Podcasts about also sprach zarathustra

The nature of evil is a wiggly thing in all the World of Darkness games, but especially in Changeling. Who's to say whether a rabid beastie or a diabolical Eiluned is more dastardly than the other? Surely it's a matter of perspective. Still, among the various groups in the game, the Thallain and the Dauntain in particular are treated as Bad News, suitable as antagonists due to their extreme disalignment with the goals and values of Kithain and Gallain. Naturally, that hasn't stopped players from wanting to play them. We're talking today about whether that's a good idea—or perhaps, how to make that less of an evil idea. Can they mix with others in a motley? What sorts of stories can you tell with a thoroughly corrupt or broken changeling? The main takeaway is that you shouldn't just jump into playing a character from one of these groups without some extensive considerations. We've done our best to lay those out so that if you do indeed stroll down that primrose path, you'll be prepared to do these fiendish fae justice. We're primarily discussing from a C20 perspective, but if you're unfamiliar with the older editions' takes that we reference here, it might behoove you to go WAY back in time and listen to our episodes on the books Autumn People (https://changelingthepodcast.com/podcast/episode-9-autumn-people/) and The Shadow Court (https://changelingthepodcast.com/podcast/episode-19-the-shadow-court/). For all your other communicative needs—the ones that have to do with our show, anyway—consider one of these links instead: Discord: https://discord.me/ctp Email: podcast@changelingthepodcast.com Facebook: https://www.facebook.com/profile.php?id=100082973960699 Mastodon: https://dice.camp/@ChangelingPod Patreon: https://www.patreon.com/changelingthepodcast YouTube: https://www.youtube.com/@ChangelingThePodcast your hosts Josh Hillerup (any pronoun) runs a tasting event every second Wednesday of the month, pairing Nightmare Legacies with fancy cheeses. Pooka G (any pronoun/they) suffers under the Brand of the Scribbler, unable to write just one word when ten will do. Und wenn du lange in einen Abgrund blickst, blickt der Abgrund auch in dich hinein. [And when you gaze long into an abyss the abyss also gazes into you.] —Friedrich Nietzsche, Also Sprach Zarathustra

Eine Schöpfungsgeschichte will Mahler erzählen und komponiert 1896 sein längstes Werk überhaupt: die 3. Sinfonie in d-Moll für riesiges Orchester, Altsolo, Frauen- und Kinderchor. In 6 Sätzen mit rund 100 Minuten Spielzeit zieht er alle Register: von der Marschmusik über ein wehmütiges Posthornsolo bis zum Hymnus der göttlichen Liebe. Von Michael Lohse.

Ein Orchesterklang, der süchtig macht. Der magische Anfang seiner Tondichtung frei nach Nietzsches Buch über den persischen Mystiker Zarathustra hätte allein schon gereicht, um Richard Strauss den Weltruhm zu garantieren. Kaum ein Werk der Klassik kam öfter als Filmmusik zum Einsatz. Von Martin Zingsheim.

Nuestro poeta, Mario Obrero, ha decidido que "Lo que toca" hoy es hablar del poemario Así fala Penélope. Unha antoloxía de xénero (Ed. Chan da Pólvora) de Marta Dacosta. Después, en "El consulado" de Aitor Caminero, hablamos del Carlismo y conversamos con el historiador Daniel Aquillué, profesor de la Universidad Isabel I en Burgos, autor del libro España con honra. Una historia del XIX español (La Esfera de Los Libros). Y finalizamos con "Las mil y una músicas" y "La playlist de Maika Makovski", que esta semana nos descubre algunas perlas bizarras: Also Sprach Zarathustra (Portsmouth Sinfonia), Tout petit la planète (Plastic Bertrand), No hay novedad, señora baronesa (Carlota Bilbao), Gossipo Perpetuo (Jean-Jacques Perrey), Constipation Blues (Screamin'Jay Hawkins) y Automatic Lover (Dee D. Jackson).Escuchar audio

Esta semana nos descubre algunas perlas bizarras: Also Sprach Zarathustra (Portsmouth Sinfonia), Tout petit la planète (Plastic Bertrand), No hay novedad, señora baronesa (Carlota Bilbao), Gossipo Perpetuo (Jean-Jacques Perrey), Constipation Blues (Screamin'Jay Hawkins) y Automatic Lover (Dee D. Jackson).Escuchar audio

“State and regime music”Richard Strauss (1864-1949) - Also Sprach Zarathustra, Op. 301.       Introduzione: Von den Hinterweltlern (Di coloro che vivono fuori dal mondo)2.       Von der grossen Sehnsucht (Dell'aspirazione suprema)3.       Von den Freuden und Leidenachaften (Delle gioie e delle passioni)4.       Grablied (Il canto dei sepolcri)5.       Von der Wissenschaft (Della scienza)6.       Der Genesende (Il convalescente)7.       Tanzlied (Il canto della danza)8.       Nachtwanderlied (Canto del nottambulo)Wiener Philharmonic Orchestra Richard Strauss Conductor(recorded in 1944)

Jonathan Cross chooses his favourite recording of Strauss's Also sprach Zarathustra

This week on The Sound Kitchen you'll hear the answer to the question about India's humanoid space robot. There's listener news and “On This Day”, “The Listener's Corner” with Paul Myers, lots of good music, and of course, the new quiz and bonus questions, so click on the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all!Facebook News: There's a “new and improved” Facebook page for you, the RFI English Listeners Forum. It's for everyone who reads and listens to us and wants to connect with others, so ask to join, and I'll sign you up!The RFI Listeners Club page and the RFI English Clubs page no longer exist; if you belonged to the RFI English Clubs page and not the RFI Listeners Club page, you'll need to ask to join. I promise I won't click “Decline”

0:00 Alex welcomes John, Trevor and SJ to the Neutral Zone Hotel.2:47 The crew discusses the final games of the Women's World Championships.13:34 The Arizona Coyotes are moving to Utah. Sort of. The players, coaches, and front office staff are going and the name, IP, and AHL affiliate are staying in Arizona. Coyotes owner Alex Meruelo has five years to build an arena in Arizona and pay back the purchase price to reinstate the Coyotes.15:43 Since Meruelo is retaining the Coyotes name, the team in Utah is going to need a name. The crew reads listener suggestions for a name and shares their own ideas.35:06 The crew talks about what's next for the Utah Placeholders.42:27 Finally, the crew gives its thoughts on how likely it is that Meruelo can meet the NHL's conditions. 50:58 The NHL Coaching Carousel is open for business. Joel Quenneville has started making the rounds again trying to launder his reputation enough that he can get another coaching job just as there is an opening in Buffalo.1:01:32 It's NHL Awards Time! The crew hands out the major awards.Neutral Zone Hotel is a production of the Neutral Zone Hotel TeamYou can find more information at https://neutralzonehotel.comLogo design by Emily MowbrayYou can follow us on social media if you're so inclined: Instagram: @neutralzonehotel Bluesky: @neutralzonehotel.bsky.socialIf you want to talk hockey with us, join our Discord server at https://neutralzonehotel.com/discordRecording of Also Sprach Zarathustra conducted by Philip Milman, https://pmmusic.pro/downloads/CC-BY 3.0 https://creativecommons.org/licenses/by/3.0/

Strauss' Also sprach Zarathustra — with its iconic opening popularized in 2001: A Space Odyssey — sets the tone for a program of dazzling, otherworldly pieces. Bartók's pantomime ballet, The Miraculous Mandarin, is a lurid, supernatural tale rendered in arresting colors. Czech violinist Josef Špaček takes on Martinů's tuneful and vivacious Violin Concerto No. 1. Learn more: cso.org/performances/23-24/cso-classical/also-sprach-zarathustra

1.000 Jahre lang ist Zarathustras Religion vorherrschend im heutigen Iran. Mit ihr vollzieht sich der Wandel zum Monotheismus, dem Glauben an einen Gott. Von Marfa Heimbach.

35:07 – More recent driving adventures, an extended digression about the show “Monk” and its place in the Great Detective subgenre, and a brief review of Kenneth Branagh’s “A Haunting in Venice”. Plus: speed bumps vs. speed humps. Show art: German propaganda poster (1942), artist unknown, Public Domain. Theme music: Clip(s) from “Also Sprach Zarathustra” […]

34:42 – An episode devoted entirely to the life and death of “die Überkatze” a/k/a the Dominant Female, Laverne. Show art: “Laverne Edited to Slate” (circa 2018) by Lisa in Kentucky (1960-2021), used by permission of her spirit. Theme music: Clips from “Also Sprach Zarathustra” (1896) by Richard Strauss (1864-1949), Public Domain, performance Fair Use. […]

本期主播： 雷普利（编剧，《沙丘》等43期嘉宾） 节目流程：（所有环节均涉及剧透） ①《芭比》：“小丑女”翻身记 ②《无熊之境》：拍电影就是在“画地为牢” ③《两万种蜜蜂》：与《芭比》同服 ④《小行星城》：别用童趣粉饰“封城” ⑤《命案》：开始吧！挽救大龄INCEL ⑥《犯罪都市3》：马东锡的顶流焦虑 ⑦《恶世之子》：当维伦纽瓦遇见赵婷 其它片目： 《疯狂的麦克斯1-4》（1979-2015） 《沉默的羔羊》（1991） 《黑客帝国1》（1999） 《律政俏佳人》（2001） 《双瞳》（2002） 《穿普拉达的女王》（2006） 《意外》（2009） 《黄海》（2010） 《弗兰西丝·哈》（2012） 《猎杀本·拉登》（2012） 《出租车》（2015） 《边境杀手1》（2015） 《丹麦女孩》（2015） 《伯德小姐》（2017） 《犯罪都市1-2》（2017-2022） 《中国机长》（2019） 《智齿》（2021） 《逃亡》（2021） 《扎克·施奈德版正义联盟》（2021） 《瞬息全宇宙》（2022） 《正义回廊》（2022） 《若虫：森林之歌》（2023） 《碟中谍7：致命清算(上)》（2023） 《关于我和鬼变成家人的那件事》（2023） 《奥本海默》（2023） 开场曲：(Richard Strauss)&(Aqua)； 结束曲：(FKJ)；

26:20 – More infections, nose bleeds, and failing kidneys. Nobody died, though. Show art: German propaganda poster (1942), artist unknown, Public Domain. Theme music: Clips from “Also Sprach Zarathustra” (1896) by Richard Strauss (1864-1949), Public Domain, performance Fair Use. License: Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Attribution: by Dave in Kentucky – more info at onsug.com.

26:21 – One of the hazards of driving Uber is that you get exposed to random people’s germs, and that will occasionally slow down even the most Uber of Uber Mensches. Show art: German propaganda poster (1942), artist unknown, Public Domain. Theme music: Clips from “Also Sprach Zarathustra” (1896) by Richard Strauss (1864-1949), Public Domain, […]

Ein Orchesterklang, der süchtig macht. Der magische Anfang seiner Tondichtung frei nach Nietzsches Buch über den persischen Mystiker Zarathustra hätte allein schon gereicht, um Richard Strauss den Weltruhm zu garantieren. Kaum ein Werk der Klassik kam öfter als Filmmusik zum Einsatz. Von Martin Zingsheim.

31:40 – Dave in Kentucky regales you with three Ubertales of incidents that he’d probably rather had never happened — a kind of Trilogy of the Terrible. The sound isn’t terrible, though; it’s way better than last time. Show art: German propaganda poster (1942), artist unknown, Public Domain. Theme music: Clips from “Also Sprach Zarathustra” […]

31:53 – If you’re willing to put up with a little road noise, you can ride along with Dave in Kentucky on his Uber Commute to Lexington. Show art: German propaganda poster (1942), artist unknown, Public Domain. Theme music: Clips from “Also Sprach Zarathustra” (1896) by Richard Strauss (1864-1949), Public Domain, performance Fair Use. License: Creative […]

35:40 – Dave in Kentucky’s into something new. Take a listen to find out what it is. It ain’t what it looks like. Show art: German propaganda poster (1942), artist unknown, Public Domain. Theme music: Clips from “Also Sprach Zarathustra” (1896) by Richard Strauss (1864-1949), Public Domain, performance Fair Use. License: Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported […]

Welcome fellow Joy Riders to the Masculine Journey Joyride Podcast! On this podcast you will hear funny stories, exchanges, and thought provoking moments that will amuse you, make you smile, and draw you closer to Jesus Christ in your journey of life. This week the guys are celebrating their 800th episode! We have special guests that will speak and we take a look back at some of our favorite moments from the Masculine Journey. The clips are from "Also Sprach Zarathustra," "The Greatest Adventure," from the movie "The Hobbit," and "Jeopardy." Congratulations on 800 episodes!!!  

Today on the Oh-My-Geekers podcast, Zeek introduces you to a composer whose music has been forgotten, yet has influenced the most significant musical pieces of the modern era. Meet Gustav Holst, who inspired the movie soundtracks of John Williams and Hans Zimmer. The music in this episode includes: Chopin Mazurka No. 5 in B-Flat Major, Op. 7/1, B.61: No.1 in B-Flat Major Performed by Louis Lortie   Stravinsky: Le Sacre du Printemps, K15: I. Introduction Performed by the Los Angeles Philharmonic R. Strauss: Also sprach Zarathustra, Op. 30, TfV 176: I. Also Sprach Zarathustra. Sonnenaufgang Performed by the London Symphony Orchestra   R. Wagner: Die Walküre, WWV86b: Hojotoho! Heiaha! (Remastered 2022) Performed by the Vienna Philharmonic R. Vaughan Williams: Symphony No. 3: III. Moderato pesante Performed by Sir Mark Elder, Hallé   G. Holst: Hymns from the Rig Veda, H90, Op. 24: II. Hymn to the Waters Performed by the Toronto Children's Chorus  G. Holst: St Paul's Suite, H118, Op. 29/2: IV. Finale (The Dargason). Performed by the Royal Philharmonic Orchestra  G. Holst: The Planets, H125, Op. 32: I. Mars Performed by the London Philharmonic Orchestra   J. Williams: Star Wars Episode 4: A New Hope: Imperial Attack The Return Home Performed by the London Symphony Orchestra  H. Zimmer: Gladiator: The Battle Performed by the Lyndhurst Orchestra --- Send in a voice message: https://podcasters.spotify.com/pod/show/oh-my-geekers/message

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Herzlich Willkommen zu dieser Folge, in der ich die Vorrede und die erste Rede von Nietzsches Zarathustra vorlese!

Give to help Chris make Truce! Nathan Leopold and Richard Loeb were wealthy young men in the early 1920s. They lived in big homes in Chicago and had world-class educations. They were both pushed hard academically, and Richard was sexually abused as a child. Both graduated early from high school and college. The two were an odd pairing. Nathan was quiet and awkward, not particularly handsome. Richard was gregarious and outgoing, good-looking... and a psychopath. Nathan loved Richard, and the two sometimes had sex with each other. Richard realized he could control Nathan by trading intimacy for criminal activity. They started with typical juvenile delinquent behavior. Soon, though, Richard wanted more. He considered himself a master criminal, someone too smart to get caught. He and Nathan were exposed to the ideas of Friedrich Nietzsche. Nietzsche wrote that the ultimate purpose of humanity was to evolve into what he called the ubermensch or superman. Leopold and Loeb thought they were that evolved human. Therefore, they should be able to plot and execute the murder of a young boy without ever getting caught. Only, they were so bad at it that it took very little time to pin it on them. Only the brilliance of Clarence Darrow, the country's most prominent defense attorney, could save their lives. In this episode, we're joined by Candace Fleming. She's the author of the book Murder Among Friends about the crime. The version of Also Sprach Zarathustra used in this episode is courtesy of the Creative Commons License and was produced by Kevin MacLeod. Sources: Murder Among Friends by Candace Fleming Helpful article on the Houston Symphony's website about Also Sprach Zarathustra Article about what Nietzsche meant by "God is dead" Full text of Also Sprach Zarathustra Helpful video about Nietzsche's work Smithsonian article about Leopold and Loeb William Jennings Bryan's closing arguments of the Scopes trial Clarence Darrow's closing arguments of the Leopold and Loeb trial Discussion Questions: Now that you know what the song Also Sprach Zarathustra is about, does it change your opinion of the piece? Do you think Nietzsche was right to worry about what would happen after Christianity took a back seat to world events? What should have been our response? With this little bit we covered about Nietzsche today, what do you think of his work? Can you see why it makes Chris nervous just to mention it in an episode? Do you see the connection between evolution and superman? Were people like Darrow and Bryan right to be concerned about young people learning Nietzsche's philosophy? Learn more about your ad choices. Visit podcastchoices.com/adchoices

One of the 20 Republican members of Congress who have been backing GOP challengers to U.S. Representative Kevin McCarthy's bid to become Speaker of the House is also one of Gwinnett's three congressional representatives. U.S. Rep. Andrew Clyde a Republican, is the only member of Georgia's congressional delegation who is backing U.S. Representative Byron Donalds, a Florida Republican, in the speaker vote. As of Wednesday afternoon, Congress had voted six times over a span of two days to elect a speaker, but none of the three candidates — including one Democrat — have received the 218 votes needed to become speaker. Republicans make up a narrow majority in the House, but McCarthy, who has been a house minority leaders for years, has been 17 votes shy of the total needed because 20 Republicans aligned with the Freedom Caucus have chosen to support other Republicans for the speaker's seat. On Wednesday, the group of Republicans refusing to back McCarthy, which also include Representatives Matt Gaetz and Lauren Boebert, pooled their support around Donalds. Congress can't conduct any other business, including swearing in its members and setting rules for the chamber, until a speaker is chosen, leaving the chamber unable to function. This is the first time in a century that a vote on selecting a speaker has gone to multiple ballots. In truth, all three of Gwinnett's congressional representatives are backing a different person in the speaker vote. As expected, Representative Lucy McBath, a Democrat, is backing her party's nominee for the seat, Representative Hakeem Jeffries of New York. It's how the two Republican members of Congress who represent he northern half of Gwinnett vote that is key, however. While Clyde is backing Donalds, new Representative Rich McCormick, also Republican, is backing McCarthy. Prior to the four rounds of voting on Wednesday, when he began supporting Donalds, Clyde backed Representative Andy Biggs, of Arizona in the first round of voting on Tuesday, before moving his support to Representative Jim Jordan, of Ohio — even though Jordan himself was backing McCarthy. Although it wasn't necessarily a vacation, the Brookwood High School Bronco Marching Band recently completed a history-making holiday sojourn to Southern California. On January 2, the Bronco Marching Band performed in the iconic Rose Parade in Pasadena, Calif., the first high school ensemble from Gwinnett County to take part in the parade, which has been a holiday tradition for more than 130 years. A collection of more than 330 people, including 215 performers, family and friends made the trip to California. It typically takes a bad 7 to 8 years to be selected after they apply to perform in the parade. Brookwood had originally applied to take part in the 2018 parade but the COVID pandemic prevented an earlier trip. Students had to raise about $2,800 each for the trip, which also included visits to Disneyland (where a New Year's Eve parade performance in the park was scuttled due to the weather), Universal Studios, the El Capitan Theatre (where they saw “Avatar: The Way of Water”), the Griffith Observatory and a walking tour of Hollywood movie locations. The parade itself appears both thrilling and exhausting, covering some 5.5 miles, starting at the corner of Green Street and Orange Blossom Boulevard and heading to its conclusion on Villa Street in the City of Roses. Slotted fifth in a parade of 88 participants, the Bronco Marching Band (one of only 15 high school marching bands in the parade) performed “From Now On” from “The Greatest Showman” for the first mile and then played the song in rotation with Strauss' “Also Sprach Zarathustra” and “The Hey! Song” from “Dr. Who.” The Bronco Marching Band also performed in the 42nd annual Tournament of Roses Bandfest at Pasadena City College on December 30. Two Norcross residents have been arrested and charged with murder in the death of the Norcross man who was found dead near the doorway of his home last month. Nelson Cisneros died near his home on Stanfield Court in unincorporated Norcross on December 15. At the time, police said he had been shot but they had not identified suspects or a motive for Cisneros' death. On Wednesday, however, Master Police Officer Hideshi Valle said detectives identified Norcross residents Requel Rayshawn Johnson, and Antonio Montez Payne , as suspects. They have each been charged with felony murder and aggravated assault. Gwinnett County Jail records show Johnson was arrested on December 27 and Payne was arrested on Tuesday. Valle said the Gwinnett County Police Department's Gang Unit as well as the Gwinnett Sheriff's Office Fugitive Unit assisted detectives in arresting Johnson and Payne. The suspects are being held in the county jail without bond. Police have not yet released the motive for the murder. Rebekah Blankenship, an eighth grade social studies teacher at Berkmar Middle School, was recently named a recipient of the June Bryant Teacher of Promise Award by the Georgia Council for Social Studies. The award recognizes a beginning social studies teacher who shows exceptional promise in the field of teaching social studies. Recipients of the honor must demonstrate efforts toward the improvement of student learning and engagement in social studies and implement activities that demonstrate the beginnings of service and foster the development of democratic values and citizenship in the classroom, school, and community. Additionally, the teacher seeks out and uses multiple sources to enhance social studies instruction while engaging in ongoing professional development. During her first two years of teaching, Blankenship has demonstrated the ability to develop and implement engaging lessons for students, her principal said. Encouraging special-needs students to become part of the fabric of Jones Middle School has been a priority for Jaclyn Boyce and Ashley Saye for more than a dozen years, but the special-education teachers have cranked it up a notch for the 2022-23 school year. Boyce, who teaches students with severe and profound intellectual disabilities, and Saye, who teaches students with moderate intellectual disabilities, are both firm believers in getting their charges out of the classroom and into the general student population in an effort to improve their sense of belonging at the Buford school by participating in daily activities. Starting 13 years ago with the establishment of the Buddies Club, Boyce and Saye developed a host of initiatives to get their students out and about in the halls and they're constantly seeking out new opportunities for the students to interact with their schoolmates. Buddies Club also includes monthly social events taking place both in and outside of the school walls, with visits to a nearby corn maze and movie theaters as highlights. Other inclusive efforts include having students serve on the student council and as peer leaders, which Saye said gives students a chance to develop and display leadership skills and boost confidence alongside their same-age peers. Some students — there are about 15 intellectually disabled students at Jones Middle — also visit home rooms to interact with students and teachers, help out in the school's media center, eat lunch in the cafeteria (or invite students to dine with them in their classrooms) and take part in Connections classes, which Boyce said provides great opportunities for social experiences. Perhaps the most novel recent initiative has been “JonesDash,” based on the popular DoorDash food delivery service. Several times a week, faculty members place orders for snacks and drinks and students do the rest, writing receipts, tracking down the items requested in the school's small “store,” delivering the orders to teachers and collecting payments. Carmen Smith, a Sugar Hill Elementary School advanced math teacher, has been nominated for the 2022-2023 National LifeChanger of the Year Award. Sponsored by the National Life Group Foundation, LifeChanger of the Year recognizes and rewards the best K-12 educators and school district employees across the United States who are making a difference in the lives of students by exemplifying excellence, positive influence, and leadership. Smith was nominated by her friend and neighbor, Nikki Soroko, for her humility and work in the classroom. Each school year, the LifeChanger of the Year award receives hundreds of nominations from all 50 states and the District of Columbia. Eighteen individual LifeChanger of the Year awards will be given during the 2022-2023 school year, including: ♦ One grand prize winner who will receive $10,000 to be shared with their school/district.  Four grand prize finalists who will receive $5,000 to be shared with their school/district. ♦ 10 LifeChanger Award winners who will receive $3,000 to be shared with their school/district. ♦ One Spirit Award winner. This award is given to the nominee whose community demonstrates the most support for their nomination. The winner will receive $5,000 to be shared with their school/district. ♦ One Capstone Award winner. This award is given to a nominee retiring at the end of the 2021-22 school year. The winner will receive $3,000 to be shared with their school or district. ♦ One Spotlight Award winner. This award is given to a nominee in a specific discipline each year. The winner will receive $5,000 to be shared with their school or district. For advertising inquiries, please email j.southerland@bgadgroup.com For more information be sure to visit www.bgpodcastnetwork.com   https://www.lawrencevillega.org/  https://www.foxtheatre.org/  https://guideinc.org/  https://www.psponline.com/  https://www.kiamallofga.com/  https://www.milb.com/gwinnett  https://www.fernbankmuseum.org/             See omnystudio.com/listener for privacy information.

Made famous by Stanley Kubrick's 2001: A Space Odyssey, the tone poem Also Sprach Zarathustra which was composed by a young Richard Strauss in 1896 is much more than just two minutes of cosmic fanfare. Based on Friedrich Nietzsche's philosophical novel inspired by the ancient Iranian prophet Zoroaster, its nine sections explore everything from passion, science, joy and death, to learning, convalescing, dancing and night wandering… But as a new year dawns how do the drama, power and epic sound worlds of Also Sprach Zarathustra ask and answer the fundamental questions of the universe and our place in it? Tom is joined by our witness philosopher Katrina Mitcheson to find out. Producer: Ruth Thomson

Filmreifer Egotrip oder Zivilisationskritik? Auch diese Frage bleibe offen, so Julius Heile in seiner Kurzeinführung zu Strauss' "Also sprach Zarathustra".

Change Makers is delighted to bring you the first episode in a brand new series with the Royal Philharmonic Orchestra: Journeys of Discovery. This major new season with a great deal of creative expression, focuses on three core questions: What does it mean to be human? What is our place in the world? What are we dreaming of? All fundamental issues humans have pondered for centuries, and composers have attempted to answer through music.  Over the course of nine conversations, we explore fundamental questions about what it means to be human that accompany nine incredible concerts. The first theme of the season is Awakening. And while Wagner, Grieg and Strauss provide the soundtrack, Michael will be joined by Kamal Ahmed, Co-Founder and Editor-in-chief, The News Movement, to offer the commentary. Listen now to hear Kamal's words of reflection there from his outstanding memoir, The Life and Times of a Very British Man, and a very personal take on his own journey of discovery. With special thanks to our audio partners at RODE, and to the BBC for providing the soundtrack, Strauss' Also Sprach Zarathustra. Find out more and book tickets for the RPO's Journeys of Discovery series at rpo.co.uk/journeys.

Es sei "weitaus das Bedeutendste, Formvollendetste, Interessanteste und Eigentümlichste meiner Stücke", befand Richard Strauss voller Genugtuung 1896 nach der Generalprobe seiner Tondichtung "Also sprach Zarathustra". Robert Jungwirth stellt das Werk gemeinsam mit Maestro Mariss Jansons vor.

Also Sprach Zarathustra, Op. 30 (em português: Assim Falou Zaratustra) é um poema sinfônico composto em 1896 por Richard Strauss, inspirado no tratado filosófico de mesmo nome escrito por Friedrich Nietzsche. O próprio compositor conduziu a primeira performance na cidade de Frankfurt am Main. A peça tem duração aproximada de meia hora. Sua introdução tornou-se mundialmente conhecida por ter sido usada como tema musical no filme 2001: A Space Odyssey, criação de Arthur C. Clarke e Stanley Kubrick, de 1968. Conversa de Câmara é apresentado por Aroldo Glomb com Eduardo Masses na bancada! Estamos também no programa Antigas Novidades! ESSE PROGRAMA É PRODUZIDO POR NA PAUTA PODCAST! FAÇA PARTE DO CONVERSA DE CÂMARA COM O NOSSO PADRIM! Então entre na conversa! No Padrin.com.br você pode ajudar o Conversa de Câmara a crescer e seguir divulgando ainda mais a boa música da humanidade. Mostre que você tem um gosto refinado apoiando a gente no Padrim.com.br https://www.padrim.com.br/conversadecamara RELAÇÃO DE PADRINS Karollina Coimbra, Aarão Barreto, Gustavo Klein, Eduardo Barreto, Ediney Giordani, Tramujas Jr, Brasa de Andrade Neto, Thiago Gonçalves e Aldo França

This week's guest is Tim Bangert! After a few failed attempts by some friends to get Phish to stick in Tim's ears he finally took the plunge and went to The Great Went, and the rest is history! After The Great Went, the majority of Tim's Phish shows fell into the years of '98 & '99. We talked about Tim's First show experience, some of his favorite jams, the songs he is chasing, and what member of Phish he would most like to meet. To be featured on a future episode, shoot an email to sttf.weareeverywhere@gmail.com Tim summed up his trip to The Great Went in an essay that you can read below.   How did I end up in Limestone, Maine, in August of 1997 to see a band in which I had relatively little interest? I will start the tale of my first Phish show a few years prior to that. I did know a little of the band and had a few friends loan me their music telling me how great they were, but even with all the music I chased down in used music stores and played on a weekly college radio shows, Phish was a barely part of it. The first time I recall hearing the name of the band was in 1992 in a local radio ad for a Santana concert. Funny story there is that the announcer said, “with special guest Phish,” over Santana's “All I Ever Wanted.” I only knew the few Santana songs in K-SHE 95's rotation (“Black Magic Woman,” “Oye Como Va”), so my brain immediately associated “All I Ever Wanted” with Phish. Thinking about it, that might be a fun cover for Phish to play. Phish obviously wasn't getting played on local commercial stations in St. Louis, so that was that. The following winter in college a guy named Joe who lived across the hall from me told me I had to listen to Phish. He handed me a copy of A Picture of Nectar. I am not certain how much of it I listened to, but I think I thought it was too goofy and underproduced as it jumped from the manic “Llama” to gentle “Eliza” and so on. I still think it's goofy and underproduced but in a much more endearing way. A short while later my cousin came to visit me at school. She was a senior in high school and brought a copy of Junta along. I remember hearing “Fee” and once again thinking what a goofy band this was. Why were people recommending them to me? What was I missing here? Later that year she made me a mix tape that include The Mango Song. A strange one to hand anyone to say, hey, listen to this band! Somehow it wound its daft way into my brain with every listen. I think I thought the piano had a bit of Vince Guaraldi's sound from all the Charlie Brown specials. In the fall of 1994, a fellow RA named Matt asks me if I play any music by Phish on my weekly college radio show. I tell him I had heard a bit, but they never did it for me. He hands me a copy of the just-released Hoist and says to give it another shot. I immediately liked the opening track “Julius” and played it on my show. I recall liking “Down with Disease,” “Sample in a Jar,” and possibly “Wolfman's Brother” enough that I dubbed the whole thing and had it on a steady rotation in my car's cassette deck. There were a few songs I always skipped past. “Lifeboy,” “Dog Faced Boy,” and “Demand” come to mind. I'm still not big on them and oddly enough they are the three that I have never seen live (“Riker's Mailbox” and “Yerushalayim Shel Zahav” notwithstanding). Jump ahead to spring of 1996 and Andy Rosenhack, who worked in the dorms with me and showed me how to run the board and queue up songs at WRBU, returned to Peoria for Senior Walk (that's a whole different story). We were out to lunch with a group of friends and he starts telling me about going to see Phish and how great it was. His first show was the 12/7/95 Niagara Falls show. He was also talking a lot about seeing DMB and how great they were, which I think steered the conversation because by that point DMB was pretty big on the radio. I'm pretty sure I was evangelizing for Wilco around that point in time, which seemed pretty not-Phish. That summer I moved out to Colorado for a short time. Phish was in the news, as their four-night stand at Red Rocks was marred by the weird clashes taking place in Morrison by fans unable to get tickets to the shows. I was nowhere near it and Phish still was not really on my radar. I moved back to Illinois in early 1997, bounced around looking for work, and ended up with a contract job in the suburbs of Chicago. It was a pretty dreary time and I was looking for a way to get out of the rut that was surely forming in the 8-to-5 world of I.T. Andy contacts me and says I should come see Phish with him. Where are they playing? Why, in Maine! It's a festival! I tell him sure, why not. I've been at my job a few months and deserve some time off, right? He sent me two 90-minute cassettes to prep me for the show. The first was set 2 of the first night of the Clifford Ball 1. It's an interesting set covering a wide range of styles. The second tape was a doozy that probably made me say “What the hell is this?” It was the Bomb Factory Tweezerfest set. Really, is that what you hand somebody when you want them to listen to live Phish for the first time? It was out there. We wrangled another college friend Bill Korbecki to come along for the road trip. Bill lived near Chicago, so I had company for the drive to Rochester. If I recall correctly, we drove the northern route through Detroit and Niagara to get to Andy's place in Rochester, New York. Ah, for the days when crossing into and out of Canada didn't require a passport or a lot of suspicion. We didn't head straight up to the show, though. Andy was working as a day camp counselor that summer. Bill and I tagged along to help out, as they were making tie-dye t-shirts that day. I made mine out of a Sugar 1994 Tour shirt 2. That evening Bill and I hung out at Andy's place because he had tickets to take his girlfriend to see James Taylor. When he returned from the JT show we took off for Maine. It couldn't be that far, right? It's just getting to Massachusetts and then through a sliver of New Hampshire. Ha. Little did I realize how remote this concert would be. The route couldn't be easier. Take I-90 east until it hits I-95 outside Boston. Head north on I-95 until the final exit before New Brunswick. Hop off and go north on US-1 and follow the traffic jam to the decommissioned Loring Air Force Base. I remember hearing on the radio local kids in Arastook County were out of school for potato harvest. The residents in the area were curious about the parade of cars winding northward, but they were gracious nonetheless. Getting to the lot the morning of the show we were parked far back on the right side of the runway. The scale of it was overwhelming. Where the heck was the stage? Attempting to piece together the first day of music here. The walk to the concert grounds was far but did not feel that way. Too many interesting people and too much interesting merchandise being hawked. I don't remember much of the festival area. Andy did paint on one of the wooden planks flanking the area. Those planks would become part of the sculpture that evolved on the scaffolding to the right of the stage. I think Andy met Page in that time, too. I had no clue who any of the band were. 1 Split Open and Melt, Sparkle, Free, The Squirming Coil, Waste, Talk, Train Song, Strange Design, Hello My Baby, Mikes Song, Simple, Contact & Weekapaug Groove. 2 I can't believe I did that. My apologies to Bob Mould. The show started late that afternoon. “Makisupa Policeman” holds the honor of the first live song I saw Phish play. Keyword? “Goo balls.” Me being the neophyte I am, I thought Trey said “blue balls.” Ha. I had no idea the significance of the partial “Harpua” that followed. That day warped me for how long an opening set should be at around 100 minutes. I later learned listening to the tapes that the first few songs were a de facto soundcheck. Looking back it's strange to think I got a daytime YEM (it's hard to think of it without the lights) and a beautiful solo to end “Squirming Coil.” Page's words after his bow? “Stick around.” I knew only two songs they played that day. “Wolfman's Brother” to open the second set and “Julius” to close it out. That helped keep things familiar for me. I was worn out late in the third set and told the guys I would meet them back at the car, so I listened to the encore from afar. Not knowing much of anything, I obviously missed the late-night DJ set the band put on in the disco tent. The next morning was crisp and bright. Flyers had been circulating requesting participants for a mass photo shoot. The catch? It called for folks to doff their clothes. Anyone hearing this story would think I was the one who had to be dragged into such an event, but the opposite is the case. I told Bill and Andy that we should be in the photo. They thought I was bluffing and said if I was in, they'd be in, too. So sometime late that morning I led them to the staging area to sign waivers, drop our clothes near some bike racks, and parade out onto an empty stretch of runway in our birthday suits with 1,100 other people. It was not as nerve-wracking as I thought it might be. For our participation, we were supposed to be sent a copy of the photo, but unfortunately, I was bouncing between addresses at the time and mine never made it to me. Andy did receive his. The photo is rather morbid in my eyes. It's monochrome and looks like a thousand corpses lined up on pavement, which completely belies the festive atmosphere of the shoot. While I did not receive the poster, there is proof of me in one of the pictures in 1998's The Phish Book. Yep. My caveat for anyone seeing that page in the book is that northern Maine mornings are chilly. ;) We meandered about that day. I was amazed at all the vending taking place, though I was still too green to understand references to songs or other cultural touchstones. I did buy a lot shirt, though. It was tie-dye, had a Phish logo with Summer Tour 97 around it, and on the back a faux Maine license plate with GR8-WENT. It cost me $5 because it had some rips in the front and was the last of the vendor's lot. I don't think I ever wore it, but it's still stowed away too cherished to be thrown out. I remember much more of the second day of music. I loved the song “The Wedge” the moment they opened with it. Limestone blocks so large, indeed. After the set we wandered a bit for food and water. Getting back into the concert area we ended up about 20 to 25 rows back Page side. The place was buzzing as the night and cool air creeped in. One anomaly of this show that I did not realize was Fish not wearing his trademark donut dress. He was in jeans that weekend. For the second night he had on a fleece adorned winter hat. Trey also had on a warm striped beanie for the second set. They kicked off the set with “Down With Disease” which I knew from good old Hoist. The song raged on for twenty minutes and then dropped down to a simple little guitar and bass conversation between Trey and Mike, as Page and Fish stepped to two easels on the stage. We could see the two of them painting on shaped boards, similar to those Andy had painted on in the festival area. Trey played the chords of “Bathtub Gin” as Fish found his way back to the drum kit. The song was new to me, but it's so catchy. The cadence of lyrics at first reminded me of Bob Dylan's “Subterranean Homesick Blues” and of course was familiar with its Gershwin quotes throughout. Something clicked for me right then and there. Little did I know this would be one of the signature live jams of the band's career, but I did know something special was happening. It's a version that never loses steam and never grows stale on repeated listenings. There's a group on Facebook called “The Great Went Bathtub Gin Changed My Life.” I did not start the group, but I certainly understand why it was created. The song is 20 minutes of inspired playing and improvisation. As Gin wound down and melted into the quick bluegrass fix of “Uncle Pen,” we were only halfway through the set. The next 45 minutes would be just as inspired. The next song was just as familiar because Strauss' “Also Sprach Zarathustra” is embedded in the DNA of anyone alive after 2001: A Space Odyssey. More painting, this time Trey and Mike stepping to the easels while Fish and Page keep the jam going. What's up with all this painting, anyway? As 2001 fades into what becomes known as “Art Jam” on tapes, Trey tells us about creating art with the audience. The band's planks are crowd surfed over to the scaffolding where all the planks painted by festival-goers hang in one crazy pile. The spotlight is on the newly created sculpture as the band kicks into “Harry Hood.” Another new one for me, but it's a glorious swell. As “Hood” drops into the post “Thank you, Mr. Miner” jam, Trey asks Chris Kuroda to cut the lights because the moon is bright and the sculpture is growing in beauty with every passing second. With that, the air begins to fill with colored lights. A glowstick war breaks out. Without the usual concert lights to dampen things, the sticks take on an epic feel. The jam seems to rise and fall with the number in the air. It was exhilarating. I couldn't imagine being anywhere else. As “Hood” ended Trey tells the crowd to go get more of those things because they look amazing. 90 minutes had gone by in what seemed like 9. The crowd was floating. And we still had another set to go. Over the course of the second set the crowd grew more dense. We had nowhere to go between sets. I remember gallon jugs of water being passed around the crowd. I was so thankful for a few sips. It sustained me through the end of the show in an incredibly cramped space. The final set was not as epic, but introduced me to a few more facets of the band. I remember each song, but specifics of only a few. We were still pinned in with the crowd and hadn't had a chance to sit down in hours (maybe we did? I remember standing the whole time). I'm sure a lot of people took “Dirt” to be a chance to rest after the intricate “Guyute,” but it hit me just right. Combined with the cold air, Trey's whistling and the simple guitar line were an emotional high point for me. The same goes with the set closing “Prince Caspian.” I was thrilled hearing “When the Circus Comes” as the encore, since I am a big fan of the old Los Lobos tune. I didn't realize its lyric “the day I burn this whole place down” would soon become a reality as they tore into “Tweezer Reprise.” A huge timber dressed up as a match was lit and tipped against the sculpture that an hour or two earlier we had been admiring during “Harry Hood.” The whole thing went up in an intense blaze as the encore raged. The crowd was going crazy. Wow. Is this what every Phish show is like? Maybe so, maybe not. One of the great things about the fest were all the folks vending from their vehicles. I was famished after the nighttime sets. As we strolled back up the runway I hear a voice singing out “15 ingredient veggie burritos!” A burrito sounded like it would be perfect, so we stopped to grab one. As the woman is wrapping one up I can't resist asking, “So, what are the 15 ingredients in this burrito?” Here's how Andy recalls her reply: “Rice, 5 kinds of beans, cilantro, cheese, cilantro, rice, cilantro, 5 kinds of beans, cheese, rice, and cilantro.” Ha! Who am I to question that? It was delicious. We took time to rest at the car and headed out of the base the next morning. Traffic was heavy, but moved pretty well. When we hopped on I-95 again one of the strangest things I've ever seen happened. Troopers were pulling cars over en masse. We were not among those targeted by the state patrol, but it was weird. The only other Maine thing we really did when we were up that way was a stop at the L.L. Bean flagship store. I bought a wool plaid cap that I recently passed on to my daughter. The rest of the ride back to Rochester I remember mainly for Andy introducing us to the music of Ani Difranco. As the rest of the year went along, I got a bit more into Phish, but really sought out Ani's stuff. Two completely different sounds, but artists who completely do things their own way. The drive to Chicago is a bit of a blur to me now. I'm guessing exhaustion was setting in and we were looking forward to getting home.  

Programa nº 197. Despedida de la 7ª Temporada. Como deberes, en este descanso veraniego, le recomendamos que escuche programas anteriores. A continuación, le anotamos las piezas y las diferentes secciones de hoy. ADIVINA LA PELÍCULA Elvis Presley. ALSO SPRACH ZARATHUSTRA. SAN TORAL Jimmy Smith – THE CAT.   Orq. Teatro Apolo. AGUA, AZUCARILLOS Y AGUARDIENTE, preludio. […] The post Los Tres Tenores 22/06/2022 first appeared on Ripollet Ràdio.

When last week's episode ended with Olivia Benson being taken captive by über-psychopath William Lewis, we knew that we'd be going deep into the darkest hour of SVU's storied run this week. This is 43 full minutes of torture porn so bleak and visceral that it's honestly shocking it aired on network television. Please prepare yourself for how messed up this episode is. Thankfully, Josh and Adam munch it up by talking about a diverse range of European arthouse classics you wouldn't want to bring a date to, our coffeeshop orders, and whether or not Pizza Boy exists within the Fur Humper Cinematic Universe. Oh, and lest we forget, Adam has an outlandishly bold theory which just might change the way you look at Olivia Benson forever. Enjoy! Music: Divorcio Suave - “Munchy Business” 18:16 - John Cale - "Fear Is A Man's Best Friend" from Fear (1974) 37:11 - Gwen McCrae - "90% Of Me Is You" from For Your Love (2012) 56:13 - Richard Strass - Berliner Philharmoniker - Karl Böhm - Also Sprach Zarathustra, Op. 30, TrV 176: I. Prelude (Sonnenaufgang) from R. Strauss: Tone Poems (1999) Thanks to our gracious Munchies on Patreon: Jeremy S, Jaclyn O, Pedro H, Amy Z, Emily L, Nikki B, Louise M, Whitney C, D Reduble, Tony B, and Zak B - y'all are the best! Be a Munchie, too! Support us on Patreon: patreon.com/munchmybenson Follow us on: Twitter, Facebook, Instagram, and Reddit (Adam's Twitter and Josh's Twitter) Check out Munch Merch: Zazzle Finally! Check out our guest appearances on: FMWL Pod and Chick-Lit at the Movies Visit Our Website: Munch My Benson Email the podcast: munchmybenson@gmail.com Next Week's Episode: Season 15, Episode 2 "Imprisoned Lives"

Siskoid welcomes guest editor Steve Givens to take on issue 16 of Who's Who (Mr. Terrific to Nightmaster) and reinvent its heroic entries as an entirely new line of books. Siskoid does too, but goes off the rails into an alternate reality where Disney has purchased DC Comics! Listen to Episode 16 below or subscribe to Who's Editing? on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Révolution" by Les Sherpas. Bonus clips: "Also Sprach Zarathustra, Op. 30" by Strauss; Ron Marz talking to Sobrecapa YouTube channel in 2020. Thanks for leaving a comment to the editors!

Hard to believe that this is our THIRD episode all about Super Smash Bros! The third game, Brawl, now on the Wii, is definitely an interesting one... hated by the competitive community and somewhat forgotten in the mass of better Smash Bros. Oh well. AJ is back, so let's talk about it! Get in touch: regionunlockedpodcast@gmail.comTwitter: https://twitter.com/RegionUnlocked Music:Intro- Luminare by HeatleyBros"Also Sprach Zarathustra" composed in 1896 by Richard StraussVarious clips taken from the gamesOutro- Also Sprach Zarathustra Trap Remix by MajorLeagueWobsSupport the show (https://www.patreon.com/regionunlocked)

Some of the all-time greatest wrestlers used some of the all-time greatest music ever written to help portray their in-ring personas and get over with the crowd. Imagine Ric Flair without Also Sprach Zarathustra, or the Macho Man with out his Pomp and Circumstance?! Take a listen as Rich takes you on a short journey exploring some of biggest names in the game and their connection to classical music.

Richard Strauss - Also Sprach Zarathustra: Introduction Slovak Philharmonic Orchestra Zdenek Kosler, conductor More info about today's track: Naxos 8.553244 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

1895 Muore Alexandre Dumas, l'autore della Signora delle camelie - 1896 Prima esecuzione di Also Sprach Zarathustra di Richard Strauss

From DailyPodcastPractice.com Day 27 of NaPodPoMo Yesterday, November 26, Steven Soundheim died. Born on this day in 1955 in Washington D.C., American mechanical engineer, science communicator, and television presenter, William Sanford Nye, popularly known as Bill Nye the Science Guy. On this day, in 1896, in Frankfurt, Germany, Richard Strauss conducted the premiere performance of his composition "Also Sprach Zarathustra." The initial fanfare – titled "Sunrise" in the composer's program notes – is best known for its use in Stanley Kubrick's 1968 film 2001: A Space Odyssey. Today's word is aerodrome.

Episode 8 Band on the Run – the origin of a hit song Part 2Join us in Part 2 of our story where we investigate the challenges that Paul faced in recording his hit song Band on the Run; his life-threatening encounter, abandonment, culture shock, and using the new instruments of the 60s and 70s. We also investigate how Band on the Run is somehow connected to the song Desperado by the Eagles! So settle in for Part 2 of our narrative. You will be intrigued by a series of revelations that you will find entertaining and informative!Band on the Run, Paul and Linda McCartney; performed by Joe Anastasi and Mike SugarDrama-pizza, Mike Sugar; performed by Mike SugarDramockumystery Tour, Mike Sugar; performed by Mike SugarSuspenseful Stridi, Mike Sugar; performed by Mike SugarHotel (Theme), Henry Mancini; performed by Mike SugarAm Be Into Background, Mike Sugar; performed by Mike SugarAbandon The Run (interstitial rabbit hole), based on Paul and Linda McCartney's Band On the Run, rearranged and performed by Mike SugarGoodbye, Paul McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain)Two Part Invention in D Minor, J.S. Bach; performed by Mike SugarI Want You (She's So Heavy), Lennon and McCartney; performed by Mike SugarThus Mooged MaccaThustra, Richard Strauss, Paul McCartney, Phil Medley and Bert Berns; [Twist and Shout, Band on the Run, and Also Sprach Zarathustra] mashed up and performed by Mike SugarMaxwell's Silver Hammer, Lennon and McCartney; performed by Joe Anastasi and Mike SugarKalider Story, Mike Sugar; performed by Mike SugarBaroque Inn, Mike Sugar; performed by Mike SugarSuperstition, Stevie Wonder; performed by Mike SugarShe Drives Me Crazy, Roland Gift, David Steele; performed by Joe Anastasi and Mike SugarPopcorn, Gershon Kingsley; performed by Mike SugarFrankenstein; Edgar Winter: performed by Mike SugarMy Love, Paul and Linda McCartney; performed by Joe Anastasi and Mike SugarWhats' My Line, Charles Fox; performed by Mike SugarThe Good the Bad and the Ugly Theme; Ennio Morricone, performed by Mike SugarDesperado, Glenn Frey and Don Henley; performed by Joe Anastasi and Mike SugarPenny Lane, Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, Winter, and Mark Abbott of Stroll Down Penny LaneThe End, Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain of Stroll Down Penny LaneSources:Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016Here, There and Everywhere, Geoff Emerick and Howard Massey; Gotham Books; New York; 2006McCartney, Christopher Sandford; Carroll and Graf Publishers; 2006Band on the Run, a History of Paul McCartney and Wings, Garry McGee; Taylor Trade Publishing; 2003Fab, an intimate life of Paul McCartney; Howard Sounes; Da Capo Press; 2010Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006.Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003The Beatles Anthology; Chronicle Books; San Francisco; 2000Funeral takes place of former Wings guitarist Henry McCullough, David Roy; The Irish News; June 19, 2016Paul McCartney pays tribute to 'super-talented' Wings guitarist Henry McCullough, Nick Levine; nme.com; June 15, 2016Paul McCartney and Wings, Band on the Run; Paul McCartney Archive Collection; Deluxe EditionThe Beatles play with the Moog Synthesizer, 1969; Elena the Beatles photosBand on the Run: Moog or ARP? / Fab Forum; www.beatlesbible.comMoog synthesizer; WikipediaMinimoog; WikipediaFab Four FAQ: Everything Left to Know about the Beatles – and More!, Stuart Shea and Robert Rodriguez; Hal Leonard; 2007McCartney, songwriter, Howard Elson; W.H. Allen; 1986

Stroll Down Penny Lane Episode 8 Band on the Run – the origin of a hit song Part 2 Join us in Part 2 of our story where we investigate the challenges that Paul faced in recording his hit song Band on the Run; his life-threatening encounter, abandonment, culture shock, and using the new instruments of the 60s and 70s. We also investigate how Band on the Run is somehow connected to the song Desperado by the Eagles! So settle in for Part 2 of our narrative. You will be intrigued by a series of revelations that you will find entertaining and informative! Band on the Run, Paul and Linda McCartney; performed by Joe Anastasi and Mike Sugar Drama-pizza, Mike Sugar; performed by Mike Sugar Dramockumystery Tour, Mike Sugar; performed by Mike Sugar Suspenseful Stridi, Mike Sugar; performed by Mike Sugar Hotel (Theme), Henry Mancini; performed by Mike Sugar Am Be Into Background, Mike Sugar; performed by Mike Sugar Abandon The Run (interstitial rabbit hole), based on Paul and Linda McCartney's Band On the Run, rearranged and performed by Mike Sugar Goodbye, Paul McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain) Two Part Invention in D Minor, J.S. Bach; performed by Mike Sugar I Want You (She's So Heavy), Lennon and McCartney; performed by Mike Sugar Thus Mooged MaccaThustra, Richard Strauss, Paul McCartney, Phil Medley and Bert Berns; [Twist and Shout, Band on the Run, and Also Sprach Zarathustra] mashed up and performed by Mike Sugar Maxwell's Silver Hammer, Lennon and McCartney; performed by Joe Anastasi and Mike Sugar Kalider Story, Mike Sugar; performed by Mike Sugar Baroque Inn, Mike Sugar; performed by Mike Sugar Superstition, Stevie Wonder; performed by Mike Sugar She Drives Me Crazy, Roland Gift, David Steele; performed by Joe Anastasi and Mike Sugar Popcorn, Gershon Kingsley; performed by Mike Sugar Frankenstein; Edgar Winter: performed by Mike Sugar My Love, Paul and Linda McCartney; performed by Joe Anastasi and Mike Sugar Whats' My Line, Charles Fox; performed by Mike Sugar The Good the Bad and the Ugly Theme; Ennio Morricone, performed by Mike Sugar Desperado, Glenn Frey and Don Henley; performed by Joe Anastasi and Mike Sugar Penny Lane, Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, Winter, and Mark Abbott of Stroll Down Penny Lane The End, Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain of Stroll Down Penny Lane Sources: Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016 Here, There and Everywhere, Geoff Emerick and Howard Massey; Gotham Books; New York; 2006 McCartney, Christopher Sandford; Carroll and Graf Publishers; 2006 Band on the Run, a History of Paul McCartney and Wings, Garry McGee; Taylor Trade Publishing; 2003 Fab, an intimate life of Paul McCartney; Howard Sounes; Da Capo Press; 2010 Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006. Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003 The Beatles Anthology; Chronicle Books; San Francisco; 2000 Funeral takes place of former Wings guitarist Henry McCullough, David Roy; The Irish News; June 19, 2016 Paul McCartney pays tribute to 'super-talented' Wings guitarist Henry McCullough, Nick Levine; nme.com; June 15, 2016 Paul McCartney and Wings, Band on the Run; Paul McCartney Archive Collection; Deluxe Edition The Beatles play with the Moog Synthesizer, 1969; Elena the Beatles photos Band on the Run: Moog or ARP? / Fab Forum; www.beatlesbible.com Moog synthesizer; Wikipedia Minimoog; Wikipedia Fab Four FAQ: Everything Left to Know about the Beatles – and More!, Stuart Shea and Robert Rodriguez; Hal Leonard; 2007 McCartney, songwriter, Howard Elson; W.H. Allen; 1986 Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, three of our BACo analysts take a trip back to the Blaseball Prehistory, finding the best of the worst and discussing what makes a fresh roll viable in modern Blaseball! Meet your new temporary hosts, Rocks Hithard (theremin), Wooly Trilobyte (InnercityGriot), and Gorg Homerun (kilozombie), as they celebrate good names, terrible stats, and make all kinds of hubris-defining assumptions about who would actually win in Blaseball, recorded before the most recent Short Circuit. Included: many comparisons to Taco analyst favorite Son Jensen, one very sad comparison to Sexton Wheerer, and lots and lots and lots of talking about numbers. Intro symphony: Also Sprach Zarathustra, Op. 30, by Richard Strauss (a.k.a. the theme in the intro to 2001: A Space Odyssey) Find the rest of our episodes at tacoba.co  Find us on twitter: @BlaseballACo You can find the BACo team around the Taco Stand: https://discord.gg/fm6mRwy Look out for kilozombie#7157, InnercityGriot#2859, benjaminrees#1140, theremin#3538 and DeeJay#2609 

Erin and Clay throw out some old music and bring in some new music. Clay also learns he has something in common with Billie Eilish and Finneas O'Connell.Clay's New Music Rec:The Living Strange, “High” (Exxp: 2041)*Played with permission from the artist and copyright holder*Listen/Purchase: https://thelivingstrange.bandcamp.com/Erin's New Music Rec:Green-House, “Sunflower Dance” (Exxp: 2040)*Played with permission from the artist and copyright holder*Listen/Purchase: https://green-house.bandcamp.com/VVVVVFeatured Exxpired Albums:Space Hog, “Hoggyssey”Red House Painters, “Old Ramon”Anne Sofie Von Otter, "For the Stars"One of a kind recordings from Leesta Vall: https://leestavall.com/ Mentions:L.A.'s The FactoryChildish Gambino's, "This is America""Being There"Deodato, "Also Sprach Zarathustra"Elvis CostelloBrian Wilson's "Don't Talk, Put Your Head On My Shoulder"Pet Sounds"One From the Heart"Mark KozelekSun Kill MoonBillie Eilish: The World's a Little Blurry~~~~~~~~~~~~~~~~~~~~~~~~~The Exxpired Music theme, "This Is Not The End" was written and produced by Rob Taxpayer.Join Rob's Song of the Week Club:https://www.patreon.com/songoftheweekclubExplore Rob's extensive discography:https://taxpayers.bandcamp.comhttps://anxietycat.bandcamp.comhttps://trustysnakes.bandcamp.comhttps://trashswan.bandcamp.com****SUPPORT ARTISTS AND MUSICIANS, BUY THEIR MUSIC AND ART****

Come work for Ursa Major Firma!  It's a wonderful company to work for, and everyone is definitely happy... Subscribe to this podcast, and check us out on twitter (@friendlycpod) and instagram (@friendlycreaturespod)! If you wish to contact us, you can email us at friendlycreaturespod@gmail.com Check out the transcript here ( https://docs.google.com/document/d/1q-5EHrFdad_oaN3GMeYE9QhMZypWh2CpF2om9nkADug/edit?usp=sharing ) Also Sprach Zarathustra version by Kevin MacLeod, found here: https://incompetech.com/music/royalty-free/index.html?keywords=Zarathustra Music by Julia Barnes Show art created by Perrin Nightingale Episode written and edited by Harper van Beek Bridget played by Harper van Beek

Kubrick’s music choices for “2001: A Space Odyssey" were just one of many groundbreaking aspects of this remarkable film.See omnystudio.com/listener for privacy information.

How are materials related to big data? We speak with Dr. Ian Foster from the University of Chicago and Dr. Klara Nahrstedt from University of Illinois at Urbana Champaign about data science. Dr. Nahrstedt is a Ralph and Catherine Fisher Professor of Computer Science and the Director of the Coordinated Science Laboratory. Dr. Foster is the Director of Argonne National Laboratory's Data Science and Learning Division and a Distinguished Service Professor for the Department of Computer Science. Songs included in this episode are “Jack” by Podington Bear, available under creative commons, and “Also Sprach Zarathustra'' by Richard Strauss. https://creativecommons.org/licenses/by-nc/3.0/

The Portsmouth Sinfonia billed themselves as “indisputably, the worst orchestra in the world.” They have brought joy into the lives of millions. In the fifth episode of Ghost Echoes, we learn about the importance and healing effects of failure. Music and Sound Notes: -- The recording of Vivaldi's Concerto for two trumpets heard here is NOT Matthew Parsons and his colleague Glenn Skelton. It is in fact Michel Rondeau (presumably double tracked) and organist Alaine Letendre, sourced from Musopen. -- Here's Chi-Chi Nwanoku's BBC performance of Failing by Tom Johnson. -- The snippets heard shortly after are from “It Never Entered My Mind” performed by the Miles Davis Quartet, the third movement of Bach's Italian Concerto performed by Glenn Gould, the first movement of the Tchaikovsky violin concerto performed by Patricia Kopatchinskaja with Teodor Currentzis conducting MusicaEterna, and Hans Abrahamsen's let me tell you as sung by Barbara Hannigan with Andris Nelsons conducting the Bavarian Radio Symphony Orchestra. -- All the tracks by the Portsmouth Sinfonia are from their debut album, The Portsmouth Sinfonia Plays the Popular Classics. The works excerpted from here are Also Sprach Zarathustra by Richard Strauss, the first movement of Beethoven's fifth symphony, and “The Blue Danube” by Johann Strauss II. Further reading, listening: -- Information on the Portsmouth Sinfonia came from Cornelius Cardew: A Life Unfinished by John Tilbury and this piece by Eric Grundhauser. -- Thanks to Berlin Atmospherics for the applause SFX.

In a bright warehouse in the heart of Northern California's cannabis country, a metal gate slowly peels up. “Also Sprach Zarathustra”—the iconic music from 2001: A Space Odyssey—blares as the room behind is revealed. A mob of marijuana farmers and local politicians and activists and venture capitalists shuffle through into the Willy Wonka factory of weed.