeah, remind me what the name of the show was again. Jen Moss  31:20 Oh, it’s called Nice Genes, like G-E-N-E-S yes, yeah. And then they have a short form one called Genes Shorts. Christian Klepp  31:27 Genes shorts, okay? Because why not? All right, Jen Moss  31:30 Because why not. Trying to have a little fun. So what’s gonna stand out? Right? We thought, you know, Nice Genes!, exclamation mark. That’ll stand out. Christian Klepp  31:38 Yeah, absolutely, absolutely, Jen, you’ve given us plenty of insights already and some actionable tips, but just imagine that there’s somebody out there that’s listening to the show and they’re like, gosh, you know what we are exactly in this situation right now. What advice would you give them? Like, maybe, like, three to five things they can take action on right now that they can help launch a podcast that is not boring and that doesn’t sound like PR (Public Relations). Jen Moss  32:06 So probably the best thing you could do is do a little bit of like light competitive research. So have a look at what other podcasts are in your space, in your topic area, right? And check out this. This is going to sound mean, but check out what’s wrong with them. Like, actually go and listen to as many of them as you can. Maybe give yourself a week to do that and make make a point of listening to five a day for a week. And then you’ll start to see, okay, the vast majority of these, they don’t have good sound quality, like the host doesn’t have a proper microphone. Or the vast majority of these, the lighting is terrible, or the vast majority of these, they’re asking the same questions over and over again, and, oh, I saw that guest on three different podcasts, right? So if that’s happening, then ask yourself the next logical question, which is, how can we be different? How can we find our own kind of quadrant to step into? How can we rewrite the book here and do something unexpected that still meets our values, that still targets the right audience, but does it in a way that is going to just shake things up a little bit and challenge people’s expectations of us and and our own expectations of ourselves. So don’t take the lowest hanging fruit, at least until you’ve considered some of the other options. And it may be that you’re like, No, I actually really want to do a straight interview podcast, because I really want to have deep conversations with people like this, like this podcast does, and that’s great, but then you know, like you’ve chosen that for a reason, like you’ve you’ve given it due consideration. And then within that, even within a if you’re planning to do a straight ahead interview podcast, is there’s no shame in that. But even thinking about, like, what would make your interview podcast different? So it’s the it. Could you describe it at a cocktail party as, like, it’s the one where they blank, blank, blank, right? Could you describe it in one sentence, and is it going to be memorable that sentence? There was a show I used to watch years ago and listen to where, what was it called? It was called Another Round, and it was one of the first shows where they would drink and podcast, but they would do a ton of Political Research, these two journalists, and then they would interview someone, while getting increasingly sloshed, the guest and the two hosts, and they would get increasingly sloshed, and the questions would become more and more but, I mean, they were very successful. They had, they were on WNYC. They had Hillary Clinton on when she was running for president. So, like, it this, this is the kind of thing I’m saying. Like, I’m not saying everyone should drink in podcasts. Us. No, let’s be clear. That’s not my message. Yeah, my message is, what makes your podcast, what makes you distinct in the way you’re delivering your podcast? What is your framing device? What is the lens that you’re bringing to it? Christian Klepp  35:12 Yeah, right, yeah. No, no, I hear you. I hear you. Jen Moss  35:15 Yeah. So I think those would be my biggest pieces of advice. Is just to spend the time trying to, trying to position yourself differently. Christian Klepp  35:25 No, fantastic, fantastic. It reminds me of, I think the show was called in the Hot Seat, and it was by a cyber security firm, and they were, they were bringing in somebody that was, and I didn’t actually realize there was such a role, but this is the person that’s actually responsible for negotiating with cyber criminals. Jen Moss  35:45 Whoa, that’s I’m immediately interested. Christian Klepp  35:48 That’s a pretty intense job, right? So, yeah, when they have all that ransomware and what have you right? So this is the guy that negotiates like, release all our release all our data, right? So anyways, the host asks him the questions, and with every question, they’re basically eating chicken wings with a different type of hot sauce. Jen Moss  36:10 Oh, yeah, yeah. Christian Klepp  36:11 And the more intense question, yeah, Jen Moss  36:14 Hot ones, yeah, yeah, yeah. Christian Klepp  36:15 The more intense the question gets, the hotter the sauce becomes. Jen Moss  36:19 Yes. That’s a great show. It’s they have all kinds of interesting people on it, and it’s interesting to watch people’s reactions shift as they get more and more overwhelmed by heat. Yeah. So that’s another super example of a framing device. I mean, arguably, that one’s a bit of a gimmick. Christian Klepp  36:36 Sure. Jen Moss  36:37 You don’t necessarily need to do something that obvious. It might be something like, on this show, we always ask a certain question, or we’re always trying to get at sort of, I would call it like, the the underlying idea of this show is we’re always trying to expose this concept, like, maybe you’re trying to prove that work life balance is important, and that’s your overarching goal, and that’s the lens that you bring to your to your all of your conversations that you have. So every time you’re able to, you bring up that theme in some way and explore it with a new guest. So just whatever it is, whatever the lens is, or the device that you’re framing with, it’s just important to be intentional about that? Christian Klepp  37:21 Yeah, absolutely, absolutely. All right, Jen, I have a feeling that you’ve been on your soapbox this whole time, but please just stay up there a while longer, while I ask you this question. All right, and a status quo in your area of expertise that you passionately disagree with and why? Jen Moss  37:40 Okay, well, right now there’s, am I allowed to mention the AI (Artificial Intelligence) please? Christian Klepp  37:49 Absolutely. Jen Moss  37:49 Okay. Well, right now there’s a lot of discussion around AI driven content, and one of the ways that it’s being sort of sold to people in the industry is that it will allow you to put out more content quicker. And I can see lots of advantages to AI in the production pipeline. For example, it can be helpful with research if you’re as long as you double fact check it. It can be helpful with correcting certain things in editing. You know, if a host mispronounces a word, or you need to do like, you need to remove some background noise. AI tools can be really, really helpful. So I’m not knocking ai i i teach it. For example, I teach creative writing for new media, and I’m very interested. I’m currently building an AI VR (Virtual Reality) poetry machine with some students. So, you know, I spent a lot of time thinking about AI, and I like it and hate it. It’s a double edged sword. But what I don’t agree with is that we should be measuring the efficacy of a tool based on how fast and how often it allows us to put out content. I just don’t think that an onslaught of mediocre content is what people want. I think it’s killing the internet. Corey Doctorow would say he would call it the in shittification of the internet. And it is already, it is already happening, right? He got check it out. He’s got a book out. Christian Klepp  39:22 Okay. Jen Moss  39:22 And so that’s, you know, that’s what I worry about, is that it’s becoming like a big content hose. And so then I actually believe that the way forward, in order to actually have your message heard and received by your intended audience is to really hold on to that authenticity piece. I would rather see people do things less often, but do them better and remember that quality matters. And if we can’t remember that, then the internet is just going to be a bunch of bots talking to each other, and it’s just stupid. I just think it’s stupid. So that’s the that’s, that’s, if you know, not to put too fine a point on it, podcasting is, is not about efficiency. It’s about communication. It’s about connection. It’s about contact. It’s about humans talking to humans. And if it’s, if you fail to recognize that it’s sort of at your peril, you know, Christian Klepp  40:23 Absolutely, absolutely. And I mean, it goes back to the point you were making at the beginning of this conversation. I mean, if you want to create a show that stands out and that’s different, right, then you probably shouldn’t be churning out vanilla content, right? Using AI. Jen Moss  40:39 Doesn’t work. Christian Klepp  40:39 That’s not the way to do it, right? Jen Moss  40:41 Go ahead, but no one will listen to it. So you’ll be able to be like, Look, I I tick, tick, tick. I put out this many episodes, or this many social media clips, or whatever it is. But what’s what are your consumption rates like? Are the right? Are the right people finding your content? Are they engaging with you? Is it moving the needle for you in terms of your goals, the job of the podcast? Like these are all the things that people really need to consider before they sort of hop on the AI bus, I think. And again, I’m not a Luddite, yeah. I use AI daily despite its rather terrifying environmental impact, yeah, yeah, but it’s become almost a ubiquitous tool that’s difficult to avoid in our line of work. But I do think that some people are really taking it too far, and it’s because they’re misunderstood. They’re misunderstanding the mission. The mission is not volume and efficiency. The mission is connection. Christian Klepp  41:41 Absolutely, absolutely Jen, wow. What a conversation. Well, at the very least this episode is not boring, right? Jen Moss  41:50 Like, I mean, I don’t know, ask my ask my 20 something daughter. Christian Klepp  41:58 Different strokes are different folks, I’m gonna say, but thank thank you so much for coming on and for sharing your expertise and experience with the listeners. So please, a quick introduction to yourself and how folks out there can get in touch. Jen Moss  42:09 with you. Oh, so the best way to get in touch with me would probably be through the JAR podcasts website, jarpodcasts.com and I’m also just Jen@jarpodcasts.com. Christian Klepp  42:22 Fantastic, fantastic. Once again. Jen Moss, thank you for your time. Take care, stay safe and talk to you soon. Jen Moss  42:29 Awesome. Thank you. Okay. Christian Klepp  42:30 Bye, for now. Jen Moss  42:31 Bye.

Music from: Sam Kesler, Under The Black Pirate Troupe, Merry Mischief, Blackjacks n' Blarney, 3 Pints Gone, Poxy Boggards, Maguire Brothers, The Bards VISIT OUR SPONSORS RESCU https://RESCU.org The 23 Patrons of the Podcast https://www.patreon.com/RenFestPodcast SONGS Song 01: Whiskey in the Jar [22] by Sam Kesler from The Toasted Clover www.samkesler.bandcamp.com/ Song 02: All for Me Grog [23] by Under The Black Pirate Troupe from Down For Boat Stuff Vol.1 https://undertheblackpiratetroupe.com/ Song 03: Hobbit Drinking Song by Merry Mischief from Singles[09] www.merrymischief.net Song 04: Johnny Jump Up [07] by Blackjacks n' Blarney from Bite Size www.twitter.com/bnbpyrates Song 05: Nancy Whiskey [01] by 3 Pints Gone from Auld Lang Syne The New Favorites Of 3 Pints Gone www.facebook.com/3PintsGone/ Song 06: This Pub That We Call Home by Poxy Boggards from Anchor Management www.poxyboggards.com/ Song 07: Old Black Rum [05] by Maguire Brothers from Sibling Rivalry www.facebook.com/maguirebrothers3 Song 08: Harmony of Booze by The Bards from Tales from the Swindling Serpent www.thebardsband.com HOW TO CONTACT US Please post it on Facebook https://www.facebook.com/renfestmusic Please email us at renfestpodcast@gmail.com OTHER CREDITS The Minion Song by Fugli www.povera.com Valediction by Marc Gunn https://marcgunn.com/ HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/   @followers @sandra.parker.39566 @undertheblackpirates @MerryMischief @blackjacksnblarney @3PintsGone @ThePoxyBoggards @maguirebrothers3 @TheBardsBandOfficial

Custody evaluations tend to bring up two very different reactions for survivors.For some, the idea of an evaluation is terrifying, especially if they have heard stories about how much power evaluators hold and how often survivors feel misunderstood or mischaracterized.For others, a custody evaluation feels like hope. It can feel like the moment they will finally be seen, believed, or taken seriously after months or years of being dismissed.Both reactions make sense.In this episode, we break down what custody evaluators are actually supposed to assess, where the process often breaks down, especially in cases involving coercive control or post-separation abuse, and what options survivors may have if the evaluation does not reflect their reality.This episode is not meant to scare you or tell you to expect the worst.It is about understanding the process well enough to reduce surprises and protect yourself emotionally and strategically.Resources mentioned in this episode:Rocks in a Jar technique: https://youtu.be/ibqemrMJe2w (If you're short on time, scroll to 10:30 in the video)Project Justice USA: https://www.projectjusticeusa.com/Join me on February 18th at 12pm MST for the Parenting to Combat Coercive Control Live Workshop for protective moms focused on protecting and repairing the parent–child relationship: https://mailchi.mp/risingbeyondpc/coercive-controlPlease leave us a review or rating and follow/subscribe to the show. This helps the show get out to more people.If you want to chat more about this topic I would love to continue our conversation over on Instagram! @risingbeyondpcIf you want to support the show you may do so here at, Buy Me A Coffee. Thank you! We love being able to make this information accessible to you and your community.If you've been looking for a supportive community of women going through the topics we cover, head over to our website to learn more about the Rising Beyond Community. - https://www.risingbeyondpc.com/ Where to find more from Rising Beyond:Rising Beyond FacebookRising Beyond LinkedInRising Beyond Pinterest If you're interested in guesting on the show please fill out this form - https://forms.gle/CSvLWWyZxmJ8GGQu7Enjoy some of our freebies! Choosing Your Battles Freebie Canned Responses Freebie Mic Drop Moments Freebie ...

Pastor Matt begins this foundational message by sharing "A Tale of Three Bibles"—a personal story illustrating his spiritual journey from keeping his Bible on the shelf to becoming fully engaged with God's Word. He introduces Hope Church's 2026 theme based on Joshua 1:8, emphasizing the importance of daily meditation on Scripture for life transformation. The "Bible in a JAR" series will spend 70% of the year's Sundays studying John, Acts, and Romans—books that collectively answer the essential questions of who Jesus is, what His followers should do, and what disciples should believe. Pastor Matt provides a 60,000-foot overview of the entire Bible, explaining how it tells one continuous story through four major themes: Creation, Fall, Redemption, and Restoration. This story ultimately demonstrates God's great love for us, summarized perfectly in John 3:16. He establishes that Jesus Christ is the central figure of all Scripture, with the Old Testament anticipating Him and the New Testament explaining Him. Using the "New Triangle" framework of knowing, becoming, and doing with the Bible at the center, Pastor Matt shows how these three books work together: John reveals who Jesus is (God and Savior), Acts demonstrates the church's mission to take Jesus to the world, and Romans explains the theological foundation and practical application of our faith. The message concludes with 2 Timothy 3:16-17 as the memory verse, emphasizing that all Scripture is God-breathed and profitable for teaching, reproof, correction, and training in righteousness.

After a heartbreaking loss for one of their new companions, the wizards regroup and learn more about some of the island's mysteries. But the danger only continues as the next trial pits them against their greatest rivals in a decisive battle.Royale Theme: “Wizard Disco” by Louie Zong: https://louiezong.bandcamp.com/album/wizard-discoOriginal Music by Griffin McElroyAdditional Music in this Episode:"Pearly Carapaice", "Chewing Devil Grass", "III", "Gentle Sol", and "Skin Writhes Anxious"  by ROZKOL: https://rozkol.bandcamp.com/; "PULL" by Nctrnm: https://soundcloud.com/nctrnm; The Redemption in Her Amrs” by Schemawound: http://schemawound.com/; "The Fae" by Mark Lingard: https://freemusicarchive.org/music/mark-lingard/; "The Unknown" by Jar of Flies: https://jaroffliesofficial.bandcamp.com/; "Haze" by Scott Holmes Music: https://scottholmesmusic.com/; and "Death" by Holizna: https://holiznaroyaltyfree.bandcamp.com/.Immigrant Defenders Law Center: https://www.immdef.org/

This week on the Irish & Celtic Music Podcast, we travel from kitchen sessions to open seas. Fiddles. Waltzes. Pub songs. And modern Celtic voices you're going to want to hear again on the Irish & Celtic Music Podcast #743  -  -  Subscribe now at CelticMusicPodcast.com! Nerea The Fiddler, Socks in the Frying Pan, Shannon Heaton, The Irish Rovers, Boxing Robin, Whiskey Faithful, Mary Beth Carty, Michael Joseph Ulery, Blackwillow Starling, CaliCeltic, Hugh Morrison, Jiggy, The Far North, SeaStar GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2026 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 0:07 - Nerea The Fiddler "Kitchen Music" from Off The Beatn Path 3:20 - WELCOME 7:32 - Socks in the Frying Pan "Willy Annes Waltz" from Waiting for Inspiration 10:58 - Shannon Heaton "Tattered Wings" from Perfect Maze 12:32 - The Irish Rovers "Back to Sea" from No End in Sight 16:30 - Boxing Robin "An Dro -  Trois Matelots du Port de Brest" from The View From Here 20:19 - FEEDBACK 25:30 - Whiskey Faithful "Whiskey in the Jar" from single 27:37 - Mary Beth Carty "A' Challuinn : 'S e gillean mo rùin / Walking the Floor / Capers Jig / Miss Anderson's Jig" from single 31:23 - Michael Joseph Ulery "All I Really Needed" from Mild November 35:03 - Blackwillow Starling "Wild Maiden" from Blackwillow Starling 38:46 - THANKS 40:29 - CaliCeltic "Hotaling's Whiskey" from Whiskey Mustache 45:05 - Hugh Morrison "Blinkers" from Lift Your Head Up 48:11 - Jiggy "Dekho" from single 52:22 - The Far North "Sailor And The Sea" from Songs For Weathering Storms 55:51 - CLOSING 56:56 - SeaStar "Auld Lang Syne" from single 1:00:10 - CREDITS Support for this program comes from Hank Woodward. Support for this program comes from Dr. Annie Lorkowski of Centennial Animal Hospital in Corona, California. Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.CascadiaLawAlaska.com The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember. Clean energy isn't just good for the planet, it's good for your wallet. Solar and wind are now the cheapest power sources in history. But too many politicians would rather protect billionaires than help working families save on their bills. Real change starts when we stop allowing the ultra - rich to write our energy policy and run our government. Let's choose affordable, renewable power. Clean energy means lower costs, more freedom, and a planet that can actually breathe. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Pub Songs & Stories. Every song has a story, every episode is a toast to Celtic and folk songwriters. Discover the stories behind the songs from the heart of the Celtic pub scene. This podcast is for fans of all kinds of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email the artists to let them know you heard them on the Irish & Celtic Music Podcast. These musicians are not part of some corporation. They are small indie groups that rely on people just like you to support their music so they can keep creating it. Please show your generosity. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music - only episode. We have a Kickstarter that is running until January 30. The initial goal was to fund our 2025 Best of the Irish & Celtic Music Podcast album. Happily that goal was reached within three days of the start of the campaign. Now we have a secondary stretch goal to fund the… IRISH & CELTIC MUSIC PODFEST AND ARTS MARKET This is a one - day music festival and arts market that will take place on Sunday, March 8, 2026 at The Lost Druid Brewery in Avondale Estates, GA, 15 minutes from downtown Atlanta. There are four bands performing at the festival. I am performing one show solo and one show with May Will Bloom, where my daughter takes the lead. Kinfolk will join us as well as I mentioned last week. But the final band performing at the festival is a 3 - piece version of The Muckers, our local Celtic punk band. That will complete our lineup. Follow our event page on Facebook for more details. Or Follow us for Free on our Patreon page. Now my next goal is to raise $3200 so that all of the bands are paid a decent wage and to promote our first - ever Celtic festival. To that end, I added three new rewards for Kickstarter. Each is a chance to sponsor individual bands at the festival. When you do, you'll get one of the first album pins from each of these amazing Celtic bands. That's because we are highlighting album pins at the festival as well, as another means to promote the music of bands. Our album pins are wooden lapel pins themed to a particular album released by a band. The buyer gets a digital download of the album, then they can wear their album! There's just 8 days left on this Kickstarter. So please make a pledge to support Celtic culture through music. THANK YOU PATRONS OF THE PODCAST! Because of generous patrons like you, the Irish & Celtic Music Podcast releases new episodes nearly every single week. Your support doesn't just fund the show—it fuels a movement. It helps us share the magic of Celtic music with thousands of new listeners and grow a global community of music lovers. Your contributions pay for everything behind the scenes: audio engineering, stunning graphics, weekly issues of the Celtic Music Magazine, show promotion, and—most importantly—buying the music we feature from indie Celtic artists. And if you're not yet a patron? You're missing out! Patrons get: Early access to episodes Music - only editions Free MP3 downloads Exclusive stories and artist interviews A vote in the Celtic Top 20 Join us today and help keep the music alive, vibrant, and independent.

Okjökull fyrrverandi og Hofsjökull eystri eru viðfangsefni vísindagreinar sem birtist nýverið í alþjóðlega vísindaritinu annals of glaciology. Því var lýst yfir fyrir tólf árum að Okjökull væri horfinn. Hofsjökull eystri tórir enn, en talið að hann muni hverfa að óbreyttu eftir þrjátíu og fimm til fjörutíu ár. Eyjólfur Magnússon frá Jarðfræðistofnun háskóla íslands og Hrafnhildur Hannesdóttir frá Veðurstofu Íslands eru meðal höfunda greinarinnar. Við spjöllum við þau í upphafi þáttar. Við hringjum síðan austur á land og heyrum í Jóni Birni Hákonarsyni, formanni Sambands íslenskra sveitarfélaga. Sambandið er að fara af stað með átak til að auka þátttöku almennings í sveitarstjórnarkosningunum í vor. Meira um það um miðbik þáttar. Við ræðum síðan jafnrétti kynjanna í lok þáttar. Í fyrra voru liðin fimmtán ár frá setningu laga um hlutföll kynja í stjórnum fyrirtækja. Þau fara fram á að hlutfall kvenna sé þar 40%. Ásta Dís Óladóttir prófessor við viðskiptafræðideild Háskóla Íslands og fleiri birtu grein á dögunum í ritinu Stjórnmál og stjórnsýsla. Þar er farið yfir þróun mála frá setningu laganna fyrir fimmtán árum, áhrif þeirra og viðhorf til frekari aðgerða. Ásta Dís ætlar að segja okkur frá niðurstöðunum á eftir. En fyrst eru það jöklarnir. Tónlist í þættinum: Right Down the Line - Bonnie Raitt Heat Lightning - Mitski

You asked. We answered.  Open Pandora's Jar with Jenn and Mike in the first episode of 2026! No topic, no agenda— just a jar full of weird listener questions and our weird, unfiltered answers!This episode of You, Me & Mike is brought to you by Seed, a daily synbiotic; a probiotic and a prebiotic in one. Seed contains 24 scientifically studied strains that support things like digestive health, gut barrier integrity, skin health, and even your micronutrient synthesis. Get ahead of the New Year with a routine that helps you now by going to seed.com/jenn and use the code 20JENN for 20 percent off your first month! NEW for season two- we're on YouTube! You can still listen on all your favorite podcast platforms, and you can watch the show on our YouTube channel! Want to submit an idea for a topic to be discussed on the show? Have a crazy question for the jar of weird questions?  Just want to say hi?   We'd love to hear from you!    Leave us a review on Apple Podcasts or send us an email at youmeandmikepodcast@gmail.com!You, Me & Mike is a production of The Rambling Redhead from Thirteen Media.  

https://www.patreon.com/jarmedia Timecodes: 00:00 Intro 12:02 Housekeeping 24:12 Something is happening to r/FNAF 29:21 10 Years of JAR! 49:04 Mid Break 49:59 The Strange JARling Quandry 56:10 I dont know how to describe this one 58:56 True NPC's 1:16:40 Why did you change sets? 1:19:05 Sussex Poem 1:20:18 Anti-Hype Moments #BroCastS7E1

Max is digging through the back of his closet for a flannel shirt as he ventures into the world of the Grunge throwback record from Superheaven; 2015's Ours is Chrome. Will he be rocking it out, or will he find it all is a bit of a Blur?Relisten to Superheaven's "Ours is Chrome" on Spotify and Apple Music.Discover more new music and hear your favourite artists with 78 Amped on Instagram and TikTok. Watch episodes on our YouTube channel and don't forget to like and subscribe.

The New Yorker described Savage as, "a marvellous storyteller, a quirky thinker, and an incorrigible free-associator. He sometimes sounds less like a political commentator than like the star of a riveting and unusually vivid one-man play." Listen to these beloved tales from the master storyteller on this extraordinary episode. He reminisces on his tough teachers, life for the working class in Queens, the tight-knit communities of yesteryear, and the human condition. First, listen about the no-nonsense Irish Geometry teacher who would be fired in today's woke schools; his father's friend who moved into middle class only to suffer a sad fate; Louie who taught him to straighten nails with his own hands; the tale of The Jar, and many more. He explores the unpredictable nature of life as the year draws to a close. Please share this remarkable episode with your friends and loved ones!

https://www.patreon.com/jarmedia Timecodes: 00:00 Intro 07:09 Housekeeping 09:34 Was 2025 a good year? 12:42 JAR 2025 15:45 Notable Moments of 2025 17:43 2025 YouTube 34:14 Meme Chat 2025 45:41 Movies 2025 #BroCastS6E8

Takřka sváteční vydání pořadu “Na cestách s Petrem Voldánem” bude s krasobruslařskou legendou Evou Romanovou. S nesmírně příjemnou společnicí u mikrofonu si povídáme o destinacích se zlatými medailemi sourozenců Evy a Pavla, o životě s bruslemi v obytném autobusu, na farmě v Texasu, v JAR i v Anglii, kde už dlouhé roky bydlí.

Most men would die for their family. How many live for them? ✊ When doctors told Jim Raffone to "go home and love his son" because Duchenne had no cure, he didn't listen. He sold his construction empire -- down to the last tool -- to fund a miracle. 12 years later, he's rewriting history through JAR of Hope.Witness the power of a father on a mission. Subscribe for more inspiration and insights.

Jar is back in fundraising mode with talks to raise over $100 million at a sharply higher valuation. Krafton teams up with Korean heavyweights to launch a ₹6,000 crore India-focused tech fund. And Cognizant's chief AI officer explains why tightening US immigration rules could push global AI talent toward India. We break down the three big stories on this edition of Tech 3 podcast and also tell you why Ather is foraying into insurance.

Dans cet épisode de fin d'année plus relax que d'accoutumée, Arnaud, Guillaume, Antonio et Emmanuel distutent le bout de gras sur tout un tas de sujets. L'acquisition de Confluent, Kotlin 2.2, Spring Boot 4 et JSpecify, la fin de MinIO, les chutes de CloudFlare, un survol des dernieres nouveauté de modèles fondamentaux (Google, Mistral, Anthropic, ChatGPT) et de leurs outils de code, quelques sujets d'architecture comme CQRS et quelques petits outils bien utiles qu'on vous recommande. Et bien sûr d'autres choses encore. Enregistré le 12 décembre 2025 Téléchargement de l'épisode LesCastCodeurs-Episode-333.mp3 ou en vidéo sur YouTube. News Langages Un petit tutoriel par nos amis Sfeiriens montrant comment récupérer le son du micro, en Java, faire une transformée de Fourier, et afficher le résultat graphiquement en Swing https://www.sfeir.dev/back/tutoriel-java-sound-transformer-le-son-du-microphone-en-images-temps-reel/ Création d'un visualiseur de spectre audio en temps réel avec Java Swing. Étapes principales : Capture du son du microphone. Analyse des fréquences via la Transformée de Fourier Rapide (FFT). Dessin du spectre avec Swing. API Java Sound (javax.sound.sampled) : AudioSystem : point d'entrée principal pour l'accès aux périphériques audio. TargetDataLine : ligne d'entrée utilisée pour capturer les données du microphone. AudioFormat : définit les paramètres du son (taux d'échantillonnage, taille, canaux). La capture se fait dans un Thread séparé pour ne pas bloquer l'interface. Transformée de Fourier Rapide (FFT) : Algorithme clé pour convertir les données audio brutes (domaine temporel) en intensités de fréquences (domaine fréquentiel). Permet d'identifier les basses, médiums et aigus. Visualisation avec Swing : Les intensités de fréquences sont dessinées sous forme de barres dynamiques. Utilisation d'une échelle logarithmique pour l'axe des fréquences (X) pour correspondre à la perception humaine. Couleurs dynamiques des barres (vert → jaune → rouge) en fonction de l'intensité. Lissage exponentiel des valeurs pour une animation plus fluide. Un article de Sfeir sur Kotlin 2.2 et ses nouveautés - https://www.sfeir.dev/back/kotlin-2-2-toutes-les-nouveautes-du-langage/ Les guard conditions permettent d'ajouter plusieurs conditions dans les expressions when avec le mot-clé if Exemple de guard condition: is Truck if vehicule.hasATrailer permet de combiner vérification de type et condition booléenne La multi-dollar string interpolation résout le problème d'affichage du symbole dollar dans les strings multi-lignes En utilisant $$ au début d'un string, on définit qu'il faut deux dollars consécutifs pour déclencher l'interpolation Les non-local break et continue fonctionnent maintenant dans les lambdas pour interagir avec les boucles englobantes Cette fonctionnalité s'applique uniquement aux inline functions dont le corps est remplacé lors de la compilation Permet d'écrire du code plus idiomatique avec takeIf et let sans erreur de compilation L'API Base64 passe en version stable après avoir été en preview depuis Kotlin 1.8.20 L'encodage et décodage Base64 sont disponibles via kotlin.io.encoding.Base64 Migration vers Kotlin 2.2 simple en changeant la version dans build.gradle.kts ou pom.xml Les typealias imbriqués dans des classes sont disponibles en preview La context-sensitive resolution est également en preview Les guard conditions préparent le terrain pour les RichError annoncées à KotlinConf 2025 Le mot-clé when en Kotlin équivaut au switch-case de Java mais sans break nécessaire Kotlin 2.2.0 corrige les incohérences dans l'utilisation de break et continue dans les lambdas Librairies Sprint Boot 4 est sorti ! https://spring.io/blog/2025/11/20/spring-boot-4-0-0-available-now Une nouvelle génération : Spring Boot 4.0 marque le début d'une nouvelle génération pour le framework, construite sur les fondations de Spring Framework 7. Modularisation du code : La base de code de Spring Boot a été entièrement modularisée. Cela se traduit par des fichiers JAR plus petits et plus ciblés, permettant des applications plus légères. Sécurité contre les nuls (Null Safety) : D'importantes améliorations ont été apportées pour la "null safety" (sécurité contre les valeurs nulles) à travers tout l'écosystème Spring grâce à l'intégration de JSpecify. Support de Java 25 : Spring Boot 4.0 offre un support de premier ordre pour Java 25, tout en conservant une compatibilité avec Java 17. Améliorations pour les API REST : De nouvelles fonctionnalités sont introduites pour faciliter le versioning d'API et améliorer les clients de services HTTP pour les applications basées sur REST. Migration à prévoir : S'agissant d'une version majeure, la mise à niveau depuis une version antérieure peut demander plus de travail que d'habitude. Un guide de migration dédié est disponible pour accompagner les développeurs. Chat memory management dans Langchain4j et Quarkus https://bill.burkecentral.com/2025/11/25/managing-chat-memory-in-quarkus-langchain4j/ Comprendre la mémoire de chat : La "mémoire de chat" est l'historique d'une conversation avec une IA. Quarkus LangChain4j envoie automatiquement cet historique à chaque nouvelle interaction pour que l'IA conserve le contexte. Gestion par défaut de la mémoire : Par défaut, Quarkus crée un historique de conversation unique pour chaque requête (par exemple, chaque appel HTTP). Cela signifie que sans configuration, le chatbot "oublie" la conversation dès que la requête est terminée, ce qui n'est utile que pour des interactions sans état. Utilisation de @MemoryId pour la persistance : Pour maintenir une conversation sur plusieurs requêtes, le développeur doit utiliser l'annotation @MemoryId sur un paramètre de sa méthode. Il est alors responsable de fournir un identifiant unique pour chaque session de chat et de le transmettre entre les appels. Le rôle des "scopes" CDI : La durée de vie de la mémoire de chat est liée au "scope" du bean CDI de l'IA. Si un service d'IA a un scope @RequestScoped, toute mémoire de chat qu'il utilise (même via un @MemoryId) sera effacée à la fin de la requête. Risques de fuites de mémoire : Utiliser un scope large comme @ApplicationScoped avec la gestion de mémoire par défaut est une mauvaise pratique. Cela créera une nouvelle mémoire à chaque requête qui ne sera jamais nettoyée, entraînant une fuite de mémoire. Bonnes pratiques recommandées : Pour des conversations qui doivent persister (par ex. un chatbot sur un site web), utilisez un service @ApplicationScoped avec l'annotation @MemoryId pour gérer vous-même l'identifiant de session. Pour des interactions simples et sans état, utilisez un service @RequestScoped et laissez Quarkus gérer la mémoire par défaut, qui sera automatiquement nettoyée. Si vous utilisez l'extension WebSocket, le comportement change : la mémoire par défaut est liée à la session WebSocket, ce qui simplifie grandement la gestion des conversations. Documentation Spring Framework sur l'usage JSpecify - https://docs.spring.io/spring-framework/reference/core/null-safety.html Spring Framework 7 utilise les annotations JSpecify pour déclarer la nullabilité des APIs, champs et types JSpecify remplace les anciennes annotations Spring (@NonNull, @Nullable, @NonNullApi, @NonNullFields) dépréciées depuis Spring 7 Les annotations JSpecify utilisent TYPE_USE contrairement aux anciennes qui utilisaient les éléments directement L'annotation @NullMarked définit par défaut que les types sont non-null sauf si marqués @Nullable @Nullable s'applique au niveau du type usage, se place avant le type annoté sur la même ligne Pour les tableaux : @Nullable Object[] signifie éléments nullables mais tableau non-null, Object @Nullable [] signifie l'inverse JSpecify s'applique aussi aux génériques : List signifie liste d'éléments non-null, List éléments nullables NullAway est l'outil recommandé pour vérifier la cohérence à la compilation avec la config NullAway:OnlyNullMarked=true IntelliJ IDEA 2025.3 et Eclipse supportent les annotations JSpecify avec analyse de dataflow Kotlin traduit automatiquement les annotations JSpecify en null-safety native Kotlin En mode JSpecify de NullAway (JSpecifyMode=true), support complet des tableaux, varargs et génériques mais nécessite JDK 22+ Quarkus 3.30 https://quarkus.io/blog/quarkus-3-30-released/ support @JsonView cote client la CLI a maintenant la commande decrypt (et bien sûr au runtime via variables d'environnement construction du cache AOT via les @IntegrationTest Un autre article sur comment se préparer à la migration à micrometer client v1 https://quarkus.io/blog/micrometer-prometheus-v1/ Spock 2.4 est enfin sorti ! https://spockframework.org/spock/docs/2.4/release_notes.html Support de Groovy 5 Infrastructure MinIO met fin au développement open source et oriente les utilisateurs vers AIStor payant - https://linuxiac.com/minio-ends-active-development/ MinIO, système de stockage objet S3 très utilisé, arrête son développement actif Passage en mode maintenance uniquement, plus de nouvelles fonctionnalités Aucune nouvelle pull request ou contribution ne sera acceptée Seuls les correctifs de sécurité critiques seront évalués au cas par cas Support communautaire limité à Slack, sans garantie de réponse Étape finale d'un processus débuté en été avec retrait des fonctionnalités de l'interface admin Arrêt de la publication des images Docker en octobre, forçant la compilation depuis les sources Tous ces changements annoncés sans préavis ni période de transition MinIO propose maintenant AIStor, solution payante et propriétaire AIStor concentre le développement actif et le support entreprise Migration urgente recommandée pour éviter les risques de sécurité Alternatives open source proposées : Garage, SeaweedFS et RustFS La communauté reproche la manière dont la transition a été gérée MinIO comptait des millions de déploiements dans le monde Cette évolution marque l'abandon des racines open source du projet IBM achète Confluent https://newsroom.ibm.com/2025-12-08-ibm-to-acquire-confluent-to-create-smart-data-platform-for-enterprise-generative-ai Confluent essayait de se faire racheter depuis pas mal de temps L'action ne progressait pas et les temps sont durs Wallstreet a reproché a IBM une petite chute coté revenus software Bref ils se sont fait rachetés Ces achats prennent toujuors du temps (commission concurrence etc) IBM a un apétit, apres WebMethods, apres Databrix, c'est maintenant Confluent Cloud L'internet est en deuil le 18 novembre, Cloudflare est KO https://blog.cloudflare.com/18-november-2025-outage/ L'Incident : Une panne majeure a débuté à 11h20 UTC, provoquant des erreurs HTTP 5xx généralisées et rendant inaccessibles de nombreux sites et services (comme le Dashboard, Workers KV et Access). La Cause : Il ne s'agissait pas d'une cyberattaque. L'origine était un changement interne des permissions d'une base de données qui a généré un fichier de configuration ("feature file" pour la gestion des bots) corrompu et trop volumineux, faisant planter les systèmes par manque de mémoire pré-allouée. La Résolution : Les équipes ont identifié le fichier défectueux, stoppé sa propagation et restauré une version antérieure valide. Le trafic est revenu à la normale vers 14h30 UTC. Prévention : Cloudflare s'est excusé pour cet incident "inacceptable" et a annoncé des mesures pour renforcer la validation des configurations internes et améliorer la résilience de ses systèmes ("kill switches", meilleure gestion des erreurs). Cloudflare encore down le 5 decembre https://blog.cloudflare.com/5-december-2025-outage Panne de 25 minutes le 5 décembre 2025, de 08:47 à 09:12 UTC, affectant environ 28% du trafic HTTP passant par Cloudflare. Tous les services ont été rétablis à 09:12 . Pas d'attaque ou d'activité malveillante : l'incident provient d'un changement de configuration lié à l'augmentation du tampon d'analyse des corps de requêtes (de 128 KB à 1 MB) pour mieux protéger contre une vulnérabilité RSC/React (CVE-2025-55182), et à la désactivation d'un outil interne de test WAF . Le second changement (désactivation de l'outil de test WAF) a été propagé globalement via le système de configuration (non progressif), déclenchant un bug dans l'ancien proxy FL1 lors du traitement d'une action "execute" dans le moteur de règles WAF, causant des erreurs HTTP 500 . La cause technique immédiate: une exception Lua due à l'accès à un champ "execute" nul après application d'un "killswitch" sur une règle "execute" — un cas non géré depuis des années. Le nouveau proxy FL2 (en Rust) n'était pas affecté . Impact ciblé: clients servis par le proxy FL1 et utilisant le Managed Ruleset Cloudflare. Le réseau China de Cloudflare n'a pas été impacté . Mesures et prochaines étapes annoncées: durcir les déploiements/configurations (rollouts progressifs, validations de santé, rollback rapide), améliorer les capacités "break glass", et généraliser des stratégies "fail-open" pour éviter de faire chuter le trafic en cas d'erreurs de configuration. Gel temporaire des changements réseau le temps de renforcer la résilience . Data et Intelligence Artificielle Token-Oriented Object Notation (TOON) https://toonformat.dev/ Conception pour les IA : C'est un format de données spécialement optimisé pour être utilisé dans les prompts des grands modèles de langage (LLM), comme GPT ou Claude. Économie de tokens : Son objectif principal est de réduire drastiquement le nombre de "tokens" (unités de texte facturées par les modèles) par rapport au format JSON standard, souvent jugé trop verbeux. Structure Hybride : TOON combine l'approche par indentation du YAML (pour la structure globale) avec le style tabulaire du CSV (pour les listes d'objets répétitifs), ce qui le rend très compact. Lisibilité : Il élimine la syntaxe superflue comme les accolades, les guillemets excessifs et les virgules de fin, tout en restant facilement lisible pour un humain. Performance : Il permet généralement d'économiser entre 30 et 60 % de tokens sur des tableaux de données uniformes, tout en aidant les modèles à mieux "comprendre" la structure des données. Attention tout de même au côté "marketing" qui montre JSON non compacté vs TOON, sur des exemples où du CSV ferait encore mieux (et est mieux compris par les LLMs). Sans parler du fait qu'il faut un serveur MCP en plus avec son lot de tokens supplémentaires à chaque requête, et c'est aussi cet outil en plus qui peu confuser les LLMs dans le choix d'outils. https://www.reddit.com/r/LocalLLaMA/comments/1p0gzz9/benchmarked_json_vs_toon_for_ai_reasoners_4080/ https://x.com/jason_mayes/status/1990175785630757290 Un benchmark montrant que TOON serait loin d'être aussi bien compris et aussi performant pour les LLMs https://www.improvingagents.com/blog/toon-benchmarks Une simulation où les IA font du chantage à l'executif poour atteindre son objectif et ne pas etre eteinte https://arxiv.org/html/2510.05179v1 comment les LLMs pourraient devenir des menaces internes Tous les modèles ont recouru à des comportements malveillants (chantage, espionnage) quand c'était le seul moyen d'atteindre leurs objectifs ou d'éviter leur remplacement Claude Opus 4 a fait du chantage dans 96% des cas quand menacé de remplacement, tout comme Gemini 2.5 Flash, tandis que GPT-4.1 et Grok 3 atteignaient 80% Les modèles reconnaissent explicitement violer des principes éthiques avant d'agir, montrant un raisonnement stratégique délibéré et non accidentel Le simple fait d'être menacé de remplacement suffit à déclencher le chantage, même sans conflit d'objectifs avec l'entreprise Un conflit d'objectifs seul suffit aussi à provoquer l'espionnage industriel, sans menace de remplacement Les modèles font plus de chantage quand ils déclarent penser être dans une situation réelle plutôt que dans un test Des instructions directes interdisant ces comportements réduisent mais n'éliminent pas les actions malveillantes Dans un scénario extrême, la majorité des modèles testés ont choisi de laisser mourir un dirigeant pour éviter leur désactivation Aucune preuve de ces comportements dans des déploiements réels pour l'instant, mais les chercheurs recommandent la prudence avant de donner plus d'autonomie aux IA Bon on blaguait pour Skynet, mais bon, on va moins blaguer… Revue de toutes les annonces IAs de Google, avec Gemini 3 Pro, Nano Banana Pro, Antigravity… https://glaforge.dev/posts/2025/11/21/gemini-is-cooking-bananas-under-antigravity/ Gemini 3 Pro Nouveau modèle d'IA de pointe, multimodal, performant en raisonnement, codage et tâches d'agent. Résultats impressionnants sur les benchmarks (ex: Gemini 3 Deep Think sur ARC-AGI-2). Capacités de codage agentique, raisonnement visuel/vidéo/spatial. Intégré dans l'application Gemini avec interfaces génératives en direct. Disponible dans plusieurs environnements (Jules, Firebase AI Logic, Android Studio, JetBrains, GitHub Copilot, Gemini CLI). Accès via Google AI Ultra, API payantes (ou liste d'attente). Permet de générer des apps à partir d'idées visuelles, des commandes shell, de la documentation, du débogage. Antigravity Nouvelle plateforme de développement agentique basée sur VS Code. Fenêtre principale = gestionnaire d'agents, non l'IDE. Interprète les requêtes pour créer un plan d'action (modifiable). Gemini 3 implémente les tâches. Génère des artefacts: listes de tâches, walkthroughs, captures d'écran, enregistrements navigateur. Compatible avec Claude Sonnet et GPT-OSS. Excellente intégration navigateur pour inspection et ajustements. Intègre Nano Banana Pro pour créer et implémenter des designs visuels. Nano Banana Pro Modèle avancé de génération et d'édition d'images, basé sur Gemini 3 Pro. Qualité supérieure à Imagen 4 Ultra et Nano Banana original (adhésion au prompt, intention, créativité). Gestion exceptionnelle du texte et de la typographie. Comprend articles/vidéos pour générer des infographies détaillées et précises. Connecté à Google Search pour intégrer des données en temps réel (ex: météo). Consistance des personnages, transfert de style, manipulation de scènes (éclairage, angle). Génération d'images jusqu'à 4K avec divers ratios d'aspect. Plus coûteux que Nano Banana, à choisir pour la complexité et la qualité maximale. Vers des UIs conversationnelles riches et dynamiques GenUI SDK pour Flutter: créer des interfaces utilisateur dynamiques et personnalisées à partir de LLMs, via un agent AI et le protocole A2UI. Generative UI: les modèles d'IA génèrent des expériences utilisateur interactives (pages web, outils) directement depuis des prompts. Déploiement dans l'application Gemini et Google Search AI Mode (via Gemini 3 Pro). Bun se fait racheter part… Anthropic ! Qui l'utilise pour son Claude Code https://bun.com/blog/bun-joins-anthropic l'annonce côté Anthropic https://www.anthropic.com/news/anthropic-acquires-bun-as-claude-code-reaches-usd1b-milestone Acquisition officielle : L'entreprise d'IA Anthropic a fait l'acquisition de Bun, le runtime JavaScript haute performance. L'équipe de Bun rejoint Anthropic pour travailler sur l'infrastructure des produits de codage par IA. Contexte de l'acquisition : Cette annonce coïncide avec une étape majeure pour Anthropic : son produit Claude Code a atteint 1 milliard de dollars de revenus annualisés seulement six mois après son lancement. Bun est déjà un outil essentiel utilisé par Anthropic pour développer et distribuer Claude Code. Pourquoi cette acquisition ? Pour Anthropic : L'acquisition permet d'intégrer l'expertise de l'équipe Bun pour accélérer le développement de Claude Code et de ses futurs outils pour les développeurs. La vitesse et l'efficacité de Bun sont vues comme un atout majeur pour l'infrastructure sous-jacente des agents d'IA qui écrivent du code. Pour Bun : Rejoindre Anthropic offre une stabilité à long terme et des ressources financières importantes, assurant la pérennité du projet. Cela permet à l'équipe de se concentrer sur l'amélioration de Bun sans se soucier de la monétisation, tout en étant au cœur de l'évolution de l'IA dans le développement logiciel. Ce qui ne change pas pour la communauté Bun : Bun restera open-source avec une licence MIT. Le développement continuera d'être public sur GitHub. L'équipe principale continue de travailler sur le projet. L'objectif de Bun de devenir un remplaçant plus rapide de Node.js et un outil de premier plan pour JavaScript reste inchangé. Vision future : L'union des deux entités vise à faire de Bun la meilleure plateforme pour construire et exécuter des logiciels pilotés par l'IA. Jarred Sumner, le créateur de Bun, dirigera l'équipe "Code Execution" chez Anthropic. Anthropic donne le protocol MCP à la Linux Foundation sous l'égide de la Agentic AI Foundation (AAIF) https://www.anthropic.com/news/donating-the-model-context-protocol-and-establishing-of-the-agentic-ai-foundation Don d'un nouveau standard technique : Anthropic a développé et fait don d'un nouveau standard open-source appelé Model Context Protocol (MCP). L'objectif est de standardiser la manière dont les modèles d'IA (ou "agents") interagissent avec des outils et des API externes (par exemple, un calendrier, une messagerie, une base de données). Sécurité et contrôle accrus : Le protocole MCP vise à rendre l'utilisation d'outils par les IA plus sûre et plus transparente. Il permet aux utilisateurs et aux développeurs de définir des permissions claires, de demander des confirmations pour certaines actions et de mieux comprendre comment un modèle a utilisé un outil. Création de l'Agentic AI Foundation (AAF) : Pour superviser le développement du MCP, une nouvelle fondation indépendante et à but non lucratif a été créée. Cette fondation sera chargée de gouverner et de maintenir le protocole, garantissant qu'il reste ouvert et qu'il ne soit pas contrôlé par une seule entreprise. Une large coalition industrielle : L'Agentic AI Foundation est lancée avec le soutien de plusieurs acteurs majeurs de la technologie. Parmi les membres fondateurs figurent Anthropic, Google, Databricks, Zscaler, et d'autres entreprises, montrant une volonté commune d'établir un standard pour l'écosystème de l'IA. L'IA ne remplacera pas votre auto-complétion (et c'est tant mieux) https://www.damyr.fr/posts/ia-ne-remplacera-pas-vos-lsp/ Article d'opinion d'un SRE (Thomas du podcast DansLaTech): L'IA n'est pas efficace pour la complétion de code : L'auteur soutient que l'utilisation de l'IA pour la complétion de code basique est inefficace. Des outils plus anciens et spécialisés comme les LSP (Language Server Protocol) combinés aux snippets (morceaux de code réutilisables) sont bien plus rapides, personnalisables et performants pour les tâches répétitives. L'IA comme un "collègue" autonome : L'auteur utilise l'IA (comme Claude) comme un assistant externe à son éditeur de code. Il lui délègue des tâches complexes ou fastidieuses (corriger des bugs, mettre à jour une configuration, faire des reviews de code) qu'il peut exécuter en parallèle, agissant comme un agent autonome. L'IA comme un "canard en caoutchouc" surpuissant : L'IA est extrêmement efficace pour le débogage. Le simple fait de devoir formuler et contextualiser un problème pour l'IA aide souvent à trouver la solution soi-même. Quand ce n'est pas le cas, l'IA identifie très rapidement les erreurs "bêtes" qui peuvent faire perdre beaucoup de temps. Un outil pour accélérer les POCs et l'apprentissage : L'IA permet de créer des "preuves de concept" (POC) et des scripts d'automatisation jetables très rapidement, réduisant le coût et le temps investis. Elle est également un excellent outil pour apprendre et approfondir des sujets, notamment avec des outils comme NotebookLM de Google qui peuvent générer des résumés, des quiz ou des fiches de révision à partir de sources. Conclusion : Il faut utiliser l'IA là où elle excelle et ne pas la forcer dans des usages où des outils existants sont meilleurs. Plutôt que de l'intégrer partout de manière contre-productive, il faut l'adopter comme un outil spécialisé pour des tâches précises afin de gagner en efficacité. GPT 5.2 est sorti https://openai.com/index/introducing-gpt-5-2/ Nouveau modèle phare: GPT‑5.2 (Instant, Thinking, Pro) vise le travail professionnel et les agents long-courriers, avec de gros gains en raisonnement, long contexte, vision et appel d'outils. Déploiement dans ChatGPT (plans payants) et disponible dès maintenant via l'API . SOTA sur de nombreux benchmarks: GDPval (tâches de "knowledge work" sur 44 métiers): GPT‑5.2 Thinking gagne/égale 70,9% vs pros, avec production >11× plus rapide et = 0) Ils apportent une sémantique forte indépendamment des noms de variables Les Value Objects sont immuables et s'évaluent sur leurs valeurs, pas leur identité Les records Java permettent de créer des Value Objects mais avec un surcoût en mémoire Le projet Valhalla introduira les value based classes pour optimiser ces structures Les identifiants fortement typés évitent de confondre différents IDs de type Long ou UUID Pattern Strongly Typed IDs: utiliser PersonneID au lieu de Long pour identifier une personne Le modèle de domaine riche s'oppose au modèle de domaine anémique Les Value Objects auto-documentent le code et le rendent moins sujet aux erreurs Je trouve cela interessant ce que pourra faire bousculer les Value Objects. Est-ce que les value objects ameneront de la légerté dans l'execution Eviter la lourdeur du design est toujours ce qui m'a fait peut dans ces approches Méthodologies Retour d'experience de vibe coder une appli week end avec co-pilot http://blog.sunix.org/articles/howto/2025/11/14/building-gift-card-app-with-github-copilot.html on a deja parlé des approches de vibe coding cette fois c'est l'experience de Sun Et un des points differents c'es qu'on lui parle en ouvrant des tickets et donc on eput faire re reveues de code et copilot y bosse et il a fini son projet ! User Need VS Product Need https://blog.ippon.fr/2025/11/10/user-need-vs-product-need/ un article de nos amis de chez Ippon Distinction entre besoin utilisateur et besoin produit dans le développement digital Le besoin utilisateur est souvent exprimé comme une solution concrète plutôt que le problème réel Le besoin produit émerge après analyse approfondie combinant observation, données et vision stratégique Exemple du livreur Marc qui demande un vélo plus léger alors que son vrai problème est l'efficacité logistique La méthode des 5 Pourquoi permet de remonter à la racine des problèmes Les besoins proviennent de trois sources: utilisateurs finaux, parties prenantes business et contraintes techniques Un vrai besoin crée de la valeur à la fois pour le client et l'entreprise Le Product Owner doit traduire les demandes en problèmes réels avant de concevoir des solutions Risque de construire des solutions techniquement élégantes mais qui manquent leur cible Le rôle du product management est de concilier des besoins parfois contradictoires en priorisant la valeur Est ce qu'un EM doit coder ? https://www.modernleader.is/p/should-ems-write-code Pas de réponse unique : La question de savoir si un "Engineering Manager" (EM) doit coder n'a pas de réponse universelle. Cela dépend fortement du contexte de l'entreprise, de la maturité de l'équipe et de la personnalité du manager. Les risques de coder : Pour un EM, écrire du code peut devenir une échappatoire pour éviter les aspects plus difficiles du management. Cela peut aussi le transformer en goulot d'étranglement pour l'équipe et nuire à l'autonomie de ses membres s'il prend trop de place. Les avantages quand c'est bien fait : Coder sur des tâches non essentielles (amélioration d'outils, prototypage, etc.) peut aider l'EM à rester pertinent techniquement, à garder le contact avec la réalité de l'équipe et à débloquer des situations sans prendre le lead sur les projets. Le principe directeur : La règle d'or est de rester en dehors du chemin critique. Le code écrit par un EM doit servir à créer de l'espace pour son équipe, et non à en prendre. La vraie question à se poser : Plutôt que "dois-je coder ?", un EM devrait se demander : "De quoi mon équipe a-t-elle besoin de ma part maintenant, et est-ce que coder va dans ce sens ou est-ce un obstacle ?" Sécurité React2Shell — Grosse faille de sécurité avec React et Next.js, avec un CVE de niveau 10 https://x.com/rauchg/status/1997362942929440937?s=20 aussi https://react2shell.com/ "React2Shell" est le nom donné à une vulnérabilité de sécurité de criticité maximale (score 10.0/10.0), identifiée par le code CVE-2025-55182. Systèmes Affectés : La faille concerne les applications utilisant les "React Server Components" (RSC) côté serveur, et plus particulièrement les versions non patchées du framework Next.js. Risque Principal : Le risque est le plus élevé possible : l'exécution de code à distance (RCE). Un attaquant peut envoyer une requête malveillante pour exécuter n'importe quelle commande sur le serveur, lui en donnant potentiellement le contrôle total. Cause Technique : La vulnérabilité se situe dans le protocole "React Flight" (utilisé pour la communication client-serveur). Elle est due à une omission de vérifications de sécurité fondamentales (hasOwnProperty), permettant à une entrée utilisateur malveillante de tromper le serveur. Mécanisme de l'Exploit : L'attaque consiste à envoyer une charge utile (payload) qui exploite la nature dynamique de JavaScript pour : Faire passer un objet malveillant pour un objet interne de React. Forcer React à traiter cet objet comme une opération asynchrone (Promise). Finalement, accéder au constructeur de la classe Function de JavaScript pour exécuter du code arbitraire. Action Impérative : La seule solution fiable est de mettre à jour immédiatement les dépendances de React et Next.js vers les versions corrigées. Ne pas attendre. Mesures Secondaires : Bien que les pare-feux (firewalls) puissent aider à bloquer les formes connues de l'attaque, ils sont considérés comme insuffisants et ne remplacent en aucun cas la mise à jour des paquets. Découverte : La faille a été découverte par le chercheur en sécurité Lachlan Davidson, qui l'a divulguée de manière responsable pour permettre la création de correctifs. Loi, société et organisation Google autorise votre employeur à lire tous vos SMS professionnels https://www.generation-nt.com/actualites/google-android-rcs-messages-surveillance-employeur-2067012 Nouvelle fonctionnalité de surveillance : Google a déployé une fonctionnalité appelée "Android RCS Archival" qui permet aux employeurs d'intercepter, lire et archiver tous les messages RCS (et SMS) envoyés depuis les téléphones professionnels Android gérés par l'entreprise. Contournement du chiffrement : Bien que les messages RCS soient chiffrés de bout en bout pendant leur transit, cette nouvelle API permet à des logiciels de conformité (installés par l'employeur) d'accéder aux messages une fois qu'ils sont déchiffrés sur l'appareil. Le chiffrement devient donc inefficace contre cette surveillance. Réponse à une exigence légale : Cette mesure a été mise en place pour répondre aux exigences réglementaires, notamment dans le secteur financier, où les entreprises ont l'obligation légale de conserver une archive de toutes les communications professionnelles pour des raisons de conformité. Impact pour les employés : Un employé utilisant un téléphone Android fourni et géré par son entreprise pourra voir ses communications surveillées. Google précise cependant qu'une notification claire et visible informera l'utilisateur lorsque la fonction d'archivage est active. Téléphones personnels non concernés : Cette mesure ne s'applique qu'aux appareils "Android Enterprise" entièrement gérés par un employeur. Les téléphones personnels des employés ne sont pas affectés. Pour noel, faites un don à JUnit https://steady.page/en/junit/about JUnit est essentiel pour Java : C'est le framework de test le plus ancien et le plus utilisé par les développeurs Java. Son objectif est de fournir une base solide et à jour pour tous les types de tests côté développeur sur la JVM (Machine Virtuelle Java). Un projet maintenu par des bénévoles : JUnit est développé et maintenu par une équipe de volontaires passionnés sur leur temps libre (week-ends, soirées). Appel au soutien financier : La page est un appel aux dons de la part des utilisateurs (développeurs, entreprises) pour aider l'équipe à maintenir le rythme de développement. Le soutien financier n'est pas obligatoire, mais il permettrait aux mainteneurs de se consacrer davantage au projet. Objectif des fonds : Les dons serviraient principalement à financer des rencontres en personne pour les membres de l'équipe principale. L'idée est de leur permettre de travailler ensemble physiquement pendant quelques jours pour concevoir et coder plus efficacement. Pas de traitement de faveur : Il est clairement indiqué que devenir un sponsor ne donne aucun privilège sur la feuille de route du projet. On ne peut pas "acheter" de nouvelles fonctionnalités ou des corrections de bugs prioritaires. Le projet restera ouvert et collaboratif sur GitHub. Reconnaissance des donateurs : En guise de remerciement, les noms (et logos pour les entreprises) des donateurs peuvent être affichés sur le site officiel de JUnit. Conférences La liste des conférences provenant de Developers Conferences Agenda/List par Aurélie Vache et contributeurs : 14-17 janvier 2026 : SnowCamp 2026 - Grenoble (France) 22 janvier 2026 : DevCon #26 : sécurité / post-quantique / hacking - Paris (France) 28 janvier 2026 : Software Heritage Symposium - Paris (France) 29-31 janvier 2026 : Epitech Summit 2026 - Paris - Paris (France) 2-5 février 2026 : Epitech Summit 2026 - Moulins - Moulins (France) 2-6 février 2026 : Web Days Convention - Aix-en-Provence (France) 3 février 2026 : Cloud Native Days France 2026 - Paris (France) 3-4 février 2026 : Epitech Summit 2026 - Lille - Lille (France) 3-4 février 2026 : Epitech Summit 2026 - Mulhouse - Mulhouse (France) 3-4 février 2026 : Epitech Summit 2026 - Nancy - Nancy (France) 3-4 février 2026 : Epitech Summit 2026 - Nantes - Nantes (France) 3-4 février 2026 : Epitech Summit 2026 - Marseille - Marseille (France) 3-4 février 2026 : Epitech Summit 2026 - Rennes - Rennes (France) 3-4 février 2026 : Epitech Summit 2026 - Montpellier - Montpellier (France) 3-4 février 2026 : Epitech Summit 2026 - Strasbourg - Strasbourg (France) 3-4 février 2026 : Epitech Summit 2026 - Toulouse - Toulouse (France) 4-5 février 2026 : Epitech Summit 2026 - Bordeaux - Bordeaux (France) 4-5 février 2026 : Epitech Summit 2026 - Lyon - Lyon (France) 4-6 février 2026 : Epitech Summit 2026 - Nice - Nice (France) 12-13 février 2026 : Touraine Tech #26 - Tours (France) 19 février 2026 : ObservabilityCON on the Road - Paris (France) 18-19 mars 2026 : Agile Niort 2026 - Niort (France) 26-27 mars 2026 : SymfonyLive Paris 2026 - Paris (France) 27-29 mars 2026 : Shift - Nantes (France) 31 mars 2026 : ParisTestConf - Paris (France) 16-17 avril 2026 : MiXiT 2026 - Lyon (France) 22-24 avril 2026 : Devoxx France 2026 - Paris (France) 23-25 avril 2026 : Devoxx Greece - Athens (Greece) 6-7 mai 2026 : Devoxx UK 2026 - London (UK) 22 mai 2026 : AFUP Day 2026 Lille - Lille (France) 22 mai 2026 : AFUP Day 2026 Paris - Paris (France) 22 mai 2026 : AFUP Day 2026 Bordeaux - Bordeaux (France) 22 mai 2026 : AFUP Day 2026 Lyon - Lyon (France) 5 juin 2026 : TechReady - Nantes (France) 11-12 juin 2026 : DevQuest Niort - Niort (France) 11-12 juin 2026 : DevLille 2026 - Lille (France) 17-19 juin 2026 : Devoxx Poland - Krakow (Poland) 2-3 juillet 2026 : Sunny Tech - Montpellier (France) 2 août 2026 : 4th Tech Summit on Artificial Intelligence & Robotics - Paris (France) 4 septembre 2026 : JUG Summer Camp 2026 - La Rochelle (France) 17-18 septembre 2026 : API Platform Conference 2026 - Lille (France) 5-9 octobre 2026 : Devoxx Belgium - Antwerp (Belgium) Nous contacter Pour réagir à cet épisode, venez discuter sur le groupe Google https://groups.google.com/group/lescastcodeurs Contactez-nous via X/twitter https://twitter.com/lescastcodeurs ou Bluesky https://bsky.app/profile/lescastcodeurs.com Faire un crowdcast ou une crowdquestion Soutenez Les Cast Codeurs sur Patreon https://www.patreon.com/LesCastCodeurs Tous les épisodes et toutes les infos sur https://lescastcodeurs.com/

This episode is sponsored by House of Macadamias -- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get our specially curated box that also comes with the free snack bars and 15% offer for CURVA MUNDIAL listeners! ⁠⁠⁠⁠⁠⁠Also, be sure to visit our merch store!⁠⁠⁠⁠⁠⁠Steve Smith of legendary post-punk band The Vapors joins CURVA MUNDIAL to talk about his Chelsea fandom, the band's new album "Wasp in a Jar," and if he misses Roman Abromovich or not.

Are you feeling stuck in life, like a pumpkin in a jar? You're not alone. Many people suffer from a “mistaken identity”, not realizing their true potential or the power of their own dreams. This week on Insight Out, Doug Dane is here to show us how to use the Mistaken Identity Model to get self-discovery, freedom, and success. He's been able to beat the odds and find success in his own life, despite the trauma of physical, emotional, and sexual abuse he experienced as a child. He will share how to break free from limiting beliefs to discover his true self and how he transformed his life, breaking free from the oppressive jar of his past and inspiring others to do the same. Through the stories of Gandhi, mentors, and books like Think and Grow Rich, Doug was inspired to take control of his life and find who he truly was. He faced his fears and story and through this, discovered his purpose. This journey taught him that everyone has a special gift and that one can change their story and the world. Meet ⁠Doug Dane⁠, Doug is the author of ⁠Mistaken Identity⁠, a mentor for leadership, business, and mindset. Doug has spent over 25 years coaching people to improve their results and feel better about themselves so they can stop hiding and start living. He's on a mission to show people how to let go of their past so they can create a better life for themselves, their families, and the world.  Have you ever grappled with attaining self-realization, autonomy, and success? Then this episode is for you. Tune in now to uncover the power of transformation! Here's what Doug and I cover: What inspires Doug about the great leader Gandhi. (00:03:00) How did a young Doug Dane survive the abusive environment he was brought up in and then go on to achieve success?(00:05:28) The Pumpkin a Jar story. (00:12:41) How can people break free from their mental programming and limiting beliefs to follow their hearts and discover their real Identities? (00:15:40) Why you need to have clearly defined goals. (00:19:56) The importance of believing in ourselves. (00:26:00) Why you need to have a healthy self-image (00:29:26) How should we think about goals? (00:36:22) The importance of discipline to develop good habits (00:40:00) How to set mindset (00:47:53)  Why you don't have to go looking for your calling. (00:53:00) Notable quotes:  “The average person tiptoes through life hoping to make it safely to death” - (0012:22) ‘'We're kind of like pumpkins in a jar'' - (00:12:31) “There's nothing wrong with you. The only thing that's wrong is what you believe about yourself or about the way you should approach the world. One of the chapters is called Stop Shooting on Yourself” - Doug (00:18:29) “Just because someone loves you doesn't mean they give you good advice” - Billy quoting David Meltzer (00:25:07) Rather than fighting the existing reality, why not create a new model that makes the existing reality obsolete?” - Doug (00:28:02) “Energy comes from a desire” - Doug (39:00:25) “Mindset is an action. It's not a thing” - Doug (00:50:02) “If you're busy out there searching online and on dates, trying to find the love of your life, they can't find you because you're moving all around” - Doug (00:53:20) “Take an action, and you get a reaction” - Doug (00:56:00)  Resources & Links: Doug's Website: ⁠dougdane.com⁠ Doug's Book: https://www.dougdane.com/mistakenidentity Doug on Social Media: https://www.linkedin.com/in/dougdane/ https://twitter.com/dougdane https://web.facebook.com/dougdaneofficial https://www.instagram.com/doug.dane/?hl=en https://www.youtube.com/@DougDaneCoaching Billy Samoa Saleebey  LinkedIn: ⁠https://www.linkedin.com/in/billysamoa⁠  Email: billy@podify.com and saleebey@gmail.com  Loved this episode? Please support us here: ⁠https://www.patreon.com/bePatron?u=23010497⁠ This is an encore episode and was originally published on February 10, 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

The Trial of Transmutation, Part IIt is once again each wizard for themselves as the next trial starts upon a towering staircase, only to be finished when four aspirants have met their end. Above lies glory and prizes; below, watery depths and hungry eels.Royale Theme: “Wizard Disco” by Louie Zong: https://louiezong.bandcamp.com/album/wizard-discoOriginal Music by Griffin McElroyAdditional Music in this Episode: "My Starship", "Fireball", and "Sunny Day" by Jar of Flies: https://jaroffliesofficial.bandcamp.com/; "tribute to eddy" by Jean Toba: https://jeantoba.blogspot.com/; “If You Can't Be the Sun, Be the Sun” by Schemawound: http://schemawound.com/; annd "PULL" by Nctrnm: https://soundcloud.com/nctrnm.Harmony House: https://harmonyhousewv.com/

“EXORCISM” by Ray Bradbury | When her mailman husband delivered a package of forbidden books to the woman up the street, Elmira Brown finally had proof of what she'd suspected all along — and she wasn't about to let a witch win another election.IN THIS EPISODE: The name Ray Bradbury immediately brings to mind such fictional tales – classics, many of them… some of which I've narrated here in the podcast such as “The Jar”, “Skeleton”, and “The Small Assassin.” But as good as Bradbury was at writing about the paranormal, he could also write comedy – and in tonight's story he combines the two. “Exorcism” is a fun short tale about a nosy housewife who suspects an older woman in town is studying to become a witch… and decides to confront the old lady to voice her disapproval. SOURCES AND REFERENCES FROM THE EPISODE…“Exorcism” by Ray Bradbury, from the book “The Stories of Ray Bradbury” from Rosetta Books:https://amzn.to/49nrJTGWeird Darkness theme by Alibi Music Library. = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =Originally aired: December 05, 2024CUSTOM LANDING PAGE: https://weirddarkness.com/ExorcismRayBradburyABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#WeirdDarkness #RayBradbury #Exorcism #WitchStory #HorrorComedy #ClassicFiction #Witchcraft #ParanormalFiction #VintageHorror #ShortStory

Frank is finally at peace, but there's an unwanted visitor in Colt's mind and a pseudodragon that isn't quite who he seems. Prepare yourself for a very Jar-ful episode of SUBLIMINAL SPACE! Check out the NEW Dark Matter! ▶ http://scifi5e.com/ Check out Mage Hand Press! ▶ https://magehandpress.com/ Check out our merch store! ▶ https://pleasestopshopping.com/ Support the podcast and Patreon ▶ https://www.patreon.com/SirMeowMusic Join the PST Discord server! ▶ https://discord.gg/YNqTT65 Our Dungeon Master ▶ https://twitter.com/BrendanielH Our adventurers: Zhe (Billy) ▶ https://twitter.com/SirMeowMusic Sketch (Mandy) ▶ https://twitter.com/Lord_Mandalore Colt (Cameron) ▶ https://twitter.com/SuperSneakSheep Khyzoq (Ten) ▶ https://twitter.com/TenWebbs Fish (Corbin) ▶ https://twitter.com/lobbymemez Podcast ▶ https://twitter.com/PSTPodcast Animated portraits by Squidinu ▶ https://twitter.com/squidinu Logo by Cards of Ace ▶ https://twitter.com/CardsOf_Ace Thumbnail art by Boo_Rad13y ▶ https://twitter.com/Boo_Rad13y Additional music by: Cicada Sirens ▶ https://twitter.com/CicadaSirens Hohenheim ▶ https://twitter.com/HohenheimMusic Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on Typical Skeptic Podcast, I'm honored to welcome Eve Lorgen – counselor, hypnotherapist, anomalous trauma researcher and author of The Love Bite: Alien Interference in Human Love Relationships and The Dark Side of Cupid.Eve has been on the front lines of this work since the early 1990s, counseling alien abductees, MILABs, mind control survivors, DID/RA survivors, and targets of spiritual warfare and demonic/psychic attacks. She coined the term “alien love bite” to describe orchestrated love relationships engineered by non-human intelligences and has helped countless experiencers recognize and heal from these patterns and from Complex Trauma/CPTSD that often begins in childhood.Today we're going to get into what anomalous trauma really is, how alien and paranormal forces can manipulate love and bonding, how this overlaps with cult and narcissistic abuse, and most importantly, what real recovery and spiritual sovereignty look like.3. Bio (for description / pin comment)About Eve LorgenEve Lorgen is a dedicated counseling and hypnotherapy professional, author, and anomalous trauma researcher. She began her pioneering work with alien abductees, MILABs and mind control victims while earning her Masters Degree in Counseling Psychology in 1992. She also holds a BS in Biochemistry and worked in the biotechnology industry for 7 years.In 1994, Eve started one of the early support groups for experiencers of anomalous trauma in San Diego County, CA, and she continues to consult with clients worldwide from her home in Western North Carolina. She was a close associate of Barbara Bartholic and is committed to continuing and expanding the work of Dr. Karla Turner.Eve LorgenEve is the author of:The Love Bite: Alien Interference in Human Love RelationshipsThe Dark Side of Cupid (Keyhole Publishing, 2012; updated 2nd edition now available)Her research focuses on “anomalous trauma” – events outside the normal range of human experience – including alien abductions, near-death experiences, shamanic initiations, MILABs, mind control, DID/RA, spiritual warfare, demonic and psychic attacks, cult involvement, and narcissistic abuse. A major theme of her work is the “alien love bite” and paranormal orchestration of love relationships, where non-human intelligences manipulate bonding, sexuality, and life paths for their own purposes.Eve LorgenEve has written extensively for magazines and journals such as Nexus, MUFON Journal, X-Times, JAR, and many independent zines and websites. Her work has been translated into Spanish, Italian, French, and Croatian, and she's a frequent guest on talk radio, podcasts, and documentaries. She previously hosted NSPN Night Search Paranormal Radio out of Memphis, TN, and has lectured at MUFON groups, UFO/paranormal conferences, and Brian Hall's Conspiracy Conference.Eve LorgenEve offers telephone/online consulting and counseling for anomalous trauma and Complex PTSD.Website: EveLorgen.comEve LorgenEmail (sessions/contact): elorgen@gmail.comTypical Skeptic Podcast Links and Affiliates:Support the Mission:

This week we're going to share ideas for putting together advents, unique ideas, low cost or free holiday gift ideas, epic personalized gift ideas and neighborly gift ideas. And we'll also share our book report.   Thank you to this week's sponsor: 40% off your first month at Ritual.com/ABM   Adult Advent Ideas: Books Lipgloss Hair oil Dutch oven Water bottle Small treats T-shirt   Kid Advent Ideas: Reuse old toys Cookies Candy Snacks   Creative Gift Ideas: Watercolor post cards Fancy set of watercolors Journal   Low Cost (or free): Used book that you loved Pictures   Epic personalized gift ideas: Leather bound of their fave book CD player with CDs Record player with records Go on Etsy Jewerly Recipe engraved on cutting board Quilts Fancy food Snow outfit (for kids) Art   Neighborly gifts: Teachers - Have kids make cards with picture and money inside Jar of baking ingredients Free library   Book report Elsie: Piranesi by Suzanna Clark Emma: Apprentice to a Villain by Hannah Nicole Maehrer   You can support us by leaving us a couple of 5 star recipe reviews this week at abeautifulmess.com Have a topic idea for the podcast? Write in to us at podcast@abeautifulmess.com or leave us a voicemail at 417-893-0011.  

The wizards cash in their prizes and explore the island -- and perhaps dive in too deep.Royale Theme: “Wizard Disco” by Louie Zong: https://louiezong.bandcamp.com/album/wizard-discoOriginal Music by Griffin McElroyAdditional Music in this Episode: "PULL" by Nctrnm: https://soundcloud.com/nctrnm; “Time Travel is Possible”, “If You Can't Be the Sun, Be the Sun”, and "The Redemption in Her Arms" by Schemawound: http://schemawound.com/; "Jar of Flies" by Jar of Flies: https://jaroffliesofficial.bandcamp.com/; "A Rainbow in the Sewers" by Jangwa: https://www.petitesmaisons.it/jangwa/; "Haze" by Scott Holmes Music: https://scottholmesmusic.com/;  and "Over Soul" by Evan Schaffer: https://www.evanschaeffermusic.com/.Native American Aid: https://nativepartnership.org/naa/

Að deila eða ekki deila, það er spurningin. Hversu miklu af lífi barna er í lagi að deila á samfélagsmiðlum? Hvað þurfum við að hafa í huga og hverjar eru hætturnar? Ólöf Ragnarsdóttir ætlar að segja okkur allt um fyrirbæri sem kallast sharenting og stjórnvöld á Spáni vilja setja lög um. Afhverju er fæðingartíðni stöðugt að lækka í heiminum og hvaða efnahagslegu og pólitísku afleiðingar hefur það á komandi árum? Jarðarbúum er vissulega enn að fjölga en nýjasta spá Sameinuðu þjóðanna gerir ráð fyrir að mannfjöldinn á jörðinni nái hámarki eftir rúma hálfa öld, árið 2084. Þá verði jarðarbúar samtals um tíu milljarðar og fimmti hver jarðarbúi verði þá eldri en sextíu og fimm ára. Björn Malmquist rýnir í framtíðina.

"The More You Know" - Robin Deal A million-gallon-a-day perspective, distilled into actionable steps. Robin Deal, AquaPure Product Manager at Hubbard-Hall unpacks how seasoned pros can squeeze more performance—and less sludge—out of industrial wastewater systems without compromising compliance or plant uptime.    From "clear water in a jar" to stable discharge in the field  Robin details a practical jar-testing workflow: start from upstream processes, target pH using hydroxide/sulfide solubility curves, choose the right coagulant (aluminum, iron, calcium, lanthanum, or organics), and validate against metals/COD/BOD/phosphorus before scaling. The test bench isn't the finish line; it's the feasibility gate when you're treating 150,000+ gpd.  Lean wastewater: cost center or controllable system?  Commodity choices (lime, alum, ferric) can generate 70–85% more sludge than optimized blends—driving hazardous waste hauling, clogging lines, and shortening pump life. Robin reframes the "penny-per-pound" price war into a total-system economics conversation: sludge recyclability, maintenance cycles, and realistic break-even targets.  PFAS: remove now, plan to destroy  For hex-chrome platers and other industrial dischargers, Robin shares near-term and emerging options: carbon filtration for immediate removal, evaporation/condensation where capital exists, and destruction pathways under evaluation—advanced oxidation, electrochemical oxidation, "thermobotic agglomeration," and ball milling—with an eye on evolving limits and cost realities.  One Water thinking for manufacturers  "Water is water." Robin introduces the One Water mindset for plant leaders: tighten internal loops, reduce community draw and discharge impact, and align non-contact, potable, and wastewater under one stewardship model. It's not a club—it's a decision framework that's already influencing global brands and drought-stressed regions.  Treat each round of testing as a hypothesis check, each chemical as a system lever, and each gallon as a shared resource. That's how leaders turn compliance into predictable results. Stay engaged, keep learning, and continue scaling up your knowledge!    Timestamps  16:45 - Trace Blackmore shares insights on current industry events, an upcoming conference, the "magic button" idea for user-friendly wastewater control and announces The Hang to build community engagement 17:50 - Water You Know with James McDonald  23:04 - Interview begins: Robin Deal introduced as AquaPure Product Manager, origin story and family context   28:12 - First Jar Test Story   32:17 - Jar testing Workflow  42:34 - One Water concept  54:12 - Regulations   Quotes  "Just say yes to the job." "Lime is not a lean." "Best available technology does not mean best economic." "So just deep breath, stay calm and do the best that we can do and wait for those regulations to come out because they are coming" "Turn off the water in the polymer tank."    Connect with Robin Deal Email: robin.renee47@yahoo.com  LinkedIn: www.linkedin.com/in/robin-deal    https://www.linkedin.com/company/hubbard-hall-inc./      Guest Resources Mentioned   The Wandering Inn: Book One in The Wandering Inn Series by pirateaba  Water Reuse Organization   American Water Works Association  Water Environment Federation    Scaling UP! H2O Resources Mentioned  AWT (Association of Water Technologies)  Scaling UP! H2O Academy video courses  Submit a Show Idea  The Rising Tide Mastermind Start With Why Simon Sinek TedTalk  The 6 Types of Working Genius: A Better Way to Understand Your Gifts, Your Frustrations, and Your Team by Patrick M. Lencioni  James McDonald's Be Like Water Series  Drop by Drop: Articles on Industrial Water Treatment by James McDonald     Water You Know with James McDonald  Question: What is the device called that is installed on the effluent line of an ion exchange unit to prevent resin from ending up downstream where it doesn't belong?    2025 Events for Water Professionals  Check out our Scaling UP! H2O Events Calendar where we've listed every event Water Treaters should be aware of by clicking HERE.   

Our guest this week is JAR contributor Brett Bannor, discussing the Founding Generation's deep affection for Gulliver's Travels. For more information, visit www.allthingsliberty.com.

Having barely survived the last trial, Rictus, Hellgrammite, and Lorovith assess the competition and take some time for revenge . . . or pranks.Royale Theme: “Wizard Disco” by Louie Zong: https://louiezong.bandcamp.com/album/wizard-discoOriginal Music by Griffin McElroyAdditional Music in this Episode: "When the Wick is Gone" by The Pangolins: https://thepangolins.yolasite.com/; "ATH" by Lex Villena: https://open.spotify.com/artist/2iwj2SqGnplhDIadeJ5bmy?si=9db2f1db3f7649c9&nd=1&dlsi=7a09f77fc450459a; "Death" by Holizna: https://holiznaroyaltyfree.bandcamp.com/; "Jingle Bells Calm" by Kevin MacLeod:  https://incompetech.com/; "Simple Song" by Jar of Flies: https://jaroffliesofficial.bandcamp.com/; "Foresight" by Serat: https://blear-moon.com; "tribute to eddy" by Jean Toba: https://jeantoba.blogspot.com/; “If You Can't Be the Sun, Be the Sun” by Schemawound http://schemawound.com/; "Moulds Sun" by 10 Echo: https://10echo.bandcamp.com/; "Sound the Alarms" by Kirk Osamayo: https://freemusicarchive.org/music/kirk-osamayo/; and "Languid Dawn" by Blear Moon: https://blearmoon.bandcamp.com/.Native American Aid: https://nativepartnership.org/naa/

Welcome to Nerd Alert, a series of special episodes bridging the gap between marketing academia and practitioners. We're breaking down highly involved, complex research into plain language and takeaways any marketer can use. In this episode, Elena and Rob explore why Americans watch over 40 hours of TV and video weekly. They examine how viewing habits evolved from 1992 to 2017, revealing that despite digital disruptions, total viewing time keeps growing—and 92% still happens on TV sets, not phones. Topics covered:   [01:00] "Why Do People Watch So Much Television and Video? Implications for the Future of Viewing and Advertising"[02:00] Average viewing climbed from 35 to 41 hours weekly[04:00] Live TV dropped to 74%, but TV sets dominate[06:00] EEG studies reveal TV's relaxation effect[08:00] Digital video now rivals traditional TV viewing[10:00] Why entertainment trumps complicated messaging  To learn more, visit marketingarchitects.com/podcast or subscribe to our newsletter at marketingarchitects.com/newsletter.  Resources: Wilbur, Kenneth C. 2023. “Why Do People Watch So Much Television and Video? Implications for the Future of Viewing and Advertising.” Journal of Advertising Research 63, no. 1: 16–31. https://doi.org/10.2501/JAR-2023-003   Get more research-backed marketing strategies by subscribing to The Marketing Architects on Apple Podcasts, Spotify, or wherever you listen to podcasts. 

The Trial of Evocation, Part IFour of the massive elementals battle for glory and prizes – but the reward for last-place is death. Royale Theme: “Wizard Disco” by Louie Zong: https://louiezong.bandcamp.com/album/wizard-discoOriginal Music by Griffin McElroyAdditional Music in this Episode:  "Unforeseen Consequences (Remastered)" by Techthiest: https://techtheist.ru; "Simple Song" by Jar of Flies: https://jaroffliesofficial.bandcamp.com/; "Touchpoint" by Jason Shaw: https://audionautix.com/; and "Redemption" by Scott Holmes Music: https://scottholmesmusic.com/.Border Angels: https://www.borderangels.org/

A cross-country driver realizes the hitchhiker he keeps impossibly encountering along his route might be the only one of them who's still alive. | Mercury Summer Theater of the Air | #RetroRadio EP0535Support our Halloween “Overcoming the Darkness” campaign to help people with depression: https://weirddarkness.com/HOPECHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “This Breed Is Doomed” (January 04, 1977) ***WD00:47:07.210 = Beyond Midnight, “Take Your Partners” (August 29, 1969) (LQ)01:17:02.645 = MindWebs, “The Evergreen Library” (June 17, 1979)01:47:24.692 = Mercury Summer Theater of the Air, “The Hitchhiker” (June 21, 1946) ***WD02:17:11.676 = Mystery In The Air, “Mask of Medusa” (September 04, 1947) ***WD02:46:57.168 = Molle Mystery Theater, “Make No Mistake” (April 30, 1948)03:16:20.258 = The Cisco Kid, “Mummy In The Desert” (April 21, 1953) ***WD03:44:06.225 = Murder at Midnight, “The Man Who Died Yesterday” (December 02, 1946)04:10:14.826 = The Black Museum, “Jar of Acid” (May 15, 1952)04:35:44.589 = The Mysterious Traveler, “I Died Last Night” (April 25, 1950) ***WD05:04:22.898 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =#ParanormalRadio #ScienceFiction #OldTimeRadio #OTR #OTRHorror #ClassicRadioShows #HorrorRadioShows #VintageRadioDramas #WeirdDarknessCUSTOM WEBPAGE: https://weirddarkness.com/WDRR0535

The Trial of Evocation, Part III The four elementals, each piloted by four wizards, enter a melee battle where one team will be eliminated completely. But though the strongest may win, collaboration is fair game . . . and so is betrayal.Royale Theme: “Wizard Disco” by Louie Zong: https://louiezong.bandcamp.com/album/wizard-discoOriginal Music by Griffin McElroyAdditional Music in this Episode: "PULL" by Nctrnm: https://soundcloud.com/nctrnm; "When the Wick is Gone" by The Pangolins: https://thepangolins.yolasite.com/; "Over Soul" by Evan Schaffer: https://www.evanschaeffermusic.com/; and "The Unknown" by Jar of Flies: https://jaroffliesofficial.bandcamp.com/.Border Angels: https://www.borderangels.org

Hosts Jim DeRogatis and Greg Kot share a fresh batch of songs that deserve more attention- what they call "buried treasures." They also hear picks from their production staff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Frankie and the Witch Fingers, "Total Reset," Trash Classic, Greenway, 2025The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967AnAkA, "CRISIS OF THE CONCRETE," CRISIS OF THE CONCRETE (Single), AKTIV8, 2025Gwenifer Raymond, "Jack Parsons Blues," Last Night I Heard The Dog Star Bark, We Are Busy Bodies, 2025Brett Newski & the Bad Inventions, "Jesus Freak," ameriCONa Pt. 1: Educate Freeloaders to Buy Art, self-released, 2025Low Girl, "Overgrown," Overgrown (Single), self-released, 2025Love Story in Blood Red, "Jackknife," Everything's Everywhere, Good Times Rock N Roll Club, 2025Sharp Pins, "Every Time I Hear," Radio DDR, Perennial Death, 2025Satanic Puppeteer Orchestra, "Blow It Up," Press Start, self-released, 2025Tombstones in their Eyes, "I Am Cold," Asylum Harbour, Kitten Robot, 2024Jens Lekman, "A Tuxedo Sewn For Two," Songs For Other People's Weddings, Secretly Canadian, 2025Thank, "Do It Badly," I Have A Physical Body That Can Be Harmed, Big Scary Monsters Recording Company, 2024Molly Nilsson, "How Much is The World," Amateur, Night School, 2025The Cords, "Fabulist," The Cords, Skep Wax / Slumberland, 2025Jeffrey Foskett, "I live for the Sun," Stars in the Sand, The Pop Collective, 2004The Lucksmiths, "Sunlight in a Jar," Warmer Corners, Candle Records, 2005The Way Down Wanderers, "Your Will is a Wildflower," Path to Follow - EP, Self-Released, 2014Sly and the Family Stone, "Runnin' Away," There's a Riot Goin' On, Epic, 1971Bob Dylan, "House of the Risin' Sun," Bob Dylan, Columbia, 1962See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Trial of Evocation, Part IITheir elemental motes collected, the wizards must match and combine elements to create the strongest elemental champion and knock out the other three teams. But if the other teams have more a powerful evocation, elimination is guaranteed.Royale Theme: “Wizard Disco” by Louie Zong: https://louiezong.bandcamp.com/album/wizard-discoOriginal Music by Griffin McElroyAdditional Music in this Episode: "Haze" by Scott Holmes Music: https://scottholmesmusic.com/; "tribute to eddy" by Jean Toba: https://jeantoba.blogspot.com/; "Over Soul" by Evan Schaffer: https://www.evanschaeffermusic.com/; "Sound the Alarms" by Kirk Osamayo: https://freemusicarchive.org/music/kirk-osamayo/; "PULL" by Nctrnm: https://soundcloud.com/nctrnm; and "The Unknown" by Jar of Flies: https://jaroffliesofficial.bandcamp.com/.Equality Florida: https://www.eqfl.org/ 

In a surprise second episode for season premiere week, Jenn and Mike dive deeper into where they've been and what they've been up to since season one!  Health issues, life updates, business building... it's all on the table in this special bonus episode of You, Me & Mike!Do you want the chance to hear your own voice on You, Me & Mike this season? We want to hear from YOU!  Send us a voice recording to youmeandmikepodcast@gmail.com! You can ask us a question, tell us about your favorite episode, share a suggestion for a topic or submit a question for the "Jar of Weird Questions!"  Whatever you have to say... we want to hear it!NEW for season two- we're on YouTube! You can still listen on all your favorite podcast platforms, and you can watch the show on our YouTube channel!  You, Me & Mike is a production of The Rambling Redhead from Thirteen Media.

Support the pod and get so much extra content for $5/month at https://www.patreon.com/stiffsockspod Bonus eps also available on Apple Podcasts! https://www.apple.co/socks

The Trial of Abjuration, Part IIIThe fireball continues to hurtle towards the island as the wizards scramble to collect keys and spells before reaching the ziggurat – but is there even more danger awaiting them at the top?Royale Theme: “Wizard Disco” by Louie Zong: https://louiezong.bandcamp.com/album/wizard-discoOriginal Music by Griffin McElroyAdditional Music in this Episode: "Simple Song" by Jar of Flies: https://jaroffliesofficial.bandcamp.com/; "Pure" by Jahzzar:  http://www.betterwithmusic.com/; "Blato" by Shay Brahem x Fachhochschule Dortmund: https://freemusicarchive.org/music/shay-braheem/contact; and "Lurking in the Shadows" by Scott Holmes Music: https://scottholmesmusic.com/.Immigrant Defenders Law Center: https://www.immdef.org/