Podcasts about teenage jesus

On this episode, Marc talks with Angela Jaeger, author of “I Feel Famous: Punk Diaries 1977-1981,” released on February 4th, 2025. It's a compendium of her diary entries when she was a teenager living in New York and London, going to see punk bands at CBGB's, Max's, Tier 3, and many other places. Jaeger seemingly saw and met every band around, forging friendships with the Cramps, Teenage Jesus and the Jerks, X-Ray Spex, the Raincoats, and the Clash, among many others. Her diary entries rush with the excitement of getting to see new music every night at a time when bands were seemingly forming every minute. As Jaeger writes, "When I see myself jumping back and forth between New York and London, going out all the time to see bands, joining bands, starting college, stopping college, etc, it leaves my head spinning. And yet I see the motivations behind my moves–wanting to figure out who I was on my own terms, not always pleasing my parents or even myself, but curious to grab the moment, tell the story here and now.”You can buy Jaeger's book here: https://hatandbeard.com/products/i-feel-famous-punk-diaries-1977-1981We hope you enjoy Marc's conversation with Angela Jaeger!

Lydia Lunch is a singer, songwriter, poet, artist, author, and long-time musical collaborator of both Thurston Moore and Rowland S Howard. She fronted influential No Wave band Teenage Jesus and the Jerks (produced by Brian Eno), and co-wrote and sung the epic Sonic Youth track Death Valley '69. She is touring Australia next month - get tickets at lydia-lunch.net/shows, and listen to some of her vast discography at https://lydialunch.bandcamp.com.

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In effort to consolidate VAUMC Podcasts, 1000 Questions Christian is moving its episodes to VAUMC Connection. These are older episodes so the people and position may have changed since recording. 

***Beavis & Butthead “Bruise Violet” “Shove” L7 Smell the Magic 1990
 “Fast and Frightening” L7 Smell the Magic 1990
 T/S #1- The Influences pt. 1- Hard Rock “Shine My Machine” Suzi Quatro Suzi Quatro 1973
 “Ask the Angels” Patti Smith Group Radio Ethiopia 1975
 “Rip Her To Shreds” Blondie Blondie 1976
 “Dead End Justice” The Runaways The Runaways 1976
 “Devil Delight” Heart Magazine 1977
 T/S #2- The Influences pt. 2-Punk “I Am a Poseur” X-Ray Spex Germ Free Adolescents 1978 
 “Typical Girls” The Slits Cut 1979
  “Fairytale in the Supermarket” The Raincoats The Raincoats 1979
  “Nausea” X Los Angeles 1979
  “Strychnine” The Cramps Songs The Lord Taught Us 1980
  “Tonite” The Go-Go's Beauty And the Beat 1981
 T/S #3- Angry, Metallic & Indie Ladies   “Night Shift” Siouxsie and the Banshees Juju 1981
  “Baby Doll” Lydia Lunch's Teenage Jesus and the Jerks 7” 1979 
 “The Damned” Plasmatics Coup De Grace 1982
  “Freezer Burn/I Wanna Be Yr. Dog” Sonic Youth Confusion is Sex 1983
  “‘Cross the Breeze” Sonic Youth Daydream Nation 1988
  “Kool Thing” Sonic Youth Goo 1990
  “Gigantic” Pixies Surfer Rosa 1988
 T/S #4- There's a Riot Goin' On in Washington & U.K.  “Rebel Girl” Bikini Kill Yeah Yeah Yeah Yeah 1993
  “White Boy” Bikini Kill Yeah Yeah Yeah Yeah 1993
  “Herjazz” Huggy Bear Taking the Rough With the Smooch 1993
  “Second Skin” The Gits Frenching the Bully 1992
  “Dead Men Don't Rape” 7 Year Bitch Sick ‘em 1992
  “Call the Doctor” Sleater-Kinney Call the Doctor 1996
 T/S #5- Courtney & Kat  “Teenage Whore” Hole Pretty On the Inside 1991
  “Gutless” Hole Live Through This 1994
  “Swamp Pussy” Babes in Toyland Spanking Machine 1990
  “Dust Cake Baby” Babes in Toyland Spanking Machine 1990
  “Map Pilot” Babes in Toyland To Mother 1991
  “Right Now” Babes in Toyland Fontanelle 1992
  “Mother” Babes in Toyland Fontanelle 1992
 T/S #6- Heaviness Ensues- Babes & L7  “Bruise Violet” Babes in Toyland Fontanelle 1992 
  “Handsome & Gretel” Babes in Toyland Fontanelle 1992
  “Spun” Babes in Toyland Fontanelle 1992  
  “He's My Thing” Babes in Toyland Painkillers 1993
  “Ariel” Babes in Toyland Nemesisters 1995
  “Ms.45” L7 L7 1988
  “(Right On) Thru” L7 Smell the Magic 1990
 T/S #7- L7 Strikes Metallic Gold  “Wargasm” L7 Bricks Are Heavy 1992
  “Diet Pill” L7 Bricks Are Heavy 1992
  “Everglade” L7 Bricks Are Heavy 1992
  “Shitlist” L7 Bricks Are Heavy 1992
  “Andres” L7 Hungry For Stink 1994
  “Baggage” L7 Hungry For Stink 1

"We Had Changes We'd Never Thought of That Created Surprise and a Chaotic Feel."Our guest for this episode of MFM Speaks Out is Mark Chimples, a.k.a. Mark C. Mark is the guitarist and synthesizer player with Live Skull. Formed in 1982, Live Skull is considered by many aficionados to be the quintessential New York City noise band. Rising concurrently with bands such as Sonic Youth and Swans, Live Skull helped define the post-No Wave underground "noise rock" in the 1980s music scene in New York City. Over the following decades, Live Skull released five albums and three EPs with a rotating cast of 11 members, all of whom added new ideas to the group's evolving sound. Themes of struggle and chaos permeated and inspired their music. Their constant progression inspired New York Times critic Robert Palmer to call them “as challenging, as spiritually corrosive, and ultimately as transcendent as Albert Ayler's mid-'60s free-jazz or the implacable drone-dance of the early Velvet Underground. It's one of the essential sounds of our time." Topics discussed:The beginning of the No Wave scene and how it emerged from the savage and atavistic Lower East Side of New York City in the 70s and 80s, how Live Skull formed in 1982, where the term "No Wave" came from, Live Skull's relationship with other bands on the scene like Sonic Youth, The Swans, The Lounge Lizards, Theoretical Girls, Tone Death, Television. Suicide, Teenage Jesus and the Jerks, Lydia Lunch, how no wave influenced other art forms such as visual art, dance, and film, how no wave related / coexisted with other scenes such as Downtown music scene, punk, etc., some of the main venues the no wave scene thrived in, the artistic visions behind Live Skull's music videos, how Live Skull was received in other parts of the country, Live Skull's break up in 1990, Mark's involvement in Spoiler, Int'l Shades, Fuse, and SoSaLa, how they translated the No Wave aesthetic into the 90s, Live Skull's reunions, how logistics and economics of touring change since Live Skull began touring and how it works in the post-pandemic era, physical media releases vs. digital releases, music activism and Mark's involvement with MFM, the rise of AI in music and art and how musicians should deal with it, and Live Skull's cultural relevance in the mid 21st century.https://liveskull.bandcamp.com/ Music featured in this episode:1) Mad Kingship2) Hit So Hard3) Party Zero(From the album "Party Zero by Live Skull. Used with permission) 

Cork singer-songwriter Caoilian Sherlock releases his long-awaited debut solo album Teenage Jesus on May 26. We go through the nine songs tracks by track, how they were created and how they chart Caoilian's growth as an artist. We also talk about his other ventures, such as bands the Tan Jackets and Shaker Hymn, as well as working with the Good Room promotions in Cork and bringing back Quarter festival in mid-July. Preorder Teenage Jesus: https://caoiliansherlock.bandcamp.com/album/teenage-jesus-album Caoilian Sherlock tour dates: Friday, May 26: Prim's, Kinsale Saturday, May 27: Levis' of Ballydehob Saturday, June 3: Pharmacia, Limerick Thursday, June 22: Workman's Cellar, Dublin Friday, June 23: Fulacht Fiadh, Leitrim Sunday, June 25: De Barras, Clonakilty Saturday, July 1: The Green Room (Cork Opera House) Sunday, August 6: The Finsbury, Finsbury Park, London

Andrea del Verrocchio hivatkozott képe (btw nem igaz, hogy csak erről az egyről tudunk).Tibi guglizó képességében eddig sem hittünk, mégis fura, hogy a keresőbe beírva David McKay nevét, nem vette észre, hogy rögtön a második találat ez.Nehéz hinni Lakodalom Lajos ártatlanságában.Az új nka logó. Csakis szülői felügyelettel!A Hegedűs a háztetőn c. film.Hogyan csábította el Stockhausen a Beatlest.Egy North Star élő, és a lemezborító.Doktor Dain Heer doktor, az Access Consciousness egyik kiötlője elmagyarázza a tisztítómondat jelentését (magyar felirat!).A Tudatosság podcast.Teenage Jesus and The Jerks.Borítókép: Karlheinz StockhausenAdászene: James White & The Blacks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Support the showHa szeretnéd támogatni a gombapresszót, akkor a Patreon oldalunkon megteheted.A gombapresszó Twitter csatornája.Az élő adások helyszine, az MR4 csatorna.MR4 keresőA gombapresszó Buzzsprout oldala.A korábbi adászenéket tartalmazó Spotify lista.Email.

Brian Eno sempre foi um artista que colocou na sua música muito da sua formação em artes visuais na Belas Artes. Desde o Roxy Music, onde todos os integrantes eram formados em artes, até o desenvolvimento da ambient. Partindo do glam rock, desenvolvendo depois a melhor estirpe da música de elevador, a gente vai falar justamente desse momento de transição de um artista, que para esse que vos escreve são sempre os mais interessantes.A gente vai falar de "Before and After Science", de 1977. Esse disco reúne toda a alquimia musical de Eno: Funk com Krautrock alemão, ecos bem leves ainda glam, pós-punk e new wave (estilos novatos em 77) e ambient music. Diferente do anterior que quebrava com o glam para mergulhar muitíssimo na ambient, esse parece que retrocede nesse sentido um pouco, pois a ambient music está lá mas não é o centro. O centro é uma alquimia rica, um todo acessível e experimental ao mesmo tempo. Disseco no podcast também por que Eno se classificava como um “non-musician”.Esse episódio disseca algumas referências fundamentais para Eno e para a Ambient music e algumas referências-livre-associações fruto da interpretação do podcaster. Falamos de Erik Satie, Kurt Schwitters, William Burroughs, Byron Gysin etc. Falamos um pouco do Roxy Music, mencionamos a relevância de Eno como produtor, engenheiro de som etc. Um cara que produz bandas que se inserem no cenário mais pop como U2 e Coldplay, mas também obras como "No New York", que revelou todo o cenário do punk mais underground/conceitual/ da No Wave reunindo bandas como DNA do Arto Lindsay, James Chance and the Contortions, Teenage Jesus and The Jerks da Lydia Lunch.  MúsicasNo One ReceivingLadytron (Roxy Music)Music for AirportsKurt's RejoinderKing's Lead HatBy This RiverHere He ComesBackwaterEnergy Fools the MagicianJulie WithThrough Hollow LandsSpider And IRoteiro e apresentação: Pedro SchwarczDireção: Newman CostaEdição: Felipe CaldoRedação: Luiz Fujita e Paulo BorgiaArte: CRIO.LAHSegue a gente lá no insta: @umpaposobresom Produção: Baioque ConteúdoRoteiro e apresentação: Pedro SchwarczDireção: Newman CostaEdição: Felipe CaldoRedação: Luiz Fujita e Paulo BorgiaArte: CRIO.LAH

We're in the midst of the New Years Resolution, so while we're in the mood and mode of meta-cognition, let's talk about the incarnation! What was Jesus' experience of meta-cognition? Did he always know he was divine or did he realize it at some point along the way?Mentioned in the Episode: "That Is One Dirty Soda, Santa" Pepsi Milk Commercial John 1:14 - The Word Made Flesh Council of Chalcedon Wiki Mark 8:29 - You Are the Christ Fourth Council of the Lateran Wiki 50 Ways to Pray by Teresa A. Blythe Support us: Join our Patreon community and buy us a drink at patreon.com/ravelpod for as little as $3/mo! Submit a voicemail by calling 601-55RAVEL (601-557-2835) or submit a voice memo to the inbox at theravelpod@gmail.com!  Take a minute to drop us a 5-star rating and a 1-2 sentence review on Apple Podcasts and Spotify!  Follow on Twitter, Instagram, and TikTok at @ravelpod! Follow the hosts on social:  Josh Twitter: @joshlieuallen Stephen Twitter: @stephenghenning Emily Instagram: @RevRettinghouse Credits: Theme Song: In Full Color by Louie Zong on Spotify and Bandcamp Artwork: Yarn and Ravel by Dixie Lee Henning @dixieleedraws Editing/Sound Design by Stephen Henning Social Media by Josh Lieuallen Certified Organic benediction by Reverend Emily Rettinghouse, MDiv ★ Support this podcast on Patreon ★

Short songs, short shows, short-lived bands: Lydia Lunch was big on making a point quickly and moving on. For this episode of The Spindle, John and Marc drop the needle on 1978's "Orphans" b/w "Less Of Me" by Teenage Jesus & The Jerks. Led by Lunch on guitar and vocals with bassist Gordon Stevenson and drummer Bradly Field and produced by Robert Quine (Richard Hell & The Voidoids, Lou Reed, Matthew Sweet), the Jerks might not have lasted very long, but they made an impression. Press play on this episode to learn why. About The Spindle: The 7-inch record isn't just a format—it's an art form. On each episode of The Spindle podcast, music writer Marc Masters (Pitchfork, The Wire, Bandcamp) and music historian (and music maker) John Howard dive into a great 7-inch, dissecting its background, impact, and the reasons why it stands out as a small plastic piece of music history. What's your favorite 7″? Call us at 1-877-WASTOIDS and weigh in!

Title- Life of Messiah, Part 48- Teenage Jesus Adulting -Pastor Ken Stodola -Key Passage- Luke 2-50-52--If you are new to our church, please visit the below link and let us know how you found out about Open Door and if there's any way we could minister to you or your family.--https---odbaptist.com-pages-contact-us--Follow us on YouTube- -https---www.youtube.com-channel-UCitSEWQderM-LrqAHMdnOrw-videos--Listen-watch us live or listen-watch old sermons at -https---www.sermonaudio.com-source-detail.asp-sourceid-odbaptist--Follow us on Facebook- -https---www.facebook.com-Open-Door-115705998459103--1128 Oates Road-Prattville, AL 36066-United States

In the second chapter of Luke, we get the only Gospel account of Jesus as a boy, where his mother and father spend 3 days searching for him after the feast of Passover. What can we learn from the way that Jesus behaves in this passage, and what does that invite us into as followers, and some of us as parents?

Pastor Lawson continues our series "The Gospel According to Luke" with a sermon from Luke 2:40-52.

Neste programa destacamos um momento histórico cultural muito interessante passado especialmente em Nova Yorque nos meados/final dos anos 70 que teve curta existência: a “No Wave”, um fenômeno underground e avant-garde multiartístico abrangendo a música, o audiovisual, artes cênicas, entre outras. O nome cunhado do contraponto e rejeição com a comercial New Wave, estilo musical mainstream vigente na época, com inspiração em outros gêneros não comuns: post-punk, funk-punk, industrial, noise e experimental. Produção e apresentação do nosso colaborador internacional Fabian Fernandez, que de algum da costa brasileira elaborou essa playlist (sem ordem cronológica de execução): 1 – “Baby Dee” – Konk – surgida em NY em 1980 imersa na sonroridade pós-punk, new wave e disco-funk, liderados pelos saxofonista Dana Vlcek. Segundo consta Richard Edson foi baterista da primeira formação da celebre Sonic Youth . 2 – “Blonde red head” – DNA – foi a banda do famoso músico e compositor americano Arto Lindsay (natural da Virginia), surgida em 1977 com músicas de carater experimental. 3 – “Contort Yourself” – James Chance – outro famoso no movimento, cantor, compositor e saxofonista nascido no Wisconsin. Gravou muitos álbuns com diversas bandas entre as quais o The Contortions. 4 – “You Make no sense” – ESG – grupo formado por duas irmãs do Bronx, responsáveis por instituir o disco-punk. A ideia da banda foi da mãe das adolescentes com intuito de afastá-las da barra pesada que era o bairro. 5 – “Reduction” – Material – banda experimental criada em 1977 pelo famoso baixista e produtor Bill Laswell. 6 – “Wawa” – Lizzy Mercier Descolux – cantora e compositora francesa que se mudou para NY no final dos anos 70 onde fundou a ZE Records responsável por lançar artistas da cena No Wave e underground da cidade. 7 – “Optimo” – Liquid Liquid – banda dance-punk de NY com curta existência – 1980-1983. Em 2008 o quarteto retomou as atividades com a mesma formação original. 8 - “Button Up” – The Bloods – banda funk/punk de garotas de Nova Iorque. 9 – “Atomic Bongos” – Lyndia Lunch – Ainda adolescente chegou em NY. cantora, poetisa, compositora e escritora, considerada um dos grandes nomes do movimento No Wave, formou com James Chance a banda Teenage Jesus and The Jerks. Na época ganhou esse sobrenome por roubar comida para levar aos colegas artistas. 10 – “Bleeding” – The Method Actors – banda de Athens na Georgia surgida em 1979, única da lista sem ligação direta com a cena de NY. Programa produzido por Fabian Fernandez com apresentação de Ricardo Pinto (@ricardoppaiva), Alex de Souza (@ombudsman) e Jesuino André (@jesuinoaoliveira). Agradecimentos aos parceiros da revista O Inimigo (@revistaoinimigo), loja de presentes Mina Flor (@minaflor_minaflor) e Alfonso Turismo (@alfonsotour João Pessoa). Em dezembro sorteio de brindes com os nossos ouvintes e seguidores! Contatos: www.meusons.blogspot.com www.alternativab.com.br/radio https://www.megafono.host/podcast/meu-sons meusonspodcast@gmail.com @meusons (instagram) @meusonspodcast (twitter) @alternativab (instagram) Use máscara e tome a vacina! Até o próximo programa! --- Send in a voice message: https://anchor.fm/alternativab/message

Thurston Joseph Moore (born July 25, 1958) is an American musician best known as a member of Sonic Youth. He has also participated in many solo and group collaborations outside Sonic Youth, as well as running the Ecstatic Peace! record label. Thurston Moore's work with Sonic Youth rearranged the parameters of indie rock to an almost incalculable degree, merging experimental art rock tendencies with unconventional guitar tunings for a sound that would influence generations to come. Moore's abstract poetic lyrics and perpetually mysterious aura were core ingredients of Sonic Youth's 30-plus-year run, but also bled into countless side projects and less-frequent solo albums like 1994's sprawling and loose Psychic Hearts. After the group's breakup in 2011, Moore continued with his ambitions, ranging from projects like his band Chelsea Light Moving to noisy collaborations with Merzbow and John Zorn to solo albums like 2020's By the Fire that continued exploring the kind of moody, twisting art rock he'd become an icon of with Sonic Youth. Moore was ranked 34th in Rolling Stone's 2004 edition of the '100 Greatest Guitarists of All Time.' In May 2012, Spin published a staff-selected list of the top 100 rock guitarists, and ranked Moore and his Sonic Youth bandmate Lee Ranaldo together at number 1. Lineup: Tapper Zukie, Patti Smith, Teenage Jesus & The Jerks, MARS, Public Image Ltd., The Slits, The Raincoats, Captain Beefheart & His Magic Band, Alice Cooper, T. Rex, Archie Shepp, Billie Holiday, Teddy Wilson, Nirvana, Mudhoney, Dinosaur Jr., Jackson C. Frank, Bush Tetras, Germs, Boredoms, Lou Reed, The Beach Boys, David Bowie, Sparks, Siouxsie and the Banshees, The Damned, The Mentally Ill, Minor Threat, Black Flag, The Untouchables, Iron Cross, The Faith, Void, Negative Approach, Youth Brigade, S.O.A., Anne Briggs, The Fugs, Jimi Hendrix

Lydia Lunch is a true radical in every sense of the word. A high priestess of punk, she arrived in New York when she was just 16 in the mid-'70s and made a name for herself downtown with her band Teenage Jesus and the Jerks. That band became synonymous with the hugely influential No Wave movement and launched Lunch's multifaceted career of over 40 years as an actor, performance poet, writer, public speaker, solo artist, and frontwoman for her subsequent bands 8-Eyed Spy, 13.13, Shotgun Wedding, Big Sexy Noise, and Retrovirus. Now, her life and career are being celebrated in a new documentary by director Beth B called Lydia Lunch: The War is Never Over—currently making the rounds at festivals and art house cinemas nationwide. On Lunch's provocative episode of BUST's Poptarts podcast, she makes extremely controversial comments concerning Harvey Weinstein, Andrew Cuomo, R. Kelly, and much, much, more.

Zig At The Gig with Lydia Lunch Lydia Lunch is an American singer, poet, writer, actress and self-empowerment speaker. Her career was spawned by the New York City no wave scene in the 1970s, predominantly as the singer and guitarist of Teenage Jesus and the Jerks. Her work typically features provocative and confrontational noise music delivery, and has maintained an anti-commercial ethic, operating independently of major labels and distributors. The Boston Phoenix named Lunch one of the ten most influential performers of the 1990s.Her collaboration with Sonic Youth called "Death Valley '69" was named one of "The 50 Most Evil Songs Ever" by Kerrang! Lydia is currently touring with her band Retrovirus, and also has a documentary out about her my Beth B called The War Is Never Over. https://www.lydia-lunch.net/shows   Link to tickets for Sep 9th Femme Fest Canton OH ! https://buzzbincanton.com/event/43673... Lydia's Info https://www.lydia-lunch.net/ https://lydialunch.bandcamp.com/ SHOW LESS

Today: We had our first in-studio guest in a year and a half!!!!! Our dear friend Rick Emerson joined us in human form to talk about everything from bible study to rock bands to and more - it is random and maybe slightly offensive and fun :) Have a great afternoon all!!

Jesus was once a teenage boy, right? Was he a rascal? Who did he hang out with? Was he considered the ancient equivalent of a jock, a cool kid, a nerd, or something else?And how on earth did he get through the normal teenage years of angst and still be … the perfect incarnation of God?There's a bit of speculation about teenage Jesus. And we promise to cover all the evidence for it in this episode.LINKS  This episode is brought to you by Zondervan's new Bible commentary on the Gospel of Mark More about 10 Things I Hate About You, which you heard at the beginning of this episode. Check out the Infancy of Thomas, an apocryphal document that purports to narrate episodes from Jesus' youth from the age of five up until his twelfth year. Get to know our guest, Dr Chris Forbes. Listen to Canon Fodder, from Season 3 of Undeceptions, which also features Dr Forbes. It's all about how the Bible was put together and why which books were chosen as scripture and some books weren't.  Here's that TedTalk on raising rebels. Good luck to listeners attempting to do so!  The Lost Years of Jesus documentary. The Unknown Life of Jesus Christ by Nicolas Notovitch (Yeah, we're not suggesting your rush out and get this one!)  Here's a travel diary to follow if you want to try to "walk in the steps of Jesus" in Nepal, even if he didn't actually go there! Articles like these just keep popping up.  Check out this talk that John Dickson gave on the difference between the teachings of Jesus and the teachings of Buddhism or Hinduism.  Here's the one passage in the gospels that talks about Jesus as a teen... Luke 2:42-51. More on David Flusser, the great Jewish Professor of History and Religion from the Hebrew University of Jerusalem.

This week we have a real Punk legend on the show, Lydia Lunch. Lydia was instrumental in the New York 'No-Wave' music scene of the late 70s, her band Teenage Jesus & the Jerks changed the world in 9 minutes of sonic destruction. Her poetry and forceful personality continues to shock and delight audiences around the world and she also had a hand in one of Eamon's most treasured singles 'Death Valley 69' with Sonic Youth. It is safe to say this is one of our favourite ever interviews, Lydia nails the brief and and shocks and surprises with almost every sentence. Before we meet the 'Queen of Punk' Anne and Eamon discuss the ever increasing lengths of play lists and whether it's ever OK to wear a sweary T-Shirt in the presence of children. After our slightly testy discussion of how to file records in series one we have decided call in the experts in the form of Anne's sister Dr. Beck Grant a fully qualified Archival Scientist. Dr. Beck gives us the lowdown on how to organise a collection correctly and also lends Eamon some much coveted credibility. We really hope you enjoy this episode as much as we did making it, please like, subscribe, review or just tell a friend what we do. As ever we have made a playlist of literally every song and artist mentioned in the podcast, skip past the ropey bits because there is some gold in there! Look it kicks off with Take That but you can blame Anne for that and just skip on if you like. https://open.spotify.com/playlist/0zr94Mno4Pi49ijOXkZZhL?si=9705df0afacd4c1b YouTube version for the rebels https://www.youtube.com/watch?v=40Od45DjCA4&list=PLPPl5xM2fbUpVOsCmGVpkUC2KRsZMPNL0 You can find out more about the brilliant Lydia Lunch here: http://lydianspin.libsyn.com/ And because Eamon loves it here is the slightly gory video for Sonic Youth featuring Lydia Lunch 'Death Valley 69' https://www.youtube.com/watch?v=y2Gf0MmRz9g CONTACT US: WHATGOESPOD@GMAIL.COM Twitter - @WHATGOESPOD Instagram - @WHATGOESPOD Facebook - https://www.facebook.com/WhatGoesPod/ *BIG UP THE LIKERS RETWEETERS & SHARERS*

In this episode of 1000 Question Christian our guests, Adam Sowder and Lindsey Freeman, discuss teenage Jesus, bears mauling children, and prayer!

Véritable météorite arty, la no wave s’est développé dans les lofts et les clubs du Lower East Side, au coeur de Manhattan vers 77. Malgré une existence très courte, seulement 5-6ans et bien que l’essentiel du mouvement n’ait été consignés que sur d’obscurs labels à faible tirages assez mal distribués, la no wave a eu une influence considérable dans de nombreux genres musicaux. Notamment dans la scène free jazz avec John Zorn, ou dans la musique contemporaine avec Arthur Russell, Rhys Chatham et Glenn Branca qui ont eux-même participé à sa genèse. On retrouve aussi l’héritage de no wave dans la noise avec des groupes comme Harry Pussy ou Prurient. Le terme No Wave souligne le caractère expérimental de la musique : la musique No Wave n'appartenait à aucun style ou genre fixe. À bien des égards, la No Wave n'est pas un genre musical.
 Bien que prolongeant le punk à sa manière, la no wave, n’aura aucun porte étendard. Toutes les formations que l’on regroupera sous cette étiquette n’auront ,comme pour le post-punk britannique, assez peu de points communs, en dehors d’un rejet commun envers la structure traditionnelle de la chanson. Il y a cependant certains éléments propres à la plupart des groupes de cette scène au son très particulier, les guitares bruitistes souvent atonales, les rythmes déstructurés, le chant hurlés ou atone, la tendance à mettre l'accent sur la texture musicale plutôt que sur la mélodie pour beaucoup, la NO WAVE, c'est avant tout ça. Elle est souvent mieux défini en termes d'environnement artistique. Les musiciens s'inspirant fortement de l'art de la performance à la fois très théâtrale et minimaliste. Cette scène n'aurait sans doute pas eu autant de résonance sans Brian Eno qui décida d’enregistrer les artistes qu’il avait découvert lors du festival underground à l'Artist Space en mai 78. Il les enregistrera pendant les séances de mastering du deuxième album des Talking Heads. Sa compilation NO NEW YORK sort en 1978, avec des titres de D.N.A., Mars, James Chance et Teenage Jesus & The Jerk et donnera un véritable coup de projecteur à ses groupes éphémères mais tellement important. Pour finir deux citations qui résume bien le mouvement et la vie artistique de l’époque à New-York. Celle de Brian Eno : « Je savais que les groupes que j’avais produits sur No New York allaient se séparer dans la foulée de l’enregistrement. Pourtant j’avais dans l’idée qu’ils marqueraient les esprits aussi durablement que les mouvements esthétiques du début du 20ème siècle. » Enfin celle de Anita Sarko, à l’époque Dj, dans le livre New York Noise : « La vie avait des allures de performance artistique continuelle, mais débarrassée de toute prétention crispante. Tu pouvais faire ce que tu désirais. Si tu voulais peindre, tu peignais. Si tu voulais être musicien, tu prenais ta putain de guitare ». Suicide/Cheree Teenage Jesus and the Jerks/Orphans Bush Tetras/Things That Go Boom In The Night Mars/3E Lizzy Mercier Descloux/Fire Y Pants/Barbara's Song Liquid Liquid/Cavern Swell Maps/The Helicopter Spies Glenn Branca/Lesson No. 2 Theoretical Girls/Computer Dating

** Contains topics not suitable for everybody ** Latest Spoken Label is from the wonderful Isaac Hughes-Dennis. Isaac Hughes-Dennis is a politi-folk comedy musician and occasional magician who combines eloquent wit, upbeat tunes and bold political statements for the pleasure and entertainment of any given audience. Described as ‘Tim Minchin on steroids’ and ‘The most un-politically correct young person’. Instagram- @isaac.hughes.dennis Bandcamp: https://isaachughesdennis.bandcamp.com/ Facebook: https://www.facebook.com/isaachughesdennismusic Youtube: https://www.youtube.com/channel/UCdkIP5UFIbZWnFCfHmGAydA?fbclid=IwAR0D5TMYGIdY8uH5Z2yAwxC0rJUJ2S5aNLsYQLPwBEs4e04QKdaFo88H_yc Pieces read out in this session include: 1. Cough on a tory 2. A song for Rishi Sunak 3. Teenage Jesus

My guest this week is Matthew Schnipper, former executive editor of Pitchfork, former editor-in-chief of The FADER, and a former editor at The Verge and GQ.Matthew and I discuss growing up sick and sad in the suburbs, naming his son after punk legend Henry Rollins, continuing to pursue a dream after rejection, and why he loves discovering and sharing new music.Check out Matthew's Newsletter DEEP VOICESNOTES(04:37) Naming His Son After Henry Rollins (article)(09:34) Teenage Jesus and the Jerks (band)(11:03) Man is the Bastard (band)(27:50) Jon Caramanica (Blamo! Interview)(36:12) RAP: Export (album review)(55:52) Akasha System (musician)(58:14) John Beltran (musician)**This episode is sponsored by ROWING BLAZERS use code: BLAMO for 10% off your order!**Want even more Blamo? Join the BlamFam on Patreon and get access to additional interviews, a community slack, special events, and more!

We’ve been getting lots of question on our Facebook page, and we’re hitting them all hear in one lightning round. Questions You're Asking (https://www.thecrossingchurch.com/podcast-series/questions-youre-asking/).  Interested in more content like this? Check out our guest interview with Dr. S. Joshua Swamidass on the compatibility of creationism and evolution: Who Picked Which Books Went into the Bible? (https://www.thecrossingchurch.com/podcasts/who-picked-which-books-went-into-the-bible/) from earlier in this series. Like this content? Make sure to leave us a rating and share it with others, so others can find it too.  To learn more, visit our Twitter (https://twitter.com/thecrossingcomo) @TheCrossingCOMO and @TenMinuteBibleTalks. Support this podcast

Max and Connor are a day late and several dollars short, but that's not gonna stop them from talking about Teenage Jesus, neighborhood kids, expiration dates, crying at the movies, and avoiding trailers. Swede Harvey also stops by the podcast to impart a shocking revelation about Connor. Finally, Max and Connor have a serious discussion about the unconscionable business practices of the Alamo Drafthouse and why you shouldn't be watching movies in a theater.

This is what we live for! On this episode, Damian is joined by THE LEGEND LYDIA LUNCH to talk punk! Although Lydia doesn't identify or even really like punk, she certainly influenced a lot of it. Listen in to this NOT TO BE MISSED episode as Lydia talks about the difference between No Wave & Punk, working with Rowland S. Howard, collaborating with (the) Weirdos, Cinema Of Transgression & everything in between!   Did we mention it is not to be missed? Find  her podcast The Lydian Spin here: http://lydianspin.libsyn.com/ and find her on Facebook here: https://www.facebook.com/LydiaLunch/ Also Touched On: No Wave, not punk clubs with “pillowrooms” the island of found souls Meeting Stiv Bators in ’73 Sonic Reducer Running away for the New York Dolls Rock Magazines the House of Guitars proto-punk Loving drugs and not going to sleep Goth when everybody was Glam dreaming of Rollerderby The rise of rap, punk and Trump being over Iggy and Bowie The Ramones being silly going to Richard Hell and the Voidoids’ first show Mink DeVille Union Carbine Suicide did not fit in Joe Coleman and the Steel Tips Mars was the first No Wave band having to go to Europe Playing with Generation X 13:13 Cinema Of Transgression and  No Wave: one movement & SO MUCH MORE!!! BROUGHT TO YOU BY Vans!!!

Join Becky and Nicole this week as they talk with Jamie Kocur about missionary dating, 1990s youth group culture, CD burning, and other cringy things we did in our teens and 20s. After listening to the episode, get her book, My CCM Soundtracked Life, at your local indie bookshop (or that big online seller, if you must) and read all of the stories that we couldn't get to.   If you have questions or want to chat with us, tweet at us @twistedsisterds or drop a comment on our Facebook page, or better yet, head over to Patreon and become a $1 or more subscriber to join the Twisterds Tavern private FB group. We always enjoy sharing our magick.   Subscribe and drop us a 5-star review on Apple Podcasts.   Support us at patreon.com/twistedsisterds to join our private FB group the Twisterds Tavern, get Sisterds swag, and even shape the content of the episodes.   Tweet at us @TwistedSisterds   Follow us on Instagram @twistedsisterds   Follow us on Facebook facebook.com/sisterdspodcast     Twisted Sisterds is now part of the Wild Goose GooseCast Network, a network of faith based podcasts discussing issues of inclusion and social justice. To learn more about The Wild Goose Festival, go to wildgoosefestival.org   Theme song by Michael Baysinger, cover performance by Key and Nuts.   New logo by Cheyenne Davis at Chey's Designs.   Transition bumpers by Sean Ozee.   Outro music by Andy Moore.

Lydia Lunch is a musician, author, historian and hysterian best known as founding member of the seminal No Wave band, Teenage Jesus and the Jerks. In this oral history, Lydia Lunch details her teenage years in Rochester, New York and her move to New York City as a 14 year-old runaway with aspirations of becoming a spoken word artist. She recounts her early experiences and relationships in New York in the mid 1970s and details her notable musical and artistic projects and significant collaborations. She discusses her motivations, reputation and sexuality as well as her immense output of physical work and her plans for the future.

In this week's episode, Mark and Barney are joined by the delightful Colleen "Cosmo" Murphy to mark the 50th anniversary of David Mancuso's legendary first Loft party in New York City. Colleen talks about her friendship with Mancuso and about her own musical journey as a revered DJ (not to mention host of Classic Album Sundays).Barney notes the week's featured writer Daryl Easlea — and specifically his pieces on Elvis Presley the movie star and (tying in with this week's reissue of his excellent book Everybody Dance) Chic protegée Norma Jean Wright. Colleen concurs that the latter's 'Saturday' (1978) is a stone disco classic.The New York theme continues with discussion of the week's new audio interview, featuring No Wave queen and fearless transgressor Lydia Lunch talking to Martin Aston in 1989. We hear a clip of Lydia holding forth on her staunch refusal to be part of any cultural mainstream — and conversation ensues about her huge influence and complicated relationship with radical feminism.Finally, Mark talks us through such new additions to the RBP library as a 1969 Jimi Hendrix interview from the L.A. Times, Nick Kent's 1978 encounter with Elvis Costello, and Sean O'Hagan's account of his 1998 trip to Belfast with U2. A second clip from the Lydia Lunch audio takes us out of the episode…Many thanks to special guest Colleen Murphy; like her Facebook page at Colleen 'Cosmo' Murphy and visit classicalbumsundays.com.Pieces discussed: David Mancuso, The Art of Deejaying without Deejaying, DJ Cosmo, Norma Jean Wright, Elvis in Hollywood, 50,000 Fall Fans Can't Be Wrong, Lydia Lunch audio, Mick Jagger, Jimi Hendrix, Disco Demand, Elvis Costello, Was (Not Was), U2, Viv Stanshall, Primal Scream, Teenage Jesus and the Jerks, Them Crooked Vultures and Sister Rosetta Tharpe

In this week's episode, Mark and Barney are joined by the delightful Colleen "Cosmo" Murphy to mark the 50th anniversary of David Mancuso's legendary first Loft party in New York City. Colleen talks about her friendship with Mancuso and about her own musical journey as a revered DJ (not to mention host of Classic Album Sundays). Barney notes the week's featured writer Daryl Easlea — and specifically his pieces on Elvis Presley the movie star and (tying in with this week's reissue of his excellent book Everybody Dance) Chic protegée Norma Jean Wright. Colleen concurs that the latter's 'Saturday' (1978) is a stone disco classic. The New York theme continues with discussion of the week's new audio interview, featuring No Wave queen and fearless transgressor Lydia Lunch talking to Martin Aston in 1989. We hear a clip of Lydia holding forth on her staunch refusal to be part of any cultural mainstream — and conversation ensues about her huge influence and complicated relationship with radical feminism. Finally, Mark talks us through such new additions to the RBP library as a 1969 Jimi Hendrix interview from the L.A. Times, Nick Kent's 1978 encounter with Elvis Costello, and Sean O'Hagan's account of his 1998 trip to Belfast with U2. A second clip from the Lydia Lunch audio takes us out of the episode… Many thanks to special guest Colleen Murphy; like her Facebook page at Colleen 'Cosmo' Murphy and visit classicalbumsundays.com. Pieces discussed: David Mancuso, The Art of Deejaying without Deejaying, DJ Cosmo, Norma Jean Wright, Elvis in Hollywood, 50,000 Fall Fans Can't Be Wrong, Lydia Lunch audio, Mick Jagger, Jimi Hendrix, Disco Demand, Elvis Costello, Was (Not Was), U2, Viv Stanshall, Primal Scream, Teenage Jesus and the Jerks, Them Crooked Vultures and Sister Rosetta Tharpe

In this week's episode, Mark and Barney are joined by the delightful Colleen "Cosmo" Murphy to mark the 50th anniversary of David Mancuso's legendary first Loft party in New York City. Colleen talks about her friendship with Mancuso and about her own musical journey as a revered DJ (not to mention host of Classic Album Sundays).Barney notes the week's featured writer Daryl Easlea — and specifically his pieces on Elvis Presley the movie star and (tying in with this week's reissue of his excellent book Everybody Dance) Chic protegée Norma Jean Wright. Colleen concurs that the latter's 'Saturday' (1978) is a stone disco classic.The New York theme continues with discussion of the week's new audio interview, featuring No Wave queen and fearless transgressor Lydia Lunch talking to Martin Aston in 1989. We hear a clip of Lydia holding forth on her staunch refusal to be part of any cultural mainstream — and conversation ensues about her huge influence and complicated relationship with radical feminism.Finally, Mark talks us through such new additions to the RBP library as a 1969 Jimi Hendrix interview from the L.A. Times, Nick Kent's 1978 encounter with Elvis Costello, and Sean O'Hagan's account of his 1998 trip to Belfast with U2. A second clip from the Lydia Lunch audio takes us out of the episode…Many thanks to special guest Colleen Murphy; like her Facebook page at Colleen 'Cosmo' Murphy and visit classicalbumsundays.com.Pieces discussed: David Mancuso, The Art of Deejaying without Deejaying, DJ Cosmo, Norma Jean Wright, Elvis in Hollywood, 50,000 Fall Fans Can't Be Wrong, Lydia Lunch audio, Mick Jagger, Jimi Hendrix, Disco Demand, Elvis Costello, Was (Not Was), U2, Viv Stanshall, Primal Scream, Teenage Jesus and the Jerks, Them Crooked Vultures and Sister Rosetta TharpeThe RBP podcast is part of the Pantheon Podcasts network.

In this week's episode, Mark and Barney are joined by the delightful Colleen "Cosmo" Murphy to mark the 50th anniversary of David Mancuso's legendary first Loft party in New York City. Colleen talks about her friendship with Mancuso and about her own musical journey as a revered DJ (not to mention host of Classic Album Sundays). Barney notes the week's featured writer Daryl Easlea — and specifically his pieces on Elvis Presley the movie star and (tying in with this week's reissue of his excellent book Everybody Dance) Chic protegée Norma Jean Wright. Colleen concurs that the latter's 'Saturday' (1978) is a stone disco classic. The New York theme continues with discussion of the week's new audio interview, featuring No Wave queen and fearless transgressor Lydia Lunch talking to Martin Aston in 1989. We hear a clip of Lydia holding forth on her staunch refusal to be part of any cultural mainstream — and conversation ensues about her huge influence and complicated relationship with radical feminism. Finally, Mark talks us through such new additions to the RBP library as a 1969 Jimi Hendrix interview from the L.A. Times, Nick Kent's 1978 encounter with Elvis Costello, and Sean O'Hagan's account of his 1998 trip to Belfast with U2. A second clip from the Lydia Lunch audio takes us out of the episode… Many thanks to special guest Colleen Murphy; like her Facebook page at Colleen 'Cosmo' Murphy and visit classicalbumsundays.com. Pieces discussed: David Mancuso, The Art of Deejaying without Deejaying, DJ Cosmo, Norma Jean Wright, Elvis in Hollywood, 50,000 Fall Fans Can't Be Wrong, Lydia Lunch audio, Mick Jagger, Jimi Hendrix, Disco Demand, Elvis Costello, Was (Not Was), U2, Viv Stanshall, Primal Scream, Teenage Jesus and the Jerks, Them Crooked Vultures and Sister Rosetta Tharpe The RBP podcast is part of the Pantheon Podcasts network.

The Rev’d Dr. Cn. Donald Shepson

From the writer of 'Weeds' and 'Orange Is the New Black' comes....... Teenage Jesus? Jenji Kohan, a writer known for her edginess, is planning on creating a show about Jesus Christ in his teenage years, which are missing from the Bible. The show is rumored to be formatted like "Wonder Years." Is this going to be a disaster, or could it be a good show? Listen to Pat & Stu for FREE on TheBlaze Radio Network from 5p-7p ET, Mon. through Fri. www.theblaze.com/radioTwitter: @PatandStuFacebook: PatandStu Learn more about your ad choices. Visit megaphone.fm/adchoices

-The James Comey hearing is underway and our crew tries to find anything, and I mean anything, that determines where solid proof might be found. -The "Fast and Furious" scandal involved U.S. guns getting into the hands of Mexican drug cartels. So why did nobody seem to care? -There's a new show hitting Netflix and this one is..... well, unique. Jenji Kohan, the creator of Orange Is the New Black, is creating a show about Jesus Christ in his teenage years. Could it be a good show, or could it be as bad as...... Noah? What if I told you you could churn your own butter in three to five minutes? Well, today, Kari shows the guys how to do just that with three simple ingredients. -Raheel Raza, a Muslim-Canadian activist, joins the program to give her input on the issue of a new "travel ban." She gives us an insight into the thoughts of those entering our country and emphasizes the need for proper vetting procedures for arriving refugees. -Glenn Beck and David Barton join the program with 'The Vault' as they examine the origins of the idea of American Exceptionalism. Listen to Pat & Stu for FREE on TheBlaze Radio Network from 5p-7p ET, Mon. through Fri. www.theblaze.com/radioTwitter: @PatandStuFacebook: PatandStu Learn more about your ad choices. Visit megaphone.fm/adchoices

Some people like to only dwell on certain parts of Jesus, but not get to know Him completely. The reason is that engaging with all of Jesus disrupts our lives, inconveniences us, and sometimes perplexes us. However, it is only when we encounter all of...

1 - Monday - 17 Pygmies2 - Eclipse of the Moon - Short Romans3 - The Haunting Moon - Lyon in Winter4 - Drone - Josef K5 - A Good and Useful Life - The Passage6 - talking Pictures - R.A.F.7 - Private Crucifixtion - The Chyldren8 - Warm Leatherette - The Normal9 - Letters - Gardening by Moonlight10 - Dim the Lights - No More11 - No More Sex - Theoretical Girls12 - Orphans (Live 1978) - Teenage Jesus and the Jersk13 - Meat Whiplash - Fire Engines14 - Which Way - I'm so Hollow15 - Fashion - David Bowie16 - Federation - Crispy Ambulance17 - Early Warning - The Contractions

Teenage Jesus: Hebrews 2 (Owen Batstone)

LYDIA LUNCH is an independent artist prolific in music, literature, film and photography. She established herself?as a No Wave musician in New York City in 1976 with her first band Teenage Jesus and the Jerks. She has released dozens of albums and continues to explore new mediums in which to express her passion and creativity. Lydia will be in conversation with Dominic Johnson (Drama, Queen Mary) discussing No Wave and its impact on contemporary music and culture. Dominic Johnson is Senior Lecturer in Drama at Queen Mary, University of London. His recent publications include Glorious Catastrophe: Jack Smith, Performance and Visual Culture (Manchester University Press 2012) and Theatre & the Visual (Palgrave Macmillan 2012). This event is supported by the Popular Music Research Unit, Goldsmiths.

Drunken Seder, Teenage Jesus, PHCP

Teenage Jesus & the Jerks - "The Closet" - Live at WFU Fest, Music Hall of Williamsburg Oct, 2009 Meltdown - "Night Bird Nightmare" - The Map Wondeur Brass - "It's Insane" - Ravir Edmund Welles Bass Clarinet Quartet - "The Butcher of Andalusia" - Tooth & Claw The Delinquents - "Do You Have a Job For a Girl Like Me?" - Alien Beach Party Silver Abuse - "We Smile You Pay" - Live at Misfits, Chicago 3/82 Irene Moon - "Demonstration" - Scientifically Speaking with Irene Moon Marjorie Meinert - "Valencia" - Hi-Fi and Mighty Der Plan - "Meine Freunde" - Normalette Surprise Metharythmes De l'Air - "Guimauve Aleatoire" - Phagocyte Cecil Taylor - "Serdab (excerpt)" - The Cecil Taylor Unit Arnold Schoenberg - "5 Piano Pieces: op. 23" - Pianist: Maurizio Pollini Unknown - ""He Was Pullin' His Privates..."" - Bob Purse's Exploring My Reel-to-Reel Catacombs, Volume 26 [Beware of the Blog] Redemer - "Lil' Flee" - Prancing and Collapsing Through the Wilterness Toy Killers - "The Devil May Be Your Santa Claus" - The Unlistenable Years Bill Talsma - "Here Below" - VA - Lumptronic 2: Pickin' Boogers and Butter Beats https://www.wfmu.org/playlists/shows/44548

AMAZING NOIZES AND MUZIX IN THIS PODCAST FROM: Paranoid Critical Revolution, Trumans Water, Extreme Animals, The Chinese Stars, Free Kitten, Skinny Puppy, Psychedelic Horseshit, Neptune, Made in Mexico, Hans Grusel’s Krankenkabinet, Amoeba Men, Fat Worm of Error, AIDS Wolf, and some rare tracks from, Big Black, Teenage Jesus and the Jerks. PHEW! Does that sound […]

Special on Lydia Lunch Date: May 1992 Produced by: Penny Show: CUTS An entire show dedicated to the multitalented artist Lydia Lunch. Best known for singing in Teenage Jesus and the Jerks, Lunch moved from music to spoken word and even writing, directing, and staring in a number of films.  Host Penny reads from an […]