Podcasts about F8

En este #ValentaRadio6x30 vamos a hablar con el cuerpo técnico del Alevín C del Levante Femenino, un equipo que ha hecho historia al ser el primer campeón de una liga masculina en F8 tras el cambio de formato. Para saber todos los secretos de su gran temporada, hablaremos con sus entrenadores Álvaro Patón 'Pipo' y Nacho Giner. Podcast presentado por Miguel Martínez y elaborado por EsportBase Media para la Federació de Futbol de la Comunitat Valenciana

Si te hablo de cuál fue el primer coche con tracción delantera me dirás que el Citroën Traction Avant... ¡Error! hasta llegar a este modelo se tuvo que andar un largo camino… tan largo que se puede decir que arranca, vais a alucinar, en 1770… Entre ese primer tracción delantera y el Traction de 1934 hay muchos e interesantes coches… y muchas e interesantes historias. Joseph Cugnot diseñó y fabrico el triciclo Fardier con motor de vapor, del que se puede decir que iba montado de forma transversal y que la tracción iba a la rueda anterior, única. Su máxima era de 4 km/h… un peligro porque apenas giraba. Ahora recordamos a Latil, una empresa destinada a la fabricación de coches y creada por el empresario, de largo nombre, Auguste Joseph Frédéric Georges Latil, porque en 1899 lanzó un modelo Latil muy avanzado para su época, con frenos a las 4 ruedas, motor delantero y tracción delantera. Esta marca luego derivó sobre todo en tractores y vehículos industriales de cierto prestigio. Mientras, al otro lado del charco, en los EE.UU. de Norteamérica un tal Walter Christie diseñó y patentó un coche de tracción delantera en 1904. Este modelo incluso compitió en la Copa Vanderbilt en 1906 y poco después en el Gran Premio de Francia. Tenía el motor transversal y la tracción delantera… como el 90 por ciento de los coches de ahora… pero entonces, era una verdadera rareza. El tal Walter hizo también coche de tracción total. Este modelo fue imitado. Y en que, en estas fechas, y ahora desvelamos por qué nos referimos a los Speedway, la gran mayoría de carreras allí en los USA eran en óvalos con curvas de gran radio y firme de ceniza o tierra, los famosos Speedway. En este terreno, uno de los inconvenientes de la tracción delantera, su amplio radio de giro, no era problema, pero algunos estimaban que, por el contrario, era una ventaja en cuanto a motricidad. Entre ellos las marcas norteamericanas Detroit Special y Miller, que produjeron coches de tracción delantera. ¡Ojo! Que el Miller 91 llegó a imponerse en el Campeonato Nacional de la AAA o American Automobile Asociation. El coche es precioso y además de tracción delantera estaba sobrealimentado con un compresor. Hasta ahora hemos visto coches de tracción delantera que eran casi prototipos o coches de competición. Vamos a los coches de calle. Y siempre que se habla del primer coche de tracción delantera construido en serie, aunque sea muy corta, sale a relucir el nombre de Bucciali. Los hermanos Angelo y Paul-Albert Bucciali eran unos enamorados del automóvil y fundan la marca Bucciali en 1922. Tras varios modelos con tracción delantera lanzan a comienzo de los años 30 el Bucciali TAV 12. Era un coche muy especial, muy bajo de altura para lo que se estilaba en la época, gracias a la tracción delantera que eliminaba el correspondiente túnel de transmisión, y con transmisión semi automática. Me hace gracia que en estos años si te gustaban los coches y tenías dinerito, creabas tu propia marca. Y esto fue precisamente lo que hizo Errett Lobban Cord quien, tras comprar Auburn y Duesenberg, decidió crear su propia marca, aún más elitista y para hacerlo más diferent optó por utilizar la tracción delantera. Lo cierto es que la tracción delantera aún no estaba resuelta y tuvieron inconvenientes con la fiabilidad porque el coche giraba poco, las juntas homocinéticas “Rzeppa” de las ruedas delantera, solo permitían 32 grados de giro, eran frágiles y para colmo, el volante tenía reacciones muy bruscas. El mayor inconveniente para la expansión de la tracción delantera eran las juntas homocinéticas y fue el brillante ingeniero Jean Albert Grégoire quien eliminó esos problemas. Era un hombre muy aficionado al motor, como digo, brillante ingeniero y otro que decidió crear su propia marca. La llamó Tracta, no confundir con Tatra de la que hemos hecho un video recientemente… Querían que el coche fuese muy especial y decidieron hacerlo de tracción delantera. Pero las juntas homocinéticas del momento, como la Weiss, Mechanic o Glaenzer no eran muy buenas…. Y decidió diseñar las suyas propias… todo un acierto. En estos tiempos no había ni televisión Internet… pero sí carreras de coches y eran la mejor publicidad. Grégoire quería dar a conocer sus coches y pensó en la competición. Ya en 1926 el primer Tracta estaba listo y en 1927 participó en las 24 Horas de Le Mans… Pese a muchas complicaciones el Tracta Tipo A en su versión “Gefi” tomó parte en las 24 horas de Le Mans y las terminó a una media de 70,5 km/h. Y lo más importante fue que el coche no sufrió ningún tipo de problema y las juntas Tracta alcanzaron una justa y merecida fama. Tanta que la marca abandonó los coches en unos pocos años para centrarse en sus juntas homocinéticas. Todos pudieron comprobar que la tracción delantera ya estaba lista para ser usada en coches de calle y llegó… DKW: Los pioneros. Siempre digo que la realidad supera la ficción… y este es el caso. Y es que fue un cliente de Tracta el que, entusiasmado con el comportamiento de su coche, habló de las ventajas de la tracción delantera a J. S. Rasmussen, fundador de la marca DKW. Y fue en el Salón de Paris de 1929 cuando tuvo lugar un “encuentro en la cumbre” entre Grégoire y Rasmussen para adoptar la tracción delantera en sus coches de dos tiempos a partir de 1931. Y es que el primer coche con tracción delantera de producción en series importantes, de miles de coches, en concreto 4.353 unidades, no fue el Citroën Traction, sino el DKW F1. A este primer DKW le siguieron muchos con esta transmisión, como los F8, F91, F93, F94 y F102, entre otros. Realmente la marca alemana DKW fue la que primero apostó fuerte por este sistema que introdujo con éxito en toda su gama y que constituyó una de las características de estos interesantes coches… Y ¡por fin! llegó el Traction… El Traction Avant lanzado en 1934 destacó por muchos motivos, entre ellos la tracción delantera… pero no solo por eso. Gracias a este sistema y a su chasis monocasco este modelo era claramente más bajo que sus contemporáneos. Esto repercutía mucho en la estética, pero sobre todo en su estabilidad que era magnifica, muy superior a la de sus rivales. Fue la llegada del Mini en 1957, que combina la tracción delantera con el motor transversal para conseguir un aprovechamiento insuperable del espacio, el que ya definió el concepto de coche moderno, que ha llegado hasta nuestros días… Conclusión. Si pensabas que el Citroën Traction fue el primer tracción delantera ya has visto que hubo muchos, pero muchos coches con este sistema antes que él. Algunos eran prototipos, otros muy minoritarios, otros de competición, pero otros, como los DKW, que se vendieron en grandes series.

Hallo Freunde heute gibt es gleich zwei Highlights. Neues Design und eine neue Episode meiner Indie Dance The Mix Series. Diesmal mit Label Boss Jason Peters von Roam Recordings aus San Francisco, Vereinigte Staaten. Viel Spaß Kurt Kjergaard Hello friends Today there are two highlights... a new design and a new episode of my Indie Dance The Mix series. This time with label boss Jason Peters of Roam Recordings from San Francisco, USA. Enjoy, Kurt Kjergaard BIO Jason Peters is a DJ/Producer and the label boss of Roam Recordings. Over the last decade he and his label's output have been at the forefront of the indie dance/dark disco movement. While his music centers around 80s italo, 90s rave, and contemporary indie dance and dark disco, you will also hear rare disco, psychedelic techno, and early house. Jason Peters is also a long time staple of the San Francisco dance music community where he plays regularly for some of SF's more discerning clubs and promoters such as Sunset Sound System, Monarch, The Great Northern, and F8. On Jason Peters' travels outside of the Bay Area he has played events such as SundaySunday, CRSSD festival, Block 9 at Glastonbury, Red Light Radio, Kater Blau, and the Alfresco festival. Ransom Note puts it best: “Just like Jason's own productions, which also appear on the label, the music is dark and hypnotic, cosmic and driving - sounds that'll take you down a wormhole. There are a lot of labels and artists treading similar terrain these days, but Jason was spearheading this new wave of exciting and unique dance music a long time ago." LINKS SOUNDCLOUD https://soundcloud.com/jasonjppeters INSTAGRAM https://www.instagram.com/jasonjppeters/ BEATPORT https://www.beatport.com/de/artist/jason-peters/680700 FACEBOOK https://www.facebook.com/jasonpetersroam SPOTIFY https://open.spotify.com/intl-de/artist/604VHP7YIlZR0wWTW2PBON?si=lCzxp0c7SCW9N4JvTbisMg&nd=1&dlsi=2918e884bdfb4664 LINKTREE https://linktr.ee/jason.peters Tracklist Wingspan - Rotciv [Roam Recordings] Italobingo (Club Mix) - Jabberwocky [Fait-Maison - Grand Mus] Genki Girl - Panthera Krause [Riotvan] Get Over It - XANDL [Somethingnu] No Somos Neutros (Jason Peters Remix) - Recardo Reuben [Side Up Works] Between You (Extended Mix) - Factory Floor [Phantasy Sound] ??? - Jason Peters - Unreleased Tiness (Original Mix) - Indieveed [Disco Halal] Control - CHLOE (Thévenin) [Lumière Noire] Galaxy Walker (Italo Brutalo Remix) - Shubostar [uju Records] We Used to Watch the Sunrise - Jason Peters [forthcoming on Roam Recordings] Escapism - Jason Peters - Unreleased Disclaimer: All material on this channel is posted with the explicit consent of the artist/labels and no copyrights are violated in any way. If you are a copyright owner and want your work to be removed from our channel please contact us with a personal message here and we will remove your material right away. Please note that we do not benefit from posting this material and have only the intention to help new and emerging artist to be heard by supporting & promoting podcasts. Thx a lot... Kurt Kjergaard

Bundle tickets for AIE Summit NYC have now sold out. You can now sign up for the livestream — where we will be making a big announcement soon. NYC-based readers and Summit attendees should check out the meetups happening around the Summit.2024 was a very challenging year for AI Hardware. After the buzz of CES last January, 2024 was marked by the meteoric rise and even harder fall of AI Wearables companies like Rabbit and Humane, with an assist from a pre-wallpaper-app MKBHD. Even Friend.com, the first to launch in the AI pendant category, and which spurred Rewind AI to rebrand to Limitless and follow in their footsteps, ended up delaying their wearable ship date and launching an experimental website chatbot version. We have been cautiously excited about this category, keeping tabs on most of the top entrants, including Omi and Compass. However, to date the biggest winner still standing from the AI Wearable wars is Bee AI, founded by today's guests Maria and Ethan. Bee is an always on hardware device with beamforming microphones, 7 day battery life and a mute button, that can be worn as a wristwatch or a clip-on pin, backed by an incredible transcription, diarization and very long context memory processing pipeline that helps you to remember your day, your todos, and even perform actions by operating a virtual cloud phone. This is one of the most advanced, production ready, personal AI agents we've ever seen, so we were excited to be their first podcast appearance. We met Bee when we ran the world's first Personal AI meetup in April last year.As a user of Bee (and not an investor! just a friend!) it's genuinely been a joy to use, and we were glad to take advantage of the opportunity to ask hard questions about the privacy and legal/ethical side of things as much as the AI and Hardware engineering side of Bee. We hope you enjoy the episode and tune in next Friday for Bee's first conference talk: Building Perfect Memory.Show Notes* Bee Website* Ethan Sutin, Maria de Lourdes Zollo* Bee @ Personal AI Meetup* Buy Bee with Listener Discount Code!Timestamps* 00:00:00 Introductions and overview of Bee Computer* 00:01:58 Personal context and use cases for Bee* 00:03:02 Origin story of Bee and the founders' background* 00:06:56 Evolution from app to hardware device* 00:09:54 Short-term value proposition for users* 00:12:17 Demo of Bee's functionality* 00:17:54 Hardware form factor considerations* 00:22:22 Privacy concerns and legal considerations* 00:30:57 User adoption and reactions to wearing Bee* 00:35:56 CES experience and hardware manufacturing challenges* 00:41:40 Software pipeline and inference costs* 00:53:38 Technical challenges in real-time processing* 00:57:46 Memory and personal context modeling* 01:02:45 Social aspects and agent-to-agent interactions* 01:04:34 Location sharing and personal data exchange* 01:05:11 Personality analysis capabilities* 01:06:29 Hiring and future of always-on AITranscriptAlessio [00:00:04]: Hey everyone, welcome to the Latent Space podcast. This is Alessio, partner and CTO at Decibel Partners, and I'm joined by my co-host Swyx, founder of SmallAI.swyx [00:00:12]: Hey, and today we are very honored to have in the studio Maria and Ethan from Bee.Maria [00:00:16]: Hi, thank you for having us.swyx [00:00:20]: And you are, I think, the first hardware founders we've had on the podcast. I've been looking to have had a hardware founder, like a wearable hardware, like a wearable hardware founder for a while. I think we're going to have two or three of them this year. And you're the ones that I wear every day. So thank you for making Bee. Thank you for all the feedback and the usage. Yeah, you know, I've been a big fan. You are the speaker gift for the Engineering World's Fair. And let's start from the beginning. What is Bee Computer?Ethan [00:00:52]: Bee Computer is a personal AI system. So you can think of it as AI living alongside you in first person. So it can kind of capture your in real life. So with that understanding can help you in significant ways. You know, the obvious one is memory, but that's that's really just the base kind of use case. So recalling and reflective. I know, Swyx, that you you like the idea of journaling, but you don't but still have some some kind of reflective summary of what you experienced in real life. But it's also about just having like the whole context of a human being and understanding, you know, giving the machine the ability to understand, like, what's going on in your life. Your attitudes, your desires, specifics about your preferences, so that not only can it help you with recall, but then anything that you need it to do, it already knows, like, if you think about like somebody who you've worked with or lived with for a long time, they just know kind of without having to ask you what you would want, it's clear that like, that is the future that personal AI, like, it's just going to be very, you know, the AI is just so much more valuable with personal context.Maria [00:01:58]: I will say that one of the things that we are really passionate is really understanding this. Personal context, because we'll make the AI more useful. Think about like a best friend that know you so well. That's one of the things that we are seeing from the user. They're using from a companion standpoint or professional use cases. There are many ways to use B, but companionship and professional are the ones that we are seeing now more.swyx [00:02:22]: Yeah. It feels so dry to talk about use cases. Yeah. Yeah.Maria [00:02:26]: It's like really like investor question. Like, what kind of use case?Ethan [00:02:28]: We're just like, we've been so broken and trained. But I mean, on the base case, it's just like, don't you want your AI to know everything you've said and like everywhere you've been, like, wouldn't you want that?Maria [00:02:40]: Yeah. And don't stay there and repeat every time, like, oh, this is what I like. You already know that. And you do things for me based on that. That's I think is really cool.swyx [00:02:50]: Great. Do you want to jump into a demo? Do you have any other questions?Alessio [00:02:54]: I want to maybe just cover the origin story. Just how did you two meet? What was the was this the first idea you started working on? Was there something else before?Maria [00:03:02]: I can start. So Ethan and I, we know each other from six years now. He had a company called Squad. And before that was called Olabot and was a personal AI. Yeah, I should. So maybe you should start this one. But yeah, that's how I know Ethan. Like he was pivoting from personal AI to Squad. And there was a co-watching with friends product. I had experience working with TikTok and video content. So I had the pivoting and we launched Squad and was really successful. And at the end. The founders decided to sell that to Twitter, now X. So both of us, we joined X. We launched Twitter Spaces. We launched many other products. And yeah, till then, we basically continue to work together to the start of B.Ethan [00:03:46]: The interesting thing is like this isn't the first attempt at personal AI. In 2016, when I started my first company, it started out as a personal AI company. This is before Transformers, no BERT even like just RNNs. You couldn't really do any convincing dialogue at all. I met Esther, who was my previous co-founder. We both really interested in the idea of like having a machine kind of model or understand a dynamic human. We wanted to make personal AI. This was like more geared towards because we had obviously much limited tools, more geared towards like younger people. So I don't know if you remember in 2016, there was like a brief chatbot boom. It was way premature, but it was when Zuckerberg went up on F8 and yeah, M and like. Yeah. The messenger platform, people like, oh, bots are going to replace apps. It was like for about six months. And then everybody realized, man, these things are terrible and like they're not replacing apps. But it was at that time that we got excited and we're like, we tried to make this like, oh, teach the AI about you. So it was just an app that you kind of chatted with and it would ask you questions and then like give you some feedback.Maria [00:04:53]: But Hugging Face first version was launched at the same time. Yeah, we started it.Ethan [00:04:56]: We started out the same office as Hugging Face because Betaworks was our investor. So they had to think. They had a thing called Bot Camp. Betaworks is like a really cool VC because they invest in out there things. They're like way ahead of everybody else. And like back then it was they had something called Bot Camp. They took six companies and it was us and Hugging Face. And then I think the other four, I'm pretty sure, are dead. But and Hugging Face was the one that really got, you know, I mean, 30% success rate is pretty good. Yeah. But yeah, when we it was, it was like it was just the two founders. Yeah, they were kind of like an AI company in the beginning. It was a chat app for teenagers. A lot of people don't know that Hugging Face was like, hey, friend, how was school? Let's trade selfies. But then, you know, they built the Transformers library, I believe, to help them make their chat app better. And then they open sourced and it was like it blew up. And like they're like, oh, maybe this is the opportunity. And now they're Hugging Face. But anyway, like we were obsessed with it at that time. But then it was clear that there's some people who really love chatting and like answering questions. But it's like a lot of work, like just to kind of manually.Maria [00:06:00]: Yeah.Ethan [00:06:01]: Teach like all these things about you to an AI.Maria [00:06:04]: Yeah, there were some people that were super passionate, for example, teenagers. They really like, for example, to speak about themselves a lot. So they will reply to a lot of questions and speak about them. But most of the people, they don't really want to spend time.Ethan [00:06:18]: And, you know, it's hard to like really bring the value with it. We had like sentence similarity and stuff and could try and do, but it was like it was premature with the technology at the time. And so we pivoted. We went to YC and the long story, but like we pivoted to consumer video and that kind of went really viral and got a lot of usage quickly. And then we ended up selling it to Twitter, worked there and left before Elon, not related to Elon, but left Twitter.swyx [00:06:46]: And then I should mention this is the famous time when well, when when Elon was just came in, this was like Esther was the famous product manager who slept there.Ethan [00:06:56]: My co-founder, my former co-founder, she sleeping bag. She was the sleep where you were. Yeah, yeah, she stayed. We had left by that point.swyx [00:07:03]: She very stayed, she's famous for staying.Ethan [00:07:06]: Yeah, but later, later left or got, I think, laid off, laid off. Yeah, I think the whole product team got laid off. She was a product manager, director. But yeah, like we left before that. And then we're like, oh, my God, things are different now. You know, I think this is we really started working on again right before ChatGPT came out. But we had an app version and we kind of were trying different things around it. And then, you know, ultimately, it was clear that, like, there were some limitations we can go on, like a good question to ask any wearable company is like, why isn't this an app? Yes. Yeah. Because like.Maria [00:07:40]: Because we tried the app at the beginning.Ethan [00:07:43]: Yeah. Like the idea that it could be more of a and B comes from ambient. So like if it was more kind of just around you all the time and less about you having to go open the app and do the effort to, like, enter in data that led us down the path of hardware. Yeah. Because the sensors on this are microphones. So it's capturing and understanding audio. We started actually our first hardware with a vision component, too. And we can talk about why we're not doing that right now. But if you wanted to, like, have a continuous understanding of audio with your phone, it would monopolize your microphone. It would get interrupted by calls and you'd have to remember to turn it on. And like that little bit of friction is actually like a substantial barrier to, like, get your phone. It's like the experience of it just being with you all the time and like living alongside you. And so I think that that's like the key reason it's not an app. And in fact, we do have Apple Watch support. So anybody who has a watch, Apple Watch can use it right away without buying any hardware. Because we worked really hard to make a version for the watch that can run in the background, not super drain your battery. But even with the watch, there's still friction because you have to remember to turn it on and it still gets interrupted if somebody calls you. And you have to remember to. We send a notification, but you still have to go back and turn it on because it's just the way watchOS works.Maria [00:09:04]: One of the things that we are seeing from our Apple Watch users, like I love the Apple Watch integration. One of the things that we are seeing is that people, they start using it from Apple Watch and after a couple of days they buy the B because they just like to wear it.Ethan [00:09:17]: Yeah, we're seeing.Maria [00:09:18]: That's something that like they're learning and it's really cool. Yeah.Ethan [00:09:21]: I mean, I think like fundamentally we like to think that like a personal AI is like the mission. And it's more about like the understanding. Connecting the dots, making use of the data to provide some value. And the hardware is like the ears of the AI. It's not like integrating like the incoming sensor data. And that's really what we focus on. And like the hardware is, you know, if we can do it well and have a great experience on the Apple Watch like that, that's just great. I mean, but there's just some platform restrictions that like existing hardware makes it hard to provide that experience. Yeah.Alessio [00:09:54]: What do people do in like two or three days that then convinces them to buy it? They buy the product. This feels like a product where like after you use it for a while, you have enough data to start to get a lot of insights. But it sounds like maybe there's also like a short term.Maria [00:10:07]: From the Apple Watch users, I believe that because every time that you receive a call after, they need to go back to B and open it again. Or for example, every day they need to charge Apple Watch and reminds them to open the app every day. They feel like, okay, maybe this is too much work. I just want to wear the B and just keep it open and that's it. And I don't need to think about it.Ethan [00:10:27]: I think they see the kind of potential of it just from the watch. Because even if you wear it a day, like we send a summary notification at the end of the day about like just key things that happened to you in your day. And like I didn't even think like I'm not like a journaling type person or like because like, oh, I just live the day. Why do I need to like think about it? But like it's actually pretty sometimes I'm surprised how interesting it is to me just to kind of be like, oh, yeah, that and how it kind of fits together. And I think that's like just something people get immediately with the watch. But they're like, oh, I'd like an easier watch. I'd like a better way to do this.swyx [00:10:58]: It's surprising because I only know about the hardware. But I use the watch as like a backup for when I don't have the hardware. I feel like because now you're beamforming and all that, this is significantly better. Yeah, that's the other thing.Ethan [00:11:11]: We have way more control over like the Apple Watch. You're limited in like you can't set the gain. You can't change the sample rate. There's just very limited framework support for doing anything with audio. Whereas if you control it. Then you can kind of optimize it for your use case. The Apple Watch isn't meant to be kind of recording this. And we can talk when we get to the part about audio, why it's so hard. This is like audio on the hardest level because you don't know it has to work in all environments or you try and make it work as best as it can. Like this environment is very great. We're in a studio. But, you know, afterwards at dinner in a restaurant, it's totally different audio environment. And there's a lot of challenges with that. And having really good source audio helps. But then there's a lot more. But with the machine learning that still is, you know, has to be done to try and account because like you can tune something for one environment or another. But it'll make one good and one bad. And like making something that's flexible enough is really challenging.Alessio [00:12:10]: Do we want to do a demo just to set the stage? And then we kind of talk about.Maria [00:12:14]: Yeah, I think we can go like a walkthrough and the prod.Alessio [00:12:17]: Yeah, sure.swyx [00:12:17]: So I think we said I should. So for listeners, we'll be switching to video. That was superimposed on. And to this video, if you want to see it, go to our YouTube, like and subscribe as always. Yeah.Maria [00:12:31]: And by the bee. Yes.swyx [00:12:33]: And by the bee. While you wait. While you wait. Exactly. It doesn't take long.Maria [00:12:39]: Maybe you should have a discount code just for the listeners. Sure.swyx [00:12:43]: If you want to offer it, I'll take it. All right. Yeah. Well, discount code Swyx. Oh s**t. Okay. Yeah. There you go.Ethan [00:12:49]: An important thing to mention also is that the hardware is meant to work with the phone. And like, I think, you know, if you, if you look at rabbit or, or humane, they're trying to create like a new hardware platform. We think that the phone's just so dominant and it will be until we have the next generation, which is not going to be for five, you know, maybe some Orion type glasses that are cheap enough and like light enough. Like that's going to take a long time before with the phone rather than trying to just like replace it. So in the app, we have a summary of your days, but at the top, it's kind of what's going on now. And that's updating your phone. It's updating continuously. So right now it's saying, I'm discussing, you know, the development of, you know, personal AI, and that's just kind of the ongoing conversation. And then we give you a readable form. That's like little kind of segments of what's the important parts of the conversations. We do speaker identification, which is really important because you don't want your personal AI thinking you said something and attributing it to you when it was just somebody else in the conversation. So you can also teach it other people's voices. So like if some, you know, somebody close to you, so it can start to understand your relationships a little better. And then we do conversation end pointing, which is kind of like a task that didn't even exist before, like, cause nobody needed to do this. But like if you had somebody's whole day, how do you like break it into logical pieces? And so we use like not just voice activity, but other signals to try and split up because conversations are a little fuzzy. They can like lead into one, can start to the next. So also like the semantic content of it. When a conversation ends, we run it through larger models to try and get a better, you know, sense of the actual, what was said and then summarize it, provide key points. What was the general atmosphere and tone of the conversation and potential action items that might've come of that. But then at the end of the day, we give you like a summary of all your day and where you were and just kind of like a step-by-step walkthrough of what happened and what were the key points. That's kind of just like the base capture layer. So like if you just want to get a kind of glimpse or recall or reflect that's there. But really the key is like all of this is now like being influenced on to generate personal context about you. So we generate key items known to be true about you and that you can, you know, there's a human in the loop aspect is like you can, you have visibility. Right. Into that. And you can, you know, I have a lot of facts about technology because that's basically what I talk about all the time. Right. But I do have some hobbies that show up and then like, how do you put use to this context? So I kind of like measure my day now and just like, what is my token output of the day? You know, like, like as a human, how much information do I produce? And it's kind of measured in tokens and it turns out it's like around 200,000 or so a day. But so in the recall case, we have, um. A chat interface, but the key here is on the recall of it. Like, you know, how do you, you know, I probably have 50 million tokens of personal context and like how to make sense of that, make it useful. So I can ask simple, like, uh, recall questions, like details about the trip I was on to Taiwan, where recently we're with our manufacturer and, um, in real time, like it will, you know, it has various capabilities such as searching through your, your memories, but then also being able to search the web or look at my calendar, we have integrations with Gmail and calendars. So like connecting the dots between the in real life and the digital life. And, you know, I just asked it about my Taiwan trip and it kind of gives me the, the breakdown of the details, what happened, the issues we had around, you know, certain manufacturing problems and it, and it goes back and references the conversation so I can, I can go back to the source. Yeah.Maria [00:16:46]: Not just the conversation as well, the integrations. So we have as well Gmail and Google calendar. So if there is something there that was useful to have more context, we can see that.Ethan [00:16:56]: So like, and it can, I never use the word agentic cause it's, it's cringe, but like it can search through, you know, if I, if I'm brainstorming about something that spans across, like search through my conversation, search the email, look at the calendar and then depending on what's needed. Then synthesize, you know, something with all that context.Maria [00:17:18]: I love that you did the Spotify wrapped. That was pretty cool. Yeah.Ethan [00:17:22]: Like one thing I did was just like make a Spotify wrap for my 2024, like of my life. You can do that. Yeah, you can.Maria [00:17:28]: Wait. Yeah. I like those crazy.Ethan [00:17:31]: Make a Spotify wrapped for my life in 2024. Yeah. So it's like surprisingly good. Um, it like kind of like game metrics. So it was like you visited three countries, you shipped, you know, XMini, beta. Devices.Maria [00:17:46]: And that's kind of more personal insights and reflection points. Yeah.swyx [00:17:51]: That's fascinating. So that's the demo.Ethan [00:17:54]: Well, we have, we can show something that's in beta. I don't know if we want to do it. I don't know.Maria [00:17:58]: We want to show something. Do it.Ethan [00:18:00]: And then we can kind of fit. Yeah.Maria [00:18:01]: Yeah.Ethan [00:18:02]: So like the, the, the, the vision is also like, not just about like AI being with you in like just passively understanding you through living your experience, but also then like it proactively suggesting things to you. Yeah. Like at the appropriate time. So like not just pool, but, but kind of, it can step in and suggest things to you. So, you know, one integration we have that, uh, is in beta is with WhatsApp. Maria is asking for a recommendation for an Italian restaurant. Would you like me to look up some highly rated Italian restaurants nearby and send her a suggestion?Maria [00:18:34]: So what I did, I just sent to Ethan a message through WhatsApp in his own personal phone. Yeah.Ethan [00:18:41]: So, so basically. B is like watching all my incoming notifications. And if it meets two criteria, like, is it important enough for me to raise a suggestion to the user? And then is there something I could potentially help with? So this is where the actions come into place. So because Maria is my co-founder and because it was like a restaurant recommendation, something that it could probably help with, it proposed that to me. And then I can, through either the chat and we have another kind of push to talk walkie talkie style button. It's actually a multi-purpose button to like toggle it on or off, but also if you push to hold, you can talk. So I can say, yes, uh, find one and send it to her on WhatsApp is, uh, an Android cloud phone. So it's, uh, going to be able to, you know, that has access to all my accounts. So we're going to abstract this away and the execution environment is not really important, but like we can go into technically why Android is actually a pretty good one right now. But, you know, it's searching for Italian restaurants, you know, and we don't have to watch this. I could be, you know, have my ear AirPods in and in my pocket, you know, it's going to go to WhatsApp, going to find Maria's thread, send her the response and then, and then let us know. Oh my God.Alessio [00:19:56]: But what's the, I mean, an Italian restaurant. Yeah. What did it choose? What did it choose? It's easy to say. Real Italian is hard to play. Exactly.Ethan [00:20:04]: It's easy to say. So I doubt it. I don't know.swyx [00:20:06]: For the record, since you have the Italians, uh, best Italian restaurant in SF.Maria [00:20:09]: Oh my God. I still don't have one. What? No.Ethan [00:20:14]: I don't know. Successfully found and shared.Alessio [00:20:16]: Let's see. Let's see what the AI says. Bottega. Bottega? I think it's Bottega.Maria [00:20:21]: Have you been to Bottega? How is it?Alessio [00:20:24]: It's fine.Maria [00:20:25]: I've been to one called like Norcina, I think it was good.Alessio [00:20:29]: Bottega is on Valencia Street. It's fine. The pizza is not good.Maria [00:20:32]: It's not good.Alessio [00:20:33]: Some of the pastas are good.Maria [00:20:34]: You know, the people I'm sorry to interrupt. Sorry. But there is like this Delfina. Yeah. That here everybody's like, oh, Pizzeria Delfina is amazing. I'm overrated. This is not. I don't know. That's great. That's great.swyx [00:20:46]: The North Beach Cafe. That place you took us with Michele last time. Vega. Oh.Alessio [00:20:52]: The guy at Vega, Giuseppe, he's Italian. Which one is that? It's in Bernal Heights. Ugh. He's nice. He's not nice. I don't know that one. What's the name of the place? Vega. Vega. Vega. Cool. We got the name. Vega. But it's not Vega.Maria [00:21:02]: It's Italian. Whatswyx [00:21:10]: Vega. Vega.swyx [00:21:16]: Vega. Vega. Vega. Vega. Vega. Vega. Vega. Vega. Vega.Ethan [00:21:29]: Vega. Vega. Vega. Vega. Vega.Ethan [00:21:40]: We're going to see a lot of innovation around hardware and stuff, but I think the real core is being able to do something useful with the personal context. You always had the ability to capture everything, right? We've always had recorders, camcorders, body cameras, stuff like that. But what's different now is we can actually make sense and find the important parts in all of that context.swyx [00:22:04]: Yeah. So, and then one last thing, I'm just doing this for you, is you also have an API, which I think I'm the first developer against. Because I had to build my own. We need to hire a developer advocate. Or just hire AI engineers. The point is that you should be able to program your own assistant. And I tried OMI, the former friend, the knockoff friend, and then real friend doesn't have an API. And then Limitless also doesn't have an API. So I think it's very important to own your data. To be able to reprocess your audio, maybe. Although, by default, you do not store audio. And then also just to do any corrections. There's no way that my needs can be fully met by you. So I think the API is very important.Ethan [00:22:47]: Yeah. And I mean, I've always been a consumer of APIs in all my products.swyx [00:22:53]: We are API enjoyers in this house.Ethan [00:22:55]: Yeah. It's very frustrating when you have to go build a scraper. But yeah, it's for sure. Yeah.swyx [00:23:03]: So this whole combination of you have my location, my calendar, my inbox. It really is, for me, the sort of personal API.Alessio [00:23:10]: And is the API just to write into it or to have it take action on external systems?Ethan [00:23:16]: Yeah, we're expanding it. It's right now read-only. In the future, very soon, when the actions are more generally available, it'll be fully supported in the API.Alessio [00:23:27]: Nice. I'll buy one after the episode.Ethan [00:23:30]: The API thing, to me, is the most interesting. Yeah. We do have real-time APIs, so you can even connect a socket and connect it to whatever you want it to take actions with. Yeah. It's too smart for me.Alessio [00:23:43]: Yeah. I think when I look at these apps, and I mean, there's so many of these products, we launch, it's great that I can go on this app and do things. But most of my work and personal life is managed somewhere else. Yeah. So being able to plug into it. Integrate that. It's nice. I have a bunch of more, maybe, human questions. Sure. I think maybe people might have. One, is it good to have instant replay for any argument that you have? I can imagine arguing with my wife about something. And, you know, there's these commercials now where it's basically like two people arguing, and they're like, they can throw a flag, like in football, and have an instant replay of the conversation. I feel like this is similar, where it's almost like people cannot really argue anymore or, like, lie to each other. Because in a world in which everybody adopts this, I don't know if you thought about it. And also, like, how the lies. You know, all of us tell lies, right? How do you distinguish between when I'm, there's going to be sometimes things that contradict each other, because I might say something publicly, and I might think something, really, that I tell someone else. How do you handle that when you think about building a product like this?Maria [00:24:48]: I would say that I like the fact that B is an objective point of view. So I don't care too much about the lies, but I care more about the fact that can help me to understand what happened. Mm-hmm. And the emotions in a really objective way, like, really, like, critical and objective way. And if you think about humans, they have so many emotions. And sometimes something that happened to me, like, I don't know, I would feel, like, really upset about it or really angry or really emotional. But the AI doesn't have those emotions. It can read the conversation, understand what happened, and be objective. And I think the level of support is the one that I really like more. Instead of, like, oh, did this guy tell me a lie? I feel like that's not exactly, like, what I feel. I find it curious for me in terms of opportunity.Alessio [00:25:35]: Is the B going to interject in real time? Say I'm arguing with somebody. The B is like, hey, look, no, you're wrong. What? That person actually said.Ethan [00:25:43]: The proactivity is something we're very interested in. Maybe not for, like, specifically for, like, selling arguments, but more for, like, and I think that a lot of the challenge here is, you know, you need really good reasoning to kind of pull that off. Because you don't want it just constantly interjecting, because that would be super annoying. And you don't want it to miss things that it should be interjecting. So, like, it would be kind of a hard task even for a human to be, like, just come in at the right times when it's appropriate. Like, it would take the, you know, with the personal context, it's going to be a lot better. Because, like, if somebody knows about you, but even still, it requires really good reasoning to, like, not be too much or too little and just right.Maria [00:26:20]: And the second part about, well, like, some things, you know, you say something to somebody else, but after I change my mind, I send something. Like, it's every time I have, like, different type of conversation. And I'm like, oh, I want to know more about you. And I'm like, oh, I want to know more about you. I think that's something that I found really fascinating. One of the things that we are learning is that, indeed, humans, they evolve over time. So, for us, one of the challenges is actually understand, like, is this a real fact? Right. And so far, what we do is we give, you know, to the, we have the human in the loop that can say, like, yes, this is true, this is not. Or they can edit their own fact. For sure, in the future, we want to have all of that automatized inside of the product.Ethan [00:26:57]: But, I mean, I think your question kind of hits on, and I know that we'll talk about privacy, but also just, like, if you have some memory and you want to confirm it with somebody else, that's one thing. But it's for sure going to be true that in the future, like, not even that far into the future, that it's just going to be kind of normalized. And we're kind of in a transitional period now. And I think it's, like, one of the key things that is for us to kind of navigate that and make sure we're, like, thinking of all the consequences. And how to, you know, make the right choices in the way that everything's designed. And so, like, it's more beneficial than it could be harmful. But it's just too valuable for your AI to understand you. And so if it's, like, MetaRay bands or the Google Astra, I think it's just people are going to be more used to it. So people's behaviors and expectations will change. Whether that's, like, you know, something that is going to happen now or in five years, it's probably in that range. And so, like, I think we... We kind of adapt to new technologies all the time. Like, when the Ring cameras came out, that was kind of quite controversial. It's like... But now it's kind of... People just understand that a lot of people have cameras on their doors. And so I think that...Maria [00:28:09]: Yeah, we're in a transitional period for sure.swyx [00:28:12]: I will press on the privacy thing because that is the number one thing that everyone talks about. Obviously, I think in Silicon Valley, people are a little bit more tech-forward, experimental, whatever. But you want to go mainstream. You want to sell to consumers. And we have to worry about this stuff. Baseline question. The hardest version of this is law. There are one-party consent states where this is perfectly legal. Then there are two-party consent states where they're not. What have you come around to this on?Ethan [00:28:38]: Yeah, so the EU is a totally different regulatory environment. But in the U.S., it's basically on a state-by-state level. Like, in Nevada, it's single-party. In California, it's two-party. But it's kind of untested. You know, it's different laws, whether it's a phone call, whether it's in person. In a state like California, it's two-party. Like, anytime you're in public, there's no consent comes into play because the expectation of privacy is that you're in public. But we process the audio and nothing is persisted. And then it's summarized with the speaker identification focusing on the user. Now, it's kind of untested on a legal, and I'm not a lawyer, but does that constitute the same as, like, a recording? So, you know, it's kind of a gray area and untested in law right now. I think that the bigger question is, you know, because, like, if you had your Ray-Ban on and were recording, then you have a video of something that happened. And that's different than kind of having, like, an AI give you a summary that's focused on you that's not really capturing anybody's voice. You know, I think the bigger question is, regardless of the legal status, like, what is the ethical kind of situation with that? Because even in Nevada that we're—or many other U.S. states where you can record. Everything. And you don't have to have consent. Is it still, like, the right thing to do? The way we think about it is, is that, you know, we take a lot of precautions to kind of not capture personal information of people around. Both through the speaker identification, through the pipeline, and then the prompts, and the way we store the information to be kind of really focused on the user. Now, we know that's not going to, like, satisfy a lot of people. But I think if you do try it and wear it again. It's very hard for me to see anything, like, if somebody was wearing a bee around me that I would ever object that it captured about me as, like, a third party to it. And like I said, like, we're in this transitional period where the expectation will just be more normalized. That it's, like, an AI. It's not capturing, you know, a full audio recording of what you said. And it's—everything is fully geared towards helping the person kind of understand their state and providing valuable information to them. Not about, like, logging details about people they encounter.Alessio [00:30:57]: You know, I've had the same question also with the Zoom meeting transcribers thing. I think there's kind of, like, the personal impact that there's a Firefly's AI recorder. Yeah. I just know that it's being recorded. It's not like a—I don't know if I'm going to say anything different. But, like, intrinsically, you kind of feel—because it's not pervasive. And I'm curious, especially, like, in your investor meetings. Do people feel differently? Like, have you had people ask you to, like, turn it off? Like, in a business meeting, to not record? I'm curious if you've run into any of these behaviors.Maria [00:31:29]: You know what's funny? On my end, I wear it all the time. I take my coffee, a blue bottle with it. Or I work with it. Like, obviously, I work on it. So, I wear it all the time. And so far, I don't think anybody asked me to turn it off. I'm not sure if because they were really friendly with me that they know that I'm working on it. But nobody really cared.swyx [00:31:48]: It's because you live in SF.Maria [00:31:49]: Actually, I've been in Italy as well. Uh-huh. And in Italy, it's a super privacy concern. Like, Europe is a super privacy concern. And again, they're nothing. Like, it's—I don't know. Yeah. That, for me, was interesting.Ethan [00:32:01]: I think—yeah, nobody's ever asked me to turn it off, even after giving them full demos and disclosing. I think that some people have said, well, my—you know, in a personal relationship, my partner initially was, like, kind of uncomfortable about it. We heard that from a few users. And that was, like, more in just, like— It's not like a personal relationship situation. And the other big one is people are like, I do like it, but I cannot wear this at work. I guess. Yeah. Yeah. Because, like, I think I will get in trouble based on policies or, like, you know, if you're wearing it inside a research lab or something where you're working on things that are kind of sensitive that, like—you know, so we're adding certain features like geofencing, just, like, at this location. It's just never active.swyx [00:32:50]: I mean, I've often actually explained to it the other way, where maybe you only want it at work, so you never take it from work. And it's just a work device, just like your Zoom meeting recorder is a work device.Ethan [00:33:09]: Yeah, professionals have been a big early adopter segment. And you say in San Francisco, but we have out there our daily shipment of over 100. If you go look at the addresses, Texas, I think, is our biggest state, and Florida, just the biggest states. A lot of professionals who talk for, and we didn't go out to build it for that use case, but I think there is a lot of demand for white-collar people who talk for a living. And I think we're just starting to talk with them. I think they just want to be able to improve their performance around, understand what they were doing.Alessio [00:33:47]: How do you think about Gong.io? Some of these, for example, sales training thing, where you put on a sales call and then it coaches you. They're more verticalized versus having more horizontal platform.Ethan [00:33:58]: I am not super familiar with those things, because like I said, it was kind of a surprise to us. But I think that those are interesting. I've seen there's a bunch of them now, right? Yeah. It kind of makes sense. I'm terrible at sales, so I could probably use one. But it's not my job, fundamentally. But yeah, I think maybe it's, you know, we heard also people with restaurants, if they're able to understand, if they're doing well.Maria [00:34:26]: Yeah, but in general, I think a lot of people, they like to have the double check of, did I do this well? Or can you suggest me how I can do better? We had a user that was saying to us that he used for interviews. Yeah, he used job interviews. So he used B and after asked to the B, oh, actually, how do you think my interview went? What I should do better? And I like that. And like, oh, that's actually like a personal coach in a way.Alessio [00:34:50]: Yeah. But I guess the question is like, do you want to build all of those use cases? Or do you see B as more like a platform where somebody is going to build like, you know, the sales coach that connects to B so that you're kind of the data feed into it?Ethan [00:35:02]: I don't think this is like a data feed, more like an understanding kind of engine and like definitely. In the future, having third parties to the API and building out for all the different use cases is something that we want to do. But the like initial case we're trying to do is like build that layer for all that to work. And, you know, we're not trying to build all those verticals because no startup could do that well. But I think that it's really been quite fascinating to see, like, you know, I've done consumer for a long time. Consumer is very hard to predict, like, what's going to be. It's going to be like the thing that's the killer feature. And so, I mean, we really believe that it's the future, but we don't know like what exactly like process it will take to really gain mass adoption.swyx [00:35:50]: The killer consumer feature is whatever Nikita Beer does. Yeah. Social app for teens.Ethan [00:35:56]: Yeah, well, I like Nikita, but, you know, he's good at building bootstrap companies and getting them very viral. And then selling them and then they shut down.swyx [00:36:05]: Okay, so you just came back from CES.Maria [00:36:07]: Yeah, crazy. Yeah, tell us. It was my first time in Vegas and first time CES, both of them were overwhelming.swyx [00:36:15]: First of all, did you feel like you had to do it because you're in consumer hardware?Maria [00:36:19]: Then we decided to be there and to have a lot of partners and media meetings, but we didn't have our own booth. So we decided to just keep that. But we decided to be there and have a presence there, even just us and speak with people. It's very hard to stand out. Yeah, I think, you know, it depends what type of booth you have. I think if you can prepare like a really cool booth.Ethan [00:36:41]: Have you been to CES?Maria [00:36:42]: I think it can be pretty cool.Ethan [00:36:43]: It's massive. It's huge. It's like 80,000, 90,000 people across the Venetian and the convention center. And it's, to me, I always wanted to go just like...Maria [00:36:53]: Yeah, you were the one who was like...swyx [00:36:55]: I thought it was your idea.Ethan [00:36:57]: I always wanted to go just as a, like, just as a fan of...Maria [00:37:01]: Yeah, you wanted to go anyways.Ethan [00:37:02]: Because like, growing up, I think CES like kind of peaked for a while and it was like, oh, I want to go. That's where all the cool, like... gadgets, everything. Yeah, now it's like SmartBitch and like, you know, vacuuming the picks up socks. Exactly.Maria [00:37:13]: There are a lot of cool vacuums. Oh, they love it.swyx [00:37:15]: They love the Roombas, the pick up socks.Maria [00:37:16]: And pet tech. Yeah, yeah. And dog stuff.swyx [00:37:20]: Yeah, there's a lot of like robot stuff. New TVs, new cars that never ship. Yeah. Yeah. I'm thinking like last year, this time last year was when Rabbit and Humane launched at CES and Rabbit kind of won CES. And now this year, no wearables except for you guys.Ethan [00:37:32]: It's funny because it's obviously it's AI everything. Yeah. Like every single product. Yeah.Maria [00:37:37]: Toothbrush with AI, vacuums with AI. Yeah. Yeah.Ethan [00:37:41]: We like hair blow, literally a hairdryer with AI. We saw.Maria [00:37:45]: Yeah, that was cool.Ethan [00:37:46]: But I think that like, yeah, we didn't, another kind of difference like around our, like we didn't want to do like a big overhypey promised kind of Rabbit launch. Because I mean, they did, hats off to them, like on the presentation and everything, obviously. But like, you know, we want to let the product kind of speak for itself and like get it out there. And I think we were really happy. We got some very good interest from media and some of the partners there. So like it was, I think it was definitely worth going. I would say like if you're in hardware, it's just kind of how you make use of it. Like I think to do it like a big Rabbit style or to have a huge show on there, like you need to plan that six months in advance. And it's very expensive. But like if you, you know, go there, there's everybody's there. All the media is there. There's a lot of some pre-show events that it's just great to talk to people. And the industry also, all the manufacturers, suppliers are there. So we learned about some really cool stuff that we might like. We met with somebody. They have like thermal energy capture. And it's like, oh, could you maybe not need to charge it? Because they have like a thermal that can capture your body heat. And what? Yeah, they're here. They're actually here. And in Palo Alto, they have like a Fitbit thing that you don't have to charge.swyx [00:39:01]: Like on paper, that's the power you can get from that. What's the power draw for this thing?Ethan [00:39:05]: It's more than you could get from the body heat, it turns out. But it's quite small. I don't want to disclose technically. But I think that solar is still, they also have one where it's like this thing could be like the face of it. It's just a solar cell. And like that is more realistic. Or kinetic. Kinetic, apparently, I'm not an expert in this, but they seem to think it wouldn't be enough. Kinetic is quite small, I guess, on the capture.swyx [00:39:33]: Well, I mean, watch. Watchmakers have been powering with kinetic for a long time. Yeah. We don't have to talk about that. I just want to get a sense of CES. Would you do it again? I definitely would not. Okay. You're just a fan of CES. Business point of view doesn't make sense. I happen to be in the conference business, right? So I'm kind of just curious. Yeah.Maria [00:39:49]: So I would say as we did, so without the booth and really like straightforward conversations that were already planned. Three days. That's okay. I think it was okay. Okay. But if you need to invest for a booth that is not. Okay. A good one. Which is how much? I think.Ethan [00:40:06]: 10 by 10 is 5,000. But on top of that, you need to. And then they go like 10 by 10 is like super small. Yeah. And like some companies have, I think would probably be more in like the six figure range to get. And I mean, I think that, yeah, it's very noisy. We heard this, that it's very, very noisy. Like obviously if you're, everything is being launched there and like everything from cars to cell phones are being launched. Yeah. So it's hard to stand out. But like, I think going in with a plan of who you want to talk to, I feel like.Maria [00:40:36]: That was worth it.Ethan [00:40:37]: Worth it. We had a lot of really positive media coverage from it and we got the word out and like, so I think we accomplished what we wanted to do.swyx [00:40:46]: I mean, there's some world in which my conference is kind of the CES of whatever AI becomes. Yeah. I think that.Maria [00:40:52]: Don't do it in Vegas. Don't do it in Vegas. Yeah. Don't do it in Vegas. That's the only thing. I didn't really like Vegas. That's great. Amazing. Those are my favorite ones.Alessio [00:41:02]: You can not fit 90,000 people in SF. That's really duh.Ethan [00:41:05]: You need to do like multiple locations so you can do Moscone and then have one in.swyx [00:41:09]: I mean, that's what Salesforce conferences. Well, GDC is how many? That might be 50,000, right? Okay. Form factor, right? Like my way to introduce this idea was that I was at the launch in Solaris. What was the old name of it? Newton. Newton. Of Tab when Avi first launched it. He was like, I thought through everything. Every form factor, pendant is the thing. And then we got the pendants for this original. The first one was just pendants and I took it off and I forgot to put it back on. So you went through pendants, pin, bracelet now, and maybe there's sort of earphones in the future, but what was your iterations?Maria [00:41:49]: So we had, I believe now three or four iterations. And one of the things that we learned is indeed that people don't like the pendant. In particular, woman, you don't want to have like anything here on the chest because it's maybe you have like other necklace or any other stuff.Ethan [00:42:03]: You just ship a premium one that's gold. Yeah. We're talking some fashion reached out to us.Maria [00:42:11]: Some big fashion. There is something there.swyx [00:42:13]: This is where it helps to have an Italian on the team.Maria [00:42:15]: There is like some big Italian luxury. I can't say anything. So yeah, bracelet actually came from the community because they were like, oh, I don't want to wear anything like as necklace or as a pendant. Like it's. And also like the one that we had, I don't know if you remember, like it was like circle, like it was like this and was like really bulky. Like people didn't like it. And also, I mean, I actually, I don't dislike, like we were running fast when we did that. Like our, our thing was like, we wanted to ship them as soon as possible. So we're not overthinking the form factor or the material. We were just want to be out. But after the community organically, basically all of them were like, well, why you don't just don't do the bracelet? Like he's way better. I will just wear it. And that's it. So that's how we ended up with the bracelet, but it's still modular. So I still want to play around the father is modular and you can, you know, take it off and wear it as a clip or in the future, maybe we will bring back the pendant. But I like the fact that there is some personalization and right now we have two colors, yellow and black. Soon we will have other ones. So yeah, we can play a lot around that.Ethan [00:43:25]: I think the form factor. Like the goal is for it to be not super invasive. Right. And something that's easy. So I think in the future, smaller, thinner, not like apple type obsession with thinness, but it does matter like the, the size and weight. And we would love to have more context because that will help, but to make it work, I think it really needs to have good power consumption, good battery life. And, you know, like with the humane swapping the batteries, I have one, I mean, I'm, I'm, I think we've made, and there's like pretty incredible, some of the engineering they did, but like, it wasn't kind of geared towards solving the problem. It was just, it's too heavy. The swappable batteries is too much to man, like the heat, the thermals is like too much to light interface thing. Yeah. Like that. That's cool. It's cool. It's cool. But it's like, if, if you have your handout here, you want to use your phone, like it's not really solving a problem. Cause you know how to use your phone. It's got a brilliant display. You have to kind of learn how to gesture this low range. Yeah. It's like a resolution laser, but the laser is cool that the fact they got it working in that thing, even though if it did overheat, but like too heavy, too cumbersome, too complicated with the multiple batteries. So something that's power efficient, kind of thin, both in the physical sense and also in the edge compute kind of way so that it can be as unobtrusive as possible. Yeah.Maria [00:44:47]: Users really like, like, I like when they say yes, I like to wear it and forget about it because I don't need to charge it every single day. On the other version, I believe we had like 35 hours or something, which was okay. But people, they just prefer the seven days battery life and-swyx [00:45:03]: Oh, this is seven days? Yeah. Oh, I've been charging every three days.Maria [00:45:07]: Oh, no, you can like keep it like, yeah, it's like almost seven days.swyx [00:45:11]: The other thing that occurs to me, maybe there's an Apple watch strap so that I don't have to double watch. Yeah.Maria [00:45:17]: That's the other one that, yeah, I thought about it. I saw as well the ones that like, you can like put it like back on the phone. Like, you know- Plog. There is a lot.swyx [00:45:27]: So yeah, there's a competitor called Plog. Yeah. It's not really a competitor. They only transcribe, right? Yeah, they only transcribe. But they're very good at it. Yeah.Ethan [00:45:33]: No, they're great. Their hardware is really good too.swyx [00:45:36]: And they just launched the pin too. Yeah.Ethan [00:45:38]: I think that the MagSafe kind of form factor has a lot of advantages, but some disadvantages. You can definitely put a very huge battery on that, you know? And so like the battery life's not, the power consumption's not so much of a concern, but you know, downside the phone's like in your pocket. And so I think that, you know, form factors will continue to evolve, but, and you know, more sensors, less obtrusive and-Maria [00:46:02]: Yeah. We have a new version.Ethan [00:46:04]: Easier to use.Maria [00:46:05]: Okay.swyx [00:46:05]: Looking forward to that. Yeah. I mean, we'll, whenever we launch this, we'll try to show whatever, but I'm sure you're going to keep iterating. Last thing on hardware, and then we'll go on to the software side, because I think that's where you guys are also really, really strong. Vision. You wanted to talk about why no vision? Yeah.Ethan [00:46:20]: I think it comes down to like when you're, when you're a startup, especially in hardware, you're just, you work within the constraints, right? And so like vision is super useful and super interesting. And what we actually started with, there's two issues with vision that make it like not the place we decided to start. One is power consumption. So you know, you kind of have to trade off your power budget, like capturing even at a low frame rate and transmitting the radio is actually the thing that takes up the majority of the power. So. Yeah. So you would really have to have quite a, like unacceptably, like large and heavy battery to do it continuously all day. We have, I think, novel kind of alternative ways that might allow us to do that. And we have some prototypes. The other issue is form factor. So like even with like a wide field of view, if you're wearing something on your chest, it's going, you know, obviously the wrist is not really that much of an option. And if you're wearing it on your chest, it's, it's often gone. You're going to probably be not capturing like the field of view of what's interesting to you. So that leaves you kind of with your head and face. And then anything that goes on, on the face has to look cool. Like I don't know if you remember the spectacles, it was kind of like the first, yeah, but they kind of, they didn't, they were not very successful. And I think one of the reasons is they were, they're so weird looking. Yeah. The camera was so big on the side. And if you look at them at array bands where they're way more successful, they, they look almost indistinguishable from array bands. And they invested a lot into that and they, they have a partnership with Qualcomm to develop custom Silicon. They have a stake in Luxottica now. So like they coming from all the angles, like to make glasses, I think like, you know, I don't know if you know, Brilliant Labs, they're cool company, they make frames, which is kind of like a cool hackable glasses and, and, and like, they're really good, like on hardware, they're really good. But even if you look at the frames, which I would say is like the most advanced kind of startup. Yeah. Yeah. Yeah. There was one that launched at CES, but it's not shipping yet. Like one that you can buy now, it's still not something you'd wear every day and the battery life is super short. So I think just the challenge of doing vision right, like off the bat, like would require quite a bit more resources. And so like audio is such a good entry point and it's also the privacy around audio. If you, if you had images, that's like another huge challenge to overcome. So I think that. Ideally the personal AI would have, you know, all the senses and you know, we'll, we'll get there. Yeah. Okay.swyx [00:48:57]: One last hardware thing. I have to ask this because then we'll move to the software. Were either of you electrical engineering?Ethan [00:49:04]: No, I'm CES. And so I have a, I've taken some EE courses, but I, I had done prior to working on, on the hardware here, like I had done a little bit of like embedded systems, like very little firmware, but we have luckily on the team, somebody with deep experience. Yeah.swyx [00:49:21]: I'm just like, you know, like you have to become hardware people. Yeah.Ethan [00:49:25]: Yeah. I mean, I learned to worry about supply chain power. I think this is like radio.Maria [00:49:30]: There's so many things to learn.Ethan [00:49:32]: I would tell this about hardware, like, and I know it's been said before, but building a prototype and like learning how the electronics work and learning about firmware and developing, this is like, I think fun for a lot of engineers and it's, it's all totally like achievable, especially now, like with, with the tools we have, like stuff you might've been intimidated about. Like, how do I like write this firmware now? With Sonnet, like you can, you can get going and actually see results quickly. But I think going from prototype to actually making something manufactured is a enormous jump. And it's not all about technology, the supply chain, the procurement, the regulations, the cost, the tooling. The thing about software that I'm used to is it's funny that you can make changes all along the way and ship it. But like when you have to buy tooling for an enclosure that's expensive.swyx [00:50:24]: Do you buy your own tooling? You have to.Ethan [00:50:25]: Don't you just subcontract out to someone in China? Oh, no. Do we make the tooling? No, no. You have to have CNC and like a bunch of machines.Maria [00:50:31]: Like nobody makes their own tooling, but like you have to design this design and you submitEthan [00:50:36]: it and then they go four to six weeks later. Yeah. And then if there's a problem with it, well, then you're not, you're not making any, any of your enclosures. And so you have to really plan ahead. And like.swyx [00:50:48]: I just want to leave tips for other hardware founders. Like what resources or websites are most helpful in your sort of manufacturing journey?Ethan [00:50:55]: You know, I think it's different depending on like it's hardware so specialized in different ways.Maria [00:51:00]: I will say that, for example, I should choose a manufacturer company. I speak with other founders and like we can give you like some, you know, some tips of who is good and who is not, or like who's specialized in something versus somebody else. Yeah.Ethan [00:51:15]: Like some people are good in plastics. Some people are good.Maria [00:51:18]: I think like for us, it really helped at the beginning to speak with others and understand. Okay. Like who is around. I work in Shenzhen. I lived almost two years in China. I have an idea about like different hardware manufacturer and all of that. Soon I will go back to Shenzhen to check out. So I think it's good also to go in place and check.Ethan [00:51:40]: Yeah, you have to like once you, if you, so we did some stuff domestically and like if you have that ability. The reason I say ability is very expensive, but like to build out some proof of concepts and do field testing before you take it to a manufacturer, despite what people say, there's really good domestic manufacturing for small quantities at extremely high prices. So we got our first PCB and the assembly done in LA. So there's a lot of good because of the defense industry that can do quick churn. So it's like, we need this board. We need to find out if it's working. We have this deadline we want to start, but you need to go through this. And like if you want to have it done and fabricated in a week, they can do it for a price. But I think, you know, everybody's kind of trending even for prototyping now moving that offshore because in China you can do prototyping and get it within almost the same timeline. But the thing is with manufacturing, like it really helps to go there and kind of establish the relationship. Yeah.Alessio [00:52:38]: My first company was a hardware company and we did our PCBs in China and took a long time. Now things are better. But this was, yeah, I don't know, 10 years ago, something like that. Yeah.Ethan [00:52:47]: I think that like the, and I've heard this too, we didn't run into this problem, but like, you know, if it's something where you don't have the relationship, they don't see you, they don't know you, you know, you might get subcontracted out or like they're not paying attention. But like if you're, you know, you have the relationship and a priority, like, yeah, it's really good. We ended up doing the fabrication assembly in Taiwan for various reasons.Maria [00:53:11]: And I think it really helped the fact that you went there at some point. Yeah.Ethan [00:53:15]: We're really happy with the process and, but I mean the whole process of just Choosing the right people. Choosing the right people, but also just sourcing the bill materials and all of that stuff. Like, I guess like if you have time, it's not that bad, but if you're trying to like really push the speed at that, it's incredibly stressful. Okay. We got to move to the software. Yeah.Alessio [00:53:38]: Yeah. So the hardware, maybe it's hard for people to understand, but what software people can understand is that running. Transcription and summarization, all of these things in real time every day for 24 hours a day. It's not easy. So you mentioned 200,000 tokens for a day. Yeah. How do you make it basically free to run all of this for the consumer?Ethan [00:53:59]: Well, I think that the pipeline and the inference, like people think about all of these tokens, but as you know, the price of tokens is like dramatically dropping. You guys probably have some charts somewhere that you've posted. We do. And like, if you see that trend in like 250,000 input tokens, it's not really that much, right? Like the output.swyx [00:54:21]: You do several layers. You do live. Yeah.Ethan [00:54:23]: Yeah. So the speech to text is like the most challenging part actually, because you know, it requires like real time processing and then like later processing with a larger model. And one thing that is fairly obvious is that like, you don't need to transcribe things that don't have any voice in it. Right? So good voice activity is key, right? Because like the majority of most people's day is not spent with voice activity. Right? So that is the first step to cutting down the amount of compute you have to do. And voice activity is a fairly cheap thing to do. Very, very cheap thing to do. The models that need to summarize, you don't need a Sonnet level kind of model to summarize. You do need a Sonnet level model to like execute things like the agent. And we will be having a subscription for like features like that because it's, you know, although now with the R1, like we'll see, we haven't evaluated it. A deep seek? Yeah. I mean, not that one in particular, but like, you know, they're already there that can kind of perform at that level. I was like, it's going to stay in six months, but like, yeah. So self-hosted models help in the things where you can. So you are self-hosting models. Yes. You are fine tuning your own ASR. Yes. I will say that I see in the future that everything's trending down. Although like, I think there might be an intermediary step with things to become expensive, which is like, we're really interested because like the pipeline is very tedious and like a lot of tuning. Right. Which is brutal because it's just a lot of trial and error. Whereas like, well, wouldn't it be nice if an end to end model could just do all of this and learn it? If we could do transcription with like an LLM, there's so many advantages to that, but it's going to be a larger model and hence like more compute, you know, we're optim

Send us a textEpisode Summary:In this episode of The Wild Photographer, Court Whelan breaks down the essential techniques for getting sharp images in both landscape and wildlife photography. He shares insider tips on shutter speed, aperture, and focusing techniques, plus the real impact of ISO on sharpness. You'll also learn how to leverage image stabilization, drive mode, and post-processing tools like Topaz Denoise to get crystal-clear shots.Key Takeaways:

Hemophilia A (HA) is an X-linked bleeding disorder caused by a mutation in the factor 8 (F8) gene that codes for FVIII coagulation protein. FVIII is naturally synthesized in the liver and the mutation results in the loss of function of FVIII protein which is critical in the blood clotting cascades. HA occurs is 1 to 5000 male births and it is estimated that there are a total of 3000 patients with HA in Canada. Currently, HA patients are treated with replacement therapy of the deficient factor. However, this approach is transient because of the short half-life of recombinant or plasma derived FVIII and is insufficient due to the formation of anti-drug antibodies. The alternative approach which is curative and promises a long-lasting expression of FVIII protein is gene therapy. For upcoming interviews check out the Grad Chat webpage on Queen’s University School of Graduate Studies & Postdoctoral Affairs website .

TECNOLOGIA y LIBERTAD--------------------------twitter.com/D3kkaRtwitter.com/Dek_Net#Bitcoin BTC: dekkar$paystring.crypt

video: https://videos.files.wordpress.com/d3mhV94k/my-project-22.mp4 Audio: https://erickimphotography.com/blog/wp-content/uploads/2024/10/DIGITAL-CAPITAL.m4a PDF, https://erickimphotography.com/blog/wp-content/uploads/2024/10/BRAVE-NEW-WORLD-OF-DIGITAL-CAPITAL-5.pdf # BRAVE NEW WORLD OF DIGITAL CAPITAL Capital, capitalism, assuming you own an iPhone, any smartphone, assume you have Wi-Fi at the house or a 4G or 5G connectivity thing, assuming that you have a car an automobile etc.; and also, assuming that you don't grow your own vegetables and groceries etc., then what that then means is you are a part of society and capitalism. *** ## Don't be a hippie  I think I figured it out… The notion of being a “hipster”, essentially it's just a hyphenated form of saying hippies or hippy-- Funny enough, studying a bit of the etymology of the word hippie, comes from the word hip, like same hip as in hip hip-hop. Although now, we think of that weirdos vegan cults flower worshiping and war hippies and the like, not the gangsta hip-hop rappers that we think of today. And actually what is very interesting, considering I was born in 1988, and grew up in the East Bay Alameda Oakland, Bay Area 510 rap hip-hop KEAK DA SNEAK, E40 hyphy movement ,,, my flavor of hip-hop and rap culture that I grew up was very different than the strange hip-hop culture today, and also a bit different from the mainstream 50 Cent gangsta idea that was popularized in the 2000s. Anyways, I think what is so fascinating to me about capital, digital capital, digital capitalism and the like is how insanely paradigm shift it is. ## Why? So the first question is… Why or why does this all matter? First, assuming you're a photographer, digital photographer etc.; what that then means is you and all of us we are all implicated! And I think this is a good thing; **digital is good, digital is better!** For example, besides what all these virtue signaling hipsters say, I really do think that **digital photography is 1 trillion times superior and now more virtuous than film**. I think film was a good fling, but now in the year 2024… And now that the new Lumix S9 Camera is out with the phenomenal 26 mm F8 pancake lens, there's almost 0 reasons to shoot film anymore. And zero reasons to shoot any loser Leica camera. ## Your opinion will change with technology and the times  Technology does matter; for example, in the past, it did make a difference. For example the original Leica M9 camera was a big deal at the time because full frame was simply too big, too bulky, not very accessible. At least in a small form factor. But now, in the year 2024 and beyond… **Technology has changed and shifted**. ## 2024 -- everything has changed! For example, for a long time, film photography did indeed look superior to digital photos. But now with new digital technologies, I would actually make the bold claim that digital photos with the right image processing filters, can actually look superior and *more supreme* to film photos.  For example, on the new Lumix S9 camera, we essentially have this “dynamic Leica monochrome” filter, with high contrast, grain added… the photos look phenomenal! Even deeper and richer contrast than my beloved Ricoh GR cameras? Even a random thing that I never really expected… there's this new “LUT” concept -- I think it's from cinema or video or something, which I think is just a fancy word for color preset or film grading for cinema and media. Anyways, one of the built-in included LUT filters is like this really lovely cross processing color filter which shifts and brings out this really lovely orange cyan hue -- the photos look beautiful! And also, when shooting 24 FPS video on it, it looks so beautiful and cinematic! **I call the new Lumix S9 baby Godzilla!**

If I may quote Cheech Marin from GHOSTBUSTERS II, “Better late than never!”

The F8 of the Furious Family is on thin ice. New dad Max Roberts and zombie car driver Logan Moore go rogue to figure out if blood is thicker than water. Does the Fast & Furious billion dollar follow-up sink or swim? On Super Chapter Select: Logan talks about the daunting task of reviewing major first-party PlayStation games. You can download a copy of this episode's transcript here. The Fate of the Furious Release Date - April 14, 2017 Director - F. Gary Gray Producers - Neal H. Moritz, Vin Diesel, Michael Fottrell, and Chris Morgan Writer - Chris Morgan Actors - Vin Diesel, Michelle Rodriguez, Tyrese Gibson, Chris “Ludacris” Bridges, Nathalie Emmanuel, Dwayne Johnson, Kurt Russell, Jason Statham, and Charlize Theron Composer - Brian Tyler Stunt Coordinators - J.J. Perry, Spiro Razatos, and Troy Robinson Budget / Profit - $250-270 million / $1.236 billion Rotten Tomatoes - 67% critic and 72% viewers Links The Fate of the Furious Wikipedia The Fate of the Furious Trailer Fast & Furious Spin-Offs in the Works Soundtrack Music Spotify YouTube The Fate of the Furious Cars This episode was originally recorded on October 22, 2022. @ChapterSelect Max's Twitter @MaxRoberts143 Logan's Twitter @MooreMan12 Researcher, Editor, and Producer – Max Roberts Hosted by Logan Moore & Max Roberts Photo and Art designed by Max Roberts.

Now with auto-aim!

August has been quite an exciting hot month, and I'd like this episode to reflect that. so I contacted 2 awesome selectors experienced in turning up the heat. Our first DJ has been entertaining audiences around Seoul, Korea for 2 years. His selections will have you dancing with joy as he weavse through fun popular party edits with ease. The Farm 2 Tables family is excited to present DJ SAWOL!!! https://www.instagram.com/djsawol https://www.youtube.com/channel/UCE8zxNqLlVcfkGxj2jjALvw https://soundcloud.com/fd1nvy1jf2eu Closing out the session is a good friend. I've had the opportunity of share the decks with him in San Francisco at venuse like Butter, F8 and Phonobar. He's been collecting tunes since 2003 and continues to electrify crowds with his blend of deep, funky, jazzy, latin, and jackin' house. Turn up your volume and get ready to get down to the sounds of JOHN GLASS!!! https://soundcloud.com/djjohnglass https://www.mixcloud.com/djjohnglass

The Jimmy Buffett figures are indeed sold out.

Hittin' the Chip hosts Jake and Jordon go over the long hot weekend with the SRL Spears Southwest Tour and Spears Manufacturing Modifieds in town for some big money and a lot of laps! We will also go over the local divisions with the SS and F8's also running that night. We also go over the current point standings for each division and where each one is at with battles to watch. Be sure to listen next week with special guest John Seeley!

AKA How to Cook Crack

Unforeseen circumstances have lead to this.

Florida: The Movie!

An actual mystery is solved!

Welcome back to the Coaches Panel, your go-to source for all things SuperCoach! In this video, we dive into Round 15 Trades and Strategy for SuperCoach 2024. Whether you're struggling with your defenders, midfield, rucks, or forwards, we've got you covered with the best trade decisions to boost your team's performance.On this episode, we're joined by Pig Mentality of Doctor SuperCoach, and we discuss: How many trades should you have left in storage once your team is completed? Can you settle for a potentially 'lesser quality' premium this week if it ensures an extra week of scoring? Can we throw a spot at M10, D8 or F8 with a 'dead cow' at $102k? Plus, we talk about Brodie Grundy, Luke Davies-Uniacke, Zach Merrett, Jordan Ridley, Elliot Yeo, Max Holmes & Sam Walsh. Lastly, we look at the best 'upgrade' available, priced between $500,000 and $510,000. More on our Guest Follow Pig Mentality on X: https://twitter.com/Pig_DRSC Support Doctor SuperCoach on Patreon: https://www.patreon.com/doctorsupercoach Follow Coaches Panel on Social Media: Like us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Us On ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Watch us See the latest video on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Us: Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Read Our Latest ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Article⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow our team on X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kane⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rids⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MiniMonk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Matt⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lewy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jordox⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tim⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jimmy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/coaches-panel/message

Perfection.

Hittin the Chip hosts Jake and Jordon go over the events from Colorado National Speedway from June 8th. Lots to talk about from the great bando race, SLM's, F8's and an awesome Legends race! We also have a great green flag black flag discussion. --- Send in a voice message: https://podcasters.spotify.com/pod/show/scrubbintiresmedia/message

MIKE FLANAGAN!

The Ferrari 296 GTB and GTS have been in the company's lineup since 2021 and hold the door open for would-be new Ferrari sports coupe owners. Following legendary machines like the Ferrari 458, 488, and F8, the 296 GTB has expectedly large shoes to fill – as would be the case with any new Ferrari. We spent time with the V6-powered 296 GTB, which featured the track-focused Assetto Fiorano package, a couple of years ago. Then new, the 296 was predictably good. Well, if you want an open-air experience from your Ferrari, you can also opt for the 296 GTS, which gives you all of the hardware from the coupe-bodied Berlinetta, with the ability to move the top away and let the sunshine in.  On this episode of Quick Spin, Autoweek's Mark Vaughn hops behind the wheel of the 2024 Ferrari 296 GTS and puts it through its paces. Vaughn walks you around the 296 GTS and highlights some of his favorite features. Later in the show, Vaughn takes you along for a live drive review of this Ferrari convertible. Adding to these segments, Vaughn chats with host Wesley Wren about the Ferrari, its competitive set, and more. Closing the show, the pair breaks down what makes the 296 GTS special. g

It was cute.

Drafting duologies!

With a degree in astronomy, Marc Dantonio is the host of Sky Tour Radio on KGRA Radio and also is the creator of SkyTour Livestream on which he appears as host.According to skytourlive.com, on any given evening, Dantonio, via Youtube and working from the SkyTour Observatory in the Arizona Dessert, will take people on a live tour of the night sky. He utilizes a 10" Schmidt Cassegrain system that has a normal photographic speed of F8 with additional hardware to make it a wide field scope that now runs at F2. That is about 25 times faster than it would normally run. In addition, there are other research cameras and telescopes.He is also CEO of FX Models which is a special effects and model making company used by film studios. The team of special effects artists utilizes digital technology and physical technology. In addition, the company creates organic special effects for film as well.Websites fxmodels.comyoutube.com/marcdantonioskytourlive.comBook The Populated Universe

Slimer's butt is back on the big screen!

It's an episode about going from being a traveling yoga teacher to the CEO of a skincare company. I'm so excited to be joined by Rae Indigo, founder of Formula Flawless, to break down what it's like to pivot to a totally different career (again and again and again).On the marketing side of things, we're discussing how to make money as a yoga teacher, difficulties that come when starting a large scale company (like Formula Flawless), and what it's like to audition for Shark Tank.And just for fun, we're talking about unconventional yoga practices like nostril threading, why it's OK to get tits (and botox), red flags to look out for when shopping for skincare products, what to do when you notice signs of aging, and way more.RESOURCES:Follow Rae on Instagram at @raeindigoyoga @raeindigoyoga or @formulaflawlessofficial - Shop Formula Flawless products at formulaflawless.comFollow me on Instagram @the.marketingwitch Kassidy @kassidyycrawford - Visit themarketingwitch.com for my blog, podcast updates, and more.Head to practicalmagic.themarketingwitch.com to apply for my 3-month coaching program, Practical Magic.More Resources from the show:Sinus Washing TutorialGua Sha tutorial My favorite Formula Flawless product, F8

Save the best for last.

The Stranger Thingification of Friday the 13th!

Needles gonna drop and fears never stop.

Trilogies, baby!

Grobin?

"THIS MOVIE SAVED MY LIFE!" - Rip Camillucci

Wait. They're FROM space? Not IN space!?

Marrrrgaritas at the midnight buffet!

Bob, we have some ideas on how to fix the theme parks.Muppetland: The Disneyland Invasion That Almost HappenedThe History of Muppet*Vision 3D and the Cancelled Muppets Land | Expedition Hollywood Studios

Dr. Ben is the founder of F8 wellcenters, offices that provide cutting edge, functional medicine and Neurofeedback for whole body and brain support. F8 has offices around the US and work remotely with patients around the world. Dr. Ben is a leader in blood sugar management, and getting to the root cause of why patients are dealing with the issues that they are.Highlights from this episode:The Blood Sugar Connection and  how it is driving chronic diseaseAutoimmune Conditions - what do they look like? Can they be healed?Getting to the root cause of autoimmunityWhy thyroid meds don't help autoimmunity Resources:https://f8wellcenters.com/https://f8wellstore.com/FacebookInstagramTikTokYouTube

So we're kicking off 2024 with a slightly random podcast from the cab of my Land Rover (thank you Craig from New Zealand for telling me he quite likes the rawness - pretty much gave me permission to once again strap on my Madonna-esque headset mic and ad-lib my way through the first episode of the year!) This episode is a blend of a summary of 2023 and some ideas for 2024.  If anyone is curious, the lighting I mention is the Aputure LS60x and LS60d (tunable, focussable LED spotlights), the Aputure Accent B7c and the Phottix TR200R RGB Tube Lights.  All brilliant. The Superclass and Masterclass we will be running at the Societies Convention 2024 can be found at https://thesocieties.net/convention/speakers/paul-wilkinson/ and we would love to see you there - either at the workshops or just for a well-deserved pint! Finally, all of our workshops at our studio can be found at https://www.paulwilkinsonphotography.co.uk/photography-workshops-and-training/  Enjoy! Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk.  Full Transcript: [00:00:00] I wasn't intending to do too many more podcasts on the Land Rover. Um, however, However a nice guy called Craig from New Zealand emailed me over the Christmas period to say how much he enjoyed the podcast, how much he enjoyed Mastering Portrait Photography the website, and most importantly, at least from the perspective of this particular episode. How much he liked the ones from the Land Rover. To use his words, they feel a little bit more raw, and I don't know what that means. Whether it means unscripted, or whether the sounds of a rattling Land Rover as I travel from point A to point B is somehow an interesting soundbed. I've no idea, he doesn't elaborate. However, thanks Craig partly because it's always nice to know that what you're doing doesn't just disappear into the ether, and I think as photographers we would All appreciate that sensation but also that even when I'm recording things literally in the last few minutes I have between jobs, because that's all the [00:01:00] time I'm managing to find, then even those episodes have their value. So one way or another. A very happy new year. Please forgive the sound quality. I'm Paul, and this is the Mastering Portrait Photography Podcast.  Do you know one of the things you're meant to do as a sound engineer if you're recording for either, I guess, a podcast or radio or for video, is to record a sound bed, to record the ambient noise. So, forgive me while I record little bits like this. Yes, just, I suppose in theory it should be silence, but in a Land Rover nothing is silent. But I'm going to need lots of little bits of the audio if I have to do any corrections. I'm off to another shoot. I'm working with the Hearing Dogs [00:02:00] today, just a few miles down the road, in the UK, a typically average journey, I suppose, half an hour or so. Uh, half an hour out, half an hour back. If you live in the US, that's literally like tripping over your own doorstep because it's a journey under two hours. But here in the UK, we're used to slightly shorter journeys. The year has already got off to a ridiculous start. Uh, I actually thought, and every year I think this, that December will quieten down, I'll have a great break over Christmas, January will be quiet until it ramps up. And actually all that happens is I tear through the whole of the holiday period at a hundred miles an hour, hoping I can get a breather. December was really busy, which was good. 2023 however wasn't the year that I'd like to relive. It hasn't been a bad year, but we've had to fight every inch of the way. Nothing has ever landed in our lap. Both Sarah and I and Michelle. are grafters, [00:03:00] all of us work, and work hard for our living. But, last year really was a little bit of a brutal year. Um, just felt like the atmosphere out there in the marketplace wasn't everything it could have been. Um, we've got very, or have had, very high inflation in the UK, certainly for this country. Now, if you're listening to us in Venezuela or somewhere, possibly not quite the same thing. But with inflation rates kicking up, uh, touching out somewhere near 10 percent and then obviously hikes in interest rates by the Bank of England to bring that back down, essentially what you've got is the perfect storm for people like us who work in the service sector, because our costs of production have gone up in line with inflation. At the same time, the costs of living for our clients have gone up by the same amount, and so the battle for us to be one of their priority spends is that little bit more tricky. However, we've [00:04:00] done it, we had a really good year in the end, but like I said, we have fought tooth and nail, uh, to do it, and I think that's the making of a business. I've said over the years, and I think it's probably out there on a podcast, I'd be surprised if it wasn't, that being a successful business when things are going well is actually really easy. There's not an awful lot to it. You do your job, you create what you create, you sell it, you move on to the next one. Don't get me wrong, I know it's much more nuanced than that, I live this world. But broadly speaking, when things are going right, this job isn't that hard. It's when things are tough, that they show your real character. So, I've spoken about customer service, it's when it goes wrong, really, that you show the true Skillset, the true worth in everything that you do. When things are a little bit tougher, that's when you have to dig deep. It's when you have to show what you are made of. And we've done that over the past 12 months, and we ended December with some beautiful shoots, some lovely clients, [00:05:00] one or two unexpected sales that came in from jobs that I guess there was at least one that I had mothballed, to the point of it being in the archive when the orders eventually came in. Didn't expect to hear from them, hadn't heard from them in 18 months. So for a business like ours, where we are very much about a personal service, it's in person sales, it's an in-person experience, it's about memories, it's about laughter, it's about feeling valued. Wherever possible, we do not do remote sales. I don't do remote sales for precisely the reason that it's taken 18 months for one of our clients to come back and order their pictures. And that's in spite of us doing all the usual stuff, we've emailed them, we've called them. Not to be, not to hassle them. Just to see if there's anything we can do to help. But the problem with non in person sales, online sales is of course. You have very few levers you can pull, and there's not a lot you can do. You can [00:06:00] say you're going to take the album down, which we did. In fact, the album was dormant for probably two thirds of that time. We'd just changed the password so that no one could log in. But of course, when they emailed and said, Oh, I've just noticed I can't log in, we opened it back up. So it's not a real lever, it's just A way of us knowing that they're looking at the album again. And the order came through, and it was a beautiful order. So it's great. It's a proper Christmas bonus. Unexpected. Out of the blue. Beautiful album. Beautiful Graphistudio album. Beautiful frames. Big frames. And the whole thing, in the end, closed out at a really nice value sale.  So there's a lesson in there somewhere, which is, you know, don't ever write anything off. And we don't write anything off. I didn't know what the title of this podcast would be. Maybe that's what it should be. It's, you know, don't write any job off. But actually, this is one of those unscripted podcasts where I haven't really got a clue exactly what it was I was going to talk about. So I have this kind of list of things in my head, but who knows whether I'll get to the bottom of [00:07:00] it. Uh, on this year, on the title or on the topic of it being a New Year, of course everybody sits down and makes their list of New Year's resolutions, which actually I don't. I've never been a believer, and I think, I thought that's what the title of this podcast was going to be. I've never been a believer in New Year's resolutions. I don't know why, I just think if you want to do something, do it. Make, make every day the opportunity for a resolution. That's not to say that I'm really good at doing that. That's not to say that every time I've thought, you know what, I'm going to make that happen this year. I'm going to lose three stone and get fit, for instance. You know, doesn't happen. I'm going to stop drinking, doesn't happen. I'm going to become a vegetarian like my daughter, doesn't happen. There are plenty of things that I'd like to do that just Do you know what? They haven't happened. But Equally, I don't wait till New Year to change the big stuff. But, and there is a but, is that New Year does mark a [00:08:00] natural transition, certainly when it comes to reporting your successes as a photography business. We actually don't report our profits December to December. our accounting period is September to September. But we do Internally, track it in standard calendar years. Why? Well, actually because for social photographers there is a natural hiatus around about the end of December. People will have rollover jobs, we will very often have jobs in the diary. In the gap between Christmas and New Year simply because they book in for those. So it's not a perfectly clean break where , it stops, it starts. But there's definitely a feeling in the marketplace that, oh, let's wait till next year. If somebody rings us and says, I want to do a shoot for my family, and if it's any time around November, the chances are they're gonna say, oh, do you know what, let's push that into next year. Let's see what next year brings. There's a lot of that. And so it's [00:09:00] good for us to have a data point that I can compare year on year, decade, on decade these days, . And of course, covid sort of flung that up in the air, uh, three or two and a bit years of not really being able to rely on anything.  Our data is absolutely shot: the trajectories, the averages, our historical patterns have somewhat collapsed. We are getting back, I'll be honest about that, things are beginning to look a little bit more familiar, the end of last year, or the bulk of last year, it was definitely starting to feel that way. However, things that we are looking forward to doing, so some of this stuff kicked off last year, and some of it is things we're gonna do this year. So last year was a big sort of step up in us building our workshops and our workshop community. Lots to do on that front, we're not by any means in the position we are with our photography. Photography was a solid vision [00:10:00] for us. We can take a picture, we've worked out that the quality was good, we have fab suppliers, we have solid workflows, efficient practices, we knew our way around the marketing. Over a few years we built the business reasonably sure footedly. Obviously, we've tripped over some things like all businesses do. Not gonna say for a minute we got it all perfect. But it was something we could get our arms around and could understand. And the minute I knew we had a good product then I knew we could build a business around it. And I knew we had a good product because I've been taking pictures since I was a kid. I've been creating images and portraits since I was 10 years old, so I knew I could take a picture in the end, ignoring the whole kind of self confidence or insecurity bits and the imposter syndromes and all of the rest of the stuff we talk about all the time. I knew I could take a picture.  Training courses and workshops are slightly different. I still know I can take a picture, but whether or not we could run good workshops, whether or not we could supply great materials, [00:11:00] these were questions that we still had in our heads.   So, for instance, one of the things I was curious about was whether it would be a good idea to set the context of each workshop with a little presentation. I'm, I'm not a fan. When I go on a training course, I really, really, really want to see or want to understand how the person giving a workshop does what they do. Whatever it's in, whether it's marketing, sales, Photoshopping 3D, visuals. Customer relationships, I don't know, many, many different aspects to this business. But if I want to go and learn from someone, I want them to hit the road sorry, hit, yeah, no, hit the road quick and get into the nitty gritty. I'm not a big fan of spending hours in a preamble. However, one of the things I did pick up on is that you do need to be organized in your approach. And whether I like it or not, and whether I'm comfortable with it or not, I'm not that guy. I'm not the guy that thinks in a linear fashion. I can [00:12:00] when I have to. You know, I spent 10 years working as a manager in IT. Trust me, I can when I have to. But that's not my natural skill set. I'm not linear. And I can, if I could see Sarah's face when she listens to this podcast, she'd be like, yeah, no shit, Sherlock. You are not linear. Because Sarah's very organized, very drilled, very Put together, and I'm so not those things. I wish I was, sometimes, but out of the same chaos comes the imagery and the ideas that we have. So, I can't turn it off. I don't want to turn it off. If anything, being slightly chaotic is my superpower, because it brings ideas, and it brings energy, and it brings drive. But, equally, it brings inconsistency. It brings me being really easily distracted. Distracted by breathing, you know? It's just ridiculous. So, some of the things we did last year were to [00:13:00] try and see if there are ways in which I can help myself and help the delegates on our workshops not suffer at the hands of my own chaos. And one of them is we do a quick presentation, half an hour, forty minutes. If I get that right, of course that becomes a piece of collateral that we can send out to you if you come on one of our workshops. It becomes a series of ideas and diagrams that maybe I can use for training videos. It becomes some words that maybe I can re craft into maybe a podcast or for when I'm writing with NPhoto magazine or whether I'm writing for Professional Photographer. So these are just parts of the puzzle. And we got that together last year and the feedback we're getting from our workshops is just phenomenal. It's absolutely brilliant that people have come on it. They seem to enjoy it. They come back. So to all of those people who are multiple offenders, thank you. It's so lovely to see you all. It feels [00:14:00] like we're beginning to build a little community. So now I know I've got the product right or we're in the, we're going in the right direction with the product. Now we can really start to focus on it. Forgive the pun. We can really start to drive that home just like we did with the core photography business. And that's the target of this year. Mostly is to drive the training. Drive The platforms, the videos, all of the stuff that goes around that. The podcast is a big part of that. But finding the time when I'm on my own To sit and record is or has proven tricky over the past month or two. So, Christmas and New Year were lovely. I digress here a little bit, but there's a slight point to it. Christmas and New Year were lovely. So, we stopped, we shut the studio down. Day before or two days before Christmas Eve I went shopping with my boy to do some mop up. Spent a really, just had a really lovely day the day before Christmas Eve. Christmas Eve onwards up until, really up [00:15:00] until New Year's Day was spent with family and friends. And I really do mean pretty much every waking minute was with people I love. And now I'm an extrovert. In theory, as an extrovert, every one of those moments with family and friends is a moment to recharge. It's a moment for me to really feel energised. Yeah, that's, that's an extravert I love being around people. But I tell you what, when I got to New Year's Day, all I really wanted to do was just find myself in a dark room. And switch the social side of my brain off and do something much less much less social I suppose is the only word I can think of. I've had a couple of days of that and I'm beginning to get myself back together. And then, uh, last or two nights ago straight back out photographing the Christmas party for the Le Manoir chefs. And the staff, [00:16:00] which is riotous. Now those guys, Le Manoir is two Michelin starred hotel and restaurant, or restaurant with rooms, I think is how they like to call it. It's an amazing place, beautiful food, voted one of the top hotels in the world. It's in the top 50 every year, I think it was in the top 10 this year. Absolutely phenomenal place, and they work hours that make mine look kind of shabby, I think. They work long hours, it's hard graft, they love it, they're brilliant. But when you're thrown into their Christmas party, they don't half let off a little bit of steam, and it is great. So it was really nice to have a couple of quieter days, and then the Christmas party at La Manoire with my friends who are chefs, front of house gardeners, housekeeping you name it, the management team, marketing, sales, the HR team who asked me to do it. They're just brilliant, and I've come away from it buzzing and energized all over again. So I cannot wait for the year. [00:17:00] And on that, we are building the workshops up.  On that note, we have a couple actually, I'm going to be at the convention, the Societies of Photographers convention in January, I'm hoping there's some structure to this podcast by the way I'm gonna have to finish in about 5 to 10 minutes because I'll arrive at my client and I'll pick it up again, but I'll let you bet I'll repeat a bit because I won't remember where I got to, and I don't want to have to spend hours in edit, I don't have time to spend hours in the edit, so this is gonna be one of those podcasts That is pretty raw, it's gonna come out of the recording unit as it is, and it's gonna go straight out. As you're hearing it, I don't think there'll have been very much editing except to stick in some music underneath it, and just to check the sound quality's alright. So, forgive me for that. But it's gonna be well I'm at the convention, 17th, I'm at the whole of the convention, but I'm doing two workshops, I'm doing a super class on the 17th. And a Masterclass on the 18th. The Superclass you have to book in advance. I think there's one place left. That's all. If anybody fancies [00:18:00] it, head over to the Society's Convention and look for the Superclasses. We're gonna spend the whole of that three, three and a half hours. Creating headshots and personal branding images. I've never met the couple who are my models. I'm looking forward to meeting them. They sound really cool. But we're going to explore lighting, how you interact. We're going to talk about whatever people want to talk about. Whether it's the marketing side of it, whether it's the business side of it. Whether it's how you tell a story through the photos. It's whether, how you weave the story of the shoot. Because I think that's an underrepresented part of social photography is how you thread your way in a meaningful fashion through the shoots. That's the superclass. That's on the 17th.  On the 18th, I'm doing a masterclass, you don't need to book for that, but I'd love to see you. It's free if you have a ticket to the event. Come along and we're going to be talking about specifically ten lighting patterns. I'm going to put together ten easy lighting patterns that you can replicate. One of the things I'm acutely aware of is, [00:19:00] I find much of taking a portrait second nature to me. I do it Automatically, I can see light, I can feel it, I can almost smell it out. anD I, I don't know why or how that should be, but it is. So when I'm positioning lights, I know exactly what I'm doing, because I'm simply looking at what's in front of me. But, I've had to critique a few images some people have been on a workshop, some people have simply have asked me for some mentoring, and reading light, it turns out, is not the most natural thing in the world, and I, I assumed it was. So I've clearly misunderstood some aspects of what, how we can teach this, so part of the Masterclass really, or part of the idea behind the Masterclass really, is to see if we can nail down ten lighting patterns with two lights, so we use one light, we'll use two lights, we'll create some drama, we'll create some theatre, we'll create some very basic stuff, [00:20:00] But the idea is we're going to hand over some real examples done live in front of the audience as to how you can do this with basic equipment. We're going to do it in a normal room. It's just one of the meeting rooms in a hotel. We're going to do it with normal kit. I will have two lights I will, I think, have a pop up backdrop, which I'll bring in, just so I've got a plain backdrop, because I can't guarantee it. And we're going to go through some of the ideas. And that's kind of where we're taking all of our workshops now, is to give our delegates things they can take away with them. Proper, right, okay, if you do this, that will work. One of the things I've always fought against, the reason we haven't really gone down that road up until now, is I've Rebelled a lot against people telling me how I should do it. And I never ever, still don't, want to be the guy that says this is how you should do it. And I try really hard to remember at the beginning of every workshop, every presentation I [00:21:00] ever do. I did one the other day, we did a webinar, and I started by telling everybody on it. It's very personal to me. My eyes, my clients, my lights, my camera, my style. All of it is about me and what I like. It might not work for everybody. So I can give you insights into the thought process and this is what I thought we would do. We'll give insights, we'll give ideas, we'll give inspiration, we'll energize. And all of that works. But the problem is if you don't understand the fundamentals or can't read it like some photographers can, then it becomes slightly trickier. So the masterclass, the second of the two classes, the masterclass at the convention on the 18th of January, it's gonna be much to do with that. So if you're round the convention, you're a loose end. I think it's 11 till one 30 on the 18th. So it's a mid-morning slot. You'll finish your breakfast, you'll have had a couple of cups of coffee. You'll be thinking, what the hell am I gonna do today? Why not stick your head in and come and have a play?[00:22:00]  So that's what we're going to do. And at that stage, I'm going to break off here now, because as I turn this left hand bend on a very wet road. Here we go. I'm just going to arrive at my client, which is great. I'm photographing for the Hearing Dogs this afternoon. I'm photographing a re a recipient, so a partnership, a hearing dog and a a deaf person whose story is both heartbreaking and inspirational in equal measure. So I'm looking forward to that. It's going to be a lovely shoot. I will pick up again when I've broken off and let you know how that went. and finish off this podcast. Once again. Craig, thank you very much for telling me that I can, if I wish to record podcasts in the car,  So just to pick up where I left off, just come to the end of a lovely shoot. Sorry, also weaving, or trying to weave through traffic in a very small Buckinghamshire town. Wilmslow, it turns out, is full of tiny little [00:23:00] streets. Many of which I'm navigating a large Land Rover through. It's not easy and speaking at the same time. Apparently, it turns out, I can just about walk and chew gum at the same time, but cannot talk and drive a Land Rover at the same time. too: must be two different bits of my brain. Okay. And a nice person's let me out, and another person has refused to let me out. And there's a motorbike, and I've just landed into school traffic. In Bucks, which means that no one's paying attention at all to anyone except their own journey home and trying to get back for our, I'm assuming, a cup of tea and to get the kids a sandwich. Where are we? So yes, I just finished a really beautiful shoot with a really lovely person who she lost her hearing. Well, she had an illness, went into a coma, came out of the coma, and discovered that she had lost her hearing, one heck of a shock. And so she now has a Hearing Dog, but she's profoundly [00:24:00] deaf, has absolutely no hearing at all. And the hearing dog provides all of the support that she needs. So if the doorbell goes, the phone goes. Smoke alarms, obviously. Every minutiae of life that we take for granted, the hearing dog supports them. A hearing dog. A beautiful spaniel. I'm not going to give any names away, because that's not my place to. But an absolutely wonderful shoot. And I read in the notes that she wasn't particularly keen on being photographed. Not someone who's used to being photographed, not someone who enjoys being photographed. And you read these notes and I would say 80 percent of my clients sit in that bracket. Um, there are days, there are days when I wake up and wished everybody I photographed really, really, really wanted to be photographed. Models and the like. Because man, wouldn't that be just glorious? Really easy too. It'd be wonderful that every person in [00:25:00] front of the camera wanted to show off, and they just loved it, and they were confident, and knew how beautiful they were. But that's just not my world. So the lady, really super smart lawyer didn't really want to be, well my note said that she didn't really feel comfortable being photographed, but it turns out, uh, She could not have been lovelier. Did I just say that right? Lovelier, lovelier. She could not have I'm concentrating on driving. Lovelier. And the shoot has just been absolutely beautiful. The dog was stunning. The light has been really nice. We're under a rain warning at the moment. We're about to get some really heavy rain, but it held off long enough that we've done the whole shoot in the dry. Well, in the dry, but not on the dry. Everywhere. I don't know what it's like where you are around the world, but in Britain, just at the moment, we've had back to back rainstorms of one sort or another. Some of them big enough to be given names. And we've got another tranche of it coming in in about an hour. Oh, half an hour, about half an hour. [00:26:00] I don't know why that matters. I'm one of those people that have to suddenly get to detail. I don't know why. I apologize. Anyway, it's been a brilliant afternoon, and it's these kinds of shoots that remind me why I do what I do. Because just having people like the lady I've just photographed in front of the camera who full of energy, and smart, and laughter. She can hear nothing. Everything is being done through lip reading, which is, for me, is not I mean, I'm used to working around the deaf community, but I'm one of those people that spends a lot of time looking to the sides to see where the next shot's coming from. So, mid sentence, I'll suddenly find myself looking away. And, until working with the Hearing Dogs For Deaf People, I didn't even know I did it. And, of course, it becomes a profound challenge that I need to concentrate and I've spent the afternoon concentrating on making sure no matter who I'm talking to or what I'm thinking for the next shot I must always [00:27:00] have eye contact with the person, the hearing dog recipient because They're relying on seeing my lip movements to be able to understand what's going on. And it, you become acutely aware of it. but equally, she said, it's really bad when people try to talk slowly because that changes her understanding of the words. Because she's lip, because she's lip reading, if you speak slowly, actually that makes it harder to understand the wording. So all in all something I need to continue to work on and get better at. At least I'm aware of it, and I try, I try pretty hard, but the photos we've got are absolutely beautiful. So where were we, where were we? Oh, I think we'd come to a bit, some of that training, I've no idea, I told you I'd lose track. podcast part two, I'm Paul, and this is still the Mastering Portrait Photography Podcast. As I wind my way through the lanes. Other things that are happening in the studio. Obviously we're working on the setup of our training and our workshops. I'm about to re [00:28:00] platform all of our websites onto a new platform. Not quite sure which one it's going to be just yet.  But one of the challenges I guess all of us have is our web presence is really important, and so I built all my own websites built it all on WordPress. So all hosted it's all currently hosted on Siteground but over the years, a combination of price walking, which simply means every year it's got more and more expensive. You can get a good deal to start with, but gradually, I mean, we pay now. For two, the two main of our websites, I think the basic hosting is about 1200 quid a year for the two. And on top of that are all the little plug ins that we've had to buy and put in to run things like the shop, to run things like the automated side of it, the emails, to do certain things like display the images the way I want them. All of these bits of software are licensed. [00:29:00] Which is fine, but if you added all of that in to get in as well, rather, I think you get up into the region of sort of 1, 500 quid a year, 1, 600 pounds a year, somewhere around there for the two websites. Now that's fine, we're a big business. We work really hard at what we do, and we can justify paying properly, and paying, well pay our licenses anyway, but we can justify all of the expense of the website simply because it's a part of our turnover.  However, what irks me is firstly how difficult it is to keep on top of all of the updates of all of the component bits of software and also just how expensive it is when it doesn't need to be. It's not about the fact that I have to invest in it, it's about the fact that I don't think I need to do, I need to invest the time and the finances to the level we are. So I'm hunting around at the moment. I think I know what we're gonna do, and I think I know how I'm gonna do it. It'll take time, which is [00:30:00] something I don't have a lot of, but it's still got to be done. But if I can get all of the websites into one place, simplify them down, they don't need to be as comp, I'm really proud of our websites, but they do not need to be as complicated as they have evolved to be. And it's not that I set out to make them complicated, or I set out to do stuff that's particularly difficult. It's just that, year on year on year, as you add functionality, as you try to do new things, as you get on top of SEO, and structuring, and then keeping a track of 301s and 404s, and then you've got to have, like, an SEO tool to help you make sure your SEO's alright. And then you've got albums and portfolio bits of kit. You've got sliders. Oh man, there's so many bits of software. All of which is necessary to do what I have in my head. So what I've got to do first is figure out what's the bare minimum I can get away with. And then secondly, re platform all of that. So the websites will still be [00:31:00] beautiful. But if I can get it all under one roof, it'll be much easier to manage. And I don't have the time, to manage everything anymore, I simply don't. So that's, that's on the list for this year. And the other thing we're gonna do this year, or I've already started doing, is gradually pushing more into continuous lighting and away from strobes. Now, this is one which I don't yet know quite where the journey's gonna take me, but the foray that we've had into it so far has been incredibly rewarding. LED technology now with high CRI LEDs is at the standard where the quality is nearly as good as strobes. It's not, I still love the light you get off a Zenon strobe. There's something really beautiful about the quality of light, and of course, massively punchy. You get a huge amount of light, [00:32:00] a huge amount of kick. out of pretty much any strobe compared to an LED. If you had LEDs as bright as the strobe, as bright as the instantaneous flash of a strobe, people wouldn't be able to see. It's, you know, so bright, there's so much energy in that tiny fraction of a second, that, I don't know, thousandths of a second of light burst. But working with LED makes it easier to do video and you really can see What you're gonna get. And my logic is a very simple one. If it's good enough for the film industry, and the TV industry, Netflix and the like, then it's good enough for photography. Yes, alright, there are some things I'm gonna have to learn how to do differently. But I love doing that anyway. I'm a quick learner on most things. And so, I'm really excited about it. We've started I bought I've got a couple of Aputure Lightstorm Focusable, so these have got focusing lenses on the front focusable spots, and [00:33:00] they've got the old Bowens S type mounts on them, so we can mount pretty much anything. I use Profoto strobes in the studio but I've got these Aperture Lightstorm tunable lights, which are absolutely phenomenal. Really bright when you want them to be. If you turn them right down, they'll last for hours on a single charge. Also I've got a couple of, they were just cheap. I was working in the flash centre doing judging for the BIPP. And it was the flash centre in Birmingham were hosting us. And they had these light strips, just light rods. LED, Phottix. I think they were 40 quid each. I mean, they're really pennies. You know, a tank of fuel in this Land Rover is about 80 quid, so for the price of a tank of fuel, I can get two highly tunable, full spectrum lights that will do any color on the color wheel. As well as doing normal presets. They also do some clever things with, you can make, turn them into police lights and all the rest of it. They're quite cool. [00:34:00] So I got those working in the studio, but one of the challenges when you're working with Available light is the camera is going to capture everything it sees. With strobes, I don't worry about the lighting in the studio because the strobe overpowers it. Doesn't really matter. But with LED, you have to get the lighting, the whole lighting, exactly as you want it. And it caught us out a little bit when we were recording a video recently, and the video is simply too dark because I've lit my subject perfectly. But I haven't lit the rest of the studio because it never really occurred to me, and I need to do it, and it's fine. Everything's okay, and certainly the subject looks incredible, but when you look at the footage of me talking to camera, for instance, I'm in the gloom somewhere. And although we tried to sort it out a little bit, we haven't quite got there. So I've now retrofitted all of the lighting in the studio, so all of our normal overheads, office lighting if you like, in the studio, with, again, made by Aputure. They are, I can't, I think they're called [00:35:00] B7Cs or BL7Cs, which are, they look like a fat light bulb with an Edison screw thread, so they'll fit pretty much any light fitting from 100 volts up to about 250 volts. You screw them into a light fitting, and in normal mode, they just behave like normal light bulbs, except that you can hook them up to the same app I use for the Aputure Lightstorms, and you can control them completely from the phone. So I can control how strong they are. I can also control, again, like the Phottix, light sticks, I can control exactly what color they are. So these things, they're only about 50 quid each, but they are fully tunable. Any color I like and some special effects, if ever I did video that needed to feature, I don't know, police, car or fireworks or firelight, , it does all of those, that's of almost no interest to me. It's quite a cool thing to do, but. Not really for what I do. But I can control their light to be any colour [00:36:00] temperature and any power. On top of that, if you unscrew the light, it becomes a battery powered light. It simply can sit in someone's hand, or you can put it into any light fitting, even if it's not plugged in, and it will work exactly the same. It doesn't really make any difference. It'll last for about seven hours off the battery. These are really cool. So, we've started to experiment. A little way to go. I need some slightly, some LED panels. I've got a couple of bits. I do have some LED panels, but they're slightly older and the high CRI on the newer LEDs, you can really see the difference when you're illuminating skin. But it's a whole new adventure and it does change the way you shoot. So at the moment when I'm shooting, particularly when I'm doing headshots, I'll use, I'll do some with strobes because you get that glorious, clean light. With really deep depths of field. And obviously, ProPhoto units that modifies everything is absolutely stunning. So that's not something I'm gonna [00:37:00] completely get rid of anytime soon because I'm addicted to the quality of the light. But in the second half of the shoot, or maybe for certain shots, I'll bring out some LED lighting, maybe with a soft box or maybe LED, the strips and. You then get this beautiful thing where you can have much shallower depths of field. So, and total control, you can see exactly how the light's going to play. You can change the colours of the lights as if I was gelling the strobes, but it's so much easier. Literally, I can just dial it in to the app and change the colour of the lights. It's opening up new avenues to explore where we can play with colour because it's quicker. We can play with really shallow depths of field. I'm unlikely to ever be able to light, a family easily, because the power you'd need to get the depth of field you need, at least with the ISOs that we're still using at the moment, is possibly a bit too bright. But, [00:38:00] ISOs are becoming normal. The party I shot for the hotel I shot nearly all of it. Our ISO 10,000, ISO 10 K. That's just ridiculous in terms of sensitivity. But I wanted to capture the colors of the party. I wanted to capture the candlelight. I wanted to capture the sort of fairy lights and effects lights that the events company had put on. I wanted all of that, and I didn't wanna bounce, flash in and kill it. I did, obviously, when they're doing their awards. I used a flash gun. I used a, a speedlight on the camera because. Me being creative with the lighting is really not part of that puzzle. They need to be well lit, they need to be clear, they want to be able to celebrate the awards they've won. But, when it comes to the event side of it, the party side of it, I shot nearly all of it at ISO 10, 000 and then simply ran it through, for this particular run, I ran it through Adobe Lightroom, the AI noise reducer. I didn't turn the noise [00:39:00] reduction up very much, 20%? Tiny. But it has a really profound quality to it now. So you can run at ISO 10, 000 and still get pretty clean images. You lose a little bit of detail, it can get a little bit mushy. But it's a 50 megapixel camera, the Z9. And these pictures are not going to be used anywhere bigger, I'm going to guess, than 7x5. That's it. They're not hero pictures, they're not going out as posters. So, I've got a huge amount of latitude. And to be fair, I probably didn't even need to put the noise reducer on it, but I did just because, it's like somebody's going to zoom in and go, that's a bit grainy. Why do you need high ISOs, or clean high ISOs with LED? Well, think about it. Let's say I want to get to f8, right? Let's say I want to photograph a group of four or five people, and I'm going to need f8. To get the front to back bite in the image. So that the person at the front of the shot is nice and sharp, the person at the back of the shot is nice and sharp. Now, with a strobe, [00:40:00] that's really easy. With a strobe, I can turn the power wherever I like it, it won't make an awful lot of difference to the people in the shot, it's just a bright flash, and it's done. And I can set the camera at ISO 100, F8, F11, F16, whatever. Doesn't matter. It'll override all the light in the room, and I've got plenty of depth of field. Really easy. Now. If I turned my LEDs, and I'd need a few more than I own, up to get ISO 100, 100th of a second, f11, that is bright sunlight. That's effectively daylight, but on a sunny day. So, that's not really practical in a studio if I don't want people to be squinting. I could turn the power of the lights down, and use less power on the lights, but then of course I'm going to need to use slower shutter speeds, wider apertures, or higher ISOs. And now, with the ability to clean up even high ISO, [00:41:00] I'm starting to teeter on the edge of being able to do practically what you can do with strobes, with LEDs instead. Not there yet, but we're heading In the right direction. So that's on my list. That's part of this year. I'm gonna re-platform, the websites we're gonna switch over to LED. And we're gonna just see whether, for instance, we can create better videos, more videos, so it in, in the end. This year, it is all about making the changes we need to the business that we are looking forwards to. More about training, more about workshops, more about creating videos, about creating educational materials. Who knows, who knows, one day I might even get around to writing a second book to go with the very successful Mastering Portrait Photography. Mastering Portrait Photography Part 2, the sequel. This time it's personal. Mastering Portrait Photography Armageddon. I don't know, maybe I'll do it like Fast and Furious. We'll just do two, then three, then four, then [00:42:00] five, and then twenty eight. Who knows. But at the moment I haven't got that in me. The problem is always, of course, like all of us, our real clients, the clients that pay our everyday bills, the portrait clients, the wedding clients, the commercial clients I'm gonna have to service those guys first. And that's always the kicker, is how do I manage to keep the revenue coming in just as we need it, while still effectively building an entire add on or new business. It's a new business. So that's the puzzle. I will get to the bottom of it. I will figure it out. I'm enjoying the process very much. And so that, for us, is the year ahead. As I drive through, the rain has just arrived. It's dark and gloomy. My windscreen wipers are now squeaking in the background. I'm sure you can hear that on the recording. I'm driving through a very beautiful bit of the country. I'm running along one of the ridges in the Ridgeway. That's the Chiltern Hills. Just driving along and in spite of it being gloomy and dramatic, there's [00:43:00] fields full of sheep, there's just past an old farm, it's actually one of my clients here, and it's beautiful I'm guessing that is a medieval farmhouse, that is well old, that's got to be, and you're looking at the roof line, it's all sagged and these tiny little bricks and the road dips and drives around into the distance, it's Quite beautiful in spite of the rain. So there you have it. Please do head over to Mastering Portrait Photography. Also have a look if you're interested in the workshops that we're running this year. They're all out all up. The first six, at least, are up. The first few sold out literally within a day or so. Which is really flattering, but then gives me the problem of having to immediately schedule in new ones. There are a few spaces on some of the others though, so if you fancy coming and having an absolute blast about portrait photography in particular, whether it's you want to talk about the business side, the photoshopping side, or camera craft [00:44:00] or studio lighting, then please do head over to Paul Wilkinson Photography and look for the section on workshops. You can just google Paul Wilkinson Photography workshops. And you'll find them pretty quick. Whatever else happens, I hope your holiday season was peaceful. I hope you had a lovely, restful one. If not, I hope you're having an absolute party. And so, here's to 2024. Let's hope that it's Well, let's hope that it's a nicer year than it seems to have been in the first few days. There's nothing in the news that fills me with very much joy. So I'm just ignoring the news. I'm not paying any attention to it. I'm not getting involved. It just upsets me. I'm going to continue to do what I do and enjoy spending time with my clients, enjoy spending time with other photographers. Basically, I'm just going to make the most of my time on the planet. Here's to 2024 and whatever else, remember, be kind to yourself. Take care. [00:45:00]   

Might wanna turn it down ‘cause this is a rowdy one!The thought process of Miss Piggy in the last five minutes of The Muppets Christmas Carol | SENTIMENTAL GARBAGEPeyton and his brother performing “Sisters” from WHITE CHRISTMAS

It's a musical, baby!

Grodin.

Throw on your li'l cowboy boots, pick up your banjo, and hop on the Mayhem bus with Nick, Rip, and Pey as they talk The Muppets!

Family.

Tim and Guy are on their sixth course of a Furious 7 degustation and while Tim has energy, Guy is starting to feel a little bloated. Timbo is drawing parallels between Dom and Letty's marriage navigating amnesia with the 1987 Kurt Russell/Goldie Hawn rom-com Overboard. Both of the boiz consider the consequences of getting close to a celebrity (Kate Hudson for example) and overplaying your hand by physically tapping her. The episode ends with some genuine questions around the pregnancy timeline of Dominic Toretto's son (from F8) and also how much time lapses between Fast and Furious movies. On the whole, a fantastic episode! Hosted on Acast. See acast.com/privacy for more information.

This episode is accidentally being released out of the order in which it was recorded because Tim f***ed up (sue me!)Brought to you by The Cheesecake Factory, this watch of F8 sees Tim in his native of Auckland and Guy across the ditch in Australia. Guy can mentally only categorise this film as a collection of GIFs, rather than cinema, on this watch and is addressing one of the elephants in the room. Tim attempts to defend the flick by discussing modern Hollywood's move to make every blockbuster movie into a theme park ride for the eyes and ears, whilst having a hard time reconciling his horrible work with his beautiful family life. This highbrow discussion is railroaded by both of fellaz being absolutely fascinated by American food chain, The Cheesecake Factory, who sponsored this episode.THE CHEESECAKE FACTORY - VISIT ONE OF OVER 300 GLOBAL LOCATIONS, TODAYSee Guy LiveSee Tim LiveSupport the podcast (and see video episodes) on Substack Hosted on Acast. See acast.com/privacy for more information.

Patti Harrison has joined the chat. Specifically the final chat about F8 with Tim and Guy. As she turns her incisive mind to analysis of these two men's near-decade long quest for meaning in watching bad movies too many times, the pair crumble under the scrutiny. Tim is assuming a knife-like(!) form and Guy ever-so-briefly rediscovers the joy of talking about a movie he actually likes. Lowlights from this watch include a lack of Charlize Theron's pussy appearing on screen and highlights include some inside information about Hillary Clinton.Support us and see the full video episode at TWIOAT.substack.comSee Guy live in Australia and New ZealandSee Tim live in Australia and New ZealandFollow Patti Harrison on Instagram because she did a really cool prank on Twitter and got her account banned from the platform. Hosted on Acast. See acast.com/privacy for more information.

Timbo and GuyGuy have been to podcast therapy/mediation to work on their connection and the results are middling. It's been a challenging watch, in trying conditions as despite both being in the same city, they are separated by a literal cyclone. Guy unearths an Architectural Digest tour of Tyrese's mansion before sharing an infamous Instagram post by The Rock that was made on the last week of filming F8. It is bombshell material. Tim speculates on the beef/working conditions of the F8 set and what insecurities collaborating with The Rock may have unearthed in Vin Diesel. A feeble attempt to lighten the mood comes in the form of a pitch for a ghastly alternative F8 involving the Red Dragons (the girls soccer team that Hobbs/The Rock coaches).PRODUCTION NOTE: Tim misgendered Ezra Miller in this episode. He apologises and regrets the error.Join us on SubstackSee Guy live in Australia and New ZealandSee Tim live in Australia and New Zealand Hosted on Acast. See acast.com/privacy for more information.

It's the fourth watch of F8 and it's not feelin' great. Tim and Guy ride their lazy boys into the mines once more to discover new secrets about a guy prominently in this movie who DOES NOT READ AS AN ACTOR, the history of energy drinks in Aotearoa New Zealand and answer the biggest question in all of the Fast and Furious franchise; Which Pokémon are each of the crew? Strap in, grab a 440ml Monster and enjoy.Join us on SubstackSee Guy live in Australia and New ZealandSee Tim live in Australia and New Zealand Hosted on Acast. See acast.com/privacy for more information.

Life-long Fast and Furious fan Joseph Moore joins the fellaz to discuss the F8 of The Furious, which he personally rates as either the worst or possibly second worst movie in the franchise. Joe delivers some red hot takes on why The Rock is bad for F&F and why he's #TeamVin all the way. Two great ideas are floated for some new vehicles to feature in Fast X - one is a dimension and the other is a 150 year old mode of public transport.Join our Substack (for video episodes, early and ad-free eps and bonus content)See Two Hearts Live in Australia and New Zealand See Guy live in Australia and New ZealandSee Tim live in Australia and New Zealand Hosted on Acast. See acast.com/privacy for more information.