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4 episodes with Kuroneko
2 episodes with Kuroneko
2 episodes with Kuroneko
2 episodes with Kuroneko
2 episodes with Kuroneko
2 episodes with Kuroneko
2 episodes with Kuroneko
2 episodes with Kuroneko
2 episodes with Kuroneko
Send us a textWoHos!Mom's pick for K-Horror this time is EXHUMA, the wildly successful film from last year.From IMDb: The process of excavating an ominous grave unleashes dreadful consequences buried underneath.Mom & Mac Chat:Rounding down, rounding up, how pets measure the importance of things, Mac's noisy body, finding the activities that feel good, having things explained in a way we can hear, Mac's words of wisdom.Coming up on the main show: Mac's next J-Horror pick: KURONEKO.To finish our series, we are planning to look at: KWAIDAN, HORROR STORIES, CURE, and THE MIMIC.Next up on the Quinnisode: THE HERETIC & THE FIRST OMEN.Thanks for listening, WoHos! And if you know anything about the liver in relation to EXHUMA, please get in touch! Remember, we love you and DON'T go into the basement!! Gerry Entriken: WoHo Outro ThemeSupport the showOpening Theme "Bucket" by Gerry EntrikenClosing Theme "Mop" by Gerry Entriken Interstitial Musicalso by Gerry Entriken. We love you, Gerry!Subscribe to the Podcast for a Special shout-out!World of Horror's InstagramMom's InstagramMac's InstagramDonate to Translifeline
Send us a textWoHos!This was an episode that took forever to record and forever and a day to get released, but it is finally here!Mac chose ONIBABA from 1964 for his first J-Horror film. for our "Fall" series (which will now be a Winter series). If you haven't had a chance to see this Kaneto Shindo classic, do yourself a favor!In Mom & Mac chat (from early November), we discuss:Sweating, vacuum attachments, exercising regularly, going to the doctor while trans, going to the doctor while an Onibaba, and being an ex-problem drinker at the holidays.Coming up on the pod:Chrissy Champagne from Residue, a True Crime Podcast will join us to discuss HELLO, MARY LOU: PROM NIGHT 2, EXHUMA for our next K-Horror pick, and Quinn will join the pod to discuss LADY IN A CAGE.Be careful out there! Thank you for another great year of support. It means the World of Horror™ to us, truly!I discussed another Kaneto Shindo film, KURONEKO, on Episode 70.We love you, WoHos! DON'T go into the basement! Gerry Entriken: WoHo Outro ThemeSupport the showOpening Theme "Bucket" by Gerry EntrikenClosing Theme "Mop" by Gerry Entriken Interstitial Musicalso by Gerry Entriken. We love you, Gerry!Subscribe to the Podcast for a Special shout-out!World of Horror's InstagramMom's InstagramMac's InstagramDonate to Translifeline
THIS WEEK: Onibaba (1964) and Kuroneko (1968)For the final episode of Shawntober 2024, we expose Mr. Glinis to the gorgeous Japanese folk horror of Kaneto Shindo.Donate to Palestinian Medical Aid Support Optimism Vaccine on Patreon
Für die spooky Jahreszeit haben wir auch einen spooky Film herausgesucht. In "KURONEKO" von 1968 haben wir es mit einer Geistergeschichte zu tun, bei der zwei Damen, denen unaussprechliches angetan wurde als Katzenfrauen zurückkehren und sich rächen. Wie sehr dieses Noir-Samurai-Märchen Philip und Chris gefällt erfahrt ihr in der Folge. #Kuroneko #Metamorphober Besucht uns auf unseren Socials https://linktr.ee/dinosdaemonendoktoren und vergesst nicht unsere Community-Frage zu beantworten: "Bei welchem Film würdet ihr euch wünschen, dass auf 10 Minuten Dialog verzichtet worden wäre?" Kuroneko OST by Hikaru Hayashi
In this haunting episode of Drive-In Double Feature Podcast, hosts Nathan and Ryan delve into the eerie beauty of the Japanese horror classic Kuroneko (1968). Directed by Kaneto Shindo, Kuroneko weaves a chilling tale of vengeance, supernatural forces, and the human condition against the backdrop of feudal Japan. The hosts discuss the film's atmospheric cinematography, its haunting depiction of folklore, and how it blends horror with social commentary. Join Nathan and Ryan as they navigate through the shadows of this underappreciated gem and uncover why Kuroneko remains a standout in the realm of horror cinema.
Heidi and Pauly return with another packed episode of The Shonen Shojo Sho Show! Heidi starts things off with shoutouts to their sponsors, reminding listeners to get 15% off at @geekrenaissance with the promo code SSSSPOD, and gives a nod to Producer Evan Mack's YouTube channel.They also rave about Maruichi Food and Deli in Stamford, CT, wishing it was an official sponsor, and talk about Megan Thee Stallion's new song with RM and Neva Play.Heidi catches us up on her recent NYC trips and announces she's heading back in two weeks for NYCC, where she'll have a Blue Lock press badge.In the What We're Watching segment, Heidi shares her journey catching up on My Hero Academia and how rewatching episode one of Attack on Titan reminded her why it first grabbed her attention. Meanwhile, Pauly talks about watching From on MGM plus (not anime) and getting excited for the fall lineup.The duo also dives into their favorite side characters:- Heidi's picks: Yoruichi from Bleach, all the side characters from My Hero Academia, and the brother of the female lead in Kiss Him, Not MePauly's picks: Excalibur from Soul Eater and Kuroneko from TrigunFinally, in Anime News, they discuss the new KFC anime collaboration that turns Colonel Sanders into a bishonen for a special partnership with Genshin Impact.Check out the full story here: https://www.cbr.com/kfc-anime-colonel-sanders-genshin-impact-collaboration/.Tune in for all the latest anime updates, personal adventures, and fun character discussions!Become a supporter of this podcast: https://www.spreaker.com/podcast/the-shonen-shojo-shoshow-podcast--6091842/support.
Tomas slår sig ner hemma hos Johannes Johansson i Varberg för att utsätta honom för ett nytt programformat kallat Årtalet. Johannes presenterar den lysande bakgrunden till varför han valt just året 1968 och Tomas lägger till ett stämningssättande kluster av trivia från detsamma. Allt för att komma i rätt stämning. Och för att fördjupa sin kunskap har de båda samtalarna valt varsin film de inte sett tidigare och som av en slump blev det japanskt i båda fallen, nämligen: Kuroneko och Yokai Monsters: 100 Monsters. Vi pratar också bland annat om: Novums videoessäer, Midsommar, Alien, Rosemary's Baby, nyandlighet, oavsiktligt feministisk skräckfilm, sekularisering, den ockulta skräckfilmens utvecklingsbågar, studentprotester, Night of the Living Dead, George Romero, zombies, likätare, Vietnamkriget, medborgarrättsrörelsen, Black Power, Jordan Peeles favoritskräckis, Whistle and I´ll Come to You, MR James, The Devil Rides Out, Christopher Lee, satanister, hippies, Dennis Wheatley, Roger Corman, AIP, Hammer Horror, Witchfinder General, Michael Reeves, socialism, Vargtimmen, Ingmar Bergman, vampyrer, Onibaba, Kwaidan, kabuki, konfliktytor, klass, spökerier, folk horror, monsterkattfilm, bakeneko, yokai, onryō, yūrei, Ringu, Ju-On: The Grudge, skräckfilmen som spegel av sin samtid, genombrottet för eller eventuellt rörelsen mot den moderna skräckfilmen, men alltså framförallt skräckfilmsåret 1968 i allmänhet och Kaneto Shindōs guldrulle Kuroneko i synnerhet. Mycket nöje!
Erin and Paul review two films about animal-assisted revenge from beyond the grave: Alex Proyas' 1994 mall-goth fave THE CROW, and Kaneto Shindo's eerie 1968 ghost story KURONEKO.
This episode isn't a hoax or a prank, it's just a regular Recommend or Refute episode. Why would we open with that? Well, when John brings Thank You Very Much (2023), a biographical documentary about Andy Kaufman, we feel obligated to emphasize that we aren't trying to fool anyone with the rest of our picks. Sure, Ryan did bring something called Spy x Family: Code White (2024), and that reads like a math problem, but we assure you its very real and so is his take on the feature. Meanwhile, Dixon is keeping it Criterion by telling us about the spirits and curses brought upon samurai by their misdeeds in Kaneto Shindo's Kuroneko (1968). Join us for another fun roundtable discussion and don't forget to submit your own recommend or refutes to us via our social handles or on Discord.Find more info at https://theafterpod.transistor.fm
Hello and welcome listeners to Episode 237 of Journey with a Cinephile: A Horror Movie Podcast. In this episode, your tour guide, David Garrett Jr., continues with his Foray through the Fours, #7. The two Featured Reviews are Infested (2023) and The Ghost Walks (1934). These are two movies that take place in old, rundown places. The Infested, which is getting its wide release in 2024 is in an rundown apartment building and The Ghost Walks is an old, dark house film. Also on this episode are Mini-Reviews of Black Cat aka Kuroneko (1968), The Cook, the Thief, His Wife & Her Lover (1989), Children of the Corn (1984), a couple of documentaries in The 50 Worst Movies Ever Made (2004) and Killer Legends (2014). I hope you enjoy coming on this journey with me! Time Codes: Intro: 0:00 - 2:47 Mini-Reviews: 2:53 - 23:08 Infested Trailer: 23:08 - 24:32 Infested Review: 24:32 - 35:27 The Ghost Walks Trailer: 35:27 - 37:19 The Ghost Walks Review: 37:19 - 44:59 Outro: 45:05 - 48:10 Social Media: Email: journeywithacinephile@gmail.com Reviews of the Dead Link: https://horrorreview.webnode.com/ Facebook: https://www.facebook.com/dgarrettjr Twitter: https://www.twitter.com/buckeyefrommich Letterboxd: https://letterboxd.com/davidosu/ Instagram: davidosu87 Threads: davidosu87 Journey with a Cinephile Instagram: journeywithacinephile The Night Club Discord: Journey with a Cinephile
In this episode, we return to the 1960s to discuss the history of horror and the influential films of the decade but this time we have broadened our scope to include international films - hence the part 2. We will do a mini recap of major historical events of the 1960s and where horror was at with experimental films like Psycho (1960), Peeping Tom (1960) and Blood Feast (1963) shocking audiences leading to the rebirth of zombies with Night of the Living Dead (1968). Then we will leave North America to talk about what horror was doing in countries like Japan, France and Great Britain with the films Kuroneko (1968), Eyes Without a Face (1962) and Horror of Dracula (1958). Enjoy and welcome to our dark side… *Note: We are aware that Horror of Dracula was released in 1958, however, we have included this film in the 1960s as it was a film that signaled the rise of Hammer Horror in the UK in the 1960s leading into the 1970s* Intro/Outro Music: Kiss of the Creature by Dance with the Dead Artwork by: Jess Hrycyk Editing work by: Jessica
The creatures are back in Japan for the Gothic B&W classic Kuroneko. They discuss the term "Lynchian", touch on the Oscars and hash out editing techniques across cultures. cw: SA
Zach and Rashmi wind down a spooky path or revenge as they take a closer look at Kaneto Shindo's 1968Continue readingKowai- Chapter 7: Kuroneko (1968)
Zach and Rashmi wind down a spooky path or revenge as they take a closer look at Kaneto Shindo's 1968 tale, KURONEKO. Tune in for a thrilling discussion that analyzes the haunting detail and the inspired visual flourish that brings this tragedy of trauma into the pantheon of horror film and how Shindo's use of silence creates a chill down your cinematic spine
It's time for one of those huge episodes. Well, it's a three parter anyways. 1968 was a ground breaking year for horror movies, well, as far as the big hitter films are concerned anyways. The highs are really high & the lows are few & far between. But, what do I think was the very greatest horror movie that came out during 1968? Well, here we have the top 10. The worst 10. A slew of also rans. Some awesome mates. Some special guests. Several pints of beer and over 5 hours of running time split over 4 episodes. This is 1968, A Year In Horror.0.00 - Introduction13.31 - The Worst 10 Horror Movies from 196821.54 - Kuroneko27.24 - Seeds33.03 - Twisted Nerve38.53 - Also Rans48.34 - Dracula Has Risen From The Grave54.57 - The Boston Strangler
Byrd and Matt discuss Daiei's 1962 period monster movie, The Whale God (aka The Killer Whale). Directed by Tokuzo Tanaka (Zatoichi series), with a script written by Kaneto Shindo (Onibaba, Kuroneko) based on the novel by Koichiro Uno, it tells the story of a whaling village in the early Meiji period being terrorized by a gigantic whale. Two men, Shaki (Kojiro Hongo of the Gamera films) and Kishu (Shintaro Katsu of the Zatoichi films) to compete to be the one to kill the whale. For decades, this film was obscure to American audiences, but it just saw its first blu-ray release stateside. We'll give our review, as well as talk about whaling in Japanese culture, the awesome Akira Ifukube score, the themes of forgiveness and obsession, the influence of Moby Dick, and more! But first we have a news roundup with our thoughts on the new Godzilla x Kong trailer, Godzilla Minus One's Oscar nomination, and the passing of suit actor Ken Satsuma. Relax and enjoy the show!
Years after watching the fantastic Onibaba, we once again get an atmospheric horror film from Kaneto Shindo with Kuroneko (1968). Shindo continues to impress with this tale of feline and feminine justice. I just wish we didn't have to wait so long for his next film in the collection.
Bom dia, cinéfilos!Estamos de volta com mais um japaneiro. Durante o mês de janeiro, nossos episódios vão ser voltados ao cinema japonês, e começando o mês, vamos falar de filmes de terror japoneses, em especial, filmes de terror japoneses com gatos fantasmas (bakeneko) com dois filmes: Black Cat Mansion, de 1958 e Gato Preto (Kuroneko) de 1968.Siga no Daniel no twitter:https://twitter.com/zonanordicoNo Instagram: https://www.instagram.com/danieldebatin/e na Twitch: https://www.twitch.tv/zonanordicoE siga o João no twitter: https://twitter.com/Joao_Neto93e no Instagram: https://www.instagram.com/_joao_neto_/E siga a página do Cineratus no Instagram: https://www.instagram.com/cineratus/
On this episode of I Am The Wiz, Wiz reviews the 1968 Japanese horror film Kuroneko directed by Kaneto Shindo.
On today's episode I briefly discuss Kuroneko, a Japanese Horror film from the late 60's.
With Matt on an extended hiatus, Byrd brings in Lux, Tom and Kevin to ring in our annual October horror series of podcasts by talking about Kaneto Shindo's folk-horror classic, Kuroneko! Set in feudal Japan, it tells the story of a mother and her daughter in law who are raped and murdered by a troop of samurai. The two come back as ferocious bakeneko (ghost cat) yokai by making a deal with the underworld to kill all samurai. Things get complicated when the husband/son-in law of the pair returns home as a samurai. Combining atmospheric black and white photography and influences from Japanese theater, Kuroneko has become one of the celebrated horror films of its time. So how does it hold up? Listen and find out!
#821 (mercredi 20 septembre 2023) XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX Vedette : LEWSBERG – Out and About (Lewsberg Record / Kuroneko Distribution) XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX LEWSBERG – Out and About (Lewsberg Record / Kuroneko Distribution) - An Ear To The Chest BUCK MEEK (4 AD) - Haunted Mountain – Haunted Mountain The UNDERGROUND YOUTH (Fuzz Club) - Nostalgia's Glass – I Thought I Understood NATION OF LANGUAGE (PIAS) Strange Disciple - Weak in your light BAR ITALIA (Matador Records)The Twits - My little Tony DANGERHOUSE : Nasser BOUZIKA (Spinout Nuggets) - Cookin' At The Organ - Belladonna PSYCHOTIC YOUTH (Redwest Production) Happy Songs – Can't This Be The One LEWSBERG (Lewsberg Record / Kuroneko Distribution) – Out and About - Angle Of Reflection LEWSBERG (Lewsberg Record / Kuroneko Distribution) – Out and About - Out For Milk bingO (chronique) TEENAGE FANCLUB ((PeMa, 22/09/2023) - Nothing lasts forever - See the light Julii SHARP (Only Lovers Records, 22/09/23) - Toucan (EP) - Magic in town Be Own your PET (Third Man Records) - Mummy – Hand Grenade MODEL/ACTRIZ (True Panther) - Dogsbody – Slate LEWSBERG (Lewsberg Record / Kuroneko Distribution) – Out and About - Debbie
Welcome back to Queerdo Babes From the Horror Pod-O-Rama with its goofy but excited host, Murphy. Today is a solo episode on the topic of Cats in Horror as a small tribute to my late beloved pet, Rosie. I was not as diligent with my sources as I didn't dig too much into different theories for this episode, so my apologies. I hope you all enjoy this episode and check out some of the films mentioned. thank you for listening Contains spoilers and mentions of: Cat People 1942, Tales of Terror (1962 The Black Cat segment), Kuroneko 1968, Housu 1977, The Uncanny 1977, Pet Semetary 1989, and Sleepwalkers 1992. Follow us on instagram @QueerdoBabesPodorama or email us at WeAreTheQueerdos@gmail.com Artwork by @otaconnor Intro/outro music is The Spook Returns by ROADTOMUSIC
This week Jim and Tristan talk about two of the best J-Horror movies from the 60's. Kaneto Shindo's Onibaba and Kuroneko. Two movies about women killing samurai. Some might be cat ghosts! They're kinda scary? They definitely look amazing. If you're at all interested in watching them then please do before enjoying this episode as there are major spoilers for both movies. We warned you! Take care out there don't go wandering into any tall fields of grass or bamboo forests.
Uma volta ao mundo através do cinema de gênero. Iremos ver que não são apenas países Anglófonos que produzem o Folk Horror assim como já se era produzido antes ainda em outros países. Nesta volta ao mundo veremos como este "gênero" se caracteriza em cada país e região e começamos esta viagem pela Ásia. Lista de Filmes no Letterboxd : Japão : Ugetsu Monogatari, Onibaba, Kawidan, Kuroneko; Coréia: O lamento; Indonésia: Impetigore; Referências: Ozu, Mizoguchi, Kurosawa: o Cinema Japonês dos anos cinquenta - José Carlos Targino Procedimentos realistas em Mizoguchi - Almir Rosa Paganismo: Uma introdução da religião centrada na terra - Joyce e River Higginbothan. Quer entrar em contato com o podcast ? Mande sugestões, elogios, relatos e o que mais quiser >> Instagram - https://www.instagram.com/gatopolvo/ E-mail - podcast.gatopolvo@gmail.com
In Episode 26: Feline Fury, Jen and Nilo are joined by cat/horror experts Morgan Woolsey and Ben Raphael Sher to discuss what happens when good cats go bad! (Spoiler: they don't. All Cats Are Beautiful.) We share an irl story of a family (supposedly) terrorized by a housecat before spending the majority of the episode digging into a range of cat horror films, including Strays, The Uncanny, Eye of the Cat, and Hausu, with brief references to Kuroneko, Uninvited, Demonia, Devil Story, Let the Right One In, The Black Cat, and more. For more from Ben and Morgan, you can find them on IG - @benraphaelsher and @quellehorror, respectively. Sources: https://www.nydailynews.com/news/national/calif-house-cat-sends-3-people-hospital-article-1.1762652 https://meowtel.com/blog/post/how-to-handle-and-prevent-a-cat-attack Musical snippet from “The Dreadful Story about Harriet and the Matches” by The Tiger Lillies
In this episode we discuss two films. Kuroneko and the Cat People remake from 1981. Let us know what you guys think. Link is below for all our social media. https://linktr.ee/silverscreenvideo Thanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast or Twitter @SilverVideo --- Send in a voice message: https://anchor.fm/silverscreenvideo/message Support this podcast: https://anchor.fm/silverscreenvideo/support
Adam and Zands discuss Kaneto Shindo's 1968 ghost story, Kuroneko. The story of two women brutalized and murdered by samurai who are resurrected as cat-ghosts to take bloody revenge. They discuss the movie's gender politics, its art-house feeling, its critique of toxic masculinity, the fraternity culture of the military and rape/revenge films in general. CW: for graphic sexual assault. Viewer/listener discretion is advised on this one. Zands' Rating: 4.5/5 Adam's Rating: 4/5 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/adam-venrick/message Support this podcast: https://anchor.fm/adam-venrick/support
Welcome back to more horrific Samhain spookiness! Our doubling up of episodes for spooky season consists of four Japanese horror movies, as recommended by Jody. Earlier this week you heard us discuss Ugetsu and now it is time for Kuroneko from 1968! Pour a pint or maybe some sake and enjoy! Next week's episode is about the first of the Cornetto trilogy, Shaun of the Dead. Get in touch with us at Podbean: https://www.podbean.com/media/share/pb-4pksr-a17e1a Or on Facebook: https://www.facebook.com/twinterrorsmacabremanormeadmetalmayhe/ Or on twitter: @Terrors_Manor On Instagram: @macabremanormeadmetalmayhem You can also find our podcast on iTunes, Spotify, Amazon, and I Heart Radio; pretty much wherever fine (and our) podcasts are aired. Image courtesy of:
Welcome back to spooky season at the Manor! For this week's special episode, we talk about Ugetsu, the 1958 Japanese horror movie. You'll see this year that Jody wanted to get into some Japanese horror flicks and this is the first! Enjoy some spookiness from the land of the rising sun! Next week's episode is on Kuroneko, the Japanese horror film from 1968. Get in touch with us at Podbean: https://www.podbean.com/media/share/pb-4pksr-a17e1a Or on Facebook: https://www.facebook.com/twinterrorsmacabremanormeadmetalmayhe/ Or on twitter: @Terrors_Manor On Instagram: @macabremanormeadmetalmayhem You can also find our podcast on iTunes, Spotify, Amazon, and I Heart Radio; pretty much wherever fine (and our) podcasts are aired. Image courtesy of:
Anime Was (Not) A Mistake continues Animasterpiece Theater with the second on the bill of Kaneto Shindo's folk horror films. In Kuroneko (1968) malevolent spirits seek revenge and lap up milk in this feline furor. After being wronged by greedy samurai, the age old trope of cats having nine lives comes front and center. What wrongs would you put up with to be with the ones you love, long since thought dead and gone? Be weary when stumbling through the bamboo grove at night, that meowing you may hear may lead you to your doom... Rate, Review, Subscribe, and Listen to Us on Podbean/iTunes/Stitcher/Spotify Follow us on Instagram:@animewasnotamistakepodcast Or on Facebook:@animewasnotamistakepod Music Provided by: “Quizás, quizás, quizás” & “Te Quiero Dijiste (Magic is Moonlight)” – Nat King Cole – In the Mood for Love Original Motion Picture Soundtrack “California Dreamin'” – The Mamas & The Papas – Chungking Express Original Motion Picture Soundtrack
This week I look at two stories of revenge. THE QUEEN OF THE MAGIC (1981) from Indonesia and KURONEKO / THE BLACK CAT (1968) from JapanContent warning: RapeShoutouts to Niina Doherty's essay on THE QUEEN OF BLACK MAGIC. You can read that here.Thanks to Dismembering Horror Episode 158--September 2021https://www.dismemberinghorror.com/Episode 158 on SpotifyThanks to The Criterion Correction Episode 79--October 2017Thanks to Hank of The Pillbox Movies--My Wife is a Cat Demon: Let's Watch Kuronkeo: October 2021WoHos! Have you told a friend about us today? We sure wish you would! If you have a moment, please leave us a rating and if you have two moments, a review at iTunes or Spotify.Please get in touch!https://linktr.ee/WorldofHorror
WoHos!I couldn't wait. I kind of had to do this one to get it out of my head.Trigger warning, this mini involves discussion of a rapist and serial killer.10 RILLINGTON PLACE was not on my radar, but it got under my skin and I am so glad I gave it a chance. Have you seen it? WoHos! Get in touch!
Bustin' makes us feel good, and Kuroneko makes us feel even better, because Zed Cutsinger is here to pitch it as the best horror movie ever made! We're talking about the way this Japanese classic influenced everything from Ju-on to The Crow, protesting the French government, if ghosts have to deal with entrapment laws and much more!! Don't miss out! From the updates department: I have read Galapagos and Breakfast of Champions and Cats Cradle to boot. All bangers! Check out the BLHHiP Patreon to get all kinds of bonus episodes PLUS A 15% OFF COUPON for the BLHHiP poster! Speaking of which - The BLHHiP poster! It's rad as heck. Check them out here but please note this is a limited run, especially for the Intermediate and Reds variants.
Tradición anual, nuestro ep. de Halloween, esta vez hablamos de KURONEKO 藪の中の黒猫 (1968) MIDNIGHT MEAT TRAIN (2008) y LORDS OF SALEM (2013). Elige tu propia muerte.
We conclude our horror month as we look at Kaneto Shindo's Kuroneko. Become a Patron: www.patreon.com/thenerdcorps Visit our website! www.thenerdcorps.com We have merch! Support the nerds by buying a piece of merch! https://teespring.com/stores/the-nerd-corps Join our official Facebook group for nerd discussions! www.facebook.com/groups/thenerdcorps Follow us on Twitter! www.twitter.com/thenerdcorps_ Follow us on Instagram! www.instagram.com/thenerdcorps Logo done by Alex Almeida, follow her to see her work www.twitter.com/Zans_Zone Intro by Nikki SilentUschi, email her for business inquiries at silentuschi@gmail.com Theme music by https://moamanofaction.bandcamp.com/album/fall-sampler https://www.twitter.com/circuitbird --- Support this podcast: https://anchor.fm/thenerdcorps/support
En este episodio, hablamos de 5 películas de terror japonesas de los '60 (SPOILERS para todas): Kwaidan (1964), Kuroneko (1968), Onibaba (1964), The Blind Beast (1969), y The Face of Another (1966). La recomendación de Eugenia para el próximo episodio es: Spring, Summer, Fall, Winter... and Spring (2003)
Frame Fatale es un podcast sobre películas no canónicas conducido por Sebastián De Caro y Santiago Calori. En este trigésimo episodio, nos ocupamos de House (Hausu, 1977) de Nobuhiko Obayashi y, como nos suele ocurrir, hablamos de esa, pero terminamos hablando de todas estas otras: El ciudadano (Citizen Kane, 1941) de Orson Welles, Blade Runner (1982) de Ridley Scott, Violent Cop (XX) de Takeshi Kitano, Claudia (2019) de Sebastián De Caro, Tiburón (Jaws, 1975) de Steven Spielberg, Los sospechosos de siempre (The Usual Suspects, 1995) de Bryan Singer, House: la casa del miedo (House, 1985) de Steve Miner, Mil gritos tiene la noche (1982) de Juan Piquer Simón, El gato negro (Kuroneko, 1968), El padrino (The Godfather, 1972) de Francis Ford Coppola, Mujeres al borde de un ataque de nervios (1988) de Pedro Almodóvar, Suicide Club (Jisatsu sâkuru, 2001) de Sion Sono, Linda Linda Linda (2005) de Nobuhiro Yamashita, Noche alucinante (Evil Dead II, 1987) y El ejercito de las tinieblas (Army of Darkness, 1992) de Sam Raimi, Forbidden Zone (1980) de Richard Elfman, Polyester (1981), Desperate Living (1977), Cry-Baby (1990), Hairspray (1988), Serial Mom (1994), Pecker (1998), Cecil B. Demented (2000), Pink Flamingos (1972) de John Waters, The Vast of Night (2019) de Andrew Patterson, Mad Max: furia en la camino (Mad Max: Fury Road, 2015) de George Miller, The Empty Man (2020) de David Prior, Midsommar: el terror no espera la noche (Midsommar, 2019) y El legado del diablo (Hereditary, 2018) de Ari Aster, La bruja (The VVitch, 2015) de David Eggers, Kick-Ass (2010) de Matthew Vaughn, Fitzcarraldo (1982) de Werner Herzog, Stalker: la zona (Stalker, 1979) de Andrei Tarkovsky, Una mujer poseída (Possession, 1981) de Andrej Zulawski, Esperando la carroza (1985) de Alejandro Doria, La infancia de Iván (Ivanovo detstvo, 1962) de Andrei Tarkovsky, Héroe (Ying xiong, 2002) de Zhang Yimou, El tigre y el dragón (Wo hu cang long, 2000) de Ang Lee, La fiesta de Babette (Babettes gæstebud, 1987) de Gabriel Axel, La cámara 36 de Shaolín (Shao Lin san shi liu fang, 1978) de Chia-Liang Liu y El maestro borrachón (Zui Quan, 1978) de Yuen Woo-ping... ... por si justo te dio paja anotar, y hasta nos dignamos a contestar preguntas de lxs oyentes. Podés comentar este episodio o agregar una pregunta que nada que ver usando el hashtag #FrameFatale en Twitter. Frame Fatale volverá el lunes que viene. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia que de todas maneras, ya explicamos varias veces, es lo menos importante.
“The Black Cat in the Bamboo Grove,” or as we know it, “Kuroneko,” is another entry in films we've covered by “Onibaba” director Kaneto Shindo, and so far he's two for two! A beautiful and tragic love story set in a dreamlike feudal Japan only scratches the surface of the many themes swirling around this folktale-based story. Incredibly photographed in black and white, “Kuroneko” was and will remain high on the list for both Tim and Ryan who rated it a “rent” and a “buy” respectively. If you are in any way a fan of cinema (which we gotta assume you are), this one should not be missed. Where we watched: The Criterion Channel Kuroneko (1968) Written and Directed by Kaneto Shindo RecommenDEADtions: Valerian and the City of a Thousand Planets / Castle Rock - season 2 (TV show) Next week's film: The Last Man On Earth (1964)
Back to 1957 with the first installment in Hammer Horror's Frankenstein series starring none other than the incomparable Peter Cushing! And although it has it's limitations, there was still plenty for the guys to enjoy. Who doesn't love a fresh take on a classic anyway? In color no less! This one was a fan favorite as well, making a ton at the box office and ushering in 6 more films in the series. Ryan and Tim gave it a kind of middling rating with a "rent" and a "stream" respectively, but don't let that keep you from checking this one out! Where we watched: HBOMax The Curse of Frankenstein (1957) Directed by Terence Fisher Written by Jimmy Sangster RecommenDEADtions: Frankenhooker / What If... Next week's film: Kuroneko (1968)
Frame Fatale es un podcast sobre películas no canónicas conducido por Sebastián De Caro y Santiago Calori. En este vigésimo cuarto episodio, nos ocupamos de El gato negro (Kuroneko, 1968) de Kaneto Shindō y, como nos suele ocurrir, hablamos de esa, pero terminamos hablando de todas estas otras: Humo de marihuana (1968) de Lucas Demare, La llamada (Ringu, 1998) y Dark Water (Honogurai mizu no soko kara, 2002) de Hideo Nakata, Battle Royale (Batoru rowaiaru, 2000) de Kinji Fukasaku, Godzilla (Kaijû-ô Gojira, 1956) de Ishirô Honda, El francotirador (The Deer Hunter, 1978) de Michael Cimino, I Spit on Your Grave (1978) de Meir Zarchi, El bebé de Rosemary (Rosemary's Baby, 1968) de Roman Polanski, Busco mi destino (Easy Rider, 1969) de Dennis Hopper, Onibaba (1964) de Kaneto Shindô, Weekend (1967) de Jean-Luc Godard, La noche de los muertos vivientes (Night of the Living Dead, 1968) de George A. Romero, Dumplings (Gau ji, 2004) de Fruit Chan, Audition (Ôdishon, 1999) de Miike Takashi, La novia del cabello blanco (Bak fat moh lui zyun, 1993) de Ronny Yu, Carretera perdida (Lost Highway, 1997) de David Lynch, Leyenda urbana (Urban Legend, 1998) y Día de venganza (Valentine, 2001) de Jamie Blanks, Destino final 2 (Final Destination 2, 2003) de David R. Ellis, Juego sucio (Foul Play, 1978) de Colin Higgins, Whisky (2004) de Juan Pablo Rebella y Pablo Stoll, Celular (Cellular, 2004) y Terror a bordo (Snakes on a Plane, 2006) de David R. Ellis, La llamada (The Ring, 2002) de Gore Verbinski, Housu (Hausu, 1977) de Nobuhiko Ôbayashi, House, la casa del miedo (House, 1986) de Steve Miner, Jauja (2014) de Lisandro Alonso, El loco de la motosierra (The Texas Chain Saw Massacre, 1974) de Tobe Hooper, La bruja (The VVitch, 2015) de David Eggers y La cura siniestra (A Cure for Wellness, 2016) de Gore Verbinski... ... por si justo te dio paja anotar y hasta nos dignamos a contestar preguntas de lxs oyentes. Podés comentar este episodio o agregar una pregunta usando el hashtag #FrameFatale en Twitter. Frame Fatale volverá el lunes que viene. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia que de todas maneras, ya explicamos varias veces, es lo menos importante.
The hosts of the Otaku Spirit Animecast are here to give the rundown on anime news of today. Listen in and get caught up, or just get their take on each piece of news! Topics this episode: Anime Tube, Amazon gets Evangelion, Words Bubble Up Like Soda Pop on Netflix, Demon Girl Next Door 2nd Season, Oreimo spinoff Manga, Mari Okada's new film with Mappa, Chainsaw Man, Eleven Arts get Gintama Film, Lucasfilm works with Anime studios on Star Wars Shorts, Vinland Saga 2, Rising of the Shield Hero delay, GKIDS license Future Boy Conan, OLED Nintendo Switch, and much more! Thanks to spihC nocaB (Bacon Chips) for the great questions featured in this episode! The opening music for this episode is the OP for Tokyo Ravens called “X-encounter” by Maon Kurosaki. The closing music for this episode is the ED for School-Live called “Harmonize Clover” by Maon Kurosaki.
Christian and Ian reaffirm this is a pro-black cat podcast. For our new release review we went to the theatre (but you can go to HBO Max) to check out how things went with James Wan absent from THE CONJURING: THE DEVIL MADE ME DO IT. For our Two Hitters series we talk about the other horror movie from Kanteo Shindo that again tells a creepy story about a mother and daughter in law in KURONEKO. We also discuss red hair kings, Loki, and mopping. We'd love to hear your thoughts, questions, or any requests you have. You can contact us at: ItsOnlyFeedback@gmail.com and on Facebook, Twitter, Instagram, and Letterboxd.
4/11/2020 This week, our three texts were three movies about ghosts: Kuroneko (Kaneto Shindo, 1968), Bamboozled (Spike Lee, 2000), and Ghost (Jerry Zucker, 1990). Intro Music: "Hale Makame," 1930, Unknown author / Public domain Outro Music: "Fool Me Some More," 1930, Gus Arnheim / Public domain Episode analytics --- Support this podcast: https://anchor.fm/whatsyourdungeon/support
Es ist 1968, auch in Japan rebelliert die Jugend - und Kaneto Shindô dreht einen Geisterfilm, der genau diesen Generationenkonflikt thematisiert, der außerhalb der Kinosäle tobt. Nur auf den ersten Blick wirkt Kuroneko wie ein reines Genrestück, so sehr ästhetisiert, dass dem exotistisch erotisierten Westler das Herz übergeht. Sieht man genauer hin, wird die politische Allegorie mehr als offensichtlich: es geht um einen Bauernjungen, der im Krieg zum Samurai aufgestiegen ist - und jetzt nach Hause zurückkehrt. Nur ist die ärmliche Hütte abgebrannt, Mutter und Ehefrau sind tot. Was er nicht weiß: die beiden Toten sind als Rachegeister zurückgekehrt, die Samurai in die Falle locken und meucheln. Samurai wie er selbst. Es geht ohne Zweifel darum, dass nach 1945 die eigenen Söhne nicht nur als körperlich wie seelisch Versehrte aus dem Krieg zurückkamen, sondern auch als Kriegsverbrecher. Wir reden darüber, wie der Film gebaut ist, um diese Assoziationen auszulösen. Und, ja, auch über seine berauschende Überästhetisierung, mit Anleihen im Noh-Theater und beim Kabuki.
Today, we mourn the death of the righteous samurai as we come to understand them to be villainous indeed! Alex Gaskin chooses 1962’s samurai revenge film Harakiri and the 1968 cat-filled demon freak film Kuroneko as the blood for which we taste on this delicious episode. The Show: @ddffpod Jeremy Schmidt: @ocarinaofcrime Alex Gaskin: @alex_j_gaskin […]
HERE IT IS, YOUR LATEST HIT OF CINEPUNX TO CALM YOUR NERVES! Hey friends, welcome… The post CINEPUNX Episode 121: KURONEKO, THE LEGEND OF HELL HOUSE, THE DEVIL’S BACKBONE w/ Justin Lore, King of Horror appeared first on Cinepunx.
HERE IT IS, YOUR LATEST HIT OF CINEPUNX TO CALM YOUR NERVES! Hey friends, welcome back for another exciting episode. This one is our long long delayed Halloween cross over with my other show, Horror Business featuring my sexy and charming co-host, Mr. Justin Lore. UP FRONT WE WANT TO APOLOGIZE FOR OUR AUDIO ISSUES, AND BY “OUR” I MEAN JOSH’S Look, if you have been listening to the show for awhile you are well aware of two things Josh is bad at technology We are poor and can’t just buy him a new computer However, if you would consider either SUPPORTING US ON PATREON orrrr BUYING ONE OF OUR COOL NEW DESIGNS it would go a long way toward getting us recording quality audio again. So, why did we go out of our way to have such a HORROR LUMINARY like Justin Lore on the show? So we could discuss THREE HAIR RAISING TALES OF GHOSTLY TERROR Kuroneko, The Legend of Hell House, and The Devil’s Backbone If you check out the other cross over episode here, you will hear about how this episode became, basically our desire to cover ghost tales for Halloween, and how we each picked 2 we felt like discussing. As usual we do WACK AND ON TRACK, and there is a technical issue that severely messes with Josh’s audio, but it happens pretty far into the episode so it should be fine. Thanks to LEHIGH VALLEY APPAREL CREATIONS and ESSEX COFFEE ROASTERS for all their support. Go buy something. There is more to say and to link to, bu y’all have waited for this episode way long enough. Thanks for your support, tell a friend, post on socials, be awesome. The post CINEPUNX Episode 121: KURONEKO, THE LEGEND OF HELL HOUSE, THE DEVIL’S BACKBONE w/ Justin Lore, King of Horror appeared first on Cinepunx.
Join your host Duncan Under The Stairs discussing all things Horror on The Podcast Under the Stairs. Welcome to a sub set series on The Podcast Under the Stairs. In Reverence will take a look at the movies that shaped Duncan's love of the genre. Each episode of In Reverence will talk about the movie and delve into what it means to our host and it's effects moving forward. On episode 21 Duncan talks about his love of Kuroneko (1968). Our RSS Feed: https://anchor.fm/s/13ba6ef0/podcast/rss BUY OFFICIAL TPUTS MERCH FROM http://tputscast.bigcartel.com Check out the show on Anchor, iTunes, TuneIn & on Stitcher Radio. Please leave us feedback on iTunes, podcastunderthestairs@gmail.com and follow us on Facebook & Twitter and on the Flick App: https://flick.group/tputscast
Historia 1852, las fronteras de Japón se abieron a occidente y se tenía un cierto miedo de que pensaran que eran moralmente laxos y dieran mala impresión internacional. Así que empezaron a regular las imagenes relacionadas al sexo. Antes era aceptable los baños mixtos y se empezó a generar verguenza a partes el cuerpo que antes eran vistas como naturales. 1897 Llega el cine a Japon. La primera película del cine japonés es Momijimari, una pieza de teatro kabuki filmada en 1899. En el teatro Kabuki predominan las historias fantasmales, el llamado Kaidan. El teatro Kabuki es una de las formas más tradicionales de teatro japonés. Tenía tres características particulares: la historias basadas en la época feudal, música particularmente con un instrumento de cuerdas y la presencia de un narrador. Las obras teatrales no utilizaban a mujeres actrices - eran represetnados pro hombres llamados Onigama. Las obras estaban basadas en el priodo Edo (1603-1868) y abundaban las obras Kaidan. Éstas obras mostraban vestuarios ostentosos y maquillaje elevado que representaban al personaje interna y externamente - emociones y valores. El rojo significaba juventud y justicia. El azul, negro y café era para monstruos y gente mala. Kaidan: se refiera a cualquier historia de fantasmas. Otro tipo de teatro era el No - similar al Kabuki pero para las clases sociales altas. Combina l amúsica, la poesía y se le conoce en particular por el uso de máscaras. Es central que solo haya un perosnaje que no utiliza máscara, pues es él único humano. Éste se le conoce como Waki. El waki aparece tradicionalmente como aquella persona que advierte a otros sobre la aparición de un fantasma o de una maldición. Generalmente eran dramas donde el fantasma de un guerrero regresaba a la batalla donde había sido asesinado y estaba reviviendo la escena una y otra vez. Aunque eran fantasmas, no eran figuras de horror. Sino, sufrimiento trágico que debe aceptar la derrota o muerte prematura. El cine y el teatro estuvieron fuertemente relacionados porque con la llegada del cine, también se creó el sistema de Estudios (como Hollywood) y los dueños de los teatros, eran también los dueños de los Estudios. La forma en que se presentaban las películas, era similar a la del teatro. Películas que se hacían famosas luego las transformaban en obras y viceversa. Además, la presentación de películas presentaba también esos tres elementos. Las tomas eran de frente al escenario y fijas, simulando el teatro. El sistema de Estudios El sistema de estudios a diferencia de Hollywood que estaba centrado en el productor, estaba centrado en el director. El director era quien elegía a su equipo y no solo eso, este sería su equipo para futuras producciones. Es decir, se mantenía una lealtad que debía respetarse y honrarse. Esto le daba mayor libertad creativa a los directores, pues ellos tenían la última palabra. Los estudios más importantes: Takejiro Otani (Ozu, Akira Kurowawa y Takashi Miike) Shochiku - primero en introducer mujeres actrices Nikkatsu - que se enfocó en dramas sociales en contextos modernos Yurei (Fantasmas) Mitología japonesa, las yurei son fantasmas mujeres que quieren venganza. Vestidas de blanco, de cabello negro y largo No tienen piernas y mueven las muñecas sin sentido Estos fantasmas aparecen por el On - una deuda queno fue pagada o personas que murieron sin poder curbrir sus responsabilidades familiares. Esto crea un desbalance y conecta al mundo de los vivos con el de los muertos. Primeras cintas La primera cinta de horror japonesa es de 1910: Botan Doro. Una historia de fantasmas (Yurei) y es la segunda historia más adaptada al cine, TV y OVA (only video available) después de Yotsuya Kaidan (El Fantasma de Yotsuya) Para 1920, los tres estudios mencionados eran dueños de 3/4 de todos los teatros de Japón. En 1923, muy tarde para la época, introducen el sonido al cine. Ésto porque era demasiado popular el uso de Benshi (narrador). Incluso había narradores estrella que todos querían nescuchar. En 1936, un hombre poderoso y constructor de los trenes en Japón, Ichizo Kobayashi, fundó Toho abandonando el sistema de actores estrella. Antes de la WWII, este estudio era el mayor productor de imagenes de propaganda. Después de la WWII, este estudio es quien daría luz a Godzilla. Toei - fundada en 1956, es unod e los estudios más importantes de Japón, casa de Hayao Miyazaki, director de el viaje de Chihiro y los estudios Ghibli. El sistema de Estudios hoy en día ha decaído, por ejemplo, en 2003, 234 de 287 películas, provenían de estudios independientes. Esta prevalencia se viene dando desde 1960. La razón es que los mismos estudios, promovían a directores independeintes. Epoca de OroCon el triunfo de Rashomon de Akira Kurosawa en el festival de Venecia en 1950, y logra el Oscar a mejor película extranjera; es cuando el mundo voltea a Japón.curiosamente toca la sexualidad desde un ángulo criticado en Japón: l ahistoria de una violación que pasa a segundo plano (e invalidada) en un juicio de muerte a un samurai, donde la palabra del bandido (violador) carita tiene más peso y empatía de la audiencia que el de los demás.Se da la apertura, y comienza a participar en festivales.Sin embargo, existía una gran censura al arte japonés por la ocupación estadounidense al termino de la Segunda Guerra Mundial. Los aliados pidieron una redición incondicional por parte de los japoneses. Lo peor que pudo sucederles como nación, donde su sistema de valores por centenas de años favorecía la muerte honorable sobre la derrota. De 1945 a 1952 - el colonizador se volvió colonia, ocupado por los aliados. Esto dejó un trauma en la sociedad que nunca se ha borrado y se puede ver en el cine a partir de los años 1950 los arquetipos como "the wronged woman" o "a la mujer a quien le hicieron mal" Para asegurar que "Japón nunca volviera a realizar disturbios mundiales" la división Civil de Censura restringió todas las narativas KAbukis, todo lo que involucrara la lealtad feudal, sacrificio. Buscaron otras formas de darle la vuelta a las regulacione spor medio de poner la acción en otro periodo, como el Meiji. Esto era porque las cintas retrataban historias donde los espadachines justicieros japoneses incitaban a la rebelión (genero llamado Jidaigeki). El enemigo a vencer era el invasor.Se incitaba a los valores del sistema "ie" que promovían el honor, la lealtad y alta valoración a la comunidad. Los americanos traían consigo sus propios valores, con modelos más democráticos que perseguían deseos individuales y capitalistas. El sistema ie consistía en 5 clases: el samurai en la cina, seguido por aldeanos, artesanos, mercantes. La quitan clase, y la más baja, era de los exiliados, aquellos que trabajaban en profesiones impirtas. Responsabilidad de la casa recaía en el jefe de la familia que a su vez, tenía responsabilidad de la comunidad en general y al emperador. El hijo mayor es el sucesor, los demás hijos hacen sus vidas. Si no hay heredero, adoptan a uno para que siga el nombre de la familia. El sistema oprimía a la mujer, ya que las reglas de comportamiento eran dictadas por su obediencia a sus padres, esposo e hijos en ese orden. Están los conceptos GIRI y NINJO. Giri es el sentido de obligación y responsabilidades a los superiores, la familia y a los ancetros. Es el tejido social que une a Japón. Ninjo es la compasión a los desprivilegiados y simpatía por otros. ON es el sistema de obligaciones que une a los vivos con los miertos (en terminos de deuda) como Giri. Era natural el sacrificio propio para reponer la reputación de la familia, si era deshonorada. Claro, que mejor forma de promoer tus valores que con la regulación de lo que se puede producir. Agregaron regulaciones de censura en Japón. Declararon obsceno el mostrar los genitales femeninos y escenas sexuales explicitas. Pero esta misma censura, impulso el cine de horror, se ve beneficiado ya que los estadounidenses lo consideraban historias del folklore japonés y no revolucionarias. En el año 1960 es donde se viene lo que se conoce como "La Nueva Ola" que es la que reta los valores tradicionales japoneses, el discurso romántico que se reemplaza por la sexualidad objetivizada y el cuerpo violado. En 1976, resalta una película que se llama Imperio de los sentidos, que está basada en la historia real de Sada Abe, quien tiene una relación sadomasoquista con su esposa, Kichizo Ishida. Esta relación, llega a tal intensidad, con incremento que hacia el final de la película, termina matando y castrando surante el acto sexual a Sada. Luego es arrestada por cargar en su bolsa del Kimono el miembro de Sada. Por esta película, el director Oshima fue acusado por obscenidad, pues mostraba la genitalia. En 1982, le quitaron los cargos y se permitió representar el sexo de manera más explícita en el cine japonés. Después de la WWII se viene un fuerte conflicto de identidad que proviene de la comparasión de uno contra el otro. En este caso, japón como su lenguaje, cultura y gente se sientes únicos pero al estar ocupados por los aliados y traer estos nuevos valores, se vuelve confuso quienes son realmente y nace este deseo de reencontrar su identidad. Especilamente, después de la gran derrota sufrida y el aftermath de la guerra: dos ciudades en ruinas y radioactivas, la modernización de japón con todo el desecho industrial que perjudica al medio ambiente. Las víctimas sobrevivientes que por años sus generaciones tenían deformaciones. La idea de que ya no le deben a sus antepasados, sino esta idea actual del consumismo y materialismo. Reconstruir al país implicaba el estar trabajando largas horas diariamente, absentismo del padre en la familia.todo este escenario con tanta ansiedad social es una receta para crear historias de horror: depresión, recesión, post guerra, inflación, confusión de identidad nacional y personalMundo de vivos y muertosLos japoneses creen que los espíritus habitan en el mismo mundo pero en un plano diferente. Por eso, deben de honrarse las deudas o responsabilidades pasadas de generación en generación. De otra forma, regresan a como espíritus vengativos. Si cumplen con sus obligaciones, se vuelven espíritus positivos y hasta deidades.Taro HiraiSurge el considerado el Edgar Allan Poe japonés, el novelista Taro Hirai quien redefinio con sus escritos el terror japonés respetando sus códigos tradicionales, pero mezclándolos con ciertos esquemas de la literatura anglosajona, la cual conocía a la perfección.20 min - Introducción al cine de horrorNobuo NakagawaEs uno de los principales realizadores de la época de oro del terror japonés. Onna Kyuketsuki (la mujer vampiro, 1959). Tokaido Yotsuya Kaidan (1959). Historia donde al violarse los valores tradicionales termina en tragedia. primero in samurai exiliado Iemon (no siguió el código de honor Bushido) quiere casarse con Oiwa. Como no lo dejan (clases) su padre, termina matando al padre y su acompañante. La hermana de Oiwa, Sode quiere casarse con otro. Matan a su prometido. Cansado de su estado de pobre, corteja Iemon a una noble adinerada. Termina en todos muertos básicamente - tanto Iemon, su cuñado, la hermanas - dando como ejemplo que este camino de deslealtad y "sucio" no llega a nada. Todo porque los fantasmas de los muertos, aparecen y los tormentan. Concepto de MONO-NO-AWARE: la impresión de la nada. Esto es recurrente en el cine de horror japonés, donde la consecuencia es un destino solo, sin nada. Como el dicho, más vale pájaro en mano que ciento volado. El que se va por los del cielo, termina sin nada. Años 60'sAparece lo que se denomina cintas de terror para turistas.Son cintas que se alejan de lo tradicional, abordando lo intelectual, contando con gran producción y que se considera excesivamente artificial.Estas cintas sufren del Efecto Kurosawa, donde en el interior de Japón son rechazadas, pero fuera del país son aceptadas y galardonadas.Trilogía de autor para consumo internacional o terror para turistas: Kaidan (1964). Onibaba (1964) cuenta con una mascara icónica en el cine japonés y porque no del cine de horror en general. Hace referencia al las obras estilo No La máscara es una expresión externa de lo que la mujer tiene de dentro. Kuroneko (1968).Basada en el folkor japonés de el fantasma/vampiro que se transforma en gato. si no les cortan la cola cuando son jóvenes (a los gatos) se pueden convertir en nekomata - gato goblin - que posee el poder de la muerte. Así nace el género bakeneko mono (monster cat tales). Una mujer y su hija son violedas y asesinadas en su casa por soldados. Un gato lame la sangre de los cuerpos lo cual preserva sus espíritus (mitología japonesa). Regresan con look muy elegante, muy hermosas y atraen a los samurai su casa, para después matarlos. Un soldado lo mandan a resolver el conflicto, pues están asesinado soldados y cuando llega, se d acuenta que es su madre y esposa, los fantasmas. Aquí el código dice: lo que dija el jefe militar es lo que debe hacerse y él debe sacrificarse por la comunidad apaciguando la maldad. Por otro lado, la esposa había hecho un pacto con el inframundo para regresar y matar Samurai. Su esposo, era un reconocido samurai y tení que matarlo. Ambos están negando sus responsabilidades... por 7 días de pasión. Se revela contr ala madre, le corta un brazo (pata de gato) y la lleva al jefe como prueba. Se vuelve un héroe y lo mandan purificar. En el proceso, regresa a la casa donde estuvo con la esposa y encuentra la antigua casa donde fueron asesinadas y se ve un gato merodeando. La consecuencia a sus actos fue el mono-no-aware, se quedó sin nada. Aquí inova la película porque comunmente, en las obras obras Kabuki, las mujeres fantasma se vengan de quienes las dañaron. En Kuroneko no, la maldición es un pacto de matar a cualquier Samurai y van y los seducen para matarlos. Pinku eigaEran las cintas roman porno que se les conoce como las que salvaron a la industria del cine japonés.La primera era pink eiga empieza en 1964 y termina en 1972.Se utilizaba el sexo como herramienta política.Años 70'sSe ve muy influenciado por la estetica británica de la compañía Hammer Films.Vampiros y licantropia se incorporan a las cintas japonesas.Ejemplo: Trilogia de mujer vampiroMujer vampiro (1970).Los ojos del vampiro (1971).La rosa vampiro (1974). La segunda ola pink eiga de 1972 al 82 comienzan los estudios Nikkatsu y Toei a realizar películas sexualmente violentas conocidas como pinky violence. Aquí aparecía el subgénero del fantasma erótico. Aquí ya empiezan otras variantes donde se ve el fantasma que se suicidó. Angel Guts: 4 filmes que superficialmente pueden verse como de explotación, pero marcan como va cambiando la sexualidad entorno al abuso y violación: Proviende un un manga y la adaptaron alc ine, con 4 adaptaciones por 4 directores diferentes. Se ve el arco de Nami: primero sobrevive un gang rape, luego la tratan de "ayudar" proponiéndole que le tomen fotos, tiempo después Nami se vuelve prostituta y la degran al máximo (orinan y violan por dinero del mejor postor) y finalmente se vuelve enfermera y no permite que la violen un paciente en diferentes ocasiones. Años 80'sTraería una renovación al cine fantástico de Japón con la presencia del realizador Shinya Tsukamoto. Su trabajo muestra una combinación de terror, cyberpunk.La Aventura del Chico del Poste Eléctrico (1987) donde el protagonista debe de combatir a un grupo de vampiros motorizados.Akira (1988)Pero no es hasta su opera prima con la que revoluciona el horror japonés, la famosa Tetsuo (1989) con su mezcla de gore, sexo y body horror, pero aquí la transformación es hacia una maquina.Gore JaponesEl horror japonés será mundialmente conocido por ser la creadora de una de las etapas mas sangrientas de la historia del cine: el cine gore japonés. Se llevo a niveles demenciales.Guts of a Beauty (1986).Tetsuo (1989)Organ (1996).Naked Blood (1995).El falso mito del snuff japonesSe llevo tanto al limite del gore, que se creyo que eran cintas snuff reales.Surgió a finales de los años 80 cuando de forma clandestina empezó a circular un video donde una chica era brutalmente torturada hasta asesinarla.Se trataba de Akuma no Jikken (1988), primer episodio de la serie Ginea Pig.Pero la mas famosa es Chiniku no hana o Flowers Of Flesh & Blood (1989), que es la que sitúa a Ginea Pig como un mito en el horror japonés y el snuff.Los creadores tuvieron que presentarse a declarar a las autoridades que todo era una película, ficción.El pobre actor que interpreto al asesino, era hasta buscado por las autoridades.El resultado, tuvieron que editar y distribuir las peliculas de forma comercial, incluir créditos y hasta el grado de incluir documentales de como se realizaron estos cortes.90'sRingu, la renovación que sacudió al mundo.El cine japonés se convirtió en la base de las películas por venir, todos empezaron a realizar "cine a la japonesa" gracias a Ringu (1998).Fue un regreso a lo básico, la historia de un fantasma (yurei). utiliza mitos y folklore clásicos, pero de una manera occidental, mezcla perfecta y el secreto del éxito de Ringu.Se convirtió en la película mas importante del cine de horror japonés.Inicia una oleada de cine de horror japonés, algunas muy buenas, otras viles copias de Ringu.Destaca la saga de Ju-On, como segundo pilar del cine de horror japonés.Un dato curioso, es lo que significa el fantasma femenino que data de más de 400 años.Japón es un país donde la mujer esta sometida por el hombre, símbolos de esto son los grandes peinados, la vestimenta, con grandes capas de tela y el maquillaje.Los fantasmas japoneses femeninos le provocan un terror a los hombres, con Sadako, les recordó que la mujer muerta es poderosa, estando muerta es capaz de hacer justicia por propia mano, recuerden que en la religion japonesa, los fantasmas existen y conviven en este plano dimensional, si es posible.Los fantasmas femeninos tienen esta larga cabellera suelta, ya no usan los ropajes, solo el camisón, son libres y ya no están sometidas a las leyes del hombre.2000'sNeo-gore Japones, cintas donde la sangre a borbotones y la ciencia ficción desbordada son poco terroríficas, es 100% visual, ya que carecen de una historia creíble.Battle Royale (2000)Suicide Club (2001)Ichi the Killer (2001)Noroi (2005)Tokyo Gore Police (2008).Vampire Girl VS. Frankenstein Girl (2009).Meatball Machine (2005).Créditos:Radio Horror es producido por Caro Arriaga y Rael Aguilar.Edición por Matías Beltrando desde Destek Soporte.Música Closing Theme Hounds of Love por Dan Luscombe (Intro)Nightlong por FSM Team (Outro)★ Support this podcast on Patreon ★
This week Michelle is joined by Jimmy and special guest, Khoa Tran, to discuss Kaneto Shindo's Kuroneko. Join us as we discuss revenge, class, mythology, identity and whether or not Khoa can make his hair swish like a cat's tail.
Pünktlich zum Lockdown light geben wir uns schwere Filmkost und luftige Kamerakunst. Wir wühlen uns durch einen madigen Mind-Game-Film für die Gen Y, werden Zeuge eines Pseudo-Rap-Battles von Charlie Kaufmann mit Ari Aster und kriegen von Kaneto Shindo ordentlich den Kopf gewaschen.
The frights are back! But also friends! Pour yourself a drink to calm the nerves and join us. This week there's a few movie announcements including a new Park-chan Wook film and the official production of Spider-Man 3 (not that other one). Movie theater news continues to be completely unpredictable as more bad news for AMC lands in the same week as Alamo Drafthouse pushes out a new video rental service. And of course, there's Kuroneko! Which Max maybe likes now?
¡Hola! Bienvenidos a Pin Pum Pan, un podcast sobre cine. En este episodio damos inicio formal al ciclo de horror de Halloween, y hablamos de clásicos del JHorror o cine de horror japonés, con Kwaidan (1964), de Masaki Kobayashi, y Cure (1997), de Kiyoshi Kurosawa, además de lo que hemos visto durante la semana dedicado al horror japonés, esperamos que lo disfruten y nos acompañen todas las semanas. Estén atentos a nuestro Instagram, y en nuestro Twitter (00:00:30) Introducción al Horror Japonés (00:07:21) Kwaidan (01:07:27) Recomendaciones de la semana Dark Water (2002) (01:15:16) Onibaba (1964) (01:31:08) Noroi (2005) (01:38:30) Cure (01:55:33) Spoilers de Cure (02:18:44) Películas de la próxima semana Referencias: Shutter (2004) The Ring (2002) Scream (1996) Ringu (1998) Leyendas del Táchira (serie de libros, 2000) Audition (1999) Harakiri (1962) Samurai Rebellion (1967) El Problema de los tres cuerpos (2006) Silence (2015) Cold War (2018) Dune (2021) :'( Pan's Labyrinth (2006) Kuroneko (1968) The Seven Samurai (1954) Ikiru (1952) One Piece (1999) El Tigre y el Dragon (2000) Heroe (2002) La Casa de las Dagas Voladoras (2004) La Maldicion de la Flor Dorada (2006) La Mujer de las Dunas (1964) The Face of Another (1966) The Babadook (2014) Paranormal Activity (2007) The Exorcist (1973) Stalker (1979) Friday the 13th (1980) Insidious (2010) Anabelle (2014) El Viaje de Chihiro (2001) The Silence of the Lambs (1991) Seven (1995) Solaris (1972) 2001: A Space Odyssey (1968) Babel (2006) 13 Asesinos (2010) Memoirs of a Geisha (2005) Mulholland Drive (2001) Enemy (2013) mother! (2017) Pulse (2006) Midsommar (2019) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/pinpumpan/support
31 Days of Halloween continues with Japanese Ghost Cats exacting justified vengeance in 1968's Kuroneko. ENDING MUSIC: Invitation to Die by Sigh Support TWoRP Contact Us talkwithoutrhythm@gmail.com
We catch up on another week of misery in America and try to help you escape it for an hour or so. The kids check in about school, Roxie's traumatic summer, and how it affected things. As always, movies are on the agenda: Vengeance Is Mine, Possession, Kuroneko and The Boy. Conspiracy Corner is ALL about Brittany...but not the one you think. This week, we discuss the mysterious death of actress Brittany Murphy. AAAAAND we close out with a big helping of Pass Or Trash: Fried Food Edition. Hope you enjoy, don't forget to help us spread the word!
Tonight Justin and Cameron take there first walk in the erie J-horror forrest and spot a black cat. Will this be a sign of bad luck or will it lead them to something more horrifying yet interesting. Find out tonight on Cinema Roulette! Art by: https://tellersplace.tumblr.com/ Justin’s Twitter: https://twitter.com/Jkpancake Cameron’s Twitter: https://twitter.com/cameronpicsinc Youtube: https://www.youtube.com/playlist?list=PLNJcrPc0uC0EeS3uhE0JEEOYGT9qsWS0t
Gettin’ kitty with it – meow meow meow meow m’meow meow meow. This episode, Ollie and I return to the world of Japan and yokai and revenge and sweaty butts with Kaneto Shindo’s 1968 masterpiece “Kuroneko!” Why does that cat only make one sound? What does a woman’s arm look like? Burps? The Force? All … Continue reading "067 – Kuroneko (1968)"
Gettin’ kitty with it – meow meow meow meow m’meow meow meow. This episode, Ollie and I return to the world of Japan and yokai and revenge and sweaty butts with Kaneto Shindo’s 1968 masterpiece “Kuroneko!” Why does that cat only make one sound? What does a woman’s arm look like? Burps? The Force? All … Continue reading "067 – Kuroneko (1968)"
GOTH CAMP Covering Kuroneko, Beetlejuice, and The Others Spinning Head facebook.com/mymoviesbetter twitter.com/mymoviesbetter
This week, we've hand picked a heady selection of weird and wild cult films for us to watch and discuss! Donloyd, listen and enjoy along as we chat about 'em, won't you?Up first! Y'all remember that spooky old Japanese folktale about the black cat and the samurais? No? Well, don't worry because the 1968 film adaptation Kuroneko has got you covered, with extra scary fog and bamboo forests to spare. Next up! Way back in 1981, a still-semi-fringe John Waters and a still-not-yet-dead Divine threw together another co-lab feature, this time a sort of parody of old school "women's films." The movie we speak of is of course Polyester, not to be confused with the synthetic fabric. Finally! It's a third film: Knock Knock, the 2015 Eli Roth-directed remake of Death Game with Keanu Reeves and the Free Pizza Speech. Is it better or worse than the original Death Game? Does Keanu do sex? Donloyd now to find out. All this plus the JFD Halloween Hangover Report, Kwaidan chats, a secret blood oath regarding the new cinematic release The Lighthouse, a semi-censored junkmail from down under, a brief detour into Rancho Cucamonga, Parker pays personal tribute to Seth MacFarlane, is Clive Barker a Sex Creep? we decide 'yes', the fascinating filmography of an Avengers-based pornographer, our weekly news plus Blu-ray Picks and even more! Direct Donloyd HereGot a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION!Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll float around in our kimonos for your love and support. Please avoid checking out this embarrassing merchandise.
Matt presents, as a Halloween treat, 10 minutes of explanation and recommendations about the folk horror subgenre. Mentioned on the Show The Witchfinder General The Wicker Man Blood on Satan’s Claw Kwaidan Kuroneko Onibaba Lair of the White Worm The Devils The Witch A Field in England Midsommar The Golden Bough Children of the Corn […]
Amy exerts some effort to go to Korvavev, and the two idly chat away. Crux has the results of their Strigan parasite screenings and goes to deliver them to the anxious Doctor Tetsuo. As the crew gets a lead on a new job, Kellen goes to prepare the traditional "big job" dinner, but even callous assassin and new crew member Kuroneko can tell something is weighing on the cat burglar's mind... Episode art by Bee.Sound editing by Kyle.Original music by Avery Stemmler.Other music by Kevin MacLeod, licensed under Creative Commons 3.0. Roll to Breathe is funded by Patreon. If you like the show, please consider backing us yourself!
As the racers pass the halfway point, the Korv seems to be comfortably in the lead. With Crux and the pit crew working overtime to create swappable components for their antigrav car and Kellen calling in favors with space pirates, all that's left is to capture Kuroneko before he can finish the race. Luckily, Amy might have a plan in mind... Episode art by Bee.Sound editing by Holly.Theme music by Avery Stemmler.Other music by Kevin MacLeod, licensed under Creative Commons 3.0. Roll to Breathe is funded by Patreon. If you like the show, please consider backing us yourself!
Turn your volume down cause this episose is LOUD! Our Fubroshis read Kuroneko wa Shippo de Amaeru by Fujikawa Ruri and Royal Fiance by Asuma Risai! Interested in the manga they talked about? They are not currently available in English, but remember to support the artists if they become available in your region! --- Send in a voice message: https://anchor.fm/fubroshis/message
These kitties hate more than just mondays! (I APOLOGIZE FOR THAT JOKE. I HAVE A HEADACHE) Next time on Bride of the Creature: Sssssssh! We’re watching Mike Flanagan’s “Hush” Send us email! brideofcreature@geekstampede.com Follow us on twitter! Nicole Gruszecki, Joey Gruszecki, Bride of the Creature Podcast
These kitties hate more than just mondays! (I APOLOGIZE FOR THAT JOKE. I HAVE A HEADACHE) Next time on Bride of the Creature: Sssssssh! We're watching Mike Flanagan's “Hush” Send us email! brideofcreature@geekstampede.com Follow us on twitter! Nicole Gruszecki, Joey Gruszecki, Bride of the Creature Podcast
Our final episode reviewing Scum’s Wish along with the epilogue volume of Scum’s Wish décor! Remember to send us emails! mangamachinations@gmail.com Follow us on Twitter! @mangamacpodcast Check out our tumblr! http://mangamachinations.tumblr.com Join our Discord server and come talk to us! http://discord.me/mangamac Time Stamps: 00:00:00 - Intro Song: “Uso No Hibana” by Kuroneko from Scum’s Wish, Opening, Introductions 00:01:16 - Whatchu Been Reading: Transition Song: Dragon Ball Z OST “Prologue”, Darfox was able to go see Mamoru Hosoda’s newest movie Mirai at the movie theater, discussing whether we’ll see an increase of screenings of anime films in the future 00:11:24 - Discussion about Hayao Miyazaki and his upcoming documentary Never-Ending Man 00:15:45 - Shigan no Yuusha is a typical fantasy light novel adaptation aside from logs 00:21:04 - No surprise that dakazu is not OK with the Shota manga My Boy 00:28:33 - News: Trailer for CG animated NETFLIX anime Saint Seiya: Knights of the Zodiac reveals a gender-swapped character, darfox shares some choice Chilean anime openings 00:33:08 - Hulu makes deal with Funimation for first distribution rights for 2019 new titles 00:35:32 - Discussing the possibilities with Shonen Jump announcing the end of the digital magazine and moving to a free-to-read and digital library subscription model 00:49:50 - Next Episode Preview and Rundown: Special interview with translator Jocelyne Allen about the difference of translating literary works and being an interpreter 00:52:11 - Main Segment Retrospective Review: Transition Song: “Heikousen” by Sayuri from Scum’s Wish, retrospective review of Scum’s Wish by Mengo Yokoyari, we give our thoughts on the ending, discuss the character of Akane and the change she goes through, relate to Sanae ending things, compare the relationships of Mugi/Hanabi & Sanae Hanabi, hate on Mugi, explain Akane’s change, praise the use of shading in the art, discuss the epilogue stories, get angry about pairing Mugi with Hanabi in Scum’s Wish décor, compare Scum’s Wish to the movie American Pie 2, re-write the ending, ponder if Mugi is worse than Akane, give our final impressions, and name Moka the MVP(covers volume 7-8 & Scum’s Wish décor) 01:41:44 - Next Week’s Topic: Interviewing Jocelyne Allen, House Keeping, Social Media Rundown, Sign Off Song: “wish men” by sunbrain from Beet the Vandel Buster
This week we continue our Retrospective review of Scum’s Wish! Will the dramatic events change how we feel about certain characters? Tune in to find out! Remember to send us emails! mangamachinations@gmail.com Follow us on Twitter! @mangamacpodcast Check out our tumblr! http://mangamachinations.tumblr.com Join our Discord server and come talk to us! http://discord.me/mangamac Time Stamps: 00:00:00 - Intro Song: “Uso No Hibana” by Kuroneko from Scum’s Wish, Opening, Introductions, The holiday season, requesting listener top 3 lists for 2018 00:02:39 - promoting Anime Feminist’s crowd funding campaign on Indiegogo 00:05:23 - Whatchu Been Reading: Transition Song: Dragon Ball Z OST “Prologue”, Darfox watches more Goblin Slayer and compares it to Batman 00:12:58 - Seamus has started A Pantyhose Like World and doesn’t think there’s any deep meaning behind the stories so far 00:15:20 - dakazu checks out the newest volume of Black Lagoon but feels the series just doesn’t hold up anymore 00:24:28 - dakazu had high hopes for Chichi Chichi because the same creator made Miss Kobayashi’s Maid Dragon but it ended up being a shallow and pervy cash-in 00:28:42 - Talking about trying to read a different manga from an artist you like and it doesn’t compare to their other work 00:32:54 - News: Stage play adaptations of My Hero Academia & Karakuri Circus along with TV drama of What did you Eat Yesterday and a Blade Runner anime, debating what we like and dislike about various adaptations from manga 00:41:54 - Neon Genesis Evanglion will be coming to Netflix 00:47:24 - Next Episode Preview and Rundown: Retrospective on Scum’s Wish, we will conclude our comprehensive review and read the epilogue volume (covers volume 7-8 & Scum’s Wish décor) 00:48:01 - Main Segment Retrospective Review: Transition Song: “Heikousen” by Sayuri from Scum’s Wish, retrospective review of Scum’s Wish by Mengo Yokoyari, we praise Moka’s character arc, examine the various juxtaposing plot lines, feel heartbroken for Sanae, discuss both of the main confessions, enjoy the seamless interweaving of spoken & inner dialogue, explain the problems with Atsuya, compare the series to Crazy Ex-Girlfriend, explore the themes of self worth through relationships, pick our favorite characters, expose the issues with catgirls, and make our final predictions on the ending(covers volumes 4-6) 01:23:40 - Next Week’s Topic: Scum’s Wish, House Keeping, Social Media Rundown, Sign Off Song: “wish men” by sunbrain from Beet the Vandel Buster
Welcome to the first part of our Retrospective review of Scum’s Wish! There’s lots of unrequited love to deal with from both the manga and even our hosts?! Remember to send us emails! mangamachinations@gmail.com Follow us on Twitter! @mangamacpodcast Check out our tumblr! http://mangamachinations.tumblr.com Join our Discord server and come talk to us! http://discord.me/mangamac Time Stamps: 00:00:00 - Intro Song: “Uso No Hibana” by Kuroneko from Scum’s Wish, Opening, Introductions, updates on our tumblr 00:01:58 - Whatchu Been Reading: Transition Song: Dragon Ball Z OST “Prologue”, Requiem of the Rose King has Seamus comparing historical events to Shakespeare’s play 00:12:52 - dakazu finds a greater appreciation for Karakuri Circus now that he’s rereading it as an adult 00:16:31 - Darfox and dakazu discuss strong villains of popular shonen manga using wrestling references, *SPOILERS for Fairy Tail 00:22:52 - Both Sentou Hakai Gakuen Dangerous & Dangerous 1969 are mixing X-Men superpowers with juvenile sexual humor and dakazu is not having any of it 00:32:08 - Although 18 Rin is about an adult film production company dakazu was impressed with how it was focused more on characters and telling a good story 00:35:13 - News: There will be a new anime of Fruits Basket that will finally cover all the source material with a new voice cast 00:36:56 - Manga.club has licensed volume 1 of STEVES and is crowd funding to try and publish the other 5 volumes 00:41:20 - We give some suggestions for the massive Seven Seas Entertainment licensing survey 00:45:00 - Anime Feminist is launching an Indiegogo campaign so they can raise money to overhaul their website 00:48:04 - Next Episode Preview and Rundown: Retrospective on Scum’s Wish, we will continue our comprehensive review(covers volume 4-6) 00:48:49 - Main Segment Retrospective Review: Transition Song: “Heikousen” by Sayuri from Scum’s Wish, retrospective review of Scum’s Wish by Mengo Yokoyari, we resonate with character’s feelings, are pleasantly surprised with the lack of fan service, notice the rapid pace of dramatic events, cheer on the Sanae Ebato, enjoy the change of character perspectives in the narrative, praise the use of black water-color inking throughout the series, try to decode the extra Nyan-Nyan chapters, and make predictions for what will happen at the end(covers volumes 1-3) 01:15:32 - Next Week’s Topic: “Scum’s Wish”, requesting listener top 3 lists for 2018, House Keeping, Social Media Rundown, Sign Off Song: “wish men” by sunbrain from Beet the Vandel Buster
On this episode we check out 3 more manga for another Triple Dip! Seamus picks the ultimate unrequited love story of Scum’s Wish, darfox with the crime drama about a legendary hitman in The Fable, and dakazu brings the grotesque horror of Starving Anonymous! Remember to send us emails! mangamachinations@gmail.com Follow us on Twitter! @mangamacpodcast Check out our tumblr! http://mangamachinations.tumblr.com Join our Discord server and come talk to us! http://discord.me/mangamac Timestamps: 00:00:00 - Intro Song: “Uso No Hibana” by Kuroneko from Scum’s Wish, Opening, Introductions 00:01:02 - Listener Questions: Giving our picks for manga with good endings 00:08:52 - The Manga Machinations authoritative official anime canon list 00:11:13 - an important announcement about fixing our discord server, shout-out to Iyasu in the Manga Translation Battle 00:14:40 - Whatchu Been Reading: Transition Song: Dragon Ball Z OST “Prologue”, darfox talks about the roundabout progression in harem manga like We Never Learn 00:20:22 - dakazu revisits Himegoto: Juukyusai no Seifuku and realizes it has the same appeal as a daytime soap opera 00:31:36 - News: Upcoming movie adaptation of Flowers of Evil and anime adaptation of Dorohedoro 00:37:34 - Crowd funding has secured the creation of a life-size statue of Punpun to be on display at Inio Asano’s world exhibition Ctrl+T2 00:41:18 - Next Episode Preview and Rundown: Triple Dip where we read the first volume of three different manga, including: Give My Regards to Black Jack by Shuho Sato, Higanjima by Koji Matsumoto, and Kasane by Daruma Matsuura 00:44:32 - Main Segment Triple Dip: Starving Anonymous/Scum’s Wish/The Fable, Transition Song: “Heikousen” by Sayuri from Scum’s Wish, we’ve read the beginning of each manga for discussion and to see if we’ll keep reading it before picking our favorite 00:45:23 - Starving Anonymous by Yuu Kuraishi & Kazu Inabe 01:00:39 - The Fable by Katsuhisa Minami 01:12:03 -Scum’s Wish by Mengo Yokoyari 01:25:10 - Next Week’s Topic: Give My Regards to Black Jack & Higanjima & Kasane, Social Media Rundown, Sign Off Song: “wish men” by sunbrain from Beet the Vandel Buster
The guys from Random Movie Roulette - Louis, Mike, and Jack - bring us an accidental joint Ghost Host Sanctum with Kuroneko and Green Room! Check out our guest episode on RMR and go listen to their FANTASTIC show, if you haven't already! On Twitter - @RMRoulette On Facebook - https://www.facebook.com/RMRoulette/ Jack - @JspJack Louis - @LouisOreo Read Louis's work on Heroic Hollywood: https://heroichollywood.com/author/louis-otero/ Mike - @RMRCyborgMike Read Mike's work on Before the Cyborgs: http://beforethecyborgs.com/author/mikepisacano/
Host Stuart Wright talks with Anna Bogotskaya and Olivia Howe (aka co-founders of feminist horror film collective THE FINAL GIRLS) about their weekend programme at the Masonic Lodge (East London) at the East End Film Festival. Final Girls presents... She's Right Behind You takes place weekend of Saturday 21 April/Sunday 22 April The Uninvited (1944) and Kuroneko (1968) are showing Saturday 21 April (plus a panel discussion about archetypes, female ghosts and their hidden feminist powers) The Others (2001) and Whispering Corridors (1998)are showing Sunday 22 April. For more details and tickets see http://www.eastendfilmfestival.com/programme-archive/final-girls-present-shes-right-behind/ Explore the intersections of horror and feminism further at https://www.thefinalgirls.co.uk You can support the @Britflicks podcast by pledging money via www.patreon.com/stuartwright, subscribing to it via iTunes or leaving a review - this helps attract more listeners. Podcast from www.britflicks.com "Carefree" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 creativecommons.org/licenses/by/3.0/ Gaslamp Funworks by Kevin MacLeod is licensed under a CC Attribution 3.0. incompetech.com/music/royalty-fre…isrc=USUAN1100826.
Did you know that Kuroneko means “Black Cat” in Japanese? I hope everyone enjoyed their holidays! We both really enjoyed Kuroneko. In the podcast, you can hear us discuss some of the interesting pieces of this film. Andrew specifically called out the sound design. We also talked about interesting uses of symmetry and juxtaposition throughout. […]
All About The Money v When Animals Dream on the roulette, another exciting round of Theater Ticket Lottery, and we chat Justice League, Cult of Chucky, Free Fire, Don't Breathe, Parents, Good Tidings, Sorcerer, Kuroneko, Rogue One, Star Wars VII: The Force Awakens, Camp Killer, and much more!
I had the honour (0.5 points of Glory for my Kakita Courtier actually), of joining the crew of the most excellent Shadows of The Cabal (another proud member of The RPG Academy) for a GMT afternoon/EST night. However there was no sweet nor bitter Legends of The Five Rings actual play awaiting me(yet), but instead a review of the... Continue reading Shadows Over the Cinema - Kuroneko (1968) with Kalum
Beware black cats. And strange people in the night. And…well, a lot of things. But for Samurai, you might not want to escort that woman back home through the bamboo grove. Join us this week for our discussion of Kuroneko.
Hell Baby v Backcountry on the roulette, and we chat Kuroneko, What Happened to Monday?, Split, Arrival, Enigma, Alien 2: On Earth, The Great Alligator, Thick as Thieves, A Million Ways to Die in the West, Nightmare on Elm Street 2: Freddy's Revenge, Suspiria, and much more!
Nathan's Mix Episode 19 - Download it now to listen it offline! Hello all! I say number 19, you say here! :D Good listenning! 1.Lyon X Sapphire by Klahr2.Chronos by JAGGS & Dropgun3.Panda Winner by Quintino Vs. Designer4.Kuroneko by Koinu5.Graveyard by Kura6.Vegas by Alvaro x Lil Jon x Jetfire7.Feel Your Love Feat. Jamie Lewis) by Flux Pavillon & NIGHTMRE8.Island by Dimitri Vegas & Like Mike9.The New Normal by Alpharock10.Hey Voorhees (Nathan Laure Mashup) by Fais feat. Afrojack Vs. Munar Feat. Ambush11.Phunky by Zaxx12.Roll Up by Loopers13.Meet Her At Tomorrowland by Dimitri Vegas & Like Mike14.Hu Ha by Mr. Black & WAO15.Porcelain (Sick Individuals Remix) by Moby16.Not Alone by Mako, Paris & Simo17.I Can Fly by Jewelz & Sparks18.MYB (We The People Remix) by Paul Dluxx & GRVYRDS19.Go (Hardwell Remix) by Moby Thank you for listening to this week's podcast!
This week, longtime fan of the show and pop punk afficionado Autobite (@autobite) joins us to mourn our favorite ape. We miss you Harambe. Notes: Pop Punk Earth Protection, The Yoshi/Sonic conundrum, What’s your cuck area?, Atheist Greasers, Russ’ Spaghetti Incident, Harambynne, Counting Crow Punk, Littlefinger and Kuroneko are the same character, Back to the Zero Dark Thirty, More Harambe discussion (Music for this episode was done by Autobite. You can check out more of his stuff here https://soundcloud.com/autobite)
Welcome to the latest episode of Hero Hero Ghost Show! This time around, we set the Asian horror wayback machine (AHWM) to 1968 and the Kaneto Shindo ghost story, Kuroneko. Joined by The Podcast Under the Stair’s Duncan McLeish, we dive into the traditional aspects of the story, what we would do for a goblin cat, alternate Fred Flintstone catchphrases, pink cinema, dubbed laughter and what a pain it is to hand someone something in feudal Japan. Finally, you can join us on Facebook here and subscribe on iTunes (and leave us a review) here! Opening Song: Light My Fire by Kotoko Closing Song: Wonderful World by Plastic Soul Band See you next week for a brand new episode! The post Hero Hero Ghost Show! Episode 9 – Kuroneko appeared first on Legion.
Welcome back to Hero Hero Ghost Show! So, apologies for the delay in getting the latest episode to you, but scheduling and life conspired to derail us for a couple of weeks. We’re back with a vengeance, however. This time around, Kiss the Goat and Screen Kings host Jeffrey X Martin joins us to discuss the 1977 classic (?) Hausu. Most times when you wonder how a movie got made, it’s due to the inherent awfulness of the film. In the case of Hausu, it’s a minor miracle. Hausu is weird, free-wheeling haunted house hijinx, and, in the spirit of the movie itself, we discuss the strangeness of the film’s plot, how a movie like this DID get made, subtle allegories involving rooms filled with blood and young girls, the downside of witch-cat ownership and whether or not Eddie Deezen was in Midnight Madness. Can you place all the references dropped in this episode? Finally, you can join us on Facebook here and subscribe on iTunes (and leave us a review) here! Opening Song: Devil’s Party by Crossfaith Closing Song: Neo-Japanese Heroine by exist’trace See you next week for Kuroneko with Duncan McLeish of The Podcast Under the Stairs and Chronicle! The post Hero Hero Ghost Show! Episode 8 – Hausu appeared first on Legion.
Never Go Full Tarantino This week none of us were as malicious as we expected, turns out we must like each other or something. In off the Shelf, we looked over last week's recommendations. Rob with Mulholland Drive, Aidan with Spring, Graham and I Live in Fear with Ryan closing it out with Kuroneko. Film of the Week was Quentin Tarantino's epically epic Hateful Eight.
Jack may put a pox on the 2 minute movie mile (or Triple M for short) but he's going to do it anyway! Another day, another episode of the Wages of Cinema, and there's another boatload of classics and new films, ranging from the latest from George Clooney to a British classic with Alec Guinness, two by David Lynch and two by Thomas Vinterberg, and a claymation movie about... Mark Twain? Starting at 7:40 in we talk about in order: 1) TOMORROWLAND (2015) 2) LOST HIGHWAY (1997) 3) FAR FROM THE MADDING CROWD (2015) 4) MULHOLLAND DRIVE (2001) (again) 5) THE HUNT (2013) 6) KURONEKO (1968) 7) KIND HEARTS AND CORONETS (1948) 8) FANTASTIC PLANET (1973) 9) CLOUDS OF SILS MARIA (2014) 10) THE ADVENTURES OF MARK TWAIN (1985) 11) WARRIOR (2011) 12) CHARADE (1963) 13) MARY & MAX (2009) 14) DAISIES (1966) More to come, stay tuned! facebook.com/wagesofcinema
Programa emitido el 24 de mayo: La experiencia de Shiki & Erico presentan a Miku Cinderella, Kuroneko y Kaori, quienes formarían parte de un nuevo programa llamado "Hora de Lolis", sigan sus programas en http://www.ivoox.com/escuchar-hora-lolis_nq_77411_1.html En este programa se desvaría por: - Tembloooor... que hubo en México - Madrecitas santas. - La autoridad del -autonombrado- supremo líder del programa. - Algunas anecdótas de la señorita Erico. - El odio -cof envidia cof- de Shiki con Android. - El amor de Miku hacia Android. - Pobreza ¿quién es pobre? - De alguna forma del manga semanal de Naruto. - Deseos (sí, deseos) de los locutores presentes. - Pechos y su comparación (con yuri y yaoi incluido) - También un poco de mangas semanales, incluido Bleach y otros. - Yuri y yaoi ¿se comparan? (re-hardcore incluido) - Del régimen de Maduro y otras dictaduras (o solo pendejos, como Peña Nieto) - Pelea de lolis en fango. No olviden escuchar el nuevo programa de JapanNext: "Hora de Lolis" (link arriba) todos los domingos a partir de... (horarios aquí: http://japan-next.blogspot.mx/)
This weeks features are: The Green Slime, Kuroneko, and a psychadelic slice of weird featuring the Monkees called "Head". One of these movies is incredibly divisive, one is wholely agreed upon and one is the greeeeeen sliiiiiime. Drunk dial us! - (510) 698-9066Drunk Email us! - CinemaDiabolica@gmail.comDrunk Subscribe! -http://feeds.feedburner.com/cinemadiabolica
Large William reviews Kuroneko (1968) directed by Kaneto Shindo!!! Emails to midnitecinema@gmail.com Voicemails to 206-666-5207 Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message
The New York Cine Radio Halloween-er Special, Friday the 13th, Child's Play, Halloween, Kuroneko and Hitchcock with Interviews Chris Ferry and comic book expert professor James Richardson. Host Ken Powell, Thomas Edward Seymour and Dave Leute!Death Story IndiegogoSalvage Trailer (starring Chris Ferry)
Kaneto Shindo et lhéritage du cinéma d'horreur nippon. Aujourd'hui, on remonte aux fondements du cinéma d'horreur japonais, question de dénombrer les codes qui hantent le genre depuis plus de 10 ans (pas seulement au Japon par ailleurs) On parlera plus particulièrement de Kaneto Shindo, , le grand-père illégitime du genre et de ces films Onibaba et Kuroneko. On vous parlera aussi d'un film peu connu mais étrangement visionnaire, A page of madness, film de 1926 réalisé pas Teinosuke Kinugasa, Un chien Andalou avant l'heure.
Kaneto Shindo et lhéritage du cinéma d'horreur nippon. Aujourd'hui, on remonte aux fondements du cinéma d'horreur japonais, question de dénombrer les codes qui hantent le genre depuis plus de 10 ans (pas seulement au Japon par ailleurs) On parlera plus particulièrement de Kaneto Shindo, , le grand-père illégitime du genre et de ces films Onibaba et Kuroneko. On vous parlera aussi d'un film peu connu mais étrangement visionnaire, A page of madness, film de 1926 réalisé pas Teinosuke Kinugasa, Un chien Andalou avant l'heure.
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