Podcasts about drowned

The Night Roy Drowned Wasn't an Accident And the River RememberedBecome a supporter of this podcast: https://www.spreaker.com/podcast/dark-mysteries-unsolved-mysteries-forgotten-secrets-unanswered-questions--5684156/support.Darkest Mysteries Online

On this week's episode, Cyrus and Quan discuss Team DCFMJF, co-existents in NXT, and Nattie vs. Jaida Parker.Subscribe on Patreon: https://patreon.com/theashowrncFollow our socials: https://linktr.ee/theashowrncFollow on X: The A Show account (@TheAShowRNC) Cyrus (@CyrusOnTWR) Quan (@AshowQuan)

Sweden's surging demand for electricity to power its mid 20th Century modernization had life-changing consequences for the country's Indigenous Sámi people. In her new novel, “The Home of the Drowned”, Elin Anna Labba tells the fictional account of a family forced out of their village by the construction of a series of hydroelectric dams that flood their village. It's based on the real account of the creation of Lake Akkajaure that displaced hundreds of Sami people. Through the eyes of 13-year-old Iŋgá, readers live through the Sami struggle to adapt to a way of life that is removed from their traditional herding culture. “The Home of the Drowned” is a heartbreaking account of Indigenous resilience in Sweden. Elin Anna Labba joins us for our Native Bookshelf feature. Break 1 Music: Ancient Forces (song) Berit Margrethe Oskal (artist) Fargga (album) Break 2 Music: Round Dance (song) Black Lodge (artist) Enter the Circle – Pow-Wow Songs (album)

Photo: The international boundary between Mexico and the Tohono O'odham Nation in June 2026. (Gabriel Pietrorazio) An Arizona tribe along the Southern border has filed a lawsuit in federal court against the Department of Homeland Security (DHS). KJZZ's Gabriel Pietrorazio has details. The Tohono O'odham Nation has submitted an injunction to halt the Trump administration from looking to build a wall along its 62-mile boundary with Mexico. According to the complaint, the administration plans to solicit contracts for construction on sovereign lands – without the tribe's consent. Tohono O'odham Chairman Verlon Jose in a social media message. “We would prefer not to file this lawsuit, and instead use these resources for our people. And it is our hope DHS will reconsider their plans once they see the strength of our arguments, however, at this point we have been left with no other choice.” Carla Johnson is Tohono O'odham Vice Chairwoman. “The wall is a wasteful political gimmick. It will separate our families, desecrate our sacred sites and waters and harm our natural environment, while doing nothing to actually make us safer.” In response to the legal filings, DHS cites Mullin's Cherokee citizenship and commitment to tribal sovereignty, telling KJZZ the agency “values its relationship with the Tohono O'odham Nation and remains focused on open communication and minimizing impacts.” Sheep graze in the Coppermine Community near Page, Ariz. (Courtesy Loren Thomas) A Navajo Nation community near Page voted Sunday to oppose a controversial copper mine proposal, as KNAU's Chris Clements reports. The Coppermine Chapter voted 45-12 to adopt a resolution opposing Essential Minerals' exploration of a possible copper mine. The resolution also rescinded a policy put forward by the chapter back in 2005 that supported exploration of a separate copper mine. The resolution adopted on Sunday says back in 2005, the company looking into mining failed to fulfill its commitments. It adds that no mining company – like Essential Minerals – can use the 2005 policy to justify exploring a copper mine now. Tribal members say they are worried a copper mine would cause health and environmental issues in the community. Representatives of Essential Minerals previously told KNAU they want to build trust about the project, which they say is just being explored right now. Community members enjoy a meal at the 2026 Return of the Salmon Celebration at Riverview Park in Bethel on June 13, 2026. (Photo: MaryCait Dolan / KYUK) The day after the season's first drift gillnet fishing opener, salmon remained top of mind for fishers of the Kuskokwim River, as KYUK's Samantha Watson reports. At Riverview Park in Bethel, Alaska, community members gathered and filled plates of dried whitefish and grilled, fresh-caught fillets of king salmon. The second annual Return of the Salmon event was put on by Mother Kuskokwim Tribal Coalition, a grassroots organization opposing the proposed Donlin gold mine. Supporters of the mine point to the job prospects it would bring to locals in the region. Calista Corporation, the regional Native corporation who owns the subsurface rights to the proposed mine site, says that responsible development and subsistence can coexist. Others, like Mother Kuskokwim, say it is too risky. They argue that potential contamination from the mine could pose dire environmental impacts, namely for the region's salmon populations. The celebration is, at its core, an anti-Donlin demonstration, but it feels like a fish camp cookout. Organizer Gloria Simeon says on the Kuskokwim, salmon is a mechanism for something bigger. “Fish camp is not an activity. Fish camp is the time, the single most important time of families coming together with one purpose, and that’s to get prepared for the winter, catch our salmon, take care of it, to have it for the winter, and it’s not just only about that, it’s about sharing your genealogy, your oral traditions, our cultural values, who we are as a people, our history.” She talks about how it is sustained her family, and people like her granddaughter, Ashlynn Simeon, who is the Deputy Director of Mother Kuskokwim organization. She says the moments on display in a community event like this — children playing, babies having their first bites of fresh salmon of the season — that is what the Mother Kuskokwim advocates are trying to protect. Get National Native News delivered to your inbox daily. Sign up for our daily newsletter today. Download our NV1 Android or iOs App for breaking news alerts. Check out today’s Native America Calling episode Thursday, June 18, 2026 — Native Bookshelf: ‘The Home of the Drowned’ by Elin Anna Labba

The Missing Union Leader Wasn't the Only One Who DrownedBecome a supporter of this podcast: https://www.spreaker.com/podcast/dark-mysteries-unsolved-mysteries-forgotten-secrets-unanswered-questions--5684156/support.Darkest Mysteries Online

Sweden's surging demand for electricity to power its mid 20th Century modernization had life-changing consequences for the country's Indigenous Sámi people. In her new novel, “The Home of the Drowned”, Elin Anna Labba tells the fictional account of a family forced out of their village by the construction of a series of hydroelectric dams that flood their village. It's based on the real account of the creation of Lake Akkajaure that displaced hundreds of Sami people. Through the eyes of 13-year-old Iŋgá, readers live through the Sami struggle to adapt to a way of life that is removed from their traditional herding culture. “The Home of the Drowned” is a heartbreaking account of Indigenous resilience in Sweden. Elin Anna Labba joins us for our Native Bookshelf feature. Break 1 Music: Ancient Forces (song) Berit Margrethe Oskal (artist) Fargga (album) Break 2 Music: Round Dance (song) Black Lodge (artist) Enter the Circle – Pow-Wow Songs (album)

In this powerful episode, host Eric Bennett welcomes Lynn Arches-Rappaport, a Massachusetts teacher and grandmother, who shares her Near Death Experience (NDE) from nearly 50 years ago. While surfing in Puerto Rico, Lynn was caught in a brutal set of waves, slammed against a reef covered in sea urchins, and began drowning. At the moment she feared she wouldn't survive, she was pulled out of her body. ___________________Birch Natural MattressesPodcast Listeners Receive 20% - 30% OFFBirchLiving.com/Roundtrip____________________Her NDE included a vivid life review, a tunnel with a shadowy being, a welcoming group of entities, and the presence of both her deceased father, Jesus, and God, all bathed in an overwhelming sense of pure love and warmth unlike anything she had known on earth. Lynn describes her Near Death Experience as "more real than real" — a state of unconditional love so complete that it transformed her understanding of life, death, and her difficult childhood. She returned from her NDE with a mission to share her story and has since written a memoir, Entangled. Lynn also discusses the life lessons she believes souls choose before birth, and why she no longer fears death — viewing it instead as a homecoming to a place of permanent, boundless love. Video Version of This EpisodeRoundTripDeath.comDonate to this podcast: https://www.roundtripdeath.com/support/Lynn: https://www.lynnarchesauthor.com/

Earlier this month, the organizations EverythingALS and Vision 2030 announced a partnership with the Allen Institute to accelerate research into the progression of amyotrophic lateral sclerosis, also known as Lou Gehrig's disease or ALS. The disease is a progressive neurodegenerative condition where patients lose the ability to walk, use their hands, talk and eventually breathe. But the new investment will be geared towards finding using AI-powered technology to look for a cure at the cellular level. Tech entrepreneur and founder of EverythingALS, Indu Navar, and ALS patient living in Covington, Louisiana, Tim Fulham, join us for more on their journeys with the disease and ongoing research. Over the last two weeks, we've brought you parts one and two of the latest episode of Sea Change: Losing Paradise. In each episode, we learned about the ongoing battle between fisherman and oil companies over the rights to drowned land. This fight is playing out on land, sea and in the courtroom. But is there a way out of this deadlock that won't take decades of case-by-case lawsuits?LSU Law School professor John Lovett has been studying this issue for years. He spoke with the host of Sea Change, Carlyle Calhoun, about what believes might be a solution to the long simmering battle. ___Today's episode of Louisiana Considered was hosted by Alana Schreiber. Our managing producer is Alana Schreiber. Matt Bloom and Aubry Procell are assistant producers. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, Google Play and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

Send us a text! We love hearing from listeners. If you'd like a response, please include your email. In the previous episode of the Ordinary Extraordinary Cemetery podcast (#281), Dianne and Jennie explored Forest Hills Cemetery in Boston, Massachusetts and some of its most visited monuments including one often called, "The Boy in the Boat" which marks the grave of little Louis Mieusset. We shared the common story that Louis died as a result of being drowned, but while that story continues to be perpetuated, his death was the result of disease, a common occurrence for thousands of Victorian children; so how did his story become so changed? In this episode, Jennie and Dianne delve into the story of the Mieusset family, which begins with two brothers from France who brought Parisian fine dining to Boston. One became the city's most celebrated restaurateur, the other would fade into obscurity, lost to time after the death of his young son. Need an Ordinary Extraordinary Cemetery Podcast tee, hoodie or mug? Find all our taphophile-fun much here: https://oecemetery.etsy.comFamily Tales: A free printable, is now available! Gather 'round the table and dig into your roots! This interactive family history game is perfect for holidays, reunions, or just because. Ask, listen, and laugh your way through generations of stories and secrets. https://drive.google.com/file/d/1UT_R56qEwNTIxIBrTy8KFyVmGnFOe7g8/view?usp=sharingResources used to research this episode include various digitized records found on Ancestry.com and FamilySearch.com as well as various historical newspaper articles and advertisements found on newspapers.com.Support the show

Wayne Ledwell says the humpback that washed ashore in Spaniard's Bay likely got tangled in crab fishing gear + Bruce Leamon, a former co-chair with COSEWIC, says fish farming and fishing has lead to significant salmon decline on the south coast (west of the Burin Peninsula)

In this episode of the Global Fresh Series Podcast, we explore how Europe's potato industry — especially Belgium's iconic frozen fry sector — was hit by a massive agricultural and economic crisis in 2026. Beyond potatoes, the episode is a broader story about globalization, supply chains, farming economics, and the uncertainty facing the next generation of agricultural producers.At its heart, The Fry Crisis is a deeply human story — one about farmers confronting shrinking margins, changing markets, and the fear that the “good years are over.”The story centers on Belgian farmer who was forced to dump thousands of tons of unsold potatoes back into his fields after prices collapsed to zero. The surplus, estimated at five million metric tons across Europe, was driven by a combination of record harvests, shrinking global demand, rising production costs, geopolitical instability, and changing consumer habits.#Belgiumpotatoes # potato exports #frenchfries #glp-1

It's early June, and the west, as well as the east, are a tale of extremes: dry soils and surprisingly strong nitrogen levels in Ontario, flooding in parts of Manitoba and Saskatchewan, drought concerns in the U.S., and plenty of crop management questions in between. From late-season phosphorus responses in wheat to stripe rust explosions,... Read More

The Orchard Debt Was Buried With a Drowned Child s NameBecome a supporter of this podcast: https://www.spreaker.com/podcast/dark-mysteries-the-strange-and-unusual-podcast-2026--5684156/support.Darkest Mysteries Online

This episode is part 7 in a study of the book of Exodus. The Egyptians attempt to follow the Israelites into the Red Sea... which turns out to be a very bad idea. https://thebiblestudypodcast.com/exodus-14-egyptians-drowned/ Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

Based on true events.   On November 13th, 1985, the Colombian town of Armero — home to nearly 30,000 people — was buried alive in fifteen minutes. A volcano that scientists had been tracking for over a year sent a wall of volcanic mud down the river valley in the middle of the night, and by morning, Armero was gone. But the most terrifying part of this story isn't the eruption. It's the thirteen-year-old girl who survived it — and what happened to her over the next sixty hours. Join Carman Carrion for the true story of Omayra Sánchez Garzón, the Armero tragedy, and the government that watched it coming and did nothing.   #Armero #Colombia #NevadoDelRuiz #DestinationTerror #TrueDisaster #VolcanicEruption #OmayraSnchez #DarkHistory #HorrorPodcast #TrueHorror #RealTerror #Lahar #ColombiaHistory #ForgottenPlaces #AbandonedTowns #GhostTown #Tragedy #Eeriecast #CarmanCarrion #TrueStories #DisturbingHistory #Haunted #CreepyHistory #ListenNow #Storytelling #Spooky #Unexplained #NaturalDisaster #MassGrave #NeverForget   EXPLORE MORE SPINE-CHILLING CONTENT: Freaky Folklore: https://www.eeriecast.com/podcasts/freaky-folklore Carman's Crypt (Original Horror): https://www.carman-carrion.com/ Deadly Intent (True Crime): https://www.carman-carrion.com/ Destination Terror: https://www.eeriecast.com/podcasts/destination-terror ________________________________________ SUPPORT THE SHOW: Patreon (Ad-Free + Bonus Content): https://www.patreon.com/c/CarmanCarrion Buy Me a Coffee: https://buymeacoffee.com/carmancarrion ________________________________________ CONNECT WITH CARMAN: Website: https://www.carman-carrion.com/ YouTube: https://www.youtube.com/@CarmanCarrion Twitter/X: https://x.com/CarmanCarrion Instagram: https://www.instagram.com/carmancarrion/ ________________________________________ SUBSCRIBE & REVIEW: Spotify: https://open.spotify.com/show/0uiX155WEJnN7QVRfo3aQY iTunes: https://podcasts.apple.com/us/podcast/freaky-folklore/id1550361184 Your support helps bring you more terrifying tales. ________________________________________ DISCOVER MORE HORROR: http://eeriecast.com/ https://www.carman-carrion.com/ ________________________________________ MUSIC CREDITS: Music and sound effects provided by: CO.AG, Myuu, Jinglepunks, Epidemic Sound, Kevin MacLeod, Dark Music, and Soundstripe. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to worlds where cunning foxes outsmart bears and humans, where people are turned into wolves, where ogres (stállus) terrorize communities until outwitted, where undead creatures of the sea (rávgas) lure others to their demise. These worlds are illuminated in more than 300 folktales and legends that make up the most extensive compilation of Sámi narratives recorded from Sámi storytellers ever published in English translation: Sámi Folktales from the Near and Far Worlds, originally recorded by Just Knud Qvigstad and Isak Saba and translated by Barbara Sjoholm. Sjoholm is joined here in conversation with Lise Lunge-Larsen.Barbara Sjoholm is an award-winning translator and author of many books, including From Lapland to Sápmi: Collecting and Returning Sámi Craft and Culture and The Palace of the Snow Queen: Winter Travels in Lapland and Sápmi. Among her translations are By the Fire: Sámi Folktales and Legends, collected by Emilie Demant Hatt.Lise Lunge-Larsen is the award-winning author of The Troll with No Heart in His Body and Seven Ways to Trick a Troll. She lives in Duluth, where trolls can still be found if you really look for them. Praise for the book:"Beautifully written, the introduction to Sámi Folktales from the Near and Far Worlds captivates the reader from the very beginning with poetic descriptions of the Sámi landscape, the historical context and thematic characteristics of the storytelling tradition in Sápmi, and an exploration of the relationship between Just Knud Qvigstad and Isak Saba. This book is a valuable collection of Sámi stories."—Line Esborg, Head of Norwegian Folklore Archives, University of Oslo"For decades, these stories have provided contemporary Sámi literature with drama, detail, and inspiration. This collection is a treasure trove for every writer and reader to explore, and it's a gift to the English language that these folktales are now translated."—Elin Anna Labba, author of The Home of the Drowned and The Rocks Will Echo Our Sorrow: The Forced Displacement of the Northern Sámi"The deeper you dig into this collection, the more satisfying it gets. Barbara Sjoholm's introduction is worth its weight in gold."—Lise Lunge-LarsenSámi Folktales from the Near and Far Worlds, collected by Just Knud Qvigstad and Isak Saba and translated by Barbara Sjoholm, is available from University of Minnesota Press. Thank you for listening.

In this episode we explore a part of maritime history that has too often drifted beneath the surface: women who served at sea in the First and Second World Wars, and who died for their service. To find out more, Dr Sam Willis spoke with Nina Baker, author of a fabulous new book exploring the lives of those women. Nina has created the first complete list of all of these women and has written detailed profiles for those who were Scottish, bringing their stories to light for the first time. These are women who travelled and worked to survive, but disappeared doing so. By tracing those lives, Nina's work says a great deal about what their absences reveal about all sorts of things: danger, memory, class, migration, and of course, the human cost of maritime life. We hear about the research behind the book, the voices history chose to preserve, and of course, the ones it allowed to sink beneath the waves. We also explore why those stories matter now, and how recovering them changes the way we understand both the sea and the societies built around it. And just to make this episode even more interesting, if it's in any way possible, Nina herself has a great story: She became one of the first women navigation officers in the British Merchant Navy, a pioneer in opening up access to seafaring careers for women. She rose through the ranks of an industry that for centuries had been male dominated. She also shares some of her early maritime experiences. Her book is called “Supposed Killed or Drowned by Enemy Action at Sea” Scottish Merchant Navy women who died as a result of enemy action in the First and Second World Wars. Hosted on Acast. See acast.com/privacy for more information.

Daniel Daughhetee joins Ronnie in talking about Season 9's "Persuasion", an episode with close up magic, hypnosis and various other things the hosts detest. Drowned bodies are showing up in...the middle of the desert? Truly the answer to this mystery is much less interesting than you'd think. Also, what's up with Reid's mom? Could they just not afford Jane Lynch or is something nefarious afoot? Check out the upcoming eighth season of Ronnie and Daniel's Star Wars novel podcast, Thrawnderdome, at https://feeds.acast.com/public/shows/thrawnderdome.

Grath és Stöki retro videojátékos podcastjának kisebb vadhajtása. Az adás témája: Drowned God: Conspiracy of the Ages. Kísérőposzt itt: https://iddqd.blog.hu/2026/05/20/drowned_god_conspiracy_for_the_ages

Drowned in Lake FogBecome a supporter of this podcast: https://www.spreaker.com/podcast/dark-mysteries-the-strange-and-unusual-podcast-2026--5684156/support.Darkest Mysteries Online

On this week's episode, Tom Selleck joins us to discuss You Never Know: A Memoir (Dey Street, May 5), out now in paperback with bonus material. “The beloved actor shares his splendid life and career” Kirkus writes in a review of Selleck's excellent memoir, written with Ellis Henican, calling it “a celebrity memoir worth reading.”THANKS TO OUR SPONSORS:So Many Are the Drowned by Anthony JosephsonConspirator in Chief by Stephen F. KnottAmerican Jap Girl by Richard OkumotoThe Words We've Lost and Found by Jody DollMirage by Tony BurnettSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of CounterPunch Radio, host Tori Tsui talks to Sean Adams, founder of Drowned in Sound. Tori and Sean talk about Spotify, AI, militarism, capitalism, independent music, how we can harness music’s power for social change, and much more. Founded in 2000 by Sean Adams, the UK-based Drowned in Sound has evolved from a music website into a podcast and newsletter-focused platform covering indie, electronic, and alternative music, featuring news, reviews, interviews, and community forums. Tori Tsui is an environmental activist, author, and climate advisor originally from Hong Kong. She is a senior advisor for the Fossil Fuel Non-Proliferation Treaty and a campaigner for the Stop Rosebank coalition. Her work has been featured in British Vogue, Marie Claire, Cosmopolitan, and Elle. She lives in Bristol, UK. Be sure to check out Tori’s new book, It's Not Just You: How to Navigate Eco-Anxiety and the Climate Crisis, just out from The New Press. The post The Collective Power of Music w/ Sean Adams appeared first on CounterPunch.org.

Today is Thursday, May 14, 2026. The Brainerd Dispatch Minute is a product of Forum Communications Co. and is brought to you by reporters at the Brainerd Dispatch. Find more news throughout the day at BrainerdDispatch.com.

I Thought the Lighthouse Protected Us But the Beacon Was Summoning the DrownedBecome a supporter of this podcast: https://www.spreaker.com/podcast/dark-mysteries-the-strange-and-unusual-podcast-2026--5684156/support.Darkest Mysteries Online

Ryan, Dana, and Chris Trenkmann discuss a case in Bradenton involving a mother accused of being intoxicated and distracted by her cellphone while her 4-year-old daughter drowned in a pool.See omnystudio.com/listener for privacy information.

Drowned in Lake FogBecome a supporter of this podcast: https://www.spreaker.com/podcast/darkest-mysteries-online-the-strange-and-unusual-podcast-2026--5684156/support.Darkest Mysteries Online

On March 11th, 2011, the ground beneath Japan didn't just shake—it unraveled, releasing one of the most powerful earthquakes ever recorded. Minutes later, the ocean rose in response, surging inland with unstoppable force, swallowing towns, families, and entire futures in a matter of moments. What followed was not just a natural disaster, but a cascading nightmare of water, fire, and radiation that left a nation forever changed. This is the story of the day the horizon turned against humanity—and the terrifying cost of underestimating nature. Merch and more: www.badmagicproductions.com  Timesuck Discord! https://discord.gg/tqzH89v Want to join the Cult of the Curious PrivateFacebook Group? Go directly to Facebook and search for "Cult of the Curious" to locate whatever happens to be our most current page :) For all merch-related questions/problems: store@badmagicproductions.com (copy and paste) Please rate and subscribe on Apple Podcasts and elsewhere and follow the suck on social media!! @timesuckpodcast on IG and http://www.facebook.com/timesuckpodcast Wanna become a Space Lizard? Click here: https://www.patreon.com/timesuckpodcast. Sign up through Patreon, and for $5 a month, you get access to the entire Secret Suck catalog (295 episodes) PLUS the entire catalog of Timesuck, AD FREE. You'll also get 20% off of all regular Timesuck merch PLUS access to exclusive Space Lizard merch. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

THE HANGMAN'S DOZEN Ep 2 – The Drowned Man Socialites Max and Ginger Dalton are haunted by the drowned man, no matter how much they drink or what they do; he never goes away. An original audio play written and directed by Mark Slade. CAST: Carole Stokes, Pete Lutz, Viktor Aurelius, Jeff Niles, Sharon Blumberg, Rich Wentworth, Maggie Strain, and Claire Berg.

She drowned… left her body… and encountered Heaven in a way that changed everything. In this powerful episode, Teresa Roybal shares her real near-death experience, her search for truth, and how pain led her into a life-changing relationship with God. Watch now and discover how your pain could actually be your pathway to purpose.If you've ever struggled with fear, confusion, or wondered if God is real—this conversation is for you. Teresa opens up about her supernatural encounter, spiritual transformation, and the process of finding healing through surrender.

Kickstarter has become a key part of the author business for those who want to make more money per book, connect directly with readers, and produce beautiful editions they're proud of. In this episode, I share excerpts from interviews with Oriana Leckert, Head of Publishing at Kickstarter, Russell Nohelty, and Sacha Black, alongside my own hard-won lessons from six campaigns that have now made over $140K combined. Whether you're considering your first campaign or looking to refine your process, we cover everything from overcoming your fears to rewards, fulfilment, shipping, marketing, and why I keep coming back for more. In the intro, Writing StoryBundle; Spotify Expands Audiobook Features and Printed Books; Draft2Digital Activation and Maintenance Fees; comment by Kevin McLaughlin; and Barnes & Noble Press change to Minimum Retail Price for Printed Books; AI-Assisted Artisan Author webinars. This show is supported by my Patrons. Join my Community at Patreon.com/thecreativepenn  Joanna Penn is an award-winning New York Times and USA Today bestselling author of thrillers, dark fantasy, short stories and travel memoir under J.F. Penn and also writes non-fiction for authors and hosts The Creative Penn Podcast. What Kickstarter is and why it works differently from a normal book launch The fears that held me back for almost a decade — and whether they were justified Starting small: Why you don't need sprayed edges and special hardbacks to run a successful campaign. Creative reward ideas beyond merch: digital rewards, experiential rewards, naming rights, and bundling your backlist Common mistakes that sink campaigns: overestimating your reach, getting shipping costs wrong, and not allowing enough time Fulfilment realities, printing timelines, and reinvesting profit into future stock Marketing your campaign: pre-launch signups, content marketing, email lists, social media scheduling, and Facebook/Meta ads My update for campaign #7, Bones of the Deep: what's changed, what I'm doing differently, and how AI tools are part of my process now Why I now love Kickstarter campaigns and how the spike income model fits a sustainable creative career You can find my Kickstarter campaign for Bones of the Deep here (until 5 May, 2026) and all my previous campaigns here. Introduction Jo: In this episode, I've included excerpts from my own previous solo show about Kickstarter, as well as excerpts from interviews with Oriana Leckert, the Head of Publishing at Kickstarter; Russell Nohelty, who has done lots of successful Kickstarter campaigns and teaches direct sales; and Sacha Black, who did a six-figure campaign last year. I've also added my updates to the end of the episode filling in any last thoughts. You can listen to the full episodes here: Kickstarter for Authors with Oriana Leckert The Mindset and Business of Selling Direct with Russell Nohelty Lessons Learned and Tips from Pilgrimage, My First Kickstarter Campaign Two Different Approaches to Selling Direct with Sacha Black and Joanna Penn What is Kickstarter, and why use it instead of a normal book launch? Here's Oriana Leckert, Head of Publishing at Kickstarter — and the numbers she shares will be higher now, as the episode is from February 2025. Oriana: Kickstarter is a crowdfunding platform. We are unique in the crowdfunding landscape for a few reasons. We are only for creative projects, so you can't use Kickstarter for medical bills, investment funding, or charitable donations. Every project has to create something new to share with the world. Jo: Have you got any numbers on how big the Kickstarter industry is now with publishing, or anything you can share around that? Oriana: Yeah, I would love to. First I'll tell you Kickstarter overall by the numbers. Since our inception, there have been 273,000 projects funded, eight and a half billion — with a “b” — billion dollars pledged, from more than 24 million backers. In publishing specifically, we've had 69,000 projects launched, 3.2 million unique backers, and over $380 million pledged to campaigns. I have lots of other stats, but a few things I'll share. The publishing category keeps growing The publishing category has grown year over year, every year since 2017, in terms of number of projects launched, number of projects successful, and the overall success rate. There has never been a dip since 2017. Another stat I really love about the publishing category: if you look at campaigns that have at least 25 backers, the overall success rate is 84%. I think that's really telling, because 25 backers is a little bit more than your mum, your best friend, the folks who are essentially obligated to support anything you do. So if you can get a little bit beyond that inner circle, your chances of succeeding on the platform are tremendously high. Backers are paying more — and waiting longer Another thing I wanted to call out — I just got some new numbers around this. The average backing amount per backer across the whole category has nearly doubled since 2020. We used to see an average backing around $40, and it's currently at $72 per backer. I think this is clearly around the trend of special and deluxe editions, but it's a great indication that backer behaviour on Kickstarter is just very different from your general book-buying public. People don't come here looking for 99-cent ebooks — the lowest bargain-basement prices. Folks are really willing to pay more because they understand this is a different kind of thing. It's not exactly a purchase. It really is supporting, bringing a strange and wonderful new thing into the world that wouldn't exist before. People are also much more forgiving about timelines. If you buy something from most online booksellers, you're expecting to have it in your hands within a couple of days. People wait months and sometimes years to get their Kickstarter rewards, and they don't mind if the creator is clear and transparent. You're also doing the work of demystifying the publishing process. Why does it take so long? Where are books printed? How long does it take them to ship via freight over the ocean? What do all these things really look like? So it's really interesting just figuring out what your backers want and will bear versus the general book-buying public out in the world. Kickstarter is not just for “desperate” authors anymore Oriana: People used to think Kickstarter was just for desperate folks who couldn't get a book deal through the traditional systems. The change has been so dramatic — people now understand that Kickstarter can be transformative for an author's career, and that it can work for traditional publishing, indie publishing, hybrid publishing, all kinds of authors. Kickstarter is really about collapsing the boundaries between a writer and their readers, a publisher and their fan base, any creative person and their audience. And there are so many benefits to doing that. You get to really thrill your backers with new and exciting rewards. You get to turn what can be a standard book release into a moment. You get to build your brand, your profile, get press, test out ambitious projects. You get to understand so much more about your audience and what they want and how you can give it to them. It's been really marvellous seeing the great success that people can have on our platform and outside of it. Why do a Kickstarter campaign? Jo: Why Kickstarter and not a usual book launch? Benefits for backers If you back a Kickstarter, you get special editions, bonus content, interesting merchandise, bundles, digital specials, print specials, early access. All of them pretty much are really cool books from creators you either already love or those you've never heard of, because you just want to see their cool stuff. I've started buying books from people I have never heard of because I think their books are really cool. Once you start supporting campaigns on Kickstarter, the algorithm will recommend campaigns for you. It's essentially a different way of shopping for great books and other products, and it's just another part of my ecosystem for how I shop. It's a form of direct sales, so you also have a closer connection with the creator. You can message them, for example, and they get it — rather than buying through an online retailer or bookstore. Benefits for creators In terms of benefits for creators, you get to know people in a more personal way through the campaign, messaging with people and connecting more than you would when selling through a retailer, when you don't know who is buying your books. As an author, you can make more money more quickly and retain a higher percentage of the royalties, rather than wait months or years to get paid and have a large percentage taken out by everyone down the chain — publishers, platforms, distributors, and retailers. Brandon Sanderson's $41 million Kickstarter was clearly the pinnacle of what can be achieved, but many authors are happy making a few thousand for their book project upfront and use campaigns multiple times during the year. Kickstarter takes 5% for their fee, although of course you have to factor in the cost of production and marketing. But even then, I make more profit on my book sales through selling ebooks and audiobooks direct, and also printing with BookVault, than I do with KDP Print or IngramSpark print on demand. Higher average order and faster payment Another way you make more money is that the average order per customer is higher with Kickstarter than sales on the usual stores. The average order on my campaign was £37.24 — that's around $45 US — which is at least four times higher than I might have made selling Pilgrimage in the usual way on the major retailers. You get paid two weeks after the campaign finishes, so the money is in your bank account much faster than if you sell on retailers. In terms of cash flow, make sure you time your campaign so you get the money before you have to pay for printing, shipping, and other significant bills. Spike income vs monthly income There are many creators who now make Kickstarter the core of their business. It's a spike income model rather than a monthly income, which most indie authors are used to. The monthly income model is fantastic — I love getting money every month — but it also has the effect of making indie authors behave as if this is a normal job: work every month, get paid every month, put out another book so you get paid in another few months' time. With the Kickstarter model, you can get a bigger chunk of money in one go, so you could potentially move to a big launch and then take more time off before ramping up to the next launch months later. And amusingly, this sounds a bit more like traditional publishing. It's just that as an indie author, when you get that amount of money, it's much bigger. So that kind of launch tempo is an attractive prospect if you think about it: if I just get this big spike of money even once a year, that's really cool. And then of course you can sell it later. What are some of the fears that might stop you? Jo: I held back from doing a Kickstarter for years — almost a decade, in fact — where I backed campaigns and resisted doing a campaign for my own books. Here are some of my fears. Prepare to face your fears Jo: This entire experience thrust me out of my comfort zone and into a new way of creating, launching, and connecting with readers. Pilgrimage is my first memoir, my first special hardback with colour photos, and my first Kickstarter crowdfunding campaign. So I had a lot to learn. The book is very personal and I bare my soul about some dark times, so that was terrifying in itself, let alone trying a new product edition and publishing platform. On the evening I clicked the launch button — and yes, you have to actually click an actual launch button — my heart was hammering out of my chest. I have not felt that nervous since probably the first time publishing on Amazon. I was afraid of failure. I was afraid of being embarrassed if my campaign didn't fund. I wrote a book on marketing — how to market a book — so I would be mortified if I had not funded. In fact, I even changed my target from £5,000 to £1,000 the night before, as I was so terrified it wouldn't fund. I was afraid of getting something terribly wrong and ending up out of pocket through issues with printing and shipping. I was afraid of letting backers down by promising something I might not be able to deliver. I was afraid I had overcommitted myself to a whole load of work I might even resent doing. I am a one-person business, and although I work with freelancers, I still do pretty much everything myself. I am a control freak — you might have noticed. So yes, there was a lot of apprehension and fear. You don't have to go huge Another fear might be the fear of failure — that you'll put up a campaign and no one will buy from you. But one answer is just to do a modest campaign. You don't have to do special hardbacks or merchandise. As Russell says: Russell: Somehow all of the teaching that we have given over the last two years has been executed in a way that makes it seem like you have to do this enormous campaign with sprayed edges and big, beautiful hardcovers and interior illustrations and vellum and all of that stuff. And I want to say first: that is absolutely not true. You don't have to do any of those things. If you look at two of the last three campaigns I've done, all I was offering was paperback books and ebooks, and then audio commentary for one of the campaigns. You can do a Kickstarter — and I often will tell people, especially if they're not an already successful author — do a campaign that is small and easy to get data on before you do something big. The direct connection is actually the point Jo: One of my resistances to this was a sort of, “Oh, I'm actually going to have to do a more higher-touch thing.” But as you say, the reframe is: oh my goodness, this is amazing, because I actually do get to connect with people. Just yesterday I sent a signed book — Pilgrimage, which I did my last Kickstarter on — and this guy was like, “I bought it for myself. Can you sign it to me, because I'm going to do the Camino in a wheelchair?” And I was just so touched. Emailing him back, I just felt, oh my goodness, I'm having a connection with this person that if they'd just bought a book on Amazon, I would not have had. So now it's almost like — it's this totally different view of my business, which is that direct-first means a much more personal way. It really is like we're in that thousand true fans moment that we first talked about 20 years ago. Were my fears realised? Jo: Just to recap, I was afraid of failure and embarrassment if I failed to fund, of getting something wrong and being out of pocket, of letting backers down, and of overcommitting myself and resenting the workload. Really, the only thing that happened was overcommitment and a lot more work than I expected. But the time I put in was also likely the reason for the campaign's success and the reason that the other things didn't happen. I had to learn a new platform and a new approach to publishing and book marketing, so it was kind of a mini degree at the same time. So yes, I will do another Kickstarter — but only for special projects that are suited to this kind of intensive campaign. Tips for campaigns In this section, Oriana shares her thoughts on rewards, and then I'll go into some more of my tips. Thinking beyond merch Oriana: The rewards are really at the heart of the Kickstarter proposition and what makes this kind of fundraising so interesting and thrilling. Basically, your process is you're inviting people on a creative journey. You're saying, “I'm going to make this cool thing. I want your support, and in exchange, you're going to get stuff, you're going to get to be part of my process.” Obviously your main reward is going to be your book, or your series, or if you're a publishing company, your season — whatever it is. That's your main tier. Then you're going to build everything else out above and below that. A lot of people think rewards means swag and merch. Which is fine, but merch can add a lot to your production costs. It's causing you to learn how to produce all kinds of things that maybe you've never done before. So that's not the only way to do it. If you're going to do some merch, I think it's nice to come up with some custom items that feel really related to the work that you're doing. If you've got a romance novel with a pivotal scene on the beach, maybe you'd make some candles that smell like the ocean. Maybe you do some kind of handkerchief that's printed with the pattern of the dress your heroine is wearing. Digital and experiential rewards Oriana: But you can really think beyond merch into digital rewards and experiential rewards. There are a lot of parts of the writing process that can be pulled out and packaged as rewards — things like notes from the field, outtakes, deleted scenes. I've had people write bloopers, as if it were a comedy movie, added new scenes or novellas, other pieces from different works that you've done. Certainly your backlist and other books you've written can all be included. We've seen people do tours of the writer's studio, things like that. Also think about what skills you have in addition to your writing. Perhaps you're excellent at marketing or social media or poetry — you can offer webinars on those sorts of things. Other kinds of ways that people can experience your creative practice. High-end and naming rewards Oriana: Then you can get into high-end, one-off, crazy rewards. One whole section of rewards I love is naming rights. We've seen all kinds — “We'll name the dragon after your dog, or after your mother-in-law. We'll name the hero after your son.” There's a LitRPG novelist named Matt Dinniman who does this really well. He writes these big-cast novels — there are dungeons, and you're in an intergalactic reality TV show with hundreds of characters. In his last campaign, for $666 he would kill you off in his next book, and for $777 he'd let you live and write a whole scene around you personally. You can also do book release parties. You can do book clubs. If you're writing children's books, you can do colouring pages or supplemental material for teachers or other educators. The sky is really the limit, and it is based on your creativity and the things that both you can make and that your audience wants. This is another opportunity — talk to them. Ask them: if I'm going to do a piece of swag, would you rather have an enamel pin or a makeup bag? If I'm going to do alternate covers, would you like the blue cover or the red cover? See what your people are interested in, and then figure out whether it's possible for you to deliver it to them. Learn about the platform from experts Jo: I've been publishing and selling books through online retailers, as well as my own store, since 2008. I know what I'm doing, but I still had a lot to learn. With Kickstarter, it's essentially a completely different ecosystem, with different rules and a different audience, so you have to learn the ropes. Even if you're super successful in other places, you might crash and burn on Kickstarter unless you understand how it works and change your approach accordingly. Start backing campaigns Jo: See how it feels to back Kickstarter campaigns and discover what draws you in as a reader and a fan of specific things. You might find projects you love outside of books — there's plenty of other projects outside of books. You can browse the publishing category to find new books, and also use the search to find things you might like. In this way, you can support fellow creators and learn how the Kickstarter site works for discoverability and marketing. Make sure you go through the Kickstarter.com resources — they have a creator pack which will give you direction on the campaign. Also, their terms of use are really important to read, as there are some assumptions you'll have because you've published on another platform that are incorrect. So do not assume you know what you're doing if this is your first campaign. Ask for feedback before launch Jo: Once you have a draft of your campaign, ask specific people to review it before it launches. You can share a preview prior to launch and get feedback on your page. This helps you refine your story and the rewards, answer any questions before the campaign goes live, and it can also help pique the interest of your audience. I asked specific people who had done Kickstarter campaigns for help at different stages of the process, and this was really useful too. Review common mistakes from other campaigns Jo: If you examine how others made mistakes, you can learn from them. The most common seem to be: Not finishing the book before the campaign Getting the financials wrong for production, shipping, and any other rewards. I know some authors who have ended up breaking even, or sometimes even out of pocket from campaigns. Don't do that. Not making the most of the story sales page and not including everything necessary, so backers don't understand and don't want to support the campaign — essentially, not being clear enough Setting unrealistic goals, like expecting to make six figures on a first campaign Not allowing enough time for everything Not seeking feedback from people who have done it before Not marketing the campaign enough Overpromising and under-delivering Poor communication with backers about the status of rewards Set aside more time than you think you need Jo: The campaign ended up being far more significant than I expected in terms of workload and time to complete. Everyone told me that beforehand, but it was still a surprise. It took time to prepare the multiple editions for the rewards. I usually produce an ebook, paperback, and a large print edition, and I narrate my own nonfiction audiobooks. But for this Kickstarter, I also wanted to do this special hardback with colour photos, a flyleaf cover and silver foil. I wanted to create a special print product I could be proud of. I'm proud of all my books in terms of the content, but the usual paperback print-on-demand books are more about the content than the true beauty of the product. For Pilgrimage: A Book of My Heart, I wanted a special edition, so I worked with Jane on the design, going through my photos from the various pilgrimages to find those that resonated with the content — for example, the cadaver tomb at Canterbury, and my Compostela from the Camino de Santiago. Once we finished, I had that proof copy rushed so we could turn around everything. And I love, love, love the hardback. It has a silken-finish cover and it feels lovely and weighty. The pictures came out well, as the paper is of a higher quality and weight to allow for colour printing. Overall, I am incredibly proud of the finished product. I even sent a copy to my mother-in-law, which I have never done before. And yes, she thinks it's good. I definitely should have allowed more time, as I spent most of the Christmas and New Year period working on the book, recording and editing the audiobook, and preparing for the campaign. I also didn't have time to prepare, record, edit, and produce the Writing Setting and Sense of Place course until after the campaign, and it was really hard to find the energy to do this afterwards. Building the campaign page Jo: It took time to build the Kickstarter campaign page, create the video, and incorporate feedback. Most authors don't write sales pages anymore. Sure, we write a sales description for the book page on the retailers, but we don't often do a whole page for multiple editions. On Kickstarter, you are basically writing a sales page for your campaign, which they call a “story.” Some of your existing audience might just click through and back the campaign without reading it, but most backers will check out the details to find answers to any questions they have. It is a very long page, and you also need a video — or you don't need one, but it's highly recommended. It's best to record the video at the last stage when everything else is done. You can still see my Kickstarter video on my campaign page, so I won't go through everything in detail. But the key aspects are: Who the campaign is aimed at Why the campaign is important to me and the book What products are available Pictures of everything — the page should be really visual — and I included the images in the video as well Sample chapters and sample audio Specifications, with weight, pages, listening time, table of contents About me, the author Stretch goals Add-ons Any questions, risks, and challenges So it's pretty long. Then the reward levels have to be set up carefully for each pledge level with shipping costs, and specific details about what's included. Eventually, I felt like my page had way too much information, but since I didn't really get many backer questions, I guess it did what it was supposed to do. I rewrote and edited that page so many times — adding and changing the order of things, responding to feedback, switching things around. But hopefully I can use that as a template for other campaigns. Marketing takes time too Jo: It took time to prepare the marketing for the campaign. I'm pretty low-key for most launches these days — I publish a book, send a few emails to my lists, announce it on the podcast, do a little social media, update my websites, and move on to the next book. So this was probably my biggest effort in terms of a launch since my first novel back in 2011. I only had a two-week campaign, so I needed to make the most of that window. I'm going to detail the marketing in a separate section, but it took a lot of time to prepare the various things and execute them, as well as keep the energy up for promotion during the campaign. Two weeks was definitely the longest I would want to do — I was really over it by the end. Delivering stretch rewards Jo: It took more time to create and deliver the extra stretch rewards I promised. Since I had pretty low expectations of funding, I set my first stretch goal at £10,000 for “Lessons Learned from Writing a Travel Memoir.” When I promised it, I thought it might be a few pages of tips, and I didn't even think we would get there. But I'm incapable of delivering something that is half done. So when we did hit £10,000, I wrote essentially a short book on the topic, which I then formatted as an ebook and recorded as an audiobook. I'm actually going to turn that into a proper book at some point, so the content will get reused. But that definitely took more time than I expected, because I hadn't prepared it in advance. The backer spreadsheet and fulfilment Jo: It took time to figure out the backer spreadsheet and check all the fulfilment details. Once you finish your campaign, you send out surveys for mailing addresses and to fulfil rewards. I also needed to turn the backer report into a printing order for BookVault, and that was nerve-wracking. The spreadsheets were different formats, and then we spot-checked the orders to make sure people got the right books based on their orders. I was petrified that some people might get the wrong book, and I checked and checked and checked — both on the spreadsheet, and then once the orders were loaded, I checked BookVault as well. I was worried I'd have to resend the right book, which would end up with me out of pocket because they'd have to do double printing and shipping. But thankfully, all the checking made everything good, and I haven't heard from anyone who got the wrong book. Following up with backers Jo: It took time to follow up on failed payments and address issues. Most backers were easy to deal with — they received the updates and Kickstarter emails, they filled in the surveys, and I didn't have any problems. But there were problems with about 5% of backers, most of which were not their fault. There were failed payments when banks thought Kickstarter might be fraud. There were missed emails because of issues with deliverability, so backers didn't receive the rewards, or they didn't fill in the survey and return their address, which meant I couldn't do the order with BookVault — I had to do it later or manually. I had to follow up with every single one of these, some of them multiple times, and I slowly reduced my list of outstanding backers. A tip: If you back a Kickstarter campaign, please log on to Kickstarter a few weeks after the campaign has finished and check for updates. It's possible that you're not receiving the emails from Kickstarter, and the creator may need details from you in order to fulfil your pledge. Tax implications Jo: It took time to figure out the tax implications. This is not legal or financial advice, and your taxes will vary by jurisdiction. Please ask your accountant how you need to treat Kickstarter or any other book-related income. Wherever you are in the world, you will need to pay tax on the income, because we all have income tax, but the complicating factor is whether you also need to consider sales tax. And this definitely differs by jurisdiction. I went to my accountant, who said we should handle it as per any other book sales. I followed my accountant's advice, which treats backers the same way as my customers who buy on Shopify. Ask a professional in your jurisdiction about taxes and finances, even if you are in the UK. I cannot answer any questions. I'm not an accountant. Closing the loop Jo: I haven't had much time to do anything else, as I felt like I couldn't start anything new until everything in the campaign was finished. As soon as the campaign window closed, I felt like I had an open loop in my brain. I desperately wanted to close it in order to say the project was done. I have now delivered all the book and course rewards, and these lessons learned are really the last part of it. I've talked before about the different kinds of energy you need as an author — starting energy, pushing-through energy, and finishing energy. Once the campaign was funded, my finishing energy kicked in and I was driven to get everything finished as soon as possible. I sent the digital rewards out within a few days of the campaign closing, and also shipped the unsigned books, ordered the print books, then went and signed them, and then recorded the course. It has been my primary focus for the last few months, and I haven't been able to do much else except the podcast, which is my weekly commitment to you. Once again, I should have blocked out the time. Bonus tip: Don't plan an international speaking and book research trip during the campaign. International shipping and fulfilment Jo: Be careful with international shipping and fulfilment of signed books or products. Shipping costs can sink your campaign if you get them wrong, so be very careful with this area. I have sold books in 175 countries, and this podcast has a listenership in 228 countries, so I really wanted to have a completely international campaign. I wanted to ship Pilgrimage in any format to any country. Originally I thought I would just charge a bit extra for the book and include shipping. But once I set the book editions up at BookVault and I had the weight and dimensions sorted, I started checking the shipping costs to different countries. For example, we lived in New Zealand for seven years — my husband is a New Zealander, so we go back — so I definitely had to sell in New Zealand. And of course the shipping to New Zealand is very, very different to the US, for example. It is crazy how much shipping costs vary. I discovered I couldn't just assume it would all wash out and I'd end up making a profit somehow. I had to be a lot more careful with the calculations. So I focused on my biggest markets, which in terms of my book sales are the US, UK, European Union, Canada, Australia, New Zealand, and South Africa. I added a note on the campaign to say I would add any other country for print shipping if people contacted me. As it turned out, no one asked for any other countries, so that was the best way to go in the end. If you're in a country where the shipping is outrageous — if you're willing to pay for the shipping, then that's absolutely fine. It's just that for the campaign, I had to focus. When the unexpected happens Jo: Of course, you can try to prepare for everything and then something unexpected and out of your control happens. A big spanner in the works for my campaign was the Russian hack, which took down the UK Royal Mail just before my launch. If you're not in the UK, you wouldn't have heard about this, because in some ways it's a very small issue — but it basically took down Royal Mail and a lot of shipping went into flux. It specifically hit the international side, and other shipping firms ramped up to take the slack. But it made planning for the launch difficult, as the prices were shifting and I didn't know how delivery was going to work. Even for posting in the UK it was hard, because the mail offices were getting backed up. Once again, I'm grateful for BookVault's adaptability, because I could check different addresses and shipping prices even as things changed, and they added new providers for shipping. About 95% of my shipping ended up being within an acceptable range of what I charged. So do your research, weigh and measure your items so you can get exact quotes for each. Check what kind of packaging you need. If you're doing your own shipping, you have to actually type in the shipping costs per reward and per country — it's a lot of manual setup to get it right. But this is critical, so check and double-check — and in fact, I triple- and quadruple-checked, then went to sleep, and then the next day checked again. Having spent 13 years as an IT consultant prior to this career as an author, I will always remember and have learned from the fact that something just might not be working, and then literally if you just go away, go to bed, come back the next day, it'll probably just be working. Sometimes it actually works. So yes, I did that, and every time I checked, pretty much I found something I'd typed in that didn't quite match, because you also have to retype — if you include all the books in the add-ons, you have to type it again. I didn't stop checking until the day before the launch, and then it was right. I was happy, and everything seemed to be fine. Shipping is always a moving target Jo: Revisiting this section made me laugh, because as I record this, in the week before I launch Bones of the Deep, international shipping is disrupted again — by the war in Iran, and the Strait of Hormuz being closed, which is affecting fuel prices. This underscores yet again how important it is to check your shipping. Of course, you can add shipping on later — Kickstarter allows this, as does BackerKit and other services. But as a backer, a customer of people on the platform, I hate being asked to pay shipping later. And since I hate that myself, I don't want other people to feel the same way. So just add a little buffer in, as asking people to pay an extra dollar in their pledge is not that big a deal, but you being out of pocket for every book shipped may well be. Sacha Black on pre-launch and fulfilment In an interview I did with Sacha Black, who writes as Ruby Roe, in December 2025, we talked about her issues with fulfilment. Sacha does a lot of complex printing, shipping, and custom book boxes and more. Her last campaign made over six figures, but of course it had its challenges. Here's Sacha with some of her tips, and then Oriana to close out this section with some other mistakes. Sacha: The first thing is — even before you start your Kickstarter — the pre-launch followers are critical. A lot of people think, “Well…” I guess there's a lot of loud noise about all these big numbers about how much people can make on Kickstarter, but actually a lot of it is driven by you, the author, pushing your audience to Kickstarter. You need more pre-launch followers than you think you do. Lots of people don't put enough impetus on the marketing beforehand. Almost all of our Kickstarter marketing is beforehand, because we drive so many people to that follow button. The other thing we do is early-bird pricing. We get the majority of our income on a campaign on day one. I think it was something wild, like 80% this time was on day one, so that's really important. Fulfilment takes longer than you think Sacha: The second thing is, it takes so, so very much longer than you think it does to fulfil a campaign, and you must factor in that cost. Because if it's not you fulfilling, you're paying somebody else to fulfil it. And if it is you fulfilling it, you must account for your own time in the pricing of your campaign. The other thing is that the amount of time it takes to fulfil is directly proportionate to the size of the campaign. So you do have to think about that. The other lesson we have learned is that overseas printing will drag your timelines out far longer than you think. So whatever you think it's going to take you to fulfil — add several months more onto that, and put that information in your campaign. Reinvesting profit and exclusive rewards Sacha: The last thing — if you have some profit in the Kickstarter, because not all Kickstarters are actually massively profitable. They either don't account enough for shipping, or they don't account enough in the pricing. Thankfully, ours have been profitable, but we've actually reinvested that profit back into buying more stock and more merchandise, which not everybody would want to do if they don't have a warehouse. However, we do have one. We are stockpiling merchandise and books so that we can do mystery boxes later on down the line. It's probably a year away, but we are buying extra of everything so that we have that in the warehouse. So it depends on what you want to do with your profit. For us, it was all about buying more books, basically. The other thing to think about is: what is it that you're doing that's exclusive to Kickstarter? Because you will get backers on Kickstarter who want that quirky, unique thing that they're not going to be able to get anywhere else. But what about you? You've done more Kickstarters than me — what do you think is the biggest lesson you've learned? Tiers, bundles, and AI for planning rewards Jo: Well, I think all of mine together add up to the one you just did. Although I will comment — you said something like £75 per pre-launch backer. That is obviously dependent on your tiers for the rewards, so most authors won't have that amount. My average order value, which I know is slightly different, but I don't offer things like book boxes as you have — so a lot of it will depend on the tiers. Some people will do a Kickstarter just with an ebook — just with one ebook and maybe a bundle of ebooks — so you're never going to make it up to that kind of value. So this is important too: have a look at what people offer on their different levels of Kickstarter. In fact, here's my AI tip for the day. What you can do — what I did with my Buried and the Drowned campaign recently — is, you know, I'm happy uploading my book. I uploaded it to ChatGPT and said, “Tell me, what are some ideas for the different reward tiers that I can do on Kickstarter?” And it will give you some ideas for what you can do, what kind of bundles you might want to do. So bundling your backlist is another thing you can do — as upsells, or you can just do it like I did for Blood Vintage, where I did a horror bundle of four standalone horror books in one of the upper tiers. Bundling is a good way to do it, and also upselling your backlist is a really good way to up things. And also, if you do it digitally — for ebooks and audiobooks — there's a lot less time in fulfilment. Oriana on the biggest mistakes Jo: What are some of the top mistakes you see that mean the campaign doesn't fund, or there are other issues? Oriana: Totally. I mean, the biggest mistake I think authors make — or any creator — is overestimating their ability to reach their crowd. Making sure that your ambition matches your reach is the number one most important thing to come close to guaranteeing that you will be successful. If you're an emerging writer and you're still building your audience and you don't have that many followers or subscribers out in the world, you should not try to fund a multi-volume leather-bound omnibus. Do a real honest assessment of who's in your crowd, how to find them, what percentage of them are likely to support what you're doing, and then find a project that feels realistic based on those numbers. That's really the biggest thing, conceptually. Building a strong project page Oriana: As far as tips for a project page — again, back campaigns and look at what other people are doing. A project page can be either as simple or as complicated as you want to make it. You definitely want to talk about the book: what is in it, what you're writing. Do a trope card if you want — we're seeing those all over the site. Say what kind of book it is, and the specs: page count, trim size, cover design. Obviously if you're doing a special edition, exactly what sorts of bells and whistles, with a prototype if you can. But you can be really expansive from there. What are your inspirations? Who are your collaborators? What brought you to this work? What are some of the things that make you excited about your writing practice, your timeline, your budget? What made you choose these rewards and how you're going to produce them? All those sorts of things will make backers feel both more trusting that you will do the things you're promising, and just more excited to be part of your journey. Marketing your Kickstarter campaign Let's talk about marketing. First, a snippet from Oriana, and then I'll share specifics around marketing tips — many of which are useful if you're launching in any other way. Kickstarter's algorithm rewards attention Oriana: Being on Kickstarter will help you grow your audience, but it's definitely not everything. You really do need to bring your people first. Our algorithm works on attention, so any project that's getting clicks, getting backings, getting comments — our algorithm says, “Oh, people want to look at this. We will expose it to more and more people.” That means raising it up in search results, slotting it into various of the macros and carousels around the site. Our recommendation engine powers recommended projects on the top of campaigns and at the bottom of emails. We are doing a lot to make sure that projects are being surfaced to folks who want to see them. Talk about the book while you're writing it Jo: Talk and share about the book while you're writing it, even though you might not know what it will turn into. I always share my book research and projects in progress, so this was nothing new. But Pilgrimage was years in the making, so I had years of sharing aspects of it. I've shared pictures from every pilgrimage walk on Instagram at @jfpennauthor and Facebook at J.F. Penn Author, and sometimes Facebook The Creative Penn. I've talked on this podcast about each walk, and I've done solo episodes and blog posts about each on my Books and Travel podcast and blog. I also did a poll and shared my book cover design process, and then I did an article on why I ignored target-reader feedback in the end. All this meant that many in my community — including you listening — became aware of my solo walking and also my ecclesiastical interest, my architecture interest, and you enjoyed my photos along the way if you follow me on social media. So when I announced the launch, it was the culmination of years of build-up. Use the pre-launch page early Jo: Set up the Kickstarter pre-launch page as early as possible, and keep promoting it. You can launch a pre-launch page once Kickstarter has approved your project, and you don't have to have finished everything to make it available — just complete the personal and business setup, and fill in enough detail so they can verify your identity and judge the campaign to be real and within the guidelines, and not a scam or spam campaign. I started to promote my pre-launch page, and by the time we went live, I had people signed up on launch. Those people get an email from Kickstarter. Those people were responsible for my campaign funding within the first few minutes, and then taking it to 5x the target within the first 24 hours. Then I started to email my lists, and all of this type of thing. But it was those pre-launch signups that really kick-started — see what I did there? — the whole thing. The benefit of using Kickstarter for multiple projects is that previous backers are notified of your new project. This compounds the effect over time, and is why those who use Kickstarter successfully do multiple campaigns. Kickstarter SEO and on-platform marketing Jo: Kickstarter has its own ecosystem. There's a discovery algorithm that can help you find projects you might like as a backer, and there are different ways to search, but only certain aspects appear in the search. So your title, subtitle, and your header image need to be optimised so people can find you. Your story sales page needs to be clear, with a compelling pitch. People also have to want your rewards, so marketing has to be baked into the products you're offering and who you're trying to attract. Your video doesn't need to be a professional-level product, but it does need to connect with potential backers, so take the time to make a good one. If you've never made a video before, you will need time to upskill. Kickstarter also has social media. Use #KickstarterReads and tag @KickstarterReads. If your project funds quickly and has a good trajectory, you might get picked for the “Projects We Love” badge, which also gives you better discoverability. I got that pretty fast. You can also tag Kickstarter on social media and inform them of your campaign. Content marketing Jo: Content marketing is offering something useful or interesting or inspiring or funny or entertaining for free, in order to attract your target market so they buy your book. This might be an article or blog post, video, audio, podcast, social media, whatever. For fiction, it's usually a free book or a short story or other free examples of your writing that draw people in. Content marketing is my favourite form of marketing, as it is about attraction, not interruption. It also involves creating something in the world that lasts over time, as opposed to an ephemeral spike ad or a social media post that quickly disappears. Each has its place, of course, and I use them all. This podcast is content marketing, although it now also provides direct revenue in the form of corporate advertising and Patreon support. Thank you, patrons and advertisers — and I consider this to be part of my creative body of work. My Books and Travel podcast is also content marketing. Guest appearances for the launch Jo: For this launch, I did content marketing on my own sites and shows, as well as other people's, which I arranged and recorded in advance. I've also mentioned the campaign in the introduction to every one of these shows leading up to the launch and during the launch. I was on some podcasts: Sacred Steps with Kevin Donahue, Wish I'd Known Then… For Writers with Sara Rosett and Jami Albright, Travel Writing World with Jeremy Bassetti, and Into the Woods with Holly Worton. I also did several of my own. I did one on this feed. I did another on the Books and Travel feed. I also included two chapters from the audiobook on the Books and Travel podcast. All of these took time to prepare and produce, but each is a chance for another person to hear about the book. Plus, they're evergreen, and Pilgrimage is available for everyone to buy now, so I can point people at Pilgrimage on other stores. Use a redirection URL Jo: For all my marketing, I used JFPenn.com/pilgrimage, which I can redirect using the Pretty Links plugin on WordPress and point to wherever I want it to go. Before the launch, it went to the pre-launch page; then the campaign itself; and now it goes to the book page. Once I build a special landing page, it will go there. Depending on where you're listening will depend on where it goes, but that's JFPenn.com/pilgrimage. The URL needs to be easy to say out loud for use in podcast interviews and audio-first media. Email your list multiple times Jo: Some things change in book marketing — like the emergence of new platforms like TikTok — but one thing has stayed the same for decades: if you have an email list, you can always sell books. Your email list consists of people who have opted in to hear from you, so you can email them about normal launches as well as your Kickstarter campaign. I have two email lists: one for The Creative Penn around writing, and the other around J.F. Penn for my fiction. I emailed both lists multiple times at different times in the campaign. I use ConvertKit for my email, but there are other options for authors. Use referral links for tracking Jo: Use specific referral links for different aspects of the campaign for tracking returns. Kickstarter allows you to create different tracking links so you can link revenue to specific marketing events. For example, I used one link for my Creative Penn email list, another for my J.F. Penn email list, and yet another for my Facebook advertising. You can also add the Meta pixel and Google Analytics code to the campaign, which can also help with figuring out advertising. And if you don't know what those are, don't worry — you don't have to use them. Book images and social media Jo: I initially mocked up the book using cover images on MockupShots.com, and then resized them in Canva in order to create social media images. I later did a book photo shoot with the hardback in different places to give me more marketing assets to play with — all of which I will use over time as part of ongoing marketing. I prepared and scheduled social media posts to go out every day, and I did that in advance, primarily for Twitter at @thecreativepenn, my Instagram and Facebook at J.F. Penn Author, and also Facebook at The Creative Penn. It was a lot of work, but I really enjoyed it — weirdly — and I need to do more of this for my other books, especially as with Shopify, Facebook, and Instagram link directly into my store, so I can tag books. These days social commerce is a lot smoother through mobile, so someone can see an image on social, click through, and buy immediately. I also did some quotes from the book — so I did pictures, I also did quotes — and I blatantly used our cute British Shorthair cats, Cashew and Ramen, for marketing reasons. I use Buffer to schedule my social media, but there are other tools. I also asked some friends who are travel influencers to share the book, and I sent them the hardback in advance so they could review if they liked. Thanks to Sarah Baxter and Alastair Humphreys for sharing the book, and especially a big thank you to Anna McNuff, who gave birth to twins that week and still managed to share about Pilgrimage. Backer engagement and stretch goals Jo: Let's be clear — it was not natural for me to push a book every day for two weeks. I also felt awkward about engaging with backers multiple times, let alone the wider community who I was sure was sick of my book, but I did it anyway, as it was only a short campaign of two weeks. I sent four updates during the campaign to backers, some of which are visible to the public on my Kickstarter, and then I sent updates afterwards with delivery of the rewards. Although I did resist the stretch goals, as I mentioned earlier, I went with “Notes on Writing a Travel Memoir” and the backer live Q&A. I did scramble to decide on and deliver those, as I really didn't think I would need them — which is crazy. I had such low expectations of what I might achieve. But next time I would definitely plan stretch goals in advance and in more detail. Facebook advertising Jo: I did some Facebook ads for the campaign — although I should call them Meta ads, because they're also on Instagram. I primarily aimed them at my email lists and people who follow my pages, but also some wider reach using lookalike lists and walking interests. I used a tracking link, so I know that the revenue that came in through people backing it more than paid for the ads. So I would do more of this next time. Marketing things I didn't do Jo: I didn't try to get any press or traditional media attention, mainly because I would have had to approach outlets much earlier in the process. I didn't have the hardback finished until a few weeks before the campaign, rather than a few months before, which is when pitching for press is a better idea. I also didn't collaborate with other creators on Kickstarter, even though I knew other authors doing campaigns at the same time. A couple of people asked me about cross-promotion, but their campaigns were not at all related to Pilgrimage. As with all book marketing, there is only a point to cross-promotion if you target the same readers. I had intended to do some Facebook, Instagram, and YouTube Live videos, but I struggle with live videos in general — and especially when I'm tired — so I didn't go ahead with those. I might consider more of those next time. Do a survey for everyone Jo: My tip is — do a survey for everyone. As part of a campaign I previously backed, I noticed that I didn't actually need to do a survey for the digital backers, because they could just get the rewards if I emailed through Kickstarter. And sure enough, you can just email the BookFunnel links, the course discount code, etc., through the campaign. But this was a mistake. I should have done a survey for everyone. If you do a survey, you can get the real email, as some people use a cloaked email. You can also include a checkbox asking people if they want to sign up for your email list. Respecting backer data Jo: So while you do get the email addresses of everyone who backs your campaign in your backer report, you cannot just upload them to your email provider and start emailing them about your other books. Kickstarter's terms of use include the following: When you use Kickstarter, and especially if you create a successful project, you may receive information about other users, including things like their names, email addresses, and postal addresses. This information is provided for the purpose of participating in a Kickstarter project. Don't use it for other purposes and don't abuse it. This is about data protection and privacy laws. Basically, Kickstarter is the platform in this instance, and people have signed up to receive emails from Kickstarter, but not from you. All emails about the campaign go through Kickstarter, and you don't have permission to just upload that list to your own email system and start sending more emails. They have not specifically said they want that, unless they have in a survey with opt-in — which I didn't do. Of course, there are indirect ways to attract people to sign up for your list. My book Pilgrimage includes ways to hear from me further, so some backers will go on and sign up for my free thriller ebook at JFPenn.com/free, or my Author Blueprint at TheCreativePenn.com/blueprint. You can also do updates later, for example when you have a new campaign, and in this way Kickstarter acts as a different ecosystem for email. Should you consider a Kickstarter campaign for your book? Jo: To be honest — only if you consider this to be a career you want to invest in, and a platform you want to do more than one campaign with. If you just have one book or a couple of books, or you're just starting out, or you don't want to do marketing and connect with readers, then definitely don't do a Kickstarter. It is not some magic button that will make you money — like uploading to Amazon is not a magic button that will make you money. It takes time and effort to have a successful campaign. But if you do want to build a long-term author business, then selling direct should have some part to play, and Kickstarter is a great way to make more money per book and connect with readers. It's really only the beginning of the trend of authors selling direct, so don't worry — you can learn how to do this over time. Update for Bones of the Deep, my 7th campaign in April 2026 Jo: It was interesting to revisit my lessons learned and other people's tips, and really, there are only a few things that have changed. I love doing Kickstarter campaigns now Firstly, I absolutely love doing Kickstarter campaigns. I am not nervous at all anymore, and I am just so thrilled to produce gorgeous hardback editions of my books this way. I love delivering beautiful books and new stories or nonfiction to my readers. I love doing the discovery writing webinars and the coaching, and just in general, I appreciate the opportunity to publish this way. I feel like a “real author” — with beautiful hardbacks, doing a signing, getting photos and emails from readers who receive the books. Custom printing keeps expanding In terms of other changes, over the last few years since Pilgrimage, BookVault has expanded their custom printing, so now I have custom endpapers, sprayed edges, different kinds of foil, as well as the silken paper and the ribbon and photos inside. These gorgeous editions are my personal creative reason to keep doing campaigns. I love saying “I made this!” And over time, I would love to get all my backlist into special editions. A repeatable process I'm still doing similar kinds of rewards — the book in all editions — and it's all finished so it's lower stress. Even the audiobook narration is done, so I can fulfil immediately. There's just the live discovery writing webinar to do, and stretch goal Q&A and consulting sessions. I'm also doing bundles, and all my backlist gets bundled in the add-ons, so I have a repeatable process, which makes things easier. Using AI in production I'm using more AI, specifically in the images and video. I love making book images with ChatGPT and Gemini's Nano Banana, and story images with Midjourney, and I use ElevenLabs with my voice clone for audiobooks. I fill in all the details in the AI section of the Kickstarter page, so you can go have a look at that and model it as you like. Spike income, realistic expectations I still like the spike income — but to be clear, my campaigns have varied in terms of financial success, as would be expected given they are all so different. My highest was Writing the Shadow at over £36,000 ($48,000), and my lowest was The Buried and the Drowned, a short story collection, at just under £8,000 ($10,700) — not a surprise at how different they are, given the audiences. Together my campaigns have now made £105,868 (just over $140,000), which I am very happy with. And of course, that's just the beginning, as then I put the books on my stores — JFPennBooks.com and CreativePennBooks.com — and on the usual platforms. A sustainable launch rhythm I still like the project approach — the short-term campaign focus — as I am good at sustaining marketing energy for a short period, and then I can drop off again. As I discussed with Sara Rosett last week as well, it feels sustainable for my career, unlike constant social media or ads. Lower-key marketing this time around I'm putting a lot less energy into marketing in general, relying on pre-launch signups over months of build-up as I talk about my writing process on the podcast, then emailing my lists, announcing it here, and scheduling some social media. It's pretty low-key these days, and that is a happy thing. However, for this campaign, I am planning to run some Meta ads direct to the campaign page, since I have Claude Code/Cowork to help me set them up and run them and crunch the data — and that takes the strain off considerably. More campaigns to come I will definitely be doing more Kickstarter campaigns, most likely a nonfiction one next. I am so glad I was able to get over my fears and do that first one, and I hope that encourages you to consider what might be possible for you and your book. So, if you'd like to check out my campaign for Bones of the Deep — even if you don't want the book, you can always model the sales page, or check out the book trailer — it's at JFPenn.com/bones. That link will go to the Kickstarter campaign from 20 April until early May 2026, and will then redirect. The post Kickstarter Tips for Authors: Rewards, Shipping, Marketing, and Lessons Learned first appeared on The Creative Penn.

When the Kiwis lose - Super Rugby wins!Queensland are the flavour of the week after bouncing back to snap their two-game losing streak and roll the defending champions while the Brumbies are on Infinity stone away from going going full Thanos gauntlet snap on the NZ sides.Meanwhile we've got wet weather Test footy to unpack following the Wallarooos wild Pac 4 opener against Canada and a long-awaited Zac Lomax debut as the Force fall agonisingly short in Fiji.Lachie's on his high horse, Mitch needs a roof for his house, we're a day late and more than a few bucks short.All that and more in this week's episode of the Scrumbags Rugby Podcast.Patreon - https://patreon.com/ScrumbagsRugbyWallaby Shop - https://wallaby.sjv.io/WyRyVGLinktree - https://linktr.ee/Scrumbags_rugbyInstagram - https://www.instagram.com/scrumbagsrugby/Twitter/X - @scrumbagsrugby Hosted on Acast. See acast.com/privacy for more information.

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Beneath the calm waters of Lake Lanier lies a drowned town and a history soaked in violence, loss, and unanswered questions. As the deaths continue to mount, many believe something beneath the surface was never meant to rest.The BOOKBY US A COFFEEJoin Sarah's new FACEBOOK GROUPSubscribe to our PATREONEMAIL us your storiesJoin us on INSTAGRAMJoin us on TWITTERJoin us on FACEBOOKVisit our WEBSITEResearch Links:https://allthatsinteresting.com/lake-lanierhttps://en.wikipedia.org/wiki/Lake_Lanierhttps://www.atlantahistorycenter.com/blog/forsyth-1912-a-timeline-of-the-forced-exile-of-black-residents-from-forsyth-county/https://www.gainesvilletimes.com/news/history/truth-behind-oscarville-once-prosperous-black-town-now-covered-lake-lanier/https://oxfordamerican.org/magazine/issue-113-summer-2021/the-haunting-of-lake-lanierhttps://www.reddit.com/r/mystery/comments/1ow7wc9/the_mysteries_of_lake_lanier/https://www.nps.gov/places/buford-dam-place.htmhttps://www.explore.com/1372425/lake-lanier-most-dangerous/https://www.theguardian.com/us-news/ng-interactive/2025/dec/23/lake-lanier-haunted-atlanta-georgiahttps://allthatsinteresting.com/lake-lanier-deathsThanks so much for listening, and we'll catch up with you again on Thursday.Sarah and Tobie xx"Spacial Winds," Kevin MacLeod (incompetech.com)Licenced under Creative Commons: By Attribution 4.0 Licencehttp://creativecommons.org/licenses/by/4.0/SURVEY Hosted on Acast. See acast.com/privacy for more information.

Brothers Tajuddin and Salahuddin Safi drowned while fishing off rocks near Doonbeg in County Clare yesterday. We hear from John Lannon, CEO of Limerick based migrant support group, Doras and Cllr Abul Kalam Azad Talukder, Fianna Fail Limerick City West. Our Midwest Corresspondent, Petula Martyn has the latest.

A vigil is taking place this afternoon in memory of two brothers who bodies were found off the west coast of Clare on Tuesday. The two victims, who were fishing in Pulleen Bay at an area known as the Blue Pool between Kilkee and Doonbeg, have been named locally as Tajuddin Safi, aged in his 30s, and Salahuddin Safi, who was in his 20s. The brothers are understood to have been from Afghanistan and lived in Limerick for the past decade. The alarm was raised at 2:15pm on Tuesday after both men were swept off the rocks and emergency services located the bodies at around 4pm. Post-mortem examinations are to be carried out at University Hospital Limerick. West Clare Councillor Rita McInerney is calling for more warning signage in the area.

Orlando La Brea and the Years of Torture! . . . YOU DON'T KNOW MOJACK is a podcast dedicated to exploring the entire SST catalogue, in order, from start to finish. During the podcast we will discuss all the releases that are part of our core DNA, as well as many lesser-known releases that deserve a second chance, or releases that we are discovering for the very first time (we actually don't know Mojack!). First and foremost we are fans, and acknowledge that we are not perfect and don't know everything – sometimes the discussion is more about a time, place, feeling, personal experience or random tangents, and less about the facts (but we will try to get to the facts too). Facebook: www.facebook.com/mojackpod/ Twitter: @mojackpod Instagram: www.instagram.com/mojackpod/ Blog: www.mojackpod.com/ Tumblr: www.tumblr.com/blog/mojackpod Theme Song: Shockflesh

Near-death experience guest 1772 is Derek Rydall who had a near death experience while diving in a coral reef. Disclosure: As an Amazon Associate I earn from qualifying purchases.Disclosure: As an Amazon Associate I earn from qualifying purchases.Derek's Book A Whole New Human: Ten Ways We Must Evolve to Survive and Thrive in the AI Age - https://amzn.to/4kLEwEX #adDerek's YouTube Channelhttps://www.youtube.com/user/TheLawOfEmergenceDerek's Websitehttps://derekrydall.com/CONTACT:Email: jeff@jeffmarapodcast.comAmazon Wish Listhttps://www.amazon.com/hz/wishlist/ls/1ATD4VIQTWYAN?ref_=wl_shareTo donate crypto:Bitcoin - bc1qk30j4n8xuusfcchyut5nef4wj3c263j4nw5wydDigibyte - DMsrBPRJqMaVG8CdKWZtSnqRzCU7t92khEShiba - 0x0ffE1bdA5B6E3e6e5DA6490eaafB7a6E97DF7dEeDoge - D8ZgwmXgCBs9MX9DAxshzNDXPzkUmxEfAVEth. - 0x0ffE1bdA5B6E3e6e5DA6490eaafB7a6E97DF7dEeXRP - rM6dp31r9HuCBDtjR4xB79U5KgnavCuwenWEBSITEwww.jeffmarapodcast.comNewsletterhttps://jeffmara2002.substack.com/?r=19wpqa&utm_campaign=pub-share-checklistSOCIALS:Instagram: https://www.instagram.com/jeffmarapodcast/Facebook: https://www.facebook.com/jeffmarapodcast/Twitter: https://www.twitter.com/jeffmaraP/The opinions of the guests may or may not reflect the opinions of the host.

-Nebrasketball rightfully so deserves the full attention of this fanbase, but the sports calendar shows us that this Saturday is the SpringGame. Even if Nebraska loses in the Sweet 16…what does that look like?-Sip plans on being in Houston for the Sweet 16 but would fly back for the Spring Game if they lose…what if they don't, though?Our Sponsors:* Check out BetterHelp: https://www.betterhelp.com* Check out Progressive: https://progressive.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kouri Richins is watching her story collapse in Utah. The friend who testified. The boyfriend. The housekeeper. The financial records.One by one, people are talking.This is Part 5 of The Perfect Wife — examining why the long con always ends.Denise Williams held hers together for seventeen years.Mike Williams disappeared December 2000. Duck hunting. Drowned, eaten by alligators.Denise collected $1.75 million in insurance. Five years later, she married Brian Winchester — Mike's best friend. The man who shot him.They raised Mike's daughter together. Built a life on top of what they'd done.Mike's mother Cheryl spent seventeen years fighting. Being called paranoid. Refusing to stop.She was right.Brian cracked in 2016. Divorce made the math simple: his survival mattered more than their secret. He confessed. Led investigators to Mike's body.Every perfect crime has witnesses. And witnesses talk when their survival is on the line.Kouri's foundation is cracking. The texts. The testimony. The financial records.The long con always ends. Not through brilliant detective work. Through human nature.People talk.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#KouriRichins #DeniseWilliams #MikeWilliams #TrueCrimeToday #LongCon #BrianWinchester #PerfectWife #TrueCrime2026 #TheUnraveling #AccompliceTalks

Kouri Richins is watching her story collapse. Every day in Utah, another witness. Another text. Another crack in the foundation.This is Part 5 of The Perfect Wife — examining why long cons always end. Not through brilliant investigation. Through simple math: eventually, someone's survival matters more than the secret.Denise Williams held hers together for seventeen years.Mike Williams disappeared December 2000. Duck hunting trip. Drowned, eaten by alligators — official story.Denise collected $1.75 million. Married Mike's best friend Brian Winchester five years later. The man who shot Mike and buried him.They raised Mike's daughter together. Built a normal life on top of what they'd done.Mike's mother Cheryl spent seventeen years being called paranoid. She kept fighting.She was right.Brian cracked in 2016. Divorce. Kidnapping charges. His survival mattered more. He confessed. Led them to Mike's body.Every long con requires silence forever. Forever is a very long time.Kouri's witnesses are talking now. The friend. The boyfriend. The housekeeper.They always do.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#KouriRichins #DeniseWilliams #MikeWilliams #HiddenKillers #LongCon #BrianWinchester #PerfectWife #TrueCrime #TheUnraveling #AccompliceTalks

In this episode of True Crime News The Sidebar Podcast: Matt Tympanick joins host Joshua Ritter to break down the biggest cases making headlines across the nation. They discuss Amish mom Ruth Miller's insanity defense after drowning her 4-year-old son, Kouri Richins' ongoing trial for the fatal poisoning of her husband, and Colin Gray's murder conviction after providing his troubled son with an AR 15-style weapon, despite warning signs of violence. Tweet your questions for future episodes to Joshua Ritter using the hashtag #TCNSidebar. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

An Ohio judge rules an Amish mother not guilty by reason of insanity after she drowned her four-year-old son and endangered the lives of her other children in a lake. Alabama plans to execute a seventy-five-year-old man in a wheelchair next week for a murder he did not commit—and one of the jurors who helped sentence him to death now says she wishes she could take that vote back. Drew Nelson reports.See omnystudio.com/listener for privacy information.

The family of a young boy who almost drowned gets to meet the 911 dispatcher who helped save his life. AND A Florida man was driving on a busy road when he suddenly stopped, saving toddlers from a busy street. To see videos and photos referenced in this episode, visit GodUpdates! https://www.godtube.com/blog/family-meets-911-dispatcher.html https://www.godtube.com/blog/saving-toddlers-from-busy-street.html Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

Sentenced to death for treason against his brother King Edward IV, George, Duke of Clarence was executed on 18th February, 1478 - and, according to legend, chose to be drowned in a butt of his favorite tipple: malmsey wine.  It was apt punishment for years of plotting against his brother alongside his father-in-law, the Earl of Warwick - most notably by claiming that the King's two children were illegitimate. In this episode, Arion, Rebecca and Olly reveal how close George came to actually seizing the throne; consider how Shakespeare sexed things up for ‘Richard III'; and investigate the financial outlay required if you wanted to drown yourself in a butt of malmsey wine in 2022… Further Reading: • ‘Duke of Clarence: A title through time' (The History Press): https://www.thehistorypress.co.uk/articles/duke-of-clarence-a-title-through-time/ • ‘Malmsey - Madeira Wine and Dine': https://www.madeirawineanddine.com/malmsey/ • ‘On This Day: the execution of George, Duke of Clarence' (Matt Lewis, 2020): https://www.youtube.com/watch?v=3teyJXLduCM Love the show? Support us!  Join 

Lake Lanier looks like the perfect summer escape—but beneath the surface, something is very, very wrong. In this episode, we revisit one of the most haunted and deadly lakes in America, where swimmers report invisible hands pulling them under, boats flip without warning, and an entire town sits frozen beneath the water.  We first covered Lake Lanier nearly five years ago, focusing on the paranormal—but we missed something crucial. In this episode, we're correcting that by diving into the erased history of Oscarville, a thriving Black community violently displaced and later buried beneath the lake.  Watch the video version here. New Episodes are released every Thursday and Sunday at 12am PST/3am EST (the witching hour, of course). Corinne and Sabrina hand select a couple of paranormal encounters from our inbox to read in each episode, from demons, to cryptids, to aliens, to creepy kids... the list goes on and on. If you have a story of your own that you'd like us to share on an upcoming episode, we invite you to email them to us!  If you enjoy our show, please consider joining our Patreon, rating and reviewing on iTunes & Spotify and following us on social media! Youtube, Instagram, TikTok, Facebook, and Discord. Edited by Jaimi Ryan and produced by Emma Leventer and Jaimi Ryan, original music by Arms Akimbo! Disclaimer: the use of white sage and smudging is a closed practice. If you're looking to cleanse your space, here are some great alternatives! Learn more about your ad choices. Visit podcastchoices.com/adchoices

“Left by the Tide” first appeared in Weird Tales, March 1929 “Sirens Chasing Sirens” first appeared in The Gateway Review back in 2018 “Dread and Faith” was originally published in February 2025 in Blood Lust from Black Hare Press The Go-Between by LP Hartley Forteana Jim Kristofic novels Coyote Stranger The Sundown Killers From the author of “Sirens Chasing… Source

Joey Diaz and Le Syatt are joined by Becky comedy to talk about Lee's wedding and it's questionable food options, what comprimising means to Joey after 25 years married, and the unbelieveably true story of how Joey nearly died last week while visiting Miami.  SHOW NOTES Live Better Longer with BUBS Naturals. For a limited time, get 20% off your entire order with code CHURCH at http://Bubsnaturals.com If you're 21 or older, get 25% OFF your first order + free shipping @ IndaCloud with code CHURCH at https://inda.shop/CHURCH #indacloudpod Take advantage of Ridge's Biggest Sale of the Year & GET UP TO 47% OFF by going to https://www.Ridge.com/CHURCH #Ridgepod #sponsored #ad

0:00 Intro 0:06 Family 3:28 Fired 8:25 Bury the hatchet 12:01 Killings Learn more about your ad choices. Visit megaphone.fm/adchoices