Podcasts about galapagos

ans ce numéro du Journal des biotechs, Frédéric Gomez, analyste chez Pharmium Securities revient sur les dossiers chauds du moment : Abivax, Galapagos et l'actualité sur les acteurs du GLP-1.L'entretien est lui consacré à Fred Chereau, nouveau directeur général de Sensorion. Il explique en détail le basculement stratégique qu'il vient de faire prendre au spécialiste de la thérapie génique.Attention, investir en Bourse présente un risque de perte en capital, et le secteur des biotechs et medtechs cotées amplifie ce risque. La probabilité de succès de ces sociétés est incertaine, et leur besoin de financement est régulier. En cas d'échec, la continuité de leur activité peut être directement menacée. Ce type d'investissement est réservé exclusivement aux particuliers avertis pleinement conscients de ces enjeux et prêts à accepter ces risques. Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

  “Subscribe to free weekly news letter HUNGRY FRIDAY FEAST here”   Rory Sutherland breaks down the weird, wonderful psychology behind restaurants and hospitality — why where you make money and what people pay for are often different things, why lowering prices can be dangerous, why surprise creates loyalty, why customers hate uncertainty, and why founder-led brands often outperform finance-led giants. ON THE MENU: 00:00:00 Restaurants Are the Galapagos of Marketing 00:01:05 What Customers Really Pay For 00:03:06 The Restaurant Real Estate Play 00:05:25 Why Tiny Menus Build Belief 00:06:58 Reverse Benchmarking Restaurant Success 00:08:53 Surprise Is The Secret Weapon 00:09:14 Steve Jobs' Overlooked Genius 00:11:03 Why Uber Feels Like Magic 00:13:21 Price Is A Feeling 00:16:14 Menu Design Changes Everything 00:18:41 Restaurants Push Wine Without You Noticing 00:21:02 The Peak End Rule Explained 00:22:34 Why Clear Signage Makes Money 00:26:32 One Word Can Raise Prices 00:27:51 Taco Bell's London Mistake 00:31:42 Why Customers Don't Know 00:34:36 Managing Expectations Changes Everything 00:36:37 Is Uber Eats Really Marketing? 00:37:00 Audience Q: Quick Service Hospitality 00:39:59 Bucky's Toilet Business Genius 00:42:00 Audience Q: Measuring What Matters 00:46:31 Disney Would Fix High Speed Rail 00:47:57 Audience Q: Scaling Founder Feeling 00:48:50 Don't Sell To Private Equity 00:52:23 Why Big Companies Kill Ideas 00:53:36 Why Red Bull Shouldn't Work 00:54:52 Farmers Markets Make No Economic Sense 00:55:53 Copying Creates The Opposite Opportunity  ============================================== ♨️Still bloody HUNGRY? Course ya are. Each week I spend 15 hours writing my newsletter. It'll take you 5 mins to read. Full of wisdom from the biggest names in food and drink. Subscribe here - https://hungryfeast.beehiiv.com/

This week Kevin meets with Dave Faoro from Veneto Gardens to hear about his recent adventures in the Galapagos hunting for endemic tomatoes, how he grows sweet corn and popcorn, as well as growing tips for other warm season vegetables.Watch Dave's video: Square Foot GardeningGreen Acres Garden PodcastGreen Acres Nursery & SupplyGreen Acres Garden Podcast GroupIn the greater Sacramento area? Learn how to make your yard Summer Strong and discover water-saving rebates at BeWaterSmart.info.

„Microeledone galapagensis“ ist vor den Galapagosinseln gefunden worden. Details gibt's jetzt im Fachjournal „Zootaxa“. Untersucht wurde er per CT – so hat er überlebt. Autorin: Nele Posthausen Von Daily Good News.

The former chief executive of the Scottish National Party, Peter Murrell, has been remanded in custody after admitting embezzling more than 400 thousand pounds from the party, over a period of 12 years. The estranged husband of the former First Minister, Nicola Sturgeon, will be sentenced next month. Also: The UK records its all-time hottest May temperature. The Pope warns about the potential risks posed by artificial intelligence. Man City bids farewell to Pep Guardiola. And: Scientists recognise tiny blue octopus from the Galapagos.

In this episode, we are speaking with Dr. Jo-Elle Mogerman, 15th President and CEO of the Philadelphia Zoo in its 164th year.Dr. Mogerman is deeply committed to conservation, Philadelphia at large, and connecting our communities to animals in a meaningful and inspiring way. She may be a Chicago gal at heart, but we welcome her here to the City of Brotherly Love and are so excited to learn about what she has been initiating and leading for the past 3 years right here in our very own backyard.And you all know that we talk about zoos over here, but we have yet to speak to an actual zoo and the oldest in the country at that! It's such an interesting, unexpectedly heartfelt conversation, but you know we are always going to bring it all back to the heart, and Dr. Mogerman brought it right to that heartspace for us.And you get to meet a 94-year-old Galapagos tortoise named “Mommy” who had 16 babies, and a little orangutan with the best comb-over ever named “Jambi.” My heart.The zoo has exciting plans for 2026 to celebrate the 250th anniversary of American independence. Be sure to plan several upcoming visits to see their exciting experiences, learn more about helping to conserve wildlife, and view the new Flamingo and Bear Country habitats.Thanks for listening, and lots of love.Episode Timestamps:Introduction: 00:16Interview: 7:29Show Notes:https://www.philadelphiazoo.org/

In this Part II of my Peru adventures, we finish up our adventure travel tour with my affiliate, Active Adventures (exclusive listener promo code  - Email Me to get the code) - good on ANY of Active Adventures epic worldwide tours!), and then my sister Terry and I head off on our own to explore other exciting places in southern Peru and Bolivia, including: Climb up to sacred Humantay Lake Climb Palccoyo Rainbow Mountain Dune Buggy and Sand Board in Huacachina Explore the massive Uyuni salt flats in Bolivia Visit Isla del Sol in Copacabana Explore Bolivia's capital, La Paz and the Witches Market Visit the Uru reed islands of Lake Titicaca Have a fun Homestay in Amatani Island Check out the condors in Colca Canyon Visit the 'Poor man's Galapagos' in Paracas Do a wine tasting at a Pisca vineyard Explore the beautiful "White City" of Arequipas COMPLETE SHOW NOTES  See important links for planning your adventure, photos, videos and more cool info about today's show. Get FREE Travel Planners, Checklists and Packing Lists for ATA adventures (and each month you will get an email from Kit with links to all future Travel Planners (no spam promise!).  Get the monthly newsletter here. CONTACT KIT Resources  RECOMMENDED TOUR COMPANIES ******* EMAIL ME FOR PROMO DISCOUNT CODES***** Saily Affordable eSIM Overseas Mobile Phone Plans - No need to insert a physical SIM card when you travel.  Buy just the data you need to avoid expensive roaming charges.  Use Promo Code SPECIAL5 to save 5% Travel Insurance:  Quickly and easily compare rates and policies from different companies - no need to give any identifying information unless you decide to buy!  The best way to find the right policy for your adventures.  High Altitude Travel Insurance: Most insurance policies do NOT cover high altitude adventures.  Check out Rise & Shield for your next mega adventure! Train For Your Adventure  Ask Becki at Trailblazer Wellness to customize an at home, online personal training program for your upcoming adventure using whatever equipment you already have!  You'll get phone consultations, instruction videos and a plan to give you the best chance of success.  Becki offers a FREE initial phone consultation to see if you are a good fit.  AND she offers ATA listeners a 10% discount! Buy Me a Beer Want to support the program?  You can always buy me a coffee or beer - thanks! Tinggly:  Give Gift Experiences instead of stuff (plus your loved one gets to choose)! Promo Code ACTIVETRAVEL saves up up to 20% Amazon Kit's Picks   Please use my Amazon link to access your Amazon account.  Even if you don't purchase any of my recommendations, I get credit for anything you DO purchase - at no additional cost to you, you'll be helping to support the show and keeping it AD FREE:) SUBSCRIBE to Active Travel Adventures (fantastic adventure destinations) Join the Active Travel Adventures Facebook Group Follow ATA on Instagram Follow ATA on Pinterest (C) Active Travel Adventures, LLC - All Rights Reserved  

Berättelsen om när ett fåtal killar och tjejer lämnar det moderna livets stress för ett enklare liv i vildmarken på Galapagosöarna. Med enklare liv menar de hårt slit, inga tänder, trist stämning och mord. Så skönt att slippa ett samhälle ibland. Utom när man måste låna sin killes löständer för att tugga. tw: allt i vanlig ordningVarje torsdag släpper vi ett Premiumavsnitt på Supercast! – klicka här för att prenumerera.Besök www.vadblirdetformord.se för mer info.Merch finns på SHIRTPOD. Hosted on Acast. See acast.com/privacy for more information.

What happens when travel, conservation, and community come together? In this Earth Day episode of the Adventures in Learning podcast, Dr. Diane talks with Analu Huerta about ecotourism in the Galapagos and Ecuador, and why protecting what we love starts with truly seeing it.SummaryIn Episode 186, Dr. Diane welcomes Analu Huerta, a sustainable tourism professional and tourist guide based in Ecuador, for a conversation about ecotourism, conservation, and the beauty of learning from place. Ana Lu shares how she found her path in nature and tourism, what makes a great guide, and why reading the needs of your audience matters in any setting.Together, they explore why the Galapagos is so extraordinary, how Ecuador's mainland offers an incredible range of ecosystems, and why ecotourism can support both environmental protection and local communities. The conversation also touches on education, local travel, and how small experiences in nature can shape a lifelong love of the planet.Timestamps + Chapters00:00 – Welcome and introduction to Analu Huerta.01:22 – How Analu found her path in ecotourism.02:41 – What makes a strong guide.04:05 – Teaching respect for protected places.04:44 – Why the Galapagos is so special.07:16 – Conservation lessons from the islands.09:21 – Ecuador beyond the Galapagos.12:17 – Ecotourism, conservation, and community.17:14 – Why education is the base of everything.19:46 – How nature became part of Analu's story.22:15 – Bucket-list travel dreams.24:24 – Traveling locally and appreciating where you live.27:03 – What currently brings hope.Call to ActionIf this episode speaks to you, share it with a traveler, educator, or nature lover. Subscribe to the Adventures in Learning podcast, leave a review, and keep the conversation going about ecotourism, conservation, and the places we love most.Follow Analu Huerta on Instagram and Facebook.Support the showShare this episodeIf this conversation sparked wonder, gave you a helpful strategy, or offered a needed reminder of hope, please share it with a friend or colleague.Subscribe • Download • Review • Tell a friendStay updated with our latest episodes and follow us on Instagram, LinkedIn, and the Adventures in Learning website. Don't forget to subscribe on Apple Podcasts, Spotify, or wherever you get your podcasts! *Disclosure: I am a Bookshop.org. affiliate.

Le 11 avril, au moins 25 personnes mouraient dans un mouvement de foule à la citadelle Laferrière, dans le nord d'Haïti. Après ce drame, des experts questionnent la gestion du patrimoine et des sites touristiques en Haïti. La bousculade mortelle survenue à la Citadelle Laferrière, près de Cap-Haïtien continue de susciter de vives réactions en Haïti. Kesler Bien-Aimé, socio-ethnologue spécialiste du patrimoine, professeur à l'Université d'État d'Haïti estime que ce drame doit servir d'électrochoc et pousser à prendre enfin au sérieux cet héritage immense légué après l'esclavage, témoin de la capacité du peuple haïtien à bâtir et à se relever. Il répond aux questions de Peterson Luxama, correspondant de RFI à Port-au-Prince.   Brésil : un film met en lumière l'histoire des esclaves musulmans Le festival du cinéma brésilien de Paris a récompensé cette semaine le film Malês. Le réalisateur Antonio Pitanga y revient sur un épisode douloureux et méconnu de la période coloniale : l'histoire des esclaves musulmans emmenés de force au Brésil en 1835. Le titre du film fait référence au terme désignant les Africains musulmans instruits, majoritairement arabophones, enlevés en Afrique du Nord et de l'Ouest et réduits en esclavage dans l'État de Bahia, principal port de la traite négrière au Brésil à l'époque. Selon Antônio Pitanga, les manuels scolaires passent encore sous silence l'existence de ce groupe, omettant de mentionner la présence, sur le territoire brésilien, d'esclaves musulmans sachant lire et écrire. Adriana Moysès, journaliste à la rédaction Brésil de RFI à Paris, a rencontré le réalisateur.   Réintroduction réussie des tortues géantes des Galapagos Symboles de l'archipel des Galapagos, les tortues géantes sont de retour sur la petite île de Floreana, d'où elles avaient disparu pendant plus d'un siècle et demi. Menée à bien fin février 2026, cette réintroduction n'est que la dernière étape en date d'un plan de restauration écologique unique au monde, qu'Eric Samson, correspondant en Équateur, a suivi pour RFI.  À lire aussiAux Galapagos, des tortues disparues depuis 170 ans réintroduites dans leur habitat naturel Dans le journal de La 1ère... En Guyane, enseignants et parents d'élèves se mobilisent contre des violences quotidiennes entre élèves au collège de Matoury, explique Serge Massau, d'Outre-mer La 1ère.

Notes from James:I wish I had been Kolin Jones when I was 18 years old.When Colin was 19, during COVID, he set up his own private jet brokerage out of a college dorm room. No investors. No jets. No connections. Just a GoDaddy website, an email address, and an obsessive willingness to send 2,500 cold emails a day.Amalfi Jets is on track to do $120 million in revenue this year. And he still doesn't own a single plane.I love how he thought about competition. He literally calculated: my competitor sends 400 emails a day, I'll send 2,500 — that means I'm doing six of his days in one of mine. Do that for a month and I'm four months ahead. That was the whole strategy at the start. Beautiful.And then TikTok changed everything. One video about a client who chartered two jets — one for his wife, one for his mistress — got a million views. 150,000 people hit their website. 15,000 flight requests in a single day. The entire trajectory of the company shifted because of a free video.He also talked about losing money on purpose on his first sale — selling a $24,500 flight for $20,000 to lock in loyalty. Pure Amazon thinking. I love that.And there's a story about a client stranded on the Galapagos Islands whose plane broke down. The client's assistant asked about bribing customs officials. Listen for how Kolin handled it.This is a great template if you're an entrepreneur, a creative, or anyone trying to build something from nothing. Please listen.Episode description:Kolin Jones was 19 years old, in his college dorm during COVID, when he noticed something: commercial flights were grounded, but private jets were surging. He got his pilot's license at Van Nuys Airport — the busiest private jet airport in the world — and launched Amalfi Jets with nothing more than a website, a cold email strategy, and a plan to out-hustle every competitor through sheer volume.James and Kolin break down exactly how the private jet charter brokerage model works, why you can legally set one up today with zero certification or licensing, why Amalfi turns down roughly $1M/week in deals over safety concerns, and what separates a legitimate broker from the hundreds of unregulated players flooding the market. They also get into the social media strategy that transformed the company — why Kolin was initially against TikTok, what changed his mind, and how one viral video created 15,000 flight requests in a day.Plus: what it actually costs to own a private jet, the real economics of flying private vs. first class, why the richest clients show up in jeans and an Uber, what happens when a client punches the pilot mid-flight, and the watch Kolin bought himself the first month Amalfi crossed $2M in revenue.What you'll learnHow a private jet charter brokerage works — and why it requires zero licensing or certification to startThe cold email strategy Kolin used to out-hustle every competitor from his college dormWhy Kolin intentionally lost money on his first few sales — and why it paid offThe real cost of owning a private jet (it's about $800K/year just to park it)Why Amalfi turns down ~$1M/week in business due to safety and legal concernsHow one TikTok about a client's mistress generated 150,000 website visitors and 15,000 flight requests in a single dayWhy Kolin tracks which shirt color makes his videos go more viral (black = +36%)When flying private is actually cheaper than first class — and the math behind itThe Galapagos breakdown story: a stranded client, a broken jet, and a customs bribe requestWhat ultra-high-net-worth clients actually look like vs. the Instagram versionKolin's plans for Amalfi: acquisitions, possible PE partnership, and why he won't go publicTimestamps:00:00 Why flying private ruins you for commercial forever06:00 What Amalfi Jets actually is — and how the charter brokerage model works09:00 The real cost of owning a private jet13:00 The wild west of jet brokerage — zero regulation, zero licensing required16:00 The Galapagos story: broken jet, stranded client, and a near-bribe20:00 Colin's origin story: COVID, flight school, and cold emailing 2,500 people a day26:30 The first sale: losing $4,000 on purpose and the Amazon strategy that built loyalty30:00 How one TikTok about a mistress changed everything36:00Inside Amalfi's content machine — and the clients who punch pilots41:00 When private is actually cheaper than first class — the real math46:00 The tech behind Amalfi: AI fleet optimization, 72K-member app, and social listening50:00 Burying competitors with relevance — and what's next for Amalfi57:00 The first splurge: an Omega Seamaster and what it representsAdditional Resources:Amalfi JetsKolin's InstagramKolin on TikTokAmalfi Jets on TikTokSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express, join the Powerleegirls Host Miko Lee speaks with children's book authors Lorraine Nam, Uma Krishnaswami and Maggie Tokuda-Hall about Library Joy in honor of National School Library Month! To Learn More Lorrraine Nam, illustrator and  author Michael Threet's book: I'm So Happy You're Here: A Celebration of Library Joy    Uma Krishnaswami Her books: Book Uncle Triology   Maggie Tokuda-Hall Her book: Love in the Library  Every Library Authors Against Book Bans   Show Transcript [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   [00:00:35] Ayame Keane-Lee: Welcome to tonight's episode of Apex Express Celebrating Library Joy. I'm Ayame Keane-Lee the editor of tonight's show, and part of the PowerLeeGirls bringing you the introduction to tonight's show. Did you know that April is National School Library Month and in just 10 days from April 19th to 25th is National Library Week? The theme for this year's National Library Week is Find Your Joy with Honorary Chair Mychal Threets. The first of three interviews you'll hear my mom, Miko Lee have tonight is with Lorraine Nam the illustrator for the newly released children's book written by that very Mychal Threets called, “I'm So Happy You're Here”. You will then hear Miko speak with Uma Krishnaswami about her children's book “Book Uncle and Me,” and lastly with Maggie Tokuda-Hall about her children's book, “Love in the Library,” and the important work of Authors Against Book Bans. As a library kid and current library worker, I have experienced firsthand the transformative power of library access and the importance of inclusive and diverse storytelling. In and out of schools, libraries are vital to nurturing and uplifting the autonomy and sovereignty of children, which always has and continues to be a liberatory practice. We hope tonight's show will inspire you right into your local library to check out some of the great books mentioned here or to put them on hold. Let's listen in.    [00:02:06] Miko Lee: Welcome, Lorraine Nam, illustrator of amazing  children's books. Welcome to Apex Express.    [00:02:13] Lorraine Nam: I'm excited to be here.    [00:02:16] Miko Lee: I wanna start with a question I ask all of my guests, which is, who are your people and what legacy do you carry with you?    [00:02:24] Lorraine Nam: Who are my people? I would say creative people. People who are interested in having an open mind, and looking at the bright side of things, the beautiful things, people who are curious. The type of legacy that I bring I think is just my parents who are creative and then bringing that, to this new generation.    [00:02:57] Miko Lee: Thank you for sharing. I am, I'm looking at your beautiful face, and behind you is this, find your joy and, and it's in lots of colors on this pink banner and in at the top we see opening up of a library door with Mychal Threets, who's the author of this book, “I'm So Happy You're Here: A Celebration of Library Joy.” I'm wondering if you can talk about your collaborative process with Mychal Threets.    [00:03:25] Lorraine Nam: The first impression that you have of writer and illustrator for a picture book is that they work really closely together, and that's actually not the case. We work pretty separately, but I was very excited. Mychal wrote the words to this book and they were looking for an illustrator and my agent called me and she asked me if I was interested. I was very excited about the project. I signed up for it and we worked pretty separately. We connected on Instagram, but he pretty much had no art notes, everything was pretty much whatever I was open to. Then we met for the first time and we got our very first copy of the book and we met in New York.    [00:04:10] Miko Lee: And what was that like?    [00:04:12] Lorraine Nam: Um, amazing. He is exactly who he is in his videos.    [00:04:18] Miko Lee: Can you share for our audience who he is and a little bit more about him, just in case folks don't know.   [00:04:24] Lorraine Nam: The book calls him a librarian ambassador. He describes himself as a reader, a lover of librarians or the number one fan of libraries. This is his first book and he's also the host of Reading Rainbow on PBS. We met at the New York Library, public Library for the first time, and he's just so nice, very kind. Honestly, it felt like we already knew each other just because we had been talking through the publisher about the book.   [00:05:02] Miko Lee: Thank you for sharing. It's so beautifully illustrated and you have a incredibly diverse,, amount of people in the book, both racially but also physically, and I really appreciate how you encapsulated that. I'm just wondering what inspired you to develop this specific imagery for this book?    [00:05:22] Lorraine Nam: Yeah, so one of the only stipulations in the art notes was that he wanted to have a diverse group of people attending the library. People of all ages of all color, all sizes, all disabilities. That seemed like a no brainer to me because I just know the message that he puts into the world. The only difficult part was narrowing down the cast. There's all these different types of people and just trying to figure out who to focus on. I wanted to make sure that you still see the same group of kids over and over. So it felt like you were following the along throughout the day, while still having lots of diversity and lots of different types of people.    [00:06:11] Miko Lee: Had you set what the cover was gonna be at the beginning or did that come after you had already finished the whole book?   [00:06:19] Lorraine Nam: Oh, that came much later. We pretty much had the art for the interior nailed down, and then we were working on concepts for the cover. I knew from Mychal's social media presence that maybe he didn't want to be the poster cover of the book. He wanted to be about the library goers and the people rather than himself. And so I was kind of towing that line of like obviously people wanna see him, it's his first book. They're such huge fans, and so like how much to put Mychal in and how much to showcase him, as well as showcase like all the other people who go to the library.   [00:07:02] Miko Lee: He definitely does have a joyous kind of ebullient vibe to him. I recommend for audience to check out his socials because he has this, you wanna listen to him. He's so inviting and I love the poster behind you because he is saying, like, “welcome, come into the library. This is my world.” And you also made him look so cute. Really looks like a cartoon version of him. So sweet. In your artistic process, I'm wondering what helps you define the style of art you utilize? I'm thinking about the paper cutouts that you did for a tale of two princes. What is it about the work that inspires you to select that type of style?   [00:07:43] Lorraine Nam: I actually had a very winding path to the style that I have today. So the style that I have today is very much layered. It's painted, a lot of it is painted. And then I cut it out and then I glue and collage different elements, and then I scan everything in and enhance certain aspects through Photoshop. But a lot of it started actually in wanting to make a physical book. So it was with book binding and then with book binding, because that's just a technique to produce a product, it was what goes in those pages and that's when I started doing cut paper. So just silhouetted, cut paper. And I was doing that for a long time, just cutting out rice paper to make silhouettes. I wanted to tell more of the story and depict people. So then I started making paper cut [laughs] sets. So I would build —almost like Legos— a whole set of paper buildings and paper people and paper objects that are three dimensional. And then I would photograph them. And then from there, I landed in this more 2D, but playing with still technique and texture and layers.    [00:09:10] Miko Lee: Wow, that's so interesting. Can you share a little bit more about your artistic process? Do you start at a certain time of day? Do you only work at night? Do you have a whole studio set up?   [00:09:20] Lorraine Nam: well, For the book projects because there's such a timeline to 'em and they're very specific. I'll do very loose sketches on Post-it notes. They're readily available and then you can stick two of them next to each other to make a full spread. I use these post-its, and then I would just fold them in half and use that as like very quick pencil drawings. And then if I had something that I liked, I would just go in and pen. But they were still very small. So it was more about looking at silhouettes and composition. And then I would print, it's a very old school technique, but I would print out all the text for the book and cut 'em out. And double sided tape and just stick them on to see where the text should be on the page and where it could fit. I would just do that manually until I had something that I liked a little bit more. Then I would start creating digital, like line drawings.    [00:10:21] Miko Lee: And are you lining this all up on a wall or putting it on the desk?   [00:10:26] Lorraine Nam: Um, so they're in like a notebook.    [00:10:29] Miko Lee: Oh, you put 'em in book format?    [00:10:31] Lorraine Nam: It's all the spread. So it should take about two pages basically. You should be able to look at it and look at it from like an eagle eye perspective of what the entire book will look like and what the flow will be like, and if there's closeups or this is like a far away saying, you get more of the like, setting of the library.   [00:10:52] Miko Lee: And with the font printed out really small so that it's on the bottom of that Post-it note.    [00:10:56] Lorraine Nam: Mm-hmm.    [00:10:57] Miko Lee: Wow, that is so fascinating. And what is it when you're eagle eye-ing, what are you looking for?    [00:11:04] Lorraine Nam: I'm pretending that I'm a kid looking at a book for the first time, with zero context and maybe zero reading level skill and just looking at the pictures and seeing if I can spot the same character and if there is a story that follows along, because this is a library book where it doesn't talk about specific people. I wanted to be able to follow each character in the book and see what their day was like in the library. So when they first came into the library, what they were doing during the day, what friends they made, and then maybe them leaving or, you know, a resolution of some kind, like their parents are checking out symbols at the library.    [00:11:52] Miko Lee: the concept of having the character go throughout the book. Was that in the instruction or was something that you created.   [00:11:59] Lorraine Nam: That was something that I wanted. Because I know looking at picture books, the pictures can also tell a story where, the words, it might not be in the words. So I wanted there to be more of a layered storytelling through image.    [00:12:18] Miko Lee: I appreciate that as a mom. I remember when my girls were little, they would always say, where is that rabbit on the page? Or where is that thing? And so being able to track a character all the way through, is quite delightful. It adds another dimension for the multiple readings. You mentioned before about how you didn't really meet Mychal, the author of the book until the very end, and I guess that's common as an illustrator and you've worked with so many different experts in their fields from, physicist Neil Degrasse Tyson to Skater Nathan Chen. How is their very different fields, how does that impact your art making?    [00:12:57] Lorraine Nam: It's actually the most fun. It's what drew me to illustration in the first place. I love being able to do like a deep dive and a specific subject that I wouldn't necessarily have gravitated towards and do that research. I actually do go to the library. I start the process at the library and I look at all the books about that particular topic, and then see what other people have done. And so working on the book for Neil deGrasse Tyson, it was so much fun looking at different how space is depicted the idea of galaxies and making that tangible and real for kids. And then for Nathan Chen, I was already a fan before I got the project, so it was very easy. But watching the videos, seeing all the different techniques and for his book it was more looking at sports books. Because he's such a unique person in his specific field in figure skating that there weren't very many books on figure skating and most are of a female portrayal. I was looking more at sports and how people show different types of movement, , and show like form. And the more technical aspects that are very, very, very specific and very critical to those things.    [00:14:32] Miko Lee: And how did that manifest into your book?    [00:14:35] Lorraine Nam: Um, a lot of drawings of like, the breakdown of his jumps and trying to figure out can a child do this jump [laughs]? And also doing a lot of research 'cause he's a very private person. His book is not about him, it's not a biography, but it's also loosely based off of him. You know, I have two other siblings. If I had a book based off of me, I want my siblings to be involved and represented in that as well. So I included his family, even though they're not a huge part of the book, his siblings are not like big characters. But they're still represented in there. So he can still be like, oh that's my family. This is based off of my story.   [00:15:32] Miko Lee: So when you're doing these approaches, like including Nathan's family or in the library book, making sure characters go all the way through, is that something you have to check in with the writer about, to see if they're okay? Or is that something that you just do and then you submit and you see if they like it?   [00:15:50] Lorraine Nam: That's something that I do, that I find joy in and see. Usually the first eyes on my sketches are the publisher and the art director. And I actually have no idea what, at what stage they really share the sketches, if it's like at a more finalized stage or if it's an early on one, but I usually just go with my own ideas and see what they think about it.    [00:16:20] Miko Lee: Wow. I didn't know that you could have that much say into it. That's lovely. You talked a little bit about using the library for research. Gosh, I imagine that Neil deGrasse Tyson, there's so much research on it, that must have been a deep dive. I'm wondering what the library meant to you as a child.    [00:16:38] Lorraine Nam: Yeah. I grew up as a big reader. The library for me it was a magical space that I wasn't really sure what it was. My parents, because they grew up in Korea and moved here to the States, there was a big language barrier between us and they're also very not talkative people. They just took us to this place one day and it was our local public library and it was right before closing and we were able to check out as many books as we wanted in whatever type of book that we wanted. I felt like that was magical, that there was no limit to it.    [00:17:19] Miko Lee: My last question is, what are you working on now?    [00:17:22] Lorraine Nam: I'm working on a few books, actually. I'm juggling a few, but they're all very fun and different. I'm doing a book about a boy dreaming of flying, being a pilot. So I think that will be a really fun imaginative book.    [00:17:43] Miko Lee: What is one of your books that you would've liked to read to your younger self?    [00:17:50] Lorraine Nam: Mm, I probably Wei Skates On, the book with Nathan Chen. ‘Cause his story is about overcoming obstacles and being disappointed. And just feeling frustrated and upset. And I feel like that's an important lesson even in adulthood. It's not really resolved through words. It's more of like the, everyone is there for him, his family is there for him, and they all just want him to enjoy what he's doing and to not care about winning or losing.    [00:18:33] Miko Lee: Lorraine Nam, thank you so much for chatting with us about your work and about the library as a magical place, appreciate talking with you.    [00:18:42] Lorraine Nam: Thank you so much. I had so much fun talking with you.   [00:18:45] Miko Lee: Welcome, amazing award-winning children's book author Uma Krishnaswami, I'm so happy to have you here on Apex Express.   [00:18:54] Uma Krishnaswami: Miko, it's my pleasure to be here.    [00:18:57] Miko Lee: I wanted to start with a question I ask all of my guests, which is, who are your people and what legacy do you carry with you?    [00:19:05] Uma Krishnaswami: What a wonderful question. Who are my people? My people are children who are, my ideal readership is the eight to 12-year-old group. I write for children. I'm not particularly thinking about audience when I begin writing. But at some point I want my readership to feel validated, whether they recognize themselves as being in my stories or my stories are offering them a window into a world that they are not immediately familiar with. So I would say those are my people.    [00:19:45] Miko Lee: And what is the legacy that you carry with you?    [00:19:48] Uma Krishnaswami: I grew up in India. The year that I was born India had been independent for all of nine years. So I carry very much that colonial legacy. I also am an immigrant to two countries, early in my adulthood to the United States and about 12 years ago to Canada. So my legacy is one of moving and finding new roots, finding community. Those are the things that I try to carry forward in my stories. When I began writing, I lived in the US and I started writing when my son was born. So there I was with a little brown baby and I went looking for books that would represent him and I didn't find them. And I think that is what made me think in my early thirties that, real life people could write children's books because of course the books I had read as a child were all written by people from England and many of them were dead. I kind of thought you had to be dead and British to be a writer. So yeah, it's complicated, isn't it? All of that works into, what you think of as, as your legacy. Having done this for 30 plus years now.    [00:21:03] Miko Lee: And you've written so many beautiful books. Tell us about a little bit more about that first book.   [00:21:09] Uma Krishnaswami: So the very first book, it was called Stories of the Flood. I realized very quickly that I didn't really know what I was doing. I looked to folk tales and traditional tales as a way to teach me about story. My second book called The Broken Tusk Stories of the Hindu God Ganesha. That is the one that I consider as the book that taught me how to write. I had a wonderful editor [unintelligble] Thorpe at a small press in Connecticut, Linnet Books. She told me to lean into story and to see myself as a storyteller. In a way, every book I've written has taught me how to write.   [00:21:47] Miko Lee: Can you tell us about your favorite book as a kid?    [00:21:52] Uma Krishnaswami: My favorite book as a kid, it would have to be Winnie The Pooh.    [00:21:58] Miko Lee: And what was it about Winnie the Pooh that enamored you?    [00:22:01] Uma Krishnaswami: I came to it very early and aunt had traveled to England and she brought me my copy of winnie the Pooh in the House of Poo Corner. And I read them, sitting in very Indian gardens, sometimes up in trees. I spent lots of time up in trees and I took my own geography and placed it over the geography of the book. , So that for me, the a hundred acre wood had lime trees and banyan trees and possibly mango trees. It didn't occur to me, until much later when I read an Enid Blyton reader. I had my moment of disillusionment with Enid Blyton and that's when it really occurred to me that there was an us and a them in, in some of the storytelling I was consuming.   [00:22:49] Miko Lee: What age was that where you recognized that?    [00:22:51] Uma Krishnaswami: My post-colonial moment?    [00:22:53] Miko Lee: Yes.    [00:22:54] Uma Krishnaswami: I might have been a 11.    [00:22:56] Miko Lee: Oh, wow. And were you still living in India at that time?    [00:22:59] Uma Krishnaswami: Yeah, yeah. 11 was a very formative year for me. My grandfather passed away, so it sort of brought mortality , into the framework for me. Also that was my year of disillusionment with Blyton. 'cause I read The , river of Adventure. And the villain in it had my name. He was called. Uma, Raya or Raya Uma or something like that. And yeah, I was just shocked. Just totally shocked. It was pure coincidence, I'm sure. She probably just, pulled the name out of the air and plunked it in. But. I began to notice that he was described as dark skinned and he was described as cunning. All this language that had slid right past me before began to be apparent. So, yeah,    [00:23:47] Miko Lee: I love that. That is so amazing. This name, like what? That's my name as the villain.    [00:23:53] Uma Krishnaswami: I'm the Bad Guy. No, I'm not.    [00:23:56] Miko Lee: And all of your books are such a wonderful clap back to that because you have a multitude of characters and so many different worlds. Initially reached out to you because I started reading book Uncle this trilogy of books that are so lovely. Can you first share a little bit about what the Book Uncle's Trilogy is about.    [00:24:16] Uma Krishnaswami: Okay, so it didn't start out as a trilogy. It didn't even start out as a book. It started out as a short story and then it didn't quite fit. It wasn't a picture book. It seemed to have more layers than that, so it kind of grew. But what started Book Uncle and Me was I was visiting my parents in India. At the time, and I was on this very busy urban street and there was this kid sitting on this on the, on the sidewalk. Um, it was kind of a broken brick sidewalk, and she was sitting cross-legged right in the middle and she was reading book and she was just oblivious to the crowd going around her and the. Buses on the road and there were, you know, random goats and dogs running around and she just was ignoring everything and she was absorbed in her book. And I remembered that I had been that kind of reader as a child. There was an election going on at the time as well, and I thought, I wonder what would happen if I put those two things together. And that is how Book Uncle came to be.    [00:25:14] Miko Lee: And then there was just, you wanted to live in those characters more, so you ended up writing additional books?    [00:25:20] Uma Krishnaswami: Hmm and that's a very good question. And actually no, I didn't, I thought I was done. I wrote Book Uncle and Me back in, I'm say 2009, 2010, something like that. I probably started it in 2010. Um, it got published originally in India in 2012, I believe. And then it was picked up by Ground Wood in Canada and published in Canada and the US so North American edition in 2016. And I thought, you know, I'm done. I'm writing other things. And then come the pandemic and we're all in lockdown. And like a lot of writers, I was doing, um, many, many, virtual. Presentations and programs. Um, and I did something through the North Vancouver Public Library and, there were kids zooming in from, you know, some from home, some from their bubbles, some from classrooms, whatever. And we were talking about book uncle and one of the kids, I think in third grade maybe, she said, Are you gonna write a sequel? And I am just joshing, right? I am. I said, yeah, should I? And they're all going, yeah, you should. And you should write three because you've got three characters you should give them each a [story]. And I'm like, all right guys i'll think about it. I absolutely will but not really taking it seriously. And then as often happens. the session ended and, you know, there we were all in lockdown going nowhere. And I thought maybe, maybe there's something there. Maybe I could return to that. And in a way I was kind of intrigued because I hadn't, had never thought about a trilogy and I was interested in how that would play out. Um, and it was kind of a writing challenge to myself, but honestly, once I started writing Birds on the Brain, which was book two it just kind of, I hesitate to say wrote itself 'cause I, that just seems, you know, so kind of woo woo. But, um, it did, it did. Uh, the, the kid came in and she took over and then a bird flew onto the rooftop and there I was on my way. So that's the story of, of how that that happened. In retrospect, I'm really sorry I didn't ask that child's name because I would've absolutely loved to have acknowledged her in the book. But thank you child from North Vancouver, whoever you are.    [00:27:40] Miko Lee: That is so amazing. That's by request, by audience request. You fulfilled this goal of a trilogy and and I I love that they even said, not just a sequel, but a trilogy.    [00:27:52] Uma Krishnaswami: Oh, they were. Yeah. They had it. I mean, they had, then they, they figured it out, which was really lovely.    [00:27:58] Miko Lee: And those, that trilogy is really geared, as you were saying to the second and third grade audience and I So many of your books are written around kids that can make a difference. What is it about that age that appeals to you and that motivation to show them how they can change the world?    [00:28:16] Uma Krishnaswami: I think they have this really, strong sense of what's fair. It's the age at which, you know, you start pushing back against what you see as small unfairnesses in your life. Parental restrictions quite often, or older siblings. You're pushing back. You're doing a little bit of finding who you are. And I think that uh, you begin to get a sense of awareness of the big world outside your small circle. And I think also one of the things that drives me, with writing to this age is that, I feel that it is so unfair that grownups, the adult world, has created so much injustice. And we just kind of expect the next generation to step up and step into it and, and do the best they can. and it just, it doesn't seem right not to at least give them the wherewithal to think about that. And they do, they have children have voices and their voices matter. As we found out with, the climate strikes. I mean it really was young people who brought those messages out into the world and forced us to think about them and talk about them. So, I think that we owe children that.    [00:29:34] Miko Lee: So which of your books would you want to read to the second or third grade Uma?   [00:29:43] Uma Krishnaswami: [Laughs] Maybe Book Uncle and Me. Because I think there's a lot of second and third grade Uma in that book. I was a compulsive reader like Yasmin. I would've absolutely read a book every day for the rest of my life if I'd had that many books available to me. I didn't. So I read the ones I had over and over again. I lived in an imaginary world, quite a bit of the time.   [00:30:06] Miko Lee: Speaking of having access to lots of books, I'm wondering what your relationship was like to libraries, both as a child and then now.    [00:30:15] Uma Krishnaswami: I'm a proud and inveterate library goer. I put holds on things. I go browse on shelves. I download eBooks and audio books. I always have a pending list. I'm very, very grateful for libraries and also for librarians whom many of whom I have come to know over my life and am immensely grateful for. I did not have access to libraries much as a child. We didn't have a public library system that was free and available and open to everybody. There were the kind of unofficial lending library types that I feature in Book Uncle and Me. There are sadly fewer of them now, but you still find them on street corners in India. I remember taking a book and giving one and then getting one back in return. That was, that was part of my life in some of the places we lived.   [00:31:07] Miko Lee: Did you know an actual book uncle?   [00:31:10] Uma Krishnaswami: I didn't actually pay much attention, to the people who handed those books out. I was much more, focused on the books I was getting. There are characters who I've seen who have run these things. I once had somebody email me and say, I'm a book uncle. This is what I do. So that was really nice.    [00:31:31] Miko Lee: That's sweet. I wanna roll back and talk a little bit more about your artistic process. I'm wondering if you, as a writer, as illustrator, you can sometimes be in your own world, and I'm wondering what your process is.   [00:31:43] Uma Krishnaswami: My place is right here. This is my office room, and I'm standing at a treadmill desk, and usually what I will do, is when I'm writing, I will turn that on very, very slowly. I usually start out at the idea stage with a notebook and a pen. I have fountain pens with very varied colors of ink, and I use those always to write my initial notes and questions about a new story idea. I don't go to the computer and the keyboard until the idea has started showing up quite a few times. In, perhaps in a few iterations, almost as if I'm actually pushing it away at first, you know, saying, don't scratch up my window until you are developed a little bit more. I'm not going to, indulge, the initial shallowness that usually the first idea is often not what it's gonna end up being. I question that, and sometimes this is gonna sound really crazy, but, if I write those questions many times over in different colored inks, the answers begin to break out in clumps. Once I've begun to think, okay, well maybe I, I know what I could do with this. That's when I open up a file.    [00:32:56] Miko Lee: Ooh share a little bit more about the different colored inks. How does that work?    [00:33:00] Uma Krishnaswami: Um, right over there, there's a whole row of inks, and right over here is a fountain pen, and I have several of them. I change the ink colors, and when I get stuck with something, it really does help to write those questions to myself, in a journal notebook. I have a terrible handwriting, so I used to really worry about when people gave me nice notebooks. Little empty notebooks with beautiful glossy pages. I used to think, God, my writing is so awful. I feel like I'm desecrating this beautiful book. I've gotten over that and it's actually really helpful to physically write that thought for me is very, very useful.   [00:33:39] Miko Lee: And when you see the different colors, is it like words that stand out to you, that you piece together? Yeah.    [00:33:44] Uma Krishnaswami: Yeah, yeah, yeah. Or sometimes I'll write something, in a paragraph, and then I'll break it up and write it in a lineated way, maybe in a different color. You just start seeing things differently when you try different ways of thinking about the same thing. It's all a trick to get the kind of managerial editorial mind out of the way. You need her later, but I don't need her when I'm trying to shape something.    [00:34:13] Miko Lee: The, for the creative process. Mm-hmm. The multiple colors just helps    [00:34:16] Uma Krishnaswami: Right.    [00:34:16] Miko Lee: Pull you into that.    [00:34:17] Uma Krishnaswami: Yeah. It just loosens, it loosens my mind up so I don't feel so focused on the objective. I often tell myself, I think Linda Sue Park used to say this. You don't have to write a whole novel. You just write a scene. And so that's what I tell myself, I'm a sceneist. I'm not a novelist. I'm just a sceneist. I write one scene. And that's all I need to write. Then I will write another one and so forth.    [00:34:38] Miko Lee: And do you use sticky notes or something to keep those scenes separately or    [00:34:42] Uma Krishnaswami: just all kinds of things? I use sticky notes. I use little boards on which I draw plot lines, and then I write, notes to myself. I use the journal notebooks. I've started using Scrivener and I actually have found that helpful but not until I've got something, in enough shape to plug things in.   [00:35:01] Miko Lee: Oh, I love hearing about artistic process. That's so fascinating. I appreciate you and you're showing your beautiful pen and everything. It's so great.    [00:35:08] Uma Krishnaswami: It's messy, right? One of the things I've learned is to lean into the messiness and not try to organize things too fast, too early.    [00:35:16] Miko Lee: Mm-hmm. Giving yourself the time for the creative juices to flow.    [00:35:20] Uma Krishnaswami: Yeah. Yeah.    [00:35:21] Miko Lee: So my last question is, what are you working on now?    [00:35:25] Uma Krishnaswami: I've actually just got done with edits on a picture book, which is going to be called Mango Sun. And then I'm working on another picture book. That's just gone to my agent. It's got to do with wildlife rescue and conservation in the Himalayas. It's an Indian setting, but a very different setting from Mango Sun.   [00:35:44] Miko Lee: And most of the ideas from your books are just coming from your imagination or something you read or where are you pulling from to get your inspiration?    [00:35:52] Uma Krishnaswami: Everywhere. Absolutely everywhere. I have a picture book that came out of a trip that we took to Galapagos and will it ever take form? I don't know, it's about the rewilding of an island , and how when you bring one species back, the other one follows. Some of it's from my childhood. I have two picture books that came out of a memory of planting a mango seed and watching it grow.   [00:36:21] Miko Lee: Sounds lovely. Two of my favorite things, mango and Sun [laughs], appreciate you joining us and sharing about your artistic process and your amazing book. And I'll put a link to your website in our show notes. And thank you so much for joining us and talking to us about Book Uncle and your work.    [00:36:37] Uma Krishnaswami: Miko, thank you so much. It's really a delight.    [00:36:41] Miko Lee: Welcome, Maggie Tokuda Hall to Apex Express.   [00:36:45] Maggie Tokuda-Hall: Thank you so much for having me.   [00:36:47] Miko Lee: I'm so happy to have you talking about, your wonderful book, love in the Library. But first I wanna, ask you a question I ask my guest, which is, who are your people and what legacy do you carry with you?   [00:37:01] Maggie Tokuda-Hall: Oh man. I feel like I have so many tribes that I identify with in different ways. , Gosh, who are my people? I mean, generally speaking, angry queer teenage girls very much my people. Tired Jewish aunties also my people. Exhausted Asian mothers also my people, [laughs] librarians and book people are my people. I, I, I don't know. I feel like I have so many people that I feel an affinity toward and an affection for, and kinship with.    [00:37:38] Miko Lee: I like you naming all of those because we're multifaceted people and there's many different things that make up who we are. Yeah. And what is the legacy that you carry with you from all these tribes you're a part of?   [00:37:50] Maggie Tokuda-Hall: From my mother, I carry a legacy of honoring the truth, like really believing that children are owed the truth and that part of being an adult is being courageous enough to tell it. but I also come from like a vibrant family of Jewish storytellers and I feel like I have that, that I carry with me as well.   [00:38:17] Miko Lee: Thank you. So you've written the book Love in the Library about Tamma, a woman who works at a library in the Minidoka concentration camp during World War ii.    [00:38:28] Maggie Tokuda-Hall: Mm-hmm.    [00:38:28] Miko Lee: And she meets George and falls in love. Can you tell me about how you very first heard this true love story of your grandparents?   [00:38:40] Maggie Tokuda-Hall: I can't actually, I don't remember the first time I heard this story. It is a story that I've just always known. like for me it's very much a fabric of how I came to understand the world and my place in it. Like sky is blue, grandma and grandpa met in a prison camp, you know, normal stuff. And so, um,    [00:39:00] Miko Lee: so it's just part of the family lore?   [00:39:03] Maggie Tokuda-Hall: Yeah. Like, it's not something my mother was ever shy about telling us. And I truly do not remember the first time she talked to me about it because I remember being very small and already feeling like I knew that story.    [00:39:15] Miko Lee: Okay. Then how did you decide to turn it into a children's book?    [00:39:19] Maggie Tokuda-Hall: Yeah, so, in 2017 when President Trump took office for the first time, in his very first executive order was to sign the travel or Muslim ban where he was banning people from Muslim majority countries from coming to the United States. It was clear immediately that he was gonna be using his time and power to enact a white supremacist agenda. I knew I needed to do all the things that we're supposed to do. Like I called my representatives and I wrote my postcards and I marched and I did all those things. But I really did try to audit what I had to offer, particularly children in that moment. That was unique to me. And I realized I had this beautiful story in my own family, not just about the cruelty of those sorts of policies, but also the resilience and power of the people who they target.    [00:40:05] Miko Lee: Ooh. Fired up the, that truth teller part of you just became ready to go.    [00:40:11] Maggie Tokuda-Hall: Yeah.    [00:40:11] Miko Lee: Um, speaking of the impact of politics and what's going on and how that relates to books, I know that in April, 2023, Scholastic wanted to include love in the library in a collection around AANHPI folks, but they wanted to edit your amazingly fierce author's note. Can you share with our audience what happened?   [00:40:34] Maggie Tokuda-Hall: I mean, first of all, thank you for calling it amazingly fierce. In my author's note, I talk about how what happened to my grandparents wasn't an isolated moment in American history and that it was racist, which I think is a, a reflection of a very basic understanding of that history. It, it's not, a creative extrapolation and. Scholastic offered to license the book, but my licensing offer came with a caveat, which was that I had to remove that entire paragraph. Um, and I had to remove the word racism from the text altogether. And so I decided to say no and say no publicly. And for about three months, my full-time job was talking about Scholastic, but also about our obligation to tell children, American history, honestly.   [00:41:19] Miko Lee: And they wanted you to get word of the word racist. Did they say why?    [00:41:24] Maggie Tokuda-Hall: Yes, they basically said, the language is too strong and we fear that some teachers won't bring it in for fear of this political climate, which is the nice way of saying like, we have to sell into places where book bans are happening and we think that this language is too incendiary for people who would ban books, which to me was always really, Unsatisfactory logic, because books about Japanese American incarceration are banned all the time and they don't use as strident of language as I use in that author's note. baseball saved us, gets banned. They called us, the enemy gets banned. This story is already considered dangerous by the people who would ban books, so they were trying to hold a center that just doesn't exist.   [00:42:04] Miko Lee: And so what did you end up doing?    [00:42:07] Maggie Tokuda-Hall: I said no and said no publicly, just with like, sort of the hope of, sparking some intra community conversation among kid lit creators about what sort of edits are appropriate to offer people. I would, I still posit, that that's a completely inappropriate edit and that's about sanding down people of color's, history and perspective to cater to a white audience. And I was unwilling to do it. and Scholastic initially released like a very, incomplete apology. And then when they received a lot of pushback about that, they offered a much more full apology. They offered to meet with me and my publisher, the CEO of Scholastic and the head of their education divisions, which is the division that made me this offer. And then they also had me work with a restorative justice consultant, for like a year to try to figure out what they could do better. But what I said to them at the end of that time that I told them, I was extremely transparent that I would be talking about this publicly. So I don't feel bad saying exactly what I said to them here is, I think the exact same thing would've happened. It just would've happened more politely.    [00:43:17] Miko Lee: Wow.    [00:43:18] Maggie Tokuda-Hall: I don't think that they actually reexamined what their role is as a publisher of Books for Children under Unconsolidated authoritarianism. They just figured out how to ask people to make racist edits more, more, uh, gently.    [00:43:33] Miko Lee: And you worked with them for one year with an RJ consultant.   [00:43:36] Maggie Tokuda-Hall: I mean, like, not every day, but we had, you know, meetings over the months. And she was a smart lady. Like I don't think that she, you know, did nothing. I think she was trying her best, but I think that, you know, big institutions are very slow to institute cultural change and that that on the one hand has to happen from the top down, but also can't happen from the top down.   [00:43:56] Miko Lee: Mm-hmm.    [00:43:56] Maggie Tokuda-Hall: And so I genuinely believe that there CEO was trying his hardest to, to make a meaningful change, but without them really stopping and examining and questioning what their own role in this moment is in a critical way. I don't think that they are going to be able to have answered what I would've required for them to, for me to then accept their licensing offer. ‘Cause they made it again.    [00:44:25] Miko Lee: So at the end of the one year long, they made the licensing offer to you again?    [00:44:29] Maggie Tokuda-Hall: Yeah. I think just to be kind, just as like a gesture of like, listen, we know we messed up. We'd love to license your book and I still said no because I don't think that they made meaningful enough change.   [00:44:40] Miko Lee: Hmm. Wow. I love this. What did you learn from this experience?    [00:44:47] Maggie Tokuda-Hall: That it is very unusual for people to blow the whistle within publishing, even when the examples are egregious.    [00:44:54] Miko Lee: Tell me about your connection with Authors Against Book Bans. Did that come out of this experience with Scholastic, or were you involved actively involved in this prior to that?    [00:45:05] Maggie Tokuda-Hall: No, it absolutely came as a result of my experience with Scholastic. Authors against Book Bans is an organization that I'm currently the president of. We're over 5,000 book creators across the country who are united under a single point of view, which is that the government shouldn't be allowed to tell us what to read. That's what we believe and that's what we fight for. And I got involved in founding the group along with specifically David Levithan, who's a really wonderful young adult and middle grade author, who had put together most of this group before I even came on board. Cause we realized that authors needed a central place to fight. There was no one organizing specifically us. And so Authors Against Book Bans was born out of necessity and, the dearth of a place that existed for us. Everyone would call on us to come speak, but it was extremely ad hoc. We weren't making any kind of unified movement, even though we all so passionately agree that, you know, book bans are anti-American and in violation of our First Amendment rights. And, you know, the freedom to read is a necessary freedom for a free and democratic society. and the reason I'd reached out to David initially was because I was hoping to put together something like Authors Against Book Bans, but just by myself, which is, maybe a testament more to my own personality [laughs] problems than anything else, but I was like, I'll just figure it out. And he was like, you know, I'm actually assembling a group that's trying to do this. Would you like to be a part of it? And that's how I came aboard. But I had gotten interested in it because as a result of the Scholastic fiasco, I was invited to give the keynote speech at the Idaho Library Association in 2023. I gave my little speech that I'd been giving a lot then, um, about how we have an obligation to tell American history honestly. And, people were like, the reaction was so emotional to it and so profound and like, I thought it was a good speech. I'm proud of the speech, but like it, something else was going on and I could feel it. And I started talking to the people who were there and when these librarians started telling me what they had gone through, just for making books like mine available to children, stalking, harassment, death threats. One of them had been followed home, like really frightening, scary things happening to them on like, in some cases a daily basis. I realized like I was gonna be a part of this fight. That was that. I wasn't gonna let them fight alone. And so, you know, in, in my advocacy work now, Idaho still holds like a very precious place in my heart because I think that it's a very forgotten state. When we think about places that need help, when we think about places that have been gerrymandered, when we think about places where there are so many good people who are disenfranchised and unable to affect meaningful change in their state level, governments. That have just been absolutely run roughshod over by Christian nationalists. We should be thinking about Idaho. They have, I think, like the highest neo-Nazi population in the United States. so it's a very direct line between my grandparents being incarcerated to the activism that I do now. And it wouldn't have happened without Scholastic's offensive offer.   [00:48:22] Miko Lee: I did not realize that librarians were personally being assaulted or attacked or followed. For books.    [00:48:29] Maggie Tokuda-Hall: You should watch, the librarian's documentary that's now streaming on PBS. Okay. Um, it's common across the country. Amanda Jones, who's an Authors Against Book Bans member no big deal, is a librarian in Louisiana that can't go grocery shopping in her own hometown anymore for fear for her own safety because she has taken a stand to like refuse to remove lgbtq plus books from her school library shelves. It's really dire. And I think people understand objectively that book bans are a problem in our country. I do not think that they understand how violent that this fight is. It's a really dark and hard time to be a librarian. So if you're a person who supports libraries, you should be thanking your librarians and letting them know one-on-one and in person face-to-face that you appreciate the work that they do, because there are people who are making their lives really difficult.    [00:49:25] Miko Lee: Can you talk about what the library meant to you as a child?   [00:49:30] Maggie Tokuda-Hall: I mean, honestly it was like a part-time babysitter. You're a kid, there's a library. Entertain yourself, you figure it out. I think the first time I really felt like a sense of belonging in the library was in middle school. We moved from LA to Northern California and I had to start a new school in seventh grade. I didn't really know anyone and it was embarrassing to not have people to eat lunch with and things like that. So I would eat lunch in the library. And the librarian was really kind about it. Like she never called attention to it. She never embarrassed me about it. She would let me sneakily eat in there, even though there was a very specific rule that you weren't allowed to eat in the library. she put, the Enchanted Forest Chronicles on an end cap once, and that's how I found them and ended up reading the entire series and that was really when I became a fantasy reader and you know, my debut novel was a fantasy novel. I still feel very much like a fantasy reader kind of at heart, and that started there. I mean, we never know when libraries are going to save a kid's life.    [00:50:39] Miko Lee: Can we go back to how you ended up writing this book about your grandparents' experience? Sure. And what was the first spark for you to say, I wanna turn this into something. It's a family lore, but I want more people to know about it.   [00:50:54] Maggie Tokuda-Hall: I mean, the Trump administration thing,    [00:50:56] Miko Lee: it was truly that. You said it was    [00:50:57] Maggie Tokuda-Hall: Yeah. Trump was it    [00:50:58] Miko Lee: Trump got elected. People should know this happened.    [00:51:00] Maggie Tokuda-Hall: Yes. What do you have to tell children in this moment If they're Muslim, they're scared, and if they're not, they need a way to understand what it means to feel afraid. Both of those things need to happen at the same time of like, you have to offer comfort to the children of the marginalized. You have to offer perspective to the children who have the privilege not to feel that fear. And so I have this story and what I love about this story is. I know that children are capable of holding the complexity of this story is both very romantic and very sweet, and also the circumstances it happened under were completely unfair. That's the kind of logic children are able to hold, and they should be given the opportunity to hold that kind of complexity because it'll serve them for the rest of their life because most of most situations we confront are complex.   [00:51:57] Miko Lee: And how were you able to eke out more details of that story? Did you do family interviews or was it more from your imagination?    [00:52:05] Maggie Tokuda-Hall: My mother is a journalist and she kept my grandmother's journals from the time she was in Minidoka. So some of it comes from my grandmother's journals. Some of it comes from working with my mother to make sure that it felt accurate, tonally and factually. ‘Cause she was not gonna let me publish a book that was nonsense. I always say it's Truman Capote true. ‘Cause the situation, the sensory details, all that stuff real, but the dialogue is made up. The dialogue is art. The dialogue is a way for children to understand how they might've been feeling. They never had succinct, quick conversations like this about their humanity and how they felt about each other. It was a long courting process, and so, you know. That part is made up for children,    [00:52:49] Miko Lee: but you, but you did include actual quotes from her journal too, right?    [00:52:53] Maggie Tokuda-Hall: Yes. The book closes with her words, not mine.    [00:52:57] Miko Lee: Can you give us those final words?    [00:53:00] Maggie Tokuda-Hall: The miracle is in us as long as we believe in beauty, in change, in hope. Which are words she wrote while she was imprisoned in Minidoka.    [00:53:11] Miko Lee: And how does that resonate with you in the time of now?    [00:53:15] Maggie Tokuda-Hall: They are words that I desperately cling to in the hope that I can see them become manifest.    [00:53:23] Miko Lee: And what are you working on now?   [00:53:26] Maggie Tokuda-Hall: Making Authors Against Book Bans as operational as possible.    [00:53:31] Miko Lee: And what does that look like?    [00:53:32] Maggie Tokuda-Hall: In late 2025, we became a nonprofit corporation. We have fiscal sponsorship under EveryLibrary, which is a really wonderful advocacy group that's a combination [501](c)3-(c)4, which means you can make tax deductible donations to them, but also they do overtly political work. And so now we can receive tax deductible, donations and continue to do the overtly political work that we do. We are an unapologetically political organization. We are more than happy to help get people elected who fight for the freedom to read, and we are delighted to show the door to people who would stand in our way of that freedom.   [00:54:09] Miko Lee: And how can people get more involved in your work?    [00:54:13] Maggie Tokuda-Hall: They could absolutely go to authorsagainstbookbans.com and make a donation. We need it [laughs]. We are one of the only organizations that receives donations that exists for the sole purpose of fighting book bans. Most every other group in our space have an angle that book bans affect them, and so they fight against them, but that's not their only purview. It is our only purview. So if it is something that you were interested in fighting, then you could make a donation to us. I would suggest signing up to be on the email list from EveryLibrary because they mobilize everybody, not just authors and book creators. And if you are a book creator, self-published, traditionally published, we don't care. Then you should sign up to be a member of Authors Against Book Bans and you'll get calls to action every Friday.   [00:55:07] Miko Lee: Thank you so much for sharing with us about your book and educating us about the work you're doing and appreciate hearing from you. Thank you for joining us.    [00:55:16] Maggie Tokuda-Hall: Thank you for having me.   [00:55:28] Miko Lee: Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preti Mangala-Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane-Lee. Have a great night..    The post APEX Express – 4.9.26 – Library Joy appeared first on KPFA.

A settlement involving allegations against a former public official convicted of murder is approved, a push to help preserve an area known as the Galapagos of the Mojave, A's help grant a local teen's wish and more on 7@7.

Artemis II is set to launch from Florida's Kennedy Space Center this week, sending a crew of four on a flyby around the moon. Plus, how NASA satellite data is helping bring tortoises back to one of the Galapagos islands.

Nikon outfitted Grizzler the sheepdog with a camera that snapped photos when his heart rate rose, producing Instagram images of what excites him, from other dogs and food to wildlife and random objects. Scientists at the Korea Advanced Institute of Science and Technology created a spray-on powder that rapidly forms a hydrogel barrier to seal bullet wounds and remains stable for two years at room temperature. In the Galapagos, 158 endangered giant tortoises were released on an island where they had been extinct for 180 years, aided by genetic research linking living tortoises to the lost Floriana lineage and emphasizing their role as keystone species. A Harvard study explains basketball sneaker squeaks as rapid rubber contact changes and ripples. Osaka received an anonymous $3.6 million gold bar donation to repair aging water pipes.00:10 Dog Camera Happiness01:10 Spray Powder Wound Seal01:44 Galapagos Tortoise Return02:51 Why Sneakers Squeak03:54 Osaka Gold Bar Gift04:34 Wrap Up Five StoriesJohn also hosts Daily Comedy NewsUnlock an ad-free podcast experience with Caloroga Shark Media!  For Apple users, hit the banner which says Uninterrupted Listening on your Apple podcasts app. Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories' with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show!Get more info from Caloroga Shark Media and if you have any comments, suggestions, or just want to get in touch our email is info@caloroga.com

In which Galen shares a song with many layers (Holy? Holey?! WHOLLY?!?!) and Jimmy challenges us to name popular songs with new lyrics written about Galapagos sea creatures.

Good morning from Pharma Daily: the podcast that brings you the most important developments in the pharmaceutical and biotech world.The pharmaceutical and biotech sectors are navigating a period of profound transformation, marked by significant scientific developments, regulatory challenges, and strategic realignments. In 2025, several major pharmaceutical companies collectively reduced their workforce by over 22,000 employees. This was a strategic response to the looming $300 billion patent cliff, which is expected to significantly impact the sector as numerous high-revenue-generating drugs lose patent protection. Such workforce reductions highlight the industry's need to innovate rapidly to offset potential revenue losses.In a pivotal legal development, a massive class action lawsuit seeking RICO penalties against Takeda and Eli Lilly has been allowed to proceed by the Supreme Court. This decision underscores the increasing legal scrutiny pharmaceutical companies face over their business practices. Should the prosecution succeed, substantial financial penalties could be imposed on these companies, potentially reshaping corporate governance and compliance frameworks across the industry.In terms of drug development and acquisitions, Gilead Sciences' $2.2 billion acquisition of Ouro marks a strategic pivot towards autoimmune therapeutics. This acquisition enriches Gilead's portfolio with a promising autoimmune T-cell engager and revitalizes its partnership with Galapagos, a Belgian biotech firm. Such deals are crucial as companies seek to bolster their pipelines with innovative therapies addressing unmet medical needs.Karyopharm's recent mixed results from its Phase 3 trial of Expovio in combination with Jakafi for treating myelofibrosis illustrate the complexities and challenges inherent in oncology drug development. The company plans to engage with the FDA to discuss these outcomes, indicating a cautious yet hopeful approach toward potential approval. This scenario underscores the high-stakes environment of clinical trials where mixed results can significantly influence regulatory decisions and market strategies.Meanwhile, Eli Lilly's decision to withdraw certain insulin products from European markets by 2027 reflects shifts in strategic priorities amidst regulatory pressures and market dynamics in Europe. This move may indicate a broader trend of pharmaceutical companies reassessing product portfolios in response to evolving healthcare policies and market demands.The year also saw WuXi Biologics expanding its project portfolio significantly with U.S. clients, despite geopolitical uncertainties. This trend highlights the increasing globalization of drug development and manufacturing processes, driven by a growing demand for contract research, development, and manufacturing services.On the technology front, artificial intelligence continues to reshape various facets of the life sciences industry. AI-driven platforms are not only optimizing engagement strategies but also enhancing operational efficiencies within life sciences teams. These tools offer flexibility that allows organizations to adapt workflows according to specific needs rather than being confined by rigid systems.However, challenges remain as evidenced by Aardvark's decision to halt trials for its obesity candidate due to cardiac concerns. This pause reflects ongoing safety challenges in drug development that necessitate robust risk management strategies.In financial developments, Wilmington PharmaTech's commitment of $50 million towards expanding its API production capacity in Delaware signals confidence in future demand for complex custom APIs. However, NIH grant cuts disproportionately affecting women and early-career scientists raise concerns about diversity and sustainability within the scientific workforce.The strategic investments continue as Novartis announces a substantial commitmeSupport the show

Immunology & inflammation stole the show this week, as Gilead dropped up to $2.1 billion for Ouro Medicines and its T cell engager OM336—an investment it hopes to split with longtime partner Galapagos. Meanwhile, Sanofi also added a T cell engager in a licensing deal with Kali Therapeutics worth $180 million upfront.One I&I partnership that bore fruit last week was that of Johnson & Johnson and Protagonist Therapeutics which got their IL-23 receptor blocker Icotyde across the FDA finish line for plaque psoriasis. Icotyde is the first commercial product for Protagonist.Even the drama this week came from the I&I space, as Kevin Tang took the reins as CEO of Aurinia Pharmaceuticals, which you may remember was the company at the heart of former Center for Drug Evaluation and Research Director George Tidmarsh's exit from the FDA.Outside of I&I, the CDC's Advisory Committee on Immunization Practices made headlines once again as Vice Chair Robert Malone posted to social media that the group was being disbanded. The Department of Health and Human Services quickly corrected the record, but Malone posted a few hours later that “dissolving and reforming remains one of options being considered.”In FDA policy news, BioSpace recaps the now nine-month-old Commissioner's National Priority Voucher pilot program and unpacks new draft guidance on animal testing alternatives. Plus, check out an opinion article on the need for precision ALS drugs and features on gene therapy for hearing loss and Big Pharma's overall R&D spending in 2025.

In February, conservationists released 158 young tortoises onto Floreana Island in the Galapagos. The Floreana tortoise subspecies had long been thought extinct, but the discovery of close relatives on another island made a captive breeding effort possible.  SciFri turtle correspondent Charles Bergquist talks with conservationist Penny Becker about the science behind the reintroduction, and what it was like to return the species to an island that had not seen them since the 1850s. Plus, the latest on sea turtle nesting season, and an ancient sea turtle stampede. Guest: Dr. Penny Becker is CEO of the nonprofit Island Conservation. Transcripts for each episode are available within 1-3 days at sciencefriday.com. Subscribe to this podcast. Plus, to stay updated on all things science, sign up for Science Friday's newsletters.

We've done series on 2 weeks on a continent, 2 more weeks on a continent, and now, we're discussing how to spend 2 weeks on a continent based on the 5 senses (taste, smell, touch, sound, and feel).   And this week is 2 weeks in South America! We're discussing eating around Buenos Aires, sipping Malbec in Mendoza, witnessing the wildlife of the Galapagos, and more!   Where would you spend 2 weeks in South America to satisfy the 5 senses?   Relevant Links (may contain affiliate links, meaning if you make a purchase through these links, we earn a small commission-at no additional cost to you!): -Our Galapagos Itinerary: https://worldwidehoneymoon.com/7-day-galapagos-itinerary/ -Our Exact Galapagos Cruise We Went On: https://gadventures.sjv.io/55XO4b -How Much Does a Galapagos Trip Cost: https://worldwidehoneymoon.com/galapagos-trip-cost/ -Galapagos Honeymoon Guide: https://worldwidehoneymoon.com/your-galapagos-honeymoon-guide/ -How to Celebrate New Year's Eve in Quito: https://worldwidehoneymoon.com/new-years-eve-in-quito-ecuador/ -Flashpacker Connect Patagonia Tour: https://www.flashpackerconnect.com/trips/los-glaciares-fitz-roy-trip-6-day -Awasi: https://tripadvisor.stay22.com/worldwidehoneymoon/MXrCIouUWo   Need help planning your trip to France? Check out my trip consulting page: https://francevoyager.com/france-travel-consulting-custom-itineraries/  Traveling to France? Check out our Facebook Group called France Travel Tips to ask/answer questions and learn more!   Don't forget to follow along! Instagram: https://www.instagram.com/worldwidehoneymoon Facebook: https://www.facebook.com/worldwidehoneymoon TikTok: https://www.tiktok.com/@worldwidehoneymoon World Wide Honeymoon Blog: https://worldwidehoneymoon.com France Voyager Blog: https://francevoyager.com Subscribe to the World Wide Honeymoon blog here for monthly updates and tips + get our FREE trip planning guide: https://www.subscribepage.com/o4e5c2

Improve your foiling skills in paradise! Join us in Montanita Ecuador May 23-30, 2026 for a foil drive / tow / prone foil camp with Ecuador Foil, KT Foiling & Julia Castro. Learn MoreOn this episode, Robert Ross (owner of Ecuador Foil and the ME Hotel & Villas - Montañita Estates) joins Luc Moore (host of the Foil Life Podcast) to share his journey from LA surfer to building a thriving life and foiling paradise in Montañita, Ecuador, where he's lived for over 15 years.Robert recounts his surf travels across Central and South America (including epic pre-internet Nicaragua missions and VW bus adventures to Costa Rica), how the 2008 financial crisis ironically set him up financially via Green Dot's prepaid debit card success, and why he chose Montañita in 2011 as his new home—describing it as feeling like "Costa Rica in 1999" with lively vibes, chaos he embraced, and unbeatable year-round foiling conditions.They dive deep into Ecuador as a hidden gem for prone, tow foiling, and winging: glassy protected coves, soft reef waves reminiscent of Trestles, no crowds or surfer competition, warm 80°F+ water, consistent Pacific swells (north and south), and spots accessible by boat or short drives.Episode Highlights:- Robert's path to foiling: From addicted surfer to kitesurfing in windy northern Peru (Mancora vibes), then kite foiling, prone, tow, and now winging—plus his excitement for upcoming parawing adventures- Montañita's setup: A vibrant surf town (bamboo bars, hammocks, piña coladas, lively nightlife with thousands on weekends) built around a main point break; his boutique hotel (15 condos, 15 rooms, pools, restaurant, gym on 2.5 acres overlooking town) doubles as base for foiling—gear stored in his boat, family-friendly with safe pools and nearby activities- World-class foiling paradise: Year-round waves (340+ foilable days), easy-learning "laboratory" reef for beginners (whitewater push like longboarding, straight takeoffs, reforms for pumping/connecting 10-20 waves), hidden offshore reefs for advanced riders, tow spots, and a protected glassy cove; seasonal wind spot 2 hours north (June-Dec thermals 14-18 knots, perfect for winging on left points with 5m wings/65L boards)- Operations and guiding: Customized tours via Ecuador Foil—airport pickups from Guayaquil/Quito, guided transfers to secret spots (tides are extreme, so local knowledge essential), prone lessons with top local instructor Mentol (anti-motor, drops double overhead like surfing), tow sessions with Robert/crew, rentals (Code, Axis Surge/Code 810x/A10x, various wings/boards for ~80kg riders), ~$125/day for 2-3 hours including guide/transport- Multi-discipline flexibility: Combine prone/tow in glassy Montañita with winging/downwind up the coast; intermediate/advanced wing tours; no full beginner wing lessons (recommends local schools for big boards), but epic for those with experience; family perks (non-foilers enjoy beaches, restaurants, snorkeling/scuba to islands, Galapagos trips nearby)- Why Ecuador stands out: Safer/more tropical/family-oriented than remote Peru spots like Chicama (better for non-riders/spouses/kids); no crowds, warm water, variety (prone, tow, wing, potential downwind/parawing); Robert's global foiling travels (Peru, Brazil, DR, Philippines, Australia, CA, Vietnam) always lead him back missing home's accessibility and consistency- Future stoke: Conquering a Chicama-length right point (tow-required, big south swells), more winging videos, group clinics (Luc eyeing a trip!), and sharing uncrowded perfectionIf you're chasing uncrowded warm-water wave foiling, easy prone entry, tow freedom, seasonal winging, or a laid-back tropical escape with family vibes and no crowds—this chat is packed with real inspiration, insider tips, and serious envy-worthy conditions.Check out Ecuador Foil at www.ecuadorfoil.com (tours, lessons, details), the ME Hotel & Villas at www.montanitaestates.com, reach Robert via Instagram @ecuadorfoil, or @robertxross1, YouTube @ecuadorfoil for prone/tow footage, or WhatsApp (linked on IG). Highly recommended for off-the-beaten-path foiling adventures!Listen now and start planning your Ecuador foil escape—warm waves and empty reefs are waiting!

Da Darwin lander på Galapagosøerne bliver han mødt af en eksplosion af flora og fauna, fra kæmpeskildpadder til den blåfodede sule. Det er en øgruppe, der ender med at få enorm betydning for menneskehedens historie... Vært: Huxi Bach. Gæst: Jørgen Baungaard Hansen. Producer: Anna Olrik. Glæd dig til dagens episode, som du nu kan høre i DR Lyd.

Travel isn't always glamorous — but it's always transformative. In this cinematic conversation, Michael sits down with Ann Craig‑Cinnamon and John Cinnamon, a married duo whose 30‑year journey across more than 120 countries has shaped their lives, their marriage, and their understanding of the world.Ann and John are award‑winning broadcasters, entrepreneurs, documentary filmmakers, and authors of Travel Is No Vacation: A Love Story — a memoir that explores the beauty, chaos, humor, and humanity found in global travel. From gorilla trekking in Rwanda to hiking the Himalayas, from snorkeling with sea lions in the Galapagos to visiting Chernobyl, their stories reveal how travel challenges us, changes us, and teaches us who we are becoming.In this episode, we explore:How travel becomes a mirror for identity and partnershipThe unspoken rules of navigating unfamiliar culturesThe highs, lows, and unexpected moments that shaped their journeysWhy meaningful travel is less about the destination and more about the people you meetHow adventure, curiosity, and compassion can deepen connectionWhat they've learned about humanity after visiting all seven continentsThis is a warm, humorous, deeply human conversation about love, resilience, and the stories we collect along the way.One more insight. One more story. One more thing before you go.Find us on Apple, Spotify or your favorite listening platform; visit us on our YouTube channel Find everything "One More Thing" here: https://taplink.cc/beforeyougopodcastWant to be a guest on One More Thing Before You Go? Send Michael Herst a message on PodMatch, here: PODMATCH Proud member of the Podmatch Network of Top Rated- PodcastsThis podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

Stell dir vor, du tauchst ab vor der Küste der Galapagos-Inseln – und plötzlich umgibt dich ein riesiger Fischschwarm, tausende Sardinen, die sich um dich schließen. Für einen Moment bist du mittendrin, Teil dieses lebendigen Schwarms. Von diesem Erlebnis und vielen weiteren spannenden Abenteuern erzählt Nina in dieser Podcastfolge! Sie nimmt dich mit auf ihre zweimonatige Reise quer durch Südamerika – eine Reise, die sich wie eine Aneinanderreihung von Wow-Momenten anfühlt.

We meet two women who have forged an unconventional friendship after meeting by chance more than four years ago. Neena found Carol's lost subway card in New York and they went on to build a close intergenerational bond. They say their 58 year age gap allows them to learn from each other, slow down and appreciate what's important.Also: How decades of work have brought giant tortoises back to an island in the Galapagos for the first time in nearly two hundred years. The Floreana Tortoise became extinct after the arrival of humans, but now dozens of young reptiles bred from a closely related species have been released there.Across the Pacific, we meet the Gen Z women working to restore damaged coral reefs on an Indonesian archipelago. The underwater gardeners recover broken fragments and help them grow.Plus, the science behind why getting out into nature can boost our well being; the veterans reunited more than eighty years after they fought together in World War Two; and how an unwanted bike in Scotland has opened up new possibilities for para-cyclists in Kenya.Our weekly collection of inspiring, uplifting and happy news from around the world.Photo: Neena and Carol, who became friends after Neena returned Carol's lost subway card. Credit: Neena Roe

Criminal gangs have torched buses and cars and set up roadblocks in several Mexican states after security forces shot the leader of the cartel Jalisco New Generation, who was nicknamed “El Mencho,” yesterday. France is set to pass an emergency decree slashing renewable energy targets, turning instead to its nuclear energy sector. And, a look at the life of Ghana's first president, Kwame Nkrumah, who was a vocal campaigner for Pan-Africanism and a United States of Africa that would work together as a political and economic bloc. Plus, giant tortoises have been reintroduced on Floreana Island in the Galapagos. Learn about your ad choices: dovetail.prx.org/ad-choices

World news in 7 minutes. Monday 23rd February 2026.Today : Italy Olympics. Slovakia Ukraine threat. France protest. Thailand sugar. Afghanistan Pakistan strikes. Japan gold. Somalia aid. Nigeria attack. US tariffs. Galapagos tortoises.SEND7 is supported by our amazing listeners like you.Our supporters get access to the transcripts and vocabulary list written by us every day.Our supporters get access to an English worksheet made by us once per week.Our supporters get access to our weekly news quiz made by us once per week.We give 10% of our profit to Effective Altruism charities. You can become a supporter at send7.org/supportWith Stephen DevincenziContact us at podcast@send7.org or send an audio message at speakpipe.com/send7Please leave a rating on Apple podcasts or Spotify.We don't use AI! Every word is written and recorded by us! We do not consent to the podcast being used to train AI.Since 2020, SEND7 (Simple English News Daily in 7 minutes) has been telling the most important world news stories in intermediate English. Every day, listen to the most important stories from every part of the world in slow, clear English. Whether you are an intermediate learner trying to improve your advanced, technical and business English, or if you are a native speaker who just wants to hear a summary of world news as fast as possible, join Stephen Devincenzi, Juliet Martin and Niall Moore every morning. Transcripts, vocabulary lists, worksheets and our weekly world news quiz are available for our amazing supporters at send7.org. Simple English News Daily is the perfect way to start your day, by practising your listening skills and understanding complicated daily news in a simple way. It is also highly valuable for IELTS and TOEFL students. Students, teachers, TEFL teachers, and people with English as a second language, tell us that they use SEND7 because they can learn English through hard topics, but simple grammar. We believe that the best way to improve your spoken English is to immerse yourself in real-life content, such as what our podcast provides. SEND7 covers all news including politics, business, natural events and human rights. Whether it is happening in Europe, Africa, Asia, the Americas or Oceania, you will hear it on SEND7, and you will understand it.Get your daily news and improve your English listening in the time it takes to make a coffee.For more information visit send7.org/contact or send an email to podcast@send7.org

En Équateur, seules trois entreprises sont habilitées à recycler les déchets électroniques. C'est ainsi qu'ils s'accumulent, du continent jusqu'aux Galapagos. L'une d'entre elles, Vertmonde, a recyclé 680 tonnes de déchets électroniques l'an dernier à Quito. De notre correspondant à Quito, En Équateur comme ailleurs, les appareils électroniques, tels que les ordinateurs ou les portables, passent souvent des parents aux enfants. Mais tous finissent par arriver à la fin de leur vie. « Les études montrent que l'Équatorien moyen achète quatre appareils technologiques et produit six kilos de déchets électroniques à l'année, explique Belén Rosales, gérante des opérations de l'entreprise Vertmonde. Cela va de la montre intelligente à la télécommande qui ne marchent plus, les nouveaux écouteurs, le téléphone portable ou un nouvel ordinateur. » Résultat, des dizaines de milliers de tonnes de déchets électroniques dont le pays ne sait trop que faire. Et ce d'autant qu'il ne compte que sur trois compagnies spécialisées dans ce domaine et une culture tout juste naissante du recyclage, selon l'ingénieure environnementale Melyna Terán. « Je crois que notre éducation ne nous a pas habitués au recyclage, analyse-t-elle. Récemment, les gens ont commencé à récupérer les cartons, les résidus organiques et les plastiques, mais pas les déchets électroniques alors que c'est définitivement plus nécessaire que jamais. » À écouter dans 8 milliards de voisinsDéchets: comment passer du «tout jetable» au «tout réparé» ? Une loi qui encadre les activités de recyclage Rendre notre monde plus vert, c'est l'objectif des trois fondatrices de Vertmonde, Belén, Jhoanna et leur mère. En Équateur, la loi dite REP, pour Responsabilité étendue du producteur, encadre les activités de recyclage de déchets électroniques.  « Selon la loi REP, les entreprises ont l'obligation de payer pour le recyclage de 0,5 % des déchets électroniques qu'elles produisent, ajoute Belén Rosales. C'est très peu. Pour le reste, elles souhaitent être payées. Elles savent qu'il y a des éléments précieux à l'intérieur des appareils électroniques et elles veulent en tirer parti. » Un chiffre de 0,5% qui peut être révisé à la hausse tous les 4 ans. Eduardo Vera, technicien de l'entreprise, reconditionne également les ordinateurs qui arrivent en bon état.  « Je révise composant par composant les ordinateurs, les processeurs et les écrans. J'évalue l'état du ventilateur, de la mémoire RAM, je vois s'il est possible de reconditionner la machine, décrit le technicien. Si c'est possible, je vais récolter les pièces manquantes des autres ordinateurs qui arrivent au laboratoire. » Vertmonde s'est également mobilisée pour aider les collectivités isolées des Galapagos. « Aux Galapagos, nous avons un projet avec des entreprises privées, la Chambre de commerce et d'industrie et des mairies, liste Belén Rosales. Toutes ont des déchets électroniques mais elles les accumulent car elles ne savent pas quoi en faire. Donc chaque fois que Latam a de la place dans ses avions, elle amène des déchets sur le continent où nous les traitons. » Aujourd'hui, l'Équateur ne recycle que de 3 à 5 % de ses déchets électroniques contre 8 % pour le Costa Rica ou 25 % pour la Colombie. À lire aussiEnvironnement: les déchets électroniques et dangereux au centre d'une conférence internationale à Genève

Send us a textPeaches runs a solo Daily Drop Ops Brief and cuts through a wide slate of military news with zero patience for nonsense. From the Army's recruiting age creeping up and a 10th Mountain deployment to the Middle East, to a soldier sentenced for murder at Fort Novosel, this episode stays grounded in accountability and reality. Peaches breaks down why the Army paused the soldier-built VECTOR data tool, what Navy pilots flying Air Force F-35As actually learn from it, and why a former Marine drill instructor's post-release arrest is indefensible. The Air Force brings back no-notice ORIs, lessons learned from Midnight Hammer drive comms upgrades, Space Force stands up a Northern Command component, the Coast Guard responds to deadly maritime incidents, SECDEF Hegseth takes aim at legacy procurement at Blue Origin, and the White House pushes to end the government shutdown. Context over outrage—again.⏱️ Timestamps: 00:00 Ones Ready intro and Daily Drop kickoff 01:10 Hoist Hydration sponsor 02:30 OTS Alabama 2026 rundown 04:40 Army recruit age increase explained 05:10 10th Mountain Division Middle East deployment 05:45 VECTOR AI tool suspended pending review 07:10 Soldier sentenced for murder at Fort Novosel 08:10 Navy pilots fly Air Force F-35A jets 09:30 Marine drill instructor arrested after early release 10:00 Air Force reinstates no-notice ORIs 11:20 Comms lessons from Midnight Hammer 12:45 Space Force stands up NORTHCOM component 13:20 Coast Guard rescues 27 mariners near Galapagos 14:00 Lily Jean sinking investigation 14:50 SECDEF Hegseth criticizes legacy procurement 15:50 POTUS urges end to government shutdown 16:40 Counter-narcotics strikes continue 17:00 Iran rhetoric and regional posturing 17:40 Russian cargo aircraft arrives in Cuba 18:30 Wrap-up and final thoughts

(1) De draai van Trump: Groenland annexeren toch niet nodig (2) Vraag het aan Rika: Matteo kan niet kiezen (3) Zeeleeuwen op Galapagoseilanden blijven tot op hoge leeftijd aan de moederborst zuigen (4) Middagjournaal: Annelies Moons

Join Ryan and Julie from Wonder and Beyond Travel for their milestone 300th episode as they break down the best cruises for every type of traveler. Whether you're a first-timer or seeking deep cultural immersion, this comprehensive guide will help you find your ideal cruise experience.What You'll Discover:Best Cruises for First-Time Cruisers: Looking for familiar destinations with clear daily routines and minimal stress? Perfect options include:River Cruising: Viking River Cruises (adults-only calm energy, straightforward inclusions) and AMA Waterways (small ships, intuitive layouts, guided touring included)Ocean Cruising: Celebrity Cruises (modern design, balanced activities), Princess Cruises (strong Alaska partnerships, clear experiences), and Royal Caribbean (variety of ships and activities)Best Cruises for Immersive Exploration: For travelers who want destinations to take center stage with meaningful, unhurried experiences:Riviera Travel: Elegant European-style river cruising timed to special events (tulip season, Oktoberfest)Azamara Cruises: Longer port stays and overnight stops for true destination immersion, plus signature "AzAmazing Evenings"Lindblad Expeditions: Deep exploration to Alaska, Galapagos, and Antarctica with naturalists and experts onboardBest Value Cruises: Understanding what's included and maximizing your return on investment:River Options: AMA Waterways and Viking (nearly all-inclusive experiences)Ocean Options: Royal Caribbean (wide variety for families and groups), Disney Cruise Line (premium service eliminates mental load for parents)Domestic: American Cruise Lines (U.S. rivers, nearly all-inclusive, drive-to embarkation)Bonus Feature: Julie shares an exciting Ireland trip she planned around a Luke Combs concert at Slane Castle, including Guinness tours, Jameson Distillery, and unique experiences like a sheepdog demonstration at a thousand-year-old fort.This episode celebrates finding the cruise style that matches your travel personality—not ranking cruise lines, but helping you discover where you belong on the water. Perfect for anyone considering their first cruise or looking to try a different cruise experience.Episode 300 of All Things Travel, hosted by Ryan and Julie, your travel experts from Wonder and Beyond TravelSupport the showLove the podcast? Help us continue to create great travel content by supporting the show. You can do that here: https://www.buzzsprout.com/1197029/supporters/new Ready to plan your vacation? Most families are confused and overwhelmed when planning a vacation. We work with you to plan a trip perfect for your family. Saving you time, money, and stress! Visit our website www.allthingstravelpodcast.com and click on "Plan Your Next Vacation" Join the travel conversations and the fun in our Facebook Page and Instagram Page! Please share the show with your travel buddies!! Click this link and share the show! Never miss an episode and help us take you to the top with us by following and leaving a 5-Star review on your favorite podcasting app!

Robin Toozs-Hobson is a long-time sailor and delivery skipper based in St. Lucia. He and I have sailed together a few times and had some great adventures. He recently did a delivery of an Excess catamaran from St. Lucia to Japan.  We talk about living in St. Lucia, living abroad and dealing with the passport and banking and mail, monohull sailing vs catamaran sailing, favorite boats, Excess catamarans, sailing from St Lucia to Japan, favorite stops along the way, the Panama Canal, diving with hamerhead sharks in Galapagos, locations in Japan, the Japanese people and culture, dealing with heavy weather in a catamaran, where the friendliest people are, anchoring a catamaran, lightning, the importance of sailing lessons, stepping outside your comfort zone, and more. Photos and links are on the podcast shownotes page Support the show through Patreon

The incredible comeback of native animals on the Galapagos island, Floreana.

Kennedy In The Galapagos full 386 Tue, 06 Jan 2026 14:36:09 +0000 VQTpa0ESU6reT2u9UCmDZ3vIKa3CAFbZ latest,wwbx,society & culture Karson & Kennedy latest,wwbx,society & culture Kennedy In The Galapagos Karson & Kennedy are honest and open about the most intimate details of their personal lives. The show is fast paced and will have you laughing until it hurts one minute and then wiping tears away from your eyes the next. Some of K&K’s most popular features are Can’t Beat Kennedy, What Did Barrett Say, and The Dirty on the 30! 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2Frss.a

K&K Full Show - Hot Take Tuesday & The Galapagos! 01-06-26 full 3496 Tue, 06 Jan 2026 15:13:46 +0000 FeqkQPSVTlBdKt79CkNiXeaX1briWsKo society & culture Karson & Kennedy society & culture K&K Full Show - Hot Take Tuesday & The Galapagos! 01-06-26 Karson & Kennedy are honest and open about the most intimate details of their personal lives. The show is fast paced and will have you laughing until it hurts one minute and then wiping tears away from your eyes the next. Some of K&K’s most popular features are Can’t Beat Kennedy, What Did Barrett Say, and The Dirty on the 30! 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting

Een enorme koersstijging, en daarna pas de reden geven waarom? Verdacht, vindt de Vereniging van Effectenbezitters. Bij pakketkluismaker InPost gebeurt het. Dat heeft een overnamebod in de pakketkluis ontvangen. Maar dat meldt het bedrijf pas nadat beleggers al massaal op het aandeel sprongen. Wie het wil kopen, en voor hoeveel, ook dat vertelt InPost niet. De VEB is niet blij met de gang van zaken en wil opheldering. Wat er aan de hand is, gaan we deze aflevering uitzoeken. Ook hebben we het over hét optreden waar iedereen in Las Vegas op zat te wachten. Daar kreeg Nvidia topman Jensen Huang ruim de tijd om bezoekers en beleggers warm te maken voor wat er in het vat zit. En dat zijn twee verrassingen: de nieuwe generatie chips ligt op dit moment al in de fabriek, en Nvidia zoekt de concurrentie op met Tesla. Je hoort ook of er nog wat te winnen valt voor TomTom. Het afgezakte Nederlandse techbedrijf heeft duidelijk weer wat levenslust teruggevonden. Eerder lieten ze al weten dat ze bezig zijn zich te mengen in de defensie-industrie. En nu staan ze ook trots te zwaaien met een samenwerking met Uber. Te gast: Martine Hafkamp, Fintessa VermogensbeheerSee omnystudio.com/listener for privacy information.

La première intervention terrestre des États-Unis au Venezuela a eu lieu la semaine dernière. Donald Trump l'a révélée dans une interview diffusée à la radio, vendredi 26 décembre. Lundi 29 décembre, il a donné quelques détails : c'est un quai situé sur la côte vénézuélienne, qui servait à des trafiquants de drogue à charger des bateaux, qui a été détruit. CNN et le New York Times affirment que c'est la CIA qui a mené la frappe, sans doute mercredi selon le quotidien. Selon ces médias, une frappe de drone a anéanti une installation portuaire utilisée par le gang Tren de Aragua et a fait aucun mort. Cette opération est avant tout symbolique, explique l'une des sources anonymes citées par CNN, car il y a énormément d'installations portuaires de ce genre au Venezuela. D'ailleurs, l'affaire n'a fait grand bruit dans le pays. Mais pour le New York Times, cette frappe marque « le début d'une phase plus agressive dans la campagne que mène l'administration Trump contre le gouvernement Maduro ». Elle « pourrait accroître considérablement les tensions entre les États-Unis et le président vénézuélien », acquiesce CNN. Comment JD Vance a réussi à convaincre Elon Musk de ne pas créer de parti politique Souvenez-vous, c'était au printemps dernier : la fin de la bromance entre Donald Trump et Elon Musk, les insultes par réseaux sociaux interposés et cette promesse du milliardaire de créer un troisième parti politique qui suscite des inquiétudes au sein du camp MAGA. Le Washington Post raconte comment en coulisses, JD Vance, qui a peur pour les mid-terms, fait tout pour que Musk renonce à son projet. Il demande leur aide aux proches d'Elon Musk, promet de soutenir son candidat à la tête de la Nasa... Et ça marche ! Aujourd'hui, Donald Trump et Elon Musk sont à nouveau en bons termes, écrit le quotidien. Une trêve toutefois fragile, relève encore le journal qui met en garde Donald Trump et JD Vance qui aimerait compter sur Elon Musk pour la présidentielle de 2028 : quand le milliardaire soutient financièrement quelqu'un, il attend beaucoup en retour. Il aime « accaparer l'attention et veut orienter la politique selon sa propre vision du monde », écrit le Washington Post. À lire aussiDonald Trump dit que les États-Unis ont détruit un quai lié, selon lui, au narcotrafic au Venezuela Hausse « historique » du salaire minimum en Colombie En Colombie, la décision du président d'augmenter de plus de 23% le salaire minimum à partir de jeudi 1er janvier, provoque des réactions, pas seulement positives. « C'est un jour de fête pour les travailleurs et les classes populaires », s'est réjoui hier la Centrale unitaire des Travailleurs, rapporte El Tiempo. Les syndicats qui avaient demandé une hausse de 16%, ne s'attendaient pas à une telle augmentation. Mais ce cadeau de Noël passe mal auprès des patrons, prévient El Espectador  qui dans un article, se propose de décrypter « le bon, le mauvais et le laid » de cette décision. « Lo bueno, lo malo y lo feo » en espagnol, un jeu de mots car c'est aussi la traduction du film «  Le bon, la brute et le truand ». Avec cette augmentation bien supérieure à l'inflation, le président espère relancer l'économie, explique le quotidien. Mais attention, préviennent les chefs d'entreprises et des experts, c'est surtout l'inflation et les dépenses publiques qui risquent de s'emballer. La méthode employée par Gustavo Petro fait aussi débat. Le président a pris cette décision tout seul, ce que dénonce l'Association des entrepreneurs de Colombie. Il « a créé le concept de "revenu minimum vital", sans une discussion large, ouverte et démocratique », rapporte El Tiempo. Comme le souligne El Espectador, à quelques mois de la présidentielle, l'opposition y voit « un calcul électoral ».   Haïti : accusations d'une ONG contre la police Gazette Haïti se fait l'écho d'une lettre envoyée par le Réseau national de défense des droits humains (RNDDH) à l'Inspection générale de la police, dans lequel cette ONG dénonce la « connivence » entre des membres des forces de l'ordre et trois gangs dans l'Artibonite. Au moins sept agents « sont accusés d'avoir vendu des munitions et des armes, ainsi que de fournir des informations stratégiques de la Police nationale d'Haïti (PNH) aux groupes criminels lors des opérations policières », de les former et de gérer avec eux des « postes de rançonnement », explique le journal. Des membres des gangs auraient même infiltré les forces de l'ordre déployées dans l'Artibonite. Le Réseau national de défense des droits humains demande une enquête et des sanctions. Comment lutter contre la corruption en Haïti En Haïti, la plateforme Ensemble contre la corruption a présenté sa feuille de route sous l'égide du programme des Nations Unies pour le développement (Pnud). Ce document est le fruit de plusieurs mois de travail avec de nombreux acteurs de la société civile et des représentants d'institutions publiques telles que le ministère de l'Économie et l'Unité de lutte contre la corruption. Cette feuille de route contient une vingtaine de propositions que détaille Edouard Plautre, le secrétaire exécutif d'Ensemble contre la corruption qu'a interrogé Romain Lemaresquier. Du progrès dans la préservation des iguanes des Galapagos L'archipel des Galapagos a beau être isolé dans le Pacifique, à 1000 kilomètres du continent, il n'est pas à l'abri des trafiquants d'espèces protégées. Il a beaucoup été question ces dernières années, de vols de bébés tortues géantes, mais la contrebande touche aussi les iguanes terrestres et marins. Il y a quelques semaines, la vingtième réunion de la Convention sur le commerce international des espèces menacées de faune et flore sauvages (Cites) qui s'est déroulée en Ouzbékistan, a débouché sur une bonne nouvelle pour les défenseurs des iguanes des Galapagos. Ces animaux ont été déplacés de l'appendice 2 à l'appendice 1. Leur commerce est, donc, désormais interdit, sauf pour des fins scientifiques. Reportage de notre correspondant en Equateur, Eric Samson. Le journal de la 1ère On connaît le nombre exact d'habitants en Guyane.

Ken Gerhard is a widely recognized cryptozoologist and field researcher for The Centre for Fortean Zoology, as well as a fellow of the Pangea Institute and consultant for various research organizations. He has searched for evidence of mysterious animals and legendary beasts around the world including Bigfoot, the Loch Ness Monster, the Chupacabra, enigmatic winged creatures and even werewolves. In addition to appearing in three episodes of the television series Monster Quest (History Channel), Ken is featured on the History Channel special The Real Wolfman, as well as Paranatural (National Geographic), Legend Hunters (Travel Channel), Weird or What? with William Shatner (Syfy), Ultimate Encounters (Tru TV), Unexplained Files (Science Channel),Monsters and Mysteries in America (Destination America), Monster Project (Nat Geo Wild) andShipping Wars (A&E). His credits include appearances on numerous news broadcasts and radio programs like Coast to Coast AM, as well as being featured in books, DVDs and in articles by the Associated Press, Houston Chronicle and Tampa Tribune. Ken is author of the books Big Bird: Modern Sightings of Flying Monsters and Encounters with Flying Humanoids, as well as co-author of Monsters of Texas (with Nick Redfern) and has contributed to trade publications including Fate Magazine, Animals and Men, The Journal of the British Columbia Scientific Cryptozoology Club and Bigfoot Times. He currently lectures and exhibits at various conferences and events across the United States. Born on Friday the 13th of October (exactly one week before the famous Patterson Bigfoot footage was shot), Ken has traveled to twenty-six different countries on six continents and has visited virtually all of the United States. An avid adventurer, he has camped along the Amazon, explored the Galapagos, hiked the Australian Outback and has visited many ancient and mysterious sites, from Machu Pichu to Stonehenge.Check out his website at; kengerhard.com Hosted on Acast. See acast.com/privacy for more information.

Land Life is a technology-driven nature restoration company that restores landscapes degraded by wildfire, overfarming, and urbanization. The company combines proprietary remote sensing, machine learning algorithms, and hardware solutions to deliver end-to-end restoration projects spanning 40 years, monetized through voluntary and compliance carbon markets. With seven validated project design documents on Verra, Land Life has built a business model that requires customers to believe the company will exist for decades. In a recent episode of BUILDERS, we sat down with Rebekah Braswell, CEO of Land Life, to explore how the company navigated from global pilots in Saudi Arabia and the Galapagos to focused geographic operations, evolved its customer base from experimental tech buyers to conservative insurance companies, and repositioned its entire value proposition when climate dropped off corporate priority lists in 2024. Topics Discussed: Land Life's shift from selling technology components to customer-driven A-to-Z project delivery  Remote sensing dashboard that assesses ecological, operational, and economic feasibility before land visits  Securing environmental attributes while keeping land locally owned by landowners  Machine learning algorithms for determining optimal tree species, placement, and timing  Evolution from tech company early adopters to asset managers, financial institutions, and energy providers  The 2024 market standstill: how tariffs and defense spending displaced climate on corporate agendas  Strategic repositioning from "climate" to "resilience" language that connects to infrastructure and defense  Targeting biogenic customers in timber and agriculture with supply shed restoration strategies GTM Lessons For B2B Founders: Let customer requirements redefine your product scope: Land Life initially sold discrete technology—cocoon hardware and software tools—to corporations. Buyers consistently responded: "great tech, but we sell shoes online for a living. I need a full project, A to Z." Rather than insisting on their original product definition, Rebekah agreed to plant trees and hire contractors despite "knowing very little at the time what it actually took." The company evolved from a technology vendor to a full-service restoration provider because that's what buyers would actually purchase. B2B founders should recognize when customer feedback reveals a larger market opportunity than their initial product scope, even if delivery capabilities don't yet exist. Target buyers whose operational experience mirrors your delivery complexity: Land Life struggled with tech companies despite strong initial traction because these customers operated on "much shorter term economic cycles" incompatible with 40-year projects. The company found stronger fit with financial institutions, insurance companies, and energy providers—buyers Rebekah described as "familiar with asset management, familiar with physical operations" who could "identify with some of the cycles that we have to manage in terms of planting windows." She told her team: "you know you have a business when an insurance company starts buying your product. These are conservative buyers." B2B founders with long implementation cycles, physical operations, or asset-intensive models should prioritize buyers with analogous operational complexity rather than chasing early adopters who lack relevant mental models. Build transparency infrastructure as core product, not marketing: For customers committing to 40-year relationships, Land Life addressed the fundamental trust problem through systematic monitoring and data sharing. Rebekah identified the specific perception barrier: "people have this image that people are just going out and planting trees and there's no accountability." The company's response wasn't better sales materials but "a data focused and transparent process" that continuously validates project performance. B2B founders selling long-term commitments should invest in measurement and reporting systems as primary credibility drivers, recognizing that transparency infrastructure is product, not overhead. Adapt positioning to buyer priority shifts without abandoning core value: When climate investments "came to a standstill for six months" in 2024, Land Life didn't pivot its business model—it reframed its language. Climate "just dropped on the priority list" as corporations focused on "AI, defense and tariffs." The company shifted to "resilience" positioning that "doesn't use the word climate in it" but connects to infrastructure, defense, and supply chain concerns. Critically, this wasn't invented messaging—Land Life had internally called their engineers "resilience engineers" for years because "you can't bet one climate scenario." B2B founders facing external market shifts should mine existing internal frameworks for language that naturally aligns with new buyer priorities rather than forcing artificial repositions. Expand value proposition beyond primary category benefit to operational impact: Land Life evolved from pure carbon sequestration sales to showing customers how restoration addresses their core operational risks. For biogenic customers—"people who work in timber, food and agriculture"—the pitch became: "if you're surrounded by a degraded ecosystem, it will eventually encroach" on your supply chain. Rebekah explained: "it's not just enough to have a robust supply chain like your field for example. Great that things are healthy there, but if you're surrounded by a degraded ecosystem, you know it will eventually encroach." This connected restoration directly to supply shed stability and de-risking rather than relying solely on carbon credit value. B2B founders should identify how their solution protects or enhances customers' existing operations, not just deliver category-specific benefits. Pursue partnerships to reach scale thresholds faster than organic growth allows: Rebekah emphasized that achieving buyer-required scale through partnerships is now essential: "buyers are looking for scale and it is hard for us, who are in nature based solutions and physical assets, to achieve that overnight." She advocated for "constructive and innovative partnerships where you can bring that scale to buyers, whether it's organic or just through partnering" as the path to "play at a different level." The sector signal is clear: "they want bigger volumes, they want stronger suppliers, and that path goes a lot more quickly when you partner, as opposed to trying to do it alone." B2B founders in capital-intensive or operationally complex businesses should view partnerships as strategic accelerators to reach minimum viable scale, not just growth tactics. // Sponsors: Front Lines — We help B2B tech companies launch, manage, and grow podcasts that drive demand, awareness, and thought leadership. www.FrontLines.io The Global Talent Co. — We help tech startups find, vet, hire, pay, and retain amazing marketing talent that costs 50-70% less than the US & Europe. www.GlobalTalent.co // Don't Miss: New Podcast Series — How I Hire Senior GTM leaders share the tactical hiring frameworks they use to build winning revenue teams. Hosted by Andy Mowat, who scaled 4 unicorns from $10M to $100M+ ARR and launched Whispered to help executives find their next role. Subscribe here: https://open.spotify.com/show/53yCHlPfLSMFimtv0riPyM

Send us a textWe trace Justin Cummings' path from early leadership training to steering Santa Cruz through a pandemic, fires, and a fragile housing landscape. Practical stories show how to connect experts, cut red tape, protect renters, and stay grounded without losing joy.• early leadership roots in camp programs and team captaincy• becoming mayor during crisis and defining the role• building information bridges across sectors• doubling local COVID testing capacity through escalation and certification• handling criticism with clarity and boundaries• self care, time management and public visibility• housing instability as the central community risk• tenant protections and a funded attorney resource• transparency versus strategy in public communication• culture setting through joy, humor and choosing issues not sides• advice for emerging leaders on listening and sharing the stage BioI moved to Santa Cruz from Chicago in 2007 to pursue a PhD in ecology and evolutionary biology with a designated emphasis in environmental science from UC-Santa Cruz, which I received in 2013.  My work has largely focused on invasive species eradication in places such as Panama and the Galapagos, sustainable fisheries science, tropical forest restoration, assessing the impacts of climate change on the environment, and diversity, equity, and inclusion in environmental conservation. After a brief post-doc in Miami, I returned to Santa Cruz in 2015 to co-found and direct the UC-Santa Cruz Doris Duke Conservation Scholars Program, whose mission is to prepare college students from diverse backgrounds to become the next generation of conservation leaders.   In Santa Cruz, I witnessed and experienced the impacts of the exorbitant housing market. I got involved in a rent control measure campaign and was one of the highest signature gatherers to place the measure on the 2018 ballot. This, along with a commitment to community engagement, prompted me to run for city council. In 2018, I was the highest vote recipient and became one of two African American men voted onto the Santa Cruz City Council for the first time in history. In 2020 I became the first African American man to serve as Mayor of the City of Santa Cruz. In 2022, I was elected to the Santa Cruz County Board of Supervisors as the Third District Supervisor.  During my time on the council, I focused on sustainable community growth, increasing affordable housing, reducing carbon emissions, public safety reform, amplifying the voices of marginalized community members, connecting people to resources during the pandemic, and most importantly bringing our community together to make Santa Cruz better for everyone. Support the show

461 - Discover the best Disney World tours for adults! From Keys to the Kingdom to Wild Africa Trek, we're sharing everything you need to know about booking Disney's most popular behind-the-scenes experiences. Join Rob and Kerri as they dive into ways to plus up your Disney Vacation. In This Episode: Keys to the Kingdom Tour: Go backstage at Magic Kingdom and explore the famous underground Utilidor tunnels Wild Africa Trek: Walk suspension bridges over crocodiles and enjoy VIP savannah access at Animal Kingdom Wilderness Back Trail Adventure: The fun Segway tour at Fort Wilderness (plus the secret bat barn!) Savor the Savannah: Private truck safari with drinks and up-close animal encounters Behind the Seeds: The perfect beginner tour inside Living with the Land at Epcot Up Close with Rhinos & other Animal Kingdom experiences Pro booking tips: When tours open, best times to book, and how to secure sold-out experiences Plus: We're rebranding our Facebook group! Join "Walt Disney World for Adults" for tips on enjoying Disney parks, resorts, and Disney Springs without kids. Perfect for solo travelers, couples, and adult Disney fans. Big Announcements: Just Add Water cruise book is back on Amazon - perfect Christmas gift! Last spots available: Adventures by Disney Southern California trip with a former Imagineer New 2027 Galapagos expedition with National Geographic Lindblad - join the interest list! Whether you're planning your first Disney World vacation or you're a seasoned park veteran looking for something new, these tours offer unique experiences beyond the regular attractions. #DisneyWorld #DisneyTours #DisneyVacation #DisneyTips #WaltDisneyWorld #DisneyTravel #DisneyPlanning #AnimalKingdom #MagicKingdom #Epcot #DisneyAdults #DisneyPodcast #DisneyHacks #DisneyVacationPlanning

Text and Be HeardWhat if quitting your first addiction doesn't free you—but quitting your last escape does? We sit down with Al, a dual-addict in long-term recovery  to trace the surprising path from drugs to gambling to genuine peace. His story reveals a pattern many of us know too well: remove one behavior and the restlessness finds a new outlet. The fog finally lifts when you stop negotiating with the next rush and start building a life you don't want to lose.We dig into the practical tools that make that shift real. Al shares why Step Three became his pivot from control to trust, and how “living the steps” beats treating them like a checklist. We talk anger as a message rather than a flaw, how emotional literacy outperforms willpower, and why you can't outthink pain but you can outgrow it. For those navigating dual recovery, Al explains the power of multiple fellowships—how GA and NA each deliver language and community that the other can't. The result is a broader toolkit, clearer mirrors, and more honest accountability.This conversation also celebrates the rewards that keep recovery sticky. Al swapped betting slips for scuba in the Galapagos, night dives that feel like meditation, and the quiet thrill of antiquing and launching an auction company. We explore natural dopamine through purpose, connection, and adventure, alongside the simple math that keeps him steady: consequences outweigh any fleeting high. If you're seeking a path from white-knuckling to a life that feels wide open, this story offers both hope and a roadmap.If this resonated, follow the show, share it with someone who needs a lift, and leave a review with your biggest takeaway—we read every one.Support the showRecovery is Beautiful. Go Live Your Best Life!!Facebook Group - Recovery Freedom Circle | FacebookYour EQ is Your IQYouTube - Life Is Wonderful Hugo VRecovery Freedom CircleThe System That Understands Recovery, Builds Character and Helps People Have Better Relationships.A Life Changing Solution, Saves You Time, 18 weekswww.lifeiswonderful.love Instagram - Lifeiswonderful.LoveTikTok - Lifeiswonderful.LovePinterest - Lifeiswonderful.LoveTwitter - LifeWonderLoveLinkedIn - Hugo Vrsalovic Life Is Wonderful.Love

Anishnaabe columnist Niigaan Sinclair says the news that renowned author Thomas King is not Indigenous is a painful breach of a trust -- and demands that Canada ask itself some serious questions.After violating anti-doping rules, swimmer Penny Oleksiak -- Canada's most decorated female Olympian -- is banned from competition for two years.The fire that destroyed a historic Toronto church is being investigated as arson; the priest-in-charge tells us that news is yet another blow for her congregation.A new study reveals that the human brain goes through five distinct phases -- and the adolescence phase might be longer than you think. We'll say goodbye to a beloved Galapagos tortoise named "Gramma" -- and revisit our conversation about a tortoise named "Mommy" who became a mother for the first time at the approximate age of one hundred.The late, legendary toy inventor Burt Meyer made success look like child's play -- by creating such all-time diversions as "Lite Brite", "Mouse Trap", and the slugfest "Rock Em Sock Em Robots".As It Happens, the Tuesday Edition. Radio that's glad he didn't pull any punchers.

Sudan's Kordofan in grip of increasing killings and destruction, warns UN rights chief Türk   Gaza: UN aid agencies report fuel boost despite delivery obstacles  Mountain vipers and Galapagos iguanas in rare company at key CITES wildlife talks  

3. Darwin's Finches, Evolution, and Avian Intelligence AUTHOR: Stephen Moss BOOK TITLE: 10 Birds That Changed the World This excerpt addresses the myth that Darwin immediately understood evolution from the Galapagos Finches; he actually focused on pigeons in The Origin of Species. The finches were only named in his honor about 100 years after his birth. It highlights the work of Peter and Rosemary Grant, who demonstrated that birds can evolve very quickly (in a couple of years) when conditions, such as El Niño, change dramatically. The discussion concludes by noting that all birds, including the Australian Magpie, exhibit high levels of intelligence.

Ellen comes along for the ride with Galápagos tortoises. We discuss how giant tortoises crossed 600 miles of ocean, the superpowers built into their DNA that let them live for over a century, extinction and restoration, Charles Darwin's boat snacks, Kung Fu Panda lore, and so much more.Links:Follow Poison Oak and find more of her work on Instagram: @poison.oak.nycFor more information about us & our podcast, head over to our website!Follow Just the Zoo of Us on BlueSky, Facebook, Instagram & Discord!Follow Ellen on BlueSky!

I'm joined by Lauren Augustine, the curator of reptiles and amphibians at the Philadelphia Zoo, for an exciting Galapagos tortoise announcement, cool facts, and the wild (and sometimes glittery-poop filled) details behind-the-scenes at zoos. See omnystudio.com/listener for privacy information.

The finches of the Galapagos Islands are famous in the history of evolutionary theory. But Charles Darwin spent four years studying other birds as well, as the Beagle circumnavigated southern South America before reaching the Galapagos in 1835. It was not just the birds, but a lifetime of attending to all the wild things in his path that brought Darwin to his great idea.More info and transcript at BirdNote.org.Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible. 

In the early 1930s, eight people settled on an uninhabited island in the Galapagos. Within five years, two were missing and two were dead. Abbott Kahler's book is Eden Undone: A True Story of Sex, Murder, and Utopia at the Dawn of World War II. Say hello on Facebook, Instagram and TikTok. Sign up for our occasional newsletter. Follow the show and review us on Apple Podcasts. Sign up for Criminal Plus to get behind-the-scenes bonus episodes of Criminal, ad-free listening of all of our shows, special merch deals, and more. We also make This is Love and Phoebe Reads a Mystery. Artwork by Julienne Alexander. Check out our online shop. Episode transcripts are posted on our website. Learn more about your ad choices. Visit podcastchoices.com/adchoices