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In this episode of MFM Speaks Out, Dawoud Kringle comes out of retirement to present a 2023 retrospective. We will share some of the content we brought to you in 2023, and enjoy a few other surprises as well. Our guest for the January episode was Haana. Haana is a violinist, vocalist, electronic music artist, visual performer, and entirely self-contained as a one-woman orchestra. She played with Kanye West, and Alvin Ailey, as well as festivals such as Joshua Tree Festival and Coachella and others in the US, Canada, UAE, and Australia, Barack Obama's inaugural ball, and at Michael Jordan's wedding. Haana has endorsement deals with Ableton, Native Instruments, Even Headphones (manufactured by Blue Microphones), and Realist Violins. She appeared in ads for Intel, Harvey Nichols, Nike, Ferrari, and Apple Computers. In addition, she has experience as a film composer and does artist mentorship/marketing, branding, and production consultation. In February, MFM board member and co-producer of this very podcast Adam Reifsteck joined us for a very fascinating discussion. Adam is a New York-based composer, electronic music artist, producer, entrepreneur, and music activist. He writes for small ensembles, produces electronic music, and performs improvised group compositions on Wi-Fi-connected laptops. He has collaborated with string quartets, university choirs, and visual and electronic artists. His approach to composition includes elements of improvisation. He is a recipient of grants from the Lower Manhattan Cultural Council, the Irving S. Gilmore Foundation, and the Kalamazoo (MI) Community Foundation. His music has been performed by the Attacca Quartet, Amernet String Quartet, Cadillac Moon Ensemble, Duquesne University Chamber Singers, Flutronix, Gaudete Brass Quintet, Mana Saxophone Quartet, Western Michigan University Chorale, and many other ensembles. Adam is also an active recording engineer and producer whose studio alias SONIC FEAR has become synonymous with lush, genre-bending sounds—from dance floor-ready tracks to downtempo meditations. He is the founder and CEO of Teknofonic Recordings, an independent record label and artist development platform providing electronic musicians with learning resources, networking opportunities, and career support. Adam holds a master's of music degree in composition from Western Michigan University and a bachelor's of music in music technology from Duquesne University. He is a member of Broadcast Music Inc., the Society of Composers and Lyricists, the Recording Academy, the Audio Engineering Society, and Musicians for Musicians. Our March episode was a landmark. We interviewed Keyna Wilkins, the first MFM member from Australia. Wilkins holds a Master of Music Composition at Sydney Conservatorium, studied composition, classical and jazz piano, and classical flute with several prestigious instructors, and intuitive conceptual improvisation with Tibetan Buddhist musician Tenzin Cheogyal. holds an MA in Flute Performance at Bristol University (UK) in 2008. She is known as a soloist and leader of cutting-edge ensembles and has written over 60 compositions, including 4 major orchestral works. Her works have been commissioned and/or performed by ensembles such as The Metropolitan Orchestra, Syzygy Ensemble, Elysian Fields, The Sydney Bach Society, and many others. She has released 9 albums of original music on all streaming platforms including 4 solo albums. Wilkins is also an Associate Artist with the Australian Music Centre and has five tunes in the Australian Jazz Realbook. She also writes music for films and theatre including the short film "Remote Access" which won Best Short Film at the Imagine This International Film Festival in New York in 2019 and her works are featured on ABC, Triple J, Fine Music FM, Cambridge Radio, SOAS London and many more. Her music is published by Wirripeng and she is a member of Musicians for Musicians. MFM member Sylvian Leroux was our guest in April. Sylvian is a flutist, saxophonist, guitarist, composer, arranger, bandleader, educator, inventor, and prominent member of Musicians for Musicians. Sylvain Leroux grew up in Montreal where he studied classical flute at Vincent d'Indy; and improvisation and composition in New York at the Creative Music Studio where he attended classes by luminaries Don Cherry, the Art Ensemble of Chicago, Karl Berger, Cecil Taylor, and many others. A pioneer of African/Jazz collaborations, Sylvain is a foremost player of the Fula flute, the traditional flute from Guinea. He was selected as “Rising Flute Star” by the Downbeat Magazine Critics' Poll for many years, achieving the #2 spot in 2019. As a bandleader, he brought traditional West African music to Zankel Hall with his Fula Flute Ensemble and held the fort for more than a decade at New York City's Zinc Bar with his African Jazz group “Source”. His 2002 CD “Fula Flute" achieved cult status, and stimulated a worldwide interest in the instrument. His 2012 album “Quatuor Creole” was hailed as “a perfect contemporary music release.” He curated New York's “Griot Summits” which featured performances by 25 West African griots from five countries. He has performed and recorded with Emeline Michel, Adam Rudolph, Karl Berger, Hassan Hakmoun, Billy Martin, and many West African stars. As a maker and seller of Fula flutes around the world, he invented and patented the Qromatica, a Fula flute capable of chromatic functionality. This led him to initiate "L'ecole Fula Flute", a music literacy project that graduated many excellent young flutists who are now re-energizing an endangered flute tradition. Our May 2023 episode featured Mark Chimples, a.k.a. Mark C. Mark is the guitarist and synthesizer player with Live Skull. Formed in 1982, Live Skull is considered by many aficionados to be the quintessential New York City noise band. Rising concurrently with bands such as Sonic Youth and Swans, Live Skull helped define the post-No Wave underground "noise rock" in the 1980s music scene in New York City. Over the following decades, Live Skull released five albums and three EPs with a rotating cast of 11 members, all of whom added new ideas to the group's evolving sound. Themes of struggle and chaos permeated and inspired their music. Their constant progression inspired New York Times critic Robert Palmer to call them “as challenging, as spiritually corrosive, and ultimately as transcendent as Albert Ayler's mid-'60s free-jazz or the implacable drone-dance of the early Velvet Underground. It's one of the essential sounds of our time." Music on this episode:Haana - Bison RougeAdam Reifsteck / Sonic Fear - AuroraKeyna Wilkins - Floating in SpaceSylvain Leroux - In Walked BudLive Skull - Party ZeroSpaghetti Eastern - Jungle BlueArturo O'Farrill and the Afro Latin Jazz Orchestra - Amidst the Fire and WhirlwindDave Liebman - Journey Around Truth SoSaLa - Dadada Dadada DaaDawoud Kringle - Keep Trying CreditsProducer and host: Dawoud KringlePublisher: Musicians For Musicians (MFM), Inc. and Sohrab Saadat LadjvardiTechnical support: Adam ReifsteckLinksBe sure to follow and tag MFM on Facebook ([https://www.facebook.com/M4M.org/] and Instagram (https://www.instagram.com/mfm_association/).
Sneaking into punk clubs, recording with Don Zientara in high school, working with a record label run by a woman, and the intersection of time, age, and notoriety are part of Hilary's conversation with guitarist and vocalist, Thalia Zedek. Huge thanks to this episode's sponsors! EarthQuaker Devices- extra special effects pedals made by hand in Akron, OH! Stompbox Sonic- personalized pedal curation and sales in Somerville, MA! Holcomb Guitars- custom guitars and mobile guitar repair in RI/MA! Distrokid- get your music on streaming services (Mid-Riff listeners get 30% off with this link!)! THALIA's BIO Guitarist/vocalist Thalia Zedek began playing in bands and recording soon after moving to Boston from Washington D.C. in 1979. In 1986, Thalia's 3rd band, Uzi, released an EP on Homestead Records called “Sleep Asylum” which was later reissued by Gerard Cosloy on Matador Records in 1993. After Uzi broke up Thalia joined established noise rock band Live Skull on lead vocals and relocated to New York. She recorded 2 albums and an EP with them before returning to Boston and founding the band Come in 1991. Come released 4 albums and numerous EP's and singles on the Matador, Sub Pop, Domino, Glitterhouse and Placebo labels. Their full catalogue is currently being reissued on Fire Records. In 2001 Thalia started releasing solo records under her own name, first on Matador and Kimchee Records and then on the Thrill Jockey label where she continues as an active recording artist to this day. In addition to her solo work Thalia also records and performs with the Thalia Zedek Band and her newer band E, a trio that she started in 2013 with Jason Sanford of Neptune. She was also a member of the now defunct experimental group tK E has released 2 singles, a cassette, 3 LP's and an EP and are currently working on their 4th LP. Thalia continues to tour in the US and internationally with the Thalia Zedek Band and E, as well as the band Come, who reunited to tour in support of their recent reissues. Her most recent releases are 2021's “Perfect Vision” LP on Thrill Jockey by the Thalia Zedek Band, and 2022's “Any Information” EP by E on the Czech label Silver Rocket. In 2023's E released 7inch “Live at Cave 12” on the 100% Breakfast label. THALIA's MENTIONS The Cramps / Urban Verbs / Patti Smith / The Ramones / Deceits / The Razz / The Nurses / Fingers of Shame / The Shirkers / Limp Records / Stiff Records / Don Zientara / Inner Ear Studio / Jason Sanford / Alec Tisdale / Volcano Kings / Gavin McCarthy / Karate / Ernie Kim / Bob Dylan / Eric Clapton / Dave Davenport / Steve Miller Band / Berklee / Mr. Music / Bettina Richards / Thrill Jockey Records / Boston RPM / Karen Sarkisian / Handsy / Nurse and Soldier / Hidden Fountain / Cortez / Gibson / Peavey / Fender / Danelectro / Silvertone / Hagstrom / Kent / Ampeg / Music Man / Other Space Electronics / Dwarfcraft Devices / Electro-Harmonix / EarthQuaker Devices / Tokai / Ibanez / Boss THALIA's LINKS Thalia Zedek Band website Thalia Zedek Band Facebook E website E Bandcamp E Facebook tK Bandcamp tK Facebook MID-RIFF LINKS Website Instagram Facebook Newsletter Blog Handsy Gender and Music Gear Experiences Report Thanks for rating/reviewing on Apple Podcasts! Support Mid-Riff by shopping on Reverb! Check out more from Ruinous Media! Bumper Music: “Smoked” by Thalia Zedek Band Theme Music: "Hedonism" by Towanda Artwork by Julia Gualtieri
This week's show, after a 1967 Buffalo Springfield belt: brand new Lovejoy, Chime School, Tombstones in Their Eyes, Live Skull, Daughter, Kristin Hersh, and Rufus Wainwright, plus The Beatles, Love, Delroy Wilson, Tornadoes, Carl Perkins, Jan & Dean, a...
"We Had Changes We'd Never Thought of That Created Surprise and a Chaotic Feel."Our guest for this episode of MFM Speaks Out is Mark Chimples, a.k.a. Mark C. Mark is the guitarist and synthesizer player with Live Skull. Formed in 1982, Live Skull is considered by many aficionados to be the quintessential New York City noise band. Rising concurrently with bands such as Sonic Youth and Swans, Live Skull helped define the post-No Wave underground "noise rock" in the 1980s music scene in New York City. Over the following decades, Live Skull released five albums and three EPs with a rotating cast of 11 members, all of whom added new ideas to the group's evolving sound. Themes of struggle and chaos permeated and inspired their music. Their constant progression inspired New York Times critic Robert Palmer to call them “as challenging, as spiritually corrosive, and ultimately as transcendent as Albert Ayler's mid-'60s free-jazz or the implacable drone-dance of the early Velvet Underground. It's one of the essential sounds of our time." Topics discussed:The beginning of the No Wave scene and how it emerged from the savage and atavistic Lower East Side of New York City in the 70s and 80s, how Live Skull formed in 1982, where the term "No Wave" came from, Live Skull's relationship with other bands on the scene like Sonic Youth, The Swans, The Lounge Lizards, Theoretical Girls, Tone Death, Television. Suicide, Teenage Jesus and the Jerks, Lydia Lunch, how no wave influenced other art forms such as visual art, dance, and film, how no wave related / coexisted with other scenes such as Downtown music scene, punk, etc., some of the main venues the no wave scene thrived in, the artistic visions behind Live Skull's music videos, how Live Skull was received in other parts of the country, Live Skull's break up in 1990, Mark's involvement in Spoiler, Int'l Shades, Fuse, and SoSaLa, how they translated the No Wave aesthetic into the 90s, Live Skull's reunions, how logistics and economics of touring change since Live Skull began touring and how it works in the post-pandemic era, physical media releases vs. digital releases, music activism and Mark's involvement with MFM, the rise of AI in music and art and how musicians should deal with it, and Live Skull's cultural relevance in the mid 21st century.https://liveskull.bandcamp.com/ Music featured in this episode:1) Mad Kingship2) Hit So Hard3) Party Zero(From the album "Party Zero by Live Skull. Used with permission)
This week's show, after a 1992 Sugar trill: brand new Damned, Eyelids, Tubs, Live Skull, Reds, Pinks & Purples, Tombstones in Their Eyes, Pia Fraus, and Shirley Collins; plus Bo Diddley, Paul McCartney, Sam & Dave, Jeannie Seeley, Jacob Miller, Marilyn...
This week's show, after a 1966 McCartney warble: brand new Eyelids, Black Watch, Live Skull, Lemon Twigs, Successful Failures, Peter Case, and Jim Corradi/Music Will; plus The Beatles, Larry Williams, Peter & Gordon, Shocking Blue, Rufus Thomas, Tammy ...
Thalia Zedek in conversation with David Eastaugh American singer and guitarist. Active since the early 1980s, she has been a member of several notable alternative rock groups, including Live Skull and Uzi both of which, according to Spin magazine, "made big noise in the underground", and Come. Critic Heather Phares writes that Zedek's music can be defined by "the permanent, aching rasp in her voice, her guitar's bluesy bite, the startlingly clear-eyed lyrics about life and loss."
Interview No 90 with Mark C of the New York post punk band Live Skull! Formed in 1982 and after a 30 year hiatus the reunited band is off on an east coast tour with 2 new records under their belt.Emperor Cabinets can be found at emperorcabinets.comMusic in the intro ad by Adrian VinoMusic placed in the podcast intro:Frodus: "There Will Be No More Scum" off the record "And We Washed Our Weapons In The Sea"
Martin Bisi in conversation - B.C Studio - in conversation with David Eastaugh In 1981, he started B.C. Studio (initially named OAO, Operation All Out, Studio) with Bill Laswell and Brian Eno in the Gowanus section of Brooklyn, where he recorded much of the No Wave, avant garde, and hip-hop of the early 1980s including Lydia Lunch, Live Skull, Fred Frith and Afrika Bambaataa. In 1982 he recorded the instruments for the first song Whitney Houston recorded as a lead singer, "Memories" off of Material's One Down LP. Soon after recording Herbie Hancock's "Rockit", Bisi split from Bill Laswell but continued working from BC Studio till present time, with a specialty in loud, dense sound, such as Foetus and Serena Maneesh. In 2021, he worked with the Hypnagogia album of Travis Duo.
Thalia Zedek has been a force on the independent music scene since the early 80's and she's showing no signs of slowing down. It was an honor to have her as a guest on the show as we covered as much as we could of her storied career. From her early days with White Women and The Dangerous Birds, to Uzi, Live Skull, the amazing Come, and her fabulous solo career which is still going strong, with a new solo record and the 20th year anniversary of "Been Here And Gone" reissue on vinyl... Music The Charms "So Pretty" (theme song) Thalia Zedek "1926" Thalia Zedek "Fighting Season" Recorded by Mike Nashawaty on July 10, 2021 at Voice Motel, Somerville MA support the podcast: patreon.com/twistedrico --- Support this podcast: https://anchor.fm/blowingsmoketr/support
Tom and Jenny discuss an ultra-gory, Brazilian supernatural slasher movie that recently arrived on Shudder. Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like us on Facebook, and follow us on Twitter and Instagram. And check out our cool merch at our Zazzle store, and some board and card games designed by Jenny … Continue reading Matinee LIVE: Skull: The Mask (2020)
E is Gavin McCarthy (Karate, Beat Circus), Jason Sanford (Neptune), and Thalia Zedek (Come, Live Skull, Uzi). All three members join Free Association to talk about their new record Complications and guest DJ on a few inspired tracks. E, "Acid Mantle", Complications (2020) E, "Contagion Model", Complications (2020) E, "Dead Drop", Complications (2020) E, "Sunrise", Complications (2020) E, "Down She Goes", Complications (2020) Tara Jane O'Neil, "Happy Hour", Songs for Peacock (2020) Tropical Fuck Storm, "Brain Drops", Brain Drops (2019( E, "Caught", Complications (2020)
E is Gavin McCarthy (Karate, Beat Circus), Jason Sanford (Neptune), and Thalia Zedek (Come, Live Skull, Uzi). All three members join Free Association to talk about their new record Complications and guest DJ on a few inspired tracks. E, "Acid Mantle", Complications (2020) E, "Contagion Model", Complications (2020) E, "Dead Drop", Complications (2020) E, "Sunrise", Complications (2020) E, "Down She Goes", Complications (2020) Tara Jane O'Neil, "Happy Hour", Songs for Peacock (2020) Tropical Fuck Storm, "Brain Drops", Brain Drops (2019( E, "Caught", Complications (2020)
Thalia Zedek's distinctive voice and soul-baring songwriting have powered a series of bands, including Live Skull and Come, as well as her own solo career. On this episode, she discusses a seminal moment with Patti Smith, obscure Kentucky band Circle X, and her love of Nick Cave.
Hey y'all. Great to talk to one of my heroes! Someone who is so productive and involved in the Boston scene. She is amazing. And I am honored to talk to her. Thanks for listening. j. https://thaliazedek.bandcamp.com/ https://en.wikipedia.org/wiki/Come_(American_band) https://en.wikipedia.org/wiki/Uzi_(band) https://en.wikipedia.org/wiki/Live_Skull outro: Come "Half-life" Intro: Charlene "Cathode" --- Support this podcast: https://anchor.fm/aytag/support
Thalia Zedek & Chris Brokaw helped found the band Come in the early '90's in Boston. Before that Zedek had played in the bands Uzi and Live Skull, and Brokaw drummed for Codeine. Since Come disbanded in the early 2000's, both have gone on to maintain successful solo careers. They stopped by Louisville on a recent living room tour, and guest host Carrie Neumayer sat down to catch up with them. They talked about songwriting processes, the charm of intimate venues, politics in music, and more... This episode is sponsored by Guestroom Records, Heine Bros. Coffee, & Zanzabar.
Thalia Zedek came to Boston in 1979 and started her first band White Women and from there became ingrained the Boston music scene – a mainstay through an impressive string of different bands including Dangerous Birds, Uzi, Come and Live Skull, when she moved to NY for a brief stint. She currently has a trio called E with Gavin McCarthy and Jason Sanford, but focuses much of her energy on her solo work in the Thalia Zedek Band. Her most recent release is called Fighting Season that is in my opinion a perfect fit for a Fall Season playlist. The album has a raw power that you hear not only through her guitar but also in her mournful and earnest voice – backed by a fantastic group of musicians that includes violist Dave Curry, bassist Winston Braman, pianist Mel Lederman, and drummer Jonathan Ulman. Song List: Song 1: Fighting Season (Fighting Season) Song 2: Bend Again (Fighting Season) Song 3: JJ85 (You're A Big Girl Now) Live Songs: Song 1: Of The Unknown Song 2: Ladder
Engineer, producer, and musician Martin Bisi has been recording bands for over 35 years at B.C. Studios in the Gowanus section of Brooklyn and has a new collaborative record out called BC 35: The 35 Year Anniversary of BC Studio with members of many of the bands he recorded in the 80s and 90s such as Swans, Cop Shoot Cop, Foetus, Alice Donut, and Live Skull. Martin called into Free Association to talk about the record and we played some tracks from his long history as an engineer and producer recording some of the landmark underground rock records. Original air date: May 10, 2018 BC35, JG Thirlwell, Dana Schechter, Laura Ortman & The BC Radiophonic Choir, “Downhill”The 35 Year Anniversary of BC Studio Bronson Recordings 2018 BC35, Dan Kaufman, Brian Viglione, Jason LaFarge, Paul Wallfisch, Martin Bisi & Neil Exall “The Animals Speak Truth”The 35 Year Anniversary of BC Studio Bronson Recordings 2018 BC35 & Ajda The Turkish Queen “Take This Ride”The 35 Year Anniversary of BC Studio Bronson Recordings 2018 BC35 & New Old Skull (x-Live Skull) “Details of the Madness”The 35 Year Anniversary of BC Studio Bronson Recordings 2018 B35, Dave W, Rich Hutchins, Phil Puleo “Denton’s Dive”The 35 Year Anniversary of BC Studio 2018 John Zorn “WRU”Spy Vs. Spy: The Music Of Ornette Coleman Nonesuch 1988 CD Jazz Sonic Youth “Shadow Of A Doubt”EVOL Au G”o Go 1988 Rock Swans “Goddamn the Sun”Burning World UNI 1989 CD Rock Wreckmeister Harmonies “Descent into Blindness”The Alone Rush Thrill Jockey 2018
Engineer, producer, and musician Martin Bisi has been recording bands for over 35 years at B.C. Studios in the Gowanus section of Brooklyn and has a new collaborative record out called BC 35: The 35 Year Anniversary of BC Studio with members of many of the bands he recorded in the 80s and 90s such as Swans, Cop Shoot Cop, Foetus, Alice Donut, and Live Skull. Martin called into Free Association to talk about the record and we played some tracks from his long history as an engineer and producer recording some of the landmark underground rock records. Original air date: May 10, 2018 BC35, JG Thirlwell, Dana Schechter, Laura Ortman & The BC Radiophonic Choir, “Downhill”The 35 Year Anniversary of BC Studio Bronson Recordings 2018 BC35, Dan Kaufman, Brian Viglione, Jason LaFarge, Paul Wallfisch, Martin Bisi & Neil Exall “The Animals Speak Truth”The 35 Year Anniversary of BC Studio Bronson Recordings 2018 BC35 & Ajda The Turkish Queen “Take This Ride”The 35 Year Anniversary of BC Studio Bronson Recordings 2018 BC35 & New Old Skull (x-Live Skull) “Details of the Madness”The 35 Year Anniversary of BC Studio Bronson Recordings 2018 B35, Dave W, Rich Hutchins, Phil Puleo “Denton's Dive”The 35 Year Anniversary of BC Studio 2018 John Zorn “WRU”Spy Vs. Spy: The Music Of Ornette Coleman Nonesuch 1988 CD Jazz Sonic Youth “Shadow Of A Doubt”EVOL Au G”o Go 1988 Rock Swans “Goddamn the Sun”Burning World UNI 1989 CD Rock Wreckmeister Harmonies “Descent into Blindness”The Alone Rush Thrill Jockey 2018
THE WORLD IS AN OYSTER & WE'VE GOT BLAKE SCHWARZENBACH ON THE SHOW THIS WEEK!!! Right on the heels of Jawbreaker's recent show announcements, Blake took sometime out of the practice schedule to sit down & talk everything from The Wipers to Ratt to Econochrist. This one is so much fun, so kickback, relax & get ready…I GOT IT!!! Also Touched On: Blake Is stoked To Meet Damon From Blur Playing With Radiohead, Oasis & NO DOUBT Middle School In Portland An AMAZING First Grip Of Singles: The Wipers, Sado Nation and Echo & The Bunnymen Getting The Forgetters Sound Loving Post-Punk Guitars Growing Up A Music Kid Dad’s New Wave Girlfriend Pat Benatar & Loverboy Van Halen The Kinks Loving Palm Muted Guitar The Beat & Power Pop Moving To LA Going To The Palladium To See The Adolescents Meeting The New Romantics Getting Into The Paisley Underground: Where The Cool Kids Go Dream Syndicate: The Days Of Wine & Roses Seeing the Go-Go’s Give The Drummer Some: Starting In Music On Forming Red Harvest: The Surf Goth Power Trio E Minor C Progression: The Best Magnolia Thunderpussy SST Records Covering Bad Religion Boinker Music: New Wave Crap Renouncing Punk & Getting Into Metal Loving Sludgey Stuff… & Ratt Being Too Angry For Santa Cruz Getting Kicked Out Of College For Arson Going to NYU Reaching Synthesis Learning About East Coast Hardcore Loving The DC Scene Too Much Male Bravado In The CB’s Scene Flower: The Pre-Cell Band Live Skull Embrace Jawbreaker: The Result Of A Happy Failure Dramarama: The Root Of So Much Sending A Tape To MRR The First Show With The Post Three O’Clock Band At Club 88 The Partitions Of LA Government Issue At The AntiClub To LA Meeting Econochrist & Having A Firework Battle Bitchmagnet: An Amazing Band With A Terrible Name Getting On Boner Records… They Were Pretty Dark & MUCH, MUCH MORE!!!! BROUGHT TO YOU BY VANS