Podcasts about Black Magic Woman

People, let's all get together and celebrate Women's History Month! ATTT is contributing the only way we know how - with a list. Top Ten "Woman" Songs is simply that, songs with the word "Woman" in the title. Our list has a small caveat, which you'll hear about. You'll also hear the dulcet tones of our esteemed guests, Sky Nicholas and Tara Austin, two of the crew from our favorite Tuesday night haunt, Canter's Kibitz Room. As F.O.C.K.R.s do, Sky and Tara know a lot of great songs, and we bring you ten of the best in this timely episode. Picks 10-6 are featured here in Part 1.Find our humble guests Sky & Tara on the socials!https://www.instagram.com/skyroxxu/https://www.instagram.com/austintatioustunes/ We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Our man in Maryland Gabe Scalone joined for an all newFind out more at https://www.patreon.com/c/alltimetopten

In this special "Best Of" episode of the Black Magic Woman Podcast, we revisit one of our most heartfelt and inspiring yarns with a guest whose journey embodies resilience, pride, and representation. Hailing from the lands of the Whadjuk Noongar people, this trailblazer is known for breaking barriers in Australian media as a celebrated news presenter and advocate for social justice. Our mystery guest grew up as the youngest of five daughters in a loving, culturally rich household and now uses their platform to amplify Indigenous voices across the country. They traveled over 36,000 kilometers in 2023 alone, engaging with grassroots communities, elders, and leaders, all while bringing authenticity and lived experience to the stories they tell. Here’s a clue: You’ve likely seen this Black Magic Woman in the spotlight—whether anchoring the news, dancing in trackies on Instagram, or hosting thought-provoking conversations about cultural heritage and equality. Can you guess who it is before the big reveal? Tune in to celebrate this iconic episode with a guest who truly embodies the spirit of the Black Magic Woman Podcast!

Get ready for a special "Best of Black Magic Woman Podcast" episode featuring a Mystery Guest who has inspired thousands with their eloquent words, fierce love for their people, and unwavering commitment to creating a better Australia. Who could it be? Here are some clues: They've had a profound international career, reporting from over 80 countries, but their heart has always remained connected to their roots in Wiradjuri country. This guest is a passionate advocate for preserving Indigenous languages and was instrumental in the development of the first Wiradjuri dictionary alongside their father, a language trailblazer. They've delivered a viral speech, turning the Australian Dream on its head to spotlight the reality for First Nations people. Can you guess who it is? Tune in for this powerful and inspiring conversation that showcases the heart and wisdom of one of Australia's most influential voices. ✨ We're on holidays and will return with new episodes on the 22nd of January 2025! In the meantime, enjoy this unforgettable yarn and relive one of our best moments on the podcast.

This special episode revisits one of our most captivating conversations of the year, featuring a guest whose journey is as dazzling as it is inspiring.

This episode is proudly supported by Monash University, promoting the Masters of Indigenous Business Leadership program, delivered by Monash Business School & The William Cooper Institute. The Master of Indigenous Business Leadership, is a cross-disciplinary program with leading units delivered by Monash Business School, complemented by a tailored offering in design thinking, together with a mastery unit from Law. The partnership series features interviews with Aboriginal and Torres Strait Islander past and current students, staff and guest speakers from the program. In the latest episode of the Black Magic Woman podcast & the Monash University Partnership Series, we dive deep into the heart of the Indigenous Business Leadership program at Monash University with a current student of the Masters of Indigenous Business Leadership Program. (MOIBL)

Grandpa Asks: "Which witch and her magical artifact do you find the most memorable, and why?" This question encourages listeners to reflect on the information presented and share their personal connection to a specific witch and her associated planet. "Can you think of a creative mnemonic device of your own to remember the planets? Share your ideas in the comments below!" This question fosters creativity and engagement, inviting listeners to contribute their own unique memory techniques. Witches and Halloween: A Planetary Mnemonic Adventure Mnemonic Theme: Witches' Coven and Their Magical Artifacts Concept: Each witch in the coven represents a planet and is associated with a unique magical item that corresponds to the planet's characteristics. Witch Characters and Their Magical Items: Mercury Witch: A swift messenger with a winged staff, symbolizing Mercury's communication and speed. Venus Witch: A love goddess with a heart-shaped wand, representing Venus's beauty, love, and harmony. Earth Witch: A nature-loving witch with a crystal ball, symbolizing Earth's grounding and connection to the natural world. Mars Witch: A fiery warrior with a battle axe, representing Mars's energy, passion, and aggression. Jupiter Witch: A wise and powerful witch with a staff adorned with stars, symbolizing Jupiter's expansion, authority, and abundance. Saturn Witch: A disciplined witch with a hourglass, representing Saturn's structure, time, and responsibility. Uranus Witch: An eccentric witch with a lightning bolt, symbolizing Uranus's originality, rebellion, and sudden changes. Neptune Witch: A mystical witch with a trident, symbolizing Neptune's imagination, spirituality, and illusions. Pluto Witch: A transformative witch with a cauldron, symbolizing Pluto's power, rebirth, and the underworld. #WitchesAndHalloween,#PlanetaryMnemonics,#AstrologyAndMagic,#HalloweenFun,#WitchyVibes#RememberThePlanets#CreativeLearning#WitchesCoven#MagicalArtifacts Witchy Garb: Design unique costumes for each witch, incorporating elements related to their planet. Broom Sticks: Create broomsticks with themed decorations, such as stars for Jupiter or a crescent moon for Neptune. Black Cats: Assign a black cat to each witch as a familiar, with a name or appearance related to the planet. Memes: Create humorous memes featuring the witches and their magical items, making the learning process more enjoyable. #GrandpaBillsHalloweenPodcast,#WitchesAndHalloween,#PlanetaryMnemonics,#AstrologyAndMagic,#HalloweenFun,#WitchyVibes,#RememberThePlanets,#CreativeLearning,#WitchesCoven,#MagicalArtifacts, INTERACT LEAVE YOUR COMMENTS & SUGGESTIONS AT MY PODCAST ALSO BH SALES KENNEL KELP HOLISTIC HEALING HOUR AND YOU TUBE @BILLHOLT8792

Sintonía: "Ridin´ The Blends" - Top Topham"It´s Hard But It´s Fair" - Bobby Parker; "Someone To Love Me" - T.S. McPhee; "Black Magic Woman" - Fleetwood Mac; "Too Long" - Gordon Smith; "Hideaway" - Chicken Shack; "Tears In The Wind" - Chicken Shack; "Boom Boom" - Bacon Fat; "Rockin´ Pneumonia & The Boogie Woogie Flu" - Jelly Bread; "Come Back" - Little Mack Simmons; "Crazy About You Baby" - Christine Perfect; "I´m Gonna Leave You" - Martha Velez; "I´m Gonna Wind Up" - Duster Bennet; "Bernard Jenkins" - John Mayall; "Mojo Boogie" - J.B. Lenoir; "Hot Rock" - Stone´s Masonry; "Blues Feeling" - Bacon Fat; "Albatros" - Fleetwood MacTodas las músicas extraídas del libro-estuche o "box set" (3xCD) "The Blue Horizon Story 1965-1970" (Columbia/CBS/Sony, 1997) Escuchar audio

Mark Blake calls Dreams: the Many Lives of Fleetwood Mac a “mosaic biography”, their almost six-decade saga presented as a series of enthralling short stories with titles like ‘Mick Fleetwood's Great Epiphany' and ‘Rumours: A Doomed Romance in Six Acts'. It opens in fact with a “cast of characters”, the 18 one-time members, as if dramatis personae in a play, a play that gets more outlandish and dumbfounding with every new discovery and much of it based on his interviews and meetings with most of them (including Peter Green). A few highlights here … … how Stevie Nicks arrived as the spare part of a package deal and rose to become indispensable. … the fake Fleetwood Mac and the Jeremy Spencer and Peter Green impersonators (which involves an egg and potato farmer from Essex). … why you should watch the Tusk video repeatedly (and its ruinous cost).  … Bill Clinton, Daisy Jones & the Six, the dancing pony, Guardians of the Galaxy and other key factors in the return of the Mac.    … from model to muse to psychotherapist, the story of the real life Black Magic Woman. … “Oh Lord, she's writing another song.” … internal romantic tangles that give their music a poignancy. … the horrors of Kiln House. … Lyndsey Buckingham's Armani/Clash episode. … Stevie's love affair with Derek Taylor who then had to promote a slow-selling album containing a secret song about it. … Mick Fleetwood, “old ham”, drag act, compulsive show-off, unsuitable band manager.   Order ‘Dreams: the Many Lives of Fleetwood Mac' here:https://www.amazon.co.uk/Dreams-Many-Lives-Fleetwood-Mac/dp/1639367322Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Mark Blake calls Dreams: the Many Lives of Fleetwood Mac a “mosaic biography”, their almost six-decade saga presented as a series of enthralling short stories with titles like ‘Mick Fleetwood's Great Epiphany' and ‘Rumours: A Doomed Romance in Six Acts'. It opens in fact with a “cast of characters”, the 18 one-time members, as if dramatis personae in a play, a play that gets more outlandish and dumbfounding with every new discovery and much of it based on his interviews and meetings with most of them (including Peter Green). A few highlights here … … how Stevie Nicks arrived as the spare part of a package deal and rose to become indispensable. … the fake Fleetwood Mac and the Jeremy Spencer and Peter Green impersonators (which involves an egg and potato farmer from Essex). … why you should watch the Tusk video repeatedly (and its ruinous cost).  … Bill Clinton, Daisy Jones & the Six, the dancing pony, Guardians of the Galaxy and other key factors in the return of the Mac.    … from model to muse to psychotherapist, the story of the real life Black Magic Woman. … “Oh Lord, she's writing another song.” … internal romantic tangles that give their music a poignancy. … the horrors of Kiln House. … Lyndsey Buckingham's Armani/Clash episode. … Stevie's love affair with Derek Taylor who then had to promote a slow-selling album containing a secret song about it. … Mick Fleetwood, “old ham”, drag act, compulsive show-off, unsuitable band manager.   Order ‘Dreams: the Many Lives of Fleetwood Mac' here:https://www.amazon.co.uk/Dreams-Many-Lives-Fleetwood-Mac/dp/1639367322Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Mark Blake calls Dreams: the Many Lives of Fleetwood Mac a “mosaic biography”, their almost six-decade saga presented as a series of enthralling short stories with titles like ‘Mick Fleetwood's Great Epiphany' and ‘Rumours: A Doomed Romance in Six Acts'. It opens in fact with a “cast of characters”, the 18 one-time members, as if dramatis personae in a play, a play that gets more outlandish and dumbfounding with every new discovery and much of it based on his interviews and meetings with most of them (including Peter Green). A few highlights here … … how Stevie Nicks arrived as the spare part of a package deal and rose to become indispensable. … the fake Fleetwood Mac and the Jeremy Spencer and Peter Green impersonators (which involves an egg and potato farmer from Essex). … why you should watch the Tusk video repeatedly (and its ruinous cost).  … Bill Clinton, Daisy Jones & the Six, the dancing pony, Guardians of the Galaxy and other key factors in the return of the Mac.    … from model to muse to psychotherapist, the story of the real life Black Magic Woman. … “Oh Lord, she's writing another song.” … internal romantic tangles that give their music a poignancy. … the horrors of Kiln House. … Lyndsey Buckingham's Armani/Clash episode. … Stevie's love affair with Derek Taylor who then had to promote a slow-selling album containing a secret song about it. … Mick Fleetwood, “old ham”, drag act, compulsive show-off, unsuitable band manager.   Order ‘Dreams: the Many Lives of Fleetwood Mac' here:https://www.amazon.co.uk/Dreams-Many-Lives-Fleetwood-Mac/dp/1639367322Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This show is brought to you by DistroKid. Go to http://distrokid.com/vip/the500 for 30% off your first year! Santana's second studio album, Abraxas, is an unorthodox blend of rock, salsa, jazz, and blues. The eclectic mix of tracks greatly boosted the band's popularity, fresh off of their Woodstock performance. Comedian & Actor Frankie Quinones joins The 500 for his second appearance to talk about Santana staples from the 1970 release such as "Oye Como Va", "Black Magic Woman" and "Samba Pa Ti". Follow Frankie on Instagram: www.instagram.com/frankiequinones/ Follow Frankie on Twitter: https://twitter.com/FrankieQuinones Go to Frankie's website for live show dates: https://frankiequinones.com/ Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show's website: http://the500podcast.com DistroKid Artist Of The Week: Kliffs Music https://www.youtube.com/@kliffsmusic1170 Instagram: @kliffsmusic1170 Learn more about your ad choices. Visit megaphone.fm/adchoices

In this engaging episode of Seeing Them Live, hosts Charles and Doug welcome ZouZou Mansour. Along with drummer Brianna Sig and bassist Travis Smith (both musical and visual artists in their own right), ZouZou is the dynamic lead singer and lyricist of Philadelphia's rock band Soraia. Among other artists, ZouZou has co-written songs with Steven Van Zandt and Jon Bon Jovi.Join Charles and Doug as we explore these and other topics with ZouZou:- What was ZouZou's first concert?- What artist influenced ZouZou to change the course of her career?- What happened when she and her band met Alice Cooper backstage at a Bruce Springsteen concert?- What is it like to work with Steven Van Zandt?- What is Soraia's methodology for naming their albums?- What influenced the naming of their “Bloom” album?- Why is ZouZou attracted to the horror genre?- Why does Soraia like to record cover songs?- What is the Soraia “Vault”?- Why does ZouZou love hot dogs?The discussion charts ZouZou's musical journey, beginning with her early concert experiences seeing Hall and Oates to a transformative Iggy Pop performance that reshaped her artistic approach. We delve into Soraia's unique blend of 90s influences and 60s garage rock, their evolution over three impactful albums produced under Little Steven Van Zandt's Wicked Cool Records, and the band's dedicated fan base. ZouZou shares insights into her songwriting process, the raw, uninhibited spirit of rock and roll, and her penchant for horror-themed music videos. Fans can also look forward to Soraia's re-release of 'Shed the Skin' on vinyl and upcoming shows. The light-hearted conversation wraps up with a fun note on ZouZou's love of hot dogs, and where fans can find Soraia's music and merchandise online.BANDS MENTIONED: Alice Cooper, Bee Gees, Billy Falcon, Brianna Sig, Bruce Springsteen, Clarence Clemons, Concrete Blonde, Daryl Hall, E Street Band, Elvis Presley, Hall and Oates, Iggy Pop, Joan Jett, Jon Bon Jovi, Nirvana, P. J. Harvey, The Pretenders, Prince, Soraia, Steven Van Zandt, Stooges, The Kills, Travis Smith, Tropical Fuckstorm, ZouZou Mansoor.VENUES MENTIONED: CBGB (New York), Le Poisson Rouge (New York), Liar's Club (Chicago), Spectrum (Philadelphia) PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Ayer, con el comunicado oficial del Real Madrid, única fuente realmente fiable, finalizó una larga espera de siete años. Kylian Mbappe ya es jugador del Real Madrid para los próximos cinco años. Pero el fin de este viaje supone el inicio de otros muchos más. ¿Cuánto va a cobrar y cómo lo aceptarán sus nuevos compañeros? ¿Cómo se adaptará a un vestuario que parece más una familia? ¿Con qué intenciones llegará? ¿Vendrá con ínfulas de superestrella? ¿Qué repercusiones, negativas, por supuesto, tendrá ene l terreno de juego? ¿Será compatible con Vinicius? ¿Quién o quiénes serán los damnificados por su fichaje? Estos y otros estúpidos debates tendrán lugar a lo largo de los próximos meses, tal vez incluso años. Min. 01 Seg. 45 - Intro Min. 06 Seg. 32 - El mejor fichaje después de Don Alfredo Min. 13 Seg. 39 - Obligatorio meter muchos goles, no la Champions Min. 20 Seg. 34 - Mapas de calor superpuestos Min. 26 Seg. 41 - Dos no puede ocupar el mismo lugar Min. 31 Seg. 48 - ¿Encajará en el vestuario? Min. 37 Seg. 19 - Nada negativo, sólo algunas dudas Min. 44 Seg. 07 - Los comités de recepción, el deseo más que la realidad Min. 48 Seg. 49 - Una larga travesía de siete años Min. 58 Seg. 37 - Despedida Fred Neil - Everybody's Talkin' (Woodstock, NY 1970) Santana (Manchester 03/06/1990) Black Magic Woman > Gypsy Queen She's Not There Oye Como Va Gypsy Woman Blues For Salvador Somewhere In Heaven No One Depends On Spirits Dancing In The Flesh Tedeschi Trucks Band - Everybody's Talkin' (Live 2011)

Sintonía: "Cajun" - Roy Buchanan"Voodoo" - Screaming Jay Hawkins; "Black Magic Woman" - Fleetwood Mac; "Root Doctor Blues" - Doctor Clayton; "I Believe To My Soul" aka "Bleed Through My Soul" - Andrew Smokey Hogg; "The Mojo" - J.B. Lenoir; "Got My Mo-Jo Working (But It Just Won´t Work On You)" - Ann Cole; "My John The Conqueror Root" - Muddy Waters; "Conjured" - Wynonie Harris; "Cajun Moon" - J.J.Cale Todas las músicas extraídas del CD 2 que acompaña al "librisco" "Al compás del Vudú: Religión, represión y música" (Allanamiento de Mirada, 2022)Relación de los tres programas ya emitidos, con la presencia del autor del libro, Héctor Martínez González:El primer programa se emitió el 30/12/2022El segundo se emitió el 30/03/2023Y el tercero, el 07/09/2023Escuchar audio

Episode 145 features an inspiring yarn with Lorraine Pryor, a Whadjuk Noongar Woman with connections to Ballardong and Gnaala Karla Booja. A mother and grandmother, she is a passionate advocate and an important voice for local Aboriginal women, particularly those marginalised by society. This episode sheds light on the systemic barriers faced by Aboriginal women, including high incarceration rates and the struggle for post-release support. We explore the transformative work of grassroots initiatives like Lorraine's businessVoice of Hope Aboriginal Corporation and Karna Communities, which are making strides in providing holistic and culturally attuned support. Black Magic Woman is produced by Clint Curtis and brought to you by the BlakCast Network. Recommendations throughout this episode: https://voiceofhope.org.au/ Website: www.blackmagicwoman.com.au Follow us on Instagram - @blackmagicwomanpodcast The Black Magic Woman Podcast is hosted by Mundanara Bayles and is an uplifting conversational style program featuring mainly Aboriginal guests and explores issues of importance to Aboriginal people and communities. Mundanara is guided by Aboriginal Terms of Reference and focusses more on who people are rather than on what they do. If you enjoyed this episode, please ‘Subscribe' on Apple Podcasts or ‘Follow' on your Spotify app and tell your friends and family about us! If you'd like to contact us, please email, info@blackmagicwoman.com.auSee omnystudio.com/listener for privacy information.

If she was resurrected from a dragon, then why she look like a chicken? Intro - 0:00 'This Week in Anime' - 6:51Filler Arc - 16:26 Tensei Shitara Slime Datta Ken S3 Ep 3 - 32:50 Mushoku Tensei S2 Pt 2 Ep 3 - 38:10 Ookami to Kyoushinryou Ep 3 - 46:30 Blue Archive Ep 3 - 52:03 Dungeon Meshi Ep 16 - 56:53 'This Week in Anime' Sources: https://www.animenewsnetwork.com/news/2024-04-18/yuri-on-ice-ice-adolescence-film-canceled/.209997 https://www.animenewsnetwork.com/news/2024-04-16/japanese-man-arrested-for-selling-hacked-versions-of-pokemon-in-pokemon-violet-game/.209888 Check us out on Twitter! https://twitter.com/GA_Reviews And on Facebook! https://www.facebook.com/gareviews/ Join the party on our Discord! https://discord.gg/gareviews Now on Twitch!: https://www.twitch.tv/gareviews/ Support the channel and get some awesome perks: https://www.patreon.com/GAreviews

Spiritualist and overall awesome black woman Adanna joins us as we discuss Stephen A. Smith trying to correlate Trump's pain to black pain, Black college  students in Atlanta voting third party, what black excellence is NOT, Columbia University and USC giving the middle finger to the 1st amendmentSupport the show

On this first edition of Viral Music History, we begin with the early beginnings of Fleetwood Mac! This episode covers how Peter Green, John McVie and Mick Fleetwood met each other through John Mayall's Bluesbreakers group, where their blues roots are inspired from, the impact of the single Black Magic Woman, their first two album releases and more!

We spent most of the first part of the episode focused on Fae's individual journey. In this episode, we dive into the origins of House of Black and all that went into its inception. Some challenges faced along the way, how she learned the importance of fostering community, and so much more!Connect with us:Athalia(@queen_athalia_)Bryan (@seabaggin)Swapping Secrets (@swappingsecrets)For business inquiries: swappingsecretspod@gmail.comJoin our Discord Community!:Swapping Secrets Discord Want advice? Leave us a voicemail!:(657) 221-7143‬Video Editor:Cristina Perez (@crisporras24) Audio Editor:Houston Clark (@houstonclarkmusic)Original Music crafted by:Houston Clark (@houstonclarkmusic)

We welcome back Goddess Fae Black to the Swapping Secrets Podcast! We venture deep into her early years and exposure to sex and kink, her journey to becoming a Pro Dominatrix, and a whole lot more! Interested in attending an event at House of Black? Sign up here!House of Black IG: @houseofblacksdGoddess Fae Black IG: @goddessfaeblackhobConnect with us:Athalia(@queen_athalia_)Bryan (@seabaggin)Swapping Secrets (@swappingsecrets)For business inquiries: swappingsecretspod@gmail.comJoin our Discord Community!:Swapping Secrets Discord Want advice? Leave us a voicemail!:(657) 221-7143‬Video Editor:Cristina Perez (@crisporras24) Audio Editor:Houston Clark (@houstonclarkmusic)Original Music crafted by:Houston Clark (@houstonclarkmusic)

Coflo brings a true dancer's touch to house music. As a life long student of the American style of house dance and the Afro-Brazilian martial art Capoeira; Coflo looks to infuse his dance and movement experience into his musical productions. A true house head; he hopes to honor the beautiful culture and community that raised him in his home of the Bay Area in California, USA. In 2018 Coflo joined the American house music beacon Ocha Records as head of A&R and Label Manager for artist and owner Carlos “Casamena” Mena. It was at this time Coflo also began releasing as a staple artist on the Ocha talent roster. Originals and remixes spread quickly through DJs and collectors internationally with his breakout single “Stress Relief (Don't fuck with me right now)” remixed by house music legend Osunlade. Coflo's musical ideas caught the ears of Osunlade; bringing him to Yoruba Records initially as a remix artist and mastering engineer. In 2021, Coflo joined the official artist ranks on Yoruba Records with his debut collaboration “Soul 2 Souls” with SACRED H3ART. 2022 for Coflo was all about "Peanut Butter Lover," a track that stuck in clubs like, you guessed it, peanut butter! It's Coflo's signature: fun and honest in club music with an irresistible groove, earning love from DJ legends like Anané, Osunlade, and Louie Vega.Coflo's 2023 has been epic, remixing Ron Trent's "Black Magic Woman" for the fresh label "Sacred Medicine” crafted by the American house music pioneers Joe Claussell and Ron Trent. With a decade of hits across famous labels like T's Box, Local Talk and Atjazz Record Company, he's not just a studio wizard; he's a DJ booth hero, known for his energetic beats and eclectic style. Coflo hopes to continue to bring a unique view from a dancer's perspective to house music. Focusing on crafting something new and evolving with each passing release. Instagram - http://instagram.com/coflothesoulshifter Bandcamp - https://coflo.bandcamp.com/ Spotify - https://open.spotify.com/artist/5cyFgv39M8BX9gjW2czyMk Twitch - https://twitch.tv/coflo_ Youtube - ⁠https://youtube.com/@co⁠flo Recorded on 1.13.2024 in Fremont, California. Hosted & Produced by Mari Ella --- Support this podcast: https://podcasters.spotify.com/pod/show/dancetothemusic/support

Songs appearing in this episode:Fleetwood Mac  "Hypnotized", "Black Magic Woman" and "TUSK"Da Smart "Walk wit me"Nas  "World's An Addiction"  

In this episode of The Business Of Horses, Solo Selects' Summer Searles sits down with Melanie Smith and Ty Smith to discuss the insane past week Solo Select has had. From the American Rope Horse Futurity World Championship, where The Darkk Side, Relentless Glory and Golde Rush made it back to the finals out of 300 horses - to the Western Bloodstock NRCHA Snaffle Bit Futurity Sale where they purchased Gunna Wanna and broke the record for the All-Time Highest Selling Yearling with the sale of Black Magic Woman for $180,000.   Want to read more about the recent news of Solo Select or simply check out more about them? Visit https://www.soloselecthorses.com/

BONUS EPISODE: Is there a Halloween version of a Christmas carol? In this spooky season minisode of THE STORY SONG PODCAST, we're having a very serious Halloween party. Join your hosts as they create a binding, definitive list of the eight songs that belong in the Halloween song canon. We'll explain Halloween to visitors from outer space, avoid songs that are genuinely upsetting, and later, go clubbing with Santa and Liza. So grab a bite-size Snickers, put on your best disguise, and enjoy this special Minisode of THE STORY SONG PODCAST. Continue the conversation; follow THE STORY SONG PODCAST on social media. Follow us on Twitter (@Story_Song), Instagram (storysongpodcast), and Facebook (thestorysongpodcast). THE STORY SONG PODCAST is a member of the Pantheon Podcast Network. “The Monster Mash” by Bobby "Boris" Pickett and The Crypt-Kickers (from the album The Original Monster Mash) is available on Apple Music, YouTube Music, Amazon Music, Tidal, Deezer, Pandora, Spotify, or wherever you listen to music. “Thriller” by Michael Jackson (from the album Thriller) is available on Apple Music, YouTube Music, Amazon Music, Tidal, Deezer, Pandora, Spotify, or wherever you listen to music. “This Is Halloween” performed by The Citizens of Halloween (from the album The Nightmare Before Christmas Original Motion Picture Soundtrack) is available on Apple Music, YouTube Music, Amazon Music, Tidal, Deezer, Pandora, Spotify, or wherever you listen to music. “(You're the) Devil in Disguise” by Elvis Presley (from the album Elvis' Gold Records, Vol. 4) is available on Apple Music, YouTube Music, Amazon Music, Tidal, Deezer, Pandora, Spotify, or wherever you listen to music. “Superstition” by Stevie Wonder (from the album Talking Book) is available on Apple Music, YouTube Music, Amazon Music, Tidal, Deezer, Pandora, Spotify, or wherever you listen to music. “Every Day Is Halloween” by Ministry (from the album Twelve Inch Singles) is available on Apple Music, YouTube Music, Amazon Music, Tidal, Deezer, Pandora, Spotify, or wherever you listen to music. “Werewolves of London” by Warren Zevon (from the album Excitable Boy) is available on Apple Music, YouTube Music, Amazon Music, Tidal, Deezer, Pandora, Spotify, or wherever you listen to music. “The Phantom of the Opera” performed by Michael Crawford and Sarah Brightman (from the album The Phantom of the Opera Original London Cast Recording) is available on Apple Music, YouTube Music, Amazon Music, Tidal, Deezer, Pandora, Spotify, or wherever you listen to music. “Grim Grinning Ghosts” from Disney's The Haunted Mansion, performed by The Mellomen (available on the album Walt Disney World Official Album) is available on Apple Music, YouTube Music, Amazon Music, Deezer, Pandora, Spotify, or wherever you listen to music. “Black Magic Woman” by Santana (from the album Abraxas) is available on Apple Music, YouTube Music, Amazon Music, Tidal, Deezer, Pandora, Spotify, or wherever you listen to music. Learn more about your ad choices. Visit megaphone.fm/adchoices

WTOP Entertainment Reporter Jason Fraley interviews the legendary Carlos Santana, who rocks MGM National Harbor tomorrow night in Oxon Hill, Maryland, near Washington D.C. They discuss his journey from Mexico to Woodstock, including classic hits like “Evil Ways,” “Black Magic Woman” and “Oye Como Va” before his record-breaking 1999 album “Supernatural," featuring star-studded collaborations like Rob Thomas on “Smooth” and Wyclef Jean on “Maria Maria.” (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit megaphone.fm/adchoices

WTOP Entertainment Reporter Jason Fraley interviews the legendary Carlos Santana, who rocks MGM National Harbor tomorrow night in Oxon Hill, Maryland, near Washington D.C. They discuss his journey from Mexico to Woodstock, including classic hits like “Evil Ways,” “Black Magic Woman” and “Oye Como Va” before his record-breaking 1999 album “Supernatural," featuring star-studded collaborations like Rob Thomas on “Smooth” and Wyclef Jean on “Maria Maria.” (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices

Oye Como Va! Grab your guitars and your guiros... we're talking about Santana's sophomore album, Abraxas! This primarily instrumental Latin fusion record features some of the band's all-time classics, including their iconic cover of Black Magic Woman. Between the mind-boggling percussion and guitar solos that are as expressive as they are technically impressive, Abraxas has a little something for everybody. We're talking about his first day job as a TikTok Star and we discover a few things that bear his name, from worms to women's shoes to a school he never went to. Can you dig it? We sure can.Keep Spinning at www.SpinItPod.com!Thanks for listening! Hosted on Acast. See acast.com/privacy for more information.

I FINALLY get my song Black Magic Woman. But Dragon & AROD conspired. Also, Colorado has completely gone the wrong way.

La banda Santana, liderada por el guitarrista mexicano Carlos Santana lanzó en 1970 el álbum “Abraxas” del cual destacó la canción “Black magic woman” (Mujer de magia negra”. Así la escuché yo… Este tema musical de Santana es una nueva versión de la canción compuesta por el británico Peter Green, la cual grabó originalmente en 1968 con la banda Fleetwood Mac bajo el título “Black magic woman”. Como dato curioso, hay que decir que “Black magic woman” de Santana fue lanzado en una mezcla con la canción “Gypsy Queen” del húngaro Gábor Szabó. También hay que decir que “Black magic woman” aparece en el conocido videojuego “Guitar Hero 3”. ¿Y tú, conocías el origen de esta canción? Autor: Peter Green (británico) para “Black magic woman” - Autor: Gábor Szabó (húngaro) para “Gypsy Queen” Black magic woman& Gypsy Queen - Santana (1970) “Abraxas” álbum (1970) Canta: Gregg Rolie (nombre real Gregg Alan Rolie, estadounidense) Santana (nombre real Carlos Augusto Santana Alves, mexicano) Black magic woman - Fleetwood Mac (1968) single “Black magic woman/The Sun is shining” (1968) Peter Green (nombre real Peter Allen Greenbaum, británico) Gypsy Queen - Gábor Szabó (1966) “Spellbinder” álbum (1966) Gábor Szabó (nombre real Szabó Gábor István, húngaro) ___________________ “Así la escuché yo…” Temporada: 6 Episodio: 48 Sergio Productions Cali – Colombia Sergio Luis López Mora

This series is presented in partnership with Black Magic Woman, Cairns Indigenous Art Fair and Bumma Bippera Media 98.7 FM. The Cairns Indigenous Art Fair will run from 13th-16th July 2023 in Cairns, go to https://ciaf.com.au for more information on what's on and for tickets.Jack Wilkie-Jans is an artist, arts worker and Aboriginal affairs advocate from Tropical North Queensland. He is of Aboriginal, British, Danish and Vanuatuan heritage and the Tribal Great Grandson of pre-eminent artist, Dr. Thancoupie Fletcher James AO.​Exhibiting as an artist since 2011, in numerous solo & group exhibitions, as well as at the Cairns Indigenous Art Fair and the Darwin Aboriginal Art Fair over the years, Jack is an alumnus of the National Gallery of Australia's Indigenous Arts Leadership Programme. In 2011 he was awarded the Senator Jan McLucas Volunteer Recognition Award for his work with youth at risk, youth charities and for his efforts in strengthening the local Cairns arts & cultural scene. In 2011 Jack was a recipient of a Starburst grant which was funded by Youth Arts Queensland. Managed by him, the ensuing project entailed arts mentoring workshops, resulting in the first exhibition opportunity for a number of young & emerging Cairns artists.​Also a writer, Jack's work includes freelancing as an arts researcher, grant writer and reviewer (as well as an Aboriginal affairs commentator). He served as the Grants Writer, Sponsorship Officer and Media & Promotions Officer for the Australia: Defending the Oceans project. Launching in Monaco in 2016, the project was a series of twelve exhibitions across North America and Europe (including the United Nations headquarters in both New York City and Geneva) and showcased the largest collection of purpose-commissioned contemporary Indigenous sculpture. The project concluded late 2018.Jack has been acknowledged for his work as an artist and across the art industry many times: In 2013 he was nominated for the Cairns Region Australia Day Awards for the Cultural Award, in 2015 was made an inaugural Associate Fellow of the Royal Commonwealth Society, in 2018 he was a Baton Bearer for the Commonwealth Games relay.Jack Wilkie-Jans holds a Bachelor's Degree of Arts, majoring in Political Science & International Affairs from James Cook University. He is currently engaged with the Cairns Indigenous Art Fair as the event's/organisation's Marketing & Communications Manager.Recommendations throughout this episode: https://ciaf.com.au/cairns-indigenous-art-fair-ciaf Website: www.blackmagicwoman.com.auFollow us on Instagram - @blackmagicwomanpodcast The Black Magic Woman Podcast is hosted by Mundanara Bayles and is an uplifting conversational style program featuring mainly Aboriginal guests and explores issues of importance to Aboriginal people and communities. Mundanara is guided by Aboriginal Terms of Reference and focusses more on who people are rather than on what they do. If you enjoyed this episode, please ‘Subscribe' on Apple Podcasts or ‘Follow' on your Spotify app and tell your friends and family about us! If you'd like to contact us, please email, info@blackmagicwoman.com.auSupport this show http://supporter.acast.com/black-magic-woman. Hosted on Acast. See acast.com/privacy for more information.See omnystudio.com/listener for privacy information.

The late Peter Green was one of the early guitar heroes in England, alongside names like Eric Clapton. He formed Fleetwood Mac in 1967, and their early records during his time leading the band yielded songs that were transcendent, psychedelic, and rooted in the blues music that he loved. Before quitting the band and spending many years afterward battling schizophrenia, he wrote “Black Magic Woman,” a song popularized by Santana when he covered it for his Abraxas album. Get into the whole incredible story in this episode of the Behind The Song podcast. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The late Peter Green was one of the early guitar heroes in England, alongside names like Eric Clapton. He formed Fleetwood Mac in 1967, and their early records during his time leading the band yielded songs that were transcendent, psychedelic, and rooted in the blues music that he loved. Before quitting the band and spending many years afterward battling schizophrenia, he wrote “Black Magic Woman,” a song popularized by Santana when he covered it for his Abraxas album. Get into the whole incredible story in this episode of the Behind The Song podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Len and Beave talk through the music and output of the legendary 70s (and 80s) icons Fleetwood Mac. From Peter Green to Bob Welch to StevieNicks/Lindsey Buckingham, we go through all the music and rate their albums. If "Rumours" never existed, which LP is their best? What songs belong on a 45-minute playlist? Which Stevie Nicks song is their very best? Should they have tried to do a grunge album in the 90s? And are you a Peter Green fan? (You should be.) We leave no stone unturned. Tune in to gain musical knowledge, Room 222-style!

Thank you very much SAM. Our latest Patreon supporter.

In this Week's Episode, R&B and Soul Singer/Songwriter, CharityEvonna, Makes her We Important Debut! Join Q & Harry as They Usher in "The Season of Black Women", and get the Scoop on all Things CharityEvonna; From her Dallas, Texas Roots, to her Ever Expanding Music Career, and her Personal Journey With God and Motherhood. CharityEvonna Proves Throughout the Episode to be an Undeniable Talent and a Charismatic Light in Everything that she Does. This is One You Won't Want to Miss. As Always, Stay Important! p.s. Be on the Lookout for pt.2 Intro: Original Music By Henry Hawke Outro: Psychic City (Classixx Remix) By YACHT *Disclaimer*: We had a Short in Q's Mic Chord, so his Audio is a Little off in the First 10 Minutes and Around the Last 5 or so.. Although We are Committed to Elevating the Quality of Our Show, It Didn't Feel Right to Shelf this Episode. Thanks for Understanding.

Carlos Santana is one of the most Legendary Guitarists to ever live. From the early days of "Black Magic Woman" and "Oye Como Va", to his "comeback" album "Supernatural" and it's massive hit "Smooth", Carlos has been making beautiful music for multiple decades. Come hang out with Sight After Dark (Sifa and Dan) as we discuss all things Santana!

Vera Hall "Death, Have Mercy"Fleetwood Mac "Green Manalishi (With the Two Pronged Crown)"Bessie Smith "Graveyard Dream Blues"Billy Joe Shaver "The Devil Made Me Do It the First Time"Ted Leo and the Pharmacists "I'm A Ghost"Sister Rosetta Tharpe "Strange Things Happening Every Day"Tampa Red "Witchin' Hour Blues"Neil Young "Vampire Blues"Lefty Frizzell "The Long Black Veil"Muddy Waters "Got My Mojo Working"Dr. John "Black John the Conqueror"Leon Redbone "Haunted House"Little Willie John "I'm Shakin'"Shotgun Jazz Band "Old Man Mose"Lil Green "Romance In the Dark"The Make-Up "They Live By Night"Uncle Tupelo "Graveyard Shift"Bessie Jones "Oh Death"Albert King "Born Under a Bad Sign"Nina Simone "I Want a Little Sugar In My Bowl"Oscar Celestin "Marie Laveau"Reverend Gary Davis "Death Don't Have No Mercy"Roy Newman & His Boys "Sadie Green (The Vamp of New Orleans)"Jessie Mae Hemphill "She-Wolf"Screamin' Jay Hawkins "I Put a Spell On You"Eilen Jewell "It's Your Voodoo Working"George Olsen and His Music "Tain't No Sin to Dance Around in Your Bones"Son House "Death Letter"Johnny Cash "The Man Comes Around"Fleetwood Mac "Black Magic Woman"Blind Lemon Jefferson "See That My Grave Is Kept Clean"Elvis Costello & the Roots "Wise Up Ghost"Hank Williams "Howlin' At the Moon"Bob Dylan "That Old Black Magic"The Halo Benders "Scarin'"Blind Willie Johnson "Dark Was The Night, Cold Was The Ground"Steve And Justin Townes Earle "Candy Man"Billie Holiday "Sugar"Jeff Beck "I Ain't Superstitious"Cab Calloway/Cab Calloway Orchestra "St. James Infirmary"Bonnie Raitt "Devil Got My Woman"Sebadoh "Vampire"Fred McDowell "Death Came In"Howlin' Wolf "Evil"Ella Fitzgerald "Chew-Chew-Chew (Your Bubble Gum)"Robert Johnson "Hellhound On My Trail"John Mayall & The Bluesbreakers "The Super-Natural"Tom Waits "Big Joe and Phantom 309"

In 1993, Mazlan Idris, a Batu Talam state assemblyman, craved to be more powerful and successful as a politician. He went to a bomoh, another name for a Malaysian Shaman, who was a former wanna-be pop diva named Mona Fandey. He wanted a black magic ritual performed on him. Mona promised that after the ritual, he would get everything he desired. Although, during the ritual, his life came to a brutal end.Promo: Twisted and Uncorked- Twitter: https://www.Twitter.com/ReverieCrimePod- Instagram: https://www.Instagram.com/ReverieTrueCrime- Facebook: https://www.Facebook.com/ReverieTrueCrime- Tumblr: https://reverietruecrime.tumblr.com- Contact: ReverieTrueCrime@gmail.com- Patreon is $3/mo with payments paused during holiday seasons. You'll get early and ad-free episodes, merch delivered to your door, and bonus episodes, when possible, that you are able to vote on. As well as, shout-outs at the end of the episodes.https://www.Patreon.com/ReverieTrueCrimeThank you so much to everyone who supports the show in any way! - Website: https://reverietruecrime.wixsite.com/podcastSOURCES:https://dbpedia.org/page/Mona_Fandey https://www.academia.edu/4027219/CRIMINAL_JUSTICE https://www.irishexaminer.com/world/arid-30028638.html https://www.nst.com.my/news/nation/2020/07/610905/nst175-gruesome-tale-mona-fandey https://gempak.com/rojakdaily/lifestyle/who-mona-fandey-and-why-she-so-creepy-64060 https://www.findagrave.com/memorial/107108781/mona-fandey http://www.rowdiva.com/fandey.html https://ihauntu.com/5-lesser-known-facts-about-mona-fandey/ http://www.capitalpunishmentuk.org/fandey.html https://www.thesundaily.my/local/crimes-that-shook-the-nation-GN1528787 https://en.wikipedia.org/wiki/Mona_Fandey https://murderpedia.org/female.F/f/fandey-mona.htm https://referenceworks.brillonline.com/entries/encyclopedia-of-women-and-islamic-cultures/amulets-fortune-telling-and-magic-southeast-asia-EWICCOM_0157e https://thepeopleofasia.com/articles/topic-arts-culture/magic-witchcraft-and-the-orang-pintar-dilemma-in-southeast-asia/ https://www.iias.asia/books/dynamics-religion-southeast-asia-magic-and-modernity https://www.unreservedmedia.com/black-magic-southeast-asia/ https://en.wikipedia.org/wiki/Witch_doctor https://en.wikipedia.org/wiki/Asian_witchcraft

Mikey has another psychic connection with his friend in Florida. Mikey reveals his superpower and how he uses it. Mikey needs some help understanding the new words being added to the dictionary. Mikey and Bill challenge each other to a history quiz using the Billy Joel song We Didn't Start The Fire. Castiglioke welcomes a new member with the classic song Black Magic Woman.

17. The sound of pop music in the 1960s was largely driven by four relatively unknown house bands. For example, Los Angles had the Wrecking Crew, which included Glenn Campbell, Dr. John, and Leon Russell; Muscle Shoals had The Swampers, and Motown had The Funk Brothers. What was the name of the legendary backing band for many of the acts on Stax Records?18. Speaking of Motown, this version of Ain't Too Proud to Beg features, Ben Harper. Which motor city band had the original hit with this song?        BONUS: While considered by some to be "just a blues cover band" which British Band also covered this song?19. Performed by soul singer Betty LaVette, which Brit-rock psychedelia band, named in part after blues artist Pink Anderson, wrote this post-card-themed song?        BONUS: This song was written for the former member and leader of this band, who was this song written for?20. Heard here by Syl Johnson, which Hi Recording artist, now Reverend, referenced from the podium by then-President Obama, had the original hit with this song?        BONUS: Which art-rock, CBGB Punk-era band, fronted by a Scottish ex-patriot, later covered this song, creating awareness among a whole new audience? The Talking Heads21. Known as the Soul Queen of New Orleans, Irma Thomas struck gold with this hit, Time Is On My Side. Which British blues-rock band had an early hit with this soulful song?22. Originally signed to Motown Records with Omaha-born singer Shaun 'Stoney' Murphy, which Hades-based night flyer had the original hit with this song?23. Heard here by The Leaves, which Seattle-based Native American blues-rock guitarist, featured at Woodstock, would later cover this song?24. Played here by the late Canadian guitarist Jeff Healy, the song was composed by a member of Steeler's Wheel, and later a successful solo artist, who had the original hit with this song?25. Blues artist Albert King recorded for the Memphis-based Stax Records. Which Memphis Groover wrote and backed up King on this recording? (Born Under a Bad Sign)26. Often accused of being a Jimi Hendrix clone, which former member of the British band Procol Harem, originally recorded and performed this song? He was a trowering figure in the mid-1970s.27. Heard here by Mike Zito and Sonny Landreth, which band, from the Bay Area, originally known as the Polly Wogs, wrote and recorded the original version of this song, Fortunate Son?28. Written and performed by Paul Pena, Which Dallas-born native son had the original hit with this song?        BONUS: Which former member of this band, also from Dallas, went on to have a soulful hit-driven career?29. Performed here by Tanya Donnelly, while Freda Payne was singing about a Band of Gold, which Canadian singer-songwriter had a hit with the original version of his song, Heart of Gold?30. Performed here by Little Milton, which noted Irish soul singer wrote and recorded this song originally?31. For this next song, we're going back to the days when you actually boy bands. Which band, from the steel mill area of Gary, Indiana, had the original hit with this song?32. Performed here by Warren Haynes and Gov't Mule, which fab band featured this song late in their career?        BONUS: Although not the official name of the album, what is the generally accepted colorless name of the band's album that featured this song?        SUPER BONUS: Name the convicted murderer that recorded with the Beach Boys and knew Neil Young, who referenced this song for his dastardly deeds? (Two points for a correct answer here).33. Heard here by blues artist Larry McCray, who was the iron-belt Minnesotan minstrel who wrote this song?        BONUS: The only gold the original writer got was when this noted bi-racial guitarist covered his song: who was the artist that built Electric Lady studios with the silver and the gold he earned from his cover of All Along the Watchtower?34. Performed here by the recently reformed Screaming Cheetah Wheelies, featuring Grammy Award-winning vocalist Mike Ferris, who ordained voodoo priest, who was referenced early in this show, wrote this song?35. Originally written and performed by Peter Green's Fleetwood Mac Blues Band, which band, who debuted nationally at Woodstock, hit the Billboard charts with this song, Black Magic Woman?36. Heard here by Blaster Dave Alvin, this song, Highway 61 was written by Bob Dylan and references this highway that cuts through the deltas of northwestern Mississippi. Which smokin' blues slide player, born in Leland, Mississippi but raised in Beaumont, Texas arguably recorded the best rendition of this song?Total Earnable Points: 56 Points.CONTEST QUESTION Answers (One Point Each)(^) These are out of order. Some acts appear more than once in our contest.1. Song One - Not a part of the contest2. Song Two - Not a part of the contest3. Bill Withers4. Elvis Presley5. The Temptations6. The Traveling Wilburys7. The Rolling Stones8. Paul Simon (Simon & Garfunkel)9. Al Green10. The Book of Ecclesiastes11. Steve Miller12. George Thorogood13. Meatloaf14. The Supremes15. Neil Young16. Cream17. Bob Segar18. Van Morrison19. Bob Dylan20. The Doobie Brothers21. Gerry Rafferty22. Eric Clapton23. Santana24. The Beatles24. Creedence Clearwater Revival25. The Eagles26. Dr. John27. Norman Greenbaum28. Jimi Hendrix29. Robin Trower30. Lynyrd Skynyrd31. Johnny Winter32. Booker T & the MGs33. The Jackson 534. Pink FloydBONUS Question Answers (1 Point Each)SUPER BONUS Answers (2 Points Each)George HarrisonThe White AlbumThe ByrdsJimi HendrixBob DylanJackson BrowneThe Talking HeadsTom PettyMichelob BeerCharles MansonThe Rolling StonesRoy OrbisonJeff LynneBoz ScaggsThe Actual Playlist1. Tommy Castro / A Bluesman Came to Town2. Hector Anchondo / I'm Going to Missouri3. JJ Cale / They Call Me the Breeze4. JJ Cale / After Midnight5. Robert Johnson / Cross Roads Blues 6. Dixie Hummingbirds / Loves Me Like a Rock7. Travis Tritt / Take It Easy 8. Hank Williams / Move It On Over9. Keb Mo / Lean on Me10. The Blind Boys of Alabama / Spirit in the Sky11. Nina Simone / Turn, Turn, Turn12. Robert Randolph & the Family Band / Jesus is Just Alright13. Kris Kristopherson / All Shook Up14. Jonell Mosser / Stop, In the Name of Love 15. Lyle Lovett and Keb Mo / Till It Shines16. Bonnie Raitt / You Got It17. Booker T & the MGs / Green Onion18. Ben Harper / Ain't Too Proud to Beg19. Betty LaVette / Wish You Were Here20. Syl Johnson / Take Me to the River21. Irma Thomas / Time Is On My Side22. Jamey Johnson / Two Out of Three Ain't Bad23. The Leaves / Hey Joe 24. Jeff Healey / Stuck in the Middle With You 25. Albert King / Born Under a Bad Sign 26. Drivin' & Cryin' / Too Rolling Stoned27. Mike Zito & Sonny Landreth / Fortunate Son28. Paul Pena / JetAirliner29. Tonya Donnelly / Heart of Stone30. Little Milton / Tupelo Honey 31. Graham Parker & the Rumor / I Want You Back 32. Gov't Mule / Helter Skelter33. Larry McCray / All Along the Watchtower34. Screaming Cheetah Wheelies / Right Place, Wrong Time35. Peter Green's Fleetwood Mac Blues Band / Black Magic Woman36. Dave Alvin / Highway 61 Revisited 

Pacific St Blues & AmericanaSecond Annual On-Air Trivia ContestJuly 17, 2022Here are the Questions1. Not a part of the contest2. Not a part of the contest3. Who covered this JJ Cale track and had an FM radio hit? 4. Who covered this JJ Cale track and had an FM radio hit?        BONUS: Which product featured this song in their commercial? 5. Robert Johnson famously went down to the crossroads, not to sell his soul but to hitch a ride? Which band, featuring a slow hand, struck gold with Johnson's song?6. Performed here by the five-part gospel-based harmonies of The Dixie Hummingbirds, who Brille Building songwriter, who performed under the name Tom & Jerry, later wrote this song?7. Performed here by Travis Tritt, which band had the original hit with this song?        BONUS: which well-known singer-songwriter collaborated with the band to compose this song?8. The little dog had to move it on over for the big dog. And in Country Music, there is perhaps no bigger dog than Hank Williams. But which denizen from Delaware created a concert stable with Williams' song, Move It On Over?9. Released on the most recent album by Keb Mo, which recently deceased, army veteran composed this song and had the original hit?10. While the song, Spirit in the Sky is well known, the original artist, um, not so much. What is the name of the artist who had a hit with this song?11. Set to music by Pete Seeger, what was the source for the lyrics to this song?        BONUS Which LA Strip Band, inspired by the Rickenbacker Sound of the Beatles, had a pop hit with their cover of this song?12. Performed here by Robert Randolph and the Family Band, which band capitalized on the Jesus Freak Movement to have a top radio hit with this song?13. Songwriter Otis Blackwell would write numerous hits for Memphis-based, Sun Records recording artists including Jerry Lee Lewis and others. Which hip-shaking Memphis Man from Tupelo had the original hit with this song?14. Recorded here for the Hope Floats motion picture soundtrack, which Motor City three-piece group had the original hit with this song?15. Speaking of the Motor City, covered here by Texan Lyle Lovett and California Keb Mo, which Michigander, a real ramblin' man, wrote and performed this song, Till It Shines?16. Featured here, Bonnie Raitt is covering a song by a band that featured five very high-profile artists. Name the band that had the hit with this song.         Bonus: Take a bonus point for each member of the original supergroup that recorded this song.         SUPER BONUS: Only two of the original five members of this band are still alive. Name the two members of this band that are still with us. (Two points for each correct answer)17. The sound of pop music in the 1960s was largely driven by four relatively unknown house bands. For example, Los Angles had the Wrecking Crew, which included Glenn Campbell, Dr. John, and Leon Russell; Muscle Shoals had The Swampers, and Motown had The Funk Brothers. What was the name of the legendary backing band for many of the acts on Stax Records?18. Speaking of Motown, this version of Ain't Too Proud to Beg features, Ben Harper. Which motor city band had the original hit with this song?        BONUS: While considered by some to be "just a blues cover band" which British Band also covered this song? 19. Performed by soul singer Betty LaVette, which Brit-rock psychedelia band, named in part after blues artist Pink Anderson, wrote this post-card-themed song?        BONUS: This song was written for the former member and leader of this band, who was this song written for? 20. Heard here by Syl Johnson, which Hi Recording artist, now Reverend, referenced from the podium by then-President Obama, had the original hit with this song?        BONUS: Which art-rock, CBGB Punk-era band, fronted by a Scottish ex-patriot, later covered this song, creating awareness among a whole new audience? The Talking Heads21. Known as the Soul Queen of New Orleans, Irma Thomas struck gold with this hit, Time Is On My Side. Which British blues-rock band had an early hit with this soulful song?22. Originally signed to Motown Records with Omaha-born singer Shaun 'Stoney' Murphy, which Hades-based night flyer had the original hit with this song?23. Heard here by The Leaves, which Seattle-based Native American blues-rock guitarist, featured at Woodstock, would later cover this song?24. Played here by the late Canadian guitarist Jeff Healy, the song was composed by a member of Steeler's Wheel, and later a successful solo artist, who had the original hit with this song?25. Blues artist Albert King recorded for the Memphis-based Stax Records. Which Memphis Groover wrote and backed up King on this recording? (Born Under a Bad Sign)26. Often accused of being a Jimi Hendrix clone, which former member of the British band Procol Harem, originally recorded and performed this song? He was a trowering figure in the mid-1970s. 27. Heard here by Mike Zito and Sonny Landreth, which band, from the Bay Area, originally known as the Polly Wogs, wrote and recorded the original version of this song, Fortunate Son?28. Written and performed by Paul Pena, Which Dallas-born native son had the original hit with this song?        BONUS: Which former member of this band, also from Dallas, went on to have a soulful hit-driven career?29. Performed here by Tanya Donnelly, while Freda Payne was singing about a Band of Gold, which Canadian singer-songwriter had a hit with the original version of his song, Heart of Gold?30. Performed here by Little Milton, which noted Irish soul singer wrote and recorded this song originally? 31. For this next song, we're going back to the days when you actually boy bands. Which band, from the steel mill area of Gary, Indiana, had the original hit with this song?32. Performed here by Warren Haynes and Gov't Mule, which fab band featured this song late in their career?        BONUS: Although not the official name of the album, what is the generally accepted colorless name of the band's album that featured this song?         SUPER BONUS: Name the convicted murderer that recorded with the Beach Boys and knew Neil Young, who referenced this song for his dastardly deeds? (Two points for a correct answer here). 33. Heard here by blues artist Larry McCray, who was the iron-belt Minnesotan minstrel who wrote this song?        BONUS: The only gold the original writer got was when this noted bi-racial guitarist covered his song: who was the artist that built Electric Lady studios with the silver and the gold he earned from his cover of All Along the Watchtower? 34. Performed here by the recently reformed Screaming Cheetah Wheelies, featuring Grammy Award-winning vocalist Mike Ferris, who ordained voodoo priest, who was referenced early in this show, wrote this song? 35. Originally written and performed by Peter Green's Fleetwood Mac Blues Band, which band, who debuted nationally at Woodstock, hit the Billboard charts with this song, Black Magic Woman?36. Heard here by Blaster Dave Alvin, this song, Highway 61 was written by Bob Dylan and references this highway that cuts through the deltas of northwestern Mississippi. Which smokin' blues slide player, born in Leland, Mississippi but raised in Beaumont, Texas arguably recorded the best rendition of this song? Total Earnable Points: 56 Points.CONTEST QUESTION Answers (One Point Each)(^) These are out of order. Some acts appear more than once in our contest. 1. Song One - Not a part of the contest2. Song Two - Not a part of the contest3. Bill Withers4. Elvis Presley 5. The Temptations6. The Traveling Wilburys7. The Rolling Stones 8. Paul Simon (Simon & Garfunkel) 9. Al Green 10. The Book of Ecclesiastes 11. Steve Miller 12. George Thorogood 13. Meatloaf 14. The Supremes 15. Neil Young 16. Cream 17. Bob Segar18. Van Morrison 19. Bob Dylan20. The Doobie Brothers21. Gerry Rafferty 22. Eric Clapton 23. Santana24. The Beatles24. Creedence Clearwater Revival 25. The Eagles26. Dr. John27. Norman Greenbaum28. Jimi Hendrix 29. Robin Trower 30. Lynyrd Skynyrd31. Johnny Winter32. Booker T & the MGs 33. The Jackson 534. Pink FloydBONUS Question Answers (1 Point Each)SUPER BONUS Answers (2 Points Each) George HarrisonThe White AlbumThe ByrdsJimi Hendrix Bob DylanJackson BrowneThe Talking HeadsTom PettyMichelob BeerCharles MansonThe Rolling Stones Roy OrbisonJeff LynneBoz ScaggsThe Actual Playlist1. Tommy Castro / A Bluesman Came to Town2. Hector Anchondo / I'm Going to Missouri3. JJ Cale / They Call Me the Breeze4. JJ Cale / After Midnight5. Robert Johnson / Cross Roads Blues 6. Dixie Hummingbirds / Loves Me Like a Rock7. Travis Tritt / Take It Easy 8. Hank Williams / Move It On Over9. Keb Mo / Lean on Me10. The Blind Boys of Alabama / Spirit in the Sky11. Nina Simone / Turn, Turn, Turn12. Robert Randolph & the Family Band / Jesus is Just Alright13. Kris Kristopherson / All Shook Up14. Jonell Mosser / Stop, In the Name of Love 15. Lyle Lovett and Keb Mo / Till It Shines16. Bonnie Raitt / You Got It17. Booker T & the MGs / Green Onion18. Ben Harper / Ain't Too Proud to Beg19. Betty LaVette / Wish You Were Here20. Syl Johnson / Take Me to the River21. Irma Thomas / Time Is On My Side22. Jamey Johnson / Two Out of Three Ain't Bad23. The Leaves / Hey Joe 24. Jeff Healey / Stuck in the Middle With You 25. Albert King / Born Under a Bad Sign 26. Drivin' & Cryin' / Too Rolling Stoned27. Mike Zito & Sonny Landreth / Fortunate Son28. Paul Pena / JetAirliner29. Tonya Donnelly / Heart of Stone30. Little Milton / Tupelo Honey 31. Graham Parker & the Rumor / I Want You Back 32. Gov't Mule / Helter Skelter33. Larry McCray / All Along the Watchtower34. Screaming Cheetah Wheelies / Right Place, Wrong Time35. Peter Green's Fleetwood Mac Blues Band / Black Magic Woman36. Dave Alvin / Highway 61 Revisited 

This week's guest is Tim Bangert! After a few failed attempts by some friends to get Phish to stick in Tim's ears he finally took the plunge and went to The Great Went, and the rest is history! After The Great Went, the majority of Tim's Phish shows fell into the years of '98 & '99. We talked about Tim's First show experience, some of his favorite jams, the songs he is chasing, and what member of Phish he would most like to meet. To be featured on a future episode, shoot an email to sttf.weareeverywhere@gmail.com Tim summed up his trip to The Great Went in an essay that you can read below.   How did I end up in Limestone, Maine, in August of 1997 to see a band in which I had relatively little interest? I will start the tale of my first Phish show a few years prior to that. I did know a little of the band and had a few friends loan me their music telling me how great they were, but even with all the music I chased down in used music stores and played on a weekly college radio shows, Phish was a barely part of it. The first time I recall hearing the name of the band was in 1992 in a local radio ad for a Santana concert. Funny story there is that the announcer said, “with special guest Phish,” over Santana's “All I Ever Wanted.” I only knew the few Santana songs in K-SHE 95's rotation (“Black Magic Woman,” “Oye Como Va”), so my brain immediately associated “All I Ever Wanted” with Phish. Thinking about it, that might be a fun cover for Phish to play. Phish obviously wasn't getting played on local commercial stations in St. Louis, so that was that. The following winter in college a guy named Joe who lived across the hall from me told me I had to listen to Phish. He handed me a copy of A Picture of Nectar. I am not certain how much of it I listened to, but I think I thought it was too goofy and underproduced as it jumped from the manic “Llama” to gentle “Eliza” and so on. I still think it's goofy and underproduced but in a much more endearing way. A short while later my cousin came to visit me at school. She was a senior in high school and brought a copy of Junta along. I remember hearing “Fee” and once again thinking what a goofy band this was. Why were people recommending them to me? What was I missing here? Later that year she made me a mix tape that include The Mango Song. A strange one to hand anyone to say, hey, listen to this band! Somehow it wound its daft way into my brain with every listen. I think I thought the piano had a bit of Vince Guaraldi's sound from all the Charlie Brown specials. In the fall of 1994, a fellow RA named Matt asks me if I play any music by Phish on my weekly college radio show. I tell him I had heard a bit, but they never did it for me. He hands me a copy of the just-released Hoist and says to give it another shot. I immediately liked the opening track “Julius” and played it on my show. I recall liking “Down with Disease,” “Sample in a Jar,” and possibly “Wolfman's Brother” enough that I dubbed the whole thing and had it on a steady rotation in my car's cassette deck. There were a few songs I always skipped past. “Lifeboy,” “Dog Faced Boy,” and “Demand” come to mind. I'm still not big on them and oddly enough they are the three that I have never seen live (“Riker's Mailbox” and “Yerushalayim Shel Zahav” notwithstanding). Jump ahead to spring of 1996 and Andy Rosenhack, who worked in the dorms with me and showed me how to run the board and queue up songs at WRBU, returned to Peoria for Senior Walk (that's a whole different story). We were out to lunch with a group of friends and he starts telling me about going to see Phish and how great it was. His first show was the 12/7/95 Niagara Falls show. He was also talking a lot about seeing DMB and how great they were, which I think steered the conversation because by that point DMB was pretty big on the radio. I'm pretty sure I was evangelizing for Wilco around that point in time, which seemed pretty not-Phish. That summer I moved out to Colorado for a short time. Phish was in the news, as their four-night stand at Red Rocks was marred by the weird clashes taking place in Morrison by fans unable to get tickets to the shows. I was nowhere near it and Phish still was not really on my radar. I moved back to Illinois in early 1997, bounced around looking for work, and ended up with a contract job in the suburbs of Chicago. It was a pretty dreary time and I was looking for a way to get out of the rut that was surely forming in the 8-to-5 world of I.T. Andy contacts me and says I should come see Phish with him. Where are they playing? Why, in Maine! It's a festival! I tell him sure, why not. I've been at my job a few months and deserve some time off, right? He sent me two 90-minute cassettes to prep me for the show. The first was set 2 of the first night of the Clifford Ball 1. It's an interesting set covering a wide range of styles. The second tape was a doozy that probably made me say “What the hell is this?” It was the Bomb Factory Tweezerfest set. Really, is that what you hand somebody when you want them to listen to live Phish for the first time? It was out there. We wrangled another college friend Bill Korbecki to come along for the road trip. Bill lived near Chicago, so I had company for the drive to Rochester. If I recall correctly, we drove the northern route through Detroit and Niagara to get to Andy's place in Rochester, New York. Ah, for the days when crossing into and out of Canada didn't require a passport or a lot of suspicion. We didn't head straight up to the show, though. Andy was working as a day camp counselor that summer. Bill and I tagged along to help out, as they were making tie-dye t-shirts that day. I made mine out of a Sugar 1994 Tour shirt 2. That evening Bill and I hung out at Andy's place because he had tickets to take his girlfriend to see James Taylor. When he returned from the JT show we took off for Maine. It couldn't be that far, right? It's just getting to Massachusetts and then through a sliver of New Hampshire. Ha. Little did I realize how remote this concert would be. The route couldn't be easier. Take I-90 east until it hits I-95 outside Boston. Head north on I-95 until the final exit before New Brunswick. Hop off and go north on US-1 and follow the traffic jam to the decommissioned Loring Air Force Base. I remember hearing on the radio local kids in Arastook County were out of school for potato harvest. The residents in the area were curious about the parade of cars winding northward, but they were gracious nonetheless. Getting to the lot the morning of the show we were parked far back on the right side of the runway. The scale of it was overwhelming. Where the heck was the stage? Attempting to piece together the first day of music here. The walk to the concert grounds was far but did not feel that way. Too many interesting people and too much interesting merchandise being hawked. I don't remember much of the festival area. Andy did paint on one of the wooden planks flanking the area. Those planks would become part of the sculpture that evolved on the scaffolding to the right of the stage. I think Andy met Page in that time, too. I had no clue who any of the band were. 1 Split Open and Melt, Sparkle, Free, The Squirming Coil, Waste, Talk, Train Song, Strange Design, Hello My Baby, Mikes Song, Simple, Contact & Weekapaug Groove. 2 I can't believe I did that. My apologies to Bob Mould. The show started late that afternoon. “Makisupa Policeman” holds the honor of the first live song I saw Phish play. Keyword? “Goo balls.” Me being the neophyte I am, I thought Trey said “blue balls.” Ha. I had no idea the significance of the partial “Harpua” that followed. That day warped me for how long an opening set should be at around 100 minutes. I later learned listening to the tapes that the first few songs were a de facto soundcheck. Looking back it's strange to think I got a daytime YEM (it's hard to think of it without the lights) and a beautiful solo to end “Squirming Coil.” Page's words after his bow? “Stick around.” I knew only two songs they played that day. “Wolfman's Brother” to open the second set and “Julius” to close it out. That helped keep things familiar for me. I was worn out late in the third set and told the guys I would meet them back at the car, so I listened to the encore from afar. Not knowing much of anything, I obviously missed the late-night DJ set the band put on in the disco tent. The next morning was crisp and bright. Flyers had been circulating requesting participants for a mass photo shoot. The catch? It called for folks to doff their clothes. Anyone hearing this story would think I was the one who had to be dragged into such an event, but the opposite is the case. I told Bill and Andy that we should be in the photo. They thought I was bluffing and said if I was in, they'd be in, too. So sometime late that morning I led them to the staging area to sign waivers, drop our clothes near some bike racks, and parade out onto an empty stretch of runway in our birthday suits with 1,100 other people. It was not as nerve-wracking as I thought it might be. For our participation, we were supposed to be sent a copy of the photo, but unfortunately, I was bouncing between addresses at the time and mine never made it to me. Andy did receive his. The photo is rather morbid in my eyes. It's monochrome and looks like a thousand corpses lined up on pavement, which completely belies the festive atmosphere of the shoot. While I did not receive the poster, there is proof of me in one of the pictures in 1998's The Phish Book. Yep. My caveat for anyone seeing that page in the book is that northern Maine mornings are chilly. ;) We meandered about that day. I was amazed at all the vending taking place, though I was still too green to understand references to songs or other cultural touchstones. I did buy a lot shirt, though. It was tie-dye, had a Phish logo with Summer Tour 97 around it, and on the back a faux Maine license plate with GR8-WENT. It cost me $5 because it had some rips in the front and was the last of the vendor's lot. I don't think I ever wore it, but it's still stowed away too cherished to be thrown out. I remember much more of the second day of music. I loved the song “The Wedge” the moment they opened with it. Limestone blocks so large, indeed. After the set we wandered a bit for food and water. Getting back into the concert area we ended up about 20 to 25 rows back Page side. The place was buzzing as the night and cool air creeped in. One anomaly of this show that I did not realize was Fish not wearing his trademark donut dress. He was in jeans that weekend. For the second night he had on a fleece adorned winter hat. Trey also had on a warm striped beanie for the second set. They kicked off the set with “Down With Disease” which I knew from good old Hoist. The song raged on for twenty minutes and then dropped down to a simple little guitar and bass conversation between Trey and Mike, as Page and Fish stepped to two easels on the stage. We could see the two of them painting on shaped boards, similar to those Andy had painted on in the festival area. Trey played the chords of “Bathtub Gin” as Fish found his way back to the drum kit. The song was new to me, but it's so catchy. The cadence of lyrics at first reminded me of Bob Dylan's “Subterranean Homesick Blues” and of course was familiar with its Gershwin quotes throughout. Something clicked for me right then and there. Little did I know this would be one of the signature live jams of the band's career, but I did know something special was happening. It's a version that never loses steam and never grows stale on repeated listenings. There's a group on Facebook called “The Great Went Bathtub Gin Changed My Life.” I did not start the group, but I certainly understand why it was created. The song is 20 minutes of inspired playing and improvisation. As Gin wound down and melted into the quick bluegrass fix of “Uncle Pen,” we were only halfway through the set. The next 45 minutes would be just as inspired. The next song was just as familiar because Strauss' “Also Sprach Zarathustra” is embedded in the DNA of anyone alive after 2001: A Space Odyssey. More painting, this time Trey and Mike stepping to the easels while Fish and Page keep the jam going. What's up with all this painting, anyway? As 2001 fades into what becomes known as “Art Jam” on tapes, Trey tells us about creating art with the audience. The band's planks are crowd surfed over to the scaffolding where all the planks painted by festival-goers hang in one crazy pile. The spotlight is on the newly created sculpture as the band kicks into “Harry Hood.” Another new one for me, but it's a glorious swell. As “Hood” drops into the post “Thank you, Mr. Miner” jam, Trey asks Chris Kuroda to cut the lights because the moon is bright and the sculpture is growing in beauty with every passing second. With that, the air begins to fill with colored lights. A glowstick war breaks out. Without the usual concert lights to dampen things, the sticks take on an epic feel. The jam seems to rise and fall with the number in the air. It was exhilarating. I couldn't imagine being anywhere else. As “Hood” ended Trey tells the crowd to go get more of those things because they look amazing. 90 minutes had gone by in what seemed like 9. The crowd was floating. And we still had another set to go. Over the course of the second set the crowd grew more dense. We had nowhere to go between sets. I remember gallon jugs of water being passed around the crowd. I was so thankful for a few sips. It sustained me through the end of the show in an incredibly cramped space. The final set was not as epic, but introduced me to a few more facets of the band. I remember each song, but specifics of only a few. We were still pinned in with the crowd and hadn't had a chance to sit down in hours (maybe we did? I remember standing the whole time). I'm sure a lot of people took “Dirt” to be a chance to rest after the intricate “Guyute,” but it hit me just right. Combined with the cold air, Trey's whistling and the simple guitar line were an emotional high point for me. The same goes with the set closing “Prince Caspian.” I was thrilled hearing “When the Circus Comes” as the encore, since I am a big fan of the old Los Lobos tune. I didn't realize its lyric “the day I burn this whole place down” would soon become a reality as they tore into “Tweezer Reprise.” A huge timber dressed up as a match was lit and tipped against the sculpture that an hour or two earlier we had been admiring during “Harry Hood.” The whole thing went up in an intense blaze as the encore raged. The crowd was going crazy. Wow. Is this what every Phish show is like? Maybe so, maybe not. One of the great things about the fest were all the folks vending from their vehicles. I was famished after the nighttime sets. As we strolled back up the runway I hear a voice singing out “15 ingredient veggie burritos!” A burrito sounded like it would be perfect, so we stopped to grab one. As the woman is wrapping one up I can't resist asking, “So, what are the 15 ingredients in this burrito?” Here's how Andy recalls her reply: “Rice, 5 kinds of beans, cilantro, cheese, cilantro, rice, cilantro, 5 kinds of beans, cheese, rice, and cilantro.” Ha! Who am I to question that? It was delicious. We took time to rest at the car and headed out of the base the next morning. Traffic was heavy, but moved pretty well. When we hopped on I-95 again one of the strangest things I've ever seen happened. Troopers were pulling cars over en masse. We were not among those targeted by the state patrol, but it was weird. The only other Maine thing we really did when we were up that way was a stop at the L.L. Bean flagship store. I bought a wool plaid cap that I recently passed on to my daughter. The rest of the ride back to Rochester I remember mainly for Andy introducing us to the music of Ani Difranco. As the rest of the year went along, I got a bit more into Phish, but really sought out Ani's stuff. Two completely different sounds, but artists who completely do things their own way. The drive to Chicago is a bit of a blur to me now. I'm guessing exhaustion was setting in and we were looking forward to getting home.  

This series is presented in partnership with Black Magic Woman, Cairns Indigenous Art Fair and Bumma Bippera Media 98.7 FM. The Cairns Indigenous Art Fair will run from 6-10 July in Cairns, go to https://ciaf.com.au for more information on what's on and for tickets.Darren Blackman is a proud Gureng GurengGangalu man with maternal South Sea heritage (from Vanuatu) and was born in Nambour, Sunshine Coast. With a range of practical skills and approaches to art making, Darren generally specialises in printmaking and ceramics but also undertakes improv performance, music and painting. He has wide experience in the arts, as a musician but also as a stage manager and sound technician for cultural festivals from Woodford to Winds of Zenadth Kes festival on Thursday Island. He assisted students as studio technician at Cairns TAFE and is currently working for the senior artists at the Wik and Kugu Art Centre in Aurukun. Growing up in a main stream community on the Sunshine Coast during the corrupt Bjelke- Peterson State Governement era, constant negative news cycles concerning first nations people, biased policing and Government policy drives Blackmans expression. His work centres around circumstances evoved from a post colonial system, that censors truth while opresses the sovereign rights of his clan. Language is a powerful tool that is used by institutions to influence, write law and imbed false narratives into the Australian psyche. In the form of text, Blackman uses language in a variety of interpretations to pick apart falsehoods and policies, while passing on messages from elders, that he reworks into contemporary artworks for the future generations of his clan, and the wider community to consider. Recommendations throughout this episode: http://northsite.org.au/artists/darren-blackman/https://ciaf.com.au/ Website: www.blackmagicwoman.com.auFollow us on Instagram - @blackmagicwomanpodcast The Black Magic Woman Podcast is hosted by Mundanara Bayles and is an uplifting conversational style program featuring mainly Aboriginal guests and explores issues of importance to Aboriginal people and communities. Mundanara is guided by Aboriginal Terms of Reference and focusses more on who people are rather than on what they do. If you enjoyed this episode, please ‘Subscribe' on Apple Podcasts or ‘Follow' on your Spotify app and tell your friends and family about us! If you'd like to contact us, please email, info@blackmagicwoman.com.au Support this show http://supporter.acast.com/black-magic-woman. See acast.com/privacy for privacy and opt-out information.

This series is presented in partnership with Black Magic Woman, Cairns Indigenous Art Fair and Bumma Bippera Media 98.7 FM. The Cairns Indigenous Art Fair will run from 6-10 July in Cairns, go to https://ciaf.com.au for more information on what's on and for tickets.Benita Williams is an Indigenous model based in Port Douglas, Queensland. A proud Kuku Yalanji woman, Benita was approached by a model management agency in 2012 while she was shopping for jewellery in a local shopping centre.After overcoming her shyness and nerves, Benita has gone on to appear in a range of amazing fashion events including the Australian Indigenous Fashion Week, the launch of Indigenous fashion label MAINIE, the Miss Universe Australia - QLD State Finals and many CIAF fashion performances.Benita is now a freelance model and loves working with local talent, collaboratively bringing communities together to create and display their art and talents whether it be visual art, dance, fashion and singing. Most of all, Benita has a passion for showcasing Indigenous arts and culture.Benita is one of Far North Queensland's most recognised First Nations models, has participated in almost every CIAF Fashion Performance since 2015. This year see's her play a different role. Listen to episode #93 to find out more!Recommendations throughout this episode: www.ciaf.com.au Website: www.blackmagicwoman.com.auFollow us on Instagram - @blackmagicwomanpodcast The Black Magic Woman Podcast is hosted by Mundanara Bayles and is an uplifting conversational style program featuring mainly Aboriginal guests and explores issues of importance to Aboriginal people and communities. Mundanara is guided by Aboriginal Terms of Reference and focusses more on who people are rather than on what they do. If you enjoyed this episode, please ‘Subscribe' on Apple Podcasts or ‘Follow' on your Spotify app and tell your friends and family about us! If you'd like to contact us, please email, info@blackmagicwoman.com.auSupport this show http://supporter.acast.com/black-magic-woman. See acast.com/privacy for privacy and opt-out information.

This series is presented in partnership with Black Magic Woman, Cairns Indigenous Art Fair and Bumma Bippera Media 98.7 FM. The Cairns Indigenous Art Fair will run from 6-10 July in Cairns, go to https://ciaf.com.au for more information on what's on and for tickets.Gerry Turpin is a Mbabaram man from north Qld and a renowned Ethnobotanist. He has been employed by the Queensland State Government for about 30 years and has previously been involved in the Queensland Herbarium's Vegetation Surveys and Regional Ecosystem Mapping Project in Queensland.Gerry manages the Tropical Indigenous Ethnobotany Centre at the Australian Tropical Herbarium, in partnership with James Cook University, DISITI and CSIRO, and has worked with many Traditional Owner groups on Cape York and other parts of Queensland. He is a member of the Ecological Society of Australia Board of Directors with the role of Indigenous Engagement.As an Indigenous ethnobotanist Gerry has a strong cultural commitment to facilitating effective partnerships that support Indigenous communities to protect, manage and maintain their cultural knowledge on the use of plants.Gerry will deliver the keynote speech for CIAF 2022 (and is one of the CIAF Art Awards judges)! He'll speak to this year's theme:

This series is presented in partnership with Black Magic Woman, Cairns Indigenous Art Fair and Bumma Bippera Media 98.7 FM. The Cairns Indigenous Art Fair will run from 6-10 July in Cairns, go to https://ciaf.com.au for more information on what's on and for tickets.Francoise Lane is an artist and textile designer that helps lovers of standout textiles and pattern by creating unique textiles inspired by stories of connection to country. Her goal is that her textiles will bring joy to your home and put a delightful spring in your step when you wear them. Francoise Lane is a Torres Strait Islander woman whose maternal family are from Kerriri. She identifies as both Meriam and Kaurareg. She is married to Andrew Lane and together they are Indij Design; a 100% indigenous owned, award winning architectural and design practice based in Cairns and operating since 2011. In 2013 Francoise developed artworks inspired by her connection to the Torres Strait Islands and exploration of visually storytelling. Her artworks have been adapted into repeat patterns and specified for upholstery and applied art to architectural designed structural screens. Expanding on the application of the design prints Francoise is designing a feminine A-line dress for women who have lived a loved life, in exclusively designed textiles. She has also designed fashion accessories integrating design elements of the textile art. ​"I'm instinctively drawn to subjects whereby patterns can create their own ‘energy' on a canvas. As an example ‘Sardines under the Wharf' on a large canvas creates a visual play of movement, like the stylised fish are swimming (pictured above)."Originally developed as artworks they have been converted into design repeats suitable for textile applications and applied art to the built environment.Recommendations throughout this episode:https://ciaf.com.au/https://www.indijdesign.com.au/https://www.francoiselaneart.com/ Website: www.blackmagicwoman.com.auFollow us on Instagram - @blackmagicwomanpodcastThe Black Magic Woman Podcast is hosted by Mundanara Bayles and is an uplifting conversational style program featuring mainly Aboriginal guests and explores issues of importance to Aboriginal people and communities. Mundanara is guided by Aboriginal Terms of Reference and focusses more on who people are rather than on what they do.If you enjoyed this episode, please ‘Subscribe' on Apple Podcasts or ‘Follow' on your Spotify app and tell your friends and family about us! If you'd like to contact us, please email, info@blackmagicwoman.com.auSupport this show http://supporter.acast.com/black-magic-woman. See acast.com/privacy for privacy and opt-out information.

At the tail end of the 60s, an unlikely meeting took place in Chicago between some prominent traditional blues artists and a chart-topping rock band from the UK. The results would reverberate for decades to come. In this episode, you'll hear a discussion on the importance of this session along with further insights into the impact of the late, great Peter Green with guests Dave Rubin (author of Guitar Method) and Andy Aledort (Guitar Magazine).Peter Green was a British blues rock guitarist and composer. As the founder of Fleetwood Mac, he was inducted into the Rock and Roll Hall of Fame in 1998. Green founded Fleetwood Mac in 1967 after a stint in John Mayall's Bluesbreakers and quickly established the new band as a popular live act in addition to a successful recording act, before departing in 1970. Green's songs, such as “Albatross”, “Black Magic Woman”, “Oh Well”, “The Green Manalishi (With the Two Prong Crown)” and “Man of the World”, appeared on singles charts, and have been adapted by a variety of musicians. Green was a major figure in the “second great epoch” of the British blues movement. Eric Clapton praised his guitar playing, and B.B. King commented, “He has the sweetest tone I ever heard; he was the only one who gave me the cold sweats.” His trademark sound included string bending, vibrato, and economy of style.In 2015, Rolling Stone ranked him at number 58 in its list of the “100 Greatest Guitarists of All Time”.Moods & Modes is presented by Osiris Media. Hosted and Produced by Alex Skolnick. Osiris Production by Kirsten Cluthe and Matt Dwyer. Editing and mixing by Matt Dwyer. Music by Alex Skolnick. Artwork by Mark Dowd. See acast.com/privacy for privacy and opt-out information.

While Alex is out on the road with Testament on the Bay Strikes Back Tour, we thought we'd take you on a journey back to the early days of Moods & Modes. This week, we're featuring Episode 3: Peter Green, Remembered and Rediscovered. A deep dive into the life and music of Peter Allen Greenbaum, better known as Peter Green, who passed away on July 25, 2020. Although best known for co-founding the first version of Fleetwood Mac, there is so much more to uncover. This episode features a roundtable of experts on the gentle genius of guitar known as “Greenie,” plus a few surprises. Alex is joined by Mike Zito, Dave Rubin, Andy Aledort; and, via shared podcast: Dean Delray & Kirk Hammett.Peter Green was a British blues rock guitarist and composer. As the founder of Fleetwood Mac, he was inducted into the Rock and Roll Hall of Fame in 1998. Green founded Fleetwood Mac in 1967 after a stint in John Mayall's Bluesbreakers and quickly established the new band as a popular live act in addition to a successful recording act, before departing in 1970. Green's songs, such as “Albatross”, “Black Magic Woman”, “Oh Well”, “The Green Manalishi (With the Two Prong Crown)” and “Man of the World”, appeared on singles charts, and have been adapted by a variety of musicians. Green was a major figure in the “second great epoch” of the British blues movement. Eric Clapton praised his guitar playing, and B.B. King commented, “He has the sweetest tone I ever heard; he was the only one who gave me the cold sweats.” His trademark sound included string bending, vibrato, and economy of style.In 2015, Rolling Stone ranked him at number 58 in its list of the “100 Greatest Guitarists of All Time”. Stay tuned next week's Best Of episode Peter Green, Part 2.Moods & Modes is presented by Osiris Media. Hosted and Produced by Alex Skolnick. Osiris Production by Kirsten Cluthe and Matt Dwyer. Editing and mixing by Matt Dwyer. Music by Alex Skolnick. Artwork by Mark Dowd. See acast.com/privacy for privacy and opt-out information.

Hello Fresh - farm-fresh, pre-portioned ingredients and seasonal recipes delivered right to your doorstep.  Go to HelloFresh dot com slash opie16 and use code opie16 for up to 16 free meals AND 3 ree gifts! Factor - healthy tasty prepared meals.  Head to GO dot FACTOR 75 dot com slash opie120 and use code opie120 to get $120 off. Tom Brady un retired to shake his moneymaker for the Tampa Bay Buccaneers again.  Also, more songs about money,  mask comes off and I immediately got sick, Santana didn't write Black Magic Woman, great STP story, Greg Brady didn't ghost me, Putin crap, best live song, Facebook made us hate our own family members, something smashed into the side of my building and stick around to the end for a taste of Carl Ruiz. Join the Private Facebook Group - click "subscribe" on my www.facebook.com/opieradiofans Merch - www.opieradio.com Instagram and Tik Tok - OpieRadio YouTube - www.youtube.com/opieradio   See omnystudio.com/listener for privacy information.

Game and Adventure Path by Paizo Publishing- www.paizo.com Background music provided by Syrinscape - https://www.syrinscape.com/ Theme music by Angelo Di Loreto - https://angelodiloreto.com/ Visit us at www.thecrackeddiepodcast.com or email us at show@thecrackeddiepodcast.com Please consider supporting us on Patreon! https://www.patreon.com/crackeddiepodcast Grab a shirt to support the cast https://teespring.com/stores/thecrackeddiepodcast Ask us a question for a future episode: https://forms.gle/83xmbYCnwAjeVA5y9