Podcasts about nikon d7000

It's Eurovision season! Do you like taking photos? Andrew might! There will be some light banter about tech markets. Another fantastic Hemispheric Views adjacent website is born! How about some sweet pencils? And finally, do you need a bud…? Using Apple Podcasts? All notes can always be found here (https://listen.hemisphericviews.com/111)! Eurovision 00:00:00 Eurovision 2024 (https://eurovision.tv/event/malmo-2024)

After being laid off from her job as a business consultant, Makayla bought herself a Nikon D7000 camera and started charging $50 for photo shoots. She felt that launching a new business with limited knowledge was less scary than not earning money with a young family to feed and a mortgage to pay. She learned by watching YouTube and attending workshops as she went along, focussing on improving the weakest areas of her skill set to grow her business and make more money.These days she runs a successful wedding photography business with her husband, is in demand as a speaker and is the youngest director of the Professional Photographers of America, the World's largest professional photographers' association.Makayla is a keen advocate of in-person sales (these days via Zoom) and providing prints to create an emotional impact and improve sales. She's seen first-hand how prints can transform her client's lives by boosting their self-esteem and confidence. It's made her realise that running a photography business is about far more than making money. Digital photos may have become the norm, but Makayla believes the real value of photography is in tangible printed products that clients can enjoy for years.Makayla also gives some great marketing tips for photographers.Connect with MakaylaWebsiteInstagramFacebookPinterestSupport the show

Many of you may be wondering what and where are the Galápagos Islands. Or perhaps this is one of the places that is already on your travel bucket list. And some of you just enjoy living vicariously through our travel adventures. If any of these apply to you, pack your bag and join us as we share our journey to the Galapagos. In this episode we discuss what and where the Galapagos islands are, how we got there (including a little travel delay along the way), what a typical day was like when cruising the Galapagos Islands, and what kinds of wildlife we snorkeled with. We let you know what essential items we packed into our bags and what you won't need and we both our favorite things about of the trip. So if the Galapagos Islands are on your bucket list or you're just curious what it would be like to travel there, tune in NOW! Links we mention in this episode: Our camera gear Go Pro Hero 11 Link Olympus TG-6 We booked our trip through Diana Endara at Galapagos Travel Center Follow our travels on Facebook Follow our travels on Instagram here and here Save our travel ideas on Pinterest Music Credit Music by OYStudio from Pixabay Episode transcript (continued on Episode webpage): I'm Scott and I'm Melissa and we are the Sunshine Travelers. Our passion is travel and sharing our experiences with those who share our passion, want to learn more about travel, or even those that just want to live vicariously through our travel experiences. No matter where you fall along that journey, get ready to hear about our first hand experiences as we visit some of the most amazing places on earth. Many of you may be wondering what and where are the Galápagos Islands. Or perhaps this is one of the places that is already on your travel bucket list. And some of you just enjoy living vicariously through our travel adventures. If any of these apply to you, pack your bag and join us as we share our journey to the Galapagos. Scott: We made it! That was the feeling of exhilaration when we finally made it on board the yacht. Melissa: Yeah it was a bit of a bumpy trip trying to get there, but we made it. We started the morning with an early flight from Quito, Ecuador. A member of our travel company picked us up from the hotel and assisted us with the check-in process at the airport Scott: yeah, by the way check the show notes for a link to the travel company, Galapagos Travel Center, that we used. We worked with Diana and It really is worth it to do business with a local company that will handle all of the paperwork and processes for you. Melissa: We can do another episode on Quito and the tours that were arranged for us by the tour company. For this leg of the trip we realized that there was one stop in the coastal city of Guayaquil. Some people were headed to the coast to enjoy their beach vacation, but we would stay on the plane and make the short hop over to the islands. That's when things got a little interesting. Neither of us have been on a flight before that experienced a bird strike. Just as we were about to lift off the ground, a bird flew into our left engine with a loud thud. The pilot immediately put the plane back down on the runway and skidded to a stop. Scott: Amazingly everyone on the plane stayed calm and within a couple of minutes the pilot notified us of what happened. They taxied us back to the gate and we began the process of trying to figure out what was next. I honestly thought that there was no way they would be getting us out of there anytime soon. But within a few hours they had another plane on the ground from Quito and we were off to the Galapagos with just a brief delay so only missing the first excursion of the trip but getting there in time for dinner. Melissa: great! Now what and where are the Galapagos you may ask. It's a chain of approximately 19 islands off the coast of Ecuador in the Pacific Ocean right along the Equator. The Galapagos have long been a fascination of people since Charles Darwin's publication of “Voyage of the Beagle” where he was greatly influenced in his theory of evolution. Today the Galapagos are a National Park where visitors can explore the Flora and Fauna of a relatively young island born of volcanic activity that continues today. The islands are known for their fearless wildlife and spectacular diving and snorkeling. SPOILER ALERT: this trip is going to fall into that category of a luxury trip. But when you think about it, you could easily spend this type of money for a week at Disney. You just have to keep everything in perspective. Scott: I was surprised to learn that almost 25,000 people live on the islands. Most in a few larger cities on the four inhabited islands, but still more than I expected. These islanders make their living on tourism and fishing. Melissa: But the real draw of the Galapagos is the wildlife. Giant tortoise that live to be about 150 years old, sea lions, marine iguanas, sea turtles, and penguins just to name a few. These animals have lived such an isolated life that they almost show an interest in the visitors. Scott: So let's start with a little insight with what a typical day looks like when cruising through the Galapagos. We were on a yacht named Camila. She is part of the fleet named Royal Galapagos and they call her the Horizon. She had 8 state rooms with 4 on each floor and then a sun deck with hot tub on the very top level. At 16 passengers, this is a very intimate experience. It had just recently been refurbished and everything was in beautiful condition. Each room had a private balcony, king size bed, and full bathroom. Melissa: You have a common dining area where all meals were served by a fabulous chef and friendly stewardesses. We did an 8 day cruise and each day started with an early breakfast and then your first excursion of the day. Sunlight is from 6 to 6 each day year round because you are on the equator. You want to be out and catch the animals during their most active times of the day (morning and afternoon). Sometimes the first excursion is a hike, some days a tender ride (small boat) they call a Pangea, or a snorkel adventure. The night before they will do a briefing and tell you what to expect and how to dress for the next day's activities. One of our favorite activities was the snorkeling. Scott: the snorkeling was off the charts. Depending on which island you visit the marine life changes. In some places we swam with sea turtles (literally surrounded by sea turtles), some places we swam with penguins, and many others had sea lions. You almost don't notice all of the amazing tropical fish because of the other sea life that would be swimming alongside you. Scott: I do want to take a minute and tell you about the camera gear that I took and what I would recommend. I am an amateur photographer and love nature photography. I have a Nikon D7000 camera and had purchased a 600mm telephoto lens for the trip. Some people had said you won't need such a lens and it will be too heavy to enjoy. I am so glad that I ignored them. Most of the people on the trip put their cameras down and just enjoyed the views after they saw some of the photos I could get vs what they were getting with their own cameras. After the trip we I set up a Google drive where we all shared the photos and videos that we took. As far as underwater videos and pictures, I had taken a GoPro HERO 4 that I've had for many years. With the clear water it made “good” photos and videos, but I decided to upgrade after the trip and am excited to take my new GoPro HERO 10 on our next trip to St John. They have made a ton of improvements in quality and resolution over what is available on the HERO4 version. I'll put some links in the show notes to some of my equipment. I also bought Melissa an Olympus TG-6 camera for use in the water and doing video. The quality on that camera is terrific and will be a great compliment to the GoPro for our in true water photography. Melissa: Now back to the trip. After each excursion you were met on deck with refreshing beverages like iced tea or fresh fruit juice and usually some sort of light snack. They would usually have some sort of lunch prepared followed by a brief downtime. You could relax on the sun deck or most people took a short nap to prepare for the afternoon's activities. Usually if we did a hike in the morning, we snorkeled in the afternoon or vice versa. Every evening started with a briefing of the next day and was followed by an amazing dinner prepared by the chef. He was great at catering for people's preferences and dietary restrictions. It's always so important to notify them of your dietary needs so that they can make sure to have things you will be able to eat. I personally am allergic to shellfish so they needed to know that when planning and preparing the meals. We also had vegan shipmates and he did his best to serve them something unique at each meal too. Scott: a couple of times fishermen brought fresh catch to the boat for the chef to prepare. A true boat to table experience. Scott: after dinner most people would linger in the dining room talking and getting to know each other, but would retire to their cabins and be in bed before 9:30. It is a lot of activity and you are tired by the end of day. Melissa: That's a good point. This is definitely an adventure cruise not a kick back and relax type of cruise. Scott: one of the things we did to get ready for this trip was to read suggested packing lists that others had made

Jason is in love with the ORRRRANGE on his new Apple Watch Ultra, Andrew is enjoying a cappuccino (but has trouble spelling it) and Martin gets into mirrorless! Coaster Corner 00:00:00 Who doesn't want a Feld Coaster!?

Brendan Ó Sé is a multi-award winning fine art photographer/mobile photographer from Cork, Ireland. Brendan offers regular mobile photography workshops for the public in association with Cork's Glucksman Gallery and The Gallery of Photography in Dublin. Brendan gives mobile photography workshops in @theglucksman & @gallery_of_photography_ireland, online & around the world. Next workshops starting Jan 12 '21. www.galleryofphotography.ie/4-x-90-minute-smartphone-photography-workshops-with-brendan- https://www.instagram.com/brendan.o.se/ He also delivers bespoke workshops for corporate clients. As the world is adapting to life in this global pandemic, Brendan is offering in conjunction with The Gallery of Photography and Cork's Glucksman Gallery online mobile photography workshops. His DSLR and iPhone photography has been exhibited in Cork, Galway, Dublin, Miami, Idaho, Florence, Brussels, Lecce, Victoria, Ontario, Rome, Porto, Bangkok, Singapore, Penang, and Jakarta. Brendan was part of the original Apple World Gallery of images shot on iPhone 6 in 2015. His photograph was showcased on billboards and posters in 72 cities around the world. such as Los Angeles, San Francisco, New York, Paris, Bangalore, Seoul, Tokyo, Bogota, London and Milan. Using either the iPhone, Fuji XT-2 or a Nikon D7000, he tries to see and create in unusual ways and this results in some unique imagery and striking street photography.

Aunitz Referente al capítulo de números F bajos Excelente episodio. Lo habéis bordado! Muchas gracias. v016160v Buenos días Maestros, soy de los que os encontré en el episodio 320 y ya estoy al día. Antes mi cámara (Nikon D7000.. con objetivo 18/200 VR), era algo con muchos botones y men kon D7000.. con objetivo 18/200 VR), era algo con muchos botones y menús, y las fofos que hacía un desastre, mal enfocadas, mal encuadradas, oscuras, muy claras... Ahora y gracias a vosotros, las puedo enseñar.. Hago fotos a mi hijo y su equipo(rugby), disparo en jpge, 1/1250,iso automático, en semiautomático a velocidad, medición matricial y todos los puntos de enfoque.. Seguramente estaré haciéndolo mal por lo que os pido comentario y consejo. Deciros también que gracias a los cursos online me atrevo a usar el flash en la calle, me miran como un bicho raro. Y que gracias a Pere voy por la calle diciéndome, esto es más uno, esto menos uno, aquel está en sombra por lo que dos pasos menos.... Es grave? En fin gracias y un fuerte abrazo. Josemariabagues Hola, zagales. Pere, en Tokio no hay papeleras y la ciudad està limpia. No es cuestión de distancia entre papeleras, si no de civismo. Hardzero Hola nuevamente, antes que nada agradezco el tiempo que se tomaron para responder mis dudas; En cuanto a la pregunta del fotómetro no he sido claro en la manera de plantearla y es egunta del fotómetro no he sido claro en la manera de plantearla y esto ha dado lugar a una mala interpretación les pido disculpas. Lo que pretendí decir es que si quiero hacer una foto en exteriores utilizando aperturas muy abiertas (Ej. f1.4, f2) en condiciones de un día normal despejado (ej. F8 250 ISO 100), al aplicar la ley de la reciprocidad deberé utilizar velocidades de obturación por arriba de un 1/4000 seg. para lograr una exposición acorde de la luz ambiente (“a gusto del consumidor aclaro”). Al trabajar con estas velocidad de obturación mi flash entrara en modo HSS (“si es soportado”) por exceder la velocidad de sincronización de mi cámara, en este caso si pretendo utilizar el fotómetro para hacer una medición con obturaciónes tan rápidas como las que detallo más arriba estaré obligado a disparar una foto para que el fotómetro pueda reconocer el destello y así hacer la medición correctamente; Sin embargo si trabajo con velocidad por debajo de 1/250 dentro de la velocidad de sincronización de mi cámara podre lograr la medición solo pulsado el botón test del disparador y no tendré necesidad de hacer un disparo para obtener la medición como es lo habitual en cualquier fotómetro. Espero poder haberme explicado mejor y nuevamente disculpas por no haber hecho el planteo correctamente. También me gustaría aclarar que en el comentario anterior intente decir que me parece mal tener que hacer un disparo para lograr que el fotómetro detecte el destello y así conseguir la medición correcta cuando utilizo HSS. Nota según el manual el fotómetro es capaz de trabajar hasta con obturaciones de 1/16000 seg. y aclara que se deberá hacer un disparo cuando se pretenda medir un destello en HSS. Nota: Utilizo flashes GODOX AD600, AD400, AD200; Este fotómetro tiene la posibilidad de anexar en su parte trasera un módulo el cual nos permite lanzar la medición desde el mismo fotómetro, lamentablemente estos módulos solo están disponibles para algunas marcas como Pocket Wizard y otras, pero no para Godox, ¿tal vez sea esta la solución? Para terminar con relación a la otra pregunta sobre el pitido en el enfoque manual, les respondo que efectivamente la cámara al estar configurada enfoque sigle realiza el pitido al enfocar ya sea utilizando el punto central o cualquier otro, si utilizo enfoque continuo el pitido no lo hace lo cual me parece razonable pues estaría pitando constantemente al volver a enfocar. He revisado todos los parámetros de la cámara y buscado en el manual, pero no logro encontrar nada que me permita activar el pitido utilizando enfoque manual. Jesús Salas

LLC021Thoughts about the photographic direction of the podcast? Do I need a new name for the show? Let me know! Send me a DM on Instagram @livelifecreativepodcastThis time around we're talking about photographing a Yelp Grand Rapids event at the New Holland Knickerbocker, another great brewery in Grand Rapids:How do deal with a beautiful natural light scene that fades at sunset, leaving you with less-than-ideal indoor lighting?How should you treat guests at the event, and what can you do to get them to relax around the camera?What should you do when a great photo unfolds in front of you?Plus, I give a short review of the Nikon D750 (only five years too late) and compare it to the Nikon D7000, my first camera.And at the end, I talk about the free, open-source photo editor darktable (the lack of capitalization is their choice, not mine), and whether you want to learn more about using a great free alternative to Lightroom.Thanks for listening to Live Life Creative!DylanFind the show notes at http://livelifecreativepodcast.xyz/episodes

Cursos de Fotografía Online Los cursos de fotografía online de Aprender fotografía son la manera más fácil y más rápida de aprender a fotografiar a través de videotutoriales. Siempre disponibles 24 horas al día, 365 días al año. Tarifa plana con 200 clases, más de 65 horas de fotografía. Cada mes añadimos dos nuevos cursos. Incluye tutoría y soporte para dudas individualizado. Hola y bienvenidos al episodio 376 del podcast de Aprender Fotografía. Hoy responderemos a algunas preguntas y tendremos algo de tertulia. Allá vamos: Jose Maria A M Primer like ! Y primer comentario !Ya al día con el podcast ahora intentaré hacer doblete audio con YouTube.Sois grandes ! Jonathan Toledo Les voy a hacer una pregunta porque aunque sé que complicado de entender.Hasta ahora siempre he tenido cámaras APSC, la Nikon D7000 y la D7100. Siempre he tenido objetivos normalitos, tipo 35 mm, sigma 17/70, 10/20 sigma... Ahora me he comprado una D750 full frame, y me gustaría quedarme con una APSC y esta full frame, ¿qué objetivos me recomiendas para poder usarlo entre los dos cuerpos?Ahora tengo seguro que me quedaré con el 17/55 2.8 nikkor t el 70/200 Sigma 2.8 APO.Muchas gracias. Jose Pinero Como dijisteis que se llamaba el botón que hace la media de las exposiciones no acabo de enterdelo en el audio, cef o algo así, gracias, Tengo una Sony A7II y ese botón lo desconozco. Jesus Salas Felicitaciones: De seguro el libro sera un exito, comprare dos ejemplares, uno para mi uso personal y el otro para un amigo.Aprovecho de la oportunidad para preguntaros ….cuando saldra el curso de Bodas.Gracias a los dos por la instruccion que brindan a los estudiantes. Eloy Buenas Fran y Pere.Ante todo daros las gracias por todo lo que hacéis y por hacernos posible aprender fotografía transmitiendo esas ganas e ilusión que nos motivan para hacer fotografías. En mi caso comencé a escucharos sin tener ni idea de fotografía y tras adquirir mi primera réflex, aprendo día a día con todo el material que aportáis.Agradecimientos a parte, comentaros que he estado revisando la configuración de mi cámara a través de este podcast (Nikon D3400) y he encontrado una opción para activar o desactivar «D-Lighting». He leído que es como una «especie de HDR» para no perder demasiada información en zona de luces altas o zonas demasiado oscuras, pero entiendo que podemos perder contraste con este efecto. Por lo que comentáis de desactivar todo lo posible, deduzco que sería mejor tenerlo en OFF, pero me gustaría que me aclaraseis si es aconsejable en algún tipo de fotografía concreta o es más efectivo hacerlo todo manual y conseguir recuperar esa información a través de Ligthroom en post proceso. Gracias por todo fenómenos. Xavier Antes que nada deciros que hacéis un gran trabajo, llevaba tiempo desconectado de la fotografía, por hacer un favor a una amiga que necesitaba un reportaje de comunión para su sobrina volví a coger la cámara (no es intrusismo es que la chica no tenia medios para pagar un fotógrafo de verdad) el caso es que fue como reencontrarse con tu primera novia pasado los años, con las ganas renovadas busqué en ivoox para volver a educarme en fotografía. Os soy sincero no sé si hay mejores podcast por que al escuchar vuestro me he quedado aquí por que os explicáis fenomenal!. Tengo una pregunta mi vieja cámara es una Canon eos 450 d, ya noto que se me queda corta sobre todo lo noto en iso y resolución, mi presupuesto es de 800 euros para renovar mi equipo, en objetivos tengo el 50 1.8, el 70-200 4l (copito) y un tokina 11-16, estaba pensando en la 77 d pero he visto el sigma 85 art y me he enamorado un poco ????, que me aconsejáis? paso a una cámara de rango medio o invierto en lentes? Un saludo a los dos y seguid con vuestra gran labor. Rafael geniales, gracias soy aficionado pero da gusto seguiros. Pepe Lopez chascarrillos de la semana... se le quitan a uno las ganas de escuchar el podcast para intentar aprender conceptos relacionados a la fotografia y tener que aguanta...

Aun con los turrones y polvorones haciendo estragos en nuestros estómagos, y en plena semana de dieta detox, vuelve "Ola K Ase, Photolari", el consultorio fotográfico que recomiendan nueve de cada diez alpacas y el cien por cien de las llamas, como mínimo. Antes de estrenar este prometedor 2019, queremos dedicar unos segundo a agradecer, una vez más, y de todo corazón a todos los que habéis decidido aportar un granito de arena a esta locura a través de cualquier de nuestras opciones de mecenazgo. De verdad, sois el mejor regalo de reyes. Y tal y como os habíamos prometido los que habéis colaborado tenéis prioridad a la hora de plantear preguntas, por lo que la primera tanda de dudas son las que nos habéis hecho llegar a través de la plataforma de Patreon, donde cada 15 días (o cuando podamos) abriremos un post para recopilar las cuestiones para el siguiente "Ola K Ase". Obviamente siempre que haya tiempo (no queremos torturaros con vídeos de más de una hora), entrarán también preguntas hechas por todos los lectores. Estos han sido los temillas sobre los que hemos divagado hoy: - ¿Sony A6000 para foto submarina? (11:35) - ¿Qué tal el Tamron 35 mm f1.8? (15:16) - Busco zoom luminoso para la Canon 80D (18:31) - ¿Nikon D750 o D810? (20:36) - ¿Qué sabéis de los sistemas de almacenamiento NAS? (23:41) - ¿Nikon Z6 o Sony A7 III? (27:16) - Quiero un Fujifilm XF 18 mm f2, ¿Vendo el 23 mm? (30:48) - ¿Se espera nuevo modelo de la Fujifilm X100? (33:38) - ¿Como proteger una cámara contra el frío? (36:39) - Busco compacta tipo bridge por 300 o 400 euros (38:02) - Recomendación de objetivo para Olympus (41:00) - ¿Merece la pena comprar la Yi M1? (43:19) - ¿Alguna marca lanzará objetivos para Fuji con AF? (44:25) - ¿Merece la pena cambiar la Nikon D7000 por la D500? (46:23) - Problemas con el Sony 28 mm f2 (50:30) - ¿Canon 77D o Nikon D5600? (53:19) - ¿Réflex o sin espejo? (56:09) Recordad que podéis hacer las preguntas a través de Patreon si sois embajadores o enviarlas a hola@photolari.com poniendo “Ola K Ase” en el asunto. ¡Preguntad malditos!

X-100T, Panasonic test, Luminar DAM, Olympus, Nikon, and Sony are some of the topics that Marco and Scott discuss on episode #16 of the “We Shoot Mirrorless” podcast for July 2018. This show is sponsored by:   Portfoliobox.net - Everything you need to create a professional website. https://bit.ly/2uejoyx   and   HoneyBook - Win Clients. Book Faster. Get Paid. Stay Organized. https://bit.ly/2sAyZIv   and   COSYSPEED - The fastest camera bags in the world. https://bit.ly/2ugBHmu   PPN has a new YouTube channel: Check it out and subscribe here: https://www.youtube.com/channel/UCWaUn2M1BBoecISFEOJGRCg   Scott talks about why he thinks that Olympus will not have a huge booth at Photokina 2018   Marco shares his initial thoughts about Panasonic m4/3 cameras and lenses that he is currently reviewing: Lumix DC-G9 B&H: https://bhpho.to/2Jy9B0u Amazon Germany: https://amzn.to/2t1VeXu   Lumix DC-GX9 B&H: https://bhpho.to/2Jy9Rwu Amazon Germany: https://amzn.to/2sRNEiN   Panasonic Leica DG Vario-Elmarit 50-200mm f2.8-4 ASPH. Power O.I.S. Lens B&H: https://bhpho.to/2JEkV7s Amazon Germany: https://amzn.to/2LHIFrS   Scott gives an interesting insight on the developments of Luminar 2018 and the Digital Asset Manager. Check out the Skylum LUMINAR 2018 software: Link: http://bit.ly/2CzlC2g (use the discount code “PHOTOPODCASTS” at checkout for extra savings)   Mirrorless news for the month:   Fuji X-T100 is the newest entry-level camera from Fuji that offers many features of the 50% more expensive X-T20 and also has some unique features like a fully articulating LCD and a 24MP sensor with standard bayer pattern layout - and that may actually be a good thing. B&H: https://bhpho.to/2m32O0G   Amazon Germany: https://amzn.to/2u4CF61     Fuji messed up the first FW upgrade 4.0 for the X-T2, but they have fixed it and now offer FW 4.1 here: http://www.fujifilm.com/support/digital_cameras/software/firmware/x/xt2/index.html   Leica Launches the C-Lux compact superzoom camera which is basically a rebranded Panasonic Lumix DC-ZS200 with a red dot that is about $250 more than the Panasonic version. B&H: https://bhpho.to/2m0BsIz     Sony launched the compact RX100 VI. Sony has added a longer zoom lens to the latest version of this camera and the equivalent field of view is 24-200mm with a claimed 4-stop image stabilization. The extended zoom range made the lens quite a bit slower at f2.8-4.5 whereas the predecessor had an EVF 24-70mm lens at a much faster f1.8-2.8 aperture lens. The image processor was also upgraded and AF plus eye tracking should be faster than in the previous model. And they have finally added a touch-sensitive LCD. B&H: https://bhpho.to/2m6VmSx   Amazon Germany: https://amzn.to/2KYfpNz     Nikon confirms a launch date for their FF mirrorless camera. According to an interview with a Nikon manager, the camera should be out in spring 2019 and will have a new “Z” lens-mount.   Panasonic released FW updates for these three cameras: GH5: FW 2.3 / GH5S: FW1.1 / G9: FW 1.1. You can download the FW on Panasonic’s website: http://av.jpn.support.panasonic.com/support/global/cs/dsc/download/index.html   Leica released FW updates for these 5 of their digital cameras: Leica M10, Leica Q, Leica CL, Leica TL2, Leica T/TL. You can download the FW on Leica’s website: https://en.leica-camera.com/Corposite/Service-Support/Support/Downloads?category=&subcategory=&type=108942&language=93871   Sony FE 400mm f2.8 GM OSS Lens can be pre-ordered now. B&H: https://bhpho.to/2J6eSY7   Sigma has started shipping these five of their announces Art series prime lenses for Sony E-mount: Sigma 20mm f1.4, 24mm f1.4, 35mm f1.4, 50mm f1.4, 85mm f1.4. B&H: https://bhpho.to/2KIdT6f Amazon Germany: https://amzn.to/2u3CMis   Leica discontinues their M7 film camera. Mirrorless question of the month: Hi, first of all, a big thank you for the great photography podcasts that you release each month. You guys have become one of my favorite photography outlets :) I’m actually a better painter than a photographer but my question involves both art forms. I paint on large canvas and would like to create high-resolution files of my paintings for archiving and digital post-processing. The paintings are much too large to scan. I own an old Nikon D7000 with 16MP and have been wanting to upgrade to a recent mirrorless camera. I’m looking at Panasonic and Olympus cameras as the 4:3 aspect ratio fits that of my paintings and both cameras have a high-resolution mode that can produce 80MP images from the 20MP sensor. Do you think that the high-resolution mode will enable me to get good quality large files of my paintings or is this just a marketing gimmick? And which lens would you recommend me to get?   Question by: Nora from Birmingham, England   We have a PPN Photo Podcast Network group at Flickr (click link) that is open to our listeners and photos taken with all mirrorless camera brands. If you want to join just let us know through the "request invitation" button on the group and drop us a quick line there. We'll add you to the group then. And please ask for the invite via the web browser and not via the Flickr App. The invite process via the app has not been working reliably. You can also submit an image using the Instagram hashtag #WeShootMirrorless   We have picked our monthly featured photographer and image from the submitted photos. Our monthly We Shoot Mirrorless feature photo and photographer of the month is: Timothy Linn - Title: The Rug Shearer (click here). Please support our show by using our B&H affiliate link (click here) that will not cost you a penny more than when you are buying at B&H without our link. And the more this link will be used to buy at B&H, the more giveaways we’ll be able to give back to our listeners through B&H. It really is a “win-win” situation :)   And please share this podcast with your friends and subscribe via iTunes. We would also love to get your feedback. Is there anything that you want us to cover on the show in the future? And we would appreciate if you could take a short moment to rate or post a quick review for our shows on iTunes.   For more information on Marco Larousse follow him on Twitter: @HamburgCam For more information on Scott Bourne follow him on Twitter: @ScottBourne   About this show: On the monthly #WeShootMirrorless episode of the “PPN - Photo Podcast Network” show, Marco and a guest will discuss news from the mirrorless camera world related to innovations, trends, gear, and accessories. And they will introduce mirrorless camera brands by interviewing the respective managers of those manufacturers. They will also invite pro photographers who make their living working with mirrorless cameras to share some tips and tricks about their workflow.

This is the PPN - Q&A podcast episode #7 for December 2017.   Please submit your photography related questions to us here: http://www.photopodcasts.com/contact.html   This episode is sponsored by PhotoShelter - Please use this link for a 14 day free trial and use our PPN listener discount code “PHOTOPODCASTS” to save 20% at checkout for new members signing up for a regular or pro account.     Here are the questions that Marco answers in this episode:   I think rangefinder camera design is superior for use with filters, because focus mechanism is not affected by screw on filters. However, how do rangefinder shooters use graduated or split ND filter? Do they use only screw on type and then compose the scene to be split right down the middle? Thanks! Question from: Garlo in Irvine, California   Hi Scott and Marco, Hi! I have a problem that I am struggling with. I have an Olympus OMD EM10 MK1 and i have noticed that if i take a photo with a lot of contrast the highlights seem to get burnt out if i try and expose for the darks. I am saving files in jpeg format. I also have a Nikon D7000 that seems to cope OK although I do save files in raw with this camera. Is there something i can do in the settings to try and help with this or is it because of the micro 4 3rds sensor on the older EM10? Cheers! Question from: Rob from Dorset, England   Link to the Aurora HDR 2018 software (use the discount code “PHOTOPODCASTS” at checkout for extra savings: https://macphun.evyy.net/c/420516/185399/3255?u=https%3A%2F%2Faurorahdr.com   Hi Scott, Hi Marco, thanks for your great show. I always listen to it during my walks ! I've got a question regarding the size of the single autofocus point. In the center of the frame, I can select a focus point which provides "phase detection" and "contrast detection". I can increase the size of this point. Does this mean that these phase and contrast detection methods rely on a scalable number of pixels only, or do they or one of them rely on a physical detector and in this case what is the advantage of increasing the size ? I'm using a fuji x-t2. Thank you and bye/bis bald Question from: Laurence from Rennes, France   This may be a rather simple question with a complex answer, but a friend and I are both considering the switch to Fuji and I know both of you use or have used Fuji cameras. Do you use a RAW developer and subsequent processing software or do you use the out of camera jpegs and no RAW at all with software for minor changes? I'm primarily interested in B&W whereas my friend shoots more color. Question from: Jim in Oklahoma City, Oklahoma   How confident should I feel about my computer being able to read my Nikon and Fuji raw files in say 20 years time? Thanks for the show guys ! Question from: Warwick from Melbourne, Australia     Please support our show by using our B&H affiliate link (click here) that will not cost you a penny more than when you are buying at B&H without our link. And the more this link will be used to buy at B&H, the more giveaways we’ll be able to give back to our listeners through B&H. It really is a “win-win” situation :)   And please share this podcast with your friends and subscribe via iTunes. We would also love to get your feedback. Is there anything that you want us to cover on the show in the future? And we would appreciate if you could take a short moment to rate or post a quick review about our shows on iTunes. For more information on Marco Larousse follow him on Twitter: @HamburgCam   For more information on Scott Bourne follow him on Twitter: @ScottBourne

Whats In My Bag part 8 I'm finally moving on to the next section of my bag. THE CAMERAS! I still have some glass to go over but that is for another day. This first camera is not a pro level body but it serves it's purpose well. I originally purchased the camera to sell off an old Nikon D70s and have this new one as a backup to my Nikon D300 (also gone). I am talking about my Nikon D7000. I found myself mostly using it for the video function. Although, the video quality is nothing to write home about compared to the video capabilities of today's DSLRs. The D7000 is a cropped sensor camera (DX) with 16.2 megapixels. I wasn't opposed the the camera when I purchased it and it was perfect for what I needed at the time and the price was about $1200. That may seem like a lot of money for some but as a pro this camera was more than fair for what you got. I especially like the dual memory card slots. Great for shooting RAWs on one and backup JPEGs on the other. Happy Shooting! Get your FREE business coaching call with Rob! Sign up for one of the last few spots here! 2016 © Take&TalkPic

Depois de uma longa e demorada pausa, voltamos!     Graças a Deus, que o principal motivo deste intervalo foi por estarmos trabalhando muito. Muitas fotos e edição de fotos… trabalho intenso mas bastante prazeroso.     Neste episódio, falamos um pouquinho sobre equipamento fotográfico (Nikon D7000), sobre ética e qualidade de produção e também […]

PIP 39 – Gravado dia 04 de janeiro de 2011 02:53 – Previsões para o PIP 2011 07:05 – Review da Nikon D7000 13:24 – Cartões SD (SDXC) de 64GB e 128GB 25:18 – Compressões e Codecs de Vídeo 27:29 – Método caseiro de medir ruído 36:56 – Lentes zoom são ruins nos extremos 41:05 […]

Mark L Pederson in the Red Room from Off Hollywood discussing Storm and the delivery of the first Epic - serial number 00006. We also test the Nikon D7000 in Germany.