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2 episodes with sylvian
2 episodes with sylvian
2 episodes with sylvian
2 episodes with sylvian
2 episodes with sylvian
On today's podcast, we're joined by Cristina, Founder and Managing Director of Sylvian Care, a leading domiciliary care provider committed to delivering personalised support to individuals and treating them with dignity and respect. Driven by a deep passion for helping others, Cristina shares the inspiring journey that led her to start the business and the challenges she faced in building a successful franchise.
Durante toda la semana repasamos el nuevo álbum de la cantautora británica comentado por ella misma.En el programa de hoy también sonaron nuevas canciones de Porridge Radio, Tamino (con Mitski), Puma Blue, Juana Molina, Lucrecia Dalt (con David Sylvian), Everyone Says Hi, The Wombats y The Kooks.Escuchar audio
Vereinbare jetzt dein kostenloses Erstgespräch: www.andreasbaulig.de/termin In der heutigen Episode von die Coaching-Revolution spricht Stephan Baulig mit unseren Kunden Nadine & Sylvian Rösiger, die eine Branding- & Webdesign-Agentur führen, über die stetige Entwicklung von deren Umsatz. Vereinbare jetzt dein kostenloses Erstgespräch: www.andreasbaulig.de/termin Sichere dir jetzt das Buch "WISSEN MACHT UMSATZ" auf www.wissenmachtumsatz.de Andreas Baulig & Markus Baulig zeigen dir, wie du dich als einer DER Nr.1 Experten in deiner Branche positionieren kannst und hohe Preise ab 2.000 Euro (und mehr) für deine Angebote & Dienstleistungen abrufen kannst. Als Coaches, Berater und Experten automatisiert Kunden im Internet gewinnen. Wie du Online Marketing nutzen kannst, um deine Produkte und Dienstleistungen erfolgreich zu verkaufen.
17-vuotias Gwen Araujo katosi vietettyään iltaa uusien ystäviensä kanssa. Gwenin äiti Sylvia epäili heti, että jotain pahaa oli sattunut. Sylvia oli ollut huolissaan sukupuolenkorjausprosessia käyvästä Gwenistä, sillä tiesi, että pikkukaupungissa useat ihmiset eivät hyväksyneet hänen tytärtään. Päivien kuluessa alkoi vahvistua, että Sylvian pahimmat pelot olivat käyneet toteen. Sisältövaroitus: jaksossa käsitellään alaikäisen kuolemaa. Instagram: @rikosarvoitukset Lähteet: Being Gwen: A Life and Death Story https://abc7news.com/gwen-araujo-documentary-transgender-murder-movie-trans-panic-defense/12451012/ https://abc7news.com/who-is-gwen-araujo-timeline-documentary-transgender-murder/12451079/ https://www.kron4.com/news/bay-area/20-years-later-trans-teens-murder-still-spurs-calls-for-change/ https://sfstandard.com/2022/10/04/gwen-araujo-transgender-mother-murder-san-francisco-memorial/ https://www.ebar.com/story.php?ch=news&sc=news&id=281698 http://www.aboutcecilia.com/2006/06/gwen-araujo-justice-for-victims-act.html https://lgbthistorymonth.com/sites/default/files/icon_multimedia_pdfs/2013/LGBT-2013-Bios%203.pdf https://seta.fi/sateenkaaritieto/sukupuolen-moninaisuus/transsukupuolisuus/ https://kehraaja.com/jata-toisen-deadname-historiaan-miksi-on-tarkeaa-kayttaa-transihmisen-omaa-nimea/
Sylvain Berneron is my guest today and I am not sure there is a watch or a brand that has received this much attention in a long time, and it's well deserved. A designer at heart, Sylvian worked for brands like BMW & Porsche before starting his own firm, and eventually becoming the Chief Product Officer at Breitling. But as a creative, Sylvain was taught by his mother, an artist herself, to turn a constraint or restriction into an opportunity, and that's exactly what he did with the Mirage watch. He has designed every single component of the watch and spared no expense, all the way down to the solid gold spring bars. Every supplier tried to talk him out of this endeavor, but he persevered into what is one of the most sought after and recognized independent watch brands existing today. His creativity and thoughtfulness has landed the brand with allocated orders all the way through 2028. We chat about the perfect timing of his avant garde design with the current market demands, what it's like to be on the other side of the collecting market, and the future plans of Berneron to which we got some sneak peaks. To be honest, there's not a person in this hobby and trade that deserves it more. So without further adieu, this is Sylvain Berneron, for Collectors Gene Radio.Berneron's Website - https://www.berneron.ch/Berneron's Instagram - https://www.instagram.com/berneron/?hl=enOn The Dash Interview - http://www.onthedash.com/berneron-mirage-interview/
As a tribute to Ryuichi Sakamoto on the first anniversary of his passing, Caro C talks to Richard Barbieri, Natalie Beridze and Carsten Nicolai, aka Alva Noto, three musicians who were fortunate enough to collaborate with him. Here, they share some insights into his mindset and methodologies. Chapters00:00 - Introduction01:44 - Richard Barbieri09:04 - Natalie Beridze 19:45 - Carsten Nicolai / Alva Noto Ryuichi Sakamoto BiogRyuichi Sakamoto was a multi award-winning keyboardist, songwriter, composer and producer who along with Haruomi Hosono and Yukihiro Takahashi, became pioneers of the electronic music genre in Honsono's band Yellow Magic Orchestra.Prior to his success with the band, Sakamoto earned a B.A. in music composition and worked as a session musician and producer. Alongside his success with the band, he continued his solo work, releasing solo albums and collaborations, experimenting with various genres and fusing traditional with electronic. This work led to him scoring more than 30 films throughout his career, his most famous being Merry Christmas, Mr Lawrence and The Last Emperor. In his later career he composed a multimedia opera, sampled a glass building for use in one of his works and traveled to the Arctic to record the sound of melting snow.Richard Barbieri BiogHailing from London, Richard joined the British band Japan in 1975 and saw huge success around the world until they split in 1982. He continued to work with David Sylvian, as well as Sylvian's brother, Steve Jansen on separate projects. He reunited with Sylvian, Jansen and bass player Mick Karn for the Rain Tree Crow project and continued to play with Steve & Mick as part of ‘JBK'. In the early 1990s, the three of them teamed up with Tim Bowness and Steven Wilson as part of No-Man and it was here that Barbieri and Wilson would begin their long musical association. Porcupine Tree had initially been a Wilson solo project but he recruited Richard in 1993 and over the next 17 years, became one of the shining lights of the neo-prog / pop scene, embracing a more heavy style as the years went on. Reuniting in 2021, they released the first Porcupine Tree album in 12 years with 2022's ‘Closure/ Continuation', a critically acclaimed return to form. Richard has a large body of solo work which he started to release in 2005 and still does to this day.http://www.richardbarbieri.co.uk/Natalie Beridze BiogNatalie Beridze is a Georgian music composer and songwriter. Since 2003 Natalie has been performing live concerts worldwide, and has been known as the first female electronic music artist from Georgia. From 2002-2008 she lived in Cologne and produced music under the artist name TBA. She's released music in Europe on Max.E, Monika Enterprise, CMYK, Laboratory Instinct, CES Records DADO records, Apollo Records Chainmusic, CES Records and ROOM40.In addition to her solo projects, Beridze has collaborated with artists such as Thomas Brinkmann, AGF (Antye Greie), Gudrun Gut, Joerg Follert, Marcus Schmickler, Nika Machaidze aka Nikakoi, Ryuichi Sakamoto, Gacha Bakradze, Alex Kordzaia, Annika Henderson, Antye Greie-Fuchs, Barbara Morgenstern, Beate Bartel, Danielle De Picciotto, Gudrun Bredemann, Lucrecia Dalt, Merja Kokkonen, Mommo G, Natalie Beridze, Pilocka Krach, Sonae. Beridze's music is part of Adam Curtis's recent BBC Documentary series “Can't get you out of my head”. She also creates works for piano, orchestra and choir, which have been performed by a number of artists and the Tbilisi state opera orchestra. Her recent compositions for piano, keyboard, soprano and tape are part of the ongoing program of Zurich based KioskEnsemble.Beridze, alongside Nika Machaidze teaches songwriting and music production at CES (creative education studio).https://natalieberidzetba.bandcamp.com/Carsten Nicolai / Alva Noto BiogUnder the pseudonym Alva Noto, Carsten Nicolai is one of the best-known representatives of contemporary electronic music. Concerts have taken him to the Solomon R. Guggenheim Museum in New York, the San Francisco Museum of Modern Art, the Centre Pompidou in Paris, and the Tate Modern in London. His various musical projects include collaborations with Ryōji Ikeda, Mika Vainio, Iggy Pop, Blixa Bargeld and Ryūichi Sakamoto. With the latter, Nicolai composed the score for Alejandro González Iñárritu's Oscar-winning film The Revenant, which was nominated for a Golden Globe, a BAFTA, a Critics Choice Award and a Grammy.https://alvanoto.com/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/
Rebecca Sylvain talks about the challenges and advantages of women entrepreneurs.Sol Nasisi offers advice on how www.booksie.com can help small business leaders use their writing to add profits
In this episode of MFM Speaks Out, Dawoud Kringle comes out of retirement to present a 2023 retrospective. We will share some of the content we brought to you in 2023, and enjoy a few other surprises as well. Our guest for the January episode was Haana. Haana is a violinist, vocalist, electronic music artist, visual performer, and entirely self-contained as a one-woman orchestra. She played with Kanye West, and Alvin Ailey, as well as festivals such as Joshua Tree Festival and Coachella and others in the US, Canada, UAE, and Australia, Barack Obama's inaugural ball, and at Michael Jordan's wedding. Haana has endorsement deals with Ableton, Native Instruments, Even Headphones (manufactured by Blue Microphones), and Realist Violins. She appeared in ads for Intel, Harvey Nichols, Nike, Ferrari, and Apple Computers. In addition, she has experience as a film composer and does artist mentorship/marketing, branding, and production consultation. In February, MFM board member and co-producer of this very podcast Adam Reifsteck joined us for a very fascinating discussion. Adam is a New York-based composer, electronic music artist, producer, entrepreneur, and music activist. He writes for small ensembles, produces electronic music, and performs improvised group compositions on Wi-Fi-connected laptops. He has collaborated with string quartets, university choirs, and visual and electronic artists. His approach to composition includes elements of improvisation. He is a recipient of grants from the Lower Manhattan Cultural Council, the Irving S. Gilmore Foundation, and the Kalamazoo (MI) Community Foundation. His music has been performed by the Attacca Quartet, Amernet String Quartet, Cadillac Moon Ensemble, Duquesne University Chamber Singers, Flutronix, Gaudete Brass Quintet, Mana Saxophone Quartet, Western Michigan University Chorale, and many other ensembles. Adam is also an active recording engineer and producer whose studio alias SONIC FEAR has become synonymous with lush, genre-bending sounds—from dance floor-ready tracks to downtempo meditations. He is the founder and CEO of Teknofonic Recordings, an independent record label and artist development platform providing electronic musicians with learning resources, networking opportunities, and career support. Adam holds a master's of music degree in composition from Western Michigan University and a bachelor's of music in music technology from Duquesne University. He is a member of Broadcast Music Inc., the Society of Composers and Lyricists, the Recording Academy, the Audio Engineering Society, and Musicians for Musicians. Our March episode was a landmark. We interviewed Keyna Wilkins, the first MFM member from Australia. Wilkins holds a Master of Music Composition at Sydney Conservatorium, studied composition, classical and jazz piano, and classical flute with several prestigious instructors, and intuitive conceptual improvisation with Tibetan Buddhist musician Tenzin Cheogyal. holds an MA in Flute Performance at Bristol University (UK) in 2008. She is known as a soloist and leader of cutting-edge ensembles and has written over 60 compositions, including 4 major orchestral works. Her works have been commissioned and/or performed by ensembles such as The Metropolitan Orchestra, Syzygy Ensemble, Elysian Fields, The Sydney Bach Society, and many others. She has released 9 albums of original music on all streaming platforms including 4 solo albums. Wilkins is also an Associate Artist with the Australian Music Centre and has five tunes in the Australian Jazz Realbook. She also writes music for films and theatre including the short film "Remote Access" which won Best Short Film at the Imagine This International Film Festival in New York in 2019 and her works are featured on ABC, Triple J, Fine Music FM, Cambridge Radio, SOAS London and many more. Her music is published by Wirripeng and she is a member of Musicians for Musicians. MFM member Sylvian Leroux was our guest in April. Sylvian is a flutist, saxophonist, guitarist, composer, arranger, bandleader, educator, inventor, and prominent member of Musicians for Musicians. Sylvain Leroux grew up in Montreal where he studied classical flute at Vincent d'Indy; and improvisation and composition in New York at the Creative Music Studio where he attended classes by luminaries Don Cherry, the Art Ensemble of Chicago, Karl Berger, Cecil Taylor, and many others. A pioneer of African/Jazz collaborations, Sylvain is a foremost player of the Fula flute, the traditional flute from Guinea. He was selected as “Rising Flute Star” by the Downbeat Magazine Critics' Poll for many years, achieving the #2 spot in 2019. As a bandleader, he brought traditional West African music to Zankel Hall with his Fula Flute Ensemble and held the fort for more than a decade at New York City's Zinc Bar with his African Jazz group “Source”. His 2002 CD “Fula Flute" achieved cult status, and stimulated a worldwide interest in the instrument. His 2012 album “Quatuor Creole” was hailed as “a perfect contemporary music release.” He curated New York's “Griot Summits” which featured performances by 25 West African griots from five countries. He has performed and recorded with Emeline Michel, Adam Rudolph, Karl Berger, Hassan Hakmoun, Billy Martin, and many West African stars. As a maker and seller of Fula flutes around the world, he invented and patented the Qromatica, a Fula flute capable of chromatic functionality. This led him to initiate "L'ecole Fula Flute", a music literacy project that graduated many excellent young flutists who are now re-energizing an endangered flute tradition. Our May 2023 episode featured Mark Chimples, a.k.a. Mark C. Mark is the guitarist and synthesizer player with Live Skull. Formed in 1982, Live Skull is considered by many aficionados to be the quintessential New York City noise band. Rising concurrently with bands such as Sonic Youth and Swans, Live Skull helped define the post-No Wave underground "noise rock" in the 1980s music scene in New York City. Over the following decades, Live Skull released five albums and three EPs with a rotating cast of 11 members, all of whom added new ideas to the group's evolving sound. Themes of struggle and chaos permeated and inspired their music. Their constant progression inspired New York Times critic Robert Palmer to call them “as challenging, as spiritually corrosive, and ultimately as transcendent as Albert Ayler's mid-'60s free-jazz or the implacable drone-dance of the early Velvet Underground. It's one of the essential sounds of our time." Music on this episode:Haana - Bison RougeAdam Reifsteck / Sonic Fear - AuroraKeyna Wilkins - Floating in SpaceSylvain Leroux - In Walked BudLive Skull - Party ZeroSpaghetti Eastern - Jungle BlueArturo O'Farrill and the Afro Latin Jazz Orchestra - Amidst the Fire and WhirlwindDave Liebman - Journey Around Truth SoSaLa - Dadada Dadada DaaDawoud Kringle - Keep Trying CreditsProducer and host: Dawoud KringlePublisher: Musicians For Musicians (MFM), Inc. and Sohrab Saadat LadjvardiTechnical support: Adam ReifsteckLinksBe sure to follow and tag MFM on Facebook ([https://www.facebook.com/M4M.org/] and Instagram (https://www.instagram.com/mfm_association/).
« Si tu fais rentrer un fonds dans l'équation capitalistique de l'entreprise, c'est pour accélérer. Il faut que tu aies les reins solides pour accélérer. Accélérer, ce n'est pas faire du 15 % ou 20 % de croissance, c'est faire x3, x5, voir plus. »
"...stroke syndromes are collections of signs and symptoms resulting from Strokes in different regions of the brain or central nervous system in this video we will cover the stroke syndromes associated with Strokes in of the middle cerebral artery IT supplies in most of the temporal lobe the anterolateral frontal lobe and the parietal lobe the middle cerebral artery comes off the internal carotid and is divided into segments the segments are the M1 or the horizontal segment which is the most proximal part and gives off a lenticular striate a tree which are deeper penetrating arteries that Supply the basal ganglia and surrounding region the M2 segment known as the Sylvian segment is next which typically includes a bifurcation into the superior and inferior segments em three segments a cortical supplying the cortex our first syndrome results from a stroke affecting the middle cerebral artery Superior division which normally supplies the lateral frontal lobe I'm the superior parietal lobes in this syndrome findings include contralateral weakness of the upper Limbs and the lower Limbs and a weakness of the contralateral lower face with a greater effect seen on the face and the Upper Limb rather than the lower limb this is because of the motor homunculus where we see that the areas of the cortex responsible for the legs are supplied more so by the anterior and so a less affected in Middle cerebral artery Strokes also remember that it is the lower part of the face that is affected because this only receives unilateral from the facial nerve while the upper two-thirds receives bilateral Innovation there is also often a Hemi sensory loss on the contralateral side that may affect the face or leg if the stroke involves the dominant hemisphere which is usually the left side then an expressive Aphasia it may be seen as Broca's area is found on the dominant side and is responsible for the production of speech if the stroke is on the non-dominant side then we see a contralateral any neglect where the patient may be unaware or unresponsive to stimulate on one side which may include not being able to recognize their own limbs next we have the middle cerebral artery inferior division..." Learn more about your ad choices. Visit megaphone.fm/adchoices
"...stroke syndromes are collections of signs and symptoms resulting from Strokes in different regions of the brain or central nervous system in this video we will cover the stroke syndromes associated with Strokes in of the middle cerebral artery IT supplies in most of the temporal lobe the anterolateral frontal lobe and the parietal lobe the middle cerebral artery comes off the internal carotid and is divided into segments the segments are the M1 or the horizontal segment which is the most proximal part and gives off a lenticular striate a tree which are deeper penetrating arteries that Supply the basal ganglia and surrounding region the M2 segment known as the Sylvian segment is next which typically includes a bifurcation into the superior and inferior segments em three segments a cortical supplying the cortex our first syndrome results from a stroke affecting the middle cerebral artery Superior division which normally supplies the lateral frontal lobe I'm the superior parietal lobes in this syndrome findings include contralateral weakness of the upper Limbs and the lower Limbs and a weakness of the contralateral lower face with a greater effect seen on the face and the Upper Limb rather than the lower limb this is because of the motor homunculus where we see that the areas of the cortex responsible for the legs are supplied more so by the anterior and so a less affected in Middle cerebral artery Strokes also remember that it is the lower part of the face that is affected because this only receives unilateral from the facial nerve while the upper two-thirds receives bilateral Innovation there is also often a Hemi sensory loss on the contralateral side that may affect the face or leg if the stroke involves the dominant hemisphere which is usually the left side then an expressive Aphasia it may be seen as Broca's area is found on the dominant side and is responsible for the production of speech if the stroke is on the non-dominant side then we see a contralateral any neglect where the patient may be unaware or unresponsive to stimulate on one side which may include not being able to recognize their own limbs next we have the middle cerebral artery inferior division..." Learn more about your ad choices. Visit megaphone.fm/adchoices
"...stroke syndromes are collections of signs and symptoms resulting from Strokes in different regions of the brain or central nervous system in this video we will cover the stroke syndromes associated with Strokes in of the middle cerebral artery IT supplies in most of the temporal lobe the anterolateral frontal lobe and the parietal lobe the middle cerebral artery comes off the internal carotid and is divided into segments the segments are the M1 or the horizontal segment which is the most proximal part and gives off a lenticular striate a tree which are deeper penetrating arteries that Supply the basal ganglia and surrounding region the M2 segment known as the Sylvian segment is next which typically includes a bifurcation into the superior and inferior segments em three segments a cortical supplying the cortex our first syndrome results from a stroke affecting the middle cerebral artery Superior division which normally supplies the lateral frontal lobe I'm the superior parietal lobes in this syndrome findings include contralateral weakness of the upper Limbs and the lower Limbs and a weakness of the contralateral lower face with a greater effect seen on the face and the Upper Limb rather than the lower limb this is because of the motor homunculus where we see that the areas of the cortex responsible for the legs are supplied more so by the anterior and so a less affected in Middle cerebral artery Strokes also remember that it is the lower part of the face that is affected because this only receives unilateral from the facial nerve while the upper two-thirds receives bilateral Innovation there is also often a Hemi sensory loss on the contralateral side that may affect the face or leg if the stroke involves the dominant hemisphere which is usually the left side then an expressive Aphasia it may be seen as Broca's area is found on the dominant side and is responsible for the production of speech if the stroke is on the non-dominant side then we see a contralateral any neglect where the patient may be unaware or unresponsive to stimulate on one side which may include not being able to recognize their own limbs next we have the middle cerebral artery inferior division..." Learn more about your ad choices. Visit megaphone.fm/adchoices
"I Didn't Look For The Fula Flute; It Came And Got me!"Our guest for this episode of MFM Speaks Out is Sylvain Leroux. Sylvian is a flutist, saxophonist, guitarist, composer, arranger, bandleader, educator, inventor, and prominent member of Musicians for Musicians.Sylvain Leroux grew up in Montreal where he studied classical flute at Vincent d'Indy; and improvisation and composition in New York at the Creative Music Studio where he attended classes by luminaries Don Cherry, the Art Ensemble of Chicago, Karl Berger, Cecil Taylor and many others.A pioneer of African/Jazz collaborations, Sylvain is a foremost player of the Fula flute, the traditional flute from Guinea.He was selected as “Rising Flute Star” by the Downbeat Magazine Critics' Poll for many years, achieving the #2 spot in 2019.As a bandleader, he brought traditional West African music to Zankel Hall with his Fula Flute Ensemble and held the fort for more than a decade at New York City's Zinc Bar with his African Jazz group Source. His 2002 CD Fula Flute achieved cult status, and stimulated a worldwide interest in the instrument. His 2012 album Quatuor Creole was hailed as “a perfect contemporary music release.”He curated New York's “Griot Summits” that featured performances by 25 West African griots from five countries. He has performed and recorded with Emeline Michel, Adam Rudolph, Karl Berger, Hassan Hakmoun, Billy Martin, and many West African stars.As a maker and seller of Fula flutes around the world, he invented and patented the Qromatica, a Fula flute capable of chromatic functionality. This led him to initiate L'ecole Fula Flute, a music literacy project that graduated many excellent young flutists who are now re-energizing an endangered flute tradition.Topics discussed:Sylvain's studies of classical flute at Vincent d'Indy; and improvisation and composition in New York at the Creative Music Studio under Don Cherry, the Art Ensemble of Chicago, Karl Berger, and Cecil Taylor, his time with Adam Rudolph's Orchestra, the jazz and world music Canadian music scene at that time and now, how he became interested in the Fula flute, his band “Source” and their time at New York's Zinc Bar for over a decade. How the combination of Guinean music and jazz has been accepted among Jazz audiences, his 2002 release Fula Flute and how it was received, his new album Qromatica, why he chose Julia Haines on accordion and harp and Mamadou Ba on bass, his performances at Zankel Hall with the Fula Flute Ensemble and curated New York's “Griot Summits”, his performances and recordings with Emeline Michel, Adam Rudolph, Karl Berger, Hassan Hakmoun, and some of the West African musicians he played with, how and why he founded music literacy program L'ecole Fula Flute, how Covid affected the people's spirit and economy in Guinea, government support of the arts, his business of making and selling Fula flutes, how he invented and patented the Qromatica, his activities in MFM, the present African/world music scene in NY, the cultural separation between African-American musicians and African musicians, NY's GlobalFest for presenting African bands to the US audience, the Visa fee raise proposal to Congress, and his future plans in the areas of music activism.Music featured in this episode:1) Zoe2) Mane Gauche3) In Walked Bud"Zoe" and by Sylvain Leroux, used with permission. "In Walked Bud" composed by Thelonious Monk (EMBASSY MUSIC CORPORATION BMI), performed by Sylvain Leroux. https://www.fulaflute.net/
As part of Japan, Richard Barbieri soon became the thinking person's synthesist, famous for his rich and textural electronic backings that beautifully complemented the work of other band members to forge what is still a unique sound to this day. Disbanding at the height of their fame, Richard went on to work on a wide array of projects, some with fellow members of Japan, one of which introduced him to Steven Wilson. He joined Porcupine Tree in 1993 and, aside from Wilson, is their longest serving member to this day. After a twelve year hiatus, Porcupine Tree reconvened to write and record ‘Closure / Continuation', their 11th and, some would say, best album to date. Rob Puricelli managed to catch up with Richard during rehearsals for the first leg of their tour to support the album and began by asking him about his first exposure to, and experience of, electronic music.Chapters00:00 - Introduction01:16 - What was your first experience of electronic music?03:33 - The Non-Musician 06:44 - Synth Heroes 10:05 - Do the old synths still have a place in your work?12:37 - Sound Design and your go-to synth16:26 - Sampling19:36 - Using Reason25:37 - The live rig and touring with Porcupine Tree in 2022/2332:11 - Getting the band back together33:55 - Spatial Audio38:26 - The new album44:57 - Regurgitating the past46:30 - What gear excites you today?LINKS/CREDITS Music clips provided by Richard BarbieriRichard Barbieri's Artist Page - https://kscopemusic.com/artists/richard-barbieri/Porcupine Tree Website - https://porcupinetree.com Richard Barbieri BiogHailing from London, Richard joined Japan in 1975 and saw huge success around the world until the band split in 1982. He continued to work with David Sylvian, as well as Sylvian's brother, Steve Jansen on separate projects. He reunited with Sylvian, Jansen and bass player Mick Karn for the Rain Tree Crow project and continued to play with Steve & Mick as part of ‘JBK'. In the early 1990s, the three of them teamed up with Tim Bowness and Steven Wilson as part of No-Man and it was here that Barbieri and Wilson would begin their long musical association. Porcupine Tree had initially been a Wilson solo project but he recruited Richard in 1993 and over the next 17 years, became one of the shining lights of the neo-prog / pop scene, embracing a more heavy style as the years went on. Reuniting in 2021, they released the first Porcupine Tree album in 12 years with 2022's ‘Closure/ Continuation', a critically acclaimed return to form. Richard has a large body of solo work which he started to release in 2005 and still does to this day.Rob Puricelli BiogRob Puricelli is a Music Technologist and Instructional Designer who has a healthy obsession with classic synthesizers and their history. In conjunction with former Fairlight Studio Manager, Peter Wielk, he fixes and restores Fairlight CMI's so that they can enjoy prolonged and productive lives with new owners. He also writes reviews and articles for Sound On Sound, his website Failed Muso, and other music-related publications, as well as hosting a weekly livestream on YouTube for the Pro Synth Network and guesting on numerous music technology podcasts and shows. He also works alongside a number of manufacturers, demonstrating their products and lecturing at various educational and vocational establishments about music technology.www.failedmuso.comTwitter: @failedmusoInstagram: @failedmusoFacebook: https://www.facebook.com/failedmuso/
Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.01.29.526048v1?rss=1 Authors: Horibe, K., Taga, G., Fujimoto, K. Abstract: Association fibers connect different areas of the cerebral cortex over long distances and integrate information to achieve higher brain functions, particularly in humans. Prototyped association fibers are developed to the respective tangential direction throughout the cerebral hemispheres in the subplate layer during the fetal period. However, the directional guidance principle for forming association fibers is unknown. Because the subplate is located below the cortical surface, the tangential direction of the fibers may be biased by the curved surface geometry due to Sylvian fissure and cortical poles. The fiber length can be minimized if the tracts follow the shortest paths (geodesics) of the curved cortical surface. Here, we propose and examine a theory that geodesics guide the tangential direction of long association fibers by analyzing how geodesics are spatially distributed on the fetal human brains. Unlike the homogeneous distribution on spherical surfaces, we found that the geodesics were dense on the saddle-shaped surface of the perisylvian region and sparse on the dome-shaped cortical poles. The geodesics corresponded with the positions of five typical association fibers, supporting the geodesic theory. Thus, the geodesic theory provides directional guidance and suggests that long association fibers emerge from minimizing their tangential length on fetal brains. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC
Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.01.12.523829v1?rss=1 Authors: Christison-Lagay, K. L., Freedman, N. C., Micek, C., Khalaf, A., Kronemer, S. I., Gusso, M. M., Kim, L., Forman, S., Ding, J., Aksen, M., Abdel-Aty, A., Kwon, H., Markowitz, N., Yeagle, E., Espinal, E., Herrero, J., Bickel, S., Young, J., Mehta, A., Wu, K., Gerrard, J., Damisah, E., Spencer, D., Blumenfeld, H. Abstract: Although recent work has made significant headway in understanding the temporal and spatial dynamics of the neural mechanisms of conscious perception, much of that work has focused on visual paradigms. To determine whether there are shared mechanisms for perceptual consciousness across sensory modalities, here we developed a task to test within the auditory domain. Participants (n=31) completed an auditory perceptual threshold task while undergoing intracranial electroencephalography (icEEG) for intractable epilepsy. Intracranial recordings from over 2,800 grey matter electrodes representing widespread cortical coverage were analyzed for power in the high gamma range (40-115 Hz)--a frequency range that reflects local neural activity. For trials that were perceived, we find activity in early auditory regions which is accompanied by activity in the right caudal middle frontal gyrus, and shortly thereafter by activity in non-auditory thalamus. This is followed by a wave of activity that sweeps through the higher auditory association regions and into parietal and frontal cortices, similar to the wave observed in our visual conscious perception paradigm. However, for not perceived trials, we find that significant activity is restricted to early auditory regions (and areas immediately adjacent to the Sylvian fissure). These findings show that the broad anatomical regions of cortical and subcortical networks involved in auditory perception are similar to the networks observed with vision, suggesting shared general mechanisms for conscious perception. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC
OUAJS #40 Salut à tous! Jeudi 17 novembre dès 20h, radio162 vous donne rendez-vous pour le 40ème épisode des balades de Raph et Jean-Laurent dans le monde des Jazz. Une émission où nous allons évidemment mettre à l'honneur d'immenses artistes et diffuser des supers titres mais pas que... En effet, cette semaine, nous évoquerons aussi les mots valises, les droits civiques, les instruments séculaires, la place des femmes dans les sociétés modernes, l'amour version sicilienne, le dérèglement climatique, le génocide des roms lors de la seconde guerre mondiale ou même des auditions à l'aveugle ! Et tout ça en une heure, mais puisque nous parlons de voyage, voici le sommaire : Un passage par les USA avec Brad Mehldau et Mark Guiliana dans leur duo Mehliana et avec leur titre livré en version live « Hungry Ghost » Nous prendrons ensuite la route de l'Espagne via les balkans, accompagné du groupe Barcelona Gipsy Klezmer Orchestra et leur titre à l'ambiance Klezmer « Djelem Djelem » Puis, retour outre atlantique où nous partirons sur les traces de Jeanne Lee et d'Archie Shepp via leur standard « Blasé », un titre mythique et engagé comme souvent dans le jazz C'est quasiment une tradition ces dernières semaines dans Once Upon A Jazz Show; nous irons évidemment en Angleterre où nous vous raconterons les aventures du septet Nerija et leur formidable morceau « Valleys » C'est ensuite en Israël que nous profiterons des contes des mille et nuits narrés par le groupe Habiti Ensemble qui nous ferons nous émerveiller de l'ambiance des nuits d'été de Bagdad ou encore des couchers de soleil à couper le souffle des montagnes d'Edom avec leur titre Sylvian ! Et pour finir ce périple incroyable, nous prendrons le temps de recharger notre Karma en allant en Corée du Sud profiter du groupe Black String et de leur titre « Surena » ! Alors rdv jeudi dès 20h sur radio162.fr pour un moment jazz hyper cool! Et pour ceux qui aiment et qui ne comptent pas, rediffussions dimanche à 11h et à 20h! Que le jazz soit avec vous !!
Special Episode - A Very Cryptid Christmas panel Content note: We're an explicit rated podcast but just in case you listen with littles or at work or something, this episode is pretty much writing about sex with monsters. Enjoy! Maybe with headphones. Season 3 will start officially next week, with an interview with Storm Faerywolf. In the interim here's a special episode with 6 writer friends about our new anthology coming out October 18 with Moon Tan Press. D.S. Dane, Su Fertall, Gemma Snow, E.C. Spaur, Lulu M, Sylvian (previous guest) and Wednesday Wheeler joined me to talk about why we wrote stories about hot cryptic romance for Christmas/Solstice. D.B. Sieders (upcoming guest) couldn't join us but she got some words in from her family vacation. Yes, this episode is basically an ad but I was also honored to work with this group of writers, two of which have their debut romance stories published in this anthology, and I think you'll enjoy meeting them and finding out a little bit about why we all chose the cryptids we did in order to spread some hot holiday cheer. In the book you'll encounter a host of cryptids (and mythical creatures) with romance and/or hookups for everyone. You can preorder the ebook on multiple platforms. Print books will be available later this year (2022). Find more from these authors: D.S. Dane: website: www.dsdanebooks.com Su Fertall: Instagram: https://www.instagram.com/bufeq/ D.B. Sieders: website: https://dbsieders.com/ Gemma Snow: website: https://gemmasnow.com/ E.C. Spaur: website: (Writing as Elizabeth Spaur) http://elizabethspaur.com/ Lulu M. Sylvian: Website: http://lulumsylvian.com Wednesday Wheeler: Instagram: https://www.instagram.com/wednesdaywwheeler/ Please support Black, indigenous, queer and women-owned, local independent bookstores. Transcripts of all episodes are available to download Buy us a coffee (and support our work) on Ko-fi Follow WitchLit on Instagram and Twitter Find Victoria at https://readvictoria.com and https://1000voltpress.com and on Instagram and Facebook
In today's episode of Women In Supply Chain, I'm joined by one of the Let's Talk Supply Chain family - a woman who is helping leaders discover the value of connected planning, with supply chain best practices and stories that matter: it's Naomi Sylvian. Naomi has 16 years of experience in telling brand stories, powering sales enablement, and increasing brand exposure and online lead generation. Naomi's marketing career has seen her assume leadership roles at a number of healthcare and technology brands, before taking on her current role in supply chain solution marketing at IT firm, Anaplan. Naomi is passionate about empowering women, and also has a decade of experience in mentoring other marketing and creative professionals. Today Naomi will be talking to us about her career so far; embracing a career in supply chain; collaborating with me on my women in supply chain blog series; and the importance of mentors. Plus, she'll be sharing her experiences as a woman in supply chain, as well as her words of advice for all of the women following in her footsteps. SHOW SPONSOR: This Women in Supply Chain feature was sponsored by Sifted. As a business dedicated to empowering confidence within the shipping industry, we're proud to support Women in Supply Chain. Sifted is the leading logistics intelligence software that combines insights with expertise to empower bigger, smarter shipping decisions. As growth and disruptions present ongoing challenges for supply chain leaders, thousands rely on Sifted to set their businesses up for success. Learn more about Sifted here. IN THIS EPISODE WE DISCUSS: [07.46] Naomi reflects on what being featured in Let's Talk Supply Chain's Women in Supply Chain series means to her, and she shares her experience as a panellist on Blended. “You, and the women in supply chain who I've been writing about and lifting their voices – you've all inspired me through the most challenging times… it's been a big part of what's kept me hopeful.” [11.42] Naomi's journey: how she developed her career in marketing, and discovered a love of supply chain. “In Beyonce terms: I fell crazy in love when I was introduced to supply chain!” [18.53] Naomi shares her experiences as a woman in a typically male-dominated industry, and discusses why she thinks that times are changing. “I think there's been a culture shock, since I broke into corporate, for some people, but I really think that women who are strong make an impact.” [21.41] Naomi discusses her work mentoring at-risk teens in her local community, and what that means for her, both personally and professionally. “Being able to show up, as a reliable adult for them, and set a positive example for a healthier future makes a difference.” [27.05] Naomi's five key mentors and inspirations. “I'm energized by people who are as tenacious as they are kind.” [32.40] How Naomi found her voice, and how it continues to grow and develop. [37.23] Naomi shares what she's learned about herself along the course of her journey so far, and what the future might hold. “I'm continuously learning that you can never stop learning!” [38.56] Naomi's advice for all of the girls and women looking to follow in her footsteps. “Focus on making a habit of raising other people up with you.” RESOURCES AND LINKS MENTIONED: You can connect with Naomi Sylvian over on LinkedIn. If you'd like to hear more from Naomi, check out episode 23 of Blended – The Rise of Asian Discrimination. And if you want to find out more about one of Naomi's inspirations in the industry, listen to episode 287 of our Women In Supply Chain series, featuring the fabulous Jolene Peixoto. Check out our other podcasts HERE.
durée : 00:54:00 - Very Good Trip - par : Michka Assayas - Ce soir, un Very Good Trip particulier : un seul homme mais des territoires musicaux extrêmement variés.
Travailler en couple, c'est ce que font depuis maintenant 5 ans Nicole Bernardes et Sylvain Lescoul. Plus connu sous le nom de Kool Couple, ce duo glamour d'influenceurs mode est venu me parler de son quotidien : cool, certes, mais quand même bien rempli ! À quoi ressemble la vie privée quand on choisit de travailler en couple ? La visibilité requise par les réseaux sociaux empêche-t-elle de préserver son jardin secret ? Entre le Brésil, New-York, Paris et le sud de la France, comment ce couple d'influenceurs parvient-il à concilier vie pro et vie de famille ? Si vous aimez entendre des accents chantants et sentir le doux parfum de l'exotisme effleurer votre peau quand vous scrollez sur Instagram, cette interview de Monsieur Kool et de Madame Kool est faite pour vous ! Dans cet épisode, on a parlé de voyages, du travail des influenceurs mode, de Tiktok et des Reines du Shopping. Presque à demi-mot, on a aussi parlé de l'évolution discrète du complice Kool Couple vers la “Kool Family”. ------------------------------------------- Pour ne manquer aucun épisode du podcast Marketing&Influence, c'est facile :
Andrea Chimenti, cantautore, parla con Jack di musica, Bowie, Sylvian, fonti d'ispirazione, percorso musicale, Moda, album, dischi, progetti, installazioni sonore.
Artist and author Lulu M. Sylvian writes fun, steamy romance filled with wolves, vampires, witches, and ghosts. We chat about coming to writing from an usual starting point and how maybe writing sex scenes in public or with your family watching TV nearby is maybe not the best practice. Links to purchase The Wolves of Wet Waterfalls and all of Lulu's titles can be found on her website: http://lmsylvian.com/the-books/ You can find Lulu on Facebook: www.facebook.com/lmsylvian Instagram: www.instagram.com/lmsylvian TikTok: @lulumsylvian_author BookBub: https://www.bookbub.com/profile/lulu-m-sylvian Goodreads: https://www.goodreads.com/LuluMSylvian Online: http://lulumsylvian.com Newsletter: http://lulumsylvian.com/newsletter Please support local bookstores. Transcripts available to download at https://witchlitpod.com. Follow WitchLit on Instagram and Twitter Find Victoria at https://readvictoria.com and https://1000voltpress.com and on Instagram and Facebook
#rock #rockprogresivo #jazz #musicaelectronica #experimental #fusion #ambient #sinfonautas #sinfonautaspodcast En este capítulo la Sinfoprise es piloteada por el Sargento Ingeniero e Ingeniero del audio de los programas Germán Fafían "De la Montaña", ayudado por los auditores Arroyo Brothers. Desde la Vía Jojo Mayer, el Cardenal Negro ordena un ataque sorpresa sobre los refugiados de la Federación Musical residentes en el planeta Nova. Los habitantes de Nova se defienden utilizando la famosa arma diseñada por el sargento Fafián llamada Cosmic Krautrock, la cual envía a las hordas invasivas a otra cuerda temporal, avejentando así a sus tripulantes. Gracias a una disminución de brillo en la intensidad de la estrella Bahama Mamma provocada de manera artificial desde la Sinfoprise, los pérfidos atacantes enviados por el Cardenal Negro desisten en su ataque y dejan en paz a los novenses. La Sinfoprise se toma entonces un descanso, el cual aprovechan los odiados Arroyo Brothers para comunicar a la tripulación sus calificaciones. ¿Tendrán que ser destituidos a causa de su ineptitud o conseguirán mantenerse en sus puestos? Si quieres saberlo solo tienes que escuchar este original capítulo de los Sinfonautas. Terrícola, escucha nuestro podcast de música y síguenos en nuestras travesías visitando mundos musicales eclécticos, antiguos y nuevos. Suscríbete pulsando el botón naranja de la página de Ivoox. ¡La Auditoría acaba por fin! (PicHard) ¡Prueba y clica nuestro @sinfonautas linktree y no te pierdas nada de nuestro universo! Etiquetas: #cardinalblack #barclayjamesharvest #bjh #jojomayer&nerve #stephanthelen #nova #alphonsojohnson #davidsylvian #robertfripp #sylvian&fripp
See more and get book here https://wp.me/p58EtD-4Ta Sylvain Rochon is one of the leaders of the Alliance for Extraterrestrial Diplomatic Contact www.Alliance4ET.org. A futurist, scientist and engineer, he is passionate about engineering a better world for all of humanity and beyond. Sylvian is also an International Keynote Speaker, entrepreneur and author of, Engineering Paradise: Are You Ready? Join our Facebook group https://www.facebook.com/groups/AwakeningEmpowermentNetwork/ THANK YOU for SHARING these conversations, we present them to you completely FREE with NO Ads! Please spread the LOVE and Wisdom. Spiritual Teacher, Psychic Medium and Channel, KAren helps you align with your Soul's calling. Connect with KAren Swain here http://karenswain.com/ and download her free report '10 Top Ways to Lasting Happiness'. KAren Swain is a Channel, Mentor, Spiritual Teacher and Way-shower for the expansion of our Powers of Deliberate Creation, invites other teachers and experiencers to ATP Media to expand the conversation of how to evolve human consciousness, expand human potential, overcome adversity, advance human society as we transition to the next evolutionary step in human evolution. Enjoy our conversations. BIG LOVE ksx Appreciate KAren's work on ATP Media Awakening Consciousness? Please support us, you can share your love on this link https://www.paypal.me/KArenASwain. THANK YOU GET THE Awakened By Death BOOK on Amazon HERE https://www.amazon.com/Awakened-Death-Stories-Transformation-Awakening-ebook/dp/B07B8KFG2M/ref=dp_olp_1 SHINE YOUR LIGHT Brightly JOIN US IN THE INNER SANCTUM Calling all Difference Makers and New World Teachers... Join The Inner Sanctum monthly Online Gatherings for Deliberate Creation teachings, Spiritual Awakening and more. Meet some of the wonderful guests KAren has had on ATP Media and be supported by a tribe of like minded spiritual teachers and seekers. To join our webinar series please subscribe to the Inner Sanctum, sign up here... http://karenswain.com/inner-sanctum/ When you join you have access to all the recording and each month you can meet KAren and her guests and ask your questions. LINKS ====== Website: http://karenswain.com/ ATP Media Website: https://www.karenswain-atpmedia.com/ ATPMedia Facebook: https://www.facebook.com/AccentuateThePositive/ ATP FB Page: https://www.facebook.com/AccentuateThePositiveRadio/ Blissful Beings FB: https://www.facebook.com/KArenSwainBlissfulBeings/ Twitter : https://twitter.com/KAren_A_Swain AEN Facebook Group: https://www.facebook.com/groups/AwakeningEmpowermentNetwork HashTags ======== #Enlightenment #ET #TheFuture #Spirituality #HumanPotential #Angels #Awakening #Hypnotherapy #EnergyHealing #healing #Channelling #Afterlife #EngineeringParadise #Engineering #Paradise #StarSeeds #spiritualpodcast #StarChildren #telepathy. #PsychicAbilities #SpiritualTeachers
Hello Folks !! This is part 2 of the second episode of Decades of Love series. Here, we are discussing in detail the Love in the decades of 80s and 90s. In this episode, Sylvian Patrick who writes in the blog Sylvianism (https://medium.com/sylvianism) talks with us in detail about the movies that made a huge impact and the movies that should have made a huge impact. Sylvian also delves deeper into various aspects that might have been the reason for the change. Come and listen to this episode and share your opinions on the same. #DecadesofLove #Valentinesday #ValentinesDaySpecial #80sRomance #90sRomance #90sRomanticMovies #80sRomanticMovies
Hello Folks !! This is the second episode of Decades of Love series. Here, we are discussing in detail the Love in the decades of 80s and 90s. In this episode, Sylvian Patrick who writes in the blog Sylvianism (https://medium.com/sylvianism) talks with us in detail about the movies that made a huge impact. Sylvian also delves deeper into various aspects that might have been the reason for the change. Come and listen to this episode and share your opinions on the same. #DecadesofLove #Valentinesday #ValentinesDaySpecial #80sRomance #90sRomance #90sRomanticMovies #80sRomanticMovies
# Track Title - Artist 1 Sèl patri - Osmose 2 En haut en bas - David / Corine 3 African Music - Luc Leandry 4 Vou - Sylvian' Pierron 5 S'aimer - Phil Control 6 Notre histoire - Pierrette Adams 7 Je vous aime vous - Eddy Marc 8 Titoun - Laura 9 Megamix - Face à Face 10 Natirel - Sonia Dersion 11 Je les laisserai... - Princess Lover 12 Urgence - Sonia Dersion 13 Tu disais... - Sonia Dersion;Jocelyne Labylle;Leila Chicot 14 Mise au point - Teeyah / Harry Diboula 15 Que j'ai mal - Steel 16 Pren plesi - Paskal Lanclume 17 Océan - Thierry Cham 18 Amour d'un soir - Patrick Andrey 19 Enviw' - Es'kiss 20 Téléphoné mwen - Phil Control 21 Tou piti - Sonia Dersion 22 Matlo - Pascal Latour 23 Touche mwen - Sylvian' Pierron 24 Romantik - Tatiana Miath 25 On ti myèl - Eric Brouta 26 Liaison fatale - Eddy Miath 27 Ou Lé - Kassav' 28 Ca pa normal - Ludo 29 Love épi love - Alain Marlin 30 Paré pou lové - Souskay 31 La première fois - Mario Chicot 32 Somnifère (Paroles de femmes) - Edith Lefel 33 Mi Tché Mwen - Kassav' 34 Mikom (Esclavage) - Luc Leandry;Kevin Meba Marina 35 Mise au point - Harry Diboula 36 Calins - Tanya Saint-Val 37 Bondié bon - Luc Leandry 38 Ti cosé - Michel Linérol 39 Bois d'amour - Sylvianne Cédia 40 Lanmou a bel epiw - Souskay 41 Bane - Oliver N'goma 42 Move Jou - Kassav' 43 Téléphone - Eric Brouta 44 Tu me manques - Harry Diboula 45 Pou l'éternité - Michel Linérol 46 En secret - Teeyah 47 Sove lanmou - Zouk Machine 48 Djembo - Zion 49 Taxi marron - Alain Marlin 50 Siwo - Kassav'
A ton of love - Editors..El senor Diez - G.Romagnoli..Passeggeri - Garzanti..September - D.Sylvian..Il passo e l'incanto - G. Testa ..Settembre - C.Donà ..Adesso - Diodato..Primi amori - O. Soriano..Pensare con i piedi - einaudi..Bella d'estate - Mango
A ton of love - Editors..El senor Diez - G.Romagnoli..Passeggeri - Garzanti..September - D.Sylvian..Il passo e l'incanto - G. Testa ..Settembre - C.Donà ..Adesso - Diodato..Primi amori - O. Soriano..Pensare con i piedi - einaudi..Bella d'estate - Mango
Original Story : https://www.reddit.com/r/HFY/comments/da5tyt/man_and_beast/ If You enjoyed consider leaving a Tip : https://www.paypal.me/agrosquerril OR Patreon : https://www.patreon.com/agrosquerrils Greetings Ladies and Mentlegents and welcome to my channel where I like to make LEGAL Audiobooks of various types from web novels and short stories. If you are new to the channel then click on the information icon for the entire playlist to help get you up to current faster. This Oneshot was Taken from the HFY subreddit which hosts mostly Sci-Fi based short stories called oneshots and series. As Always i hope you enjoy and can find some content on my channel you like. Feel free to recommend a series or a story and i will have a look into it. EVERYTHING WILL BE BACKED UP TO SoundCloud Soundcloud: https://soundcloud.com/agro-squerrils Email : Agrosquerrils@gmail.com Twitter : https://twitter.com/agrosquerrils Streamlabs : https://streamlabs.com/agrosquerrils Discord : https://discord.gg/XeMwEqX All Donation are welcome and much appreciated. Thumbnail Background taken from https://wallpapersafari.com Thank you all for listening and your support. #narration #webnovel #reddit-hfy #hfy #reddit #scifi #sci-fi #shortstories #mini-webseries
Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.06.08.121624v1?rss=1 Authors: Hamilton, L. S., Oganian, Y., Chang, E. F. Abstract: Speech perception involves the extraction of acoustic and phonological features from the speech signal. How those features map out across the human auditory cortex is unknown. Complementary to noninvasive imaging, the high spatial and temporal resolution of intracranial recordings has greatly contributed to recent advances in our understanding. However, these approaches are typically limited by piecemeal sampling of the expansive human temporal lobe auditory cortex. Here, we present a functional characterization of local cortical encoding throughout all major regions of the primary and non-primary human auditory cortex. We overcame previous limitations by using rare direct recordings from the surface of the temporal plane after surgical microdissection of the deep Sylvian fissure between the frontal and temporal lobes. We recorded neural responses using simultaneous high-density direct recordings over the left temporal plane and the lateral superior temporal gyrus, while participants listened to natural speech sentences and pure tone stimuli. We found an anatomical separation of simple spectral feature tuning, including tuning for pure tones and absolute pitch, on the superior surface of the temporal plane, and complex tuning for phonological features, relative pitch and speech amplitude modulations on lateral STG. Broadband onset responses are unique to posterior STG and not found elsewhere in auditory cortices. This onset region is functionally distinct from the rest of STG, with latencies similar to primary auditory areas. These findings reveal a new, detailed functional organization of response selectivity to acoustic and phonological features in speech throughout the human auditory cortex. Copy rights belong to original authors. Visit the link for more info
“Creativity is finding unity in what appears to be diversity,” says Dr. Kenneth Heilman. Author of Creativity and the Brain, Heilman, a distinguished Professor Emeritus at the University of Florida, explains where creativity may reside in the brain, how it differs from raw intelligence, and how creative people actually think. Heilman has been fascinated by creativity since childhood. Almost killed by meningitis as an infant in 1938, he was saved by a doctor who had heard of a new treatment and tried it on Heilman. “Creativity has reduced a huge amount of suffering,” Heilman says. TRANSCRIPT: Intro: 0:01 Inventors and their inventions. Welcome to Radio Cade the podcast from the Cade Museum for Creativity and Invention in Gainesville, Florida. The museum is named after James Robert Cade, who invented Gatorade in 1965. My name is Richard Miles, we’ll introduce you to inventors and the things that motivate them, we’ll learn about their personal stories, how their inventions work and how their ideas get from the laboratory to the marketplace. Richard Miles: 0:38 Creativity in the brain, where can it be found? How does it differ from intelligence? And what are creative people like? I’m your host Richard Miles, today, My guest is Dr. Kenneth Heilman, distinguished professor emeritus at the University of Florida and author of surprise, a book called “Creativity and the Brain”. Welcome to Radio Cade Ken. Dr. Kenneth Heilman: 0:56 Thank you for inviting me. Richard Miles: 0:58 So Ken, like many of our guests on this show, you spent your career in Florida, but you were born in Brooklyn. So, the first thing I gotta ask is, Dodgers or Yankees? Let’s get that out of the way first. Dr. Kenneth Heilman: 1:09 Brooklyn Dodgers. But when they moved to LA, I stopped being a professional sports fan. Richard Miles: 1:16 So you didn’t switch to another team? You just gave up entirely on sports? Dr. Kenneth Heilman: 1:19 Well, you know, here was a team that was tremendously supportive and actually started integration with Jackie Robinson and what happened because they offered him a free stadium in the park and Patriot, the hell with the fans that have been watching him for all these years, we’re going to LA and I said, look, I don’t move for businesses.The hell with this I’m not watching this anymore. Richard Miles: 1:42 And that was a precursor of things, the calmest teams to abandon their cities, to go to other markets and so on during the expansion years. Okay. Well, now that we’ve got that most important question out of the way, let’s sort of dive straight into our topic. As you know, Phoebe and I, have always been interested in the neuroscience of creativity and I think the first time we met, probably about 2010, it was to get your ideas and some other folks at the University of Florida, we’re planning a big exhibit on the neuroscience of creativity. And so we needed to get smart, and we knew that you were one of the folks to talk to. So creativity is one of those terms that gets thrown around a lot and sometimes it’s defined in different ways. So why don’t I start by asking you to define creativity from your point of view, and then how does it differ from intelligence? But let’s start with that. Dr. Kenneth Heilman: 2:25 Okay. First of all, when I was in high school, I took a public speaking course, I got to seen it, but your teachings are remember, is thought by definitions and tell people how important it is. So we’ll start with the definitions. It depends where you look up creativity for different definitions. If you go to websites, for example, it says productive and mall by originality. So according to them, if I sat down in front of a word processor and randomly hit keys for days and days and days, it would be creative because it would be original. Nobody probably would hit the same keys and if I did it long enough, it would be productive, but you wouldn’t feel this would be creative. I think the best definition, but the same complete by Banowsky who said, creativity is fine in unity in what appears to be diversity. The only problem with this definition it is no mention of originality or productivity. So I think in the book and during lectures, when I define creativity is the ability to discover, understand, develop and express in a systematic fashion, novel, orderly relationships said , in other words, finding the thread that unites. Now, a lot of people in other definitions state, it must have value, and I never understood why they put it in and sure, great artists, and you never sell your painting and it burns or something. It doesn’t mean that it wasn’t creative. Even now. It has no value. So value, I’m not sure really defines it . It defines it and far as business people, but not as far as people who produced creative products. Now let me tell you about the second part. If you look at my yearbook at high school, all the way back then he says Ken Heilman wants to do medical research. And what happened when I was a little boy, I looked down at my arm and I noticed I had a scar right near the front on the top and I asked my mother, what is that mom? She said, oh, when you were an infant, you came down with meningococcal meningitis. And this was 1938 or 1939, and the doctor said we have no cure for it. He’s going to die. It turns out this doctor actually had an appointment that Columbia University and you were working on a new drug called sulfur drugs . And he actually lifted some out of the laboratory poets and my house did a cut down. That’s what the scar was for, gave it to me, and here it’s 79, 80 years later and I’m still here. And that really brought to mind how important creativity is. You inclined have suffered with diseases and so many other problems and when you think about all the wonderful things that we’ve done, when used appropriately, creativity has reduced a huge amount of suffering . So that’s why it’s always been a very important topic to me. Richard Miles: 5:31 So can you write it? Creativity is closely linked to raw intelligence, but it’s not quite the same thing? Is that correct? Dr. Kenneth Heilman: 5:38 Well, let me talk about intelligence and creativity. Okay. First of all, let me start by saying in general, when I’ve written about this, I talk about three major steps in the creative process. The first one is preparation, and that’s learning all the skills and knowledge that you need to be creative. The second one, I call creative innovation and that’s coming up with the creative ideas. And the third stage of course is production. Now I’m not going to discuss that at all, because that depends upon the domain of creativity. But what about IQ Willem , as you probably know, okay. With IQ, when initially it was early on used people call people who have IQ over 130, 140 geniuses. And genius implies that you’re tremendously creative. And it turns out there was a psychologist, I think at Stanford, whose name was Terman . And what Termin did was gave all the students and around San Francisco and all that area an IQ test that he developed called the Stanford Benet. And then he followed all these people along and it turns out some were very successful, some or just usual, but there were no Nobel prize winners that was in his genius class, but it turns out that there was two Nobel prize winners whose IQs were too low to be in term as geniuses that reached and got the Nobel prize. So one was Shockley who invented the transistor and you know what that’s meant to our world . And another one was Alvarez who helped develop the radar. They both won Nobel prizes, but they didn’t have IQs high enough to be included in terms of geniuses. So in general, people found out that later on, there was not a direct relationship between intelligence and creativity. And in general, a lot of people who’ve written about this say, you just need to be intelligent enough to learn the skills and knowledge in the creative domain that you’re doing. People have a cutoff of about 110 or 120 , but there is no direct relationship. Richard Miles: 7:53 So it’s more of a threshold factor, right? That once you reach that threshold of somewhere between 110 and 120, there’s not a correlation that the smarter you are, the more creative you are. Dr. Kenneth Heilman: 8:02 No Relationship. Now, it turns out that special talents are important. They’re very, very important. But of course, the IQ test doesn’t test special talents. So way back in the 1700s, there was a philosopher, Gall, who was actually the founder of phrenology, but Gall had two very important postulates. One postulate was that different parts of the brain perform different actions. And the second postulate was the better developed this module was, or this specific form better develop better at work. Now, what happened was Gall, was aware that our skull grew depends upon brain growth, so we said, oh, if we measured the skull, maybe we can tell about people and what they are capable of doing. The problem with that is it became a pseudoscience and all these people were making all these crazy suggestions, but it turns out a neurologist in France in the mid- 1800s, Paul Roca, heard a student of Gall’s talking about the importance for the frontal lobes and speech and he had a patient in the hospital who had a stroke sometime before was actually dying of, I think, tetanus and the patient had trouble speaking. He could understand, but he couldn’t get out the speech. The patient died and sure enough, he had a lesion in his frontal lobe. And then, in the second paper, Paul Broca examined eight people who had problems with speech from strokes, all eight of them, they were right-handed and all eight of them had left hemisphere strokes. So that provided a positive finding that really in some way, supported Gall’s, hypothesis. And we know that the left hemisphere understands speech. One of my mentors or Norman, Geschwind looked at a huge amount of people’s brains at the auditory cortex in the left hemisphere and the right hemisphere. And he found that the auditory cortex was actually bigger in most people in the left hemisphere, but even with great geniuses, sometimes their brains are different, but this hasn’t really been evaluated today. Richard Miles: 10:16 I just wanted to interject or ask a question about the role of the left hemisphere and at least the theory and how that contributes to creativity. Cause I remember in your book, which came out in 2010, it came out. I remember you described a number of what to me were surprising associations with higher creativity, including, for instance, being lefthanded, epilepsy, having dyslexia, being slow, and learning to speak, mental illness. And if I understood correctly, the general theory sort of connecting those was a suppression of, or damage to the left hemisphere actually allowed the right hemisphere of the brain more license, I guess and that may contribute to creativity. Dr. Kenneth Heilman: 10:57 You’re jumping ahead a little bit. Okay. There have been studies for example, by Miller who’s out in San Francisco, he looked at some people who had a degenerative disease, which mainly occurred in her left hemisphere and their artistic skills actually became enhanced and what was interesting, there hasn’t been a lot of research looking at the true geniuses, but one of the interesting stories about Einstein’s brain, it turns out that Einstein said it would be okay if they took his brain out and they examined it. And he was in Princeton, New Jersey, and there was a pathologist whose name was Thomas Harvey. So Harvey took the brain out and after it was fixated, he took a knife and he cut it into small blocks, 240 little blocks, and sent it all around the world to different people. And he said, well, tell me why he was a genius. People said, wait a minute, you gave me this little block of brain, how can I do anything? Well, the only thing that Harvey did was good was he actually photographed Einstein’s brain after he took it out. And what was really interesting is that on the left hemisphere, there’s a big, big, Valley called Sylvian fissure . It’s a big Fissure and it separates the frontal lobe from the temporal lobe and the parietal lobe from the temporal lobe. And what was really interesting about Einstein’s brain is that his Sylvian fissure can go all the way back and it didn’t actually go into the prior lobe . On the left side, it stopped really, really early. And after seeing that people said, oh, that’s why he was a genius because he didn’t have these big a soul . So I go into his prior lobe and dividing up his neural networks. Well, it turns out that one of the things we know about evolution is that the more GRI and salsa you have, it means the more cortex you have, okay. And that’s not a sign of superiority, it’s a sign that something is wrong. And if you look at his history, that part of the brain is very important for language I’m his parents for them to the pediatrician when he was about three years old, because he was not talking. And the other thing that was really interesting about Einstein’s brain, if you look at it, is that his right pro lobe was huge. Now, in addition, Arnstein was also probably dyslexic again, that parietal lobes’ important. So the question comes up that his less evolved left temporal low , allow his right to actually be superior. And it turns out when you read all the Weinstein’s works about himself, he said he always used spatial reasoning. And could it be that he was such a genius because again, his left hemisphere did not develop, but his right hemisphere really alone . Now, what’s really important. Also, as we’re going to talk about the frontal lobes are very important for divergent thinking. And it turns out, as I mentioned, Einstein had a huge, huge right frontal lobe. Richard Miles: 14:20 Ken, when we talk about divergent and convergent thinking for listeners who aren’t exactly sure what we mean by that, convergent thinking is when there’s one or a couple of right answers and you’re honing in on that right answer to a given problem and divergent thinking is when there could be a range of different types of solutions to a problem. One sort of looking in the other one sorta looking out. Dr. Kenneth Heilman: 14:41 Let me talk a little bit about that because the very first step in innovation to creative process is disengagement. What do I mean by disengagement? You have say, hey, this doesn’t explain your work, this is not the truth. And maybe one of the best examples of this is Copernicus who said , hey, wait a minute, this doesn’t make sense that will all revolving around the earth. Okay, It has to be other possibilities. Could it be that we’re revolving around Mars? or the sun? And then after he disengaged from that, he went ahead and used divergent thinking other possibilities, and he came up with a concept, hey, it’s the sun. We’re revolving around the sun. So the first step in creativity is first of all, disengagement, I don’t believe that’s the way done. Maybe as a better explanation. No one’s ever painted this one. No one’s ever written music. Hey, here’s a good novel no one’s ever written about. So you disengage from what has been done and then from there, you do divergent thinking saying, hey, what are the alternatives? What are the possibilities? Now it turns out from the neurological perspective, one of my mentors, Derek Denny Brown, brain neurologist said that all animals can do two things. They can approach or they can avoid and he said, this is even true of humans. He said it turns out that the frontal lobes are the disengage void organ and the temporal and parietal lobes and several or more for approach. And we know that when people damage their frontal lobes , what they do is they separate. In other words, they can’t disengage. So if we give them a test where they have to organize cards in a certain way called the Wisconsin card sorting , once they get one successful one, that’s it they’ll keep on repeating it, repeating it, repeating it, something we call the separation. And one of the things that we use to look at divergent thinking is something we call the alternative uses test. What you say to the person, okay, I’m going to give you an object and what I want you to do is give me the different things that you can do with this object. But the more different it is, the more points you get. So for example, I give somebody a word, the brick, if they say, Oh, you use it to build houses, to build fireplaces, you get maybe a point for each of those. If you say, Oh, you know, you’ve been using it as a doorstop or a bookend you get two points. If you say, Oh, you know, what you can do is take it in the bathtub with you and after your bath, you can use it to rub off your calluses you get three points. So your idea is that’s a test of divergent thinking, but creativity. So a lot of tests of creativity are one that’s used a lot is called a Torrance test. Where they have both verbal and visual-spatial test of divergent thinking. But as I said, this is only the first sub-stage of innovation. Now, a very important thing about innovation and creativity is curiosity and risk-taking. And that’s very, very, very important. And the reason why so many people get into creative occupations is because to them, it’s very rewarding. So you go back and you go through history and you look at artists , composers, whenever even scientists and what happened was financially, they did terribly, but they wanted to create because it gave them great joy. And the best example is Galileo, who proved Copernicus thing. You know, what the Pope did to him? Prisoner the rest of his life. Richard Miles: 18:36 Yeah. Dr. Kenneth Heilman: 18:36 And it turns out they finally forgave him about 40 years ago because he showed that the sun was in the center of the universe. Now it turns out that there’s a place deep in brain called the ventral striatum. And in animals, if you stimulate that, the animal will keep on doing whatever it was doing. It’s very rewarding. And that whole system is reward system. And it’s also hooked up to the frontal lobe. And it turns out that excitability of that system is very important for the drive and motivation. It turns out that, that system was also abnormal in people who use drugs. And that’s why actually, you see your very high rate of drug abuse in people who do creative. So let me go to the third part of innovation. So we have to disengage and say, hey, it has to be better answer to divergent thinking in saying , hey, what is the possibilities create ? The next one, and the critical element is finding the thread that unites and William James was really one of the founders of current psychology and said the thread that unites unheard of, combinations of elements and subtle associations and spearmint, another famous person who said creative ideas result from the combination of ideas that have been previously isolated. And perhaps the best example is Einstein’s E equals MC squared. Prior to that time, they were isolated. So it’s very important in the creative mode that the neurons in the brain and these modules that we’re talking about, that they communicate with each other. And there’s some evidence that that’s true. So one of the great experiments showing about this communication was done by a neurosurgeon, Joe Bogan. And we talked about that the right hemisphere is important for visual-spatial and the left for verbal and we had an epileptic’s whose seizures can be controlled, so they spread from one hemisphere to the other. So they were going to cut the connection between the two hemispheres, the corpus callosum. So the seizures couldn’t go from one side to the other side, but Bogan was curious whether or not this would interfere with creativity. So they gave people the inkblot test and the inkblot tests , as you know, just has inkblots and you tell people, hey, what does this look like? And then you could judge the creativity. People like me say that looks like a moth that looks like a bat and a lot of people come up with very creative ideas. So he tested these people and then after the collosum was cut, they retested them. And the creativity was actually gone. Why? Because the visual system could not communicate with the verbal system makes sense? Richard Miles: 21:31 These various parts of the brain have to be constantly swapping information with each other. Dr. Kenneth Heilman: 21:35 And in fact, when you record from the brain, the brain waves, when people are in a creative mode, their brainwaves actually go ahead and have a certain type of coherence, like they’re all communicating with each other. So in general, one of the things we ask is how do we increase our networks? Well, one of the great stories about chemistry is about tequila. They knew benzene had six carbons, but they didn’t know how it was organized. So he was drowsy and off to sleep. When you imagine or dream about a snake, biting its own tail in gear , Hey, it’s a ring, but it turns out if you look at almost all great creative ideas, people were almost always in a state of relaxation. Isaac Newton, when he came up with calculus and he came up with the laws of gravity, there was an epidemic almost like ours , but I think it was a little bit worse and they closed up Cambridge university. It was a plague, and so, he went up to his mother’s farm and now we have plenty of time and he sat under the apple tree and thought about these problems and came up with these ideas. When he went back to Cambridge, after it was over, they gave all kinds of administrative jobs because she was so successful with the ideas, he didn’t come up with much after that. Einstein came up with most of his theories late at night, in the patent office, when it was very, very quiet. Even when you think about when you get a great idea, you yell Eureka! Well, it was Archimedes who came up with that idea, the concept of buoyancy and what was he doing? He was taking a bath, another relaxing thing. The person who actually improves the nerves theory of the brain was a spanish physician, Raymond Ecohall, and he wrote a book actually, about creativity, which is an interesting book. In the book he says, if a solution fails to appear yet, we feel success is around the corner, just try resting for awhile . Now, another thing that we know about creativity is actually that one of the most creative types of people are people who have depression and bipolar disorder tend to be very, very creative. And so we thought what’s going on here about sleep, relaxation, depression, all those kinds of things. Well, it turns out they’re all similar in that in our brain, we have a neurotransmitter called norepinephrine. And when you get norepinephrine what happens is your attention goes externally rather than internally. So for example, if you were a child and you were sitting in the back of your class, just dreaming, daydreaming all the time the teacher you would say, hey, take your son or daughter to the doctor and get em some medicine. They give medicines like Dexedrine. They increase no norepinephrine. What do people do then? They attend to the teacher, they don’t go into their own mind . If you’re going to be creative, guess what you have to do. What do depressant people do almost all day long? Go into their own mind . So we actually wanted to test that theory. I did this with a fellow David B. We gave normal participants, anagram tests . You take words and you mix up the letters and you see how long it takes them to get the word. And some of them, we gave a medication called Propranolol, it blocks norepinephrine . One of the bad side effects, it turns out, if people take it too long, is depression. And it turns out when we gave these people Propranolol, this beta blocker of norepinephrine, guess what? They performed much better. Then with another fellow George Gotcebing. We know that when we treated epileptics, we found that one of the ways of doing it is by simulating one of the cranial nerves called the Vegas nerve. And what the Vegas nerve does is actually increase the output of norepinephrine in the brain. And it’s interesting because now they also use it to treat depression and we gave creativity tests while we’re stimulating. And we weren’t stimulating and low and behold, what do we find out? That when we are stimulating him your creativity went down. So in general, it’s important to go ahead and be in a very relaxed state. Richard Miles: 26:07 It sounds like in general, there’s this obviously complex interplay between left and right hemisphere and various areas of the brain. But if I had to sum it up, it seems to me in your book, a part of what you do is say that these various conditions in left hemisphere, whether they’re through an accident of birth, or an injury, or a certain mental state, we’re in the inclination to search for that conversion type of thinking and free up, the more divergent type of thinking that may occur elsewhere in the brain. Who , for instance, like I’d signed that the example you gave of him being delayed in his speaking clearly didn’t make him not a creative person. It may been just the opposite. Dr. Kenneth Heilman: 26:44 This is important that when people get head injuries, the place that they injure most likely is the, frontal lobes and the connections. And the frontal lobes are the critical thing, both for divergent thinking and for motivation to continue working and to actually produce the creative object or thought or whatever it might be. So, no , that’s not generally true. There have been cases where people did get injured. Strokes, dementia that didn’t enhance the creativity, but remember in those people, they paid a price, they were disabled. So yes, in certain unusual cases, brain damage can enhance it. But in most people interferes with every stage, the first stage, the preparation it interferes with that, it interferes with divergent thinking and it also interferes with convergent thinking. Richard Miles: 27:36 Ken, if we could come back to the question earlier, how much of this is hardwired? And you’re basically born with this ability to do that creative type of thinking at a high level and how much of it could be taught in schools or taught in workplaces and people could sort of make themselves be more creative in general? Dr. Kenneth Heilman: 27:53 No, you’re asking a very, very important question that’s going on for centuries and centuries. In general, both are important. Nature is important. Brain development is important and nurture is important. And those two things have to go together. So for example, there’s the famous story in Romania. The leader during communist times wanted to increase the population. So we encouraged people to have more and more children and they couldn’t afford the children, so they put them into these units. They fed them, but they didn’t play with them, and they didn’t hug them. Guess what’s happened to these kids. They were all mentally impaired because they need that stimulation to have the brain growth. And this is true throughout life. So it’s not purely nature because nurture helps develop the brain. And that’s been shown, you need a combination of both, but I think it is very, very important growing up to be a stimulator as possible and to do as many new and novel things that possibly you can. One of the things that really troubles me about our educational system is that in general, they downplay the opportunity for children to be creative. So who are the first teachers they fire when you have economic problems? Richard Miles: 29:12 The music teacher and those folks, right? Dr. Kenneth Heilman: 29:14 The music teacher and the art teacher, And in general, how do they gauge how well somebody does, they gauge it by their knowledge. There’s no tests that they give em that really looks at their creativity. And none of the teachers in school talk about even how do we enhance this creativity? And it’s really a shame because it turns out there was a book written by Richard Florida, and in his book, he says something very, very, important which is coming to be true in the future. The success of different nations, societies is not going to be based on people’s labor, like labor in factories, and so forth. It’s going to be primarily based on creativity. America has been very, very fortunate because it was a country of immigration. And the people who came here said, Hey, wait, I don’t like what things are going on here, there must be a better way. And therefore, America has been a very creative country. My grandmother, who was a Jewish grew up in Belarus, was pregnant with my mother and she told her husband, I don’t want to bring my kids up here. It can be spiteful and treated badly, I want to go to America. And it turns out that America allows people to become very creative. But we need to really force that in our school systems and we’re not doing it. And we’re doing everything the opposite way. So for example, in medicine now, how did they decide how valuable you are? By how many relative value units. So I’ll just tell you the story about me very briefly. I see patients with cognitive disorders and usually, in my afternoon clinic, I would see about four patients, but I was teaching medical students. And most of these patients were sent by other neurologists because they couldn’t figure out what was going on with these patients. And if you go into pub med and type my name, you’ll see how many reports there are about unusual patients. I got a letter from an administrator at The University of Florida that said, you come to clinic at 12:30, you don’t leave clinic until past six o’clock, and you’ll only see four new patients. It wasn’t really his fault, that is the mentality now. So even medicine, if you see something interesting, something that’s different that you want to really look at and examine you can’t do it. So, and so many domains were interfering in the schools and medical schools were interfering with really the growth of creativity. Which takes time, rest and patience. Richard Miles: 31:56 We’ll Ken, thank you very much. We’re about out of time, but that’s been a fascinating discussion about the relationship of creativity and the brain. And I’m thankful that somebody invented the internet and zoom and laptops, those creative folks made this conversation possible. So thank you to that wider community who makes these conversations as possible, but thank you very much for joining us today on Radio Cade. Dr. Kenneth Heilman: 32:17 Thank you for inviting me and for all the wonderful work you all are doing in enhancing creativity to Bob Cade is so wonderful. Finding out about the museum is something that’s looking at attempting to enhance creativity. Thank you so much. Richard Miles: 32:32 Well, thanks for coming on Ken, appreciate it. Outro: 32:34 Radio Cade is produced by the Cade museum for Creativity and Invention in Gainesville, Florida . Richard Miles is the podcast host and Ellie Thom coordinates, inventor interviews. Podcasts are recorded at Hardwood Soundstage, and edited and mixed by Bob McPeak . The Radio Cade theme song is produced and performed by Tracy Collins and features violinist, Jacob Lawson.
Le Marche, Italy lockdown recording by Mauro Pennacchietti. "I live in a 1,900 people hill top village in Le Marche. In front of home I have the castle walls that are more 900 years old. "Since the coronavirus lockdown everything has gone quiet and I can hear the countryside cockerels and dogs, and during the night I can hear frogs. I’m looking forward to summer with cicadas and crickets. "This is a lunchtime stereo recording in which you can hear dogs, Streptopelia decaocto (Eurasian collared dove), Corvus monedula (western jackdaw), Serinus serinus (European serin), Sylvian atracapilla (Eurasian blackcap)" Part of the #StayHomeSounds project, documenting the sounds of the global coronavirus lockdown around the world - for more information, see http://www.citiesandmemory.com/covid19-sounds
French-Canadian Legacy News & Robert Sylvian Preview by French-Canadian Legacy Podcast
Topelius on kirjoittanut tekstit kahteen merkittävään suomalaiseen joululauluun: Sylvian joululauluun ja lauluun Varpunen jouluaamuna. Luonto oli hänelle tärkeä, ja Topelius oli myös varhainen luonnonsuojelija. Kirjallisuuden professori Leena Kirstinä on perehtynyt Topeliuksen luontosuhteeseen. Minna Pyykkö kävi juttelemassa hänen kanssaan Topeliuksesta ja siitä, miksi Topeliuksen laajasta tuotannosta juuri luontoaiheet tuntuvat kestäneet hyvin aikaa. Kuva: Juha Laaksonen / Yle
Click the links below for details about the bird vocalizations used in this episode from the Macaulay Library at the Cornell Lab of Ornithology: Intro music: Kai Engel Walking Barefoot on Grass Outro music: The United States Army Old Guard Fife and Drum Corps: United States National Anthem (The Star Spangled Banner) Download Wake-Robin by John Burroughs...
In this edition of the Daily Cannon Arsenal podcast, Matthew, Anita and Sylvain revel in beating Burnley, enjoy the new additions, and look forward to the big one at the weekend. Also, Sylvian previews the new season for Arsenal Women, we round up recent youth team fixtures, and tell RVP to do one… Listen in […]
In this edition of the Daily Cannon Arsenal podcast, Matthew, Anita and Sylvain revel in beating Burnley, enjoy the new additions, and look forward to the big one at the weekend. Also, Sylvian previews the new season for Arsenal Women, we round up recent youth team fixtures, and tell RVP to do one… Listen in […]
Rebecca Marino WTA singles player high ranking of #38 talks coming back on tour after long retirement and discusses junior grind in Canada. Plus, Sylvain Bruneau talks coaching in Canada and working with Marino.
An introduction to the new menswear brand, Sylvian Hyde at NYFWM 2018. See acast.com/privacy for privacy and opt-out information.
Bible Study #32: The Curse of Jericho Fr. Anthony Perkins, St. Mary's (Pokrova) in Allentown 24 April 2018 Opening Prayer:Make the pure light of Your divine knowledge shine in our hearts, Loving Master, and open the eyes of our minds that we may understand the message of Your Gospel. Instill also in us reverence for Your blessed commandments, so that overcoming all worldly desires, we may pursue a spiritual life, both thinking and doing all things pleasing to You. For You, Christ our God, are the Light of our souls and bodies, and to You we give the glory, together with Your Father, without beginning, and Your All Holy, Good, and Life- Creating Spirit, now and ever and to the ages of ages. Amen. (2 Corinthians 6:6; Ephesians 1:18; 2 Peter 2:11) Warm up question:What is a curse? Are they real, or only as real as people think they are? Blessings have psychological and “true” effects (e.g. confession); is it the same (in reverse) for curses? Think less about the manipulation of positive and negative energies than about opening ourselves of up the grace of God and the intercession of the saints or ... the actions and even possession of evil powers. The Curse of Jericho Jericho 6:17-19. From Origen. Don't Pollute the Faith. This is what is indicated by these words: Take heed that you have nothing worldly in you, that you bring down with you to the church neither worldly customs nor faults nor equivocations of the age. But let all worldly ways be anathema to you. Do not mix mundane things with divine; do not introduce worldly matters into the mysteries of the church. This is what John also sounds with the trumpet of his epistle, saying, “Do not love the world or the things that are in the world.” And likewise Paul: “Do not,” he says, “be conformed to this world.” For those who do these things accept what is anathema. But also those introduce anathema into the churches who, for example, celebrate the solemnities of the nations even though they are Christians. Those who eagerly seek the lives and deeds of humans from the courses of the stars, who inquire of the flight of birds and other things of this type that were observed in the former age, carry what is anathema from Jericho into the church and pollute the camp of the Lord and cause the people of God to be overcome. But there are also many other sins through which anathema from Jericho is introduced into the church, through which the people of God are overcome and overthrown by enemies. Does not the apostle also teach these same things when he says, “A little leaven spoils the whole lump”? Notice that the “solemnities of the nations” seem to be rituals associated with old gods. The dialogue about what previous symbols etc. can be incorporated and blessed and what can't is always interesting. For the Jews there were two mechanisms involved: 1) intentionally breaking commands that *God Himself* had given and 2) doing rituals and holding onto idols of foreign gods. A Reminder on the Concept of Herem (taboo). A human... may not enjoy the use of an object designated as ḥērem, for this would transgress the limits between his domain, with its protective socio-legal organization, and the outside non-classificatory domain and cause disequilibrium to encroach upon the former. Should such misuse occur, the perpetrator himself becomes contaminated by the object of the ḥērem and must be subjected to the same treatment as that object in order to ward off the consequent dangers to his community... (“Taboo” by Malul, p. 826). Joshua 7:1-5. What Happened at Ai – Episode I. From Origin. The Tongue of Gold. But also we should not let it be passed over without comment that by one sinner wrath comes upon all the people.… But let us also see what sort of sin this person did. He stole, it says, “a tongue of gold” and placed it in his own tent. I do not think so great a force of sin was in that theft of a little gold that it defiled the innumerable church of the Lord. But let us see if a deeper understanding does not reveal the enormity and severity of the sin. There is much elegance in words and much beauty in the discourses of philosophers and rhetoricians, who are all of the city of Jericho, that is, people of this world. If, therefore, you should find among the philosophers perverse doctrines beautified by the assertions of a splendid discourse, this is the “tongue of gold.” But beware that the splendor of the performance does not beguile you, that the beauty of the golden discourse not seize you. Remember that Jesus [Joshua] commanded all the gold found in Jericho to be anathema. If you read a poet with properly measured verses, weaving gods and goddesses in a very bright tune, do not be seduced by the sweetness of eloquence, for it is the “tongue of gold.” If you take it up and place it in your tent, if you introduce into your heart those things that are declared by the [poets and philosophers], then you will pollute the whole church of the Lord. St. John Chrysostom. How Bad for Us?Suppose any one should carefully examine all the communicants in the world, what kind of transgression is there which he would not detect? And what if he examined those in authority? Would he not find them eagerly bent upon gain? Making traffic of high places? Envious, malignant, vainglorious, gluttonous and slaves to money? Where then there is such impiety as this going on, what dreadful calamity must we not expect? And to be assured how severe vengeance they incur who are guilty of such sins as these, consider the examples of old. One single man, a common soldier, stole the sacred property, and all were struck. You know, doubtless, the history I mean? I am speaking of Achan the son of Carmi, the man who stole the consecrated spoil.… On account of all these things, let us take heed to ourselves. Do you not see these wars? Do you not hear of these disasters? Do you learn no lesson from these things? Nations and whole cities are swallowed up and destroyed, and myriads as many again are enslaved to the barbarians. If hell does not bring us to our senses, yet let these things. What, are these too mere threats, are they not facts that have already taken place? Great is the punishment they have suffered, yet a greater still shall we suffer, who are not brought to our senses even by their fate. Sylvian the Priest of Marsailles. How the Taint Works. The church of God is as the eye. As a speck of dirt, even though small, which falls into the eye blinds the sight completely, in the same way, if some, even though they are a few in the body of the church, commit filthy acts, they block almost all the light of the splendor of the church. Joshua 7:19-26. The Confession and Punishment of Achen. St. Jerome. Why so Harsh? The same reason that the nations were given over to the sword. Joshua 8. What Happened at Ai – Episode II. They won. Completely. With tactics. Origin. We ought not to leave any of those demons deeply within, whose dwelling place is chaos and who rule in the abyss, but to destroy them all. Teaching Point: Do what God instructs even when the end result is not clear. Bibliography Franke, J. R. (Ed.). (2005). Old Testament IV: Joshua, Judges, Ruth, 1–2 Samuel. Downers Grove, IL: InterVarsity Press. Malul, M. (1999). Taboo. In K. van der Toorn, B. Becking, & P. W. van der Horst (Eds.), Dictionary of deities and demons in the Bible. Brill; Eerdmans.
Featured in this episode of the show is our interview with three of the four members of Chicago's The Cyberiam. Comprised of (l. to r.) Tommy Murray on drums, Keith Semple on vocals and guitar, Brian Kovacs on bass, and Frank Lucas on keyboards, their self-titled debut album is now out, and with their respective groundings in genres within and beyond prog, it's a fully-formed recording that sounds more mature than most bands' first outings. You'll hear about the making of the album and a lot more besides. Plus, we hear from Yes expert and broadcaster/podcaster Roman Guzman with his and Mark's thoughts about the reissue (with new vocals) of the band's 2011 album Fly From Here. And there's a theme of nostalgia running through this show, with three tracks all dealing with that particular emotion in their own ways. All that and a 30 Second Sales Pitch from Poland's Pinn Dropp! www.thecyberiam.com https://pinndropp.bandcamp.com/releases Featured songs/excerpts: "Juxtaposer" (The Cyberiam) "Don't Blink" (The Cyberiam) "Nostalgia" (The Cyberiam) "Fly from Here" (Yes) "Nostalgia" (David Sylvian) "Nostalgia" (Yanni) "Like" Progtopia on Facebook (www.facebook.com/Progtopia and www.facebook.com/groups/1380357308874546/) and follow Progtopia on Twitter (@Progtopia) to send a message about the show and to receive news about current and upcoming interviews. Thanks for listening!
Í Lestinni í dag verður meðal annars fjallað um enska tónlistarmanninn David Sylvian en hann varð sextugur í síðustu viku. Sylvian á að baki langan og glæsilegan feril sem hófst á áttunda áratugnum með hljómsveitinni Japan, sem naut mikillar virðingar á sínum tíma. Í kjölfarið fylgdi sólóferill sem einkennst hefur af stöðugri leit, stöðugri þróun. Valgeir Sigurðsson tónlistarmaður þekkir vel til verka Sylvians og hann verður gestur Lestarinnar í dag. Hljómsveitin Gusgus er olían og gangverkið í íslenskri danstónlist, og þeirra síðasta skífa er slípuð og straumlínulöguð eining sem svíkur engan. Davíð Roach Gunnarsson setur sveigjanlegar lygar í hátalarakerfi Lestarinnar í dag og fjallar um nýútkomna breiðskífu Gusgus, The Lies are More Flexible. Á N1 Ártúnshöfða er starfsmaður sem þykir hafa afar góð áhrif á viðskiptavini sína. Lestin kom við í bílalúgunni í Ártúnshöfða og ákvað að kynnast manninum betur. Og Tinnabók dagsins er Krabbinn með gylltu klærnar, viðmælandi Gísla Marteins Baldurssonar í dag verður Hrafn Jónsson. Umsjón: Anna Gyða Sigurgísladóttir og Eiríkur Guðmundsson
Welcome to the first episode of Just F Already. Holly and Yoli are sitting down to talk about the shit that is Gabriel's Inferno by Sylvian Reynard (who is actually a female...or a male. Depends which one of us you ask). We make fun of it a bit, discuss why Julianne never eats anything, talk about how verbally abusive Gabriel is, and ponder over why they had to have sex to Dave Matthews Band in Florence. Enjoy!
Welcome to the first episode of Just F Already. Holly and Yoli are sitting down to talk about the shit that is Gabriel's Inferno by Sylvian Reynard (who is actually a female...or a male. Depends which one of us you ask). We make fun of it a bit, discuss why Julianne never eats anything, talk about how verbally abusive Gabriel is, and ponder over why they had to have sex to Dave Matthews Band in Florence. Enjoy!
Almamegretta, Sakamoto 6 Sylvian, The Beatles, Nirvana
Jouluna joululaulut saavat ihmiset itkemään – toiset ilosta ja toiset surusta. Etenkin nuoriso ja nuoret aikuiset arvostelevat usein lasten ja aikuisten intoa iänikuiseen joulumusiikkiin. Ei siis ihme, että kitaristi Erkka Korhosen vuodesta 2004 vetämä Raskasta joulua –hanke on kerännyt vuosi vuodelta yhä suuremmat yleisöt konsertteihinsa. Katsotaanpa, mitä joululauluja nuorison hevisankarit yleisölleen laulavat: Turussa vuosi sitten keikka jyrähti käyntiin kappaleella Me käymme joulun viettohon, kohta soivat Konsta Jylhän joululaulu, Oi jouluyö, Nisse-polkka, Sylvian joululaulu, Valkea joulu ja monet muut tutut joulun lauluklassikot, kunnes varsinaisen setin päättää Petteri Punakuono. Näyttää tutulta lauluvalikoimalta. Nisse-polkkaa ja Petteri Punakuonoa nyt ei Suomen lähetysseuran järjestämissä Kauneimmat joululaulut –tilaisuuksissa lauleta, mutta muuten suuri osa lauluista soi niin heviareenoilla kuin Suomen kirkoissa. Vaihtoehtoista nuorten heviurhojen ja –valkyrioiden konserteissa on lähinnä muoto, samat kappaleet soitetaan siellä hevirokiksi sovitettuna. Tuntuu siltä, että tuo klassisten joululaulujen nippu on meissä todella syvällä. Miten tuo nippu on muodostunut? Missä tutut joululaulut on tehty? Kuka ne on tehnyt? Onko kaikki saanut alkunsa lauluista, joissa kerrotaan poikalapsen syntymästä? Joululaulujen tutkija, kuoromies ja Sibelius-akatemian takavuosien kirkkomusiikin professori Reijo Pajamo kertoo. Ohjelman ovat toimittaneet Pasi Heikura ja Tuula Viitaniemi.
South African Airways has suspended its chief commercial officer Sylvain Bosc. It is reported that a forensic investigation by ENSafrica into various allegations were received through the Deloittes Tip Offs hotline. The airline says the tip-off allegation had enough substance to suggest that Bosc "doctored the numbers for Abu Dhabi to favour the opening of this route and sold SAA out". The goal was to use this new route as a gateway to the Far East for SAA passengers into China and India, and would operate at a substantial profit, as the current routes into those destinations were causing losses to SAA in excess of 400 million rand per annum.
Майкл Брук (Michael Brook), родился в 1952 году в Торонто, канадский гитарист-новатор, изобретатель, музыкальный продюсер и кинокомпозитор. С Бруком сотрудничали, записывались и выступали многие известные музыканты различных жанров: Джон Хассел (англ.), Брайан Ино, Даниель Лануа, Эдж, Роберт Фрипп, Дэвид Силвиан, Брайан Ферри, Нусрат Фатех Али Хан, Дживан Гаспарян и другие. Он создал и постоянно использует в своих записях электрогитару с бесконечным сустейном, которую назвал соответственно "Бесконечной гитарой". Состоит в Американском обществе композиторов, авторов и издателей (ASCAP, англ. American Society of Composers, Authors and Publishers). --------------------------------------------------------- Дэвид Силвиан (David Sylvian) - британский музыкант, вокалист и автор песен, начинавший карьеру в рок-группе новой волны Japan, затем успешно занялся сольной карьерой, работая над музыкой разных жанров: прогрессивный рок, джаз, электронная музыка, эмбиент.
Stanotte apriamo con alcuni protagonisti di recenti biopic come Kurt Cobain ed Amy Winehouse e poi omaggiamo la luna con Bowie, Foo Fighters e Sylvian...
Ambient music will never be a popular genre. We all know the kind of looks we get from people when they hear some of our ambient tunes. But over time ambient sensibilities have crept into a lot of modern music. And artists that normally don't do ambient music have dipped their toes into a droning sea. So that's where this mix takes us, to tunes that are fairly to very ambient, by non-ambient artists. Many of the artists on this tracklist aren't exactly big surprises, Sylvian, Bowie, Gabriel & Boards of Canada have done many ambient-like tracks over the years. But they are not known primarily as ambient artists. I didn't include the Genesis tune that inspired this mix, mainly because it was the featured track in an earlier mix. But I did manage to sneak in another Genesis tune from the same album. Thanks to everyone for all the great suggestions. I think 6 made it into the final mix. I am saving some of the recommendations for the next Sunday morning mix. Thanks! T R A C K L I S T : 00:00 Andrew Bird - Belles 02:20 U2 - 4th of July 04:00 David Sylvian - Answered Prayers 06:39 S. Cary - Rothko Fields 07:44 Peter Gabriel - Slow Marimbas 10:30 Mercury Rev - Pickup if you're there 12:00 Radiohead - Treefingers 15:17 Boards of Canada - Over the Horizon Radar 16:05 Boards of Canada - Heard from Telegraph Lines 17:00 Nine Inch Nails - A Warm Place 19:33 David Bowie - Art Decade 22:45 Genesis - Ravine 24:15 Andrew Bird - Yawny at the Apocalypse 27:00 Trespassers William - Just Like This(disinterested remix) 31:45 Peter Gabriel - The Nest That Sailed The Sky 36:08 Richard Hawley - Last Orders 40:55 Unkle - The Piano Echoes 45:30 David Bowie - The Mysteries 51:50 Peter Gabriel - Powerhouse at the Foot of the Mountain 52:50 Laurie Anderson - Walking and Falling 54:20 John Martyn - Small Hours(instrumental version) 1:04:10 end
Quantum Jump, Sylvian & Sakamoto, Scotch, Cyber People, Nasa, David Bowie, Hall & Oates, Paul Laurence, P. Lion, Roni Griffith, Rockers Revenge, Roxy Music, Leisure Process, Control D, David Joseph, James Ingram & Michael McDonald, Break Machine, Klapto, Kraftwerk, Stevie Wonder, Automat, Gino Soccio, Get People, Supermax, The Stranglers, Riechmann, Lennie Hibbert, Black Sabbath, Supertramp, Jim Morrison & The Doors and more...
Episode I of IV This Mix Set is inspired by the club circuit around the world. Listen and let the rhythm take you! playlist: Mariah Carey-I Want To Know What Love Is Offer Nissim feat. Maya-Over You Alicia Keys-Empire State Of Mind Cevin Fisher and DJ Kelee-Workout Grace Jones-Slave To The Rhythm Jocelyn Brown-Better Life Mike Vale & Sylvian feat. Lara Love-Mysterious Katy Perry-Peacock Superchumbo feat. Celeda-Dirrrty Filthy La Lupe-Besito Pa'Ti TV Rock-In The Air Victor Calderone-Out There Emanuele Inglese-Kubic Room CLub 69-Diva Edward Maya-Stereo Love Edson Pride-Ardiente BoA-Energetic Rihanna-Unfaithful Shakedown-At Night (2010) Chris Lake-If You Knew NeYo-Because Of You Escala-Finding Beautiy
I was inspired by my daughter's mix cd's to do my own vocal mix. She does great mixes that I listen to in the car and I thought I'd do a similar one of my own. Of course the finished product is not as uptempo as hers. This being an ambient mix blog, most of the tunes are fairly quiet. There is no unifying theme here, other than I like these tunes. The Martin Grech tunes are from "March of the Lonely" which made it on my best of 2008 list. I could have put in a ton of David Sylvian tracks but ended up with just two. Hmmm, maybe I should do an all Sylvian mix someday. There are two new songs in there, "Another World" by Antony & the Johnsons and "Foreground" from the new Grizzly Bear. The rest are a mix of old & fairly new cuts. I did cheat a little bit by sneaking in one instrumental track. It's "Bell Toll by Daniel Lanois from his fantastic Omni series box. Somehow it just fit right. I also cheated on the graphic. I took an album cover by Dan Deacon and wiped out his title & put my own in. The pic just worked so perfectly with the title of the mix. I called the mix "Refuge" because I think of music as a refuge and this mix as an escape from from other crappy music...from work...from laundry...from the economy...from normal, crazy life. I hope this mix can be a refuge for you too. TRACKLIST: 00:00 Canyon Country - Dead or Dreaming 03:50 David Sylvian - Maria 06:15 Martin Grech - Kingdom 09:30 Sufjan Stevens - Holland 12:50 Grizzly Bear - Foreground 15:54 Antony & the Johnsons - Another World 19:35 Peter Gabriel - Father, Son 24:20 Roxy Music - Spin Me Round 28:50 REM - Star Me Kitten 31:45 Daniel Lanois - Bell Toll 33:00 David Bridie - Sad 36:30 David Sylvian - When Poets Dreamed of Angels 41:00 Martin Grech - Ashes Over Embers 46:30 P.G. Six - Lily of the West 51:35 Trespassers William - Love is Blindness 58:31 end
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