Podcasts about cbgbs

Matt Hoopes is back on the show! Blake and Matt catch up on all things Relient K—from packed DIY shows at Brown's Diner to opening for Avril Lavigne and Simple Plan. They dive into what it means to be a touring musician as a grown-up, the joys of building a “new boat” for the band, and why some of the most meaningful shows don't happen on giant festival stages. They also nerd out on pedal design, with Matt revealing the evolution behind 1981 Inventions' DRV and LVL circuits (spoiler: the new stuff is weird in the best way), plus boost pedal obsessions, collabs with Big Ear and EAE, and that legendary Tele Deluxe of his. If you're a fan of Relient K, boutique pedals, or Nashville pizza (yes, that too), this one's for you.

Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ.  Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen.  Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026.    Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ.  Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen.  Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026.    Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ.  Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen.  Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026.    Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ.  Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen.  Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026.    Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen's sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen's complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ.  Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen.  Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America's Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026.    Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max's Kansas City and lesser-known haunts like the Mercer Arts Center and Mother's that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.   Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023).  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max's Kansas City and lesser-known haunts like the Mercer Arts Center and Mother's that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.   Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023).  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max's Kansas City and lesser-known haunts like the Mercer Arts Center and Mother's that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.   Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023).  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max's Kansas City and lesser-known haunts like the Mercer Arts Center and Mother's that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.   Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023).  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices

In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max's Kansas City and lesser-known haunts like the Mercer Arts Center and Mother's that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.   Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023).  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Send us a textSpike Polite is the frontman of punk rock band Sewage and truly a NYC punk rock OG. Today he tell us wild stories of Thompkins Square riots, how he started his band, playing at CBGBs and some of the wild cats he met on his journey. Tune in and catch him at a show in the city!Follow Spike on Instagram - https://www.instagram.com/spikepolite_sewagenyc/ Buy me a coffee! - https://www.buymeacoffee.com/antoniob06p Follow The Smoking Simian on Instagram - https://www.instagram.com/thesmokingsimian/ Follow me on Instagram - https://www.instagram.com/antoniothecomical/ Follow Billy on Instagram - https://www.instagram.com/23dollarbill/ Share, like, comment and subscribe on The Smoking Simian YouTube - https://www.youtube.com/channel/UCFn3FPnTegakyd9YpoYfsQg Audio platforms - https://smokingsimian.buzzsprout.comSupport the show

////// Joey Wrecked Maya: From Miami's Early Punk Scene to NYC, Writing, and More //////"The Drummer From Miami Beach" Joey Wrecked Maya shares his story through Florida's punk and hardcore scenes—starting with his very first band Eclipse, and continuing with his main Florida band The Reactions. He also played in a number of other Florida punk bands including The Spinouts, Roach Motel, Menstrual Cycles, Crank, and more.Joey talks about growing up in Miami's early punk underground of the late 1970s and 1980s, the night Joey Ramone sang with The Spinouts at The Blitz in Hialeah, and later playing CBGBs with Battalion of Saints—a night he describes as both terrifying and one of the greatest experiences of his life.He also reflects on his time playing with the New York sleaze rock band Circus of Power alongside fellow South Florida alum Gary Sunshine (Screaming Sneakers), and his writing process behind his first book The Drummer from Miami Beach, as well as his unpublished follow-up, A Punk on Wall Street.

A prescient prediction about 28 Years Later. Big news on the Starbucks brownie front. My old acting teacher died. (Shockingly, not “of embarrassment” from watching me) Big news on the screenplay front. Bokes & I went to see Harley Flanagan from Cro Mag's new documentary, “Wired For Chaos.” I went to see Mark. Normand at the Comedy Store, and I did a little stand up m'self for the first time…in fuckin yeaz.

Founder of the pioneering band Cro-Mags, Harley Flanagan is a punk rock/hardcore legend who's defied the odds - along with neglect, sexual abuse, drugs, violence and PTSD -- and lived to tell the tale. The feature-length documentary, HARLEY FLANAGAN: WIRED FOR CHAOS, dives headfirst into the wild life and times of this larger-than-life icon and is a no-holds-barred ride, that isn't just about the music; it's about a man forged in fire who's lived to tell the tale.Raised by a Warhol Factory "it" girl, Harley was thrown into the Lower East Side's underground scene in the '70s. Left to fend for himself, by his teens, he was squatting in Alphabet City, stealing food, dodging gangs, and living in a world that he describes as "some serious Lord of the Flies shit." But, as his life descended into a hellish day-to-day, he was simultaneously becoming a punk rock legend: at the age of 11, he was drumming at CBGBs and Max's Kansas City with his aunt's band, the Stimulators. Sex, drugs and rock 'n' roll weren't a choice - they were survival. But Harley was a fighter. Whether on stage, in the streets, or in the Jiu-Jitsu gym with Renzo Gracie, he never backed down. As the ferocious frontman of the Cro-Mags, he pushed NYC Hardcore into uncharted territory. But violence, addiction and a traumatic past left deep scars. The streets made him, but they also nearly destroyed him.Directed and Produced by Emmy and Peabody Award-winner Rex Miller (Citizen Ashe) for Rexpix Media, and produced by Laura Flanagan, HARLEY FLANAGAN: WIRED FOR CHAOS dives deep into Harley's past, but it's not just war stories. It's about what happens after. Friends like Flea, Henry Rollins, Ice T, Roger Miret, Keith Morris, Michael Imperioli, Matt Serra, Jocko Willink, Darryl Jenifer, Glenn Danzig, Brooke Smith, Marcia Resnick, Kate Schellenbach and the late Anthony Bourdain reveal the man behind the legend - confronting demons, raising a family, and sharing the knowledge of his experience to help others. Harley Flanagan didn't just live hardcore - he is hardcore, and WIRED FOR CHAOS is his story - loud, unfiltered, and real as hell.Here's the trailer;Https://www.youtube.com/watch?v=ojOfP12Glok Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Founder of the pioneering band Cro-Mags, Harley Flanagan is a punk rock/hardcore legend who's defied the odds - along with neglect, sexual abuse, drugs, violence and PTSD -- and lived to tell the tale. The feature-length documentary, HARLEY FLANAGAN: WIRED FOR CHAOS, dives headfirst into the wild life and times of this larger-than-life icon and is a no-holds-barred ride, that isn't just about the music; it's about a man forged in fire who's lived to tell the tale.Raised by a Warhol Factory "it" girl, Harley was thrown into the Lower East Side's underground scene in the '70s. Left to fend for himself, by his teens, he was squatting in Alphabet City, stealing food, dodging gangs, and living in a world that he describes as "some serious Lord of the Flies shit." But, as his life descended into a hellish day-to-day, he was simultaneously becoming a punk rock legend: at the age of 11, he was drumming at CBGBs and Max's Kansas City with his aunt's band, the Stimulators. Sex, drugs and rock 'n' roll weren't a choice - they were survival. But Harley was a fighter. Whether on stage, in the streets, or in the Jiu-Jitsu gym with Renzo Gracie, he never backed down. As the ferocious frontman of the Cro-Mags, he pushed NYC Hardcore into uncharted territory. But violence, addiction and a traumatic past left deep scars. The streets made him, but they also nearly destroyed him.Directed and Produced by Emmy and Peabody Award-winner Rex Miller (Citizen Ashe) for Rexpix Media, and produced by Laura Flanagan, HARLEY FLANAGAN: WIRED FOR CHAOS dives deep into Harley's past, but it's not just war stories. It's about what happens after. Friends like Flea, Henry Rollins, Ice T, Roger Miret, Keith Morris, Michael Imperioli, Matt Serra, Jocko Willink, Darryl Jenifer, Glenn Danzig, Brooke Smith, Marcia Resnick, Kate Schellenbach and the late Anthony Bourdain reveal the man behind the legend - confronting demons, raising a family, and sharing the knowledge of his experience to help others. Harley Flanagan didn't just live hardcore - he is hardcore, and WIRED FOR CHAOS is his story - loud, unfiltered, and real as hell.Here's the trailer;Https://www.youtube.com/watch?v=ojOfP12Glok Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Founder of the pioneering band Cro-Mags, Harley Flanagan is a punk rock/hardcore legend who's defied the odds - along with neglect, sexual abuse, drugs, violence and PTSD -- and lived to tell the tale. The feature-length documentary, HARLEY FLANAGAN: WIRED FOR CHAOS, dives headfirst into the wild life and times of this larger-than-life icon and is a no-holds-barred ride, that isn't just about the music; it's about a man forged in fire who's lived to tell the tale.Raised by a Warhol Factory "it" girl, Harley was thrown into the Lower East Side's underground scene in the '70s. Left to fend for himself, by his teens, he was squatting in Alphabet City, stealing food, dodging gangs, and living in a world that he describes as "some serious Lord of the Flies shit." But, as his life descended into a hellish day-to-day, he was simultaneously becoming a punk rock legend: at the age of 11, he was drumming at CBGBs and Max's Kansas City with his aunt's band, the Stimulators. Sex, drugs and rock 'n' roll weren't a choice - they were survival. But Harley was a fighter. Whether on stage, in the streets, or in the Jiu-Jitsu gym with Renzo Gracie, he never backed down. As the ferocious frontman of the Cro-Mags, he pushed NYC Hardcore into uncharted territory. But violence, addiction and a traumatic past left deep scars. The streets made him, but they also nearly destroyed him.Directed and Produced by Emmy and Peabody Award-winner Rex Miller (Citizen Ashe) for Rexpix Media, and produced by Laura Flanagan, HARLEY FLANAGAN: WIRED FOR CHAOS dives deep into Harley's past, but it's not just war stories. It's about what happens after. Friends like Flea, Henry Rollins, Ice T, Roger Miret, Keith Morris, Michael Imperioli, Matt Serra, Jocko Willink, Darryl Jenifer, Glenn Danzig, Brooke Smith, Marcia Resnick, Kate Schellenbach and the late Anthony Bourdain reveal the man behind the legend - confronting demons, raising a family, and sharing the knowledge of his experience to help others. Harley Flanagan didn't just live hardcore - he is hardcore, and WIRED FOR CHAOS is his story - loud, unfiltered, and real as hell.Here's the trailer;Https://www.youtube.com/watch?v=ojOfP12Glok Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

For the 45th anniversary of The Feelies' classic debut album, Crazy Rhythms, we take a detailed look at how it was made. After the band formed as The Outkids in Haledon, New Jersey in 1976, Glenn Mercer, Bill Million and Dave Weckerman started playing with brothers Keith Clayton and Vinnie DeNunzio. They changed their name to The Feelies as they started playing gigs around New York City. At an audition night at CBGBs, they connected with sound engineer Mark Abel, who introduced them to manager Terry Ork. They began to get booked regularly and receive some press just as DeNunzio decided to leave the band. After placing an ad for a new drummer, they brought in Anton Fier, who had just relocated to New York from Clevenland. Weckerman also left around this time so the band lineup was solidified as a four piece. Rough Trade offered to release their debut single, which came out in 1979. For their debut album, they wanted to find a label that would allow them to produce. After signing with Stiff Records, they began recording at Vanguard Studios with Mark Abel co-producing. Crazy Rhythms was eventually released in 1980. In this episode, Glenn Mercer and Bill Million recall connecting as teenagers in suburban New Jersey over a shared love of the Stooges. Mercer describes arranging their songs around the drums and percussion parts, while bringing a nervous energy and quirkiness to his vocals and lyrics. Million talks about how their early experiences with recording helped them realize the necessity of producing themselves and how they waited for the right record deal that would give them a proper recording budget. They describe their joy of discovery in the studio and their process for coming up with spontaneous parts as they were eager to treat the studio as an instrument. From finding the right clean guitar sound to standing out in the New York punk scene to embracing the suburbs to the 1950s-inspired look of the band to taking inspiration from contemporaries like Jonathan Richman, Brian Eno, Mo Tucker, and Steve Reich to percussion played with random objects to making music on their own terms for nearly 50 years, we'll hear the stories of how the record came together.

The CBGB Festival celebrates New York City's gritty, sticker-covered past through the lens of the modern punk era, with a lineup bridging punk's origins to its future torchbearers.FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

First issues are hard. Last issues are hard. Second-to-last issues are hard. Maybe...all issues are hard? Book Club is back in session with creators Rick Quinn and Dave Chisholm, discussing Spectrum #5, the penultimate issue in their brilliant Mad Cave Studios series. With the end just around the corner (the final issue arrives in shops on May 21st, as does our final Book Club episode with Quinn and Chisholm, so mark your calendars), Spectrum #5 must elevate and explode a bunch of grandiose ideas about art that the comic has so far been teasing or suggesting. Spectrum #5 is a BIG comic following two central characters while traversing multiple timelines and encountering alternate-dimension stand-ins for iconic cultural figures and places from our world. Quinn and Chisholm might not say it, but we will: PBGBs is CBGBs, and Gloria Bell is Patti Smith. Half the pleasure of reading Spectrum is tracking their sci-fi alternatives of real-world legends, which recalls similar joys had when devouring Alan Moore and Kevin O'Neill's The League of Extraordinary Gentlemen. However, as Spectrum #5 ramps toward its fiery conclusion next month, the fervor with which Quinn and Chisholm explore vital artistry is the ultimate appeal. Why do humans sing? Why do they paint? Why do they tell stories to one another? During a moment when artistic expression is recklessly dismissed or downright eradicated, Spectrum #5 shows its readers how they're constantly engaged with creative expression and why only the most vile and pathetic people are detached from it. Last month's Spectrum Book Club was extremely process-heavy in its conversation. Now, for the penultimate issue, it's time to dig into the thematic weeds, have a serious chat about human connection, and worry not about labels of pretension. We're all friends here. Spectrum 1 - 5 are currently available from Mad Cave Studios, and the final issue will arrive in shops on April 21st. Make sure you're following Dave Chisholm on his Website, TikTok, Instagram, and Bluesky. And follow Rick Quinn on his Website, Bluesky, and Instagram. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Spectrum Book Club Part One Spectrum Book Club Part Two Spectrum Book Club Part Three Spectrum Book Club Part Four Four Color Fantasies Charity Sketch Cover Auction Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Join me as I speak with author, Madeline Bocaro, about her book "In Your Mind - the Infinite Universe of Yoko Ono." Madeline also write the Sparks Fan Club Newsletter! 

In this special simulcast edition of Zoom Into Books and The Big Time Talker Podcast, host Burke Allen sits down with New Jersey rock icon Wayne Oliveri, author of The Undiscovered Showman.Wayne takes us behind the scenes of his decades-long music career, from playing CBGBs alongside Blondie and The Ramones to his friendship with a young Jon Bon Jovi.He shares candid stories of near-misses in the music industry, the hard truths of rock and roll, and his continued passion for performing with his band, The New Bardots. If you've ever dreamed of life on stage, this episode pulls back the curtain on the highs, the lows, and everything in between.

From its roots as a railyard, through many changes, an association with P.T. Barnum, MURDER! & its move uptown, Madison Square Garden has always been at the forefront of entertainment and style! Early on, the guys reference an article by Bob Mayer, which you can read here! It gives more detail about the changes through the years. Ray delved into the various images of MSG, as it changed and moved, and has put together a cool blog about it. There's really more info than one episode or blog can cover, but it is a start. It also opens the door for other venues, although the boys have done an episode about the great CBGBs, which is also a Game Changer, for sure! One of the main things that happen at MSG are concerts, and in the second half, Markus and Ray discuss a shit ton of the concerts that have happened there, including some of their own experiences. From opening night through to today, it's all about The Gah-den!!! Learn more about your ad choices. Visit megaphone.fm/adchoices

From its roots as a railyard, through many changes, an association with P.T. Barnum, MURDER! & its move uptown, Madison Square Garden has always been at the forefront of entertainment and style! Early on, the guys reference an article by Bob Mayer, which you can read here! It gives more detail about the changes through the years. Ray delved into the various images of MSG, as it changed and moved, and has put together a cool blog about it. There's really more info than one episode or blog can cover, but it is a start. It also opens the door for other venues, although the boys have done an episode about the great CBGBs, which is also a Game Changer, for sure! One of the main things that happen at MSG are concerts, and in the second half, Markus and Ray discuss a shit ton of the concerts that have happened there, including some of their own experiences. From opening night through to today, it's all about The Gah-den!!! Learn more about your ad choices. Visit megaphone.fm/adchoices

Making a Scene Presents an Interview with Dean ZuccheroHailing originally from the streets of East Village, New York City, Zucchero cut his teeth in the bustling, industry-driven Manhattan music scene where songwriting and studio recording chops have long since been revered and rewarded. Cultivating these traits in the city's local dive-bar and cabaret music incubators such as CBGBs, The Bitter End, Dan Lynch Blues Bar, The Bottom Line and Manny's Carwash, with rock act Major Domo as well as local blues heroes Michael Powers, Popa Chubby, Sweet Georgia Brown and Frankie Paris, to name a few, Zucchero's consequent appreciation for melody, lyrical craftsmanship, arrangement, improv and an overall connection with urban multiculturalism finds deep prominence in his record. http://www.makingascene.org

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Matt Dresdner and Andy Kessler from the Gits are here to discuss the 2025 Sub Pop reissue of their excellent 1992 debut album, Frenching the Bully, moving to Seattle in 1989 before Nirvana broke, youthful record store hangouts, rock god encounters, CBGBs shows, and seeing Descendents, why Andy initially despised Matt, recalling their late bandmate Mia Zapata, where the Gits might've taken their music, if they see their influence in younger musicians, whether there're more stories to tell about the Gits, a Bob Dylan tangent, this weekend's Gits celebrations, future plans, and much more. Support vish on Patreon! Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #929: Bill Stevenson from Descendents, ALLEp. #900: Fugazi and Jem CohenEp. #875: Ann PowersEp. #872: Mike Watt and Papa MEp. #868: Kathleen HannaEp. #812: Michael Azerrad on ‘The Amplified Come As You Are – The Story of Nirvana'Ep. #764: MudhoneyEp. #109: Jello BiafraSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Christopher & Jobst im Gespräch im Gespräch mit Crocker. Wir reden über Lernen von Toxic Reasons, Kisten im Keller, Plattenläden, eine schwere Handverletzung, der Name Crocker, Thomas Gottschalk & die Dead Boys, Jethro Tull & Rory Gallagher, nicht gegen alles sein, Vater hat n Iro geschnitten, keine Nieten in Bottrop, Anti-Pasti auf der Lederjacke, Geröll-Bürgersteige, supertoller Zusammenhalt, spiel nicht mit den Schmuddelkindern, allem gegenüber offen zu sein, richtig große Scheiße bauen, Killing Joke, Esch-Haus mit Östro 430, "Drei Punker kippen Panzer um", ein Kanonenofen in der Zeche Carl, eine Mokick, mit 13 im Ratinger Hof, ein Mikro in eine Akkustikgitarre legen, covern mi Dead Rabbits & Totally Useless, mit GBH im Freiburger Crash, das Label hinter Upright Citizens, Live im Gartenhäuschen, die Plattenküche, die Bands Clox, Jello ruft bei Anton an, vegan essen mit den Bad Brains, die Stern-Brüder von BYO, Gary Tovar vom Coachella, live im CBGBs, fliegen mit People´s Express, Ruthie´s Inn in San Francisco, mit den Donots in Schüttorf, Crockers Initiative zur Hilfe beim Ahrtal, dann aber doch für die Ukraine, kurz vor der Wende in Ost-Berlin, Trabis mit Anhängern, Bestseller 12" von Iron Maiden & Duran Duran, Absacker mit Metallica, Crocker & Lars Ulrich, ein Reset von 100 auf Zero, doppelte Arbeitslosigkeit, anfangen zu gucken was geht, 495 Bewerbungen schreiben, eine SAP-Weiterbildung, Leitung einer Corona-Teststation, Akquise in der Erwachsenenbildung, es fehlt die Internationalität, im Radio Kopfhörer gewinnen, Kartoffel-Lauchsuppe mit Croutons, uvm. Zwei Songs für die Playlist: 1) Ein Song, den Crocker als 15-jähriger geliebt hat: THE SWEET - Ballroom Blitz 2) Ein richtig guter deutscher Punk-Song aus den 80ern: SLIME - ACAB

WOWZERS! December 1st is Sunday! Yesterday's Thanksgiving was the latest one I can recall in a very long time. Isn't it usually around the 20thor 21st? How did it happen to be so late in the month this year? The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!November 29, 2024, Friday, be careful and be kind out there…@Orbis 2.0 - TMA SHOW OPEN THEME@Jacie Madison & @The Knick Knacks - Oceans [La Rubia]@The Lightkeepers - Mae [Talking Man Blues]@Empty City Squares - Slip Into A Daydream [337]@The Searchers - Bumble Bee@The Toms - If I Am Dreaming [The Toms]@The Young Rochelles - Chameleon [Kicked To The Curb]@Paul Collins Beat - You Won't Be Happy@Quincy - Always In The News (Live at CBGBs) [35 Years On] (koolkatmusik.com)@Sweet Apple Pie - Gone [Between The Lines]@The Weeklings - Breathing Underwater [The Weeklings] (@Jem Records)@The Cynz - Rather Be Me [Five Mortal Cynz]@Marshall Holland - Waste Away Your Heart [Statistically I Should Say]@Lori Michaels - Drive The Car [IPO Vol 9]@John Howard - Snow [Collected] (koolkatmusik.com)@Sproutless - Spirit Us Away [Insights From Retrospect]@The Knack - (She's So) Selfish [Get The Knack]@Marc Ribler - The Whole World Awaits You [The Best Of Power Pop 2021]@The Dogmatics - Rockabilly Ramble [Dogumentary Bundle] (@Rum Bar Records)

This week we take a look back at some of our favourite books which all take place in the vibrant streets of New York City. This leading cultural epicenter gave birth to Debbie Harry, Bob Dylan, The Beastie Boys and Madonna while breakthrough Brits like Billy Idol and Vivienne Westwood set up shop. The seedy glamour of the punk scene to the discotheque and coffee houses of Greenwich Village played host to some of our most enduring icons. Travel back with us once again as we remember why we love New York Support the show

MONOLOGUE "Olivia Chow and Justin Trudeau: The Political Duo Destroying Toronto and Canada, One Bike Lane and Woke Policy at a Time!" The review of Richard Bilkszto's death is a complete and utter sham https://tnc.news/2024/10/15/levy-review-bilksztos-death-utter-sham1/  Sue Ann Levy – Award Winning Investigative Journalist with True North THE CULT OF CLIMATE CHANGE During 1879 the US was hit by six tropical storms, including two major hurricanes which strengthened very rapidly over a period of 24 hours. Claims that hurricanes are intensifying faster now are propaganda, not science. America Rejected Electric Cars Once Before  Tony Heller – Geologist, Weather Historian, Founder of Real Climate Science dot com Illegal Clone Records Discovered in Voter Registration Databases in At Least Seven States – Who is Responsible for these “Cryptographic Algorithms”? https://republic.us/people-news/9101  Jerome is a co-founder of God's Five Stones (https://godsfivestones.com/). Having received his Ph.D. from Harvard University's Department of Government in 1972, Jerome R. Corsi has published over thirty books on economics, history, and politics, including six New York Times bestsellers, two at number one. From 2004 to 2016, Dr. Corsi was a senior editor at WorldNetDaily.com, where he authored hundreds of articles. Dr. Corsi has decided to re-engage in the political discussion by establishing a new website and podcast, TheTruthCentral.com.  OPEN LINES THIS DAY IN ROCK HISTORY In 1972, Creedence Clearwater Revival officially disbanded, months after the release of their seventh and final studio album, Mardi Gras, and a year after the departure of founding member, Tom Fogerty. In 1976, Stevie Wonder‘s Songs In The Key Of Life went to No.1 on the US album chart. The seminal title, which features such songs as “Isn't She Lovely,” “I Wish,” and “Sir Duke,” became the artist's best-selling album and won Album of the Year at the 1977 Grammys. In 1982, Culture Club made a buzzworthy TV appearance on the UK's Top of the Pops, performing “Do You Really Want to Hurt Me.” After the performance, frontman Boy George became a fixture on magazine covers, while the song quickly rose up the pop charts. In 2006, the legendary New York venue CBGBs closed its doors after 33 years. While the club was first intended to be a hub for country, bluegrass, and blues artists, it eventually became synonymous with the underground punk and new wave scene and served as a platform for such seminal artists as Blondie, Television, and The Ramones. Jeremiah Tittle, Co-Host of "The 500 with Josh Adam Myers" podcast, CEO/Founder of Next Chapter Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick tells us about getting head at CBGBs. Actually, he gets Talking Heads when David Byrne gives out what may have been his very first autograph. -------------------------------------------------- ***http://distrokid.com/vip/tmep*** Get your original songs into Spotify, Apple, Amazon, Tidal, TikTok, YouTube, and more with DISTROKID. It couldn't be easier. You deserve VIP treatment. Get 30% OFF your first year subscription to DISTROKID at this special link. ***http://distrokid.com/vip/tmep*** -------------------------------------------------- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Website: https://tmepshow.com Social: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices

Hi there. This week Bono of U2 was apologising in 2014, it was the end of an institution in 2006, Blondie drummer Clem Burke remembers CBGBs and in 2005 Freddie Mercury's precious Rolls Royce fails to sell at auction. October 14th to 19th in Music History sounds like this

As music connoisseurs, we all have those past gigs we wish we would've caught. We were either to young or the venue was on the other side of the globe. Either way we'd all like to jump into Doc Brown's DeLorean and live those magical moments. How 'bout the Ramones at CBGBs? Or KISS in the 70s? Or how about a little band called Mantas during the demo days? Musical... The post Radioactive Metal 798: The Ones That Got Away appeared first on Shining Wizards Network.

As music connoisseurs, we all have those past gigs we wish we would've caught. We were either to young or the venue was on the other side of the globe. Either way we'd all like to jump into Doc Brown's DeLorean and live those magical moments.   How 'bout the Ramones at CBGBs? Or KISS in the 70s? Or how about a little band called Mantas during the demo days? Musical Nirvana for sure. Which gig did you wish you caught?   In our "News, Views and Tunes", we hit the comic and record shops and shout out "National Vinyl Record Day! Musically, we crank new + used from Discharge, Mantas (Death), Nasty Savage, Ripcordz, Fulci, Stretch Marks, Mekong Delta and introduce Canadian trad metallers Spectre in our "Indie Spotlight".   Horns Up!!

On the August 16 edition of the Music History Today podcast, the King of Rock and Roll & Queen of Soul are dead; long live the King & Queen. Also, the hair band era starts in earnest, the Ramones play at CBGBs, and it's Madonna's birthday, along with members of the Dixie Chicks, INXS, and Franz Ferdinand. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday  --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

On episode 72 we meet Gidon, The owner of Original Sin Cider. Gidon talks about the beginning of the brand from 1996, The growing pains, being in legendary bars in the lower east side collecting feedback and tinkering with his craft in a small upstate new york winery. Gidon then hustled his way numerous establishments and music venues such Raven cafe, CBGBs, Don hills and Rudys. During this time the brand started to receive wide acclaim from Publications such as the new york times,Paper Magazine, and Market Watch. Today you can find Original Sins unique and award winning cider in over 28 states, as well as oveeseas. Hear Gidon himself tell you about the rich history of the brand and the science of picking and growing apples. Tap in

One-two-three-four! The Ramones, a four-man rock band from Forest Hills, Queens, played the Bowery music club CBGB for the very first time on August 16, 1974.Not only would Joey, Johnny, Tommy and Dee Dee reinvigorate downtown New York nightlife here -- creating a unique and energetic form of punk -- but they would join with a small group of musicians at CBGB to revolutionize American music in the 1970s.In this episode we're celebrating the 50th anniversary of The Ramones' first performances in downtown Manhattan. But this also a tribute to New York rock music of the 1970s and to the most famous rock-music club in America.CBGB & OMFUG officially stands for "Country, Bluegrass, Blues and Other Music For Uplifting Gormandizers," and Hilly Kristal's legendary hole-in-the-wall music venue on the Bowery would be best defined by that "other music" -- namely punk, new wave and later hardcore.Over the course of 70 performances, the Ramones would perfect their sound and appearance on the ragged little stage here at CBGB, building upon musical influences like the local glam rock scene (The New York Dolls, Jayne County) and their own nostalgic callbacks to the Beatles.The mid-1970s CBGBs scene would produce other artists who would go on to mainstream, international fame -- Patti Smith, Television, the Talking Heads and Blondie. Not only would these artists become associated with the Bowery, but most of them would live on the surrounding streets.On this special episode, Greg is joined by an incredible roster of guests including Ramones record producer and engineer Ed Stasium; longtime CBGBs fixture BG Hacker; tour guide and Ramones fan Ann McDermott and music historian Jesse Rifkin, author of This Must Be The Place: Music, Community and Vanished Spaces in New York City.Visit the website for more information and imagesSee the Bowery Boys live at Joe's Pub this October!After listening to this show, check out the Bowery Boys podcasts on the history of the East Village:#416 Creating the East Village#417 Walking the East Village  

Jerry Harrison is a legendary musician, songwriter, and producer best known as the keyboardist and guitarist for the influential band Talking Heads. A key figure in the new wave movement, Jerry's innovative sound and creative vision helped shape the band's distinctive style. In addition to his work with Talking Heads, Jerry has a successful solo career and has produced albums for numerous acclaimed artists. His contributions to music have earned him a place in the Rock and Roll Hall of Fame, solidifying his legacy as a pioneering force in the industry. We talk about his time performing in NJ with Talking Heads, Asbury Park, Jon Bon Jovi, Remain In Light, Songs of Arthur Russel, knowing Talking Heads was going to have a cultural impact, David Byrnes's organization, CBGBs, Blondie, Patti Smith, misheard lyrics, social media, and more. Enjoy!

HardLore is honored to be joined by the Godfather of hardcore himself: Vinnie Stigma from Agnostic Front. A true pioneer of the genre and a living legend, Vinnie took us around his neighborhood in New York City, including the world famous former home of the legendary venue CBGBs. We learned all about his early days as a punk rocker, making the jump to hardcore, how much he misses playing in Madball and SO much more in these incredible 2 hours of the hardest lore yet. There's possibly no hardcore today without Vinnie and Agnostic Front's contributions to the genre, and there's certainly no HardLore. They say never meet your heroes.. They've never met Stigma. We can't thank everyone involved enough for making this happen. Vinnie, Mike Dijan, Tom Sheehan, our special guest co-host Dan Seely, Producer Andie Andres, PA Aaron Warman, and the incredibly talented Rob Menzer for bringing this insane journey to life. HardLore is now on Patreon! Join now to watch every single weekly episode early and ad-free, alongside exclusive monthly episodes: https://patreon.com/hardlorepod HardLore Official Website/HardLore Records store: https://hardlorepod.com Join the HARDLORE DISCORD: https://discord.gg/jA9rppggef This episode is brought to you by ATHLETIC GREENS! Try AG1 at athleticgreens.com/HARDLORE to receive a free 1-year supply of vitamin D and 5 travel packs of AG1. Get 20% OFF @manscaped + Free Shipping with promo code HARDLORE at MANSCAPED.com! #ad #manscapedpod FOLLOW VINNIE STIGMA: INSTAGRAM | https://www.instagram.com/stigma_nyc/ FOLLOW MIKE DIJAN: INSTAGRAM | https://www.instagram.com/mikedijan/ FOLLOW DAN SEELY: INSTAGRAM | https://www.instagram.com/freedomsteely/ TWITTER | https://x.com/FreedomSteely FOLLOW HARDLORE: INSTAGRAM | https://www.instagram.com/hardlorepod/ TWITTER | https://twitter.com/hardlorepod SPOTIFY | https://spoti.fi/3J1GIrp APPLE | https://apple.co/3IKBss2 FOLLOW COLIN: INSTAGRAM | https://www.instagram.com/colinyovng/ TWITTER | https://www.twitter.com/ColinYovng FOLLOW BO: INSTAGRAM | https://www.instagram.com/bosxe/ TWITTER | https://www.twitter.com/bosxe Check out our merch at https://knotfest.com/store/?view=hardlore Find all of our videos at https://knot1.co/3vWXsbx TIMESTAMPS: Episode Preview - 0:00 Intro - 0:26 St. Patrick's Cathedral - 1:58 The Ravenite's Club - 11:38 Vinnie's Stomping Grounds/Childhood - 15:21 CBGB - 25:27 Sally Donuts - 33:33 Murder Incorporated - 35:59 The First Pizzeria In America - 42:29 Pardon this interruption... - 43:37 Tour Stories & Pizza - 45:50 Don Fury - 58:12 Vinnie's Legendary Apartment - 1:03:11 Robin Williams - 1:11:16 Starting Madball with a 12 Year Old Singer - 1:14:06 NYHC Tattoo - 1:17:41 Would he play in a new band? - 1:19:30 "You can only lose honor." - 1:2236 Paulie the beer drinking dog - 1:25:13 Matt Henderson - 1:28:10 Cause for Alarm - 1:29:50 Witnessing the Evolution of Moshing - 1:31:05 Vinnie's Top 4 Hardcore Records - 1:35:20 "Who do you do?" - 1:37:00 The Golden Arches Question - 1:37:48 Ghosts... - 1:41:10 Final thank you's and goodbyes - 1:42:49

Check Alan out here: www.alanwalkermusic.net Born and raised in New York City, Alan Walker has been playing in clubs there since the mid-80s, with his first show at CBGBs and his first band Club Iguana. He is the former lead singer and piano & organ player of rootsy/melodic pop band, The Brilliant Mistakes, who were aptly named after a song by one of their songwriting mentors, Elvis Costello. The Brilliant Mistakes had a great run starting in 1993, releasing three albums (two with Schleifer producing) before stopping in 2012. The band frequented the downtown NYC club scene and, at one time, was a WFUV favorite, appearing live there as well as with Jerry Treacy on his 'Crash on The Levee' radio show. They were played by David Dye on WXPN's World Cafe as well as on Vin Scelsa's Idiot's Delight and performed at SXSW for a few years. Alongside his musical career, Walker works full time in book publishing (VP of Higher Education at Penguin Random House). He spoke more about it all in a 2019 podcast interview with Center Stage with Pamela Kuhn, who says he, "has put the polish on life as a popular musician while having an extended and successful livelihood in publishing... Every great composer has their own love of the marriage of music and word. And I can't help but feel that Alan Walker has kept his creativity fresh with his day 'gig' at Penguin Publishing that keeps honing his skills."Although the city definitely had an effect on who Alan Walker is, the songs he writes, and certainly the musicians he has become most closely involved with, he says, "I get just as much inspiration from being in the country, outdoors hiking with my dogs or on a road bike. I'm half city, half country boy, having grown up in NYC and the hills of Western MA. I'd like to think there is both humor and a subtle edge to my lyrics, which may be the city side of me, and also melancholy in my melodies, which is the country part, but then again, maybe it's not so simple, and it's all mixed up in the soup that my songs come out of." A Little Too Late is a follow-up to Walker's 2019 debut Something Up My Sleeve and will be released on June 28 on Aunt Mimi's Records. 

Ebet Roberts is an acclaimed photographer who captured the Punk and New Wave scene in New York City at CBGBs and Max's Kansas City during the heyday of bands like Blondie, Talking Heads, Television, The Ramones and also Miles Davis, Bob Marley, Prince. Her photos have been in Rolling Stone, NY Times and Newsweek and are in the permanent collections of the Rock and Roll Hall Of Fame and the Grammy Museum. Time Magazine recently featured her.My featured song is my version of Miles Davis's “Nardis” from my “lost” 1994 debut album Miles Behind. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“LOU'S BLUES” is Robert's new single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Intro/Outro Voiceovers courtesy of:Jodi Krangle - Professional Voiceover Artisthttps://voiceoversandvocals.com Audio production:Jimmy RavenscroftKymera Films Connect with Ebet atwww.ebetroberts.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Peter Baylis is from the Metropolitan suburb of Bexley. He left school and pursued his career in photography by starting in a processing lab. He learned his craft by taking as many photographs as possible and submitting them to photo editors and hope that they would use the image for a story.During his career Peter has photographed the great and the good. His first interaction with a celebrity was as an assistant's assistant was with Elton John. His most saleable image is of Eric Clapton and Pattie Boyd.Peter worked with the Who both as a photographer and security, David Carradine was the most awkward subject and Keith Moon one of the best!Peter took images of the then Prince Charles at Belmarsh Prison and the late Queen Mother who posed for him!It was a regular visitor called Guy Robin (French Music Journalist) Who introduced him to an unknown band formed by Gordon Sumner, Stewart Copeland, and Henry Padovani – The Police were photographed, Padovani replaced by Andy Summers and the rest as they say is history. Peter toured with the band and went to the iconic CBGBs in New York. Mel Brooks Pulled a “Goochie” at Peter in protest at the noise made by the camera, this image was captured and is iconic.Making requests of appropriate authorities Peter was able to spend time with the Paras, On a submarine and flew as a passenger on an F1-11! Having a brass neck was the greatest asset that Peter has!Pete Townsend and David Essex posed for Peter at the Cannes Film Festival. He snapped an image of David Cassidy as he left a theatre in Leicester Square.He was invited by the producer of Shout at The Devil to photograph Lee Marvin and he went on to meet Roger Moore and Barbra ParkinPeters career was placed in jeopardy when he was violently assaulted by 3 Sunderland fans. This caused Peter to lose sight for a period of time and impacted on him for 3 years.During his time of treatment he became friends with Rodri Tasker Watkins , Son of Lord Tasker Watkins (Aberfan) https://www.theguardian.com/law/2011/feb/03/legal-hero-tasker-watkinsPeter spent time photographing with the Boston and NYPD he photographed the work carried out by the officers.Peters role evolved in the Metropolitan Police from Volunteer to being employed.Having joined the Metropolitan Police in their media department as the official photographer he met the Late Queen having be requested by the Borough Commander to take photographs and he became the subject of the image. His career concluded when Theresa May assisted in reducing the budget for UK Policing. 4k met employees lost their job. Hosted on Acast. See acast.com/privacy for more information.

This week, onetime MTV News intern-turned-senior producer Darin Byrne takes us into the studio with Beyonce, on-tour with WuTang Clan, on-stage with Biohazard, backstage with Matchbox 20, and on-set at 1515 Broadway. He talks about sharing an office with Sway, the impact of digital video on the newsroom, and a certain 2002 quadruple-bill at CBGBs, Newsapalooza.

ABOUT ALI SMITH AND THE BALLAD OF SPEEDBALL BABY"Ali Smith's The Ballad of Speedball Baby is a sometimes-harrowing ride poetically described in neon prose. Ali takes me to places I've been myself as a fellow 'woman of the road' and rocked and rolled. She brings it all back home so vividly with humor, originality, and love-and 'oh-yeah-that-happened-to-me-too' truthfulness. Like the touring band's rite of passage: crashing in a stranger's house in Where-am-I? USA and barely escaping with your life and bass guitar.or bartending in an East Village dive bar. It's a special experience being a Woman in Rock, and as Ali's story unfolds, she'll bring you along for the trip of your life."-- Kate Pierson, the B-52'sA Stylist Magazine (UK) Pick of Best New NonfictionA Kobo Pick of Best Book of the Month in Biographies & MemoirsThe Ballad of Speedball Baby is the thrilling, darkly hilarious, and heart-wrenchingly vulnerable story of Ali Smith's coming-of-age in '90s New York as she commits to the messy, exhilarating life of a musician and must survive the slings and arrows society reserves for women who refuse to comply.As an only child reeling from the demolition of her parents' toxic marriage, the New York City underground music scene offers a young Ali a different family of misfits and talented outsiders to belong to.She becomes the bass player for edgy band Speedball Baby, a decision that will take her around the world-from onstage at the legendary CBGBs to the red-light district of Amsterdam. She's often the only girl in a broken-down tour van, being strip-searched at the Croatian border, chased by lunatics, and navigating the seedy underbelly of a male-dominated music scene full of addiction, violence, and misogyny-all while keeping her sharp wit and dark humor intact.Rimmed with heavy black eyeliner and smelling faintly of cheap booze, The Ballad of Speedball Baby is a pulse-quickening, unpredictable ride through the '90s music scene-alternately terrifying, hilarious, and painfully evocative-as well as a love letter to the power of female solidarityALI SMITH BIOThe vibrant style Ali Smith has brought to her writing and photography-featured regularly in The New York Times, The Guardian, and other publications internationally-was forged in New York's underground music scene where she played bass in the seminal punk / blues / avant-garde band Speedball Baby. After touring worldwide and recording nine albums, Ali released two books of photography about women's lives. The first, Laws of the Bandit Queens, led to a feature on OWN, Oprah Winfrey's television network. The second,Momma Love: How the Mother Half Lives, won a Silver IPPY and an International Book Awards prize, was praised by the New York Times, and Gloria Steinem called it "a gift to moms." With a passion for telling women's stories, Ali's memoir,The Ballad of Speedball Baby, is her literary debut. Learn more at AliSmith.com and @mommaloveAli on Instagram.Get the book: https://a.co/d/4DDlINI http://www.alismith.com/the-ballad-of-speedball-baby https://www.facebook.com/alismithphoto/ https://www.instagram.com/mommaloveali/ Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.

The internet is amazing. I found footage of myself stage diving at a Bad Brains show - Live at CBGB 2/25/2006. John Joseph and Mackie Jayson of Cro Mags filled in for the show. We also take a virtual tour of CBGB from 2006. FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GET 200 DIECUT STICKERS FOR $69  RIGHT HERE - NO PROMO CODE NEED JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Liam sits down with the extraordinary Ali Smith, author, photographer, and former bass player of the indie avant-garde punks Speedball Baby.From a pub in North London, Liam and Ali dive deep into her new book "The Ballad of Speedball Baby." This riveting book chronicles Ali's wild ride through the punk scene, from rebellious beginnings in New York to unforgettable moments on and off the stage at the iconic CBGBs. They discuss the hardcore punk scene's profound influence, the highs and lows of her time in Speedball Baby, and the tumultuous journey of signing with a major label.You can pick up a copy of Ali's book 'The Ballad of Speedball Baby' via this linkCheck out Ali's photography via this link.As the conversation unfolds, Ali shares insights into her transition from music to a solo career in writing and photography. However, a word of caution – this episode contains discussions about sensitive topics, including sexual assault and rape. Below are links to organisations who can help if this subject matter might affect you. Or you can Google. 'rape and sexual assault help needed.'UK: https://www.nhs.uk/live-well/sexual-health/help-after-rape-and-sexual-assault/USA: https://www.crisistextline.org/topics/sexual-abuse/#understanding-sexual-abuse-1Thank you to Gutterblood for sponsoring this episode. Check out their latest EP, 'Hard Gandhi, ' via this link. Hosted on Acast. See acast.com/privacy for more information.

Ali Smith in conversation with David Eastaugh http://www.alismith.com/ https://www.blackstoneindie.com/the-ballad-of-speedball-baby-gkno.html#541=2790081 https://www.theguardian.com/artanddesign/2024/feb/05/ali-smiths-90s-new-york-punk-scene-in-pictures The Ballad of Speedball Baby is the thrilling, extremely funny, and heart-wrenchingly vulnerable story of Ali Smith―coming of age in '90s New York―who commits to the messy, exhilarating life of a musician and must survive the slings and arrows society reserves for women who refuse to comply. As an only child reeling from the demolition of her parents' toxic marriage, the New York City underground music scene offers a young Ali a different family of misfits and talented outsiders to belong to. She becomes the bass player for edgy band Speedball Baby, a decision that will take her around the world―from onstage at the legendary CBGBs to the red-light district of Amsterdam. She's often the only girl in a broken-down tour van, being strip-searched at the Croatian border, chased by lunatics, and navigating the seedy underbelly of a male-dominated music scene full of addiction, violence, and misogyny―all while keeping her sharp wit and dark humor intact. Rimmed with heavy black eyeliner and smelling faintly of cheap booze, The Ballad of Speedball Baby is a pulse-quickening, unpredictable ride through the '90s music scene―alternately terrifying, hilarious, and painfully evocative―as well as a love letter to the power of female solidarity.  

This week is all about bands playing other bands' songs… classic songs that perhaps radio has exhausted… Whether they are playing it straight note-for-note, or whether they are re-interpreting it; bands love to pay tribute to great songs that they love! In this episode, we showcase the diversity of how a band can take a classic rock hit that you've heard a million times and heavy it up.What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. If you've ever listened to classic rock radio… we got ya covered! Songs this week include:Prong – “Working Man (Rush)” from State Of Emergency(2023)Jake E. Lee – “Rock Candy (Montrose)” from Retraced (2005) Jetboy – “Bloody Well Right (Supertramp)” from Crate Diggin' (2023)Class Of ‘99 – “Another Brick In The Wall, Pt. 2 (Pink Floyd)” from The Faculty (Music From The Motion Picture) (1998)Deftones – “Simple Man (Lynyrd Skynyrd)” from Covers (2011)Enuff Z'Nuff – “The Stroke (Billy Squier)” from Covered In Gold (2014)Toque – “On The Loose (Saga)” from Give'r (2016)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/inobscuria/og-shopCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Meet RumLuck! I had a lot of fun getting to know a little more about punk rockers Rumluck. We talk about some of their history together, upcpoming shows, their debut EP and recording at Encapsulated Studios in St.Louis, MO with the great & powerful Gabe Usery.  On this episode you'll hear: Ghost town  Edify  "Ghost Town" due on all streaming platforms on Feb 2nd! Follow along with RumLuck on Facebook & Instagram. See them LIVE: Feb 2 The Nunnery in Belleville, IL with Modern Angst, Where's The Rum?, Trying To Get By and  Houston & The Dirty Rats Feb 23 Platypus in St.Louis, MO with The Catastrophes, Maerens & The Meowzas Mar 15 CBGBs in St.Louis, MO Mar 30 The Heavy Anchor in St.Louis, MO with Stay Sane, Blight Future & Karenocalypse Thank you to Friendship Brewing Company in Wentzville, MO and Flint Hill, MO for their continued support! Stop in for some delicious food or grab a couple of canned beers to take home. Be sure to come visit them for all your craft beer needs. Over 25 rotating taps, all sorts of tasty eats! Live music every weekend FBC Wentzville 1/25 Singo Bingo: Soul Town 1/26 Josh Littig (7-10p) 1/27 Steve Kyle (7-10p) FLI-HI Music: 1/26 Jeff Walchshauser (7-10p) 1/27 Michael Marciano (7-10p) FriendshipBrewingCo.com